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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Katelyn Knapp Jun 2013
The paint-splattered teardrops of yesterday's surrender left me lying here alone,
shattered and lonely,
alone with my colors as they seep slowly, mixing across the floor.

The wood splinters with every new vision,
becoming what's yours and bleeding me dry.

But when I think it has finally broken,
my steps they smear into hushed clouds of white
looking up at me with gracious eyes and heavy smiles
screaming, "Give me love," and release me from this unraveling thread
binding arm and hip to restless mind and peaceless soul.
Olivia Mercado Nov 2013
Imperfections are the beauty of life.
The whisper of a fragmented shell, the uneven receding of the ocean and the glimpse of a half-moon, neither crescent nor full, while the sun begins to rise.
A quiet dawn, absent of the flaming colors of super-saturated images on an “artist’s” computer.
The fact that, as a writer, I am now ******* the rules of grammar and the fragmented, half-beauty of an imperfect sentence is the only result.
Beauty doesn’t come from using big words or even perfect words. It comes from being halfway there, half the joy of our sight fulfilled, half the excitement and mystery and sorrow of not knowing, of not seeing, of not understanding.
Beauty isn’t meant to be understood – or even appreciated.
It is meant to be.
As long as it exists – without the passion, the ****** struggle of the artist’s search for meaning, without the human condition of imperfections and rectifications, art is.
Art doesn’t need you, the artist, to exist.
But you need art.
Beauty that mirrors your own imperfections.
Your own incompletion.
You are not finished yet – you are not an artist yet – you never will be.
You are not creating. You have never made anything original in your life. You can only transpose that which is already in you. And as you are completed, you can begin to know completion, fullness, consummation –
But not quite. It is something that you will never reach. Not on this earth, in this body, with this bound and sleeping soul. A flicker of a spark in the darkness is not enough to truly wake your spirit; death alone can rend the iron chains and throw you out beyond your body.
Enough
Never enough.
You are never enough.
Art is never enough – always maddeningly imperfect, broken. What does art do? What do you do? Beyond the existence of the dripping seconds, absorbed by deserts of the poor, the tired, the embittered – they act. They do.
They are always doing.
But what is it to be?
Complete in yourself and in all? To be I am, the one condition by which anything can be anything or have anything, and to be enough?
I am lost, and blind, and cold, in the echoing halls of time.
Alone.
Barren.
What am I?
If I am not an artist, not enough, not – somehow – alone?
What can I be?
You – all of you – this human experiment that has reached new heights of love and joy and passion, ceaseless, peaceless, senseless and hollow.
Look at the world. Look and believe.
Death devours all; never satisfied, even with Shakespeare, with Napoleon and Caesar and Alexander the Great.
Even with you, and me.
It will never cease consuming as long as a single breath stirs the air.
Why are we? Why do we keep striving for that fragmented beauty, the misty song of another way to be?
Is there anything but the carnal, the voracious appetite of Death and Man for blood?
Or is humanity nothing but animals who have deluded themselves, told themselves that they can see what others cannot, that justice reigns and that this world is something other than what we see?
And I, caught amidst the whirlwind of all the nothing new, caught and spinning, pretending that I can see what others cannot, that I have something to offer through these black and white and formless words.
Nothing new.
The world never changes its axis; it spins and moves but never really goes anywhere, year after year, in the blinding plummet of galaxies around their black-hole hearts.
Is that all a heart is?
Is lightning only the fire flashing through black clouds that illuminates and kills?
Is poetry only syllables and words we cannot know?
Is the world only what we make of it?
Because then, well, ****.
I guess this is the story of my life, guys.
An arrogant, blind ******* who hates herself and draws away in silence. I drift in the vast reaches of space, unreachable, unlovable, with the rest of humanity spinning around until we get too dizzy to bear the tide and surge of life any longer.
And then we keel over and die.
Daniello Mar 2012
I paid for the two coffees and brought
them back to the table, swear they
chinkled in my hands like the music
in my teeth jouncing around when I
see you. You wrote letters in your
bright notebook and as I sipped you
asked me to discover them. High task.
Could barely read your cursive boughs
and sinewy slippery esses, slip slip
sliding off the page as you smiled
with a pixieish shrug—see, can’t do it.
But I sipped a little more deliberately,
slitted my eyes back to you, wrote
you some mischief on a napkin and
you laughed. It was buoyant and I
floated for a second above the wooden
bench, sustained by other voices like
cushions of marzipan I could dip in
your coffee and you would love it.

And back then you were really in
front of me, I should have limned your
lines and ridges onto your notebook,
just to show you. Should have taken
out my camera in a way you wouldn’t
have seen and taken a picture of those
eyes, the way you looked right there,
right then. Maybe you’d have seen
mine being created then—suddenly
rushing, flushing blood to a created
thing, made out of thin air, substantive.
Seen how you gave me my flesh, how
you made me an unknown drinker of
all life’s subtle blessings, peacefully,
even while within the mist of its
peaceless ecstasy and fury.
Sienna Luna Apr 2016
Defecated, or did I say defeated
fated to live this life
barren as loose shoe strings
fraying a little at the ends.
Like a torn T-shirt
I am covered in holes and stains
splotches that just don’t
seem to go away.
Defeated in the mere inches I take
or the hearts that I break

but the only heart I break is my own.
How to pick up the pieces
when I am
piece-less
peaceless, no peace here.
So all I do is clench and worry
and hope that one day defeat
might become a feat
that can actually go somewhere
move someplace out of reach
as I seem to speak
of dreams unaccomplished and maimed
of dreams inferred striking infrared filters
that whisper mere fragments
of my name.
Ignatius Hosiana Apr 2015
I read beautiful poems and wonder
Why in mine all I find is fault and blunder
I caress the neat words as much as I can
Hoping the more I read the more I learn
I peruse through funny poems and laugh
Yet if I try it out myself It's really tough
So I read inspirationals day and night
Thinking for sure ,improve I might
I scroll past those I feel ain't my type
Looking for those with acclaim and hype
Poetic literature really does take all my time
'Cause I'm in a hunt for that perfect rhyme
But all I do is find highly fascinating pieces
And all they do is leave me angry and peaceless
I read poems because I'm seeking for consolation
And I even find more than this ,to my consternation
I probably read poems because they are easy to read
Or I'm just so lonely and they are the company I need
©2015 IHosiana
Once I reached her place
It all came to be a new venture
I took the warmest hug
As a friend
And settled there in
To have a tale of stories

Drinks and eats
Went flying by my lips
The care of a Lady
Having fed well I relaxed
In the counch

There came the shock of my life
uncooked dessert
That took me time to
Unwrap
This was an encounter
Of the brave.
Wholesale consumption
Tasting both roasted and boiled
By the end
I had quaffed the
Barbeque in personum
I lay stranded peaceless
But filled with joy
It wasn't foreseen
Though left a landmark
SELORM DEKU May 2017
They are a heartless population who depend on us,
They ate the eggs, chewed the meat, drank the palm oil and left our young malnourished,
They drank our wine but failed to give us water,
When I think of how the gods depend on us, I feel more god than them,
With their powers, they never move without our aid and never eat till we feed them,
These are gods that are spoken to, never hear and never talk back,
We see them but their eyes are closed and their ears deaf to our plights,
When their priests bring their supposed messages, it is wrath and curse with no blessing.
These gods have no peace and so offer none,
Anytime we looked up to them, our hearts remain restless and our minds peaceless,
Can they give what they don't have?
Because they were carved from our finite thoughts, they are limited in power and exploits.
They **** but never give life,
Are they gods who can't make?
Are they gods when they can't forgive?
They never wrote to us, so we never knew how to please them; yet they accused us,
That's why we left them behind when the God who was LOVE called us.
His light outshone their dark ills, cleansed our stained selves and offered us peace and Hope.
I present to you Jehovah.
Hugo A Sep 2012
Stories burried in rubble
Ancient castles stand still
Look around me
Look in me
I am them
Old paintings, broken mirrors
Cobwebs above
What is hidden below?
Leave it there
Let it be
Century old walls
Stone and mortar
Keep away new battles
Others within
No light, no power
No fire, just cold
Ghosts of life once lived
Music and dance
Filled every corner
Touched every room
Now a peaceless silence
Echoes of voices long gone
In the depths
Of this restless heart
paschelaco Aug 2020
I
I am from chipped beveled glass
from hand-me-downs and prideful hearts
I am from the burning cities of Perth
where art is a way of life and beaches are home
I am from a peaceless nights' sleep
with covered ears and whimpering cries
I am from closet thoughts
from the "what ifs" and "could nevers"
I am from the empty holidays
with lonely living rooms and booked flights
Minal Govind Mar 2016
You
Thoughts of
You
consume me
- my entire being -
To the point where my fingers being to write feverishly and
My lips part slightly as they would in anticipation of your kiss
But now just to precede a wordy and rabid rebuttal in my defense.
My breath is shallower because my heart beats faster because my brain is electrically alive with evanescent memories of us -
Attempting a resuscitation of
You.

Words so inadequate to describe the
Pandora's box being keyed at by these thoughts of
You.
Silence that was once our long-distance embrace, now
choking the life out of my eyes
and shattering the soul out of my words.
It's as if
You
were the ground underneath me
as well as the
gravity holding me down. Now,
You
are gone and my horizon is limitless
but I have no rest, no shore to wash up upon.

You
gave me such stability, such balance,
a means to remain poised,
a sincere sense of calm,
my panacea.

I turn around to surrender to my anchor
but the rope is severed ,
leaving me to wafture on the susurrous offing until
the storm cracks me in half and
sends me
down to where
You
have been all along, on that ocean bed, motionless,
with a piece of rope still attached to
You.

Anchor arms outstretched as if to call out for
our silence to once again become our long-distance embrace.
I once was a whole hollow hull
and now I am only bits and pieces without
You -
entirely peaceless.
My heartless time rivers flow'd.
My restless adversary.

My thoughtless mind had show'd,
My inundated tributary.

Flood'd,
By the sleepless anxiety.
Constant reminders of my perfectionist's folly;
My immortal immorality.

My logic's subsided.
Sanity's mistaken.
Slow'd to a dull roar,
Blowing in the wind.

My Intuition's annulment,
Blind'd by the songless hymns.
That heartbeat melody,
What set me on the brim.

My Mindless heart.
My heartless mind.
This is life,
In this peaceless soul of mine.

Time is my commodity,
Ever so rare,
What has me blind,
To this peace of time.

Perhaps, somewhere in this mind,
Ever so scared,
I may yet find,
This peace of mine.

~Robert van Lingen
Yenson Apr 2019
Children of Imperialism
who by now doesn't know about
Divide and Rule in gainstay take
who is still asleep from the slaughters
that trails blood from centuries ago
to even yesterday, no corners omitted

Driving wedges, digging chasms
creating discord and disharmony for what
the divisive gifts of the wrath of the peaceless
forged reasons and implied agrandissements
hooded antichrists on white chargers snorting
reeking pollution to drive slaves while Angels fear

They all see but refuse to see
for better the gods in sedentary excitement
playing with the fangs as their canals putrefies
growing moss for the living ghosts of ages
the genie escaped yonks ago, commander
a million debts are waiting all in your names

Mindless choruses of the parrots
wingless birds dosed on sterling biotics
bearing potions from Valkyrie for you and them
they know you take and point fingers elsewhere
None is fooled that your songs has no words
the ghosts are ghosts with a living army in treason
you fool no one but yourself, your sword is broken
John Jan 2019
Pain
When someone says pain, you instantly think it’s physical, but there’s many other forms of pain, it’s atypical.

The hardest one to deal with is the emotional heartache,
It breaks you down you can’t tell what’s real or fake.
It drives your crazy makes you act ******* strange, you’re like *** this has to be a ******* game.

**** breaks you down and tears you to pieces
Makes you wanna leave this ******* world peaceless

It’s hard to keep fighting a losing fight
To be honest I just wanna make **** right
I wanna do what I need to so I can ******* die tonightq
Grammar Still but eh

— The End —