preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights
and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise
(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.
germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can ’scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen.  Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel:  They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale.  But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,—death denounced that day?
Which he presumes already vain and void,
Because not yet inflicted, as he feared,
By some immediate stroke; but soon shall find
Forbearance no acquittance, ere day end.
Justice shall not return as bounty scorned.
But whom send I to judge them? whom but thee,
Vicegerent Son?  To thee I have transferred
All judgement, whether in Heaven, or Earth, or Hell.
Easy it may be seen that I intend
Mercy colleague with justice, sending thee
Man’s friend, his Mediator, his designed
Both ransom and Redeemer voluntary,
And destined Man himself to judge Man fallen.
So spake the Father; and, unfolding bright
Toward the right hand his glory, on the Son
Blazed forth unclouded Deity: He full
Resplendent all his Father manifest
Expressed, and thus divinely answered mild.
Father Eternal, thine is to decree;
Mine, both in Heaven and Earth, to do thy will
Supreme; that thou in me, thy Son beloved,
Mayest ever rest well pleased.  I go to judge
On earth these thy transgressours; but thou knowest,
Whoever judged, the worst on me must light,
When time shall be; for so I undertook
Before thee; and, not repenting, this obtain
Of right, that I may mitigate their doom
On me derived; yet I shall temper so
Justice with mercy, as may illustrate most
Them fully satisfied, and thee appease.
Attendance none shall need, nor train, where none
Are to behold the judgement, but the judged,
Those two; the third best absent is condemned,
Convict by flight, and rebel to all law:
Conviction to the serpent none belongs.
Thus saying, from his radiant seat he rose
Of high collateral glory: Him Thrones, and Powers,
Princedoms, and Dominations ministrant,
Accompanied to Heaven-gate; from whence
Eden, and all the coast, in prospect lay.
Down he descended straight; the speed of Gods
Time counts not, though with swiftest minutes winged.
Now was the sun in western cadence low
From noon, and gentle airs, due at their hour,
To fan the earth now waked, and usher in
The evening cool; when he, from wrath more cool,
Came the mild Judge, and Intercessour both,
To sentence Man:  The voice of God they heard
Now walking in the garden, by soft winds
Brought to their ears, while day declined; they heard,
And from his presence hid themselves among
The thickest trees, both man and wife; till God,
Approaching, thus to Adam called aloud.
Where art thou, Adam, wont with joy to meet
My coming seen far off?  I miss thee here,
Not pleased, thus entertained with solitude,
Where obvious duty ere while appeared unsought:
Or come I less conspicuous, or what change
Absents thee, or what chance detains?—Come forth!
He came; and with him Eve, more loth, though first
To offend; discountenanced both, and discomposed;
Love was not in their looks, either to God,
Or to each other; but apparent guilt,
And shame, and perturbation, and despair,
Anger, and obstinacy, and hate, and guile.
Whence Adam, faltering long, thus answered brief.
I heard thee in the garden, and of thy voice
Afraid, being naked, hid myself.  To whom
The gracious Judge without revile replied.
My voice thou oft hast heard, and hast not feared,
But still rejoiced; how is it now become
So dreadful to thee?  That thou art naked, who
Hath told thee?  Hast thou eaten of the tree,
Whereof I gave thee charge thou shouldst not eat?
To whom thus Adam sore beset replied.
O Heaven! in evil strait this day I stand
Before my Judge; either to undergo
Myself the total crime, or to accuse
My other self, the partner of my life;
Whose failing, while her faith to me remains,
I should conceal, and not expose to blame
By my complaint: but strict necessity
Subdues me, and calamitous constraint;
Lest on my head both sin and punishment,
However insupportable, be all
Devolved; though should I hold my peace, yet thou
Wouldst easily detect what I conceal.—
This Woman, whom thou madest to be my help,
And gavest me as thy perfect gift, so good,
So fit, so acceptable, so divine,
That from her hand I could suspect no ill,
And what she did, whatever in itself,
Her doing seemed to justify the deed;
She gave me of the tree, and I did eat.
To whom the Sovran Presence thus replied.
Was she thy God, that her thou didst obey
Before his voice? or was she made thy guide,
Superiour, or but equal, that to her
Thou didst resign thy manhood, and the place
Wherein God set thee above her made of thee,
And for thee, whose perfection far excelled
Hers in all real dignity?  Adorned
She was indeed, and lovely, to attract
Thy love, not thy subjection; and her gifts
Were such, as under government well seemed;
Unseemly to bear rule; which was thy part
And person, hadst thou known thyself aright.
So having said, he thus to Eve in few.
Say, Woman, what is this which thou hast done?
To whom sad Eve, with shame nigh overwhelmed,
Confessing soon, yet not before her Judge
Bold or loquacious, thus abashed replied.
The Serpent me beguiled, and I did eat.
Which when the Lord God heard, without delay
To judgement he proceeded on the accused
Serpent, though brute; unable to transfer
The guilt on him, who made him instrument
Of mischief, and polluted from the end
Of his creation; justly then accursed,
As vitiated in nature:  More to know
Concerned not Man, (since he no further knew)
Nor altered his offence; yet God at last
To Satan first in sin his doom applied,
Though in mysterious terms, judged as then best:
And on the Serpent thus his curse let fall.
Because thou hast done this, thou art accursed
Above all cattle, each beast of the field;
Upon thy belly groveling thou shalt go,
And dust shalt eat all the days of thy life.
Between thee and the woman I will put
Enmity, and between thine and her seed;
Her seed shall bruise thy head, thou bruise his heel.
So spake this oracle, then verified
When Jesus, Son of Mary, second Eve,
Saw Satan fall, like lightning, down from Heaven,
Prince of the air; then, rising from his grave
Spoiled Principalities and Powers, triumphed
In open show; and, with ascension bright,
Captivity led captive through the air,
The realm itself of Satan, long usurped;
Whom he shall tread at last under our feet;
Even he, who now foretold his fatal bruise;
And to the Woman thus his sentence turned.
Thy sorrow I will greatly multiply
By thy conception; children thou shalt bring
In sorrow forth; and to thy husband’s will
Thine shall submit; he over thee shall rule.
On Adam last thus judgement he pronounced.
Because thou hast hearkened to the voice of thy wife,
And eaten of the tree, concerning which
I charged thee, saying, Thou shalt not eat thereof:
Cursed is the ground for thy sake; thou in sorrow
Shalt eat thereof, all the days of thy life;
Thorns also and thistles it shall bring thee forth
Unbid; and thou shalt eat the herb of the field;
In the sweat of thy face shalt thou eat bread,
Till thou return unto the ground; for thou
Out of the ground wast taken, know thy birth,
For dust thou art, and shalt to dust return.
So judged he Man, both Judge and Saviour sent;
And the instant stroke of death, denounced that day,
Removed far off; then, pitying how they stood
Before him naked to the air, that now
Must suffer change, disdained not to begin
Thenceforth the form of servant to assume;
As when he washed his servants feet; so now,
As father of his family, he clad
Their nakedness with skins of beasts, or slain,
Or as the snake with youthful coat repaid;
And thought not much to clothe his enemies;
Nor he their outward only with the skins
Of beasts, but inward nakedness, much more.
Opprobrious, with his robe of righteousness,
Arraying, covered from his Father’s sight.
To him with swift ascent he up returned,
Into his blissful ***** reassumed
In glory, as of old; to him appeased
All, though all-knowing, what had passed with Man
Recounted, mixing intercession sweet.
Mean while, ere thus was sinned and judged on Earth,
Within the gates of Hell sat Sin and Death,
In counterview within the gates, that now
Stood open wide, belching outrageous flame
Far into Chaos, since the Fiend passed through,
Sin opening; who thus now to Death began.
O Son, why sit we here each other viewing
Idly, while Satan, our great author, thrives
In other worlds, and happier seat provides
For us, his offspring dear?  It cannot be
But that success attends him; if mishap,
Ere this he had returned, with fury driven
By his avengers; since no place like this
Can fit his punishment, or their revenge.
Methinks I feel new strength within me rise,
Wings growing, and dominion given me large
Beyond this deep; whatever draws me on,
Or sympathy, or some connatural force,
Powerful at greatest distance to unite,
With secret amity, things of like kind,
By secretest conveyance.  Thou, my shade
Inseparable, must with me along;
For Death from Sin no power can separate.
But, lest the difficulty of passing back
Stay his return perhaps over this gulf
Impassable, impervious; let us try
Adventurous work, yet to thy power and mine
Not unagreeable, to found a path
Over this main from Hell to that new world,
Where Satan now prevails; a monument
Of merit high to all the infernal host,
Easing their passage hence, for *******,
Or transmigration, as their lot shall lead.
Nor can I miss the way, so strongly drawn
By this new-felt attraction and instinct.
Whom thus the meager Shadow answered soon.
Go, whither Fate, and inclination strong,
Leads thee; I shall not lag behind, nor err
The way, thou leading; such a scent I draw
Of carnage, prey innumerable, and taste
The savour of death from all things there that live:
Nor shall I to the work thou enterprisest
Be wanting, but afford thee equal aid.
So saying, with delight he snuffed the smell
Of mortal change on earth.  As when a flock
Of ravenous fowl, though many a league remote,
Against the day of battle, to a field,
Where armies lie encamped, come flying, lured
With scent of living carcasses designed
For death, the following day, in ****** fight:
So scented the grim Feature, and upturned
His nostril wide into the murky air;
Sagacious of his quarry from so far.
Then both from out Hell-gates, into the waste
Wide anarchy of Chaos, damp and dark,
Flew diverse; and with power (their power was great)
Hovering upon the waters, what they met
Solid or slimy, as in raging sea
Tost up and down, together crouded drove,
From each side shoaling towards the mouth of Hell;
As when two polar winds, blowing adverse
Upon the Cronian sea, together drive
Mountains of ice, that stop the imagined way
Beyond Petsora eastward, to the rich
Cathaian coast.  The aggregated soil
Death with his mace petrifick, cold and dry,
As with a trident, smote; and fixed as firm
As Delos, floating once; the rest his look
Bound with Gorgonian rigour not to move;
And with Asphaltick slime, broad as the gate,
Deep to the roots of Hell the gathered beach
They fastened, and the mole immense wrought on
Over the foaming deep high-arched, a bridge
Of length prodigious, joining to the wall
Immoveable of this now fenceless world,
Forfeit to Death; from hence a passage broad,
Smooth, easy, inoffensive, down to Hell.
So, if great things to small may be compared,
Xerxes, the liberty of Greece to yoke,
From Susa, his Memnonian palace high,
Came to the sea: and, over Hellespont
Bridging his way, Europe with Asia joined,
And scourged with many a stroke the indignant waves.
Now had they brought the work by wonderous art
Pontifical, a ridge of pendant rock,
Over the vexed abyss, following the track
Of Satan to the self-same place where he
First lighted from his wing, and landed safe
From out of Chaos, to the outside bare
Of this round world:  With pins of adamant
And chains they made all fast, too fast they made
And durable!  And now in little space
The confines met of empyrean Heaven,
And of this World; and, on the left hand, Hell
With long reach interposed; three several ways
In sight, to each of these three places led.
And now their way to Earth they had descried,
To Paradise first tending; when, behold!
Satan, in likeness of an Angel bright,
Betwixt the Centaur and the Scorpion steering
His zenith, while the sun in Aries rose:
Disguised he came; but those his children dear
Their parent soon discerned, though in disguise.
He, after Eve seduced, unminded slunk
Into the wood fast by; and, changing shape,
To observe the sequel, saw his guileful act
By Eve, though all unweeting, seconded
Upon her husband; saw their shame that sought
Vain covertures; but when he saw descend
The Son of God to judge them, terrified
He fled; not hoping to escape, but shun
The present; fearing, guilty, what his wrath
Might suddenly inflict; that past, returned
By night, and listening where the hapless pair
Sat in their sad discourse, and various plaint,
Thence gathered his own doom; which understood
Not instant, but of future time, with joy
And tidings fraught, to Hell he now returned;
And at the brink of Chaos, near the foot
Of this new wonderous pontifice, unhoped
Met, who to meet him came, his offspring dear.
Great joy was at their meeting, and at sight
Of that stupendious bridge his joy encreased.
Long he admiring stood, till Sin, his fair
Enchanting daughter, thus the silence broke.
O Parent, these are thy magnifick deeds,
Thy trophies! which thou viewest as not thine own;
Thou art their author, and prime architect:
For I no sooner in my heart divined,
My heart, which by a secret harmony
Still moves with thine, joined in connexion sweet,
That thou on earth hadst prospered, which thy looks
Now also evidence, but straight I felt,
Though distant from thee worlds between, yet felt,
That I must after thee, with this thy son;
Such fatal consequence unites us three!
Hell could no longer hold us in our bounds,
Nor this unvoyageable gulf obscure
Detain from following thy illustrious track.
Thou hast achieved our liberty, confined
Withi

civilisation abhors thought that it cannot vocalise,
and therefore monitise - it abhors it! it vilifies such
thinking as a form of mental  illness, or something akin
to such a statement; talk to any psychiatrist
and he'll tell you that psychiatry is, quiete frankly:
a variation of demonology - shadow people -
the "retards" everyone is quickly to defend
but easily strap into death-rollercoster rides
and the famous bon voyage adieu salute!
civilisation stamps it down, as i already said, abhors it,
whenever cancer is involved is a hellraising
fundraiser moment... come the sickness of the mind?
or the abstracted brain: we have parasite,
tapeworm people.
     and all because of our own cause in having created
the skivvy like residuals to brush under the
carpet of what's otherwise glitter:
   people who are without narrative:
                    without the marathon fundraiser public:
a macho personification of how to abuse
state authority but never wishing to do so:
but nonetheless being punished for it.

the central figure? fiction isn't written these days,
take a break, come back later.
        if you can't be honest now: you will never
be honest in a hundred years: forget it!
but you know what i find? sniffer dog that i am:
i find people like *Faustino Barrientos
a.k.a. not Pablo Neruda - and god i'm jealous,
there's this pristine exemplified variant of Adam
and i'm petrified with jealousy at
his 45 years of solitude in Chile -
               i'm mad by it,
why? because the so-called civilised world has
literally cut off all my limbs to embody such
a life: my grandfather and my father lived
under the laws of conscription auto-suggested
by the rubric of social preliminary bulletpoints:
i'm jealous of them too!
              i'm an Auschwitz shaven bearded
"thinker", no good to society that needs rigour
of appearing nice and selling bull's *******:
i wish i was (most of the time),
       i got a chemistry degree and was told to
work in a supermarket... there goes my love for
learning:
                i am, evidently, a pseudo-hermit,
self-imposed isolation but still seeing people:
or as i like to call them: ghosts - in close
proximity; now, if ever anti-social behaviour went
on unpunished, i'd be a gladdened example
of such feralness.
                    oddly enough, atheists are cultured
creatures,
                 but, not oddly enough: they have
nothing enabling them with self-preservation;
the argument goes along the lines of self- (hyphen
opening necessary)... as a prescribed form of
automation... in a variety of guises:
         this hermit from Chile has nothing of this
sort, he simply has a godly competence of
the environment, someone like Christopher Hitchens
can walk into a crowded space and give you
theological nausea -
              because could you find enough whiskey
metabolism while shearing sheep and
milking cows? no! atheism is a placebo of what
is otherwise an individualistic stance of
being an individual within a herd -
and what an almighty cold turkey experience we've
been given after Nietzsche killed god:
we're going cold turkey -
               we're theologically cold turkey -
we are still living in rehab, bad move to do it
so quickly: history on amphetamines sort of speak...
             a dichotomy of priestly attire
and politicians all suited tied and booted as
the grey matter: where are the ******* rainbows?
hence the persistence to relapse into hippy,
while adolescence succumbs to nothing more than
a medical circus frenzy: of nature's own:
                          getting rid of the weakest like
one might throw out an out-of-date yoghurt.
  all good and well with that montage of atheism
being the zeitgeist fashion statement -
    but there is no atheism outside of the civilised world:
there's the purity of the self-        automation:
or adaptability to the environment -
only once congregated there was the imposed:
the non-existence of.
                      because it was trendy to speak like that,
we established a cohabitating necessity as
a species and then tried to fake that necessity by
differentiating with enough intellectual sweat to
distance ourselves with a counter-argument:
i.e. not self-   as in automation because of the ever
changing weather and organic octopus auxiliary attachments
for the worth of grit:
                     but a self-    (unit of automation)
   to fill the world with an almost inaccessible
perpetuation of the narrative - but this civilised self-
                 as variant of automation
toward self-sufficiency and independence is completely
lacking in the civilised world!
     we treat people like ****! waiter! cashiers!
                     bus drivers!
         i endear you to think that in the collective of
what's known as the civilised world: the hermit does not,
exist! there is no self- to speak of,
               try milking a cow or lumbering along with Jack:
it ain't there! we're a bankruptcy in terms of limbs!
        well sure: i write, and immediately i'm
in a mess because i like to study -
     which means poetry or poetry aspiring to
philosophy is inherently useless... so is civilisation!
   tribalism has no need for money: because it
has community: cannibalistic or not... is still has
a collective need to survive - unless of course you
remember the civilised world and all those
experimental fetishes to get you starcast with a moovie.
so this Chilean guy, 40 years a hermit,
     and then this article in the Sunday Times
news review section: driven to distraction -
             and my notes as graffiti after reading it:
we are a second behind goldfish online (8 seconds
with cat videos) - goldfish are 9 seconds into
watching bubbles, and then creative dementia
     doing the plateau incremental snap: re re re.
the god does not exist argument is founded on
a banking system: it's the most viable way to make
an argument that provides wages -
          no other reason for it,
or: as according to the Chilean nomad Faustino
Barrientos, begin with the self- unit
                of self-determination and sustenance:
otherwise don't bother arguing that sort of argument
without undermining the collective Disney index
of the people: who are incompetent at ruling themselves
then they congregate to give birth to a Picasso,
end of!
              so just because i studied the sciences i can't
be persuaded to an ulterior version of humanism:
i swear, Kant said that there was nothing nobler than
to concern yourself with god... or an argument for
such a being... maybe i'm misreading things:
after all... it's not all that fashionable to say such things:
because never was sane sensibility akin to Jane Austen
for ******* despicable as to read Jane Eyre.
              well sure, i have my "furthering" notes,
from the trenches of the devil's sulphuring *******...
         again: that statement "god is dead"?
is effectively going cold turkey... shutting off all
the superstitious metabolism of the past: oh, 20 centuries.
   sure, the Anglo Renaissance came, Elvis too,
       but the repercussions of what we "experienced"
at the height of the latter part of the 20th century?
unreplicable, gone, dust, sniff the actual grey dust
death of ash... it's not coming back: here my pessimism
and valour in the name of comedy - realism
and the very mortal hand of the extinguished flame:
it's gone! done!
                and it ain't, coming back with a backlash of
infuriated rigour to keep afloat: or return to / replenish.
  it's gone!  mind you, Heath could also be
included in this ode that celebrates necessary
obscurity of the Chilean to my jealous fancy as having
perfected survival skills.
             but this cold turkey debacle over the death
of god penetrates former colonial, hence post-colonial
societies: it affects the youth.
                  it suggests a quickened pretense of
diminished responsibility within a framework of
the lack of all things "karmic":
sure, so history is without a continuum to ensure
there's transgression for every transcendence
and we all live in an Utopian scenario of
immovable mountains: maybe that's why we're
no longer writing history but historiography:
and there is a distinction:
the former is actually angling and fishing -
the other is counting the number of skiving salmon
dreaming of wings rather than gills out
of the river.
                     among the other observations?
or apathy without origin in blissful thinking,
statement A.
     can you imagine anything more apprehensively
digested that reaching the conclusion:
a- + -pathos (without pathology)
                                 can be interpreted negatively?
negative thinking prior to reaching the consolidation
that apathy is, well: most people treat that as
an abnormality.
                     (if i ever wrote a self-help book,
i'd write one like this).
              you go past bulimia, past self-harm,
past all the negative bull and reach a state of apathy,
a non-disconcerted attunement toward feeling:
but you have been chiseling with your thought
at all the unpardonable negativism of your
identifiable physiognomy from genealogical nuance:
you seem to want to replicate an ancestry -
your heart will not tell you to **** yourself:
but find enough automaton curriculum in your
thinking: and your own mind will slothfully entice
you with a thinking sidewinder that aims at the
guillotine, or the gallows.
                   and after all that negative thinking,
you reach apathy, or being without a pathology?
and you feel an emptiness?
             don't expect to be Nepalese -
your ancestry forbids it...
                        you didn't reach a Buddhist apathy,
you didn't start from a zenith: but from a nadir,
tattooed with so many pathologies:
to reach apathy you had to transcend them:
       this is the bit were i say, concerning your heart:
it's a bit like a Cartesian cogito ergo sum moment.
talking about going beyond:
ever think that foundation of ontology is grammatically
based, if not biased?
        i limit this question toward grammatical
categorisation of words...
      primarily? the usual questions:
why are we here?
                       how? (well, that's outdated
'cos we have all the answers and that leverages our
greatest dissatisfaction, even in terms of writing
a new version of Don Quixote, which we can't).
                i devalue grammatical categorisation
altogether, i don't believe in it,
            for example why is categorised as
both adverb and conjunction... to me synonyms
don't exist in grammar, why is therefore only
an adverb...
              how? also an adverb... (ad- + -verb
         toward an action) - thus toward the municipality
of professions: but that's not a moral question.
       why is also an int. (interjection) and n. (noun) -
all it takes is a missing h to completely it as a noun
(unless of course the Oxford dictionary is wrong,
and i'm not Shylock Holmes)...
             what i am focusing on is the word
is, which is grammatically categorised as a conjunction,
and so it is, and so that is, and so this is:
       that's a canvas for me: mirror mirror, on the wall:
who will the the fairest of them all once i stop
asking the question with rose petals in mind being
plucked in that fateful lottery?
                         i don't care why, i already have
a good enough estimate as to how...
                          i base my ontology (nature of being)
upon the is...
                        where there was jungle, there too is
another jungle made of concrete -
and i don't trust the Quran: it makes grammar too
inaccessible, too holy even,
             you tell me the naked truth of the grammar,
i'll put on a ******* Hijab and prance to the tune
of le trio joubran's song masar down a street:
the weeping man of Amsterdam, two German chefs
tripping out on mushrooms while watching
American Dad in a darkened hostel room,
   and an Egyptian architectural student i spent
the afternoon with; otherwise? don't bother.
      and it really is great how is can't be an adverb
and merely a conjunction (well, "merely"),
      there is nothing that requires is to be a limitation,
or a necessary morphing into: toward doing / being
something... everything just, is;
and if it wasn't for Shia Islam you'd get **** all Sufi...
maybe a Falafel kebab, but **** all apart from that.
                    of course i'd side with the ****** Iranians
on this matter...
                                i can't live without music,
for fare game to Faustino Barrientos, but i can't live
without music, and Wahabbism doesn't recognise
music:      never was hearing a camel hart or a
merchant burp or a woman ****** seem so appealing,
and worthy to fight for! (italics for the sarcasm).
do you think that if i clap my hands for a year
i'll hear a minute's worth of Wagner?
                                         (snigger): probably not.

A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c

foremostly: drink a little, and then write something,
there's absolutely no point in drinking
and rummaging an abdandoned house,
better still, what use would a spider have for
an abandoned spiderweb,
   that hasn't been kept in order, for two months?
what of the old hunched
crow-shadow posture in a chair?
            in poland i remember having trouble
associating myself with writing
in turkish akimbo on a hard communist concrete,
and the bare minimum of what
could be called a carpet...
              let alone the insomnia grandfather
snooping around at 12, 1, 2am...
     begging me to pretend to be falling asleep
while smoking cigarettes indoors,
   writing by candlelight in the kitchen...
it felt as it feels now:
               having lost a limb... but subsequently
having regrown one...
      there is no technique to what's
               closely associated with: rigour...
drinking is one thing:
                     writing habits? quiet another!
for starters there are offshoot verses
of nonsense, or: exploring the consequence
of simulating alzheimer's of some
sort...
              less metaphorical than the romance
with schizophrenia, the romance
that is a razor blade thrown to a person
drowning from anxiety...
                list: US consumes 50% of Xanax
production,
          the UK consumes 22%...
                            2017 sore 240 call-outs
for Xanax abuse by children aged between
11 and 14...
              half of mental problems
begin aged 14, three-quarters come
sober 18...
                         70% increase in rates
of depression in >25s...
   2 to 1 (:) ratio of women hiding
the same problems men have...
                50% increase in suicides in
England in the past decade -
                                hello Bristol university!
now that we juggled with the facts,
    like we might pass taking shots from
a bottle of ***** like some rude
teenagers in a playground in a park
   come the last solar hours of
                                         a sunsent...
facts: you can plagiarise -
          that's what they're there for -
no need for citing where i got them from,
one source is as good as the next.
         now... routine and writing...
   england is so different from poland -
namely, big town small town ergonomics -
small town? good chance you'll
get a romanticism bug... read a book
and start seeing swans in clouds...
               big town?
                    no real chance...
            talk-the-there's-no-talk scenario...
i had to remember how i used to function
in england, when the tactic i had for
treating anti-depressants as sleeping pills
actually worked...
                and no... it didn't involve
                 the affair of a bottle of ***** per
     night to imitate an executioner's axe...
or a mike tyson upper-cut for:
        seeing black-holes, of former stars...
god!
             death?!
                        black holes are the death of
stars, and yet they fascinate physicists more
than actual stars, which they reduced
                  to a hydrogen-helium interaction...
what i clearly forgot is my routine,
and the rigour involved in ushering in some
worthy blah-blah...
               my day constitutes of 48 hours...
which technically is two days,
                           but that's debatable...
stay up for a minimum of 24 hours...
                  actually, 24h is a breeze,
   not even worth contemplating since i only
stopped myself shy of doing a 48h+ stretch...
but, see... i became bogged down in
   video-books...
                    billions: ******* genius soundtrack,
very much akin to baby driver...
   but **** the precision of acting...
    favourite character?
                       WAAAAAAAAAAAGS....
a bit like snooping in on the wives of
european footballers once every four years...
binged the ******* that ****,
    finished season two and just waiting for
the next two installments...
            and?
                           versailles: on a techical
note... addressing Kant while watching
this ******* of a show?
                      power is better understood
than knowledge, visually, when contemplating
power: a priori,
                            so much easier...
   knowledge doesn't have the same rich
                                 association attached to it...
because? knowledge a posteriori
diffuses into perfecting replicas -
                    say the original cobbler...
        and subsequent cobblers and, "cobblers",
or trivial Cains...
                 visually speaking,
    since the dynamic of power, a posteriori
     is just blinding in terms of hierarchy...
         well, "blinding", i mean: illuminating...
another welcome routine prior to writing
something down and drinking at the same time?
solving a sudoku.
           this is the sudoku interlude -
   scatter-brain sequence (if you like):
           visually speaking power a priori creates
a more sensible visual explanation of
                            of power a posteriori...
          given that a priori power is a vacuum -
a priori knowledge doesn't exactly have
an agreeable imagination basis -
         to the pop. scrutiny...
                    ****... even retards know how
to laugh, even though they might not even concern
themselves with stand-up schematics
of a joke...
                  knowing how to laugh, is just like that...
the a priori knowledge of laughter
         is not designated to an exclusive
            a posteriori knowledge of laughter...
intellectual brown-nosing is the same
    as a ****** laughing: although i bet my wet-winkle
that i'll laugh with the ******,
                       than the intellectual pop-****.
power though...
              god, where do you even begin?
       the power that comes prior to
      the subsequent compenetration of
the anti-cartesian: res vanus replaces res cogitans,
yet res extensa remains intact...
           louis the 14th and the "thought" project
that became versailles...
                 and it would have been a "thought"
fabien marchal...
            it used to be monsieur philippe I,
but then i became bored of
my irritability of being unable to assimilate
the deviances to such carnal finalities...
best of all, just recently,
  the appearance of marquise de montespan
with her keen observation -
        purely a priori, well, 3's the lucky number...
the inverted crown woman...
  the crown of thorns woman...
       how she took hold of bouffon gossip cueues...
and became...
          sorry... she can't be defined as
          the king's favourite "mistress"...
          ha ha! she was the ******* madame!
feed the hydra another hungry bite at its
neck...
            and you can make a brothel legitimate
without the concept of money...
                   worded-"bribes"...
if she was a mistress of louis xiv
then i was the nun
           in the rocky horror show, if there was
any nun, in that movie...
            madame through and through,
because she became more obliged to the queen
than the king:
             misconcept of pushing women
rather than allowing them to fester
like sores?
                       heart becomes detached...
less... clingy...
                                       boyish...
packed with dormant dynamite lodged
in stone...
             but without the fuse of
an authentic woman's tongue that asks
for bribes in acts outside of the most piquant
affair of carnal festivity...
               endless ******* "metaphors"...
       which is no wonder why adultery is
what it is: an emotional and an even cognitive
investment in a: story, rather than
a mere body...
                          which is not to say that
the body isn't cherished:
                   last time i checked...
     i forgot to take my genitals with me to
the brothel... left it in the dollhouse
                                 of Barbie & Strappy...
yet what's persistent is the rigour in
writing the casually sporadic...
                    sleep deprivation and a diet of
decent video-books...
               a drink... a sudoku...
                    and the chance to catch up
with about 10 hours...
                             and having the ******
decency to do minor things that involve
other people's boring trivialities...
            like cooking dinner...
          feeding the cats...
                            watering the garden...
and trying to figure out:
                      that teenager who gave me
the ten quid he probably found
  (since it was so scruntched up) expecting
me to be his "good uncle" while buying
*****-juice?
                         ****, i thought i was gullible...
he didn't think i was going to
buy something beginning with vod-
                  as anything less than 37.5%?
he screamed and shouted at me...
                apparently the "good uncle" was
on his way, and instead a drunk father stood
before him, telling him:
         now you can take it from me and run
along to what's going to a heart-break
since the other guy and the girl you're trying
to impress have already run off
and you're standing with someone twice your age...
or?
        so putting the goods on the pavement
taking a step back and putting my hands
on my head said: your choice...
           it was your choice to give me the tenner...
but hey, i even put in a little extra
            because i probably misheard you...
just a madman's luck that he was screaming
at me as if i was scalping him
   which allowed for the attention
     of the supermarket
security guard to be prompted
         and some people in the carpark...
rare event...
      very plain... nothing too spectacular
                         like climbing mt. everest...
if he started screaming:
           you're buying alcohol for minors!
what, with my own money?!
            i gambled putting in 6 quid of
my own so that he wouldn't take a litre of
*****...
    hence he shouted: theft!
                           which made no sense since
he voluntarily gave me the ten quid...
          fascinating conundrum...
                   like **** i'd buy minors
                 alcohol using my own money...
some, the bigger the group:
          are smart enough to know the difference
between a common interest,
say, 5 guys and then the scenario becomes
         two pipsqueaks and a smurfette...
i already said it once:
                   me, beer, straight road...
some honest cases you can work with...
teenage tantrums of that sort?
lucky madman loser...
                 saved ten quid on a bottle of *****.

Behold bright symphonic Blast!
Halt the snail bite damage of youth.

There is none to resist the place and time of one who missed the equal avenue.
Dropping before your phantom, dispirited dew, before shadow portrait drops.

Swine with silver throats!
Corpse of embers preamble multi-various multi-vacuous semi-forte polar rhythms.
Sequencing selves in wood and wire. Pinions at drifted tempo, quavering for poly-syllabic idioms,
In sectioned hostels for their sense and glory restrung.

WIFE and servant are the same,
But only differ in the name :
For when that fatal knot is ty'd,
Which nothing, nothing can divide :
When she the word obey has said,
And man by law supreme has made,
Then all that's kind is laid aside,
And nothing left but state and pride :
Fierce as an eastern prince he grows,
And all his innate rigour shows :
Then but to look, to laugh, or speak,
Will the nuptial contract break.
Like mutes, she signs alone must make,
And never any freedom take :
But still be govern'd by a nod,
And fear her husband as a God :
Him still must serve, him still obey,
And nothing act, and nothing say,
But what her haughty lord thinks fit,
Who with the power, has all the wit.
Then shun, oh ! shun that wretched state,
And all the fawning flatt'rers hate :
Value yourselves, and men despise :
You must be proud, if you'll be wise.

.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.

anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs
noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?

It was dark outside,
Sun is yet to break the dark quilt of night,
I was on my bed,
Fighting with slumber and trance!
Fight hours after hours.... nothing comes out..
All of a sudden wake up with the sound in my door,
Run and open...
Newspaper was on the floor,
The hawker was passed by on his bicycle,
Sun already on the top of the mango tree,
My trance flyaway and stupor enclose by..
But reverie of politics over news paper again beat on..
  If you vote you will change your state of happiness.... with words on to with wealth

i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.

I almost can't believe
that there's a concept
of self-belief
  to counter a hierarchical-
mechanisation of "god",
but nothing of grandeour
to be compensated
by the heavy dosage
of self-doubt...
rigour of the salat...
         god, being a secular term,
lazily cojolted, as Muslims pointed
out: a palindrome,
a prayer worth as much
as a barking heave of
of vowels seeking consonants...
a dry harking,
gnashing teeth grinding
fury of "dyslexia"...
   wet ooze of that...
ancient Rome is a myth,
as far removed from modern
Italians, as modern Italians
are removed from 20th century
ice-cream fascism...
no poet of the *****...
let me learn all the technical
disability terms while
you take the **** out of mine...
and then i'll ** ** ha ha
you into a granny *****...
bark doggy,  bark...
let's see the freedom
of speech become as
existentially oath binding to
continuum as a prayer rigour...
no matter the advances
in desenthysising the public...
that couldron of broth made
from chicken hearts dead...
the American drone can evolve
with A.I., as will the Afghani
heart, dig into the plateau,
fed less by an Iranian Fatwah
for some ****** writer,
and more, for a child-promise
akin to a landay...
       somehow, the heart will
entrench itself,
       confining itself to guiding
trenches like veins...
in a lunar plateau...
        now you **** ****,
or **** the next gene gambling
Hilga, valkrye!
       gamble = choice
will = chance...
               X = good luck,
or no luck at all...
    just the dumb persistence
of a bone-to-brick burrowing
buck.

***** feet
***** of them ache
they're dry
all dried out, moisture to face and digestive tract make little difference
but comfort a little sort of; maybe
subdue to replenishing
skip the pain with a drink fucken, fucken drink fucken
dust lingers in the brain, it swirls
a cloud of ground envelops the shape of u
u become covered
u have a layer,
salty,
and dry
and 'organic'
(surely bio (though im not sure what is or why are))

full city boy, suburban boy, not particularly gritty boy
along side hippies
and volunteers all tripppy
and unwashed, and un plastic
yet forcefully hemped
drunk of micro beer
and burnt brown and blotchy red
and wire-y

and dry

and matted
as if nothing really matters except for principles
misguided and randomly enforced

feel like a husk; peanut shell
insides swallowed by the mouth of the party embodied
a monsterous sweaty man tanned and thickly bearded
and beered
fat dreads fall around and surround u; a forest of hair
a circle encroaching of fuzzy pillars in fibres
entrapped inside them; feel their lingering time matted hold
a wealth of effort to become unkempt; they are bars
they are walls
and the FACE!
………………………   ………………………………… oh
looming down, wafts of armpit vapour cloud; a looming puft that surrounds
engorged by the scent as it circles u, the mouth that lowered onto u
chews u and spills bits of u
chomp chomp
protein for vegetarians; u; ur rigour ur vigour ur guts
  
eaten in a flurry of chomps and slurps and it crunches
and it grates
like the rocks on the ***** of ur feet it grates

u are digested
and reused
as they would like
but for them; for a collective u dived into
for fun
2 days to peddle ur wares
to progress ( admittedly through some days of regression…)
for all humans, and Humans; for fun

on monday we will repent
for the damages waged on the inside of the body
and the outsides too
for some gain
i guess on this which we settle
for always for display for fun

for all its worth, ad inviduum matters,
as any stress imposed
to, "break away from the herd"...
the ever becoming need for
flamboyance and bombast
to not be: the drowning man
in a sea of corpses in the inevitable
inferno...
      as much as the saying goes
about vanity projects,
   hair make-up, or rather:
less extravagence and more on
the lines of: you can walk in *****
and torn clothes...
       but at least you've taken a shower
prior...
             yet there still remains
a stressor on individualism...
    in that...
            as long as individualism
is accepted by a herd of "individuals"...
i remember that outside of school
i knew one black guy,
as the black joke goes: he was a drug
dealer, and a single father...
what the white boy knows a black guy
joke doesn't follow up is that
he was ostricized... a fellow *****...
because they really tell you
about the Bangladeshi workers
    dead beneath the burn khalifa...
even individualism has limits,
with the motto:
   as long as it doesn't mingle with
eccentricity,
    as long as individualism doesn't
mingle with eccentricity...
   because in the latter sense?
that's the individualistic norm shattered...
everyone gets to over-hit the mark...
which shows the cracks in
the so-called notion of individualism...
notably in the west:
        cogitans est cassus primo
                    gratia rideo...
      logos incognito.
                     as such, individualism
as spare, auxiliary / collateral change...
trend setters,
    if famous for 15 minutes,
   pack leaders for 15 seconds,
and then back to the frivolous intrigues
of peacocks on a catwalk...
by individual, i think of the:
                 hersch...
                      a dangerous line between
setting a vogue and a minor
sentiment for the vanguard...
and becoming ostricized as a *****,
humouresly being attached
the term: eccentric...
     or just plain weird in the harsh
tongue of the children's blunt...
phraseology...
                             the world comes
to the boundaries of a small town
exactly 1.5 days later,
  give or take the algorithm
via prior searches...
                                   perhaps how i
understand individualism is
how Narcissus might understand
the vampirism of his brother
     Solipssus...
                  a kind of people who
behave as if without a body,
a type of people who, like vampires,
can't see their reflections...
not that they can't in a literal sense...
      as everything small begs
a curiosity,
   as everything large astounds
with awe...
             paradoxical thus,
the content of a church,
                 and the church itself...
        after all...
     the legionnaires did soak
a sponge with wine and offered it to him
on the end of a spear... which he refused...
   a pale comparison
as blueprint, to what subsequently
came to pass...
              well...
it is pale... considering you'll
never actually know, upon giving
himself up so freely...
  that there wasn't anything,
remotely comparative
with the infamous example
of Albert Fish:
              self-embedded needles
lodged in his pelvis and perineum...
just as the other case in point:
marquis de sade seems more like
a scapegoat than the sadist
his imagination and only his imagination
allowed him to be...
because what,  screaming from
the window of the Bastille, or locked
in an asylum, he could really
compete with the power of the clergy
in the form of his uncle,
the abbé de sade...
                       how can it not be
a fiction, when the power of fiction itself
has become slowly obliterated
wriggling in a cul de sac?
     how could I ever write a work
of fiction, when what was deemed
as truth, credo, is facing up to
non-mainstream footnote reading
and the 1945 archeological findings
that match up to the 2000 or so years
of heretical speculation?
riht now, he can be brown olive
tanned mulatto or whatever Dalton
hue of orange...
              if white is ivory if it is
a scalped cranium a pharmacological
soup woth of brain...
             if white is white and even amrican
south: h'white...
        clingy *******
to the feet of the Urals...
    pardonable warm *****,
only Sveedish, and only at 25ml a pop...
talking to two old people
half-awake, half-asleep...
      buddha-eyed sleepwalking almost...
as i came in contact with
the dark chapter of medicine,
not even past the 1950s America...
                 the infamous tactic
of regression: also known as
    false memory implants...
                    two old people trying
to fall asleep,
   a bottle of *****,
       shy drinking, 10 years of celibacy...
with the odd purely physical encounter
like a rag and a hand and a ***** sink...
my grandfather bemoans that
he never had a chance to say: father...
i could bemoan not having said:
i love you...
                ascribed her an endearing
nick'...
                it seems this world
hides higher pleasures bound
to a rigour so few make eruditions of.

big bang? i just call it the: reassertion of φνς; big bang? the bing bang? scientists are creative and artists are prone to rigour? what an "unexpectedly" unoriginal definition to draft the genesis... bangs in vacuum?! that tree falling in the forest trick that only women seem to answer? i'm literally having a limp-**** moment with someone telling me: it began with a big bang! wow (łał)! amazing! you predicted a sound, excavating it from a vacuum, where, apparently, you can't hear one!

most of the time it's like dry laugh, perpetuated by a: ha ha... but then someone becomes drunk and gives the scales to further the impromptu, managing a: ha ha ha ha... ah ha ha ha ha... equivalent to: chasing a fly out of a room... catch the ****** by their *****! catch the ****** by the *****! unlike chasing a mouse... which is fun... more fun than a stampede in mecca for sure... you get to build a labyrinth... you get to catch the little ******... dangle him by its tail for a selfie... then you walk into the corridor of the apartment building you're living in... and what does the mouse do? so traumatißed by the lack of mouse-traps... what does he do? commits himself to suicide... jumps off the stairs into the abyss of paved concrete, and i'm like: i built this theme-park for you, and the best thing you can do is jump to your immediate death? is there another universe handy? i'm not quiet ready to deal with this one seriously.

that's for the intro, but try to incorporate the concept
of *polyphony in writing,
they'll think you're mad... rightly so, most people
love the concept of the paragraph,
just like they love donning eyeglasses -
and they love the linear concept, that "reveals"
a story...
                    they love that ****, give them rotten
cabbage and tomatoes and send them to
the shakespeare globe... to get a proper critique
if the theatre performance turns sour...
         grows fungii and what not.

oh i had a suitcase of verbiage with me...
      but the writing bit is really working on me
to necessitate a fathomable break from... "composition".

etymological pointers nonetheless:
    slav               and e?
   not really, not when you speak the language...
am i ethno-centric? i probably am,
you sort of have to be... comes with the package...
or the: shindig?
                               oh look... i know slang.
anyway...
                            around here i'm the only one laughing,
it's not an idiotic laugh that stresses: nothing or
nowhere...
                   it's the times supplement article:
the new narcissism (harriet walker reports)...
and i can't stop laughing...
   because it includes: taking selfies by the mona lisa
and by the gates of auschwitz...
                and then the n.p.d. complex (narcissistic
personality disoder)...
            and i can't stop laughing...
and i'm thinking: what's wrong with these people?
oh, right... the per se... (giggle)...
                           they're like su dokus you
abandon because you can't relax when solving them...
stray dogs and ****...
                      you whaa'?                  dunno.
i'm actually afraid of people that advertise missing
cats... how horrible do you have to be to
make a cat                       stray?
                             the ****'s wrong with you?
cats are counter-intuitively clingy... there's no leash
on them, and there's no walkies... but how abusive
or just dumb-boring (do you have to be)
                     to make a cat become stray / missing?

... (pending, ding-along-ah-****)...

"artists" made the mistake like philosophers...
                     they think poetry ought to be visual...
they already have the polyphony spectrum there,
the ******* rainbow... and then they think poetry
is all about imitating geometry: cohesion, rigidness...
bunch of ***** in all honesty...
                   Bach invented polyphony, we're going to
talk about it like we might talk about digression...
layering... it's also a geological term for: oh... looky looky
at this piece of sediment!
                     i don't think poets should mingle with
painters, to be honest: i wish they were an
apartheid apart...
                     poetry isn't a visual art-form... based on
the concept of the φνς (that's hebrew for:
hiding your vowels, like the romans imitated
adding stresses to letters)                           ooh! fancy!
is writing 50 years behind painting? (w. burroughs quote)...
don't know... is writing a century behind
                                     musical composition?
that's more likely than writing competing with
painters... why did poets cling to painters in the first place?
φoνoς... you're not painting a picture...
                   oh ******* o'hara, and you tenure
as regent of an art gallery: get hit and die by a beachball.

variants:
in the west the etymology of slav = +e
      well... unless you speak the tongue you can say:
                 zdrowie na budowie - buda! psie / pśιe!
there really is an etymological variant to the anglophone
understanding of stating the noun, indicative...
                but i need to bring the greek iota into the picture...
i.e. it's naked, it has no diacritical marks attached to it...
i.e. ι                      so... now...
lesson no. 1:          slav, in mother tongue   słowianiń -
iota variant?                            słowiańιn   (lazily, just słowianin)
   etymologically speaking, i.e. derived from what?
word... the slavs call it:          słowo.
   literally.
                      germanic peoples of north america can
be so obnoxious that it really does suit them...
    but who the **** would want to marry their women?
probably muslims... and breed a bunch of inbreds,
household peasant people,
                        orangutan down syndrome people;
gonna **** your granny pete?

oh right...

    lesson no. 2:
   i can't stop laughing at this grammatical transgression...
you really have to transcribe the transgender concept...
      ...
           as might have been expected: laughter can really
exhaust you... what i didn't know was:
           to the point where you are lullabied to sleep -
fully dressed - to only find yourself getting up in
the morning: pouring yourself the remains of the ***,
sticking your head out the window and seeing
spring in full swing: two sparrows getting it on...
                                       but gender neutral pronouns?
what, like it?
                                oh hey, here comes cousin it -
huh? i swear the point of pronouns, or at least
the categorical basis for a word to be a pronoun is
to stress a gender of the speaker -
                                        the argument for gender
neutral pronouns: let me put it in analogue form -
you see on the news, daesh destroying ancient
roman temples in syria...
                            world heritage sites protected
by international law... what this transgender movement
is doing to the english language? looks pretty
similar to me (in non relative terms) -
                     but it's sure as **** in being some form
of desecration... it can't be anything else...
the problem would be staggering if appropriated in
poland... where gender feeds into verbs...
                                   if this movement is an isolated
indicdent, that is,isolated in that it's an anglophone
phenomenon (thailand? well... they got into the groove
and didn't perform a real ****** on their sprechen) -
just an example of how gender is incorporated in
the western slavic language...

i.e.
         podniósł (masculine - [he] picked it up...
    the thing being picked up is not specified)

   podniosła    (feminine - [she picked it up...
      ""      "      "           "       "    "    "          ")

could have just written ditto, anyway:
                   but also notice the beautiful orthographic
transition - it's almost a ******* representation
with the acute o (ó = u, well: orthography is not
exactly grammar, but like grammar: it's an aesthetic) -
      pod-nio(h)-sla(h)            - i'm lazy, american
linguistic studies use this form of notation -
                    evidently i'm expecting some puritan who
actually studies phonetic encoding to come up to
me and tell me: no no... it's like so:
                the point is, a transgender movement could
never pick up in the western slavic language:
     well, because a gender specified pronoun
permeates to other words that aren't in the pronoun
category... i.e. as the above - verb category -
                        obviously the above two example are
what they are in terms of gender, but they're
also a past participle attached to them... past tense -
but we are talking about pronouns, aren't we?
   so that has to be incorporated into the example -
evidently a *****-nilly pure verb of the above two is
gender neutral, but it has nothing to do with pronouns.
- like i already said once before:
                compared with german? english is shrapnel.

this is what music foraging on youtube used to look like, you'd find gems, 6 years old, approx. 10K views akin to Undogmatic & Kernfeld: thought experiments... you know... you travel outside of the anglosphere of said language, what is the opinion of a Greek or a Pole about Fb? not much... it's only the english-speaking "cool" kids that are making all the fuss... i mentioned minds.com to a Greek guy i was giving directions to, once, in Warsaw... he looked at me as if i was the first person to show him a ******* elephant... 5 blind men followed and we know the story from there... catering to the natives: who will never be or ever have been satisfied... they just need their: banta... their ****-storming, their gravitational pull toward bloodsports: rather than dialectics... nothing is ever to be done... who can shout the loudest... who can rock the boat the most... who can translate past playground grievances into a web of anonymity and avatars... as far as i am concerned... these social media firms, these u.s. firms have long gone stopped catering to primarily english speaking people... all these anglophone calls: Fb will fail like myspace failed... blah blah... these firms are tired of brats... elsewhere these spaces are utilities... they're not an extension of either thought or life... collateral damage of those first exposed... the Greek will still use the platform... the Pole will also... i too remember my childhood: hide & seek... digging holes in the ground and throwing marbles into them from a distance of five metres... creating chalk labyrinths on the pavement and flicking beer bottle caps filled with plastecine through them... and no... styxhexenhammer666 is not banned in Poland... i never wanted youtube to become what it has become: 72 virgins? give me a library of music for all of eternity and i'll be an 'appy chappy... i don't need some count dankula regurgitate a wikipedia entry about tarrare - oddly enough: i too can read... see... i blame both sides for ******* up my foraging tool... the "legacy" media and the indie vlog "creators": creative really reative, spewing regurgitation after regurgitation... i'd hate to be drafted into this vulture journalism of video making... at least when you pay a *******: you pay an honest wage... and she subsequently spends the honest wage on **** i wouldn't even buy... so the funds are given to the person who otherwise keeps the economy running... a woman... oh yes, i've been watching closely these indie "creators"... lucky for me i watched enough of them to round them up and say: this much... there's a big difference between a "creator" and a commentator... if i'd want to listen to an audiobook containing the current journalistic spew: anyway... half of these stories in the "news" are tabloid ******* that gave rise to 24h news reel and the vacuous space feeding the tapeworm of insomnia... since when did news outlets think they could produce an amphetamine alt.? clearly they did... i can't keep up, i won't keep up, to hell with going against these giants... youtube was never about these indie "creators"... music and music was always the prime concern for me... lucky for me remnants of the old a.i. still give me chances to glimpse records like CLANN - Seelie... these indie "creators" become just as tiresome as the legacy medie snippets... you want a more ******* version of CLANN's Seelie? try Salem: king knight (2010).

.just some after-thoughts, when a post scriptum becomes, a pre scriptum... you know... i sometimes think this lingua franca, that's english, ergo: lingua inglese is bombarded, London is the microcosm of the world dislodged from the realities of other natives... there's a grand congregation happening, of hosts, and even here, on the outskirts of London, where all it takes is a 30 minute walk to go pet a horse or a tender young bull, "randomly", in a field, spot a fox, or chase a herd of deer who "wandered" into the middle of an X junction creating a traffic debacle... but the language itself this, lingua inglese needs updating, notably from the "real" grammar nazis... i'm not just going to give up my new earned rights of literacy, for all the years of being kept in the dark like some ******* mushroom, just because, someone feels it is necessary to feel lazy, about establishing rigour, discipline in using this former tool of power, like i'm going to bend over some lazy peasant... no... dis-ci-pline... you need it, i might drink, but i'll still return to this language with great respect, for the per se worth of adherence to it... it already is a metaphysical person / "person" to me, at least i can offer that much, as much as is necessary... one question though, echo-chamber... it's enough for dyslexia, it's enough for emoji, it's enough for: l8er... it's enough for "gender neutral" pronouns... see... that language i was born with... that **** won't stick... certain languages have pronoun-"augmentation" associated with verbs... e.g.?
                                            mogłem (past-participle masculine
                       of i could have)
                        mogłam (past-participle feminine
                    of i could have)
this, inherent bias, within the confines of the english language, well, i didn't expect it to be so rife, until i witnessed it being exploited! now at least i can pander / side with the natives: funny - coming to a "madman" for sanity quotes, for rigour... well... because there's no fun without someone not having the ***** to counter the libertarian farcical tragico-comic current circumstance of: "pushing the boundaries"... like i said: a lingua ingelese echo-chamber... no belly-button status of the world for you... this viper of an idea, this sordid wasp of a "conundrum" will not spread elsewhere, i feel inclined to contain it, with english regulations of grammar... just like i learned this language to begin with: first the language, then the grammar... physics first, metaphysics later... first the experience of communication, then the theory of communicating... thank god that some languages have an unshakeable foundation, e.g. western slavic: where the pronoun is integrated into verbs with a gender discrimination structure...
  further examples?
                miałem (i had - masculine)
                                                     miałam (i had - feminine)...
so the problem is contained... in this, sometimes erring into sharpnel of, what could have been: a bullet of a tongue; or, i dare say, will hopefully preserve itself, to be it.

i guess.... wait... are stars supposed to that?
i just witnessed two,
transverse the night sky:
    in that, more than the already
perplexing circumstance of a straight line...
to the naked eye:
   they're not supposed to move in
a parabola fashion, are they?
    yes, last time i checked, this was never
going to be a metaphor for
the current state of european politics,
   to the naked eye:
    i would be unable to witness a comet,
and, on the odd occassion,
   the blitzkrieg accent on the sky
by a meteor falling...
            i never had the tools to measure
the difference between a falling
meteor appearing in the sky,
                      to a lightning strike -
time wise...
            after all: is a lightning strike
confined to the same category as light,
yeah: light from the sun?
   i guess this is were awe comes...
          once again: if i somehow manage
to come across the facts -
   i'll give my narrative of a temple's
worth of structure to the blinded,
enraged skin-headed Samson to pull at
the pillars...
                now, with regards to:
a black girl in a supermarket...
   well... i've done it,
    i can clearly state i have become
fully integrated into the multiculutral
experiment that's England,
   it didn't take that long,
               ******* contra being attracked
are two dfifferent ball games...
the language is here,
                 working just fine,
   some native prejudices are somewhat
here,
            i have a harder time
"not understanding" the quickened
paddy taljk, to me the scots sing,
and they managed to preserve
                                     the trill on the R...
so, as they would say in
    a clockwork orange type of fashion,
fully rehabilitated, ****, sorry, integrated...
i can find myself being attracked
                           to an ivory beauty...
side-effect?
    whenever i visit my grandparents,
whenever i pass through
   the urban landscape of Warsaw...
   i feel...
        an extreme nausea,
paranoia,
                 sifting through my in-born
mirror of homogeneity...
the whole process takes, oh,
                     i'd say, roughly 20 years...
brain-washing?
      or a want for a sense of belonging?
my only sense of belonging in
Poland is only related to the use
of language, culturally?
      hybrid at best,
                    or not even hybrid,
mongrel...
                sure, the impeding disaster
of putting a physical hybrid
           with a metaphysical hybrid...
i don't even know how i'll feel
when the ****** tongue dies with
the people i could associate to by speaking
it...
maybe i'll be lucky,
having the luxury of not one death,
but two, in my life.

p.s.
   stating the ****** obvious,
surds...
   lingua ingles(e)
              and not lingua inglesé...
how can i not be stating the obvious,
that's how practiςing
    literacy works, doesn't it?
who has ever heard
a guitar player not say:
    i'm not playing,
  i'm simply practiçing                ?
i guess the origins of the french
         cedilla come from
                                     the greek sigma,
i.e. if it's so smart,
how come a drunk, like me,
                         has to "unearth" it?
always, it's always about
the fiddly bits of language,
english is peppered with
      rules, that are not dogma of
pedagogy...
         of the pedagogic experience...
"somehow" surds appear,
i.e. "silent" letters...
   e.g. there's no (g)nome
         but there's diagnostics...
this, this lingua inglese...
this supposedly "universal" language
for a global community,
and then all the particulars
associated with the native idiosyncracy...
mind you...

     i woke up with a dream,
righ rarity event...
   i was sitting,
then i started walking,
i looked behind me,
a ****** church procession was
walking with banners
and crosses, dressed in black,
i turned my head,
and there was a bunch of
schoolchildren walking toward me,
i was eating a raw chilli...
a boy from the throng coming
at me was eating a raw pepper,
'hey mister'
and pointed at a piece of
a raw papper lying in the grass,
insinuating i lost it...
i replied:
                                          'chilli'...
er­m...
        who the hell would ever need
to amplify dreaming
with a psychadelic experience,
esp. if that person is usually
sleeping for 10+ hours per day
and is dream-starved?

What if this present were the world’s last night?
Mark in my heart, O soul, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Tears in his eyes quench the amazing light,
Blood fills his frowns, which from his pierced head fell.
And can that tongue adjudge thee unto hell,
Which prayed forgiveness for his foes’ fierce spite?
No, no; but as in my idolatry
I said to all my profane mistresses,
Beauty, of pity, foulness only is
A sign of rigour: so I say to thee,
To wicked spirits are horrid shapes assigned,
This beauteous form assures a piteous mind.

What is it with some men?
Is this what those nuptials meant?
You are turned into his mother figure,
A holy cow, housework, meals, rigour,
Maybe there's no luck in love,
So much for wedding doves,
"I am not your mother!"  
I wished I yelled at another,
Maybe  I don't know how to train a man,
Maybe a manual should come in a can,
Then you could have twins in tins,
Fully formed, no ***** pins!
Maybe it is the male gender,
They really want a nanny for their benders,
Is this what those nuptials meant?
What is with some men?

England, with all thy faults, I love thee still--
My country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrain'd to love thee. Though thy clime
Be fickle, and thy year most part deform'd
With dripping rains, or wither'd by a frost,
I would not yet exchange thy sullen skies,
And fields without a flow'r, for warmer France
With all her vines; nor for Ausonia's groves
Of golden fruitage, and her myrtle bow'rs.
To shake thy senate, and from heights sublime
Of patriot eloquence to flash down fire
Upon thy foes, was never meant my task:
But I can feel thy fortunes, and partake
Thy joys and sorrows, with as true a heart
As any thund'rer there. And I can feel
Thy follies, too; and with a just disdain
Frown at effeminates, whose very looks
Reflect dishonour on the land I love.
How, in the name of soldiership and sense,
Should England prosper, when such things, as smooth
And tender as a girl, all essenc'd o'er
With odours, and as profligate as sweet;
Who sell their laurel for a myrtle wreath,
And love when they should fight; when such as these
Presume to lay their hand upon the ark
Of her magnificent and awful cause?
Time was when it was praise and boast enough
In ev'ry clime, and travel where we might,
That we were born her children. Praise enough
To fill th' ambition of a private man,
That Chatham's language was his mother tongue,
And Wolfe's great name compatriot with his own.
Farewell those honours, and farewell with them
The hope of such hereafter! They have fall'n
Each in his field of glory; one in arms,
And one in council--Wolfe upon the lap
Of smiling victory that moment won,
And Chatham heart-sick of his country's shame!
They made us many soldiers. Chatham, still
Consulting England's happiness at home,
Secur'd it by an unforgiving frown
If any wrong'd her. Wolfe, where'er he fought,
Put so much of his heart into his act,
That his example had a magnet's force,
And all were swift to follow whom all lov'd.
Those suns are set. Oh, rise some other such!
Or all that we have left is empty talk
Of old achievements, and despair of new....


There is a pleasure in poetic pains
Which only poets know. The shifts and turns,
Th' expedients and inventions multiform
To which the mind resorts in chase of terms
Thought apt, yet coy, and difficult to win,
T' arrest the fleeting images that fill
The mirror of the mind, and hold them fast,
And force them sit, till he has pencill'd off
A faithful likeness of the forms he views;
Then to dispose his copies with such art
That each may find its most propitious light,
And shine by situation hardly less
Than by the labour and the skill it cost,
Are occupations of the poet's mind
So pleasing, and that steal away the thought
With such address from themes of sad import,
That, lost in his own musings, happy man!
He feels th' anxieties of life, denied
Their wonted entertainment, all retire.
Such joys has he that sings. But ah! not such,
Or seldom such, the hearers of his song.
Fastidious, or else listless, or perhaps
Aware of nothing arduous in a task
They never undertook, they little note
His dangers or escapes, and haply find
Their least amusement where he found the most.
But is amusement all? Studious of song,
And yet ambitious not to sing in vain,
I would not trifle merely, though the world
Be loudest in their praise who do no more.
Yet what can satire, whether grave or gay?
It may correct a foible, may chastise
The freaks of fashion, regulate the dress,
Retrench a sword-blade, or displace a patch;
But where are its sublimer trophies found?
What vice has it subdu'd? whose heart reclaim'd
By rigour, or whom laugh'd into reform?
Alas! Leviathan is not so tam'd.
Laugh'd at, he laughs again; and, stricken hard,
Turns to the stroke his adamantine scales,
That fear no discipline of human hands.
The pulpit, therefore, (and I name it fill'd
With solemn awe, that bids me well beware
With what intent I touch that holy thing)--
The pulpit (when the satirist has at last,
Strutting and vapouring in an empty school,
Spent all his force, and made no proselyte)--
I say the pulpit (in the sober use
Of its legitimate, peculiar pow'rs)
Must stand acknowledg'd, while the world shall stand,
The most important and effectual guard,
Support, and ornament of Virtue's cause.....

Had I ador'd the multitude, and thence
Got an antipathy to wit and sence,
And hug'd that fate, in hope the world would grant
'Twas good -- affection to be ignorant;
Yet the least ray of thy bright fancy seen
I had converted, or excuseless been:
For each birth of thy muse to after-times
Shall expatiate for all this age's crimes.
First shines the Armoret, twice crown'd by thee,
Once by they Love, next by Poetry;
Where thou the best of Unions dost dispence:
Truth cloth'd in wit, and Love in innocence.
So that the muddyest Lovers may learn here,
No fountains can be sweet that are not clear.
Then Juvenall reviv'd by thee declares
How flat man's Joys are, and how mean his cares;
And generously upbraids the world that they
Should such a value for their ruine pay.
But when thy sacred muse diverts her quill,
The Lantskip to design of Zion-Hill;32
As nothing else was worthy her or thee,
So we admire almost t'Idolatry.
What savage brest would not be rapt to find
Such Jewells insuch Cabinets enshrind'?
Thou (fill'd with joys too great to see or count)
Descend'st from thence like Moses from the Mount,
And with a candid, yet unquestioned aw,
Restorlst the Golden Age when Verse was Law.
Instructing us, thou so secur'st thy fame,
That nothing can distrub it but my name;
Nay I have hoped that standing so near thine
'Twill lose its drosse, and by degrees refine ...
"Live, till the disabused world consent
All truths of use, or strength, or ornament,
Are with such harmony by thee displaid,
As the whole world was first by number made
And from the charming rigour thy Muse brings
Learn there's no pleasure but in serious things.

gambling, and to think that money has become rampant, pointless, towering over man, where once money was deemed an effective medium of passing labour, now, gambling has proved the complete defunct nature of the construct... when once a respectable way of rewarding shared labours, now, a means to bloat it, inflate it, give it extra cotton candy... i'd like to see times when money had some value, but since there is none to it in an applicable sense, no wonder its flushed down the toilet at the gambling table... for a "species" that wonders at making things refined and more efficient, to see the unrefined end product of the ultimate inefficiency; it's almost sad to watch.

i understand islam in only one way,
if i heard correctly islam
dictates a rigour in appreciating
money,
           in that, if i (once again) heard
correctly, islam doesn't
appreciate interest...
    i.e. if you borrow £100,
          you give £100 back...
    not £100 + 20%...
                  and i really do appreciate
the sanity of using money,
an abstract (compared to the value
of gold or timber, or a painting)
form of a thing...
   but the problem is, money has become
less and less reasonable,
in that it has become less tool-like
and more: parasitic-like.
              i do appreciate the fact
that money creates an exponential growth
of possible jobs,
  that it allows people to do nothing
more than a *Pilate gesture -
i.e. washing their hands clean...
    but we live in times of hidden slavery,
i have a friend who's in his 50s...
he's not paying off his house,
       he doesn't own it,
        he's paying off the interest rates!
so basically he's renting rather than working
toward a capital...
          i have no idea how the original
idea of money has become infested by
a %... it should really be written
     %10 rather than any elevation to
a currency...
                  £10 is actually £23.50 when
monday it is spent, and by friday when it's
asked to be repaid...
  it's an implosive multiplication,
covert...
       you ask for a potato,
you're asked for four potatoes back!
          i can't believe that people are still
so sane if at least playing the role of sensible
with a thing, that's clearly inorganic,
and can't self-replicate without a cheat
mechanism being in place...
             like i said, if i heard correctly,
islam abhors usury -
                lending on an interest...
     but i might have misheard this,
even though i might not have, misheard it...
i understand money in that
i understand someone willing to do
   a ****** job to get his UNIVERSAL UNIT
of interaction,
i get that, i'd do a ****** job if i had to
in order to watch the Pilates of this world
play the Gatsby...
(book? not so great)....
                    the philosopher's stone
the trans-valuation of values is but a copper
coin away from any reason to
fathom a sensibility in such affairs...
      but imagine merely paying off
the interests rates, and never the product
you supposedly bought...
            **** me that's a tearjerker -
all the communists in hell are either laughing
or immune in a pensive pose of:
the **** is that?
           - and if this is true about islam,
i.e. you take one, you give one back...
and not,
you take one, you give two back...
money unlike any other thing in this world
is sick... it's infected with
a propagation virus...
         a mad self-multiplier...
the same self-multiplier which is the reason
why we produce more than we need,
in that we produce both product,
         and waste.
                    even if you applied the keenest
of minds in the field of mathematics to
the concept of money,
   you'd create a half-breed of
both genius and ******...
         since economics is the antithesis of
mathematics, as is the mathematicians'
abandonment of the calculator,
   the only worthwhile arithmetic these days
is imbued by the spelling of a word
correctly...
                 you don't write it: you snap into it!
- and i must admit, a strange way
of "counting" - rearranging the set pieces -
which explains why there's a blind-spot
in the japanese puzzle: súdokū -
again: diacritical marks are punctuation
marks from above, intra-verbum not
inter-verbum...
         once again, why is money so supposedly
complex? it's not,
   i can understand that some people
would prefer someone else to do something
unpleasant, like, slaughter a cow
and never make it to guest list of a baron's
banquet...
  i understand the Pilate gesture -
i wouldn't even appreciate the baron's
company to say the least,
         but money, as it was originally intended
is sick...
     it can't be anything more than
a sickness that has infected it...
mind you, my father is self-employed,
you know how they actually treat contractors?
like ****...
   he asked for travel expenses
  for his sub-contractors...
                he wasn't paid the travel expenses...
say what you will, but at least communism
had some principles,
this degenerate disintegration,
decomposition of capitalism due to the lack
of external competition on
ideological grounds is festering into
     what one might only see as:
cannibalism...
                when companies shed
their respect for the workers,
  whether independent of aligned to a company
ethos, something will finally give way...
i understand money,
but money has a virus in it,
  it's become a false multiplier of itself...
sure, that might have added to the success
of the multiplication of mankind
but as people have noted:
a universal wage...
since how much work is there to be done
these days, when all this demand for
work inevitably produces a waste product
from over-production?
          money was never supposed
to covertly self-multiply exponentially -
which means why money no longer has
the same value as it once did,
ascribed to something valuable -
paper money is toilet paper -
            as already suggested by
those bankers burning it to light a cigar...
a perpetual hellhole where even
         a DaVinci canvas is paper and is worth
such as much...
             idealistic? tosh...
                no wonder people have started
to look for value in the crevices of ownership...
but i don't understand the smart-phone
clinging... i said crevices i didn't imply
a ******* ball & chain...
                            a crease in a shirt,
the fact that -1 feels a lot warmer on a dry night
than +5 on a wet night...
                 i'll still fall asleep today
thinking that money has is infected with
a parasitic entity,
after all... not even money, is beyond
illness...
                 if money corrupts,
it would seem only sensible that
the first thing to be corrupted, would be the thing
that corrupts...
    money made sense, once upon a time...
   it truly did...
           now all it resembles is spare change,
or the fact that, once upon a time,
you would be deemed mad when
finding a £20 banknote on the street,
as i have done.

some people might cite you that slavery had disappeared,
not to my knowledge,
         it was a wednesday at my local supermarket,
and there was only one male in the place, a manager,
and only women stacking shelves and sitting at the tills...
it really looked like all the men were laid off...
         well... what with the export of manual labour
to china... what sort of man would want to stack shelves
for a lifetime? it's not exactly coal-mining,
it's not something his body is used to doing...
                   he stacks supermarket shelves,
       and then watches modern day "gladiators"
break the sweat and have a lean body...
                                              women can stack supermarket
shelves...
                  men? they need physical ambition...
     women can have that, when being pregnant...
then this old strytoczała "******" of a woman tries
to encompass small-talk with my purchase...
    - would you like me to pack your bags?
- no no, i'm fine...      
               all i have is a rucksack, a bottle of ***,
a bottle of ms. pepsi. and a bottle of ale...
                 i can't do small-talk, i never know why people
would even bother with it... it's easily disposable...
       but it's a wednesday in my local supermarket,
and there's only the male manager, and the rest of the employees
are female...
                    imagine seeing men moaning like women
in the easy-sector of physical exertion...
       there's absolutely no reward for them!
                             what the **** are they doing?
     something akin to housework, knitting, or gardening,
arranging "flowers" / packaging in the most satisfying formation...
    have they all left for australia to work in the outback?
i wish they had...
              i buy my *****, a fat employee is buying
sugar snacks and ready-made meals...
                and i'm thinner than he is... even though i know
that alcohol bloats you up a bit...
                 but what sort of men are you breeding?
in india they'd be called the untouchables...
                 in england? they're called the disposables.
oh slavery hasn't died... it just evolved, morphed...
    it's called a 0 hour contract...
         and you know what that is? right?
        you're aiming at: poodle!
                             you earn an hour's worth of employment
whenever they want you to come in for work,
and if they don't want your labour? you're back
at zee-ρ: yep... 0. like kant said: 0 = negation...
     western societies lied about a need for labour...
    forget the hegelian master & slave relation...
      it's more        parasite & host these days...
        am i a social justice... thingy?
                                isn't it a form of slavery?
the worst kind... it's not like you have to be constantly present,
like house-service, and have a constant form of "employment"...
the new whip is the clock that has no synchronisity
with, any form of responsibility...
          if this isn't slavery, guided by spontaneity,
then i'd rather be an african-american in the south prior
to the civil war... at least i'd be fed, day by day with some
sort of rigour, some sort of structure...
         where are all the men gone to?
     so you think a strong chimp mating with a weak woman
will provide a strong chimp?
     just another ****** working a 0-hours contract...
come here poodle... pooh pooh... come back on friday
    and work 5 hours... we might call you back in 4 days to
work 7 hours...
                      **** me... and i thought my jokes were bad...
but this 0-hour contract "innovation"...
    you're basically opening a can of worms, or at least
summoning the spirit of pandora...
       you're really summoning a bunch of crazy *******...
  and that's not even islam...
               islam is going to be a softcore version of violence
these ******* will be programmed into...
    you're going to be talking ***** films, ******* gang rapes...
i know i would, be reduced to that sort of level
if i was on a 0-hour contract... fair enough if you're a woman...
but take metallurgy from men, or other types of production
that makes their physical strength utilised to an exertion
that competes with athletes... and you take that away...
  they either get fat... or they go mad...
    and that's mad in the casual sense of exercising violence...
but of course you sold us out to the chinese...
       and if you try to retract that "chess" move now?
well... we number a few millions... they have a billion willing
conscripts to overwhelm these lands....
       the german third *****? that's candy-floss compared
with what might come.
    but yeah... thank you very much... i'm with the dodo project;
and my my, ain't this spiced ***, just fine?

Strolling beside a stream
On a crisp Autumn day
The water frothing like cream
Getting drenched from the spray.
I see a Kingfisher further ahead
Perched on an old Oak twig
Its breast a bright brick red
To offset his very blue wig.
The blackbirds sing to me
A sweet tune they know
They are high in the tree
The Kingfisher thinks it’s time to go.
The leaves crunch underfoot
Delicate veins being crushed.
Like Mother Nature’s put
Down stuff to be brushed.
But the wind blows them to a pile
Neatly arranged by the bank
In colours in single file
Like soldiers in their rank.
The stream flows with vigour
Taking no prisoners, no stone turned
The force,  compelling rigour
Another penny earned.

R.J Calzonetti


Screaming cross the skyscraper’s windbreaker tapering

Aether vapour- trailblazing ****-sapien wafers

Of machinations psychotropic doppelgängers

Aristotle throttling menagerie’s philosophically hypnotic obelisks

Mind-boggling astronomical chronological esophagus

Antioxidants phosphorus catastrophic mitochondria

Beyond anaconda onomatopoeia

Of hallucinogenic Armageddon biblical umbilical cords

Swarming northern lights of aurora borealis

The chalice a battleground of Evangelion belladonna

Metalica candelabra swallowing the monochrome Hanukkah

Of a cold winter’s eldritch disintegration photosynthesis

Of innocent infinity stretching wretched beckoning requiem

The words that fall upon my page, are really just a shallow grave

Of the dawn of nighttime in my eyes, calm upon the twilight sun

Wrong is done draped on the blood moon wraiths

Skyscraped fields dusk a hollow thud below the dunes

That thumps the consumption of our fate, fumes to glow in darkness loom

Left blind in light of day you cannot see, the little pieces silver sheen

For blinding light may fade to grey, and I will never have my way

Nightfalls on another daybreak, dawning darkness, sundown on another day

Twilight plays with sparkling haze, the sky a wildfire made ablaze in patchwork scarecrows

Who etch rainbows black as a heart of coal, sold flatlining railroads

Gold wraithlike halos of stained-glass cathedrals unreal in the fever-dream of human beings

Bleeding Elysium from the seabed of dead worlds, gourds of incorporeal cornucopias

Born orchestra morsels of sorrowful oracles predicting crucifixion of ellipsis’ antithesis


(MC) Aurora


Absonant  as my pen writes the twilight, the red swallowed on horizon and bright

As through a sea of blood under my feet and shrinking mast of my mighty ship

A shadow I make on that red snow and peep into my heart’s hollow

It’s deep as much as my pen spake of grief.

I blinded in that last light and hurled like a beast dreading the songs of holy lies

That have just pained in bright and made me grieve.

They dragged me on my wings and deplumate  me as so fallen humans

They wrenched my limbs and rive my heart out and flinger me in air and I laid forever

On the stones that dank my blood.

I wait for the troth  of  demise but betrayed as it didn’t come to detract,

I laid when the horizon grinned red on my face and poured the last ale

And brutally drank the last sip of me.



R.J Calzonetti


People are sleeping under the blankets of a tranquil streetlamp

A sunflower in the damp bed of concrete

Soon they’ll be pushing up daisies

Underneath the foundation of what I stand for

Nip the bud of the flower pedalling the root of all evil like fallen leaves

Breeding paraplegic freedom from the pollen melancholic

Anarchistic polycrystalline shapeshifters drifting vilified

Buried alive like asphalt constellations crowning metallic gallows alcoholic in my solitude

See the clouds bury the ground in half a heaven’s heartbeat

Limbo’s limitless abyss the photosynthesis of the sepulchral diablo

Revenants of redemption dancing with death

Evanescent in its bioluminescent crescent moon spooning illuminated illustrations

Of Himalayan mayhem cremated avarice of ethereal onomatopoeia unravelling catacombs in God’s palindromes

Homeopathic saplings decapitated in the dismembered September wastelands defibrillator

Invigorating the nightshade white wraiths plane-walkers of Apocrypha documenting entropy

Pent up sentience avenging the endless demigods of discombobulated proclamations nocturne graceless, octaves eldritch, evangelic

Elegant elevators to flights of staircases where the air is fragrant with the fragments of stagnant stained glass asterisks

Written gospels to masquerade hostage to the faith the man misplaced the sacred hate, the passageways of apathy apostrophe

Apartheid of serpentine survivors carving smiles on the sidewalks

Farming diamonds and their detox

Arming giants like a phoenix

Carnal nihilists with their secrets

Stardust quiet as the bleachers

Start defiant still a reject

Art discipled to our freedom

Shattered hearts pick up the pieces

Jigsaw puzzles, smothered treasons

Sow the seeds and **** the reaper

Even legions rhyme and reason

Tattered flags without a penance

Good men do not go to heaven

Buy your burden at 7-11

Your exit is the only the next entrance

Resurrection prepubescent

Asymmetric biomechanics

Anguish to be reprimanded

Megalomaniac in our sabbath

Living life is just a sentence

Psalms of seance death’s senescence

Baptize vengeance lest it ventures into heaven

Ventriloquist omniscience of rhythmic equilibrium

Earthly hurricanes reemerging insurgent as the sugarcane purgatory

Primordials metamorphosis contorting rigour Mortis oracles horoscope cloaked in cloaca hallucinations

Induced irradiated amalgamated retaliatory incorporeal chlorophyll

Born from the sorcerers' spell, the cathedral of doubt

The only darkness is within oneself, light shed within a holy shell

Isolation is a lonely hell, scythes of moonlight blight of bells

Nightingales fail to halo word of mouth

Enveloped in the clouds cast shadows hex

But resurrection cannot hide from the eyes of death

Fresh as babies breath

Rank as the body festers effigies

Bless the Nephilim the questions beck

And call for some god to collect the rest

Is there any answer?

Even growth can be a cancer

Lifeless corpses once were dancers

Devils waltz on top of canopies

Heaven’s hands have touched serenity

****** brands that crushed His enemies

Stained glass sanguine dismantled entropy

Calamity ran dry insanity dabbling in humanity

Unravelling the candy wrapper saplings of happiness

Pitch black irradiant dull edges sharpening archangels, darkness reincarnating

Blinding bioluminescent glistening abyssal rakshasa sarcophagus parting monarchies

Metamorphosis coruscating fornication immortalization Tartarean

Reverberating ****-sapien scintillating hurricanes palpitation circulating ricocheting oblivion

Shining crepuscular homunculus dully illustrious

Sunless avatars, mannequins of Abaddon stygian as fallen leaves on the breeze of Avalon Evangelion

Incarceration breeding Elysium’s jailors in the cathedral of double helixes

Bethlehem's’ new genesis of Lucifer’s crucifixion

Brighter than a fallen star

Mourning in the dark

Doppelganger apostles night stalkers of phosphorous

Pockmarked arcanum bloodstained in gravestone Salem

Where the braves’ halos dined on maelstroms alone

Heirs succeeding failures of the empty throne

Filled with nothings’ own

Brimming bound by Babylonian poems

Deus ex Machina's apocalypse coughing prophets of Samsara blossoming diabolic

Life is but a Holocaust

Death the moment God forgot

Breath the only psalm we sought

Kept within a hollow box

Shedding devils, angelic, lost

Finding metamorphosis


(MC) Aurora


A world often synonymous with beauty on the horizon,

Meet my eyes you mourned demon load the strength on thee.

Crestfallen light on your wrist burns down your girth

And you can plead, just plead your twilight sun.

Watch the dead sea swallow you in the salts of agony

And drown in the anguish, hundreds of angelic bloodsheds,

Press hold of the thumbprints on your throat, you can't roar.

Sore lugubrious melancholy aired atmosphere,

And downhearted souls dispirited dragons dragged along.

The sob grim hiding in a blue funk rusty smog choking wind,

The nyctophilliac animals howl long the cold-blooded love song

In your lungs and burn.

It's the twilight sun,

Just that twilight sun.

all i'm saying is that the tetragrammaton was lying about in full view, an umbrella on the train; the tetragrammaton was just there for the taking, in english... and no jew noticed it, or picked it up.

poetic proliferance comes at a price designated the role
of anti-oratory - imagination and memory
are scattered narratives, thought the prime of the three,
an animal is bombarded  with sensual impressions,
a feline pet is the ultimate unit of fighting against
this constant bombardment  of sensual impressions,
before us, the ultimate leisure  activity, albeit without us
actual engaging in it personally; we created such utensils
as memory and imagination to counter-act the vacuum
of unnecessarily narrating a sunset and a sunrise, a comet's
flight. pro life interference - a snake shedding its skin, e.g.
non-oratory, even anti, poetry for bookshelves, for dust,
migraines, moths and bookworm larvae;
for shrapnel ego... for stances in aesthetics like:
run DMC's *it's like that, countered
with... 'and i thought disco polo was bad.'
cheap thrills, scribbles on toilet paper,
marquis de sade made an inkwell from
his wrist, blood on white:
Boabdil gives the Granada key to Ferdinand and Isabella
v. kazimir MALEVICH's red square,
                                painterly realism of a peasant woman
in two dimension -
a Faustian gamble... mental retardation...
no curly curves on pillars, no mention
of Pompeii... mythical Atlantis with its sea-monkeys
agile in water but hardly acrobatic on earth
(exceptions due to Russian Lolitas)...
no regime, no rigour, too much jealousy surrounding
the Renaissance art-schools, jealousy, greed,
fat parasites invoking their name, say, Raphael
as useful as the noun tree, hammer, ship tried to be...
hell the mad dog without a KA GA NIEC
and off the leash... you really can't expect more
abstracts... but art follows science,
what with anti-matter, subatomic particles,
art will see less beauty and science more complications,
both will be working on abstracts...
enter the art critics with their narratives...
also due to the fact that calculators replaced our
natural ability to process arithmetically...
hence a lost technique of arithmetic and a more
sensual engagement in the motto: precipitating
toward a MALEVICH black cross, black square etc.
was the art movement cubism - unravelling
the cube post-scriptum in it all... *******
this ultra-modern fascination with Python-gruesome-oraz
(oraz translated as: also) -
come the critics and their narratives
of triangles without a thinking-do-d'ah suggesting
trigonometry or a squared + b squared
equates to c square (or a hypotenuse...
likewise with hippopotamus i'm dyslexic to mind the
matter too much... honest to god,
i'm dyslexic with certain words - mainly because
it's hardly a scene in a pub: 'pint of ale my good man'),
and added to the chaos of lack of diacritic
in english, you tend to be chaotic with punctuation,
and the words stemming from the latin
æ grapheme (graphite, the tertiary carbon representation)
simply coagulate into a rancid custard of
non-differential puzzles via sūdoku - now repeat
after me, the sharp Japanese HI! sù doku!
HI! HI! well, aye, but it's sùdoku! HI! HI!
si sense... and there's the roundabout.
i'm probably the first poet of darwinism,
i got a blank in my head and i just allow the poem
to evolve... why sù and not sú?
you aim to repress, insert a quasi pause, stress
the would be associated categorisation of sù
as prefix... the doku comes as an suffix -
in culinary terms that's representative of
a hunchback leaning over a *** of sauce and
invoking a movement, a whiffing to get the scents
ticking the nostril fibres - wave in, entice - so indeed
the Japanese punctuation omitted in universal
encoding: - (the hyphen), the sharp impromptu
HI! (HIGH... *******, they're one and the same!)
sùdoku hin ji roo shika! that's samurai for:
i said sharpen my samurai sword like a mathematical
rubric of the 2 times table: 2 x 1, 2 x 2, 2 x 3... etc.

Porcelain white is painted polite.
Grown-up to be perfect, and pretty in lace.
Long shiny hair ******* with a bow.
A beautiful pro at hiding her woe.
Dressed to the nines with diamonds that shine,
to blind those from seeing her broken design.
Her body a shrine all knotted with twine.
Privileged, and coddled.
Loved, and swaddled.
Prepped for ascension,
despite the fine lines that grow in her spine.
Cracks in the porcelain, rigid and sly,
grow bigger with rigour as time flies by.
One more bawl and she’ll break above all.
I am a china doll, would you like to see me fall?

Beshrew that heart that makes my heart to groan
For that deep wound it gives my friend and me!
Is’t not enough to torture me alone,
But slave to slavery my sweet’st friend must be?
Me from my self thy cruel eye hath taken,
And my next self thou harder hast engrossed.
Of him, myself, and thee I am forsaken—
A torment thrice threefold thus to be crossed.
Prison my heart in thy steel *****’s ward,
But then my friend’s heart let my poor heart bail;
Whoe’er keeps me, let my heart be his guard,
Thou canst not then use rigour in my jail.
    And yet thou wilt; for I, being pent in thee,
    Perforce am thine, and all that is in me.

My heart is a derelict graveyard
Sodden with poetry that reverbarates miles and miles away with each painful throb
And so...
The aftermath, the ache
Tantamount to phantom limb pain
Surgical exorcism of the heart from the other
Here we go again
Some dude said Love is a dog from hell
And maybe its a fairy-tale mirage like Christmas
Hail Mary
Rid us of this daemon
That which instills terror in these frail hearts
Schizophrenic attempts to make the Mermaid of Venice copulate
Filthy little beast LOVE
Next season I might never unleash you
And forever extinct you shall be in me
Good riddance,  mind pollutant, even air
Nothing like love is in the air
I couldn't have jammed into darkness and stench
Today you might just fall down into your ****** organs and vanish
Like a pin dropping into the Grand Canyon
These feelings
Phantom limb pain
Finally the warmth is dissipated
Culmination of the opposites is impossible
Not with you and other various forms of human ****
Rigour mortis of my soul
So what choice do I have?
Except to evacuate this fantasy of madness
And secretly nurse my phantom limb pain
At least this "Stiff" gave birth to a poem
And maybe a poet

the internet wasn't originally intended as the playground for the young, who have no reason to convince themselves of a need to either dogmatise proper spelling, or proper diacritical-punctuation... hálo humpty-dumpty! utter that hark like a dragon!

i have something more volatile than atoms
to construct an atom bomb and
cite Oppenheimer -
i have letters as atoms, words as minor
twitches, and language as Samael:
the death-breathing harvesting resurrector...
  i call the film *a beautiful mind
a perfect case of a beautiful propaganda
machine that backfired...
  if that mathematician who died "tragically"
in car-crash was anything to go by
with having his negation of ease hijacked,
exemplified, magnified to scare the public,
then Gabriel must have been a really sweet
soothsayer in Muhammad's ear...
   because someone with that kind of imagination
to conjure up people should have never
worked for the emerging C.I.A. or F.B.I.:
but Walt ******* Disney... to be sure of it:
Bukowski run parallels with the story:
staying drunk: to keep up with the sober-imaginative
collective: i would have done the same...
can you believe i've passed the 50h mark
on not sleeping under a self-imposed
example of what's barely a scratch of the
siberian gulags?
                   can you imagine that i...
simply had a fetish for it? imagine being awake for
over 50 hours... and having a nearing-****
audacity to not fall asleep for a minute?
can you imagine the military rigour of such
an endeavour?
   must have been self-taught and therefore, very
much indie: selling to the highest bidder.
oh please don't take my literal Monday's worth
of vocabulary truthfulness on it:
i'll play truant on it:
   i don't have people-friendly devices to keep
up with gossip, the rule is:
you can only go mad once,
you can play double jeopardy with madness...
    talk going mad a second time...
        i'll talk about recreating carnage park
in essex... you know what's scary about
that horror movie? it happens at high-noon...
there's nothing eerie about the night...
with the night i think the solace of death
and the never-ending and the never-shifting queue
of names, dates, and the ultra sensitive invocations
of faking epitaphs, i mean, inscribing things
on graves the people who "own" the graves
never had the capacity to say, in the first place.
but you know what scared me about
the film carnage park? the first horror movie
based upon Hitchcock "resurrected" -
but it was never about it... there's no close-proximity,
you actually see the culprits face...
   the idea being: humanising the man executing
moral justification by tugging the guillotine
or pushing the switch on the electric chair...
it's all about moral ambiguity,
hence the horror is all about daylight,
daylight representing the quasi-assurance of your
own judgement: and could you do the justice
by bypassing all jurisprudence paperwork?
  daylight is important in this movie...
                 nothing is hidden, nothing is romantic,
because the man in question is a ******,
he's not a torturer... the invocation of agoraphobia
is seminal! no... subliminal! Greeks invented little
fears and allowed them to be wedded for magnification
given that theatre is extinct... little phobias
create big budget exploits...
   but this is a first of exploiting agoraphobia...
       and agoraphobia could only be exploited in
high-noon... when i think of night these days
i think of the j. r. r. tolkien romance novels of
what man once had... adventure...
these days? plain talk? tourism.
                            i never could think it could be done:
but apparently is has been done...
           the ever distant voyeurism is also gone...
how can anyone be voyeuristic in an agoraphobic space?
   you're basically knitting and deforming
a large space into a pixel... there's no sadism either,
no loch ness barrage of torture methods,
only what man employes to capture animals...
   it's militarism: solo...
        the true essence of a renegade:
   antidote to indoctrination...
             exemplified by the fact that no matter what
mask you give the horror, the mundaneness of it
doesn't go away: because it's not hidden,
  the placebo horror scenario -
          we fake hiding from it... horror these days
is medicinised by fantasy... which is the abhorrent
quality of our times: over-assurance...
    our times are too self-servient, too self-assured...
too comfortable... we're championing
arrogance, calling our predecessors incompetent
*******... oil on the flames? maybe...
                       we prefer to imagine dragons than
see actual dragons among us...
                       that's why we seem to begin with
congratulating dinosaurs into having begun
   as abstract spines that the serpents of our times are...
us? to our inheritors? brains in pickle jars.
we have already started the process of pickling ourselves
by extracting as much as we could from our being
and encoding it into artificiality...
        anyone with a global invasion tactic can easily
tap into this "economy"... it's not an encyclopedia...
it's an economised unitary model readied for
exploitation for invasion...
       do i share the film's culprit paranoia?
well... i share his defence of environmental study...
but having provided the most adequate striking-point
             with the utmost drama of cyber-warfare debate
and all counters against ourselves...
            would i choose this maniac over a wall st. yuppy?
          what's that... vomito ***** vs. huey & the news?
if only i was paranoid after having watched this
movie... i'd see it spread akin to the bubonic plague...
but it's apathy that's the bubonic plague:
since it's the most effective safety-mechanism virus...
you get that docile look and try to suddenly say huh?
with surprise, but you get a choking sensation
as if you just swallowed a hazelnut.
      people get these fantasies about other evolutionary
lifeforms... it's not ******* c.i.a. crap about
      everyone working for them being called mr. &
mrs. smith... just so they can dodge bullets
   and buy milk at their local supermarket...
                      without being asked for autographs and
selfies... and have you ever seen a film critique engaging
with a character that says very little, and then
hysterically laugh, with a sense of music akin to
playing front 242's album 06:21:03:11 up evil?
      the true test of horror is music... the visuals can
be Marquis de Sade in Disneyland... and no number
of groans will do it... if the music has
         transylvania's chant of the chastity of anti-sodomites
written all over it... you're in for a knee-jerker...
the diabolical thing about this film is that it
has the double-effect whether it's watched at night
or during the day... the first horror movie that
doesn't invoke close contact between predator and
the prey, along with not even making the night
as something orthodoxically necessary to craft
                                      horror thematism.
well... plus it's a testament to existentialism
in the case of the hostage being "unrightfully"
attested in a crime... the existentialist would
simply conjure up: possible bait / excuse and
unwillful thinking necessary for his own
             victimised self-reflecting-counter-via
the reflex-of-against-self-discriminatory-collective-input...
radical­ised into a reflex puritanism:
   abiding by cohort norms was not enough
                for the cohort minimum:
                    pyramidal elevation was necessary,
               and there was no human explanation
beyond certain matters, all else was justified
in the three digressions: diabolical, angelic or genius:
the madness only came when one claimed to
hear instructions from the devil, or from god,
                        or claimed to be a geniusº.
  disregarding the two fabrics of a self,
the one prior and the one post collective-input
    regarding a doctrine needing a "self", an "individual",
nevertheless: but a pawn.

      ºthere's no articulation of god, which is why
we have no article ascribing a definite or an indefinite
nature toward him, which is why paupers reduce this
argument, debase it to the level of pronouns -
the reason why we cite a genius and the devil...
is because only angels have names...
                              even the fallen ones...
           for they have a misnomer of god, as we have
a misnomer for many a good things.

Dear,
During our distressful dispersal,
Due to dismal dismissal on my defense,
Your dreary demeanour is decidedly
Distressful.

Earnestly,
I evince my emotions, expressing every
Effort to ebulliate my everything,
But ephemeral expulsion excommunicates me
Exceptionally.

Apathetic,
You arrive, always akin to antipathy,
Although any alacrity you attempt
Assiduously alleviates my alerting
Affliction.

Reconsider
This rejection, revile in my respect,
Rescinding no recompense for this respelendance.
Rejuvenate while I receive the rigour and
Reward,
Dear

another sober day, and another day spent gardening,
trimming hedges, forming bulbs from shrubs,
only yesterday i cut a 7ft tree to a hardly seen stump,
today the weeds got the treatment, while a
strange cohort of bees were flying under the decking
with pollen pouches attached to their hind legs,
a little colony, rebellious bees that escaped from
a beer keeper - all of this attached to a hope for a new
rigour: a new year or new techniques, an invested
in the discourse between Dionysian and Apollonian
poetics - only because it annoyed me that the man
who invented this conceptualisation actually thought
Goethe's poetry was the latter... the man died like a
patriarch in a bed, apparently uttering the words:
more light! he enjoyed the latter's rigour, a statesman
and a respected member of the established...
so long have i wished to remember how i wrote sober,
but there's an ulterior reason... i can't be left
with scraps of £9.00 as a bank account,
here's the arithmetic:
                      monday, wednesday,
                      friday, sunday -
                      £11.00 x 4 = £44.00
                      carton of romanian cigarettes
                      £4.00 x 10 = £40.00
                      a weekly saving of ~£50.00
                      (give or take)...
an hour with a girl: £110.00, entry fee for
the madam £10.00...
                                   how many weeks is that
to save up for the pleasure?
let's call it an even month of saving up...
i just remember that one time i was walking from
a pub tipsy... the rumbling in my stomach
was so great, it weren't butterflies in there...
honey bees! 10 metres from the brothel entrance...
diarrhoea... i **** myself from excitement...
i took the seat of shame on the bus, squid of ****
in my trousers, then a cab home with the cabbie
being polite enough to not mention the smell...
that was one time... it's what i learnt about
England and the "roses" of Devon and Stratford-upon-Avon...
cold like the lions of Trafalgar Sq., i've been living
here TWENTY TWO YEARS... guess what?
NEVER HAD AN ENGLISH BIRD...
i must really look like Quasimodo or something, anyway:
you just have to learn to compromise, a healthy
appetite for the carnal in youth - because who really
dreams of wrinkly lechery? even the brothel girls
said that to... one just said: 'who'd want to **** old men?
not me!'

the English are a very special breed of bigots, they don't engage in hypocrisy to suggest they feel superior with a decent moral compass, or to provide gentelmanly airs: pick out the pointless sorry when bumping into someone on the street - their inherent stage-fright at vulgarity hides something... the biggest asset of this constipated hypocrisy? what happens next... satire... so in being hypocrites they are awash in satirical humour... they laugh it off the minute they make some sort of allusion to a moral concern for something... given the current situation with the migrant crisis: where the majority are single men rather than Jewish families, you get the picture... it's amazing how they can change their hypocrisy into satire, and do so blatantly without a care in a world... i do wonder how the Icelanders would compare, both being island societies and all.

5 sq miles is all i need, to breath new air
and look at the same garbage of what life has to offer,
obviously the chanced and randomised
encounter with some *** on a bench
laughing our socks off, or a retired grandpa
getting away from the wife -
just like today - a fresh autumnal breeze:
i the cooling process to the heating up process,
don't know why, but there's as much
beauty in slow decay as in slow sprouting -
decay and its many colours never feels as ever
being monochromatic winter or summer -
it's the persistence of change - two transition
seasons, two plateau seasons: what a strange balance.
anyway, my usual (see how i invoked:
my life's so ******* boring, i decided to write
about it - like hell would i document it using
photographs: that's for the rich flashy people -
i'm more into the archaic mode - bought what i need,
and now i'm really using it) route was disrupted,
that's all it takes, walk a different English suburban
labyrinth and the world kaleidoscopes beyond
comparison; drank the strong beer (although,
ice cubes do make a difference when poured from
a can into a glass, Oranjeboom used to stand at
8.5%, just half a % shy from the *******
Special Brew - now it's at 7.5%, and, well, it taste
just about like candy-barley) - but that's what changing
habits does to you, my usual stroll became,
for some reason, electrifying - i censored my audience
on that ghoulish website i was introduced to at
university to 23 people, and i'm chirpier than
a sparrow - the newspapers were telling the truth:
for once - it just seemed that i was seeing less
network opportunities, and more ghost,
pointless memories of school, that everyone seems
to exploit in art (notably the smiths' soloist doing
the part of: oh how horrid those days of yore) -
dunno, liked the uniform, liked the topics,
never bothered having a social life in there,
everyone had extra four hours spare, i was doing
4 A-levels rather than 3, and every Wednesday i
would finish at 2:30 p.m. and head straight home
to beat the traffic - i picked up a girlfriend at the end
of my education, passed the exams and ****** off
to Edinburgh - most congregated with their social
networks from school in Canterbury -
the city was all i cared for, nowhere like it -
and perhaps the twinning of what i used to call
kiszka* (sh, or sz) that became haggis - whichever,
the fact that my father was taught the trade of roofing
by Scots, and that my favourite teacher was a Scot
too must have played on my romance at needing
to leave England - shame it wasn't for good, but never mind.
as for the fact the school was Catholic, i didn't leave
it having been confirmed, everyone else got to choose
a confirmation name, i was asking: why would anyone
even make the choice of being baptised in the first place?
too much sniffing in the library, reading about
the Gnostic heretics, who, as i suggested it to the r.e.
teacher (religious education) shared a similar doctrine
with what later became Islam: the phantom being
crucified and what not - now i do wish i could
have had a liberal education without religion playing
a pivotal role in my development, but then i'd
have missed out on the uniform, and the army-style
regime: i swear, no uniform and your whole life
ends up a nightmare from high school - because
we didn't develop an image issue, we didn't really
care to exploit our youth to side with a rebellious
stampede of making a mark - it would look ridiculous,
what with g.c.s.e. mathematics and talk of
photosynthesis in biology - ah, the disfranchised
youth of America, with their high school debacles
echoing a mortal's sense of eternity -
yes, my father was conscripted into the army,
he served the tenure of three years in Warsaw,
because he was tall and handsome we has put into
the household division, schooling in Poland
doesn't exactly use uniforms, well, i was enlisted
into the next best thing (apart from a grammar school),
yep, a faith school - he learnt a softer variation
of arbeit macht frei i.e. arbeit veredeln (work
ennobles) - or some variation of arbeit adeln - referring
to knights - the same rigour in his physical
activities are equated to the same standard in my
choice of utilising the necessary faculty: bullshitting -
not necessarily lying: unnecessarily telling the truth -
                          ^
                  telling the                 funny how you don't
                                           need the words there -
the verb structure already within lies -
                  but with truth, ****, you have express it
further, by some set standard;
but that's all it takes, a different route from the routine
zigzag, and i become more Columbus and less Kant.
a few things popped up -
a. i could blatantly write you a psychological profile
of homegrown terrorists - the filtering process?
grammar - you can decipher everything with grammar.
they're usually immigrants like me,
but they were probably born here,
having spent 8 years of my life in Poland as a child
already undermined any hope of the nicely ethnic cleansing
phrased: "assimilation" / "integration" process -
i couldn't **** the child and his knowledge of a language,
although the ones condemning being bilingual
would hardly bother learning another language,
which is exactly what English people on holiday are:
rude... when i went alone to Paris and slept in a hostel
i had to befriend someone who knew the language,
and managed to, on two occasions, because, otherwise,
i'd look like a complete idiot; great city, circa 2005 / 6.
they homegrown because they haven't realised that
they've been ethnically cleansed, so they take up talking
slang, and monosyllable Arabic to express their anger,
they've got the olive skin, but not the tongue of the desert,
me? i find it easier to write in English than in Polish,
but i could talk to you in the tongue, as i can read it:
i already said - philosophy in English, even with Locke?
nope... no can do... not while you heard such
things as: thinking, a dangerous endeavour...
the English can't write philosophy to save their life,
i can't read Sartre in English... it's just gibberish to me,
you need to know a continental tongue to read philosophy,
where else, other than in England will you find people
associating thinking as a tedium, rather than a medium?
nowhere! and these kids are disgruntled because they
have lost the capacity to identify with their parents,
they only see the insulating anger done unto their parents
by the society they live in and can only communicate
with what would provide an equilibrium to their situation:
their nativity of the mother tongue -
but since they haven't done that, then they act with
monstrosity - slang being their reality, slang as a way
to "modernise" their host language -
or at least change it, meaning that middle class folk
are like: huh?! a big ingredient in urban areas, obviously.
then they feel marginalised in blocks of flats...
a communist reality in eastern europe, and no one
complained... and the new way of housing people?
a bit plushier versions of their concrete counter-parts:
glass people (the social media advent) in glass houses.
b. *******, i wasn't going to expand a minor point
in my cognitive narrative from my walk that much...
this is the epitome of writing and the English suburban
labyrinth - everything looks the same, then take a step
elsewhere and boom... fresh air.
ah yes... what's with this deepest desire to cut off
subjectivity? it's happening all the time,
esp. noticeable in newspapers - the English abhor
the mere idea of subjectivity - everyone's supposed
to be a scientists... ask any chemist though:
the holy grail is subjectivity - i studied chemistry
but i read Milan Kundera - my director of studies
owned an Edward Hopper postcard in his office...
does a scientist really have to tell people who find
science hard and rather read a toothpaste's list of ingredients
(yes, chemistry is the only study area that
shows off English having being rooted in Saxony,
chemists compound nouns like everyday Germans
say: i ate a peppermint after dinner:
               pfefferminzeessennachdemwurst) -
all this desire to look "cool" and atheistic never translates
into collective atheism: of imitating an ant colony
and banishing god forever - all this
angst against subjectivity - the blind pursuit of
objectivity does only one thing: it guises subjectivity
in the dire need for psychology - logic of the soul,
or logic of breathing: a strange possibility,
i could have asked an asthmatic -
                                         and this constant, constant
nagging against poetry, from journalists and
psychiatrists alike, oh wait, you didn't write a 500 page
book which i wouldn't have read anyway:
you must be mad! sure thing doctor, mad as Duracell
bunny - gotta live the life, gotta live the life,
gotta run a marathon, got to travel to India for
a spiritual breakthrough, gotta this, gotta do that...
sit on your *** and enjoy the pleasure of thought
that never materialises into owning toilet blockage...
well, something like that.
pointing that out i don't understand why
the abhorrence of god is later translated into David Attenborough,
          or why there's no O in Edinburgh -
berg... burg... berg.. burg... and they never teach
you plain and simple: we have so many leopard spot
variations in our language, we're betting that it will
have a universal appeal to all of humanity, a true global
glutton tongue, encompassing an empire on which
the sun never sets... and some disgruntled white youths
fist fighting a question: but what's the real deal with
the basics?! too many particulars -
                   and that's what's bothering me,
i don't know whether to feel shame or sorrow,
definitely not happiness - i speak the blimmin' tongue better
than the natives! this is the funny part, i can speak of
English people like they're red indians - the natives -
ha ha hmm... it's probably devastating in terms of
the educational system, but i do, maybe that's why i
mentioned a patriotism to the language, but not the culture
that provided it... a patriotism toward the language,
so, in reality: rewriting being English - so very much
like 1066 at Hastings - Norman steps onto the shore...
right! Domesday Book... dome and doom... never figured
that one out either... oh sure, a few of them got
smart and kept a secular monopoly on language like
the priests used to... but it's subtle these days,
it's not a blatant **** in your face where you can't read...
i'm betting that English has the highest rate of
dyslexia among all the languages of the world...
perhaps the French? n'ah, they love their public intellectuals...
here's it's all: sing sing sing... sing along and Tokyo
at the pub on Fridays;
and they know i speak better native than the natives,
because the conversation usually goes into
not language per se, but the organic side of language,
organic meaning idiosyncratic, a posh way of saying: accent...
and that horrid: where you from?
i usually just say something along the lines
of a Greek: citizen of the world... or was that commerce
deal with China a fake?
that's what it means when acquiring the English language,
the diversity of accents, primarily because
other languages have already implied a standard encoding
of accents, those diacritical marks are there for a reason:
a heightened involvement in specification of the desired sounds,
whenever someone learns English... it's not there!
it's simply missing, given the monopoly, for one,
which means that the language does attach itself to
the host living in a host society - funny dynamic away from
the dust covered master and slave - in a very
specific way, namely whatever diacritical assimilation
the host had with his mother tongue becomes atypically
exemplified in English - since English has hidden
diacritical dynamics - which obviously ****** the natives
off who didn't get a decent education - as in:
someone spotting this out for them - namely
someone who acquired the language like a native,
unconsciously - first come first served dynamic,
and not someone who had to consciously learn it,
i.e. not from mama and papa... from primary school
playgrounds, from teachers... through strife...
and this is my antidote of the central Nietzschean doctrine:
the will to strife...                not necessarily strive,
but a will to strife...                   well, if they're going to
keep shunning subjectivity, leaving it far too late
and in the hands of psychologists, faking it intellectually
but otherwise being fundamental in expressing it
only musically in pop culture... we will never reach
the objectivity of the Chinese and the Indians, forget it!
but that's what we're being prescribed -
and culminating in paradoxically abhorring the idea
of god - but admiring nature in all its glory -
                        i'm not even going to argue a god
of disabled people... they're having a laugh with the idea
of god at the Para-Olympics - i'm not getting into a debate
concerning that idea - just a congested version of
the universal why - but in the variation of constant
bewilderment in a particular *huh?!

there are some facts that will my anger trigger
as when a child eats ******* from a skip
or dumb inanity escapes some lip
or when the worst express themselves with vigour
for i love best good honest thought and rigour
and want life to improve at a smart clip
to have a world with neither chain nor whip
where no one will be called a slave or ******
this is a future all can understand
and tightly hold in each understanding
where gold is not a synonym for worth
and help is to be found from every hand
while every boat comes tinto a safe landing
and every child is welcomed at their birth

as ever, the English got something right! i adore sport... and what i adore most about these Commonwealth Games? the Olympians are competing at the same time with the Para-Olympians... that's brilliant! when the usual Olympics takes place... the abled bodied Olympians that have their games in the first two weeks... then there's a break... then the Para-Olympians have their games... ****'s sake! the two games should be coupled-up! what's that i hear? games for the "spezial kidz"?! what a load of *******... when i was completing my NVQ for crowd safety i was asked the question: what are British values? i replied... aren't they universal? i didn't even mention the details of the question: i thought the question was self-evident in that it was universal: British values are universal because they can be understood by anyone and anywhere... ergo? the Para-Olympics should take part at the same time as the able-bodied Olympics... why muddle-coddle these wheelchair bound ******* to a later date?! ****'s sake! they should compete at the same time... i'd probably run a slower time than some of these wheel-snuggling swimmers of the air... it's not fair that the Olympics is separate from the Para-Olympics... and the former Olympians turned media pundits wonder: why aren't the Para-Olympics getting the same coverage as the "original" Olympics... hell... if it would have to take 3 weeks rather than 2... so be it... these people should compete in the same time-frame! that's ******* discriminatory! what special status? no special status! they compete at the same time... they get to entertain the same crowd volume! i don't care! they should... how does it feel cycling past someone in a wheelchair? i forget to ask... i always forget to ask a question about the weather... or the taste of quails... silly me... well... it's slightly different when i see a: POKRAKA... "freak"... that's a result of the irresponsibility of a certain adults inter-breeding... cousin-*******... someone people should have learned a valuable lesson a long time, a long long time ago... i don't blame the half-witted eighth of a Forrest Gump... i just look at the "mother" and "brother" and think nothing but disgust... not even donkeys get their reproductive conduct so wrong... for a creature so highly evolved: we're stuck with cousin-******* and the "myth" of Oedipus... but at least Oedipus was an exception... i imagine that he didn't gauge his eyes out... instead became an ******... then again: what are myths? stories better than any journalistic affair... myths > history > journalism < fiction < poetry... but Para-Olympians should be competing on the same stage as the Olympians! take an extra week... but don't do what's already being done! done segregate the two camps of competitors! take an extra week! let both compete at the same time! it's not fair that once the original Olympics are finished: the crowd isn't there for the Para-Olympians! i know it will be harder to attract the same viewership for women's club football... female boxing... female rugby... i'm already baking my own cakes... cooking my own food... cleaning my own house... today i surprised myself... what herb is most abundant in my garden? beside rosemary? mint... i was cleaning the garden and i had to cut down an overgrowth of mint... well... how many ******* mojitos would i have to make? how much tzatziki? a lot... there's me: bloated... lying under a floating table: drunk but probably also hallucinating Aztecs ceremonies of human sacrifice... MINT ICE CREAM... wow... i'm getting good at this ice-cream business... i simply hate chocolate ice-cream... but mint ice cream? ooh... and chocolate chips... the crème anglaise is ready... just chilling overnight... i'll churn it tomorrow... by then the chocolate chips will be added... and i didn't even need to add any food flavourings... it's this pristine green... fit for ice... a bit like that Frank Zappa song: don't eat yellow snow... ha ha... because someone has ****** into it... i love green... pale green... then again... no wonder i dress up like a tree from time to time... my irises are green... gween boyo wonder(s)...

sometimes i have to admire thespians...
as much as i despise the whole lot of them:
esp. when they come together
and self-congratulate themselves...
mind you... there are actors and there are
"actors":
       most notably "actors" as depicted
in Singing in the Rain: prior to the talkies...
but at the same time...
actors like the fictional Gloria Swanson -
or i fail to tell her apart
from the very real Norma Desmond...
i can attest to two stand-out performances
in the past few years...
i wouldn't be wrong in calling them
their life-performances...
                     and it's not even in the medium
of movies...
movies have lost everything movies
once were...
i used to enjoy movies: i'm pretty sure
everyone used to enjoy movies...
in school we'd gather in packs of 7 guys
and sometimes 7 guys and 3 girls
and we'd go to the cinema to watch
a movie...
      then grab a bite to eat...
or we used to go on dates to the movies...
Troy... she wanted to see that...
because i guess she thought
i looked like Achilles or Brad Pitt...
but that wasn't a date: date...
it was an entire day... first to Tate Modern
for the Edward Hopper exhibition...
some minor strolling...
then back to Romford to see the movie...
and then some food at a sushi bar
and some sake...
but movies these days are unwatchable...
i'd rather watch the Godfather (no...
part II is not better than the original...
sure... Terminator II is better than
Terminator and the Empire Strikes
Back is better than New Hope...
no... not the Godfather)...
i'd rather re-watch that than any new movie...
i usually switch on for about
10 minutes before switching off...
i need a cigarette break... i need to water
the garden... i need to take a ****...
i need to scratch my *** in private...
- but that's how the story goes...
"back in the day": there was a profession
of a baby-sitter...
the parents would have a date-night...
they'd go to the cinema...
i once had a baby-sitter... i forget who...
it was probably a male if my memory
serves me correct... probably my now estranged uncle...
while my parents went to see the movie
SE7EN at the now "mythical" Odeon on
the Gants Hill roundabout...
these days? movies are comic books...
i prefer serious books...
          and in terms of comics...
oh man... the first time i had a *******
i think the two girls were having a *******
for the same time too...
threesomes are disappointingly
disorientating...
       they like the execution of Isaiah...
being cut in half... the upper body is twiddling
with ******* and lips...
the lower part of the body is being treated
along the lines of *******...
it being my first time: terribly disappointing...
i couldn't keep up...
we settled on the anti-pornographic
solution... hand-job and imitation ******
into the "other's" *****...
             i was limp on first take...
nicotine... better than caffeine and ******* combined
to give a man arousal...
i had to have a smoke...
               i was new to the arrangement:
they were new to the arrangement:
the three of us were N00BZ... literally...
it wasn't like in a pornographic flick...
hell! far from it!
   what put me off was the changing of condoms...
and... once knew what to do with the *******:
pull it back... while the other one
didn't know what to do with it:
i'd circumcise her... so she might get a better
picture...
hardly an ego boost...
she implored me to reply in the affirmative
when asking the question:
you must feel like a king...
eh... i'm not the one who suggested having
a *******...
i rejected you twice: *****! you butted in!
i never had a ******* on my palette...
i like the ******* where i'm
almost tentatively looking into the woman's eyes
while rubbing forehead against forehead
before quickly jumping down below
to perform the crab-bucket maestro tongue
twirl of imitating gulping oysters
and flowers of KAHUNT!
                ****... oral *** on a woman...
she's already readying her hands to pretend to rip
the hair on your hair out...
she does that specific roll of the eyes...
it's beautiful to watch...
peacocks courting is probably the nearest comparison...
thank the gods on my part for
reading Ovid... someone was necessarily
born to combat these exploits of *******...
of ugly ***...

i don't know when i'll have a ******* ever again:
i like the one on one intimacy...
threesomes feel so pedestrian...
there's always that unwanted third party...
i don't think i gained an ego-booster...
i think along the lines of "p.t.s.d."...
                              the unwanted girl orchestrated
the whole enterprise...
the girl i wanted was the one i was snuggling up
to trying to steal a kiss:
me: thief... trying to steal kisses from
prostitutes... the unwanted third-party...
fake milking cows
and duck lips... she was just a canvas
for my *******...
                    once is enough...
i don't care what ******* portrays...
they're a nuisance...
i like ******* while eating eyes... with eyes...
plus the hygienic approach doesn't help
for the fluidity of threesomes...
you can't be hygienic and irresponsible at the same
time...

stealing kisses from prostitutes is one thing...
but ******* them without any ****** protection...
come the zenith...
actually asking: can i?
   with agreement:
                    yes, you can...           oh wow...
well... i'm talking about Turkish women...
different culture, different tactic...
i live in England but by now:
i ****** well hope to never **** an English
girl...

girl, let me just water my garden...
admire the night for a while:
believe me... you can have your sway
in raising the next Oedipal myth in your
sisterhood motherhood of loneliness...
i'd love to teach the ******* some things...
the pleasures of the hammer...
the KANGO concrete drill...
the everywhere and everyone within
the confines of the loneliness
of walking in a forest...
         chemistry! English! i'd love to learn
vocal Deutsche with him!
but no... fair enough: no's a no...
back to the brothel i go...
               oh no no...
              
me and hook-up culture? nothing's for free!
- i sometimes wake up the next day:
mein gott! what damage i must have i cause:
it's a cruel addiction:
to drink and to write simultaneously:
Bukowski and Hemmingway
figured out this problem...
one in celebrating old age
the other in the shotgun...

                    tear skin, grow more skin...

mein gott! i became so carried away with myself
that i actually forgot my original theme
for this poo'em...
            literally: maybe that's why i inserted
the word BZDETA...
                 oh... it's an actual word... not in -ing-leash
of course... but i'm sure most English
speakers are familiar with African surnames:
M'Bepe Mgabe etc.
   that's hovering consonant...
        B'z'deta...
               i love how the English folk break their tongues
when speaking my mother's... tongue...
they would sooner learn Czech or Russian
than learn ******... such puritans of the tongue
we folk are... and now combine the fact
that i identify as an Anglo-Slav...
     listen: England or at least English is a playground
for me... i was implored by some deity
to come to these isles, given a ***** and bucket
and told: here! there's some wet sand over there...
go and play!

                 now: many a happy returns to the father
of the English tongue... i have to return and tease
at some Deutsche...
           Franz Friedrich: AHUND!

my original adoration for the Thespians... it... can...
happen... personally i'd rather not...
i don't see the point of these shadow-thieves...
these dopplegangers... yet artistically?
it's the most celebrated medium...
           sure... painters are celebrated... post-mortem...
poets had a weird spell of "conundrums"
in America in the the 1960s...
   but i'm not willing to write ******* for a "me"
that's either asthmatic or exasperated:
equally short on breath...

well: given the modern equivalent... everyone is going
to be the next Allen Ging-Sperg?
i don't think so... more of a composer: than an entertainer...

anyhoo...
  BZDETA... an actual word...
it's sort of in between the English equivalent of:
trivial (thing) and a pointless (thing) -
the actual "thing" is hidden within the pointlessness
of an implied "thing" / the triviality of
the implied "thing": ha! modern English grammaticians
and their hyped up focus on pronouns...
wait till they figure out that adjectives verbs
and nouns and conjunctions and adverbs and...
a- the-     -ism: the indefinite and the definite article...

- everything coming of America (culturally) is corrupt:
once the beacon for the world to admire...
i'm regressing to find alternatives...
i stopped listening to music with a tinge of
the English tongue... i've thrown my laurel wreath
toward German neo-folk...
**** it... i might be living, physically: in an anglo-sphere
but my mind is elsewhere...
i wouldn't go as far as Frank Zappa and adore
Bulgarian music... but certainly not anything
in the vein of modern-modern (post?) English...

- another word that's dear to me: akin to
   how Italians call a child a BAMBINO...
the Polacks call a child a BOBAS...
             English is so strict... rigid sometimes...
the mere fact that the ****** tongue employs
so much diminutive "accents" is amazing sometimes...
a mountain: (gurhau, no... sorry... guhrau!)
i.e. góra can become a little mountain
via incorporating the diminutive tense górka...

and although the word RZECZ denotes: things...
rzeka is river... while a small river?
rzeczka...
            i don't think there's the antonym for the diminutive
in ******... it's sort of boring in English:
there are only adjectives... actual nouns
do not incorporate a diminutive tense for something
being described:

KACZKA (duck) kaczuszka (small duck, duckling)
wow! that's actually a good example of
the English ZUNGE applying the diminutive
construct of a word...
young and youngling springs to mind...
but English is altogether a very rigid tongue...
so... i don't understand how these current
grammatical-magicians and their pronoun-hyper-focus
are trying: you can't trick an old dog
into learning new tricks... these aren't tricks:
this is equivalent to: a baboon...
smearing his naked plump pink *** with his
own ****... calling it woad...
raising it up in the air like a Muslim during prayer:
before battle... shaking it...
taunting the opponent... come fight me...
and then...
                       what? of the two kings of ancient
Israel... who would i like to be?
David or Solomon?    hmm... clueless question...
DAVID! he got to fight Goliath and enjoyed the lyre
and wrote pslams into ripe old age...
Solomon? who couldn't compete with
his father... resorted to "wisdom":
writing aphorisms / maxims is the worst genre of
literature... it's untested proofs...
just ask Srinivasa Ramanujan...
                                   he was always neglected by
the establishment for having no proofs...
great idea: 2 + 2 = 5... but how? where's your proof!
the same with Solomon's supposed wisdom:
no proof... the same with Nietzsche's aphorisms
or for that matter la Rochefoucauld...
it's all true... but it's most probably just perhaps true...
i've tasted a sample of both the lives
of Solomon and David...
            each time i return to David...
i just do what the Nazis did to the *******...
i turn it clockwise...
                 tilt it... what do i see?
i see a reading-mat and an open book...
              i peer in: i ignite out...

now i'm thinking: i still need to mop the floors of the house,
i need to shine my shoes and iron a white shirt...
and gear up to waking up at 6am...
as much as i love waking up at 11am
without needing to be awake any hour sooner...
i love waking up at 6am with a necessary:
i'm expected to be at X by the time Y...
algebra simplicity...

esp. since today i fell out of bed: too humid...
i fell out the bed at about 6:30am onto the floor...
how compact the floor feels...
i could feel my strained spine relax on the hard surface...
i even used my folded hand for a pillow
in and out of a coming day-dream...
what i wouldn't give to imitate David...
and scorn Solomon forever more...
no wisdom did i find...
   no man can speak wisdom to men when he has
an abundance of "thirst-quench" of ****...
          
              in a polygamous society... thank god i don't live
in one... but there have always been women that
aspired to the cult / altar of the phallus...
i'm content with the fact that i can bypass any thirst...
that i have hygienic standards in place
that make me disregard any satisfaction in the realm
of a *******... it's equivalent to:
running an 800m race... come the 400m mark...
you're told to change your socks and shoes...
and then run another lap...

                           it's nothing like in *******...
monkey-pox is a real thing...
you need standards... cleanliness is the greatest:
and only standard that must be constantly stressed
from one human to another...

only Michel de Montaigne can surpass both Nietzsche
and la Rochefoucauld:
well, at least by my "under-estimation"...

- now for the caveat... what i was originally to write
about...
two example where Thespians can be adored...

                                   Logan Roy i.e. Brian ***
Peter III i.e. Nicholas Hoult...

even they: themselves have figured out that films
are on the way out...
people have changed...
                               i know i have changed...
i don't have the mental capacity to watch movies:
and i'm not some senile old man...
strange... in ancient times old people
were never this senile...
   they still had intellectual rigour...
they accumulated "****": perhaps it wasn't intellectually
stimulating: but it was intellectually mesmerising...
it was called wisdom: once upon a time...

and when my father criticised me for
reading philosophy books in my youth...
expecting me to regress to the optometric notion
that only old people are wise:
no! nein! old people these days are like
children: there's nothing to learn from them!
that's why i'm thinking about going
into primary school teaching...
i can pour my ever more clear water into that pool...
of clear water...
i don't need to teach them chemistry...
i don't have to teach them the tongue:
i can watch ontology sprout out of seemingly "nothing"...
i adore children:
            like i could never adore women...
i adore children like i adore animals...
i don't know what sort of man one must become
to adore women in order to exploit them
in the way that they are exploited...

hypocrite? because i place my silver on the table
and expect what's expected by the meaning
of transaction, or...
rather... place the silver on the table...
receive a shared meal and then expect something
in return? such backward ways
of the American culture...
i hope that England will never become infested
with these practices... freakish: ghoulish...
of the four-eyed beast...
a desecration of Shiva: one winking eye on
the forehead... one blinking eye attached to the ****...
with the two eyes that are supposed to see:
stapled shut...

how marvelous to wake up...
with a want to make mint and dark-chocolate chip
ice-cream... surely the best ice-cream i have
ever made! to hell with chocolate ice-cream!
i hate chocolate... turning it into ice-cream is even worse!
mint! oh... that marvelous invention of
the gods... almost equivalent to ferns...
almost equivalent to nettles...
how the ancient Roman centurions used to cure
an itch... they would run and jump into
a bed of nettles ****-*******-naked...
i.e. fight fire with fire... fight an itch with an even
bigger itch... second to the nettle? the thistle...
i'd love to see those guys jump into a patch
of nettles...

Rome will never die... even with the crucifixion
of its supposed surrogate son of man...
nope...
    the alphabet it still here...
the coliseum has morphed into a raised
meteor crater of a football stadium...
               Rome is, Rome was, Rome will be...
even with the Arab "invasion" of Europe...;
Rome is, Rome was, Rome will be:
we'll just be soul-chasers... soul-thieves...
they'll enter the arena of this tongue...
neglect their heritage... and they will learn our ways...
somewhat... not always...
mind you: on a racial-bias...
skin-colouring dilutes during *******
with a 2nd generation...
  
you asked for a Latin man... a Latin man came...
what now?
you asked for a Latin man...
i'm forever employing myself to date a single
mom with a boy or a girl...
i'm not a Darwinist... genes are like atoms...
i don't care much for them...
but... i wouldn't date a single mother
for the ***... i'd be sneaking out
to the brothel on a whim...
i'd be there for the child...
                    i'd love to make him or her ingest
my psychology:
i'd make them ingest my soul...
i'd pass on my ontology...
     he or she would have to be bilingual
in the least... i'd learn Deutsche with him...
he would be a miracle of a Switzerland outside
of Switzerland!

i'm still bewildered why America is not a bilingual
quest (of a nation)...
  WASP pride? or ignorance?
the worst of the English went to America:
while the supposed "worst" of the English went
to Australia...
                 funny... really funny...

to wake up and have: i need to make mint &
chocolate ice-cream on one's mind...
that's how one wakes up to celebrate life!   LIFE!
LAíF!

Smoking is terrible for you - we all know that,
But there's nothing quite as **** as a cigarette
With its wafts of smoke curving sensuously up
Like a winding staircase to heaven.

Maybe it's that, that Bacall and Bogie dance
Of noir fog above a lit cigarette,
Or it could be the intimate way
The word "young" is carved out on your slab,

Or the intimate way that the smell lingers
On the clothes of loved ones long after
You're dead and buried.
Nothing makes a guy harder than rigour mortis.

Well, that's it, my brain is now rotten.
Lost in its fungus are feelings, forgotten.
A spur may occur, on a scarce blue moon,
Of energy telling me I'm back in tune,
But really it's vacant and harsh little lies.
Synapses shooting a brain as it dies.
Misery fruiting on mould colonised
From grey matter, shattered behind fading eyes.
Now just a hollow man, left with no bang,
Merely a whimper with such little whim.
Watching as slowly the old me is lost
While filling the blanks with a bad pseudonym
And sealing them over with mushrooms and liquor,
Though quicker and quicker the struggle gets bigger.
Sick and then sicker, from fluid to rigour.
Stuck in the mould, now forever disfigured.

by now i'm adamant at not finding a
publisher...
    what i call step higher
than writing and putting
it into my drawer...
by the way, who wants to
live a publishing furore that
only prescribes autobiographies
of footballers?!
   who?! the masses? the masses
will always do!
                 i'm drunk
and have a glum expression on my
(oink) face...
    piglets coming...
      i will own a michel de montaigne
and never read all of it...
       i guess darwinism is an answer...
literary selection comes with
the package...
             as does that question:
what's normal?
                    it's hard to base a heart
on it, more like facing up to a head
and still not knowing...
if we go through all the rubric of
existence we only arrive at:
the english were right... everyone else
was wrong... and to be frank?
i'd love to senda hundred zeppelins
in the direction where the saxons
succumbed to celt blood...
              what pretty songs...
a bit like unlearning that time when
ulysses asked wax to drip into his ears
while his men took to rigour and oar....
    hard to be the *****-man...
celt girls are pretty, don't get me wrong,
but i prefer to locate my own drinking spree;
celt men love their fantasy of a russian
oligarch princess... i had one for 5 months;
didn't bother settling down with her for life,
hence my ars poesis.
all the regrets you could figure out and master...
i have my drinking habits ready,
i didn't mind to write a moby ****
   or reymont's trilogy of the peasants
either... the glass if full: the gob is empty...
           the bed feels unslept in at 3 o'clock in
the afternoon, the cats are busy sharpening autism
in the garden...
         imitation:
feed it enough words so it becomes
fat?
    perfect excuse for a waterfall...
waking up i thought about the irony of
metallica losing its bassist in a car accident...
doesn't the rhythm section explain it?
isn't metallica the band that hates
bass?
                 it does have bass as intro...
devil's dance is probably the best insurance
leveraged song to example,
a few others fall into place,
but the rhythm guitar overtake the need for
bass, therefore the hush...
   yet there's this overpowering of drum,
i'm ego tripping with this music,
i want to hear bass prescribe the rhythm
and isn't it the case that those watchful of
ensuring rhythm make up too many rhymes?
rhyme | rhythm...
                  i need music to replicate
4 dwarfs *******...
bass, solo guitar and vocal, rhythm guitar
and drums...
alternatively bass, vocals, rhythm & solo guitar,
drums...
      4 oompa loompas prancing on the stage
and the maggot-pit of being part of the audience...
and that divergence spectrum akin to
a micro- / tele-        scope.
             you feeling the itch? my scalp is itchy,
i'm getting these thoughts and can't resort to
a pgf. file encoding... and i can't talk about it in
jpeg. like some god-horrid pic of your
former boyfriend's psychopathy of sending a ****-pick...
how about i take you to the zoo
and we watch penguins bathing?
     kowalski?!                                   hoy!
nugget fidgety crackers of concern,
    scheming critters that need you to invent toothpicks
that people, can suddenly become...
        you want a viking wielding an axe
on the opposite side to face that resonates as crux
comb-over... you don't want the pettiest of
the pettiest pickpocketers that steal from the dead...
you never take that to the plateau of nationhood,
that **** is inherent in singled-out individuals...
i am drunk, and i think i'm being lazy
with spelling... god help me...
      i'd freak out if i had a bukowski tactic
to back me up... dyslexics are apparently very good
with numbers... but they rarely tell you that they are,
good with numbers...
metallica is not too keen on bass: ba ba ***...
based on the concept of a hearing-aid;
you sometimes sop over the idea that it is there
at the beginning of a song... and then it: disappears!
magic... like the story of the original bassist for the band,
who died...
             maybe that's the reason that bass
is missing in all their works after his death, like some
sort of reperation currancy that extends into "the next life".
i want bass man... i really want bass to give it
proper polyphony, to give it layers...
but then again you can train an orangutan
to prance about on stage, crouching tiger farting monkey
look on his face;
  and all in all, the drunken humour i'll
never get to say at a party, if ever a party to attend, or if ever
needing to be funny.
i am starting to see the joke:
start slim,
  end:
                                                                                                   fat.

i wouldn't be looking for a grain of sand
(biology and physics involved in
the extreme of timescales as necessities
of prescriptive ontology akin to paracetamol),
to pass the time looking at paint dry
or the kleptomaniac amphetamine ******
trying to allocate time a spacing: clepsydra -
i'd be looking for a Napoleonic mountain -
something grand, something audacious -
something crowd pleasing; i'd be looking
for a mountain rather than a grain of sand,
a Mohammed's brow of pleased foresight
forged by pleasing excitement: when
-ed got in the way of -ing upon revision -
the necessity of the verb: (to) please.

and of him they said three things:
1. the death of death
2. the man who turned himself into a tree
3. of the men that will instil fear
    into the children of others
4. did you know that there was a child
    born without a brain in Poland?
    yep! no brain, he could talk and walk
    but he didn't have a brain... no, not that he
    was a hillbilly intellectually... he literally had no brain...
    just a woodpecker in the cranium of war-drums bellowing
    out a familiar tune of geese strapped to a
   methodology of synchronisation...
(5. rightfully alcoholic and apostate catholic,
      know any better sedative?
     Priest Rydzyk: radio Maria:
     hoi hoi huj! as if the Vatican isn't the
     oldest name for Mafia -
     usurper of education in orthography,
     a question of aesthetic and lessened
     rigour is relevant: as is the prevalent
     notion of *chomąto - or the missing tail
     on the a, as in o & n:  the ą stress was always
     nasal, so, chomonto - unless we encourage
     the English to use diacritic marks,
     we'll have to unravel what makes a couplet
     of diacritical vowel and consonants -
                                  and not cheap -
      but hope -                   c's apparently
      optional, or, would you believe,
      a monopoly... d'uh, what else?
      the more i hear of Poland
      these days the more i make assurance
      to not speak anything but English...
      chomąto, i.e. noble herb? no!
                               horse collar - to oar the fields
for french fries - just like the modern children
who say milk comes from a supermarket
and not a cow... the Bermuda ****** tweak
of revisionists' scandal: to improve humanity.
altogether another way to say
                     behind this man there was no woman
for you to imitate writing and outright
subordination -
                              shady creatures, women,
long lost artefacts of womanhood:
the Graeae sisters and Medusa - ******* saints
in the feminist dogma -
                                       soon to be released:
feminism and Plato, feminism and Nietzsche,
feminism and ******, feminism and Leibniz,
feminism and Einstein, feminism and Putin,
feminism... **** me! the long lost theory
of everything! we've found it! stop digging!

ok, to be serious for just a minute,
is to cook anywhere defined as microwave
science? Is boiling water and adding Ramen noodles
and putting the spice thing in , after opening it, haha,
I knew what you thought there,  the beginnings of a bachelor chef,
or must I learn all the de rigour
of nutritional knowledge and buy a garlic press
along with those eight dollar fry pans
at Dollar General?
Just wondering.