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"pickpocket" poems
THE Government--I heard about the Government and I went out to find it. I said I would look closely at it when I saw it. Then I saw a policeman dragging a drunken man to the callaboose. It was the Government in action. I saw a ward alderman slip into an office one morning and talk with a judge. Later in the day the judge dismissed a case against a pickpocket who was a live ward worker for the alderman. Again I saw this was the Government, doing things. I saw militiamen level their rifles at a crowd of work- ingmen who were trying to get other workingmen to stay away from a shop where there was a strike on. Government in action. Everywhere I saw that Government is a thing made of men, that Government has blood and bones, it is many mouths whispering into many ears, sending telegrams, aiming rifles, writing orders, saying "yes" and "no." Government dies as the men who form it die and are laid away in their graves and the new Government that comes after is human, made of heartbeats of blood, ambitions, lusts, and money running through it all, money paid and money taken, and money covered up and spoken of with hushed voices. A Government is just as secret and mysterious and sensi- tive as any human sinner carrying a load of germs, traditions and corpuscles handed down from fathers and mothers away back.
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7.4k
Government
Sometimes I steal from grocery stores. Nothing serious of course, sprigs of cilantro, basil, snap garlic cloves, sleeve a single strip of green onion, occasionally, palm a jalapeno I think it is the tiny thrills of being a petty villain that provokes me. The warm slick sheen of salty palms, brow sweat, and the shivers of pulse that drums my heart when door greeters pull me aside to verify receipts, and never notice my aroused pockets tight and bulging pickpocket produce. I'm no outlaw nor bandit, I do not pillage or plunder, I know the gray lines that divide good and bad, because I'm at one of their thresholds. The cashier checks my driver license, and address before feeding a worthless check into the scanner where it gets tagged and stamped I feel no thrills, no bad boy euphoria, I am too numb for elation, and too numb for shame. This crime Is justified. I have three more days till payday and hope the check floats Last week was a short paycheck, gas prices are high, rent is past due cigarettes aren't cheap, and then there's that drug habit. I could only write it for twenty five over. It's going to be a hard stretch. I stuff easy cash into my front pocket and try to catch the eye of a pretty cashier an aisle over. She drags barcodes through laser red eyes that decodes sale prices She doesn't notice me, but she might not be into bad boys A small girl waits in a shopping cart with pigtails and new teeth, holding a children cereal that comes with a prize. Her mother does not see her kick off her shoe.
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May 30, 2013
May 30, 2013 at 7:24 PM UTC
Bad Check
Sometimes I steal from grocery stores. Nothing serious of course, sprigs of cilantro, basil, snap garlic cloves, sleeve a single strip of green onion, occasionally, palm a jalapeno I think it is the tiny thrills of being a petty villain that provokes me. The warm slick sheen of salty palms, brow sweat, and the shivers of pulse that drums my heart when door greeters pull me aside to verify receipts, and never notice my aroused pockets tight and bulging pickpocket produce. I'm no outlaw nor bandit, I do not pillage or plunder, I know the gray lines that divide good and bad, because I'm at one of their thresholds. The cashier checks my driver license, and address before feeding a worthless check into the scanner where it gets tagged and stamped I feel no thrills, no bad boy euphoria, I am too numb for elation, and too numb for shame. This crime Is justified. I have three more days till payday and hope the check floats Last week was a short paycheck, gas prices are high, rent is past due cigarettes aren't cheap, and then there's that drug habit. I could only write it for twenty five over. It's going to be a hard stretch. I stuff easy cash into my front pocket and try to catch the eye of a pretty cashier an aisle over. She drags barcodes through laser red eyes that decodes sale prices She doesn't notice me, but she might not be into bad boys A small girl waits in a shopping cart with pigtails and new teeth, holding a children cereal that comes with a prize. Her mother does not see her kick off her shoe.
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67
There's an alleyway in Prague, hiding neath the nights fog, where a girl stands on red light display. And when cold rain starts to fall, she still answers every call; till the dawn hours that's where she will stay. Her life is just that way. She wakes up every day, tries to scrub the pain away; forget about the way last night went. She'll paint some rogue on busted lips, a short skirt on her starved hips; with her son she wished her time was spent. Just a couple more men to pay rent. She's got a pickpocket friend who work the Old Town, east end, and likes to give her a slice of his steals. The other girls, with whom she works, defend her from the vicious jerks; make sure her and her boy get hot meals. They teach her how to heal. Last week her **** gave her a knife after a trick threatened her life and said "Next time, say you cut off his ***** Then he laughed like it was funny and told her to go make money, leaning up against his car to look slick; teasing his hair with a pick. Tomorrow and tomorrow she swears she'll end the sorrow, but each night she's in that street corner cell. She weeps "It's not the life I choose.", while she looks at each new bruise in the mirror, watching purple skin swell. Her life surpasses hell. The endless months and years pass until she finally saves the cash to run away with her pickpocket friend. They grab her son and catch a bus, leaving Wenceslas in the dust; it doesn't matter where their road ends. Her red light wounds can now mend.
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Jun 5, 2013
Jun 5, 2013 at 3:23 PM UTC
The Lights of Prague
There's an alleyway in Prague, hiding neath the nights fog, where a girl stands on red light display. And when cold rain starts to fall, she still answers every call; till the dawn hours that's where she will stay. Her life is just that way. She wakes up every day, tries to scrub the pain away; forget about the way last night went. She'll paint some rogue on busted lips, a short skirt on her starved hips; with her son she wished her time was spent. Just a couple more men to pay rent. She's got a pickpocket friend who work the Old Town, east end, and likes to give her a slice of his steals. The other girls, with whom she works, defend her from the vicious jerks; make sure her and her boy get hot meals. They teach her how to heal. Last week her **** gave her a knife after a trick threatened her life and said "Next time, say you cut off his ***** Then he laughed like it was funny and told her to go make money, leaning up against his car to look slick; teasing his hair with a pick. Tomorrow and tomorrow she swears she'll end the sorrow, but each night she's in that street corner cell. She weeps "It's not the life I choose.", while she looks at each new bruise in the mirror, watching purple skin swell. Her life surpasses hell. The endless months and years pass until she finally saves the cash to run away with her pickpocket friend. They grab her son and catch a bus, leaving Wenceslas in the dust; it doesn't matter where their road ends. Her red light wounds can now mend.
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42
For I did not come here in hopes of a hello
 Of a simple stroll down our village 
Or an acknowledgement of my existence 
I came here because I care I care I see in your eyes the difference 
Cover up with words soothing to the ear 
But actions onset on hindrance I did not come for a duet 
Or a memory that we’d never regret 
A heart to heart throughout the night 
I did not come for my own benefit I come because I care 
I care I worry, in fact That you do not realize 
How much you are Who you are 
Or your worth 
Because the things you do show otherwise But see in my eyes, and the eyes of others 
Too concerned while we watch the beautiful eagle continue to believe he’s just a worm 
You’re too distraught by the blindfold in front of yours
 To realize the cries for help 
Drowned out with insanity Because the world is stealing your flame 
While you continue to be baffled by the pickpocket’s show "Do not take it!" I scream 
“Do not let it take you!” but those eyes
 So precious, full and alive 
are 
 still 
blindfolded. The procession goes on while the main attraction continues to burp out synthetic love and false hopes 
Temporary 
enjoyment And you have become the fool of the show 
With that blindfold 
 Darned, pestering blindfold. I will still scream for its demise! 
I will still plead for the final scene!
 I will rip away the curtains held up with burgundy lies! I will still care. The show must eventually stop! 
For actors must be given a break and plays must be forgotten 
To not be cliche There will be a time when there are no more encores
 An end to the grand show
 scattered flowers on the first row
 And utter silence in an empty space
 A dangerously 
Dark 
Desolate 
 Stage But I will still be there

 Holding a match for a new flame


 And a warmer smile 
For I care I truly care
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Sep 26, 2013
Sep 26, 2013 at 8:57 AM UTC
You are so much more
For I did not come here in hopes of a hello
 Of a simple stroll down our village 
Or an acknowledgement of my existence 
I came here because I care I care I see in your eyes the difference 
Cover up with words soothing to the ear 
But actions onset on hindrance I did not come for a duet 
Or a memory that we’d never regret 
A heart to heart throughout the night 
I did not come for my own benefit I come because I care 
I care I worry, in fact That you do not realize 
How much you are Who you are 
Or your worth 
Because the things you do show otherwise But see in my eyes, and the eyes of others 
Too concerned while we watch the beautiful eagle continue to believe he’s just a worm 
You’re too distraught by the blindfold in front of yours
 To realize the cries for help 
Drowned out with insanity Because the world is stealing your flame 
While you continue to be baffled by the pickpocket’s show "Do not take it!" I scream 
“Do not let it take you!” but those eyes
 So precious, full and alive 
are 
 still 
blindfolded. The procession goes on while the main attraction continues to burp out synthetic love and false hopes 
Temporary 
enjoyment And you have become the fool of the show 
With that blindfold 
 Darned, pestering blindfold. I will still scream for its demise! 
I will still plead for the final scene!
 I will rip away the curtains held up with burgundy lies! I will still care. The show must eventually stop! 
For actors must be given a break and plays must be forgotten 
To not be cliche There will be a time when there are no more encores
 An end to the grand show
 scattered flowers on the first row
 And utter silence in an empty space
 A dangerously 
Dark 
Desolate 
 Stage But I will still be there

 Holding a match for a new flame


 And a warmer smile 
For I care I truly care
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59
I’m ashamed to say I’ve become a bit of a thief; A pickpocket of sorts. It started out small. A few roses from our neighbors’ garden, every now and then. I knew it was wrong to take something that wasn’t mine, But I fell in love with the way your eyes lit up when I held out those little bits of stolen life, stolen joy. It soon escalated after that. I saw the way you gazed lovingly up at the moon, and I became determined to make it yours. Unfortunately, no matter how hard I tried, The moon remained unattainable. (There is only one, after all.) I figured I’d aim for the next best thing, so I hope you like the stars I stole for you.
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May 17, 2016
May 17, 2016 at 9:52 PM UTC
Confessions of a Smitten Criminal pt. 1: Petty Theft
Your backseat, that backward pickpocket, that schemer taking cell phones and jackets and wallets the pilfered seeds sewn, like lighthouses when they sprout guiding me back again back to you back to that ******* backseat
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May 14, 2010
May 14, 2010 at 4:43 PM UTC
Pickpocket
I was there when they built the cathedrals I was there and I watched them stand tall I was there for the villagers' upheaval I was there and I answered their call I was there when they fought in ancient Rome I was there and I watched poor men die far from home I was there when we ate just like kings I was there and I fed you a grape I was there when they sold you into slavery I was there and I helped you escape I was there when ****** built an army I was there when Stalin rose to fame I was there in the Jewish death camps I was there and I forgot my own name I was there I was a pickpocket in London I was there when Dickens wrote the Twist I was there when it happened, all the sudden I was there and I raised up my fist I was there with Daniel and the lions I was there when he went down to that cave It had nothing to do with a God up in heaven It had something to do with the knowledge he craved.
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Oct 21, 2011
Oct 21, 2011 at 11:18 AM UTC
I was there
“London calling to the faraway towns…” [The Clash] God man, trinket man, fake leather wallet man, Drugs man, drumming man,  dancing on the street man Antique man, eel man, bus man, trades man Boots man, bagel man, feed me I am hungry man, Fit man, gay man, straight man, trans man, Chinese man, white man, "oi-back-to-where-you came from" man Business man, rugger man, beautiful wife and kids man Eco man, hipster man, shouting man, shaking man, Scowling man, scumbag man, shuffling don’t come near me man War man, drunk man, cruising near the bushes man Watching man, medal man, pickpocket poor man Box man, sleeping man,think he might be dead man, Lost man, lonely man, Looking from the ledge man
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Apr 10, 2023
Apr 10, 2023 at 10:50 AM UTC
Man
or, the pickpocket voted most likely to be chosen from a nudist foster care by christian couples
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Jul 2, 2013
Jul 2, 2013 at 1:14 PM UTC
the heathen
She sits on the chair her wavy hair still neatly in place putting on her stockings as he stands with his back to the window gazing at her she pauses her fingers holding the stocking tops and looks at him and says in her sluttish French do you want me back tomorrow? there is a draught from the window touching his naked back sending a shiver along his spine sure he says but make it a little later the wife’s got a show to see and she doesn’t leave till just after 8 ok she says pulling up the stocking and fixing it to the clip shall I bring anything with me? no just yourself he says and maybe wear that tight skirt and creamy blouse and those black stockings she stands and pulls down her slip to cover her underwear and looks around for her dress look he says beware of the concierge she’s a nosey old biddy? she asks biddy what is that? just be careful of her he says don’t let her see you leave or she’ll tell the wife oh I see sure I will be careful of the biddy she says picking up her dress from the chair by the bed and as she turns away he studies her neat *** the way she climbs into the dress her hands so quick in movement the finger so precise like those of a pickpocket and he sees her leg rise the stockinged leg the fineness of the thigh then she turns toward him and she smiles and she starts on the other leg and he wonders what his wife would say if she came in now how’d she’d look then it’s over the dame’s dressed puts on her coat and picks up her bag and takes the money he’d put on the desk and shoves it into the bag and sighs and leaves and as she goes out the door waggling her *** he knows he wants her back some more.
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Jan 27, 2013
Jan 27, 2013 at 3:27 AM UTC
ONCE SHE'S GONE.
She sits on the chair her wavy hair still neatly in place putting on her stockings as he stands with his back to the window gazing at her she pauses her fingers holding the stocking tops and looks at him and says in her sluttish French do you want me back tomorrow? there is a draught from the window touching his naked back sending a shiver along his spine sure he says but make it a little later the wife’s got a show to see and she doesn’t leave till just after 8 ok she says pulling up the stocking and fixing it to the clip shall I bring anything with me? no just yourself he says and maybe wear that tight skirt and creamy blouse and those black stockings she stands and pulls down her slip to cover her underwear and looks around for her dress look he says beware of the concierge she’s a nosey old biddy? she asks biddy what is that? just be careful of her he says don’t let her see you leave or she’ll tell the wife oh I see sure I will be careful of the biddy she says picking up her dress from the chair by the bed and as she turns away he studies her neat *** the way she climbs into the dress her hands so quick in movement the finger so precise like those of a pickpocket and he sees her leg rise the stockinged leg the fineness of the thigh then she turns toward him and she smiles and she starts on the other leg and he wonders what his wife would say if she came in now how’d she’d look then it’s over the dame’s dressed puts on her coat and picks up her bag and takes the money he’d put on the desk and shoves it into the bag and sighs and leaves and as she goes out the door waggling her *** he knows he wants her back some more.
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104
i met you once in a dream. married for years the pickpocket and the traveling salesman. fish rained down on our wedding day and our friends released doves. my dress was a million rose petals and your tux dripped ink on the church's carpet. we laughed and loved each other chewing beeswax and painting silly faces on our knees. it was a lovely dream drinking in the deepest love and swimming through the cool waters behind our little green house. you told me you were afraid of the waking i couldn't lie so i said so do i. we ran but the alarm and the bright morning found us i woke and you were just a dream again. no closer then a cloud. a wish whose cologne clings to my hair.
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Jan 17, 2011
Jan 17, 2011 at 11:52 AM UTC
sweet dreams
Didn’t I mean it? Or wasn’t I serious just a bit When I warned of the gruesome pit Ahead and soon they would hit Was I performing a funny skit? The day they refused to admit That joining would bring no benefit Just pain and no profit The best option was to quit But they wanted to wait And see as they are used as bait I can do nothing now but sit Because I told them. They are now quiet Full of reckoning and regret Wishing they listened I bet That to stop a fired bullet You must require a metal jacket; Before you meet a pickpocket Your wallet is not stolen yet My words they needed not interpret Either that they did not get Or they simply chose to forget When I blew a warning trumpet I know that am not a prophet Just a pen-and-paper poet But I told them.
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Jun 23, 2012
Jun 23, 2012 at 5:29 AM UTC
I TOLD THEM
take money out of the equation, and sack all the waiters and return to tribalism, the former statement of non-intellectual socialism, the sort of inherent: in us there is a togetherness, no more service from strangers in the hierarchy of enriching a piece of metal or a wavy rectangle of paper with “necessary” symbolism of authority of the status quo... but that’s not going to happen... the pickpocket picts are no more... the normalising normans glared at the hastings pinnacle and integrated with the saxon women... the saracens became surnames in poland... actually that last one is very true... a branch of my family has the surname saracen. so i’m reading this article and i’m hardly debasing myself, it’s not that i’m referring to sartre’s negation of certain things whether animate and essential or inanimate and existential... in that formula: i deny therefore i am... because i can’t deny my existence... and 2000 years down the line i’ll be pitchfork argument in an atheist’s mouth anyway (nothing is certain in the realm of cognition, hence the cartesian invocation of doubt), it's not like i'm referring to inappropriate pronoun usage... so **** a doodle do... twang the strings on the mandolin... i’m referring to this classical reference of the shy literary figure unable to spark conversation with strangers... god, i really love strangers, and talking to them! why? there is no personal history, there’s no past, there are no reference points... it’s just the moment and nothing else, the perfect anonymity project... not the matrix philosophy (easily invoked because it has a flimsy plot-line and loads of images... just what the doctor ordered for the english speaking masses with a very naked orthography - i.e. if it’s on the internet it’s not “real life...” as is this computer i’m using it’s not even here!) of using the deep web to join the rats and etc.; i love talking to strangers, i can forget myself and enter the realm of discretion about how within randomisation of eggshell, yoke and cockroach there’s also the randomisation of the interactants to balance out the need for a theological unit, god... it’s great... it’s like... it’s like... life. defining the genre of biography proper? never backtrack... always sidetrack... i can’t be bothered living a life with cocktail parties and romps and romantic comedies to look forward to once all the animalism becomes domesticated and a gym-session complaints column in a newspaper.
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Oct 26, 2015
Oct 26, 2015 at 7:54 PM UTC
panda suspence
take money out of the equation, and sack all the waiters and return to tribalism, the former statement of non-intellectual socialism, the sort of inherent: in us there is a togetherness, no more service from strangers in the hierarchy of enriching a piece of metal or a wavy rectangle of paper with “necessary” symbolism of authority of the status quo... but that’s not going to happen... the pickpocket picts are no more... the normalising normans glared at the hastings pinnacle and integrated with the saxon women... the saracens became surnames in poland... actually that last one is very true... a branch of my family has the surname saracen. so i’m reading this article and i’m hardly debasing myself, it’s not that i’m referring to sartre’s negation of certain things whether animate and essential or inanimate and existential... in that formula: i deny therefore i am... because i can’t deny my existence... and 2000 years down the line i’ll be pitchfork argument in an atheist’s mouth anyway (nothing is certain in the realm of cognition, hence the cartesian invocation of doubt), it's not like i'm referring to inappropriate pronoun usage... so **** a doodle do... twang the strings on the mandolin... i’m referring to this classical reference of the shy literary figure unable to spark conversation with strangers... god, i really love strangers, and talking to them! why? there is no personal history, there’s no past, there are no reference points... it’s just the moment and nothing else, the perfect anonymity project... not the matrix philosophy (easily invoked because it has a flimsy plot-line and loads of images... just what the doctor ordered for the english speaking masses with a very naked orthography - i.e. if it’s on the internet it’s not “real life...” as is this computer i’m using it’s not even here!) of using the deep web to join the rats and etc.; i love talking to strangers, i can forget myself and enter the realm of discretion about how within randomisation of eggshell, yoke and cockroach there’s also the randomisation of the interactants to balance out the need for a theological unit, god... it’s great... it’s like... it’s like... life. defining the genre of biography proper? never backtrack... always sidetrack... i can’t be bothered living a life with cocktail parties and romps and romantic comedies to look forward to once all the animalism becomes domesticated and a gym-session complaints column in a newspaper.
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35
everyone you meet takes something away from you let it be a smile or a helping hand or a lesson or your wallet or car keys but please don't let it be your self esteem we put our most valuable possessions in the hands of strangers you don't have to pickpocket a ribcage to take the beating heart inside, it is wide open yours for the taking please handle it gently please don't let me reach in and take you out you are worth so much more than a whistle as you walk down the street you are worth so much more than the robbery you are about to meet please give up your purse or your credit cards or your social security number give away time and space and energy give away love and wisdom and patience give away the best you have to offer but don't give yourself away don't hinder to what anyone has to say lock your ribcage and hide the key, do not give it to anybody only unlock it to check that it still beats unlock yourself to others only on your own territory give away your house your jewelry your computer you cell phone give away everything else but keep yourself
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Jul 2, 2015
Jul 2, 2015 at 4:40 AM UTC
the most genuine love poem I've ever written
they poke and **** destroy your pride pickpocket your perception throw you aside (they are plotting your demise.)
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May 3, 2013
May 3, 2013 at 4:22 PM UTC
your Temple is doomed.
Poem a day, day 2 It's all fun and games Until someone loses a heart. Take it from me. Well, he did. Great fun, good times Next thing you know... You turn around and Someone's stolen your heart. I only took my eyes Off of it for a minute And it was gone. Possession is 9 tenths of the law. The law of attraction. I liked him, I love him. **** didn't see that coming. Or maybe I did. I couldn't have stopped it if I had. Pickpocket skill level 100 Item: 1 heart.
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Dec 1, 2013
Dec 1, 2013 at 7:14 PM UTC
Stolen
And she called me a lover you know
 In a fitful sleep she told me...

 How it wasn't worth it How I shouldn't do it
 How I would regret it
 But I packed up my demons and her with them and left 

 You know if love is like the wind unpredictable and free
 Then
Hate is like a blind man with a gun to your head
 Or a old lady pickpocket 
Or a pastor cursing god on a Wednesday 
Or her when she smiled at me that smile that didn't reach her eyes and told me the stories of her life that never happened, or how she forgot or how she remembered or how she told me she loved me and the sting of the words made me bleed more than the feel of her gold ring on my soft skin. 

 Oh god oh god oh god.

 And she called me a dreamer you know
 Long before I knew what dreams where
 And
Long before I woke up.
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Sep 16, 2013
Sep 16, 2013 at 2:00 PM UTC
Childhood
what you got in your pockets? Reveal yourself with an object, let the subtext talk in a million ways. What you got hiding, and what does it say? What you keep close, exposes emotion. Your devotion to the object chosen, is outspoken in a delicate gaze. Theres a million ways you can spend that minimum wage, Or a rainy day, is just a rain drop away. And you could save me from the cold with your ignorance. And i could pickpocket your soul in the holes of indifference. But, What’s the difference anyway. Keep safe on your daily ways keep safes, keeps the evil away; I’ll keep you in my pocket until laundry day, forget about you' watching the world go round in bubbles and soap screens. We got the same jeans (genes), baby, We got the same dreams, baby.
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Jan 15, 2016
Jan 15, 2016 at 3:58 PM UTC
What you got in your pockets?
Pickpocketed each pocket has a purpose church bells shatter through the surface the worthless circus sunday service a procession past the pickled mirthless dispersions of persons pass pews hoping He accepts the time served, in lieu and thus this pocket is purposed for you At the masqurade parade all day That preys on insecurity youre sure to see a bargain, sharking, armed with curiosity but the cost is often hidden, lost in a forest of desire, in a silk lined pocket and this is where they keep your wallet search for solace in a sound structure then ruptured synapses, flayed fluster rebuild it all, regard life's lustre meander melancholy with what you can muster place them in a pocket, each respective, one for your lessons and one for perspective as the pickpocket of fear plays with the reasoning detective
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Aug 27, 2019
Aug 27, 2019 at 8:28 AM UTC
Pickpocketed
LONDON TIME Sprawls across the skyline. Ancient and newly alike. Busy wheels and politics. Backstreets of culture with pickpocket vultures. Stations and bankers, And other posh tankers, Otherwise known as rich classy wan**rs. Sea museums and see museums Plague victims under common land lay. Sleeping for years. And time changes. Smiles very cutely, as he makes the suggestion. Let's go sight seeing "dear lady" Come along and see my life. I'll hold your hand forever, but you will never be my wife. He will never be your husband, as he knows not how. The man who stopped time in London town. (c) Livvi
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Dec 11, 2014
Dec 11, 2014 at 6:13 AM UTC
LONDON TIME
Tall grass not yet touched by dew observe. Longing to reach the unforbidden. To glide between atmospheres without stopping to breathe. As if that breath will steal what cannot be stolen. Hoping their presence will not break the silence they find absolute. Pickpocket the sky they will like a field mouse with a crumb of salted ******* They shall not judge what cannot be touched. Just praise and absorb. For what cannot be touched by lavender hands can be felt by a rose soul.
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Feb 19, 2015
Feb 19, 2015 at 6:06 AM UTC
9.
To get a fresh air A night stroll would be fair, I thought And switching the TV I got up from my chair. On the pavement Of a nearby apartment A lovely girl by accident I met, Who looks timid and decent. On my part a wink On hers a response quick Lovers soon we begin to click And engaged in a kissing spree On the street Our arms locked behind Our waist To passers by Completely indifferent. "My dear Your lips Are meant non-stop To kiss!" "I was willing except For time constraint. You see, home I have to report!" Thus we were forced to part Fixing an appointment. Resulting in a great sorrow It dawned on me on the morrow She was a pickpocket When I couldn't get the wallet, I shoved into my back pocket! From that day on wards At night whenever I meet girls And exchange greetings I check my hands For fear even A finger could run amiss.
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May 1, 2015
May 1, 2015 at 10:49 AM UTC
The incident I never forget
Found in the churchyard of St Botolph's, Aldgate, one distant lunchtime sixty years ago, and saved perhaps from second burial less ceremonial than its first had been, would Hamlet have mused on this? A finger-bone, less striking than a skull but just as dead. I keep it now and wonder   what skill he had possessed, the one who owned it. Was he a tailor or a silversmith? a carpenter? a weaver? or (none of those) a lowly labourer, or a sly pickpocket? Was it a woman's finger, a high-born lady? or housewife (working her fingers to the bone)? Did that hand long ago once guide a pen, inscribe long lines of figures in heavy ledgers, telling the tale of profit or of loss? Did it write sonnets? messages of love? or thoughts to pass on to an unknown future? I cannot know, but still this humble bone, the nameless relic of a city's past, may have some little life, if only for me.
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Aug 9, 2016
Aug 9, 2016 at 8:31 PM UTC
A Bone *
Up with the sun, his mind razor-keen, he hikes up his trousers and starts his machine. Though barrels of funk feed their reek to the dawn, he pays them no heed; the trashman rolls on. Up alleys, down thruways, past storefronts and stands, he guides his behemoth with rock-steady hands. Though big rigs and small fry speed hither and yon, he sticks to his creed; the trashman rolls on. Down **** to Impostor, past each stinking bin, he makes for the junkies and merchants of sin. Though winos raise eyelids, though punks point and grin, he straightens his shoulders and thrusts forth his chin. ********* and derelicts lurch from their sties. Pimps and their harlots flash Jacksons and strut. “Hey, you in the truck,” a pickpocket cries, “What are you, buddy, some kinda nut?” With hands on the levers, and brightly lit eyes, The big driver leans out and coolly replies: “No, sir. I’m the trashman.” And down comes the fork, and up goes the muck. The gears maul the lowlifes, the fork rocks the truck. Though hollers and screams shake his steel mastodon, he longs to proceed; the trashman rolls on. The truck passes perverts, creeps churned in its bile, up Felon to Pusher, down Vicious to Vile, where block upon block, where mile upon mile, the hookers regale him with smile upon smile. Near-naked floozies exhibit their wares. But this man just glares while they trumpet in pique. “Hey, you in the truck,” a drunk strumpet cries, “What are you, mister, some kinda freak?” His hands on the levers, with brightly lit eyes, the big driver leans out and gently replies: “No, ma’am. I’m the trashman.” And down comes the fork, and up goes the slime. The gears maul the contents to streetwalker chyme. Though hollers and screams are distressing and drawn, his heart fails to bleed; the trashman rolls on. Pining for virtue, he clatters along, up Bully to Bigot, down Trollop to Spawn, past Conman and Cutthroat to Thirteenth and Greed. He steadies, caresses, and readies his steed. Virtue, indeed. The trashman rolls on. Okay. NOW CUT AND PASTE THE LINK BELOW TO READ HERO, A SPRAWLING, GROUNDBREAKING FANTASY FOR GROWNUPS IN TWO PARTS. (BUT YOU MUST CLICK ON THE PROVIDED LINK AT THE CONCLUSION OF PART ONE TO ACCESS PART TWO! THAT’S WHERE THIS TALE’S AMAZING RESOLUTION LIES. But please...intelligent, soulful readers only!) NOW HERE’S THAT LINK: https://allpoetry.com/poem/14922744-Hero---Part-One-by-Ron-Sanders Copyright 2020 by Ron Sanders. contact: [email protected]
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Feb 19, 2020
Feb 19, 2020 at 3:05 PM UTC
The Trashman
Up with the sun, his mind razor-keen, he hikes up his trousers and starts his machine. Though barrels of funk feed their reek to the dawn, he pays them no heed; the trashman rolls on. Up alleys, down thruways, past storefronts and stands, he guides his behemoth with rock-steady hands. Though big rigs and small fry speed hither and yon, he sticks to his creed; the trashman rolls on. Down **** to Impostor, past each stinking bin, he makes for the junkies and merchants of sin. Though winos raise eyelids, though punks point and grin, he straightens his shoulders and thrusts forth his chin. ********* and derelicts lurch from their sties. Pimps and their harlots flash Jacksons and strut. “Hey, you in the truck,” a pickpocket cries, “What are you, buddy, some kinda nut?” With hands on the levers, and brightly lit eyes, The big driver leans out and coolly replies: “No, sir. I’m the trashman.” And down comes the fork, and up goes the muck. The gears maul the lowlifes, the fork rocks the truck. Though hollers and screams shake his steel mastodon, he longs to proceed; the trashman rolls on. The truck passes perverts, creeps churned in its bile, up Felon to Pusher, down Vicious to Vile, where block upon block, where mile upon mile, the hookers regale him with smile upon smile. Near-naked floozies exhibit their wares. But this man just glares while they trumpet in pique. “Hey, you in the truck,” a drunk strumpet cries, “What are you, mister, some kinda freak?” His hands on the levers, with brightly lit eyes, the big driver leans out and gently replies: “No, ma’am. I’m the trashman.” And down comes the fork, and up goes the slime. The gears maul the contents to streetwalker chyme. Though hollers and screams are distressing and drawn, his heart fails to bleed; the trashman rolls on. Pining for virtue, he clatters along, up Bully to Bigot, down Trollop to Spawn, past Conman and Cutthroat to Thirteenth and Greed. He steadies, caresses, and readies his steed. Virtue, indeed. The trashman rolls on. Okay. NOW CUT AND PASTE THE LINK BELOW TO READ HERO, A SPRAWLING, GROUNDBREAKING FANTASY FOR GROWNUPS IN TWO PARTS. (BUT YOU MUST CLICK ON THE PROVIDED LINK AT THE CONCLUSION OF PART ONE TO ACCESS PART TWO! THAT’S WHERE THIS TALE’S AMAZING RESOLUTION LIES. But please...intelligent, soulful readers only!) NOW HERE’S THAT LINK: https://allpoetry.com/poem/14922744-Hero---Part-One-by-Ron-Sanders Copyright 2020 by Ron Sanders. contact: [email protected]
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prefer to express myself metaphorically. let me stress metaphorically not symbolically.My Poetry's all over me like maggots on garbage, just because I interfered with a pickpocket the other day. Once a flower is picked it immediately begins to die. see hope is the crystal **** of emotions. It hooks you fast and kills you hard. The loneliest people are the kindest. The saddest people smile the brightest. The most damaged people are the wisest. See my Happiness is the china shop; love is the bull.If Music is a Place then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple. See Love is a piano dropped from a four story window and you were in the wrong place at the wrong time. But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark. #JidosReality #Poetry #Amazing
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Jan 16, 2017
Jan 16, 2017 at 2:36 PM UTC
Star Fish