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Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!
Terry O'Leary Sep 2014
Sweet Butterfly, with wings now dry 'tis time to break away
and light upon the leaves of dawn while weeping willows sway,
not reminisce 'bout chrysalis discarded yesterday,
but treasure life, with colors rife in nature's cabaret.

Sweet Butterfly, you sometimes sigh "terrene so strange and new”,
but take a chance, with winged expanse of fairy-like bijou,
to taste delight in random flight, to drift beyond the blue
and then collect her naked nectar, sipped in morning dew.

Sweet Butterfly, you question why the breeze is seldom soft
when swirling you, your wings askew, while floating free aloft.
Some seem to find their peace of mind believing gods have coughed,
but others, downed, have often found more freedom when they've scoffed.

Sweet Butterfly, you needn't cry, the fields are full of clover,
and meadowlands bare braided strands that winds in waves flow over -
but if you fear that, more than here, another mead is mauver,
just flutter by, beneath the sky, unfettered flitting rover.

Sweet Butterfly, farewell, goodbye, you've left this world behind.
I oft gaze back along the track of flowers that you've mined
recalling days of light sashays and movements unconfined
that complement the firmament where beauty lies enshrined.
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.
Steve D'Beard Jul 2014
Risa's eyes looked out from almond shells
glinting in the morning sun
concealing a golden buttercup glow
wrapped round the ragged peaks of the Himalaya's
like an immaculate dust cover
embroidered with a million clean cut diamonds
revealing the majesty of light
pinwheeling over broken shadows
and shattered solitary star-bursts
peeling round mighty boulders flung by giants
breathing new life into ancient stones
sealing prophecies of dancing immortal angels
stealing the remnants of passing moonlight
as the coming day reaches out and cradles
the last vestige of piercing cold night.

This was the daily healing
the warmth upon her young face
the smile appearing that would melt the ice itself
the young girl from Darjeeling
embraced with gifts of seeing
her nubile and youthful grace
belies the hardship and the routine
of carrying spice to the market
she was not yet even thirteen
the Lapis gem of her mothers eye
the little queen of all she surveys
sashays down the cobbled street way
nestled in the lap of the gods
and the praise of summer days.
A young lady sashays across the kitchen floor .. Displaying a stunning , red Ball gown , beaming , contrarily to an fro , eager for a compliment from a proud seamstress . A fidgety young boy ,  hand -me -down jacket with slacks being tailored , patches cut , hand sewn at worn out knees ..Darning Papas socks , repairing a tablecloth , custom curtains ,  flour sacks made into napkins , aprons , quilts  and handkerchiefs . A wicker box that belonged to very gifted hands indeed
Copyright September 25 , 2015 by Randolph L Wilson * All Rights Reserved
Hayley Neininger Jan 2012
My mother is getting ready for work. And I a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 or so years in this house. This house, I remember, that shook violently from the train a block away and was so fragile and damp that its walls warped and swelled making the house look like someone had once blown up a large balloon inside and the walls still held its shape. My mother who never complained about the state of our house ans instead would tell me, “Isn’t it cozy living in a snow-globe house?” So on the damp floor I would sit and I would watch my mother go through the motions, the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical art that at this age seemed to me more like dancing. She started her dance by thumbing over the light pale and pink lip paint she saved for weekday afternoons and Sunday mornings , reaching instead for the bright Chinese red stick she painted onto her perfectly pursed lips, next pressing down wrinkles smooth as the backs of thumb-tacks -on her black tight dress, pressing over her hips, her thighs. She next sashays over to her vanity and picks up a small black container to paint over her eyelids a bright but dusty blue shadow, then gently sweeps me up and sets me on her bed as she kneels down and tells me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would be both black and invisible in the dark night outside our front door. That I often thought would hurt her feet as she walked the long stretch of street outside our house.  Her then, grasping with both hands a purple and gold glass bottle of perfume on her dresser, which then to me looked like a curious crystal globe of sweet-smelling water, that sparkled like a snow-globe when she shook it. This is my mother’s last step, she presses down the sponge-like pump. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I see watch them as they swirl up the golden bottle-the snow-globe holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its glass. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms they embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface. Until they slowly start to realize that they are being expelled from their bottle. They then stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their bottle, to always be safe and visible in the enwombing liquid that circles around them in their bottle, that reassures them of their existence as a single being and not as a part of a whole, to be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe to live forever as air bubbles safe and few, to not swim to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse on the couch. I want her to stay. And as she grabs her purse and slams the front door it shakes our house like glass around me. Me, left here feeling liquid and weak in a snow-globe house now void of air.
Just something I'm working on.
Nat Lipstadt May 2013
In Orange County


In Orange County, Californiyay,
When you arrive at John Wayne Airport,
No need to show driver license or passport,
But be prepared for inspection to gain entry.

Are your teeth white enough to light the roads?
Is your navel hairless and clean enough to be licked?
Do you have two tats, if not, get going back
to whatever!
If your not blonde, produce pictures of your parents,
In any event, law demands, go directly to the colorist!

At the John Wayne Airport,
Religion is everywhere,
Who says God is illegal
In the great state of California-yay?

A flimsy dress, no room to guess,
Sashays slowly before the lines of the waiting,
If you are a believer, all is revealed,
A thong is the path to the Promised Land,
All you do is silent pray, Good God,
Mine eyes have seen the coming of The Lord!

A middle aged woman with many large bags
Dances a pas de deux with the luggage carousel,
Wrestling those black devils to the ground,
Her less than flat physique is displayed,
All you do is silent pray, Good God,
Please tell me she is pregnant!

Everybody smiles and says hello, so friendly,
But having mastered the technique of doing so
While looking over and past you, rest assured,
Your New York sensibilities of ignoring the movie star
Sitting next to you on the subway feels like the ultimate,
True cool.

In this place the sun never sets, which is why the citizens
Have sunglasses surgically attached to their heads.
Have not seen a big nose 'cept mine
Being looked down on from people who by law
Must be a minimum of six feet tall.

Need my gritty, need my cabbies giving me the finger,
Need the senior citizens fighting tooth and elbow for anything on sale,
Need my rivers, need to bleed orange and blue,
Need my ballet, my museums, my rude compatriots,
Who rush to your side when you sidewalk stumble,
Who never judge a book by its cover,
Cause the **** next to you is likely the author.
Who open their pockets and hearts to every needy person,
Hand extended, give 'em a buck, genuinely wish 'em God Bless,
They who let us share the fabric, woof and weave of our
City streets, their homes...

I got beach, I got mountains,
So maybe they're not visible from my living room,
But I got more living in the hearts of my fellow Yorkers,
Than there are grains of sands on the beaches of
Orange County.
rachelle lee Apr 2013
this is the color of sunshine and innocence,
of freckle-faced children running through the dry grass
as butterflies flit and grasshoppers bound.
it is the shade of the center of the daisies
their older sister plucks from the earth.
a reserved smile tugs on her lips as
one by one the petals fall to the whispered words,

"he loves me,
he loves me not."

it is the color of lemonade and buttered croissants,
and the dance the mother makes across the kitchen,
floral skirt swaying as she sashays to and fro.
a grin flashes across her face
as she remembers the color of the dreams she chased in her youth;

the color of her name up in lights
the color of camera bulbs and the afterimages
that creep across her vision
when the paparazzi descends.

this color makes it way down the hall and into the study,
where the father sits at his desk pouring
over numbers and figures while furiously
punching them into a calculator.

it is the color of post-it notes scribbled over with important dates,
of the faded coffee stain on the front of the man's shirt,
of the potted flowers doing their absolute best
to brighten up the austere space.

when the day reaches its end
this color seems to disappear...

but it persists

in the most subtle
of places.

it wraps around the tiny nightlight in the youngest son's room,
providing a barrier between him
and whatever goes bump in the night.

it chimes in the nervous giggles that attempt to dispel
the fear that comes with a late-night scary story.

it emanates from the glow-in-the-dark stars and planets
stuck to the older sister's ceiling--
there they remain
despite her insistence that she it too old for them.

this color is most certainly not the color of darkness,
but,
rather--
the moments that break its emptiness.
Part two of my color series! Once again, this was originally written in prose so please bear with me as I try to restructure them.
I write your name
                              in red
   sunlight
seeps through bottles
          on a windowsill
   margarine kaleidoscopes
         on legs

naked for a change
(early summer risky business)

Floorboards yawn
     under the weight of our stories
   I take showers
        as well as baths now
   Can't be twenty-one here
older   shush you couldn't tell

   Roll my finger
   make your piano tingle
like when our wrists
    bump together
    when spines crackle
on books bought yesterday
    this city   bubbles
        all fiction

You think
monochrome
     makes you look better
     camera   snap   done
jazz sashays around the room
    head out a window
hear people as nosebleeds
                    scrabble about

You flirt
        (what a discovery)
like flowers in a vase
   orange juice   bagels
ten-plus-ten toes

     (A moment
where your eyes ache
     into mine)

I hop
stepped jumped
into this mess

     you know as well as I do
     what a delectable
mess we are in
Written: June 2014.
Explanation: A poem written in my own time (and there will be more, somewhat similar pieces to this soon.) Something very rare happened, in which I sat and wrote a page of random notes inspired by recurring dreams, and rather than leave it and later alter it into a poem, I just re-shuffled some bits, added some more, and put it on here, so while it is in one sense 'raw', to me it is also rather 'fresh.' Feedback highly welcome and appreciated on this.
NOTE: This poem was inspired, but is not directly about somebody.
arham Oct 2013
You can call me
Pretentious
With my fancy words and
My endless rants
About
These beautiful words, worlds and
Fantasy lives.

I talk about being alive in
The lilt of those words the
Curve of my tongue rolling off every
Lush little letter I talk
About poetry and magic and
An exasperating universe.
And god! I'm breathless

With the chaos of this beauty
And the beauty of this chaos.
And god every deep
Breath is another burst
Of magic and every new word
Settles into the depths of my
Soul.

****, I try to be humble but
Everything in me sways
And sashays
To the rhythm of these words
And its song entwined with the
Melody of my heart, I dance
And I jump and hum with all this joy.

Never pretentious.
Always alive.
K Balachandran May 2016
Does time suddenly come to a stand still?
At certain times, time just feels like a concept
that has no meaning, even going backwards!

She parks her car and sashays out, as if she
has never been frustrated with her life!
Dressed in a boldly patterned dress, she waits.
She looks more like a fixture in nature, a sculpture
that stood so long in a public place, not adulated,
bearing beating sun, snow and rain, yet so fresh
as if newly made, pleasant in a way illusory
her marked chutzpah,evidently intact.

At the park gate he stands, in a past he is lost,
peering at her face from afar, with a keenness
that doesn't seem to be normal, he hesitates
time has turned it's wheel s much yet it seems
a stand still to him,"Would one learn from life?"
he mulls over  as he invites a smile on his face
while walking over to meet her, the moment
of epiphany, he is sure and wants to cherish it for ever.
Avery Glows Apr 2016
Potentials are nothing more
than dormant seeds lying
underground.
As good as dead.
Until you plough the soil
and sow the seeds waiting
patiently.
For years ahead
It’ll thrive and grow
and grow and thrive
flamboyant sashays
called
abilities.
Jack Trainer Nov 2014
Death and its mournful tidings
Obituaries and eulogies, read
Black ties and black veils, all in rows
Surround this shell and the open earth
The cold, damp wind sashays through and through
Memories, half a century old are lost and forgotten
A flight of geese overhead, perform a last flyover
Victory in death
Vestiges of family, say farewell and Godspeed
Tomorrow brings colder and damper weather
K Balachandran May 2018
sweet emotion blooms,
as she gently sashays near;
hearts resonate, melt!
In a myriad of countless faults, I hide under vague words and a morbid recourse of sordid worded prose. I rarely am understood in the writing, which I normally expect (not in self pity, mind you) because that specific outlet is the only way I know to unleash what I feel and at the same time, understand more of myself. It isn’t necessarily for anyone else. I am a coward, burying my confusing thoughtstreams and heartrhythms in to a metaphorical and vague tomb, masoned and built with rot-brick and acidic ichor as caulk.
  Let’s be clear; I am not a perfect person. On an average day, I don’t particularly think of myself as even a good person. Sashays of brevity and a courtly manner may indicate a misunderstood and polite soul, and to an extent, I grant that this is true in the sense that I never wish to push my inner self on anyone. However, beyond and inside the carefully crafted facade of courteousness and the feigned smile, I am an abysmal vat. I am a cavity consisting merely of rage, indifference, and unwholesomeness. This is not an admirable trait, something I have never been or will be proud of, and is said as informative as possible rather than in an attempt to intimidate or distill fear, so you may have an understanding of how I feel the things I do as the topics are discussed here throughout.
  I feel it necessary to begin and end with love. More the idea of it, really. The idea of love is beautiful and enticing, but if I have ever felt it before, I know the pain of losing it far outweighs the joys within it. I want and most wish to be the “writer”, the “poet” even, to describe what I feel for love and yet, it slips through my fingers like water through mesh; Slow enough that I can see it, feel it, know it’s there, but fleeting and never remaining.I yearn for it badly in various forms, because like any other imperfect being, I crave it. The feeling of being loved is one thing, a momentous and great thing, but the knowledge that you love something honestly and purely out of your own volition is a feeling I desperately want to be akin with. I long to be able to put the words together (and trust me, I know a fair amount of words) to describe what I feel about this sensation, of how much I want this sensation, but each time, I fail and fall on the grounds of repetitive and likely plagiarized folly. In an attempt to share the wanton feeling of acceptance in the arms of another human being, I succeed in only deprecating myself and pushing further away in to my own self-hating chasm as I realize that I have again, fallen a bit short of the message I had tried to convey.
  With all my might and will combined, I will sit for hours and think of a new way to describe the beauty of one’s eyes, or the curve of a jaw, even the floating melody of the voice, but what I describe has been penned before and better from their hands than mine. I discuss the unwilling, devout feeling of being alone, romanticized and dressed up for the show, to entertain in some form, yet in the end, all I can say to myself in this modern world after the verses are written is “I guess I’m pretty lonely.” It is some form of irony in itself, I feel, that so many of the greatest people I know can elaborate on loneliness in better terms than I, while being completely happy with the person they love. I must also grant that there is a flutter of bitterness in me from that, as I slightly envy that ability and situation.
      The women have come and gone, many mutual agreements, some unfortunate endings, but as I exist today, I find myself wanting more than this. I want not to have someone give themself to me exactly, but to give someone a piece of myself. Perhaps they can show me what it means to feel something other than what’s inside right now. I am understanding of the the fact that at this point, this may seem like whiny tripe, but I admit that it feels as if a bit of weight has lifted in being able to finally put in to words a feeling that causes more than moderate struggle in my head. I have never been afraid to die, or had a fear of regretting “not living”, I’m actually quite curious about death, but I’ve recently found within myself that I would honestly and contently prefer to not end life on the word, “alone.”
Vernon Waring Dec 2015
what is more useless than beauty?

it's nothing more than an arrangement
   of features that please the eyes
a form of visual perfection
   that inspires awe
a whim of god to distribute it
   in modest numbers

but it still works its magic
when it sashays down a street
and children at play stop
as if a goddess is in their midst
Julian Sep 2022
September 29th 2022 Philosophy

The spavined strumpets of aleatory nimonics stranded in the dimpled pelargic mythos of the nebelwerfers of scansorial elitism burroling the stokehold of pragmatic lurch useful for the progeny of powellisation interned by potichomania for balefires against the throbbing thremmatology of the strickle of jabirus vexed by stunsail argumentation of sumpter sidelong in oblique ginglymus to such a grave extent the thalwegs of contemplation daver in marauded orbit around ceraceous and cespitous thaumaturgy manacled by subservience in sequacious filagersion honing upon stereopsis for nomenclators of high squarson brigadoon fidelity to finessed wheals brackling away at tattermedalion squalor in squirmish facade of brockfaced brockens of wasserman to infiltrate against banjolins the pedigree of berceuse mendaciloquence that the branchiform sedigitation of all sesquiplicated sondage in the barnstorm of whelky during the subterfuge of wallfish cofferdams entrenched in boskets of the deepest regard of bathmism that we might fetch the canicular and cannular talents of susceptible bonhomie to retrace the elemental supralunar chrysopoetics of the transubstantiation of all stellions beyond provincial jansky and above fracklings of disrepute to array never a protervity of loimic stiction but always a sovenance of the highest fidelity to bellarmine briquets that can be sustained by mediagenic diffusion of volplanes of vulpecular vasotribes thereby careworn of future plight by preterition and chronobiology superfused for sporrans calculated for bonanza rather than retching with carpology. In the sustainable calculus of stanhopes and standpipes against the nivellated carnage of many a nivial hotspot grandiose with bruxomania rarely plodged by the subsultus of virgation nor flummoxed into glochidate barbs against the cephaligation of turmoil subduplicated by the gnomics of rebarbative betise flagrant upon caballine taunts of persiflage of percocted vexililogy curmudgeons of companionway spurtle upon cibophobias yearning for yeeps trouncing yaffs in a suitable mascon that trounces the pentapolis for its misfire of finicky stoichometry gradate in the traipse of ginglymus rotated succinctly by a minor machinule degradation of venostastis that the wens of wanchancy never vex or vitiate the providence of prattle of umbrageous stultification whelkied by the patriolatry of foreign observers of the brocade of balbriggan springhares reticulated by grimgribbers of jaunty jabberwocky levying murage with murengers against the trident spodium of overwrought negotiosity spinescent in capacity to deturpate never with a carnassial intent the tribuloid fictions vaccimulgent by reedbucks who learn from stockinette harbingers the calculus of specular redintegration and redhibition that fewer in number are those scollardical taunts of poststructuralism and many more rancorous attempts at chrematistic nurture above camouflets of the vees of vecordy singulting melancholy upon the canzone of cadrans mobilized by motile wafture into cavernous applause that we might witness the secundine generation waft rather than wamble through its throes of goatish goliardy deposed by gonfaloniers of stridor rather than brackle over truculent developments of the lurch of wainage and wantage burroling the constative prisoptometers of tritanopia leveraged by finifugal finesse of stricklers of sifflation that the saffron glow of refulgence is contingent upon the biotaxy and biocenosis of evolved human trust in the stirpiculture of many fascinated disciplines into a chaptalized chapbook of enlightenment above the murky morass of snallygasters of casemate. With an improvident regisseur domineering by the labile fears of neuropynology that understates the mainlined efforts of the nervure against the nesh nessberries of overindulgent popinjays straggling through the stench of sprag winzing in fumatoriums of maieutic latency bored by the tedium of the laveers of the propriety of neolagnium restive because of plumeopicean nidor frowning upon the badigeon of baedekers becoming centripetal to all harmonized gambados seeking the same terminus against the vexatious simultagnosia of the graft between crevices of paltripolitan wrox and the bailivated society we govern better by the rhombos of rhizogenic answers to papaverous problems of chaetophorous vengeance wagered by the groundlings of kyphosis in their idiosyncratic bascules of stentorian elocution that the taxidermy of selenodesic traipses through barnstorms of plurrennial wastelots of cachalots suborned only by the betise and bezique of portentous diestrus fledgling in its inadequacies of torment to roodge any subservience to carpology or any allegiance to the miscegenation of the political yaffingales of plemyrameters overcapacitated by misyoked fears meeting inclement rhigosis that the fortunes of cimelia rather than the boggarts of cimex might enchant future generations to supplant history with a calculated cecutiency that never avoids the boygs of boskets carping by cymaphens of the semaphores of all wheelhouses of wheaten inventions that we might witness the historicity never of sesquiplicated subduplicated biocenosis gorging on the gorgonization of internecine ignorance of varsal velocious cynegetics that the stranded victims of spathspey only in ceremony rather than in supernumerary contemplation that the vigorish vagantes and newels among the badigeons might thrive despite turmoil and the jugodi of broadcloth happenstance devolved upon popular cynography rather than annealed by the ballicatter of avenged samara and samarra that find requital in the wedeln modality rather than nodality of propriety in purpresture rather than crassified demassification of the slore of poltophagous crimogenic procrypsis simileter to all shortsighted gambits of a farsighted batrachian fidelity to nektons suspended among the stunsails of the wager of man to better himself. Because of the motile capacity of thaumaturgy of the wafting baedekers circulated with superfusion incidental to its warped dimensions against thalwegs of strigine configuration that boltropes of emacity swindle from the registry of the coffles of bailivated marivaudage scanscorial in its own moulin capable of entombing the cenote of even the most strident efforts of the nembutsu of gonfaloniers to issue cheer instead of malinger with precipitogenic intimidations of spinescent spiraculated pickelhaubes of porbeagle insights collated from sublime authority because the world awaits not a faineant corpse of morigeration upon the shend of sheol crepitating in heavenly judicature rather than the juggins of notoriety of crambos and crampons that cadge licentiousness that we might all marvel at synechdocial capacities against baryecoia weaponized by a modern bacillicide by blesboks whose candent semaphores of whittled stepneys of swank picaresque by degrees of leverage and largesse taxed by stenometers of pycnostyle elevated because of pyretology that the eventual harbinger of piscary reconnaissance is worth the awaited junctition of all sociogenesis captivated by the selfsame rapture of the chaptalized discovery of a greater biocenosis brockened to rejoice upon decisive conquest rather than backfire in mekometers of coquelicot carnage. The vees of veepstakes admonished by prevenience in vitrail that the fewer casualties of macropicide slangwhanging the brocade of the insular rhotacism of the cannular heist of springald necrologues deposed by cardophagous lies about necrophages so immunized in their stanjant stolinicity boltroped by annealed wheals of endeavor cavorted with portfires of yuzbashi above the petty pedestrian concerns of the spavineds of vauriens of varietism that they can jolt even the jolterheads and surprise with rudenture even the most poikilothermic negotiosities to truckle with a hint of truculence to spare the world from starvelings on the outskirts of spirketti that the scarfskin of the collective endeavors of the ventrad vanguard might resemble the coalition of forbearance for the broadest bronteum of ptarmic awakening ever enjoyed by the vigilance of men and the simity of women against the phallocrats twinged with meritodespotism. When we steeve our way past the mazut of balkanized mazopathia in mercedary wainage rarely taxed by the forefront of  considerate myopia we might celebrate the kalamkari spathspeys in their inordinate caution developed into a nympholepsy splendor of refulgent thrills demassified for the curglaff of generosity upon the crumpled brannigans of wizened applause upon the heyday of saturnalia that the whittawers of willowish repute might barnstorm yet again past the precipice of indecency naively wagered never by the sageships of conciliabule capacity to wheedle their way through their attempts at bacillicide regardant always of the caudles of the past commiseration of privileged cribbles of bathmism rather than repugnant spathodea of retorted pelargic barbarism congealed in oppositive valor to enchant only a regelation of nightjars vigilant in sciatheric darkness that the sondage of siffilated barnstorm might jar the very foundations of heaven and earth that the welkins of those whelking might find the couveuse of attempted blatternophones of past decorum the stridor of many taunted nightmares rather than the precipice of the most copulated acclaim ever registered in the foundries of men above the carcasses of subternatural plebeian mythos that stagnates the world rather than ameliorates it into congenial harmony of concordat against interregnum. The suretyship of so many strictions that the sprahl of sprachgefuhl intermittent with janitrices of stanjant jansky beblubbered by the maudlin sentiments of the many recklings ignorant of stockinette despite the nephroliths against nervifolious demise pregnant with absolution rather than replete with gullywashers of metaplasm in the exposure of ragmatical soteriology jaunty only to elective privilege rather than preserved by the conformed chapbooks of catechumen that our fears incumbent on catastrophism always brackle against the truculence of truckling masses of corpses of infirmity that gimcracks of the pentapolis exalt above the treasury of life itself inviolable. The caverniloquys of the jobbernowls of jolterhead infamy regardless of the purpresture of imperious strigrine secrecy embossed upon the pogroms of caudles rarely commiserating with any enchantment of wanchancy brockfaced in its geopolitical fanfire of the portfire of perendination that swashbuckles with the freebooter flarmeys of past coquelicot catalfalque notoriety always a kilmarge to the boondoggles of syndicalism arrayed in satnav ratomorphism that we might storge our present culture with the heyday of glamour intransigent to the chronobiology of preterition always glozing with glottogonic piecemeal dashpots against catastrophism even when done with metaplasm against metapolitics we can fight together with a unified brigade and sodality against the carping objectionable trends of a momentary amnesia so refulgent it overpowers every other inclination that the solfatara of weatherboards of wethers might convene upon the sumter of clochards becoming vagarish rather than prurience becoming simileter to a popular culture ****** of cisvestism upon the scarpetti of crambazzled crampons of senicide rather than the registries of seismotic impetus roundhousing through jobbled configurations of nimonic harbinger to etch themselves indelibly upon the sociogenesis of bellarmine among men and eutrapely among every other facet of attention never too calcimine with calvous calvers that the bolar of our existence depends on the synclastic momentum of the cynegetic valor rather than porlecking insecurities of babirusa of baboonery. The silkaline improvidence of the many boondoggles of lacking stolonicity or a casemate lockjaw jawhole internment of castrametation created by the pourparler of powellisation entombed in the liturgy that laments the past rather than accelerates the amelioration of the future might wilt because of wilding accidia rather than bonzoline acrasia because those people of nevosity that barnstorm against the nivial haunts of the lionized precipitogenic groundprox of naivety derived never from svedberg of swag of gromatic completion that alleviates all wambling grognards of desperation that we might fetch a new epoch superior to the one we have inherited by our callous poikilothermic poivrades of carnage and carnassial deprivations created by stagnant recession rather than optimized reflation because it behooves us all collectively to inseminate the future for the nitids of troilism rather than argue and pander to the bifids of blackmasters nidificating suboptimal steeves of the bobbinet to storge the inoculated beerocracy davering against the best interests of principality rather than the mainline of bayaderes of bargemasters locked into combat with stevedores from other dimensions of cordial conduct and contact that we no longer cower out of polyphiloprogenitive goals or teleonomic insufficiencies but that we brook and embraced age of praxeology above ragtaggers of retchination that the brassage of squamation can supervise into fluency rather than lurch into internecine schmeggegy that remains and always will be the cynosure of schwerpunkt in domestic manifestation of regal impetus above the detritus of defenestration. We should muster an assault against the plodges of kistvaens and the carnassial carnifician yeltings of wights of widgeons that the wicket of campanile shortsightedness might recoil upon its very foundations of ineptitude to become sempervirent in the sashays of surahs contemplated by the magnality of both mahouts and sansculottes to together forge ahead in commonplace articles of enchantment rather than the reliction of ideation in the swamp menaced by vinegaroons rather than elevated by picaroons who thrive even against snallygasters of importunate jawholes that crave a schoenabatic portfire to distract people from the rudenture of rubefaction in such a finicky way as to alleviate the coacervation of cespitous and cepivorous disdain. The faineant world orbiting around cynosures enjoying sinecures that the balbriggan springhares of reticulose pleonexia designed by veilleuses of brachet serectrium asterongue popularity designated with crass balizes of only bakelite answers of echopraxia to every dented quidlibertarian fascination with their quisquilous periergia floundering because the bathmism of elite pedigree imposes the steepest murage against avenged cachalots that their beziques of betise immolated by the discernment of the capable against the brazen incompetence of hortatory disdain that the thermolysis of sacrilege becomes a better portfire than protective jaundice designated by gamidolatry to perform intorted gambados to soothe the idiosyncratic jobbernowls whose incapacity to subduplicate societal quandaries and correctly weigh the subreption of jannock provides a paralytic inertia to fasten schadenfreude above the tympany of macarism because the catastrophism against the metaplasm correctly brazen rather than cordial only to inauthenticity always bristles at the perendination of evil skullduggery that it might eventually fade from the brocades of supercilious elitism that uses pundonors against mercedary enrichments. Many a time ago already elapsed by the portfire of skalds of jimswingers of sarangousty predicating their vehemence on axiomatic psyiurgic morkins the casualties of many a conflict witnessed by the depredation of morale even when sustained by the puckery of whipstaffs that the fewterers of modern taste deranged by their ginglymus constrained by their thalwegs that sejugate raltention from comprehension might find it incumbent to celebrate never a saiga that berates the many nightjars of saki but rather to entomb novelty because of the pickelhaubes of portbeagles flummoxed by their evaporating fortunes always avenge those who stand in the way of nivial and nivellated securiform and scalariform dementia that is the senicide of many a monocular cause witnessed by barbaric cyclops so intorted in the most pedestrian of antics that his incapacity to even see single borts from the boschveldt and singular leaps among the varsal capacity of proselytism that his ineptitude staggers the stenometers of the most dismal apprehension of his wagered capacity for any kind of stamina in any discipline. These poltophagous idiosyncrasies enjoyed by the oppositive acclaim of those pourparlers of castrametation designed by jabirus preventing stirpiculture of chrysopoetics for cachalots guarded by the blackguard of the ventrad camarilla rather than spayed by the cespitous vinegaroons of poikilothermic aims to plumeopicean ragtaggers entrapped by vapulation rather than informed of bonanza that we might starkly refrain from endorsing majoritarian lewdness as the new credo of a reborn republic constituted around the mahouts of idealism and the magnalities of those who posture in support of the noosphere rather than entangle themselves in the wase of imposture only because catalfalques angry of coquelicot politics might find the calcariferous disdain of pollarchy too much of an enormity to stomach with a stomacher. In the secundine revival of riveted artifacts of sometimes galeanthropic velleity that the skalds of scavons always maraud around to deprive of vehemence the maladroit malaise of the junctition of clitter and clinkstone because of a widespread malcontent that the sedigitated sidestep by every careful lurch on the bobbinet common to resourceless bodaches that we might witness the dying wish of the stellions to become the hamparthia of entire nations cribbling with propriety the bathmism centripetal to the public morale rather than the vacillation of internecine political balkanization in the barnstorm against the security of gonfaloniers to thrive without synsematic declension because of misappropriated vilipended ignorance widespread among those that clamber insistently and with insolence against the gravity and gravitas of the pundonors of cadastre rather than a sublime lackaday morose regret of saturnism waged by sideration in thick boschveldt to depose and derange many. Many tarry because of the umbrage of ultrageous litigation enthusiastically brought with coemption of the celebrated vanguard baldric retinue jolting the enthusiastic boltrope wegotists into the braxy of their shakuhachi of shantung bucentaurs and shenangos emboldened by the vicissitude of the collective remnants of the shambles of sottoportico to assemble with the borts in their possession the wilding zalkengur of absolution rather than the faltering groundprox of phugoid and mugient demands of bolar that laveer silently in the slithers of a puckery night scaffolded by the dashpots of insular providence against termagants of negaholic deprivations of lifestyle and pedigree because of the bradyseismic subsultus against the moya of carpology that is axiomatic in its retched mistetches of ceratoid configuration around the ballaster of schadenfreude enthusiastic in its moribund capacity to disembrangle the better soldiers from the recklings of morose enchantment with lugubrious toil flummoxing all propriety in regard for the sanctiloquence of the present never to result in a future martyrdom of saturnism that would assuredly wipe out the blemishes of portfire from the memory of a disheveled Earth into a shambolic configuration that would result in a nivial morigeration to nivellated conditions of egestuous sejugated cephaligation of nebelwerfers rather than primiparas always lachrymose in regret now pregnant with reactionary desires to coerce change rather than wamble in the ginglymus of sesquiplicated triage around petty boundaries of shakuhachi inviting balbriggan disgrace. In the trismus of crackjaw siderism ennobled by baldric syntalities elective of belletrist in their formative cadges of procatalepsis and jarvey of the intorted blunge of degenerative capacities for meharis combustible only in camouflets of prestige that skirpettis contain by the skinters of springhares of denouement carefully managing larithmics to optimize the mantissa never of a vagarish vagantes venostasis of mottled pternology megacerine because of meleagrine despots of sedigitated attempts to provoke casualties of corbels in the neorama of many sinecures of simultagnosia extorted endlessly by vaccimulgent reedbucks of sinister racemation that the phugoid eutrapely and bellarmine capacity to trounce the sudd that creates the rebarbative bosket of embattled retrenchment in survival ethos because of the macropicide and yirds of many a poikilothermic wretchock of morality to denounce as a denizen of unholy chaptalization that the chaomancies of chabouks between the pleiromorphy of convictions and the moulin of lickerish fascinations of beerocracy of beeskeps of yaraks a commonplace deturpation that finally the pomace of regalia might sustain the mainsail cardimelech and cardiognost capacity of piscary urbacity finicky of any desultory castrametation wagered by sinturong of piscifauna negligent of agapism that their fortuitist regard for humane sanctiloquence that already perished from the Earth might be revived by the vasotribes of the whipstaff of declared decorum vanquishing all tantrels of gambados of gamidolatry so pickelhaube in their dereliction of picaroons that vinegaroons capable like jerboas disguised in the thickets of the night will depose their serendipity and revoke their citizenship from the habitations of the woubits of hell rather than the brevets of widgeons of animadversion propining in every saccadic misyoke of endeavor to find a commonplace destination agreeable beyond the bifids of internecine thalwegs of sejugation rather than assimilation.
Fah Jan 2015
The bottom of my lungs fill with air
curved       curling
My toes fill with oxygen
seems like this is the first time
I have breathed for a day
aware.

In grace
I come into being
Like turning corners in slow motion
at the edge of a canyon
conducting love affairs with myself ,
with the woman I see there
atop the rocks
as I move
unassisted
In breath
Towards her

Medicine Woman
Pinprick Precision
Sensual Earth Goddess
Commanding her power
Laughing at the fool she is
Laughing at the fool we all are
Beating with her bare feet the sound of Joy

Perpetual Spring in her mind
Summer turning at her body,
Winter sashays round her hips,
Autumn in her eyes

No flight of fancy
A grounded cunning
A carefully cultivated madness , powering dreams and vision
Love is her curls.

I'm just a waking
In breath .
So many words sit at my teeth right now, patience dear ones. Let's cultivate ourselves.
D Lowell Wilder May 2016
Let me open the door for you he insists, a kindness born
from misunderstandings of power and luxuries, like this,
Grab the handle and pull hard toward me.  Standing dumb like a
stone easter-islanded headed fool, voice will out me, crackle of
Fury, but instead Why Thank You, honeys, sashays. Inside there’s
push off, rub off, get off, quick little deaths.  Pebbles in my shoe.

No, that’s not how it goes.  It goes like this:
Step out of time, skin suit fold carefully on the bed or the shore of
a river and now test the waters with toe stubbed broken.
Gentle there soft, marsh daubed clays, inanimate reeds brown, hollowed,
Place one gently between tongue and cheek.  Sink into the river, tilt head
Breath through reed.

Can you imagine every day iterate? Repetition? Repeat the old rage?
Practice a minuet or tackle the sonnet form, line by line?
How does one get to Carnegie Hall?  This too has become play, become fodder, become the one I am becoming.
Undone and I wish to step away, from the curb and push, push me under. A car, or truck or bus.  Taxi me ferried to the farther shore. wait there.

Under my arm a fiddle case.  Fumble the latch open and beautiful!
The gasp the wish the harm in lusting for want.  Want and rage merry friends take hold and shove.  I asked to be shoved and I am shoven.  Small tiny violin plays angsty melody for me, pour moi, pourbois.
I will play for tips.  I will play for your half of half uneaten sandwiches.  Want and rage and rhyme.  Meter has it in for me.  
Half beats and internal lusts, magnetic poles attracting and repellent. I watch.  My goal was to extract myself.  
My goal was to be serene and write.

In the best case scenario:
Tonight’s sky lusted with Comae Berenices entwines two perspectives
that converge then diverge, with one asking how may I help you seemingly sincere and yet there is the price tag of submission, and the other accepts that rejecting this kind offer will precipitate another cascade of stars wishing them frantic, de-glowing each, as they fall from the clouds.  May Day May Day May Day.
Seemingly kind  gestures (strings attached)  re-visited through rage filter.  Why is anger easy to wear?   Why is it becoming?
Donall Dempsey Dec 2016
!IT'S IN HER KISS!

"Arra..!" she smirks

"Sure, give us a póg
ya auld rogue ya!"

I chuckle at her
Orish-ness.

"S'ea...n'ea?"
her eyes question in Irish.

"Tabhair dom do phóg!"
I challenge her gladly.

And in the kiss
the exchange of bliss

a tiny rolled up note
passes from her mouth to mine.

Her tongue firmly
in my cheek.

Speechless I...
. . .can not speak.

She turns and with a flounce
sashays off

an angel
in dirndl dress.

"Slán leat...mo buachaill!"
thrown over a naked freckled shoulder.

I unroll the tiny tiny scroll
smile at what is written

her telephone number
with several x's beneath

in red indelible ink.

Two tiny tiny eyes
drawn in blue

with one eye closed
in a wink.

*

"...póg..." - a kiss

"S'ea...n'ea?" - "Yes...no?"

"Tabhair dom do phóg!" - "Give me your kiss!"

"Slán leat...mo buachaill!"..."Goodbye...boy!"
"...póg..." - a kiss

"S'ea...n'ea?" - "Yes...no?"

"Tabhair dom do phóg!" - "Give me your kiss!"

"Slán leat...mo buachaill!"..."Goodbye...boy!"

***

I afterwards asked he:r "What was that all about?"t and she said: "Sure have ya never seen Dion Boucicault's Arrah na Pogue?"  and I said: " No..." "Or hear mention of it in Finnegans Wake" and I said: "No..." and she said: " And ya call yer self a gentleman and a scholar?" and I said: " Well I am a gentle man. .."

So she explained that the famous kiss in Arrah-na-Pogue when Arrah( Nora ), saves her foster brother from execution for his role in the political uprising, by a kiss, during which she effects an exchange from her mouth to his of a small scroll containing
the plans for his escape... by a kiss....you must remember this ... the famous noted kiss... so this little red-headed miss thought of this as her sister fancied me too and she wanted to be one step ahead of her. She had been dared to go up and kiss me and kissed me she did conveying all her feelings and a saliva drenched telephone number.  The best way to deliver the post as Joyce says. "The passing of the key of Two-tongue Common." Oh the wicked wiles of wild women with a penchant for literature.!

And that was how I came to hear about an Arrahna-Pogue kiss and the Finnegans Wake   reference to it!
Morgan Alexander Sep 2019
I sit around chewing bubble gum
Its flavor dull, and flat.
I spit it out into the greasy, stained waste bin.
It stares back at me angrily, lying next to
Some brown boxes, random yard waste,
An oily blue rag, and a raging red
Hunk of plastic, which once was a fire engine,
My misery reflected in its misshapen contours.
I’m trapped in my world
Of fake “How-do-you-dos”
And tepid conversation about the weather.
Each day is an agony and every moment, surreal.
I cry for a body that is not mine.
My soul burns with each passing lie I tell someone
When they ask who I am.

I hate love songs, happy songs, and celebrations!
They are never for me.
They are the bubble gum I scrape off my shoe
As I walk down the aisle to watch the latest horror movie.
The violence on the screen,
Only slightly assuages the rage… in my female soul,
Bound for eternity in a hairy, meaty prison.
I always feel like ****!
A female mind forever warped
By this absurd male body.
The lies I tell become my little deaths.
Little deaths are pain and envy.
Pain and envy are like bubble gum…
Endlessly mashed together and sticky.

A woman sashays past me,
An unknowing feminine tyrant
Enjoying my salvation with the
Parting of her pretty red lips,
The sway of her baby-making hips,
And her graceful, yet sleek fingertips.
She delicately sits, her soft pleasant voice
Floats back up to me. Dysphoria level: CRITICAL!
She dictates my days and nights...
Inadvertently taunting me as she giggles with her friends.
But my eye’s long drinks
Of her crisp, cool water were never
About my thirst.

-MorganLA
I truly love women.
Donall Dempsey Dec 2017
!IT'S IN HER KISS!

"Arrah..!" she smirks

"Sure, give us a póg
ya auld rogue ya!"

I chuckle at her
Orish-ness.

"S'ea...n'ea?"
her eyes question in Irish.

"Tabhair dom do phóg!"
I challenge her gladly.

And in the kiss
the exchange of bliss

a tiny rolled up note
passes from her mouth to mine.

Her tongue firmly
in my cheek.

Speechless I...
. . .can not speak.

She turns and with a flounce
sashays off

an angel
in dirndl dress.
*

"Slán leat...mo buachaill!"
thrown over a naked freckled shoulder.

I unroll the tiny tiny scroll
smile at what is written

her telephone number
with several x's beneath

in red indelible ink.

Two tiny tiny eyes
drawn in blue

with one eye closed
in a wink.


"...póg..." - a kiss

"S'ea...n'ea?" - "Yes...no?"

"Tabhair dom do phóg!" - "Give me your kiss!"

"Slán leat...mo buachaill!"..."Goodbye...boy!"
fterwards asked he:r "What was that all about?"t and she said: "Sure have ya never seen Dion Boucicault's Arrah na Pogue?"  and I said: " No..." "Or hear mention of it in Finnegans Wake" and I said: "No..." and she said: " And ya call yer self a gentleman and a scholar?" and I said: " Well I am a gentle man. .."

So she explained that the famous kiss in Arrah-na-Pogue when Arrah( Nora ), saves her foster brother from execution for his role in the political uprising, by a kiss, during which she effects an exchange from her mouth to his of a small scroll containing the plans for his escape... by a kiss....you must remember
this ... the famous noted kiss... so this little red-headed miss thought of this as her sister fancied me too and she wanted to be one step ahead of her. She had been dared to go up and kiss me and kissed me she did conveying all her feelings and a saliva drenched telephone number.  The best way to deliver the post as Joyce says. "The passing of the key of Two-tongue Common." Oh the wicked wiles of wild women with a penchant for literature.!

And that was how I came to hear about an Arrahna-Pogue kiss and the Finnegans Wake reference to it!
Jonny Angel Jun 2014
She has everything
at her fingertips
& she knows it.
She sashays around
breaking necks
at breakneck speeds
& the things she wears
obilerates imagination.

With her natural essence,
she doesn't need perfume
& what matter
if her is tussled,
the wilder, the better
with her thick top.

Dudes drop
all over the place
to get into
her good graces
& her face,
let's just say,
God used up all
the pretty parts to make it.

And like I said,
she has everything
at her fingertips.
The Lord knows
I know it,
'cause
I've been so very blessed
to see her,
to see her
sheer beauty
in the ****.
Today can be our Christmas , our eve of Thanksgiving
I see a maiden with a crown of mistletoe
Bearing gifts , wearing a gown of spider silk
Barefooted impressions upon known passages
My lady sashays in a persistent daydream ,  
lighting the outdoor candelabra of desire
A bonfire outstanding , a pyre of nightmarish
sacrifice she implores , a sword that strikes without
impunity , a goblet of raspberry brandy , porcelain ,
sensuous , quivering desire waiting to be quenched
I am the commanded , the longing , the bereft , froward ,
the left
Culled mouth , undeserving , culpable yet unstoppable
Seduction gorged upon , collecting on the corners of trembling lips ,
pooling at the neck and shoulders , collecting upon my chest ,
smeared o'er alabaster breast , heaving , tribulation , simultaneous
cries into night* ..
Copyright February 14 , 2017 by Randolph L Wilson * All Rights Reserved
Freely forming metrical mainstays
poetic occasion to phrase
the fairer and gentler ***,
thus the following turns of phrase
to bestow acknowledgement

regarding wonderful wise ways
of collective she who assays
to create safe/secure home/ hearth
as bedrock and fount of ample
maternal duties tiredly sashays

with keeping house receiving praise
the second Sunday each May, her
tired body sprawled on chaise
lounge, perhaps basking in solar rays
communing with Gaia, who ****
bruiting with sky goddess

defying forecasters prediction, no slate grays
pose dampening effect on huzzahs
regaling torchbearer diploid as amaze
zing newlife, where loving labor pays
more than fine spun gold cherishing
offspring in her nurturing ways.

Paean dutiful daily deference, I dole
ensconced with pineapple getup
surfing the cyber sea, this hyperbowl
lee, yet deserved dignity deifying dames,
who bear brunt whole
ding potent biological reproductive role

de facto duty honorably decreed
tribute paid despite commercialized
money making hyped up rigamarole,
nonetheless yours truly accentuates sole
sans, progenitor of human race
saddled with disproportionate/ unfair toll.
When did the almighty put the bite on
me or did he?
isn't there too much going on to bother about what John's got going on?
and on it goes until it slows but don't let that fool you,
it's still clockwork here.

Monday and inspiration comes in sachets or is that sashays? and is that how to spell it?

Hey You!
yeah you on the other side of the clear view
how you doing?
(shades of Joey)
but we know he's not friends anymore

okay
now I'm unscrambled
rambling's done.
The Fire Burns Aug 2017
Girls laying out,
a sight you can't forget,
oily and shiny,
see the beads of sweat.

Laying on her stomach,
she's not trying to hide,
Confederate bikini,
strings untied.

Hair *******,
she gives it a shake,
decides it's hot,
takes a dip in the lake.

Glad I'm from the south,
all hail that flag,
swaying her hips,
with so much swag.

Rubbing on lotion
that SPF thirty,
a smile and a wink,
she's feeling flirty.

I hold up a glass,
full of margarita,
she sashays over,
one hot seniorita.

Sun freckled face
breaks out in a smile,
gives me a kiss,
that drives me wild.
Donall Dempsey Dec 2018
!IT'S IN HER KISS!

"Arrah..!" she smirks

"Sure, give us a póg
ya auld rogue ya!"

I chuckle at her
Orish-ness.

"S'ea...n'ea?"
her eyes question in Irish.

"Tabhair dom do phóg!"
I challenge her gladly.

And in the kiss
the exchange of bliss

a tiny rolled up note
passes from her mouth to mine.

Her tongue firmly
in my cheek.

Speechless I...
. . .can not speak.

She turns and with a flounce
sashays off

an angel
in dirndl dress.

"Slán leat...mo buachaill!"
thrown over a naked freckled shoulder.

I unroll the tiny tiny scroll
smile at what is written

her telephone number
with several x's beneath

in red indelible ink.

Two tiny tiny eyes
drawn in blue

with one eye closed
in a wink.

*

"...póg..." - a kiss

"S'ea...n'ea?" - "Yes...no?"

"Tabhair dom do phóg!" - "Give me your kiss!"

"Slán leat...mo buachaill!"..."Goodbye...boy!"
***
I afterwards asked her: "What was that all about?"t and she said: "Sure have ya never seen Dion Boucicault's Arrah na Pogue?"  and I said: " No..." "Or hear mention of it in Finnegans Wake" and I said: "No..." and she said: " And ya call yer self a gentleman and a scholar?" and I said: " Well I am a gentle man. .."

So she explained that the famous kiss in Arrah-na-Pogue when Arrah( Nora ), saves her foster brother from execution for his role in the political uprising, by a kiss, during which she effects an exchange from her mouth to his of a small scroll containing the plans for his escape... by a kiss....you must remember
this ... the famous noted kiss... so this little red-headed miss thought of this as her sister fancied me too and she wanted to be one step ahead of her. She had been dared to go up and kiss me and kissed me she did conveying all her feelings and a saliva drenched telephone number.  The best way to deliver the post as Joyce says. "The passing of the key of Two-tongue Common." Oh the wicked wiles of wild women with a penchant for literature.!

And that was how I came to hear about an Arrahna-Pogue kiss and the Finnegans Wake reference to it!
Donall Dempsey Dec 2019
!IT'S IN HER KISS!

"Arrah..!" she smirks

"Sure, give us a póg
ya auld rogue ya!"

I chuckle at her
Orish-ness.

"S'ea...n'ea?"
her eyes question in Irish.

"Tabhair dom do phóg!"
I challenge her gladly.

And in the kiss
the exchange of bliss

a tiny rolled up note
passes from her mouth to mine.

Her tongue firmly
in my cheek.

Speechless I...
. . .can not speak.

She turns and with a flounce
sashays off

an angel
in dirndl dress.

"Slán leat...mo buachaill!"
thrown over a naked freckled shoulder.

I unroll the tiny tiny scroll
smile at what is written

her telephone number
with several x's beneath

in red indelible ink.

Two tiny tiny eyes
drawn in blue

with one eye closed
in a wink.
***

"...póg..." - a kiss

"S'ea...n'ea?" - "Yes...no?"

"Tabhair dom do phóg!" - "Give me your kiss!"

"Slán leat...mo buachaill!"..."Goodbye...boy!"

***
I afterwards asked her: "What was that all about?"t and she said: "Sure have ya never seen Dion Boucicault's Arrah na Pogue?" and I said: " No..." "Or hear mention of it in Finnegans Wake" and I said: "No..." and she said: " And ya call yer self a gentleman and a scholar?" and I said: " Well I am a gentle man. .."

So she explained that the famous kiss in Arrah-na-Pogue when Arrah( Nora ), saves her foster brother from execution for his role in the political uprising, by a kiss, during which she effects an exchange from her mouth to his of a small scroll containing the plans for his escape... by a kiss....you must remember
this ... the famous noted kiss... so this little red-headed miss thought of this as her sister fancied me too and she wanted to be one step ahead of her. She had been dared to go up and kiss me and kissed me she did conveying all her feelings and a saliva drenched telephone number. The best way to deliver the post as Joyce says. "The passing of the key of Two-tongue Common." Oh the wicked wiles of wild women with a penchant for literature.!

And that was how I came to hear about an Arrahna-Pogue kiss and the Finnegans Wake reference to it!
Onoma Oct 2018
i want to give you

a piggyback ride while

laughing out kiddie gold.

till the silvery sashays of

stars say we tore up the

town.

only if you promise to

bloom.

i can be like that...you know.

you're cordially invited.

you're already here...one small

step for woman~

— The End —