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Raj Arumugam Aug 2011
give my children
O most noble Sirs
a means to a life;
give them hope, Sirs
and let them smile

give my children
O most esteemed Sirs
a way to dignity and respect;
give the young and innocent
the will, a skill, and strength

with your wealth, Sirs
set up schools
that the poor may attend;
with your power
provide free books and an education

give my children
O most noble Sirs
a means to a life;
give them hope, Sirs
and let them smile

let there be libraries
Sirs, as
as I hear are in foreign shores;
let there be many in each city
where children and men and women
can read and borrow free

let there be
Children Welfare Groups, Sirs
that may feed and clothe and protect the weak;
and you that are so esteemed and revered
and always speaking of the next world -
teach the parents to understand this world
so that the body may have its dignity

let there be hope, Sirs
and give my children
a dream and ambition;
let my children
learn to love and feel;
let them know they are equal to any
and they too are of this nation

give my children
O most noble Sirs
a means to a life;
give them hope, Sirs
and let them smile
poem based on painting “Gypsies”, by Ravi Varma , 1893
Raj Arumugam Feb 2014
My straight back is broken
I can hardly keep an upright posture now
as I once used to
but my spirit is not broken,  Sirs
And though I lean on a walking stick
which is my devoted companion -
more useful to me than a daughter or son
(my wife passed on , Sirs
poor woman she went three years ago) -
I still have my dignity, a sense of my worth, Sirs
O you who enquire where I come from -
where I come from is the past, Sirs, truly
(I do not mean to be insolent in that)
for truly time has eaten much of my memory
and all that was mine or familiar
or what was worth holding on to
The streets here are my home, Sirs
so I know my present
what corner I can find
when the bones are weary;
but otherwise I wander the streets
where my legs will carry me
and where the city police will let me;
and where there are no street urchins, I tarry
And I have naught to do but observe
the energetic world go by
(a world wearied in its own drive)
with which I am disconnected
And that has no personal meaning for me
except for its occasional kindness
But that Sirs, if I may go now, is my beginning and end
and all that which is mine…as my wife might say,
and she said, as the good woman died:
*Well, if it pleases you or not, I must go now
*poem based on "Portrait of an Old Man", c. 1624-1650,  painting by Georges de La Tour (March 13, 1593 – January 30, 1652)  De Young Museum, San Francisco.
* Well, time for me to take a break - I mean, to take care of paper work which I have been putting off...back at end of March.
Raj Arumugam Jan 2013
....this poem is dedicated to our fellow-poet here at HP, Marisa White...


Corax versus Tisias*


(1) CORAX PRESENTS HIS CASE

Sirs, you most esteemed judges in all of Syracuse
most revered in all of our Greek world
I, Corax - known fondly, no doubt, as The Crow -
charge this man Tisias my student in rhetoric
of a mean trick against me, his teacher; he is a cheat
He entreated me often to teach him the smooth Art of Persuasion
the Perfection I had shaped in Rhetoric
And I agreed, after due consideration, prompted by my sense of duty;
and it was agreed he would pay me only if he wins
his first case in our esteemed courts
But Sirs, mark you well his treachery  -
for having learned of me my 5-Stage Movement in Persuasion
he then has refused to take any legal case in court
so he would never have to pay me my due
And so it is now I have forced him to court;
and so I trust, most Honourable Judges, in your wisdom
If I win the case, I should naturally receive all payment;
if I should lose the case, Tisias wins, and so - logically -
he should pay me…Ah, I submit myself to your wisdom


(2) TISIAS PRESENTS HIS CASE

Sirs, it is most true I was taught by Corax
but I have not kept away from court deliberately
but of fear - for I have no confidence in the rhetoric
he has taught me
For all he taught me was reliance on flattery
which I know, Sirs, never moves you
And so Sirs, if I should lose, it is I who should be paid
by the terms of the agreement;
and if I should win, in spite of his poor instruction,
then it is I again who should be paid for I win then
by my own naturalness
and by your aversion to flattery


(3) THE ESTEEMED JUDGES MAKE THEIR DECISION KNOWN

“Kakou korakas kakon oon”*
which translated in the vernacular, you commoners, is:
“Bad Crow, Bad Egg”

Case dismissed!
Throw the Crow and its Egg out of this Revered Court!
1) This poem is dedicated to our fellow-poet here at HP, Marissa White.
She describes herself as:  “A senior in high school just trying to make my way through life. This is my poetry. I would really like to improve as a writer so critiques are welcome.”
Do read her poems – each one is full of life and deep thought, and originality.

2) Google "Corax of Syracuse" for more information on the historical context. The poem is based on information in  the book "You Talking to Me?  Rhetoric from Aristotle to Obama" by Sam Leith
Alexander Klein Oct 2013
I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco
Raj Arumugam Feb 2011
1)   Zushi and Anju


Zushio
my son
where are you now?
Anju
most delicate flower
where do you rest your head?

Zushio
strident and strong
are you still alive
and do you
think of your mother?
O son
do you keep your father’s words
and do you look after your little sister?

Anju my delicate love
where do you blossom now?
Your presence always fills my heart
but you are not where
I may hold you, my lovely child

O Zushio
are you with your sister?
do you still care for her
and does Anju grow to be strong
and  brave?
O Zushio - is Anju within your shadow
or has fate parted even the two of you
as it has parted us all?

Zushio
my son
where are you now?
Anju
most delicate flower
where do you rest your head?



2)  Live brother

Live, brother -
and go now, for
you must go seek mother;
seek her where she is abused
in Sato;
and Oh - what they have done
to our mother, a woman without her man
one cannot know
But O brother,
find mother and give her back her life
and as for me
our masters cannot extract any word
about where you hide and what you intend
and how you escaped  
for all they will find
is water in my mouth and in my body
for I will be in water
as when I lived in mother’s womb
But live you brother, and flee
and hide till they think you are gone
and seek our dear mother
and free her
and give her back the life  
give her the precious gift of life
the same precious life
she gave you and me



3) Come home to mother


Zushio
O Anju
dearest children
where are you?
are you well?
has time been
a gentle foster mum
or a witch that eats
children’s hearts?
O Zushio
O Anju
children
of the just -
do you think of mother
and does your father’s wise words
still reside in your hearts?
O Zushio
O Anju
dearest children
where do you sleep at nights
and what do you wake up to each day?
Zushio
O Anju
my children
come home to mother
for always I wait for you



4)     Way of the just


Yes Sirs,
I know you say
it is easier
to live the life of the unjust
to protect one’s own comfort
and powers and position
and seek to satisfy one’s own appetites
and be one with the group to secure oneself
and keep the less fortunate out
and to increase one’s own fortunes and ease
by increasing the powers of one’s group -
but Sirs,
I have taught my children
and I live what I teach:
Let justice be one’s way
and do good to all
though it may be inconvenient to oneself…

And now, Sirs,
you have come to teach me
for you would do good to none but to your own group
for the good you do your group will protect you
though others may crawl the earth in misery;  
but I, Sirs - I find it easier
to walk what you call
the difficult way of inconvenience




5)   Satisfy my desires


Come woman
you must satisfy man’s desires
and fill the pockets of your master

You have not learned this
and you yearn after
your husband and children
far removed;
and ungrateful to your owner
you run off from the quarters

It takes time
woman
it takes energy and resources
and money to drag you back
and it stirs rebellion amongst the other girls

It is simple, you see:
you must satisfy man’s desires
and fill the pockets of your master;
and it is even simpler:
you break a rule
we break your feet;
we cut your tendons
so you can never run
You’ll be made useless to yourself
if you are determined to be useless to the owner
And you’ll be an example
to the other girls
an example to inspire fear and obedience

Come woman
teach by example:
you must satisfy man’s desires
and fill the pockets of your master




6) Zushio and mother



SON:

O mother
forgive me your son
for I could not bring sister
alive back to you
for time delivered her
into the hands of the unjust
and she chose a lake
as her burial ground;
father died in his exile
and all I bring to you now is myself
with nothing in my hands
for poverty and misery has been the reward
of the just and the righteous;
I lived by father’s words
of compassion and love and justice -
O dearest mother,
and the world proved a cruel master




MOTHER:

Though we are left
with nothing the world can see
nothing the world can measure by
there is the love one has…
O Zushio, my child -
and may that love sustain me, you
and may that love sustain all beings;
O Zuhsio, my child
see your life’s journey this way:
May no harm befall any being
may all beings live in peace;
may all beings be happy
and no harm ever come to one  
through my deeds and actions




7 )   Sansho’s philosophy


one comes to this life  
and one must seek comfort
and ease and one’s status
and this comes through careful nurture
and meticulous culture;
wealth and power flows from one to another
and one’s ease comes through the  discomfort of the other –
the fool must fill the coffers of the cunning;
the weak must prop up the strong
and so this is the secret of life
and one must  seek a group that can sustain one
and one must sustain that group too
and so keep all others in place under thumb, toe and fist
and so that  the ease one comes to in life
flows constant like the rich living rivers





8)   The family

There may be journeys we undertake;
there will be long departures
and separations
There will be pain and agony
and each may be taken
from the other
And yet, yet - O gentle heart
yet the bonds will live and bring back one to one;
yet the bonds of mother, child, father, brother and sister
these bonds will surpass all pain;
and the family, that bond of love
that will live, that love will radiate
no matter what the world shall deal and ******
into one’s hearts and hands
O hold on to that love
that love of father, son
man, woman
mother and daughter and brother and sister
for that is all, that love is all that lasts and endures
“Songs for Sansho the Bailiff” is a series of 8 poems I wrote based on the film “Sansho the Bailiff “ (1954) by  Kenji Mizoguchi.
Set in medieval Japan, the film tells the tragic tale of a family that lives by the father’s ideal that one should be just to others, even if that goodness is inconvenient to oneself. The family is separated and endures all sorts of suffering in living this ideal.
Raj Arumugam Oct 2010
I bring you flowers
dear Sirs and Ladies;
flowers of softness
for most gentle souls
and flowers in full bloom
for most radiant beings



here I bring flowers
that I plucked just now
and that, exquisite ones,
dignified Sirs and gentle Ladies –
most delicate flowers I have
that are red and blue and green
and of many hues and all colors
that the hills and the air and the clouds
have coaxed and brought to our earth


I have flowers
and that most beautiful
that I have brought from
the fields and valleys
with the scents of the angels
and aroma that come
from the rolling hills


O most
dignified Sirs and gentle Ladies –
I have brought you these flowers
that grow in abundance in our hills
O will you not pick what
delights your hearts
from my ample baskets
and happily fill my purse in return?


I bring you flowers
dear Sirs and Ladies;
flowers of softness
for most gentle souls
and flowers in full bloom
for most radiant beings
the village flower girl sings to sell you some flowers
Raj Arumugam Aug 2011
The young Musicians  are at rehearsal...the ladies and the lords will soon gather in the music chamber...and Caravaggio's musicians will play them some music and sing them various  songs...but first, they must rehearse...


The Musicians at Rehearsal

Let us continue…
Let me tune a little of this lute
while you peruse the notes
and you clear your throat
And what’s our Cupid doing?
Crushing grapes again between his teeth

Let us rehearse well
to render a song of softness
and ease and grace
A song of love
with sweet music
that will charm our guests

And we shall present it
in the private chamber
of honored lords and ladies -
and we shall sing like angels
and one of us will be as Cupid
dancing and flying as fancy takes him

Let us hurry now
though let us not forget polish
and pace and perfection…
come, let us again rehearse together


...and soon the ladies and the lords will arrive...and the musicians will perform and sing their songs of love, passion and sadness...

...and the ladies and the lords are seated in the music chamber...and Caravaggio's musicians play and they sing a song of love and passion...


Song of Love

O luscious Ladies
and brave Sirs

the clouds join
with one another
and the streams sing;
the birds sit amorous
on the branches
and the trees sway
while the flowers spread their scent
in the air
and the bees dance in a daze

ah, Ladies are made for men
and men for women
and each so shaped for perfect fits -
embrace then the lover beside you
O Sirs pick the red berries
on the lips of the luscious ladies;
and O lovely Ladies,
yield to the embrace
of the gallant beside you
and feel flowers bloom within -
for men are made for women
and women for men
and each so shaped for perfect fits

O embrace and kiss
dear luscious Ladies
and most accomplished Sirs
for Cupid seeks that you make love
and produce heavenly cherubim
who in turn, nights and days,
will make love like you do
now in this chamber of pleasures


...and so ends the first song...and the musicians prepare to sing one more for the charming ladies and the elegant lords...a song of sadness to end the night...

...the beautiful ladies and the lords want more from Caravaggio's musicians... the musicians are always glad to oblige..they sing their song of sadness, of loss and love...*



O this ecstasy we call love


O this ecstasy we call love -
what is it?
why do we crave it
when there is such pain
that weighs on the body and heart?

O this joy we call love -
what is it?
why do we fall
when there is so much deceit
and betrayal?
why do we love
when there are lies
and hidden motives?

O this curse called love -
it has dried my heart out
and my being is smeared
as cloth with oil and grime;
my best times have been taken away
and there is left only
contempt and scorn
and derision…

O this darkness we call love -
what is it?
why do we still move to it
even as it teases us
and leaves us broken
and forlorn?
  

*...and it is time to go...and the ladies and lords bow and they depart...some depart hand in hand...silent...some depart alone, sad and contemplative...
complete text -  series of 3 poems based on the painting "The Musicians" (c.1595) by Caravaggio
Poetic T Feb 2017
All he wanted was a sunny day but those
clouds would just not go away.
He asked them politely;

"Excuse me sirs and madams  please would
you move away just for this one day,


You may ask the difference of clouds?
the madam clouds are purely white they
some times rain a little upon my head.

Where the sirs are the moody grey clouds,
I asked them to leave and now I'm soaked from
my tiny toes below to every part of my head.

"I beg your pardon, why did you only rain on
this one spot, only soaking me and no one else?


So I thought of a plan and got my mummy's
fan pointing it towards the sky, I turned it on
I thought it would take a while.
                                                      
   ­                                                     "A while later,

I looked up to find more clouds then there was
before? was it because I only used Number one?
so I turned up to the highest Number 3.
                                                        
     ­                                                        "A while later,

A look of confusion! as there seemed to be no
movement, but again more than before.
"Mummy I think your fan works in reverse,

So a little man thought, to his toy box he went.
Mummy I'll just be in the back garden, the wind
was blowing blustery, he smiled, its was just right.

Pointing his trusty bow upwards, thinking that
if he could pop one after another, they would
whoosh away and he would get his sunny day.

Away it flew, upward and onwards, so high
like a little bird flying then it fell faster than a
leaky balloon "Bonk, it went as it hit the floor.

This little man with frustration on his face,
thinking thoughts of what went wrong?
"I know I need to get higher up, clouds are high you know,

How many arrows would I need for a sunny day,
he looked in his arrow pack.
"One,
           "Two,
                    "Three..

That was enough he thought, they were quite heavy
to take up that rather big hill. Off he went, bow and
arrows and his idea of a sunny day not far away.

Out of breath but at the top of the world or so
it felt. "I wonder if I can touch the clouds?
His hand reaching up standing on his tip toes.

"I could pull them away, or put them in my bag for another day,
But alas he was just out of reach, his fingers couldn't
stretch that far, even on his little tippy toes.

So his arrows in hand, there little suction cups pointing
towards the sky. The first arrow off it flew quite far but landed
so way down the hill. "Not high enough, a tear in his eye.

Then Number two, Number Three shot off higher than
the ones he let go of before. But none could reach those
clouds up high, and he cradled his hand and began to cry.

Now the wind hears everything, voices carry on the wind
you know. It heard this little boys tears and couldn't let
them fall like the clouds anymore.

So it whispered to each one a favour it asked,

"Clouds of white, clouds of grey, could you please
wonder to another place for an hour or day?


"Just let this little child have his sunny day, no tears
should fall like the clouds hanging up today,


With that a gentle breeze picked up, and one by one the
clouds did wander off. One was stubborn grey, but with
a gentle nudge he did move slowly off and away.

A gust of wind kissed the boys face. Eyes wiped he looked up,
not a cloud in the sky, nope not one.Smiling he ran collecting
his bow & arrows as he ran down.

"Mummy, Mummy, the clouds have wondered off
the fan didn't work? my arrows couldn't go high enough.
But the breeze kissed them all away.


And so a little boy and his mummy went outside,
playing games in the sun, till the sun began to yawn  
on the horizon telling mummy it was time nearly for bed.

So a little man was tucked up in bed, he thanked the
wind, "Thank you, and thanked the clouds "Thank you,
For he got to play with his mummy outside on a sunny day.
Mateuš Conrad Dec 2019
and in my "hiatus" period of absence, circa 15th of April and 15th of December (minutes from a yesterday)... i've come to regret the Russians not having any... no... rather the bare minimum of orthography... surprise surprise! there's plenty to choose from! i had to return to a time when i was drilling greek into my head... naturally: a time for cyrillic was on the horizon... but... i couldn't do it with english alone... i need my mother tongue, a tongue that employs diacritical markers... again and again: english can do away with its j... it goes missing when raised to stand from a sitting position ȷ(J)... and it can cut the head off its I(standing)... ı(sitting)... to make an emphasis... i have been busy... drinking aside, have a look where i have been for the past... april, may, june, july, august, september, october, november, december:

ź = зь and ż = зъ

i'm drinking - and i am my most content - the world burns and goes about its usual wordly theatre... i'm huddling with a cameo role in the background... i am drinking content... my 3rd or 4th rejection letter! this time from : austin macauley publishers (london, cambridge, new york - sharjah - where the **** is sharjah?!) - i remember sending them a "manuscript" and a book already printed, bound... they said it would take them 6 weeks to reply... i didn't enclose an email address... i had to wait for the snailmail... my my... what lovely handwritting of my name and address... in the letter i did state: it's e(sch)lert... she omitted the (sch)... a rebecca crib admin assistant, of the editorial... 6 weeks though... hmm... i posted the letter and manuscript and the book way back prior to visiting my grandparents... circa 8th of september... it's a rejection letter... that much is true... but i'm drinking in celebration! i was making dinner in the afternoon and was asked: why are you so angry? i wasn't... i tried to figure out what i'd feel when enough of ms. amber was in me... i replied: i'm being apathetic... but now it's clear: i'm jovial! there's even a signature! an authentic signature... in all honesty... a rejection letter means something... if it is physically mailed... of course i'm celebrating! i exist! i exist outside the realm of getting spam snail-mail! of course i will reply... i'll tell them: destroy and recycle the manuscript - it really wasn't a manuscript to begin with... i pour my "efforts" on the manuscript canvas that's the html... but the already printed book? can you please not burn in... rather... keep it? i'd appreciate no 1933 Säuberung... and you know (kind reader) - i'll send this introspection to the same publisher... like it is... pop / pulp or whatever mongerel of style this has had to be... but a reply! i want to see how one might escape formal language, formal affairs, social affairs, esp. in letters - a dear ms. X / to whomever it might concern Y... kind regards / yours faithfuly Mr. Z... this has to be celebrated... given what's on the horizon... the norwegian novel viking a'comin'! the buldozer autobiography... the demand for a "death" of fiction... otherwise i'm still "here"... a "here" that truly is so distant that its distance allows my petty leeching and the world's grand fiasco theater of fire and smoke and mirrors! - after all... i'm not mad enough to be welcome to a cage if i'm a sparrow... a cage of rhyme, form and all those shackle devices / identifiers of "poetry"... the future is narrative... and the current narrative says? if you asked me to dress proper, for an opera... to don the shirt the tux and the bow (tie)... the well ironed trousers... perhaps... beside the point: air's in the head and i just wish i could heat it up... for a baloon of quasi-egoism effect... otherwise what is there... a former journalist becomes an isolationist essay-scribbler? all the best journalists retire from the profession and become essayists... polemicists... whatever... this "poet" says: no poet ever writes a novel... the real life is too fictive already... and most certain this "poet" adds: begone! lyricism and rhyme! i'll sing like the humming drone cleric of the hive of ambient refrigerator sounds at 2am when everything is sleeping...

capital: oh... so that's what it was... back circa 1990 - when inflation of currency was rife all over Poland? that's when foreign capital was flowing in: foreign money... the economy was flooded with pounds and dollars... and given the exchange rate: i remember a time when you could get circa 7zł for every 1 £ sterling... so why would a nation start to print its own money? well... because more foreign money is coming in - at the given exchange rate: apologies: i was born yesterday - i need to explain certain things, from scratch... as was once stated - there's only a finite amount of money in circulation... physical money... "apparently"... and no... if you were to materialise all the wealth in this world into either fiat or gold: there wouldn't be enough of it... but how else would inflation happen in a country like Poland circa 1992? foreign investement: the wild west of eastern europe when the soviet barricade fell... i do remember being asked a question as a child: which is more... these copper coins... or this piece of paper? on the piece of paper was written 5, 000, 000zł - i said the copper coins... i wasn't either right or wrong - the person asking the question laughed... i don't think it was a question of: there are more copper coins in the hand... than a single piece of paper... after all... perhaps i acted all trans-****-sapiens and became chimp and saw less zeros on the copper coins than on the piece of paper? how else does does a currency inflate - when foreign currency is poured into it... it's the opposite of foreign aid... you put £1 into an economy - with an exchange rate: currently you'd get circa 4, 50zł out of... so where is all this "excess" money to come from? the moment when foreign money is invested... is the moment you have to start printing your own money... imagine... if the word BLACK was worth more than CZERŃ (чернь): oh, we'd readily translate BLACK = CZERŃ... but we also need a sentence for that "to make sense"... and there i was... thinking that russian doesn't apply diacritical markers... oh... right... they're not as discrete with accents like some of us... notably? нь = ń... and so and likewise... wait wait... źródło (source)... in russian it would look, look: oh so ugly... зьрoьд-ł-ł-o... (wh)en (wh(en) but now i know this (w)oe: the soft sign (acute)... and the hard sign for... e.g. życzenia (wishes)... зъыченя (perhaps зъычениa) - point being: ź = зь and ż = зъ... now does language come to me...it never left me... but now ai appreciate the minor details... i see the english and their language and how they speak it... how they churn out metaphysics and how they call forthe help of **** similis to give history the rusty coating of: nothing between a today and tomorrow: there's only the hanging off a tree from a a tail that the chimpanze doesn't thave... everything is so very metaphysical: it's never orthographic! тe два: tak - тe: оба (there's a wikipedia mistake... U+0411 / U+0431... not o'bah... oo'b'ah...): щекaць: szczekać! to bark... eh... greek became too rigid... i could remember all the letters... always buckling on ζ (zETA) and ξ (11), upsilon (υ) and nu-nu-nu (ν)... and this is, practically nonsense to anyone with a base literacy knowledge... to exagerrate... who does mind such pedantic pleasures... when they could be somewhere else: skiing! but it's worthwhile to know how a nation's currency can be inflated... foreign money flows into the country - and whatever the exchange rate is... there is no such thing as a "grafitti compensation": then again, there is... perhaps literacy has been inflated... inflated for a second literacy of coding to be assured? otherwise? bypassing the orthodox print... bypassing orthodox editorial scrutiny... was... "nice"... until the moment when the mediator sought to see fit that the reader had more authority over the written word: having re(a)d it - over the person who had / has: written it! we do part our ways with the russians on the "debate" concerning the "cedilla" involving A(ą) and E(ę)... cedilla: yes yes... akin to garçon - waiter! waiter! please - that greek sigma at the end of a word: and all its ασπεκτς... aσpectς - that really is an orthographic statement... only Ssssssss'igma is a letter with "three dimensions" suited for it... a handwritten element... otherwise in the news this week? the apostrophe society is no more... like when you don't put a possessive article if the thing in "question" ends with an S, in english? e.g.? the colours' (sez sirs - alt. colours's sez sirs... ses-esses) imbued harmony... and that is a possesive article, isn't it? with an apostrophe: 's? it's not a plural identification - there would be no need for the apostrophe to begin with! pounds' worth: no... not a pound's worth - the worth of a pound... pounds' worth: the worth of pounds! - what's that german word... glücke! nein nein... etymological root: glück 'luck' (etymology is the new history... it bypasses journalism and serves some journalistic cousin that's powdered in dust of cremated bookworms) - and yes, a hypen can come to the fore: after a full-stop and the opening of a new sentence with a conjugation: - with disbelief / - and!

i'm not buying how the media narrative will turn Cymru into a "K-affair"... sim sim: similie or else... but these have been my greek buckles: ξ (oh... that's why i wrote 11... XI - ksi...) - it's rare to see ξ sometimes: esp. in philosophy books... rubric!

- ζ
- ν
- υ (i can be forgiven, these two letters
are not suited for print... unless working
with a microscope) - unlike a roman Vv...
- ξ

but this is just the greek... if you ever read some modern... you'd think: and i just don't know, where they get their ideas from - with all those diacritical excesses that heidegger notes...

but now... for my cyrillic mini-adventure:

from Miньsk (Mazowieцki): with love

it might be said, that if i just the bare minimum -
if i even do not write anything at all -
but i have too many petty griefs during the day
to much else than the odd, occasional chore;
at the same time i do not want to sound
amused, bewildered, bored or un-used...
it's just that i find writing and drinking before
falling to my 343rd death -
my 343rd labour for mask and then exfoliated
in a dream: that might come...
or might not come...
unless a known audience... a wake sized nieche
privy... i find either unconscious or subconscious
struggles to warm up to an anonymous crowrd...
unless it was me being propped up on stage...
flooded by light... and the audience in the din:
with barely a shadow to scratch...
perhaps: then and only then...
but i've found that: it would be best that i sentence
the 2hs spare i have for merely drinking
and loitering from one video to another:
perchance something new in music is to emerge...
"coquettish" with a "something" that will never
have any realism-focus for me to undertake
a second's day carnality of the banal...
perhaps all this: "going out of my own way"
has been too much - or just enough...
to make me drink more and take more pharma
knock-out enzymes...
a naproxen and an amitriptyline...
perhaps the focus was elsewhere...
to stand frozen in awe...
when someone might "add": from one big void:
ex nihil a priori to... nihil a posteriori...
and all this cameo theatre in between!
mein gott... i can also convene to praise those
brutal breeders of sorts...
enough time to occupy two decades...
perhaps even three...
and then the grim reality of: should my child
die... or... some other worse:
the mortal should not be inflicted by...
"not reading into the genetic clues": properly:
"all at once"...
oh i would be so much happier to take this mind to sleep:
to not make some idle focus -
to entertain some eyes while i turn aside all things
hyper-inflated in purpose...
to die of a heart-attack in one's sleep...
but otherwise to simply focus on a welcome tomorrow...
that would be...
a gracious beginning to posit the day's slouching
zenith... or... i'm not sure whether this be a coming
zenith or a nadir...
but there's still that clear-cutting focus
regarding russian orthography...
cutting it with two tongues... slit at the tip...
with english the "placebo": no diacritical markers evident...
well: a TILDE over a ȷ is no more necessary...
than a "tittle" (not thai-tle... ty'ttle) over an ı...
to borrow the greek phrase: cut one head of hydra -
two emerge... cut the two heads...
i come toward the russian mish-mash of diacritical
application...
it's not be-au-ti-ful... it's messy... it's what it is...
but already i can see what this: cutting off the heads
of the english j-i hydra looks like...
it's not enough to simply enlarge them to state: CAP(I)TAL-(J)...
the knitty-gritty... why then the tilde atop of 'em?
prior "corrections": łen and when...
is not akin to... wrak or wreck... although these two words
have the same meaning...
unless: "partisan" V comes in...
very - weary... Cracow or Krakov?
a W = a Ł = a W = a V ≠ a Ł...
Ęwa and Ądam (e nosinė) are not covered by
Russian orthography...
the list is as follows:
ż (зъ) and... ć (ць), ń (нь), ó (oь), ś (сь), ź (зь)...
the graphemes? i'll call them graphemes for simplicity...
even though: they're not the smallests units...
as are vowels... or the syllables of consonants
in the latin choir of B'ee, C'ee... e'M... etc.
ж alternatively RZ (Ż) or Ž... otherwise the fwench:
je (suis)... this is nothing more than...
an encyclopedic evaluation...
a trainwreck proposal of: should i ever be stuck in
in russia... and i would have to: read... (ee'd - r'ah)...
chop off a TILDE off the torso of the english:  ȷ...
a crescent moon lying back emerges in the russian... й...
but it's not the english: jeep! it's an english: yeep!
or a  ȷeep! alternatively: yawn could be:  ȷawn...
but not if: it's jaws... coming into play: to chatter from
the siberian cold... how else to explain?
if not by... example?
then there's the "exploration" of the greek F...
as much as in english...
фoughts on θilosoφy...
good to know the russians only "borrowed"
one of the greek Fs... "culturally appropriated" or...
wasn't St. Cyrill born a greek?!
and away from greek we move...
since χ (chi): yep: perpleX... a Ks to a Ts
(note, revision found below)...
otherwise hidden... in non-vowel binding consonants...
like... ч- and -х (although... that's not quiet a Ch-ur-hC -
but sure... some altar for siц and... no... no siPS)...
cholera! which is not: SHow me the CHow mein...
for that we need CARONs...
that's when ч becomes CZ (in polish) or otherwise:
Č... long have i wanted the polish to adopt this version...
to hide the SZ and the CZ (es'zed, х'zed) respectively...
how else to write: szczekam?
a russian would write... щекaм...
out of a "simple" ш out pops out a щ (this letter...
is probably the only "etymological" route to bind russian
to the oddities of Ęva and Ądam (e nosinė)...
ш (š) becomes щ (šč) -
whoever was to undermine the old rules
of engagement when the ruling parties gave up
a monolopy of literacy? you can literally hide an entire
letter / meaning by using a hachek...
hook...
as i begin to wonder:
how much did the slavic tribes "appropriate" greek...
and how much did the two greek saints...
try to make sense of the slavic glagolitic script?
em... Ⱋ looks pretty intact if you cut off the body... E:
reclining...
but i do come from the western lands of the eastern
lands... hence? hardly any cyrilic influence...
but i too: with my own oddities... already mentioned...
come to think of it? the bulgars joined
the "party"?
beside that? what other, russian"oddities"?
orthographic - i.e. aesthetic dictations / rubrics...
ю really is a я... the russians have this english tendency
to stress their pronouns...
i this... i that! i walked up a street! and kicked a black
cat 13 times down the street to ease my luck!
you can talk in polish for days... and never stress the I / я
pronoun... really...
and ю is just a variation of я...
throw in the remaining vowels and you'd probably
come up with some "new" russian letters...
like ye... good point... i did make a "mistake"...
щэкaм! i'm barking!
unless... that's only an orthographic question...
notably? if you're going to: zerkać...
peer in / at "on and off"... casually...
зэркaць... em... it must be an orthographic question...
ergo? i wasn't exactly "wrong"...
just bad taste... зeркaць...
i've already shown the difference between (ъ) and (ь)
in a latin script: that uses more diacritical markers
than english "supposedly" escapes with focusing
on the rather pointless TILDE over the J and I...
this "oddity": ы... ɨ  clearly it's not exactly a ł...
minor details... like a mona lisa smiling...
best example of close proximity?
take a... no... that's a hollowed out "why"...
i know how it sounds... and there are no diacritical marks
needed for it... since there's a clear distinction
that i know of, between: I J Y...
tY... this little sucker is born from the fact that...
western slavs have a name for this letter...
iGREK... funny... the russians borrow more greek lettes...
and have to have...
ё (yo), e (ye), у (which they treat like a greek would U -
never mind the greeks themselves
making the following ref. Υγ / Γυ) -
and of course the я (ya)... so no wonder i see this
"letter" (ы) as an absolutely oddity...
i could stomach: ż (зъ) and ź (зь) differences...
well that's as far as i would come in learning russian...
spot the odd ones out... proper...
й (j) and ё... which is some german loan vowel with
that ******* umlaut... otherwise...
this poo'em was born from trying to **** the english
hydra of "orthography", with its mighty bounty
of the ȷ-ı TILDE! my my... what a ride!
come to think of it... now i think i can sleep.
- it hasn't been such a waste of an hour... drilling this in:
into my head...
after all... what did the professional clarinet player
say then asked about playing professionally
in a travelling orchestra? after 30 ******* years of
blowing hard into this thing...
guess what i still end up doing?
it's not so much learning... i'm still practising!

because this will not end like some sort of "summary"...
i will remember each letter if i weave it into
this latin letter by letter...

the refleξive (x)
in that one might have χeated (ch) -
again!
what it is about an ξ-ray that is also an
"χ"-ray? the "ex" k'ss k'ss cuss...
is this what james joyce's finnegans wake
should have looked like?
again!
the cruξ of the matter...
whenever a question was to be raised about:
any χoice to be had...

i have come to grips with russian orthography...
i'll repeat... the crescent moon over и ("e")
to state: this must be elongated: й ("y") stands outs...

best examples are given by sports commentators,
notably in ski jumping...
suffiξes of surnames...
akin to -cki endings...
yes... you're seeing what i'm seeing...
we'll need some russians to work this one
out... how a C is not an S...
and how it's not KK either...
-цки... hello wet drum-kit snare!

of course not: you're not seeing N:И...
let alone: нaйт (night...
evidently -igh- is a bit complicated...
with ref. to the surd in knight - kappa and
the gamma and the ha ha ha ha tetragrammaton
left arm... vowel catcher i'd be most inclined
to borrow from the hebrews...
whenever they're not busy actually using it...
and not being a bunch of 'ebrews -
electronic brewing of tea?)
сo дaрк (so dark)...

which is the equivalent of writting english
grafitti "backward"... how it sounds...
and not for: what's the formality?
i figured: take the small steps, the trickle...
burn the eyes out with incremental poppy-seed
acts of progress... like the grand Pilgrim Emeryk
from the Świętokrzyski region of Poland
(holy cross)...
each year the pilgrim shuffles to the top of
the mountain with a speed of:
a poppy-seed's worth of distance each year...
by the time he reaches the top of the mountain:
the end of the world will arrive...

am i the next Delmore Schwatrz?
no... i don't have a Lou Reed to contend with...
am i obsessed with Finnegans Wake?
well i didn't spot any "additions" to the letters...
i didn't see any diacritical markers...
a book that shouldn't be translated since...
it ignores... a worthwhile mention
of the concept of orthography -
which is my escape from any western vogue
of metaphysics... i hide behind the omniscient
niqab of orthography... my face can be forever
hidden... but my eyes need to be on... fire!
fire! i want you to burn!

so i went to see the russians having
left the greeks... about any "nuance" bound
to the... ****-naked english language
with its magic act of the disappearing heads
off of J and I...
as you do... you "forget them" and also have to:
somehow "remember" them to be used...

do i still enjoy drinking and listening to
teutonic chants in german?
god almighty! when wouldn't i not listen to german
medieval music... when drinking?!
is that such a terrible sin?

also? i finished the trilogy of H. Sienkiewicz...
and i read some Boris Pasternak...
there was Nietzsche in polish - paul's leash said:
he's more bearable in this language,
than in english...
and how could i forget! there was...
Knausgård... Karl, Ove... volumes 1 and 2
of mein kampf...

now a "summary": hmm... ż (зъ) and... ć (ць)...
could... now... hard sign (ъ) is not exactly worth
ascription if... or rarther: because...
you don't treat a caron over an S or a C...
to "hide the english H" or the Aesti Z when coupled...
there's no need to write чъ... since?
that's pretty much in-itself given č of the nature
of чeap...
ć / ць is different in that... you'd have to hear
it first...
however... the one exception of this "rule" is already
self-enclosed in ж... which is зъ... somehow...
but not зь... examples?

жart / зъart... żart (joke)...
зьrebi... well there's no 'ę' in russian
to name: źrebię - mustang colt...
is there?
so... i was "wrong"...
in that ź = зь and ż = зъ is true...
but? ź = зь and ż = зъ = ж...
so from a "quiet unique" perspective...
and: mein gott! who's to see, travel,
and subsequently marvel at the pyramids of giza...
i'm a different version of what's
considered to be "tourism"...

give me this sole equation:
ź = зь and ż = зъ = ж
and i'll be happy for a month.
as i have been...

oh i'm back... and things have taken
SPEC-TAC-U-LAR turns and twists!
****-naked english over 'ere is gonna make
a chariots of fire runner...
i bet it will... when it comes against a juggernaut
like me.
learning russian and drilling greek until i go "blind"
Raj Arumugam Feb 2011
the gentle day
Sirs
gives way to sweet night
and we come to give swift pleasures  
Sirs
and the coins you may offer
keep our bodies
but the pleasures we offer
Sirs
the nights we give to you
our contortions and exertions
disfigure us, distort us day and night
Sirs
your Pleasures are our pain
for us the plain and painted yotaka
The yotaka (night hawks) were the lowest class of prostitutes in  hierarchical Edo, Japan.
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
THE PROLOGUE. 1

Experience, though none authority                  authoritative texts
Were in this world, is right enough for me
To speak of woe that is in marriage:
For, lordings, since I twelve year was of age,
(Thanked be God that is etern on live),              lives eternally
Husbands at the church door have I had five,2
For I so often have y-wedded be,
And all were worthy men in their degree.
But me was told, not longe time gone is
That sithen* Christe went never but ones                          since
To wedding, in the Cane
of Galilee,                               Cana
That by that ilk
example taught he me,                            same
That I not wedded shoulde be but once.
Lo, hearken eke a sharp word for the *****,
                   occasion
Beside a welle Jesus, God and man,
Spake in reproof of the Samaritan:
"Thou hast y-had five husbandes," said he;
"And thilke
man, that now hath wedded thee,                       that
Is not thine husband:" 3 thus said he certain;
What that he meant thereby, I cannot sayn.
But that I aske, why the fifthe man
Was not husband to the Samaritan?
How many might she have in marriage?
Yet heard I never tellen *in mine age
                      in my life
Upon this number definitioun.
Men may divine, and glosen* up and down;                        comment
But well I wot, express without a lie,
God bade us for to wax and multiply;
That gentle text can I well understand.
Eke well I wot, he said, that mine husband
Should leave father and mother, and take to me;
But of no number mention made he,
Of bigamy or of octogamy;
Why then should men speak of it villainy?
     as if it were a disgrace

Lo here, the wise king Dan
Solomon,                           Lord 4
I trow that he had wives more than one;
As would to God it lawful were to me
To be refreshed half so oft as he!
What gift
of God had he for all his wives?     special favour, licence
No man hath such, that in this world alive is.
God wot, this noble king, *as to my wit,
              as I understand
The first night had many a merry fit
With each of them, so well was him on live.         so well he lived
Blessed be God that I have wedded five!
Welcome the sixth whenever that he shall.
For since I will not keep me chaste in all,
When mine husband is from the world y-gone,
Some Christian man shall wedde me anon.
For then th' apostle saith that I am free
To wed, a' God's half, where it liketh me.             on God's part
He saith, that to be wedded is no sin;
Better is to be wedded than to brin.                              burn
What recketh* me though folk say villainy                 care *evil
Of shrewed* Lamech, and his bigamy?                     impious, wicked
I wot well Abraham was a holy man,
And Jacob eke, as far as ev'r I can.
                              know
And each of them had wives more than two;
And many another holy man also.
Where can ye see, *in any manner age,
                   in any period
That highe God defended* marriage                           forbade 5
By word express? I pray you tell it me;
Or where commanded he virginity?
I wot as well as you, it is no dread,
                            doubt
Th' apostle, when he spake of maidenhead,
He said, that precept thereof had he none:
Men may counsel a woman to be one,
                              a maid
But counseling is no commandement;
He put it in our owen judgement.
For, hadde God commanded maidenhead,
Then had he ******
wedding out of dread;
           condemned *doubt
And certes, if there were no seed y-sow,                          sown
Virginity then whereof should it grow?
Paul durste not commanden, at the least,
A thing of which his Master gave no hest.                      command
The dart* is set up for virginity;                             goal 6
Catch whoso may, who runneth best let see.
But this word is not ta'en of every wight,
But there as* God will give it of his might.             except where
I wot well that th' apostle was a maid,
But natheless, although he wrote and said,
He would that every wight were such as he,
All is but counsel to virginity.
And, since to be a wife he gave me leave
Of indulgence, so is it no repreve                   *scandal, reproach
To wedde me, if that my make
should die,                 mate, husband
Without exception
of bigamy;                          charge, reproach
All were it* good no woman for to touch            though it might be
(He meant as in his bed or in his couch),
For peril is both fire and tow t'assemble
Ye know what this example may resemble.
This is all and some, he held virginity
More profit than wedding in frailty:
(Frailty clepe I, but if that he and she           frailty I call it,
Would lead their lives all in chastity),                         unless

I grant it well, I have of none envy
Who maidenhead prefer to bigamy;
It liketh them t' be clean in body and ghost;                     *soul
Of mine estate
I will not make a boast.                      condition

For, well ye know, a lord in his household
Hath not every vessel all of gold; 7
Some are of tree, and do their lord service.
God calleth folk to him in sundry wise,
And each one hath of God a proper gift,
Some this, some that, as liketh him to shift.
      appoint, distribute
Virginity is great perfection,
And continence eke with devotion:
But Christ, that of perfection is the well,
                   fountain
Bade not every wight he should go sell
All that he had, and give it to the poor,
And in such wise follow him and his lore:
                     doctrine
He spake to them that would live perfectly, --
And, lordings, by your leave, that am not I;
I will bestow the flower of mine age
In th' acts and in the fruits of marriage.
Tell me also, to what conclusion
                          end, purpose
Were members made of generation,
And of so perfect wise a wight
y-wrought?                        being
Trust me right well, they were not made for nought.
Glose whoso will, and say both up and down,
That they were made for the purgatioun
Of *****, and of other thinges smale,
And eke to know a female from a male:
And for none other cause? say ye no?
Experience wot well it is not so.
So that the clerkes
be not with me wroth,                     scholars
I say this, that they were made for both,
That is to say, *for office, and for ease
                 for duty and
Of engendrure, there we God not displease.                 for pleasure

Why should men elles in their bookes set,
That man shall yield unto his wife her debt?
Now wherewith should he make his payement,
If he us'd not his silly instrument?
Then were they made upon a creature
To purge *****, and eke for engendrure.
But I say not that every wight is hold,                        obliged
That hath such harness* as I to you told,                     equipment
To go and use them in engendrure;
Then should men take of chastity no cure.
                         care
Christ was a maid, and shapen
as a man,                      fashioned
And many a saint, since that this world began,
Yet ever liv'd in perfect chastity.
I will not vie
with no virginity.                              contend
Let them with bread of pured
wheat be fed,                    purified
And let us wives eat our barley bread.
And yet with barley bread, Mark tell us can,8
Our Lord Jesus refreshed many a man.
In such estate as God hath *cleped us,
                    called us to
I'll persevere, I am not precious,
                         over-dainty
In wifehood I will use mine instrument
As freely as my Maker hath it sent.
If I be dangerous
God give me sorrow;            sparing of my favours
Mine husband shall it have, both eve and morrow,
When that him list come forth and pay his debt.
A husband will I have, I *will no let,
         will bear no hindrance
Which shall be both my debtor and my thrall,                     *slave
And have his tribulation withal
Upon his flesh, while that I am his wife.
I have the power during all my life
Upon his proper body, and not he;
Right thus th' apostle told it unto me,
And bade our husbands for to love us well;
All this sentence me liketh every deal.
                           whit

Up start the Pardoner, and that anon;
"Now, Dame," quoth he, "by God and by Saint John,
Ye are a noble preacher in this case.
I was about to wed a wife, alas!
What? should I bie
it on my flesh so dear?                  suffer for
Yet had I lever
wed no wife this year."                         rather
"Abide,"
quoth she; "my tale is not begun             wait in patience
Nay, thou shalt drinken of another tun
Ere that I go, shall savour worse than ale.
And when that I have told thee forth my tale
Of tribulation in marriage,
Of which I am expert in all mine age,
(This is to say, myself hath been the whip),
Then mayest thou choose whether thou wilt sip
Of *thilke tunne,
that I now shall broach.                   that tun
Beware of it, ere thou too nigh approach,
For I shall tell examples more than ten:
Whoso will not beware by other men,
By him shall other men corrected be:
These same wordes writeth Ptolemy;
Read in his Almagest, and take it there."
"Dame, I would pray you, if your will it were,"
Saide this Pardoner, "as ye began,
Tell forth your tale, and spare for no man,
And teach us younge men of your practique."
"Gladly," quoth she, "since that it may you like.
But that I pray to all this company,
If that I speak after my fantasy,
To take nought agrief* what I may say;                         to heart
For mine intent is only for to play.

Now, Sirs, then will I tell you forth my tale.
As ever may I drinke wine or ale
I shall say sooth; the husbands that I had
Three of them were good, and two were bad
The three were goode men, and rich, and old
Unnethes mighte they the statute hold      they could with difficulty
In which that they were bounden unto me.                   obey the law
Yet wot well what I mean of this, pardie.
                       *by God
As God me help, I laugh when tha
Raj Arumugam Feb 2011
Yes Sirs,
I know you teach
it is easier
to live the life of the unjust
to protect one’s own comfort
and powers and position
and seek to satisfy one’s own appetites
and be one with the group to secure oneself
and keep the less fortunate out
and to increase one’s own fortunes and ease
by increasing the powers of one’s group -
but Sirs,
I have taught my children
and I live what I teach:
Let justice be one’s way
and do good to all
though it may be inconvenient to oneself…
And now, Sirs,
you have come to teach me
for you would do good to none but to your own group
for the good you do your group will protect you
though others may crawl the earth in misery
but I, Sirs - I find it easier
to walk what you call
the difficult way of inconvenience
Number 3 in a series of 8 poems “Songs for Sansho the Bailiff”.
This series of poems is based on the film “Sansho the Bailiff “ (1954) by Kenji Mizoguchi. Set in medieval Japan, the film tells the tragic tale of a family that lives by the father’s ideal that one should be just to others, even if that goodness is inconvenient to oneself. The family is separated and endures all sorts of suffering in living this ideal.
How this **** fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows. For to sheathe the ****** shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back

For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:

Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak

For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the ******-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make

A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'

Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This ****** on her rack:

She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake

Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
Amanda Griffin May 2016
Yes I am a brat ,but I am my sirs brat.Sir says i can be very stubborn and often diobey.But still my sir he says he loves me any way .I often do things i shouldn't do ,and say things that a lady should never say.But still my sir says he loves me any way.Sir says i am often defiant and punishment is a must.But still my sir says he loves me any way.As I lay across his knee without hesitation he looks into my eyes .I whisper softly so only he can hear "I know you still love me any way".
Poetic T Jan 2015
Farmer Tom,* fell on times hard,
Needing to feed the animals because
Scrawny
Emaciated
Anorexic
Animals wouldn't get much.
So on the black market, cheap feed
"Not For Human Consumption"
That was good enough
For farmer Tom.
He thought he would try it on the
Chickens first,
"Buck, Buck, Buck"
Scratching of fifty little feet,
Breakfast,
Lunch,
Dinner
They looked as before
"Plucky little egg laying machines"
Still hungry
Wait till morning my feathered friends.
Night set upon the surroundings
Farmer Tom
Woke,
Startled,
Confused
What the?? Slippers, dressing gown,
Shotgun loaded,
"Tip toe, tip toe tip toe"
"Bang"
"Mary mother of joseph"
"That dam dog and his toys"
"Ok safety on"
The yard was silent, except for
a noise faint but heard
"Buck, buck Aahhhhh"
Farmer tom curious of this noise
Listening with ears Focused
Came to a sight of horror
Chickens pecking
The eyes out of blue bell
Mooooooooooo,
Then cluck
Mooooooooooooooo,
Then cluck, Aahhhhhhhh,
Then misfortune,
"SNAP, CRUNCH"
As 42 feet turned,
Eyes red as crimson
Feathers matted, and that smell
Decaying cow as bell got up
"Moooooooooooo, Aahhhhhhhh, cluck,"
"Father Jims tunic"
As Bell swayed towards *farmer tom,

Little feet carried in the hole in bells gut,
"MOooooooooo"
"Cluck"
Mooooooooooo
"Cluck"
Fa­rmer Tom ran for his dear life,
Past the chicken coop
Where blood soaked remains
Of those unlucky chickens, parts rancid
As the head of a chicken looks up as I run past,
Doors locked, windows too,
What the hell is that noise??
As a rancid chicken comes though the dogs door
"Kentucky this mother cluck, cluck err"  
The last thing it did before I sent it too hell
Laid an egg,  green and sour,
"What the hell was in that feed"
Out the back he ran, bag in hand
Zombie
Meat
Danger
Incineration is required,
"Zombie meat?? what the blue blazes"
As he runs to the house
Whoosh, above his head
As the house once home, erupts a fiery death ,
Tom see's Bell surrounded
By gents in suits
Moooo, Aahhhh, Cluck,
"Excuse me sirs"
"What the frigging heck is going on"
They fry bell on the spot, Mmm burger
"Snap out of it man"
As the chickens peck upon a suit
As he screams fallen to the ground
Pecked to death, but death just woke up.
Tom runs in slippers as they set upon the pecked man
"Tom keeps on running"
"Tom  keeps on jogging"
"Tom keeps thinking I'm too old for this"
He hides in the old barn five miles away
Waits there for days too scared to come out
Then on the fifth day he treads carefully not to be seen
He sees a house, see's a coop and chickens
Cluck,
Cluck,
Mooooooo
All around is heard, as he runs a round
Bell is that you, you got more spots
"Interesting"
The house as it was beter some how.
Too this day Farmer
Tom tells tales,
To those who listen,
"The Night of the dead Cow and The Zombie Chickens"
And how the government blew his house up
And then built him a better one, hell I wouldn't moan now.
Raj Arumugam Sep 2010
O come buy doughnuts
doughnuts
doughnuts
doughnuts for sale

sweet ones, ladies
and yummy ones, gents;
precious doughnuts
you’ve never seen in your lands
I made them with my own hands
each sugary and yum to the core
round and hollow in the middle
each doughnut like Einstein’s universe


O come buy doughnuts
doughnuts
doughnuts
doughnuts for sale


colorful doughnuts
I have for you gathered here
I climbed the skies
to steal a color off each rainbow
that appears and disappears –
so have a blue doughnut,
a red or pink or green or purple
any color you will
or a psychedelic one if that please you more


O look at this love doughnut trick:
it fits your fingers like a huge wedding ring
and your beloved bites through
and then gets to your finger
and has to lick off every drop of sugar
and then kisses you on your hands
and after that
O, modesty forbids me to say anything beyond –
it’s all up to you…
Or would you prefer a doughnut bangle?


O come buy doughnuts
doughnuts
doughnuts
doughnuts for sale
O beautiful ladies
and gentle Sirs
please
make all my doughnuts
disappear within the hour
Brian Fahey Jul 2015
There once was a pond off the Astrillian shore,
Where a billion clams lay underwater, they snored,
Day after day, tides change to tides,
Yet the life of a clam is still quite a bore.

Until one day an otter, all spryly and nimble,
A prince from the infamous pool down the thimble,
Crossed the old straight with his men through mud and through wimble.

Valiantly striding his conquest was simple,
Representing his people in search of a love life to kindle.
He was quirky, and boisterous, and hard to ignore,

Splashing and thrashing about the good peoples shore,
A good lookin' pup, he swam round in circles,
Converting the Astrillian Algaeans to Murkles.

The clams weren't slow to catch on to the show,
For clams are very attentive you know,
And soon by council & seminar they mouth-fulled their garbles,

"Who yonder this monkey that endlessly wharbles?"
"Are you daft kind sirs?" asks one clam as she snarbles,
"It seems you old men have lost all your marbles,

That is the otter, his highness all the way from Port Schwarble!
He only plays cowbell, throws barbells, and a million such marvels,
It's an Astrillian holiday as far as I yarble, hmm"

She stops,
It's indeed very clear she's been pinned as kalopsious,

"My dear" one clammy clam-clam firmly speaks,
"I see your 'kidz-bop' as they say has given you gleecks,
Your highness, is an otter, we'll be extinct within weeks"

The elders agree and farble on lke sheep,
"The end is near!" the little ones squeak,

But none brave as Mandy,
This little clam candy,
Would even think that moving was handy,

Why, confronting a prince sounds totally dandy,
So she pipped and she chupped,
Getting the elders all sandy.

As she made her way up to her prince, who was also quite randy.
Approaching her man of a million wonders,
She squeaked a fine hello over his rambunctious thunder.

He stopped and observed,
"What is this, hors' doeurves?"
He plucked her and licked her, obviously deterred,

When she snarbled and blushed ignoring the blunder,
"My name is Mandy the First, from the land of down under,

She smiled as he turned to his squire,
"A fine maiden to invite to the royal dinner," laughing they snired.
"I caught wind of your plans to marry" she twinkled,
"I just thought that I'd say that I'm young and I'm single,"

And with a wink she gave off her lady like signal.
The squire scoffed at the lady so simple,
"May I remind you ma'am, this is the prince from the pool down the thimble.
He's come all this way through mud and through wimble,
In search of a maiden to love and ne'er let dwindle,
Yet this peasant clam reminds me of a fire in my belly, so long ago kindled,"

He snirped, Mandy quirped as the prince caressed her dimple,
"You'll not lay your paws on her or her people,
This girl is totally braver than you and our sheeple!
It is decided that I'll be bringing her all the way to the steeple."

The squire grumbled a pox on both sides,
"You princox, we haven't eaten since Ides,
If you really cared so much for your lady,
Then let us first feast on her friends and their babies,
For what is a wedding if we're all riddled with hunger and rabies?"

"Nay squire, for you are a bigger one,
Your princoxious gluttony far exceeds the range of the Astrillian Sun"
"Ooooooooohh!!" his guards hollered and bothered, oh but he wasn't done,

"If you really care for your stomach all the sudden,
Then come at me brother, make me your wet monkey mutton.
See if I care for your metabolic process, you square,
For nothing could separate me from my princess so fair."

And so they charged and they barged and splashed all about her,
As his guards cheered them on into brotherly slaughter,
Witnessing the madness, Mandy would rather be chowder.

As she quietly wept for her hunk of an otter,
She noticed the elders behind her surface the water.
"What do you want?!" snobbing she totally snared,

The elders snooted and bitterly declared,

"We warned you," they flarbed,
"Their kind is brutish and dull," they spat from afar,
"The feud between peoples is older than tar"

Mandy flushed beet red and crying she clacked,
"Your ignorance prevails clams, for that is your only knack,
This man loves me and I love him right back,
In fact he's saving us all from becoming a snack.
And if he succeeds I'll never see you again,

I'll never work your sand-bars, or attend colleges of mermen.
I'll never sing songs or clean up your dens,
And you'll all just be grumpy old clams forever, and then,
When I am queen I will not be so mean.

I will unite all the clamsfolk with our predators keen,
We shall not be afraid and they shall not come to prey,
And who knows maybe we'll all get along someday,"

And with that, the squire cried "Uncle!"
And the prince let go of his sleeper-hold struggle,

"Now will you praise your lady you poor jester thuggle?"
"I do, I do your highness, til death I shall juggle."
And so the otters and clams conjoined the whole island,

With only some leftover haters to beguile,
And within seven days time
People gave up on fear,

Threw out their hunger,
And then it became clear,
With only time left to ponder,

As the big day came near,
At the cathedral they concluded that love lasts much longer,
That really,

Whether one be a clam or an otter,
It is only together that we shall become stronger.
senior year creative writing poem.
THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft
;                               left
He gan to grudge
and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite
   thrive match
With blearing
of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top
writeth mine olde years;                           head
Mine heart is also moulded
as mine hairs;                 grown mouldy
And I do fare as doth an open-erse
;                         medlar
That ilke
fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre
.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one
:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.
                         smoke
Four gledes
have we, which I shall devise
,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld
,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly
, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore
:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter
a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                
surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove
,                  hood
For lawful is *force off with force to shove.
           to repel force
This drunken miller hath y-told us here                        by force

How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,
                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth
that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete
.                     shoot
Aye by his belt he bare a long pavade
,                         poniard
And of his sword full trenchant was the blade.
A jolly popper
bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle
bare he in his hose.                   small knife
Round was his face, and camuse
was his nose.                  flat
As pilled
as an ape's was his skull.                     peeled, bald.
He was a market-beter
at the full.                             brawler
There durste no wight hand upon him legge
,                         lay
That he ne swore anon he should abegge
.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin
        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite
of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play
,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate
they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker
, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.
                           boy
This wenche thick and well y-growen was,
With camuse
nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it
of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty

Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely
there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound
,                           suddenly
Sick lay the manciple
of a malady,                         steward
Men *weened wisly
that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound
,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave
                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f
For the sake of some things
  That be now no more
I will strew rushes
  On my chamber-floor,
I will plant bergamot
  At my kitchen-door.

For the sake of dim things
  That were once so plain
I will set a barrel
  Out to catch the rain,
I will hang an iron ***
  On an iron crane.

Many things be dead and gone
  That were brave and gay;
For the sake of these things
  I will learn to say,
“An it please you, gentle sirs,”
  “Alack!” and “Well-a-day!”
Raj Arumugam Oct 2010
Come, we have a story, said the Old Man. Come, sit and I shall tell you all a little tale of a donkey, a boy and his father…and of strangers too…and many a busybody…
And the children sat round the campfire and the Old Man began his tale…*



One day
(and this is many, many
uncountable days ago)
Father called Son
and he said:
‘Son
you are grown now
into a fine young lad
and you must learn
how to buy and sell
and make a profit


‘So, come let us go
you and I
to the market to see
what silver coins we can get
for this old donkey
in our shed’



2

And so Son and Dad
set out for the town market
across the sandy and rocky miles
and some way off
Dad grew tired and he said:


‘Ah, Son
this walk tires me and so
I shall ride the donkey
while you walk by the side;
so, come let us go
you and I
to the market to see
what silver coins we can get
for this old donkey
that I shall ride’







3

‘**, **!
What do we have here?’
came a voice
as the Dad sat riding the donkey
while the Son walked by the side
‘A cruel father you are,’
said the Family Standards Officer
‘Get down, you grown man
and let the child ride!’

And the Father was ashamed
and so he let the Son ride the donkey
and he walked beside

And the Family Standards Officer
was extremely pleased
and he filled up his forms
and he bade the Father and Son safe journey:
‘Ah, this is another
success story
of the Family Welfare Dept
where conscience has won the day
and the Son rides the donkey
and the Father walks beside’








4
And the Father and Son are gone but a mile, a mile - when another interruption came their way, heading straight their way….


‘What do we have here?’
came a scream
and the Mandarin of the
State Morals Education
stopped the trio
and the Mandarin glared disapprovingly
at the boy riding the donkey and he said:
‘Where is your filial piety?
Know you not the son must do his duty
by the father?
Get off the donkey -
you young donkey!
and allow your father to ride
while you walk with reverence
and duty beside!’


And so now we have the
Father on the donkey
and the Son walking beside
all three slowly on and on
Father and son
to the market to see
what silver coins
they might get
for this old donkey
that they have taken turns to ride




5

Then comes an old woman
and she mutters to herself as she passes by:
‘Ah, what’s come of life
that a father should ride and
allow the young to walk.’

And so the Father bids his Son
be a pillion rider with him on the donkey
and so they ride
merrily, merrily
on to the market
to see
what silver coins they can get
for this old donkey
that they both ride





5

But no sooner have they covered
but a mile, just a mile
with the respectable Father
and the filial Son
(both on the hapless donkey)
when a voice thunders out from the bush
and the Animal Rights Activist stands out
and he screams:
‘Oh, you cruel people
that you should ride a helpless donkey !
Shame on you!
Much better that you both
carried the creature!’


And of course
the Son and Father
so reasonable and
always with an open mind
they jump off the donkey
and they carry
the donkey all the way
all the way
just four more miles
just four more miles
and they soon come into the market
carrying the donkey
and shouting:
‘Donkey for sale!
Donkey for sale!’




6

And the buyers
at the markets
they see
this Father and Son
carrying the donkey
and screaming:
‘Donkey f or sale!
Donkey for sale!’


And the buyers they say:
‘But it appears, Sirs,
there are
three donkeys for sale
three donkeys for sale!
In declaring
“Donkey for Sale!”
when there are clearly three
are you offering three
for the price of one?’
an Old Tale re-told - because we make the same mistakes again and again..
Solaces Mar 2014
From the letters of my family.  Ancestors stay:  Toward the mid summer of 1986 I am the family member chosen for the stay.  There is yet to be a letter that documents a normal stay of night at the house Sirs..  But I find myself very ready for such an event.  As to why my family never breaks such tradition is beyond me.  I do not understand such trials.  I suppose it makes us feel we are important to a world that seeks out the normal viewing of life.  I welcome the stay..  I begin my first hour in reading all of the family letters written about this place.  I read under candlelight.  

The first took place in July 5th 1886:
Ben S Olvanas:
Stay the night:
Raj Arumugam Jul 2011
I think, Sirs, and most inimitable Ladies
I think I prefer to look at a bull
The sketch of a bull, the head of a bull perhaps
even if but a study by an artist
rather than some fancy prophet in glorious paint
or in grand chapel or some miracle recounted
in paint and colors and with consummate skill
or even God descending – ah, all these do not take my fancy
they smack too much of the Elevated;
there’s too much
of the grandstanding in these
Grand Divine Themes -
but the face of a bull, ah give me a sketch
of the face of a bull
just the bull, all marks of nature in it
and just itself
no symbolism, no conceit, no artifice
no High sounding theology, no revelation
but just animal nature in its ******
being a bull
just animal, its eyes and mouth and horns
just all coming together to form one creature…
a portrait of a bull anytime for me -
Sirs and most inimitable Ladies -
none of the holy ones and the great prophets
and the Mighty and the Divine
and the Grand-Looking:
no bull for me, please;
just the plain head of a bull, as it is…
ompanion pictures:Rosa Bonheur with bull, Versailles,  by Edouard Louis Dubufe; also google for other paintings of bulls and cows by  Rosa Bonheur
Two men were walking down the road
They met up with Lou Who
He said "I've not seen you men before"
"Now, tell me who are you?"

We're half the Who
Said the two
Half a who? said Lou
Not half a who
Exclaimed the two
we're exactly half The Who

We are now two
And as the Who
We were a group of four
Lou explained  A who is one
So now as two
you  two are just one more

You two cannot  be half a who
Listen closer Lou they said
Listen to us now my son
As these words spin your head

Long ago the Who was four
Keith died, making three
John died leaving only us
There's only him and me
We're half The Who
Not half a Who
Surely that is clear
Lou just stood there dazzled
As if he didn't hear
A who is one
Of which we're not
That is clear to you
We once were four
But, now we're not
We're half of what we were
Lou told them that he understood
These two were not who's
Two strangers walking in our land
Now, that is really news
But, gentlemen can you tell me
Exactly Who Are You?
Tell me sirs, where are you from?
And what exactly do you do?
We're all that's left
We're half the Who
We're singers in a band
We sing rock and roll music
We travel 'round the land
Let me see now said Lou Who
You're  half the Who now....yes?
No, Lou that's another band
This really is a mess
Confused, Lou said "I'm lost now"
Other bands and half a Who
Just answer my first question
Exactly who are you?
Lou, we're gonna say this once
We won't say it anymore
We're half of what was once The Who
We're now two,
we once were four
It' really very simple
Two died, and that leaves us
We have an opera that's called "Tommy"
And a song called Magic Bus
Lou said "I'm just a simple who"
My mind is all a buzz
I'm thinking now of half a who
And what a rock band does
A band of rocks
Poor Lou now moans
That makes no sense to me
If people come to see these stones
Just what do people see?
The Stones, are someone else Lou
They sing just like we do
But, they're another rock band
And we're still half The Who
Half of one and not of all
you're part of what was four
I'll take my leave of you dear sirs
And hope to see you nevermore
Now there came a certain common ***** who used to go begging all
over the city of Ithaca, and was notorious as an incorrigible
glutton and drunkard. This man had no strength nor stay in him, but he
was a great hulking fellow to look at; his real name, the one his
mother gave him, was Arnaeus, but the young men of the place called
him Irus, because he used to run errands for any one who would send
him. As soon as he came he began to insult Ulysses, and to try and
drive him out of his own house.
  “Be off, old man,” he cried, “from the doorway, or you shall be
dragged out neck and heels. Do you not see that they are all giving me
the wink, and wanting me to turn you out by force, only I do not
like to do so? Get up then, and go of yourself, or we shall come to
blows.”
  Ulysses frowned on him and said, “My friend, I do you no manner of
harm; people give you a great deal, but I am not jealous. There is
room enough in this doorway for the pair of us, and you need not
grudge me things that are not yours to give. You seem to be just
such another ***** as myself, but perhaps the gods will give us better
luck by and by. Do not, however, talk too much about fighting or you
will incense me, and old though I am, I shall cover your mouth and
chest with blood. I shall have more peace to-morrow if I do, for you
will not come to the house of Ulysses any more.”
  Irus was very angry and answered, “You filthy glutton, you run on
trippingly like an old fish-***. I have a good mind to lay both
hands about you, and knock your teeth out of your head like so many
boar’s tusks. Get ready, therefore, and let these people here stand by
and look on. You will never be able to fight one who is so much
younger than yourself.”
  Thus roundly did they rate one another on the smooth pavement in
front of the doorway, and when Antinous saw what was going on he
laughed heartily and said to the others, “This is the finest sport
that you ever saw; heaven never yet sent anything like it into this
house. The stranger and Irus have quarreled and are going to fight,
let us set them on to do so at once.”
  The suitors all came up laughing, and gathered round the two
ragged tramps. “Listen to me,” said Antinous, “there are some goats’
paunches down at the fire, which we have filled with blood and fat,
and set aside for supper; he who is victorious and proves himself to
be the better man shall have his pick of the lot; he shall be free
of our table and we will not allow any other beggar about the house at
all.”
  The others all agreed, but Ulysses, to throw them off the scent,
said, “Sirs, an old man like myself, worn out with suffering, cannot
hold his own against a young one; but my irrepressible belly urges
me on, though I know it can only end in my getting a drubbing. You
must swear, however that none of you will give me a foul blow to
favour Irus and secure him the victory.”
  They swore as he told them, and when they had completed their oath
Telemachus put in a word and said, “Stranger, if you have a mind to
settle with this fellow, you need not be afraid of any one here.
Whoever strikes you will have to fight more than one. I am host, and
the other chiefs, Antinous and Eurymachus, both of them men of
understanding, are of the same mind as I am.”
  Every one assented, and Ulysses girded his old rags about his *****,
thus baring his stalwart thighs, his broad chest and shoulders, and
his mighty arms; but Minerva came up to him and made his limbs even
stronger still. The suitors were beyond measure astonished, and one
would turn towards his neighbour saying, “The stranger has brought
such a thigh out of his old rags that there will soon be nothing
left of Irus.”
  Irus began to be very uneasy as he heard them, but the servants
girded him by force, and brought him [into the open part of the court]
in such a fright that his limbs were all of a tremble. Antinous
scolded him and said, “You swaggering bully, you ought never to have
been born at all if you are afraid of such an old broken-down creature
as this ***** is. I say, therefore—and it shall surely be—if he
beats you and proves himself the better man, I shall pack you off on
board ship to the mainland and send you to king Echetus, who kills
every one that comes near him. He will cut off your nose and ears, and
draw out your entrails for the dogs to eat.”
  This frightened Irus still more, but they brought him into the
middle of the court, and the two men raised their hands to fight. Then
Ulysses considered whether he should let drive so hard at him as to
make an end of him then and there, or whether he should give him a
lighter blow that should only knock him down; in the end he deemed
it best to give the lighter blow for fear the Achaeans should begin to
suspect who he was. Then they began to fight, and Irus hit Ulysses
on the right shoulder; but Ulysses gave Irus a blow on the neck
under the ear that broke in the bones of his skull, and the blood came
gushing out of his mouth; he fell groaning in the dust, gnashing his
teeth and kicking on the ground, but the suitors threw up their
hands and nearly died of laughter, as Ulysses caught hold of him by
the foot and dragged him into the outer court as far as the
gate-house. There he propped him up against the wall and put his staff
in his hands. “Sit here,” said he, “and keep the dogs and pigs off;
you are a pitiful creature, and if you try to make yourself king of
the beggars any more you shall fare still worse.”
  Then he threw his ***** old wallet, all tattered and torn, over
his shoulder with the cord by which it hung, and went back to sit down
upon the threshold; but the suitors went within the cloisters,
laughing and saluting him, “May Jove, and all the other gods,” said
they, ‘grant you whatever you want for having put an end to the
importunity of this insatiable *****. We will take him over to the
mainland presently, to king Echetus, who kills every one that comes
near him.”
  Ulysses hailed this as of good omen, and Antinous set a great goat’s
paunch before him filled with blood and fat. Amphinomus took two
loaves out of the bread-basket and brought them to him, pledging him
as he did so in a golden goblet of wine. “Good luck to you,” he
said, “father stranger, you are very badly off at present, but I
hope you will have better times by and by.”
  To this Ulysses answered, “Amphinomus, you seem to be a man of
good understanding, as indeed you may well be, seeing whose son you
are. I have heard your father well spoken of; he is Nisus of
Dulichium, a man both brave and wealthy. They tell me you are his son,
and you appear to be a considerable person; listen, therefore, and
take heed to what I am saying. Man is the vainest of all creatures
that have their being upon earth. As long as heaven vouchsafes him
health and strength, he thinks that he shall come to no harm
hereafter, and even when the blessed gods bring sorrow upon him, he
bears it as he needs must, and makes the best of it; for God
Almighty gives men their daily minds day by day. I know all about
it, for I was a rich man once, and did much wrong in the
stubbornness of my pride, and in the confidence that my father and
my brothers would support me; therefore let a man fear God in all
things always, and take the good that heaven may see fit to send him
without vainglory. Consider the infamy of what these suitors are
doing; see how they are wasting the estate, and doing dishonour to the
wife, of one who is certain to return some day, and that, too, not
long hence. Nay, he will be here soon; may heaven send you home
quietly first that you may not meet with him in the day of his coming,
for once he is here the suitors and he will not part bloodlessly.”
  With these words he made a drink-offering, and when he had drunk
he put the gold cup again into the hands of Amphinomus, who walked
away serious and bowing his head, for he foreboded evil. But even so
he did not escape destruction, for Minerva had doomed him fall by
the hand of Telemachus. So he took his seat again at the place from
which he had come.
  Then Minerva put it into the mind of Penelope to show herself to the
suitors, that she might make them still more enamoured of her, and win
still further honour from her son and husband. So she feigned a
mocking laugh and said, “Eurynome, I have changed my and have a
fancy to show myself to the suitors although I detest them. I should
like also to give my son a hint that he had better not have anything
more to do with them. They speak fairly enough but they mean
mischief.”
  “My dear child,” answered Eurynome, “all that you have said is true,
go and tell your son about it, but first wash yourself and anoint your
face. Do not go about with your cheeks all covered with tears; it is
not right that you should grieve so incessantly; for Telemachus,
whom you always prayed that you might live to see with a beard, is
already grown up.”
  “I know, Eurynome,” replied Penelope, “that you mean well, but do
not try and persuade me to wash and to anoint myself, for heaven
robbed me of all my beauty on the day my husband sailed; nevertheless,
tell Autonoe and Hippodamia that I want them. They must be with me
when I am in the cloister; I am not going among the men alone; it
would not be proper for me to do so.”
  On this the old woman went out of the room to bid the maids go to
their mistress. In the meantime Minerva bethought her of another
matter, and sent Penelope off into a sweet slumber; so she lay down on
her couch and her limbs became heavy with sleep. Then the goddess shed
grace and beauty over her that all the Achaeans might admire her.
She washed her face with the ambrosial loveliness that Venus wears
when she goes dancing with the Graces; she made her taller and of a
more commanding figure, while as for her complexion it was whiter than
sawn ivory. When Minerva had done all this she went away, whereon
the maids came in from the women’s room and woke Penelope with the
sound of their talking.
  “What an exquisitely delicious sleep I have been having,” said
she, as she passed her hands over her face, “in spite of all my
misery. I wish Diana would let me die so sweetly now at this very
moment, that I might no longer waste in despair for the loss of my
dear husband, who possessed every kind of good quality and was the
most distinguished man among the Achaeans.”
  With these words she came down from her upper room, not alone but
attended by two of her maidens, and when she reached the suitors she
stood by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a staid maid servant on
either side of her. As they beheld her the suitors were so overpowered
and became so desperately enamoured of her, that each one prayed he
might win her for his own bed fellow.
  “Telemachus,” said she, addressing her son, “I fear you are no
longer so discreet and well conducted as you used to be. When you were
younger you had a greater sense of propriety; now, however, that you
are grown up, though a stranger to look at you would take you for
the son of a well-to-do father as far as size and good looks go,
your conduct is by no means what it should be. What is all this
disturbance that has been going on, and how came you to allow a
stranger to be so disgracefully ill-treated? What would have
happened if he had suffered serious injury while a suppliant in our
house? Surely this would have been very discreditable to you.”
  “I am not surprised, my dear mother, at your displeasure,” replied
Telemachus, “I understand all about it and know when things are not as
they should be, which I could not do when I was younger; I cannot,
however, behave with perfect propriety at all times. First one and
then another of these wicked people here keeps driving me out of my
mind, and I have no one to stand by me. After all, however, this fight
between Irus and the stranger did not turn out as the suitors meant it
to do, for the stranger got the best of it. I wish Father Jove,
Minerva, and Apollo would break the neck of every one of these
wooers of yours, some inside the house and some out; and I wish they
might all be as limp as Irus is over yonder in the gate of the outer
court. See how he nods his head like a drunken man; he has had such
a thrashing that he cannot stand on his feet nor get back to his home,
wherever that may be, for has no strength left in him.”
  Thus did they converse. Eurymachus then came up and said, “Queen
Penelope, daughter of Icarius, if all the Achaeans in Iasian Argos
could see you at this moment, you would have still more suitors in
your house by tomorrow morning, for you are the most admirable woman
in the whole world both as regards personal beauty and strength of
understanding.”
  To this Penelope replied, “Eurymachus, heaven robbed me of all my
beauty whether of face or figure when the Argives set sail for Troy
and my dear husband with them. If he were to return and look after
my affairs, I should both be more respected and show a better presence
to the world. As it is, I am oppressed with care, and with the
afflictions which heaven has seen fit to heap upon me. My husband
foresaw it all, and when he was leaving home he took my right wrist in
his hand—’Wife, ‘he said, ‘we shall not all of us come safe home
from Troy, for the Trojans fight well both with bow and spear. They
are excellent also at fighting from chariots, and nothing decides
the issue of a fight sooner than this. I know not, therefore,
whether heaven will send me back to you, or whether I may not fall
over there at Troy. In the meantime do you look after things here.
Take care of my father and mother as at present, and even more so
during my absence, but when you see our son growing a beard, then
marry whom you will, and leave this your present home. This is what he
said and now it is all coming true. A night will come when I shall
have to yield myself to a marriage which I detest, for Jove has
taken from me all hope of happiness. This further grief, moreover,
cuts me to the very heart. You suitors are not wooing me after the
custom of my country. When men are courting a woman who they think
will be a good wife to them and who is of noble birth, and when they
are each trying to win her for himself, they usually bring oxen and
sheep to feast the friends of the lady, and they make her
magnificent presents, instead of eating up other people’s property
without paying for it.”
  This was what she said, and Ulysses was glad when he heard her
trying to get presents out of the suitors, and flattering them with
fair words which he knew she did not mean.
  Then Antinous said, “Queen Penelope, daughter of Icarius, take as
many presents as you please from any one who will give them to you; it
is not well to refuse a present; but we will not go about our business
nor stir from where we are, till you have married the best man among
us whoever he may be.”
  The others applauded what Antinous had said, and each one sent his
servant to bring his present. Antinous’s man returned with a large and
lovely dress most exquisitely embroidered. It had twelve beautifully
made brooch pins of pure gold with which to fasten it. Eurymachus
immediately brought her a magnificent chain of gold and amber beads
that gleamed like sunlight. Eurydamas’s two men returned with some
earrings fashioned into three brilliant pendants which glistened
most beautifully; while king Pisander son of Polyctor gave her a
necklace of the rarest workmanship, and every one else brought her a
beautiful present of some kind.
  Then the queen went back to her room upstairs, and her maids brought
the presents after her. Meanwhile the suitors took to singing and
dancing, and stayed till evening came. They danced and sang till it
grew dark; they then brought in three braziers to give light, and
piled them up with chopped firewood very and dry, and they lit torches
from them, which the maids held up turn and turn about. Then Ulysses
said:
  “Maids, servants of Ulysses who has so long been absent, go to the
queen inside the house; sit
Raj Arumugam Oct 2010
and now, most dignified Gentlemen
and most cultured Ladies -
it is time to turn our attention
to loftier matters, to speak of the spirit
rather than of mundane concerns and
to be stuck in unimaginative and non-inspiring
habits;
and so we turn our attention to the spirits
to the spiritual
to such high matters
to things that lift us above time and our bodies
and such points in reality and frail flesh
that binds us and make little of us;
but the spirit, most sane Sirs,
elevates us;
the spirit, most elegant Ladies,
liberates us;
and so we begin
with bottle in hand, in deed
(look, every religion has its symbols);
and  through several drops of this holy water
(several gulps will hasten the magic and miracle)
we are  indeed hand in hand with
the Spirit of all spirits
for what matters it if you hold or invoke
gin, ***, tequila, ***** or whisky
whatever it is that one lifts
one is lifted by
and that One one lifts is the Grand Spirit…
and you see transformations occur,
the mind is released from the mundane and the pedestrian
and the ordinary;
and one may see light, there is a sense of lightness
and those who may be touched by the Grand Spirit
may actually levitate
and one has visions and ecstasies
all through the spirit,
most Spiritual Sirs
most Lofty Ladies…
and mock not this religion of spirits
for have not masses of humanity all through History
done the same in the name of religion?
Does not humanity do all of the same with
the Great Spirit they call God and
do not they too have visions and ecstasies
and feel the spirit move them and
are always aiming High?
Their senses and wits dulled
but their spirits going on high?
Drunk on high
with words, words, words...
And are they not in their true religion
moved by God and have such grand visions?
and will you then -
O ye vipers!
Ye hypocrites! -
mock the spirit
when you will  
sanction and approve and dance
in the midst of those who drink religion?
will you denigrate your brothers  
and sisters
in the spirit?
Oh, you who are drunk and revel in the name of God
and holy books and repeated words
will you judge those drunk in the name of the spirit
and radiant revelations  that come to them
when they are moved by the spirit?
Judge not, ye hypocrites!
Judge not, lest ye be judged!
And so we end this sermon in amicable spirit,
in unity, in spiritual oneness
between
those who drink of the high of religion
and those who drink of the spirit we have spoken of
Go ye forth hand in hand then
as siblings
for ye that worship in the name of religion
and ye that have ecstasy in your own holy bottled spirit
ye are but brothers and sisters
moved by the One Spirit…
Go ye forth together, go in ecstasy, go high…
Big Virge Apr 2020
So Who Do You … “ TRUST “ … ?!?
  
Do You Trust YOU To Make SMART Moves ...  
And Pick WISELY In Who You Choose To Be WIFEY' ... ?!?  
  
Or Ladies Do You ……  
Trust That Your Baby Will Not Become CRAZY … !!!
When Their Father Is Lazy And Always Was … “Shady” … !!!
  
And I DON’T MEAN ... " SLIM " ...  
More Like ... THAT GIMP … !!!!!!!!!!!!!!
  
Yup ... Chained To SIN … !!!!
Were You Thinking These Things …
When You … Slept With Him  … ?!?
  
Do You TRUST Your Decisions … ?
Take A Minute And ... Position …  
An HONEST ... Disposition … !!!
  
Before You Give An Answer …  
That BOMBS Just Like … “ Obama “ … !!!
  
THAT’S RIGHT I Used His Name … !!!
Do You Trust The Things He Says … ?!?
  
I Could of Used … “ OSAMA “ …
But DO NOT Trust The Saga of Al-Qaeda DRAMA … !!!!
  
Do You TRUST Politicians ...
Who Only Seem To … “ Listen “ …  
To People Bent On Missions ...
of War Bloodshed And KILLING … !!?!!
  
I Trust BUT ... AM NOT Willing …  
To Recognise That Sinning …
Is How Cool Folks Be Living … ?!?  
  
Cos’ Sinners PROVE With QUICKNESS …  
That Trusting THEM Can Cause PROBLEMS … !!!!!
  
When Their Defence Trusts In NONSENSE … !!?!!
  
I Trust ONE DAY That They Will Pay …  
For Threats They Make And Lives They TAKE …
Because Their Way Is To TAKE THE WHOLE CAKE … !!!!!  
  
Do You Trust Yourself When Tempted By Things …
That Can DAMAGE Your Health Like BURNS And Stings … !!!
  
Or YES Like HOT WOMEN Or Drugs That Can Bring …  
The Types of HIGHS ...
That OPEN THE THIGHS of Coc’ Driven Minds …  
  
Do You Trust In Lines That FEED INTO Such Vibes … ?!?
  
I Don’t Think It’s Wise To Trust Your Mind …  
When It’s Been Supplied By What’s FALSIFIED …. !!!!!
  
HIGHS DESIGNED To … BLOW UP Like … !!!
Atomic Bombs And ... POPULAR Songs … !!!
  
My Head Is STRONG … !!!
But NOT Strong LIKE THAT … !!!!!
  
I Trust And Belong …
OUTSIDE of … “Traps” … !!!
Where Rap’s Now Gone … !!!!!
  
I Trust In Tracks That EXPOSE WRONGS … !!!
So Stick To The FACTS In My Versions of Songs … !!!
  
I TRUST Y’all KNOW ...  
That Poetry Flows When Drum Beats ROLL ...  
And Words Are Thrown Through Microphones … !!!
  
Into Those Zones Where STRONG Headz’ ROAM …
And SHOUT For MORE ... Wordplay That ROARS … !!!!!
Through Human Lions Looking For …. “ Zion “ …………….
  
I Trust ONE DAY ... Babylon DECAYS …  
And Allows New Ways To ELEVATE BRAINS …. !!!!!
  
I Trust …. “ REAL RASTAMEN “ … !!!
  
There Aren’t Many of Them Who i’d Now Call Friend …  
I See MANY With Locks But Now Trust Them NOT … !!!!
  
Because Their Rasta’ ... Is More Like Rappers …  
PRETENDING They HAMMER Like REAL Gun Clappers …    
When IN FACT They’re Just Slappers With ***** That Tamper …  
With SLAGS Whose Manner Is DESERVING of … BANNERS … !!!
  
BANNERS That Say …. !!!
  
" TRUST A **’ Today
And You’ll GET LAID In VARIOUS WAYS ! "
  
But Here's The DISCLAIMER … !!!
You Might Get PLAYED …… !!!?!!!
  
I’m NOT A Proclaimer … !!!
But Trust In NO BABE … !!!
Whose ***** Shakes …
  
... ALL OVER THE PLACE … !!!!!!!!!!
  
Cos’ It’ll Shake The Heads of RAVENOUS MEN ….. !!!!!  
  
Who Trust Their ***** …
Before They Enlist Using THEIR BRAINS …. ?!?
  
Do You Get What I’m Saying … ?!?
  
I Believe That TRUST …  
Is A … BEAUTIFUL THING … !!!!!
  
But Trusting In LUST Is NOT FOR KINGS … !!!
And NOT FOR Queens ... Know What I Mean …. !?!?!
  
I Trust That ONE DAY PEOPLE … “ Will Change “ … !!!!
And RE-Arrange …. IGNORANCE And HATE … !!!!!!
  
And TRUST IN EACH OTHER … !!!
YES Sisters And Brothers of EVERY Last Colour … !!!!!
  
And Will TRUST In ... “ TRUTH “ … !!!!!
NOT Being … “ UNCOUTH “ … !!!!!!
  
Because TRUTHFUL WORDS DIRTIED Their Shirts …  
And Left Them ****** … Chickens And Sirs … !!!!!
  
Whose Current Worth …  
Isn’t Even As Precious As THIS HERE Verse … !!!!!
  
That Needs NO Consensus To Affirm Big Virge …  
As A CONNOISSEUR of The Written Word …. !!!
  
I Trust You’ve Read These Words I’ve Penned …  
And Will Take From Them Some Things I’ve Said …  
  
Finally I’ll Express One Last Sentiment … !!!
Whether Partner Or Spouse … ?
Or Business That You … “ Tout “ …  
  
Or Simply When It Comes …
To ... How Your Life Functions …
  
It REALLY Is A …. MUST ….  
To Be CAREFUL Who YOU ….
  
…. “ Trust “ …. !!!!!!!
We all need to be very careful to who it is, that we choose to trust ....
Mateuš Conrad Mar 2016
you see, i came to england when i was eight years old, and i still retain the primitive early structuring of being born in poland, e.g. i identify my father from the ages of 4 to 8 as a voice on a telephone and the odd package of gifts, my mother between the age of 6 to 8 as a mad doberman a parting gift... and the fact that i can't read philosophy books in english but in polish, whereby i translate what i read into english... the english language is terrible at expressing itself philosophically, too much shrapnel (i.e. too many little words in between graffiti like usage of the bigger words: conjunctions, prepositions, articles over-burden such catchphrases like zeitgeist, global capitalism etc.), i read poetry and fiction in english, but philosophy i read in polish; and i do speak four languages in that i can speak posh anti-essex-accent english, speak a polish accentuation of english, speak plain polish and speak pleb village-idiot polish; polish immigrants are overweight to soar like canadian geese introduced into england because of the trill of the r (mind you, introducing grey squirrels mirrored the seemingly perpetual overcast of the english weather) - indeed, the english use of the letter r is tongue-numbing-curl - instead of trilling the r the english curl it like an apprehensive turtle / hedgehog - and too the oddity of the h, hatch hay-puck-itch hey-a-haystack? two of the many more linguistic anomalies in the english tongue included.*

that's the problem i have integrating
into a post-colonial multicultural
society, i know i should celebrate
the english defence of poland should
a war with germany take place,
the short lived re-emergence of poland
quickly gulped up by the joint
expedition of **** german and soviet russia,
the exported government of poland
to london, the plight of polish and english
pilots over the skies of england in
the battle of britain, i should technically
be experiencing a great assimilation sensation,
but multiculturalism has really complicated
things, esp. when you turn on the radio
a first hear things about the emergence of
recorded sound, the gramophone,
the iconic jack terrier before the machine
and a very old acronym of music outlets:
h.m.v. (his master's voice),
or that in poland - knowing of the mass emigration
of poles to england the tabloid newspaper
the sun is cited with the highest credibility
(never mind the toned down **** on page 3
of that newspaper, which prompted *******
to do likewise) - currently i'm sifting through
the power broker pages of the newspaper
the times, i.e. the editorial pages, just
after the opinion pages... you see, the editorial
pages are almost anonymous, they're filled
with a major investment, high profile
people (usually professors and sirs and what not)
seeking attention of the editor, beginning with
something like: sir, at a time when european
challenges of security... and then indeed about
three articles of unchallenged dialectics by
the editor himself, e.g. (monday march 7 2016)
headlines: an autocrat in ankara; plan obsolescence;
cripes! (https://goo.gl/EzCbDO),
as i said, i find it overbearing to integrate into
english society, it's paradoxical actually,
so i have to integrate (tick), speak the tongue (tick),
become eloquent and gentlemanly (tick)...
but i can't acquire the history (a prime social
relation coordinate), and i certainly can't feel
pride... unlike those from the colonies integrating
and feeding this strange strange national pride
of identifying england as if by them originally
possessed; maybe three years in scotland fed
my alienation, i really did love mingling with
the scots, the only place on these islands where
the presence of the irish is limited by that
funny existential curiosity of a sikh speaking
a wee trill here, a wee trill there...
maybe that's it... because, you see, the oddity
comes after hearing the story of rash behari bose,
the one who was the shadow of peaceful gandhi...
who spoke like adolf ****** who actually
collaborated with ****** to no avail, who
then collaborated with the japanese -
how am i to assimilate into english society if english
society is a barren wasteland where newton
and michael faraday used to roam?
i'm just too bewildered in this sense of integrating
like a prerequisite of becoming a chameleon -
it's nauseating just to think of it - all this
psychological complexity to simply use a tongue
that's favoured for commerce and political
stagnation into the iron stage of a status quo
of russian and chinese oligarchs creating
a mortgage inflation from their power-source
that's london? this immediate sense of what used
to be mass propaganda has turned into
mass political correctness, same ****, different cover,
i really don't know how to integrate fully,
esp. with faked results that disallow falsification
because they're already false in that would-be
"science" of psychology which is just a crippled
humanism... how can you be a serious psychologist
when you focus on the interchange of the invading
barbarian word self and then become pompous
with so many theorisations of a single sound, ego?
after all we're, in the majority using the sound self
as an affirmative of 'i'm here, yes, check the utility
manual of my spine moving my fingers typing,
no descartes wasn't trying to prove he existed,
don't be stupid, what, because such a proof is
not compatible with you after his death proves
he was trying to prove himself a recipient? i too
buckle on the nonsense of some people, even my own
is worth a rusty door hinge and doorknob.'
and poetry will always remain the safeguard medium
of abstracting, poetry isn't a happy science as one
man suggested dying at the dawn of the 20th century...
poetry's eager spontaneity makes it an abstracting science,
there's no point arguing truth, in that abstraction is
required to cite a momentary pigmentation of
the everyday grey realism with a poem.
Raj Arumugam Jan 2014
Esteemed Sirs, all Honorable Ladies -
the artist asked me to pose
and he chose all the clothes
and the hat
and he made me stand there behind a frame
And he was serious
but he asked me to smile
and then asked me to have a smaller smile
not too broad, just a smile between not smiling and smiling
and he said these things with such seriousness
And he said not to stand like an animal in a cage
but to come forward in the frame
and to put my hands ever so casually on the frame

And he said, keep glowing and he said this with all seriousness
and when he did smile
it was like between not smiling and smiling
as if he were posing for me
And he was drawing and drawing
and then he had a break
and I had something to eat and drink in the kitchen
and then I was back behind the frame
and he took several days  

And I thought what a serious man this was, this artist
And when he had finished, he asked me to look
and I thought it was a lovely picture of me
And then I realized how playful this artist was, how clever -
putting me in a frame, as if we lived our lives in a frame
And then he had the canvas put in frame
so there’s frame within frame –
and I laughed then to see how
much humor the artist had, though he had worked with
such earnestness, such grave countenance –
I’ve been framed! Ha, ha…now I wonder often,
if we do not actually live our lives within a frame,
each one of us confined in frames…
- poem based on “The Girl in  a Picture Frame” (1641, oil on canvas) by Rembrandt
Ian Cairns Nov 2013
I woke up this morning with a strange sensation
One in which I've never experienced before.
You see, I've been an optimist since the first day I can remember
So, you'd be surprised to hear that this morning I jumped out of bed half-heartedly
With nothing but a frown framed on my head.
My smile migrated to the part of town where thunderstorms organize chaos.
The slums that build up suspicion on dishonest interpretations
Like cardboard stepping stones laid across twin towers
Waiting for you to make one false move to your demise.
Making my quest to rid the world of adversity an uphill climb.
So on my way to foreign lands, I'll be keen to point out some observations
That my adversaries so effortlessly use against me
In an attempt to create a more balanced divide.

1. But you just drank out of that glass, it can't be half-full!
Well, sirs and madames, I do declare your awareness
Of my quenched thirst is rather scientific.
However- if you'd allow me a refill of your finest ale
I would appreciate your hospitality.
You see- I come from the mentality that everyone should drink until he or she covets.
Whether that be the midpoint of the glass or ten times over
My worries pay no mind to where the liquid lies.
I'm much more concerned that everyone tries as many beverages as desired upon.

2. You're far too idealistic. You don't live in the real world!
In fact- you are mistaken kind friends!
I do indeed live in the same world as you do
Creating mistakes in ways we all do.
However, unlike hardy drill sergeants
Who require unanimity in motion
I prefer to march to a different tune.
One where petty mishaps are embraced as they cross the finish line
As if the faulty foot prints left behind are our soul's signatures.

3. You are so happy. You must have all the answers!
Guess again my friends, that is the farthest from the truth.
Truthfully, my focus includes healthy doses of impartial reflections
So I can stay present on current intentions without foggy mental actions
Clouding my space with thoughts on nothing more than speculation.
Although my desire to reach Einstein's heights is ever-present
I understand the importance of staying mindful
Being incredibly comfortable erasing an impressive chalkboard
When it becomes too messy.

4. You are so nice, you must not hate anything!
Ah, wouldn't that be pleasing!
But, even I have negative feelings towards some things.
For instance, my hatred is provoked by negativity.
I hate the word hate and I hate that others resort to such awful actions so easily.
I understand that circumstances provide the opportunity for conflict to arise
But is it necessary for situations to instantly become awry?
I'm under the impression that hostility can be halted hastily
With honest consultations between any clashing parties.

5. You seem so content, do you ever have a bad day?
Uncommon to popular belief, my emotional responses do not always inflict joy into my veins.
It's funny because when using my strengths, sometimes I still trip on my weaknesses.
Sometimes I always lie sleepless on the wrong side of the bed.
Sometimes I always stay hopeless on the strong side of my head.
It's funny because I wouldn't want it any other way.
Sometimes the only thing we need is a reminder of the better days.
Because what's the meaning of life without the struggles we've gone through?
It's funny because my bad days are my best days too.
Raj Arumugam Jan 2012
I cannot understand
for the life of me
why the wife
(yes, mine own good wife)
cannot attend to my every need
just like the faithful wives
of yore - such paragons of virtue
and forerunners of service departments

Why can’t she
when I cough or ahem
drop everything she’s doing
(including even if she be
attending to her toilet duties)
and do a somersault to the first aid kit
and present me
in nanosecond
a lozenge that might soothe my throat?

At the slightest rumble
of my stomach
why can’t my wife
into the kitchen dive
and before the rumble
turns into a mumble
why can’t she present on the table
a fine set of fare fit for an Emperor…
a wide range of food – I am reasonable –
the best from Saskatchewan and so on
a dish of the the best from every
nation and continent and clime
Now, is that really too much to ask
of a wife for life?


And what about my other needs
and my other multifarious, multitudinous
innumerable
variety of desires and wants and appetites
that from time to time burst like fireworks
that usher in the New Year?
After all I’m human
and have all these desires and wants
through start of day to the moment
I recline in bed
at decline of day…
So why can’t she
ensure the toothpaste is on the toothbrush
at start of my day
and use a fresh towel end
to coax to prominence the shine on my teeth?
And why can’t she have my
clothes neatly pressed and ready on bed
and presto! – when I emerge into the dining hall
should not breakfast be ready on the table
as Ariel would have done for Prospero in “The Tempest”?
Look, as you can see, I am not far
from being reasonable…
And then certainly the shoes should be ready
with a new shine nurtured with cat’s **** or dog’s pooh –
whatever the concoction that may take
to bring out the luster in my shoes
And she can open the door and shut it gently
(that’s the house door)
and she could open the door and shut it gently
(that’s the car door)
as I drive off elegantly
and surely should return
to smiles and glee
and a repeat performance
but varied now to evening needs
and let us not forget me and the wife in bed

And so on, I think you get the drift;
intelligent reader as you are,
I believe you understand
the daily program
the moral imperative
in a wife that’s for life


and you can see
plain and clear as the still sea
how reasonable and natural
and unpretentious, easy, manageable
professional and well-planned and spaced
my demands and needs are and be:
after all
it is my wife
I claim for these services
and Not the President’s or Vladimir Putin’s



And now I’ll throw at you
Sirs and Ladies
the most dramatic question
the parting shot
O the noble Parthian shot -
irrefutable, irreparable, indisputable
absolutely undeniable
and that will make you see the light:
*A wife’s for life, is she not -
and aren’t both made for my convenience?
Please do not keep my wife informed of the existence of this poem. This poem is to gain public sympathy - not to gain private torture.
Jill Stinehart May 2013
There once was a TV network
That made me want to exult
But now I am sad and despondent
And it’s mostly Steven Moffat’s fault

I enthusiastically started Doctor Who
Who’s chronology is twisted and bizarre
It seemed like such fun to travel through time and space with a man
Who used a blue box as his car

But soon the companions’ aspirations
To travel to planets and stars
Were crushed by the Void, lost love, and gargoyles
And the Doctor is lonely and scarred.

Not yet wise, I began watching Sherlock
His deduction left me amazed and bamboozled
He and John drank some tea, and solved crimes with glee
Although each case took quite some perusal.

They lived happily with their cool flat decorum
Mrs. Hudson made biscuits below
Then along came the menacing, mean Moriarty
There was nothing that he didn’t know.

Because of the fallacy that Sherlock’s a fake
He’s dead and John’s in the doldrums
The only thing done to commemorate him
Are John’s “I do believe in Sherlock Holmes”

Hoping for a show that was boisterous and happy
Instead of the peaceful, yet sad
I turned to the medieval Merlin
who was quite a cheery lad

He worked for the king’s son, Arthur
who eclectically chose his knights
There were sirs Lancelot, Gwaine, and Leon
The bravest people in sight.

Merlin used his job as camouflage,
His secret he did not divulge
for if they all knew he was a powerful wizard
In his execution King Uther would indulge.

Since Merlin’s destiny was to keep the prince safe
He faced many scary things
He would cower in fear, but when Arthur was near
He felt brave enough to sing

Merlin’s feelings for Arthur were obvious
But does Arthur feel the same way?
When Arthur deigns to exchange dialogue with him
It instantly brightens his day.

But Lancelot died doing Merlin’s job
And Arthur is in love with Gwen
Morgana, a wizard who was once Merlin’s friend
Is evil and wants Camelot dead.

So the Doctor is lonely and growing old
Sherlock left John all alone
And Merlin feels guilty and outcast
They’ve lost all the good they’ve ever known.

And I am left crying and angry.
How could the writers do this to me?
But still, they’re the best shows I’ve ever watched
And I’ll always love the BBC.
I wrote this for school lol
I like British TV shows okay
Julian Nov 2016
Titanic barnstorms the Tennessee plain through jet powered airplane
As though the Lusitania New York City could hardly proffer a contradictory profane
Nevertheless the intricacies of gamboling and gambling garble too many dice
Listerine rinses a whitewashed flaw until it singes gravity sawed twice
Three pieces of would form a tripartite could, that can’t because beggars are mute and rude
That beggars whisper the hymns of an immemorial festivity churlish upon listless attitude
So we hearken the classics and drop the ink quill upon that pile of effluvium and molasses
We invent friction just to pass a fall’s worth of failed jack-*****
“No more” he exclaimed just as the leaky faucet marginally contained
“Know more reason and you will be fully redeemed”
So I cannot pinpoint the provenance of despair among discrete colonies with barter too unfair
With ***** dens conflagration’s dead blank stare
The pit of the useful and the heap of the useless sorted into neat piles on either side of the River Nile
And each pottery keepsake is a husk of a land long ago defiled
But the hunters that talismans comfort shadowed into a grave crypt
They marooned a contact with pedigree to become flimsy with vogue equipped
So they lament on an August morning, lugubrious in toil and minatory in warning
The darkest nights yet seen by sirs yet sheen rollicking in mourning
We skedaddle the limited spectrum of shallow rust becoming hard work’s dross
Draining the swamp of career politicians that prefer the aroma of cod over the swagger of skunks with high sunk costs
Filch me a new coast Bill the Butcher and secure my passage for bonanzas of wealth
A fool’s card is now the traipsed parliament of one world stealth
Among the aristocracy an impediment to change locks all race in internecine game
Racecar palindromes offered as sacrifice to winsome but momentary glares aglow with disdain
Neuter the profligate, neutralize the builder’s set, stain the chastity of the Marmoset
Suddenly the zero-sum game adds up to twenty
With every dime and dozen going to infinity beyond debt with prosperity aplenty
As the laggards play dominoes on quaint tables frittering at the surface
Foment the disregarded rage and wrangled page into a classic Ace of Base
But who really is Walter White?
Does he live in camouflaged tents next to trees daring an alien but mutual fright?
Is he the kind of Wizard that never had consanguinity with alarmist rite and expeditious lies that aleatory fate is somehow too proximal to become in lambent sight?
Questions answer themselves over time with droned litanies of every conceivable tome
Forgotten in an ash heap in Alexandria more so than Rome
Supersonic flight that hedges prizes qualified kites
Encyclopedias of knowledge won’t even decode ghastly ghoulish capes of an off-color might
Now we simper at the glowering ignorance of menial men
Swimming with sharks and synchronized with the obnoxious hen
They won’t learn nearly as much from the Sun as warmth as they would the Moon for guidance
They won’t plaster Paris with the vandalism as counseling for pilfered tridents
So maybe the Anglophones have a menagerie yet seen
Maybe the game was introduced so early the royalty knows explicitly of beatific beams.
All is lost can never be forgiven in the land before time
In the land before precise minutes, seconds and momentary fragrance of threadbare design
So horology is horrific, when the jaws of the aliens in time thresh galloping headless horsemen Revered in this part of town
The imperial switchboard was stocked to the brim
The counterbalance of a Washington winter was equally grim
Embittered by the bellicose autonomy of fledgling families with endless land but limited prosperity
The dragooned riposte resounded among church bells with alarmism in sincerity
But the attrition of winter and the conditions of every primordial printer
Staged the coup that led to the walloped whimper
As the world shrank and wealth enlarged
As the shark tank of time plowed through shares like an ice threshing barge
We found that history is the caretaker of fringe reason becoming indomitable arbitrage
And for ever space that exists from now to the beginning of time there has always been space that begins with a luxurious spa and thereafter credit charged.
David Ehrgott Apr 2016
An Open Letter to the Governor of New York
and the Mayor of New York City.

Dear Sirs,

Why is it, year after year, you two insist upon keeping the sales
of the miracle herb cannabis in the hands of criminals. Do you Not
know the infrastructures that so desperately need to be repaired
could be financed by a state and city sales tax of this wonder-kind plant.
But, no!  You keep letting criminals gain power by letting them have all the profits.  Dear sirs, please open your minds for a moment. A state and city run controlled cannabis operation would not only generate enough income for bridge and tunnel repairs but, also aid in the education system. Most important if you legalize the miracle herb, you could have the police concentrate on the larger problem which is 5th graders hooked on ****** for LIFE! If you cannot see the progress this would create then, you surely have kickbacks from criminals. Allowing these lowlife **** to continue to reap profits from illegal sales is just plain insanity and a criminal act in itself. Please stop giving criminals power. And concentrate on the Real issues.

Thank you in advance,

A Poet
First,
You teach me to think
With my own brains
Feel out my way
With my own feet
Treat me the same
As the boys


Second,
You put me in a school
Where they teach me to read
- oh, what a world!
They teach me to look
At international
Literature
- Marge Piercy,
Maya Angelou
And the like

Next,
You show me the crimson
Powder meant for foreheads
A deeper red for blood
Spilt on beds.
A life of compromise
And adjustment


Ripping out my ideas
And opinions
Telling me they're worthless
A baby, a house,
A life of adjustment
Is all this was meant for.


Tearing my beliefs
In an equal world
An equal society
Where society rises
To meet human morality


Is this what you taught me to read for?
Sorry sirs, ladies.
I tip my hat and bow.
Sorry to disappoint.
I was meant for an equal position
And I'll take it
- by force or mutual
compromise.
sandra wyllie Dec 2021
rain down on me
let it pour
let my skin repel
every icy drop
of water that fell

Let it
blow gusts of wind
let it knock down branches
let my curly hair do dances
in the storm

Let it
burn me, the sun
till I’ve blisters
let them fill
and with my fists, sirs
I’ll pop everyone
as if it bubblegum

Let it
snow, a blooming blizzard
slapping my face
hard as a lizard
billowing gusts of powdery dust
let it climb past my door
I’ll bore a tunnel through it
crawling out the other side
where the ocean meets the sky
CP Walker Jun 2014
I happen upon this realization tonight, this one among many others:

I keep many lovely "Night Buds..."
in a collective nocturnal realm.

That is to say, good sirs and madams who care to lend their individual respective gentle ears for the sparing;

There are many women with whom I only seem to engage with in conversation or for companionship as night time falls over my conscious self.

I happened upon this truth earlier tonight in deep reflection, my friends and fellows.

And I wonder to myself, to what significance do these few coincidental female fates have on my person?

Am I more friendly at night, when the sun is gone and the moon is up? Is this the fate I have fallen to? Is this the life I've made?

Am I more alive than dead when my motionless body just crawls into bed and I lye there for hours or days at a time and feel happier alone in that bed than when I'm out around the house with my family; this because I've forgotten how to love, and their beautiful friendship makes me terribly saddened by the wish to reciprocate such friendship, but all for not...as I cannot love anymore.

I'm saddened by love, I've only the Night Buds to turn to and share my woes with collectively.

I wish I could be strong like some, and have no need to turn to Night Buds for consoling, for deflating my troubles, and for wishing good fortune.

I perhaps someday shall not have such need, but for now, I'll work on improving and keep my Night Buds all the same.

You see I really am quite found of my Night Buds: they make me feel like life is not all that bad, and that choosing to feel happy is the only way to really in fact be happy, regardless of living situation (though I still struggle to swallow that pill of logic).

Until my heart dance slows and I express this sentiment of self-realization aloud, I shan't sleep a peep.

Post- heart normalization and expression, I will perhaps have slipped off into a final slumber...thereafter having only this to say:

Night Bud!
I have no idea how this will be received or related to, but I promise it was an effort to stay awake long enough to write it ;^)
Terry Hardy May 2013
With halted breath he saw her there
He didn’t mean to stop & stare
But such beauty, demure & sweet
Caused the heart to miss a beat
Pulse was racing, blood was heating
Wondered how to affect a meeting

Should it be a cheesy line
A bunch of flowers - a glass of wine
He approached her - his mind a quiver
Felt his body start to shiver
His stomach now, begins to flutter
Then he really starts to stutter

Excuse me miss, - he began like this
But soon his voice became a hiss
Carry on, - his brain did urge him
Then at once his courage failed him
Excuse me miss he uttered again
The moment had gone…..this was plain

So young sirs when you go wooing
You really have to practice cooing
Nothing comes to the faint of heart
You really have to act the part
If you wish, to sweep off her feet
A nice young lady demure & sweet.
XI

A Book was writ of late call’d Tetrachordon;
And wov’n close, both matter, form and stile;
The Subject new: it walk’d the Town a while,
Numbring good intellects; now seldom por’d on.
Cries the stall-reader, bless us! what a word on
A title page is this! and some in file
Stand spelling fals, while one might walk to Mile-
End Green.  Why is it harder Sirs then Gordon,
Colkitto, or Macdonnel, or Galasp?
Those rugged names to our like mouths grow sleek
That would have made Quintilian stare and gasp.
Thy age, like ours, O Soul of Sir John Cheek,
Hated not Learning wors then Toad or Asp;
When thou taught’st Cambridge, and King Edward Greek.
Raj Arumugam Oct 2010
Do my eyes fail me?
Is the light of the sun useless?
for though in daylight I have walked abroad
from the confined barrel I live in
away from the rats
away a while from the stray dogs
that congregate outside my hovel
that want a bit of my sack of carrots
and discarded meat
that I picked up from the market;
and though I walked often with firm steps and keen eyes
I did not see a man, a woman, a human worth their salt;
and so I walk now
(for perhaps my eyes do fail me
and the light of the sun and moon is perhaps an illusion)
and so I walk now with a lantern even in broad daylight
and still I do not see a man, a woman, a human worth their salt;
what I see are swirls of violence and greed and pettiness
and whorls of self-preoccupation and bigotry and ignorance
and narrowness
all encased in flesh and bones:
leave me Sirs and sweet-dressed and made-up Ladies
and Children corrupt in the World of Adult Fanfare;
leave me and let me go on my quest further afield
as far as the lantern will allow me
even in this bright day ruled by the sun
and ruined by you Sneering Living Beings;
leave me to wander as far to see if I cannot perhaps find a human
in some corner….a surprise as one might find
a gold coin in some dark corner….
And I so hope that today perhaps I shall find
the human this bright day
by the light of this lantern
and not like yesterday and all days before
search in vain till the lantern light dies
and crawl back to my hovel
not finding one free of these or at least sincere,
and so worthy of the name of human…
Diogenes (c.412BCE-323BCE), lantern in hand, walks out in broad daylight looking for a human being…and as in days past, he finds none.

The poem is based on the painting Diogenes looking for a man - attributed to JHW Tischbein
Thomas W Case Sep 2021
(Graphic erotica 18 or older)
Set me free --
I’ve been waiting for you to,
These nights in the castle                    
You’re too distant.                                
It’s too easy.
I’m afraid to tell you                                          
what I’ll allow -- what I crave.                                    
We read,
We talk -- I sing for you.
I love you, even.
But you’re holding back,
I don’t know why.
My family is gone,
No one is coming for me.
I’m afraid only to tell you --
There’s more to me --
Wildness, wretchedness, and pain without end.
I'm not afraid of the darkness,
From it, together we have everything
To gain.

I’m caged as well, I want to break out,
Eat raw meat, and breathe
In all life has to offer.
Pain has defined me.
The bars are strong on
Your cage and I see your
pain...I want to touch
It, and make it go away.
**** it far away,
Mine as well, does love even exist?
My childhood was a horror show of
Apathy, money, and privilege;
But no smiles or touch.
Debauchery surrounded me,
People were to be used for our
Base desires.
I will punish us both for being born.

Maybe you want a simple girl
Extravagant dinners and clean laundry
Such things bore me, I’m afraid
You might think me monstrous
All I’ve done is toil away,
Giving myself over to Sisyphean labors, and
Endless inhuman favors
Surrendered to unfit Masters
Who paid for their titles, treating
Me like a commodity to use up,
Beat down, and throw away. I
Indict my own male relatives
Who should have protected me,
And beseech God for a remedy
To my loneliness and misery.
My gratitude overwhelms
For this interlude in the castle.
You’ve been good to me so far —
Your care is starting to show, yet I
Am electric at a dream I have of
How much further we could go, still
You seem reluctant, what must I do...

I need a monster in that
Bed, but not in my heart.                      
I want to ******* hard                          
And drive the                                                  
Demons out,                                                             ­                 
Drowned in the pink.
Pound it dripping home
To the core of the tulips,
To the bottom of the
Swollen rose.
Love is a rotten pig
In the dung heap of life.
I want no part of
It ever again.

I see you looking at me
With a different energy      
it scares me in the exact way                      
I want to be.
The day stretches long,
With an endless banal sun.
I’m molten inside --
Tropical, with inhibitions
Melting down.
You can save me
Right now,
As I kneel in front of you,
I open my mouth, and
Feel the cage
Door opening.

Freedom,
As you take my ****
Into your mouth --
Do you feel the heat, and
The power?

I feel it all at once,
Like a conquistador
But benevolent.
I keep my eyes open,
The world blooms
From simple
To magnificent.
I’m not like
The other maids,
I’m not sure if you knew.
I do everything
Oh so happily
Like it’s forever new.  
******* being
My favorite feast, so
Please! Pull my hair!
Don’t be gentle!
Make me drink it.

You ***** ****.
I’m taken to new
Heights with this
Different side of you.
My precious darling,
Take all of me, as I ****
your mouth.
I feel like the Marquis De
Sade seducing the
Chambermaid.
Let me taste
Your juice.
Lie back and
Spread your legs.
Your ***** is divine.
Like ambrosia, your
Swollen **** begs for
My tongue,
Do you feel the edge of
Death as I close my hand
Around your throat?
*** my sweet angel.
*** Venus, ***.

I’m relieved
You’re pleased
With my new attitude.
Yet on the edge of release,
A hint of boredom creeps in --
Will it always be this easy
To ****** my Master?
Is it over already?  
I need something darker - more fantastical              
A slight dreariness creeps in                        
As I feel my ****** coming,                                                          ­  
But just before it breaks
So does the boredom!
I realize my heart is pounding
I’m struggling to breathe --
You’re choking me!
Holding me down with one arm,
I try to struggle and squeal,
Electricity of fear!
But I’m immobilized, dumbfounded
Kind sir, please!
Not like this!
You said you loved me!
I loathe to leave
That hot mouth on me
But you look up and break your grip,
So I sit up, renounce your deliverance
And flee!

Where have you gone
My dark angel,
My Babylonian imp?
Are you afraid?
It’s just a little death,
So you value                                      
Life more.                                            
I will find you, and when                                          
I do, My *** will swim in your
Veins, it will be your
Food and Oxygen, our
*** will be your new melody,
The rhythm by which you walk and
Move through life.
Come out my Nymph,
Come to your new Master.

From my hiding place
I see
A vision of Beauty
Your eyes smiling
Back at me
You see me — Truly.  
You read my mind even!
How rash my fear!
After all I desired
The moment is here!
I’m ready, it’s real,
I want to show you what I’m made of
So I step out and bow my head
Revealing my submission
No more mercy - please
Take me and my
Weak knees
Oh! My darling sir!
Take me all the way, please!

I gaze at your tremendous light
And passion. Your heart beats like a
Deer after the chase.
I can smell your musty ****
From the *** you want
So I signal the chambermaid
And the gardener to
Seize you, ah, and then,
While he forces your legs apart
I tie your wrists over your head
You won't be escaping again!
You naughty *****!
I have you now!
While he leers hungrily
Up your skirts
I take my knife and slit your dress --
So close to your throat
And all the way down the corset
I signal to the gardener and the
Brute tears it off you
Leaving you bleeding
As his rough hands scratch your flesh
We all look at you trembling,
Flushed, drawn out, and naked --
That's when the chambermaid
Pulls a long feather from her apron
And runs it over your eyebrows.
Then around your mouth, open in fear.
While the Gardener looks at me hopefully.
I nod, so he takes his big dumb hands
And squeezes your ******* hard
Moaning like a feral dog.
Failing to look at his Master again
He slips his night shirt off
Leans forward and shoves
A hard **** in your open mouth
Growling "**** on it, you filthy ****!"
With utter, savage delight.
You take the head of it in your mouth
Whimpering, yet ******* it tightly.
He moans louder, thrusting violently,
With sweat from his forehead
Dripping on your face as
You look to me for mercy.
You find none, so he takes license
And ***** your mouth so hard
Writhing his hips, as your poor lips
Begin to bruise and your throat is sore
The maid gets down
Between your legs and
Licks your swollen ****,
Your hips rise to the
Darting of her tongue.
She slips a finger in
Your tight *****, so juicy
And ***** it hard and fast
As she ***** your ****.
You lie back, letting yourself
Be taken and consumed.

What have I done,
I’m helpless now!
You’ve gone very much too far!
The fear is as delicious as
That mouth on me —
Yet I'm pinned and immobile.
The Brute’s **** is strangling me,
Even as I begin to revel in the taste
Of his lust, I can’t breathe!
I wanted you, not these brutes!
You stand far off - aloof and I’m
Crying as I explode
The brute laughs and then
Grunts and moans as he
Lets forth his sickening load.
I’m forced to swallow, he won’t get up
Instead he’s twisting and shoving
His pulsing **** on my tongue,
Barking "drink it, ****!" and laughing
As he drives his ****** home.

The ambivalence is driving me
Mad, I can’t stand to watch this brute
Handle you this way, yet there is a
Strange sense of pleasure.
Love is changing me, I see you
As a poor wretch that craves
Love, I also need love,
And this brute didn’t ask permission!
I make my decision quickly.
I pull my rigging knife from
Its sheath and walk behind
The filthy *******, grab his greasy                      
Hair and slice his jugular, as his                                
Heart pumps its last beats, blood                                    
Spurts all over your *** and back.
I have finally met my match —
I grab your hair and pull you back to
Meet my raging hard ****.
The ***** has made your ***** sloppy wet
And I slap your **** with my shaft.

So I was right to be afraid! But I know
You love me truly
You’d never hurt me - would you?
The chambermaid runs out and it’s just
You and me - ******* wild and free.
Suddenly you slow yourself
And cradle me so tenderly.
Your face in my hair, you pull me close,
Then everything goes slow.
You hold me a long moment
But then your energy
Is ferocious all over again —
You ****** into me harder
It hurts me and I cry out —
"I’m yours forever!
Even if I die!”

If you die my darling, I die as well,
My love for you transcends the ***.
I weep as we come together,
Ecstasy, rapture,
I’ve passed your ******,
I’m in your soul.
And you in mine.
I know we should flee,
But I need a few moments more
Inside of you, looking
Into your safe eyes.
Footsteps approach, like the
Black horse of destiny.
A wretched voice calls out --
“He’s the one!”

With agony in my heart
I realize it's too late
You captured my soul while
Death stood at the gate.
Despondent, I release you,
Desperate, I rise up.
Naked and ******,
My Glory shining through
"Gentlemen!" I cry, with anguish in my voice
"I lit the flame myself!
I carried the brutal torch!
I kneeled before my Beloved
To worship his throbbing ****
You mustn't judge me, sirs!
A simple maid I am not!
I stirred him to untamed lust
Gave into delicious
Humiliation -- splayed out for
The household to see
My unbridled flirtations,
We played with death!
I led him on!
I wanted Love more than Life!
If you must hang him,
Hang me as well
For Death must need a Wife!

She knows not what she says.
We are drunk on love.
I did the crime, a brute kills a brute.
Nothing more. I’m your man, take me,
And leave my poor angel alone.
I would die for her,
But I’d rather live,
So here is your chance to
Holster your weapons and go
Home to your families.
No, you say?
Then I shall send you
To hell.
Join all the rest of the brutes
Gentlemen, and
Join me as well.

The man rushes the authorities,
And a shot rings out.
His new heart is fatally
Shattered this time,
He drops with a thud to the floor.
She wails and runs to him.
She kneels and clutches him to
Her breast, weeping,
You can’t die,
I love you,
She whispers.
I love you too, my angel,
Now go and love some more.
These are his last words, and a
Smile lies dead on his
Pallid face.

She screams at the apathetic soldiers,
You took my soul and my life!
It is you that deserve to die!
And now -- this very night!
The breath is leaving my body,
I long for obliteration
Life is now impossible
An ugly abomination
I cannot bear his last words,
Go and love some more, he said!
Ah, but my passion has turned murderous
Now that Love itself lies dead!
Reaching out one last time
It appears, for her lover’s hand
She quickly took the knife from him
Turned, and charged the men.
Her glorious warrior’s cry, and
Her unashamed nakedness,
Aroused anger in the soldiers
With their predictable expectations
In the final ****** their guns convulsed,
Delivering her with a volley of bullets
Into her waiting lover’s arms,
Their blood flowing together
In rich, loving rivulets  
Of passionate dark red
Flowing together, briefly
Warming the concrete floor.
This is an ****** bedtime story for all you lovers out there.  It is written by Thomas W. Case and biche

— The End —