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Ek kyk na die wiskunde geletterdheid vraestel
wat uittartend voor my le en skreeulag.
Elke vraag is nog 'n klap in my gesig
nog 'n uur wat ek in 'n warm stort moet gaan sit
om myself weer moed in te praat.

Ek het lankal reeds al die stetoskope
van my kinderdrome ashoop to gestuur.
Die laaste bietjie hoop uit my onskuld gekerf
toe hulle se dat ek die masjiene moet afskakel
en vir my spieel gaan se, dat ek dit nie gemaak het nie.
"Gee eerder op" lui die pedagoog se kreet.

"Jy hou ons terug seun" , vertel jy my
"as jy nou nog nie verstaan nie, sa jy
ook nooit nie. Gee maar op."
Ek was eers die boogseun.
*** verder jy my terug getrek het,
*** vinniger het my pyl op die teiken
af gestraal...
Nou is ek die rekseun... ek hou jou terug
en as jy trek, breek ek.

Jou ekstraklasse was te duur gewees,
ek kon nie my wiskunde angelegdheid bekostig nie.
Ek moes maar terugsit en kyk ***
ander skole met onderskeiding by jou deur uitstap.
Ek kon ongelukkig nie bekostig om slim te wees nie.

Onthou jy toe jy op daardie koue wintersdag
verby my gejaag het en my verskree het
oor die missie en serpie wat my net
aan die lewe gehou het?
Ek is jammer dit was nie jou kleur nie,
maar probeer verstaan...
ek is nie 'n onderwyser nie.
Wanneer jy huistoe kon gaan
moes ek my studentlike pligte uitvoer
en tot laatmiddag by die skoolbly.

Ek is jammer dat my ma werk.
Dit is tog so ongeskik van haar.
So selfsugtig om kos op die tafel te probeer sit
en so my verhoed het om aan sport deel te neem.
Ek weet tog *** belangrik sport vir jou is.
Jammer ek kon nie 'n meningvolle bydra
tot jou donnerse sportregime maak nie.
Jammer ek was 'n nuttelose suurstofdief
, soos wat jy my genoem het.

Eks jammer ek kon nie my punte
bekostig nie. My handgeskrewe take
en spoeg-en-plak plakate was 'n
vernedering tot die vlekvrye mamma-pappa-take.
Linte was in die mode.
Linte en ander oulike beursie plukkers.
Jammer dat ons beursies
leeg was, maak nie saak *** ons
daaraan prober pluk het nie.

Jammer dat ek nie man genoeg was
om myself te beskerm teen nege honderd seuns nie.
Dit is skandelik. *** kon ek so swak wees
dat ek nie eers nege jaar se "ou grappies"
kon aflag nie. Jammer dat ek dit nie snaaks vind
as daar op jou geurineer en gespoeg word nie.
*** kon ek nie lag vir die hilariteit van
asblik skroot , soos kougom en gemifde brood
in my tas en pennesakkie nie.
Ek wens ek was nie so swak nie, dan kon
ek ook dalk myself teen die 14 seuns beskerm het.
Jammer dat hulle my so maklik kon oorweldig.
Jammer dat hulle my kon teister
en rondgooi soos 'n vloerlap.

Ek vra nederig om verskoning,
dat ek daaroor kom kla het.
Meneer is reg, ek is 'n sussie.
Net 'n moffie soos ek sou
kom kla het. Jammer om meneer
se tyd so te mors, dit was verspot van my
om te **** meneer sou iets daaran doen.

Nou is ek ietwat geskend. Menere
en manne het al gesweeptong en asyn
op my kaal rug.

Nou sit ek Sentraal in die kakstorm
en jy wonder hoekom ek nie meer
onder die top 20 is nie.

Nou sit ek hier onder tussen die wiskunde "Jee"
vraestelle en huil.
My enigste vertroosting is dat ek nie
heel onder is nie, en dat jy die hell is
waaruit ek nog sal opruis.

Ek breek vry van agter die tralies.

Geagte skool
Gerespekteerde meneer
Vok jou
en moenie laat jou mislukkings jou
op die gat skop as jy by die deur uitloop nie.
Want hierdie "mislukking" ... skop kak hard.
Donall Dempsey Sep 2015
After the sudden
sun shower

the leaves gossip
amongst themselves

"...pl....pL. . .PL!"
stutters a rather big leaf

"...op...oP. . .OP!"
another finishes its sentence.

"...pl....pL. . .PL!"
stammers a little leaf

"...op...oP. . .OP!"
proclaims its companion.

I listen to the plip & plop
of it all

as it slithers from one
vowel to the other

waiting for it to "st...
:OP!"
lucy winters Jul 2015
ek het iemand nodig om namens my te bid, te pleit
my gebede val soos ouds op dowe ore ongehoor
ek voel oud en alleen uit gesmyt
ek het nou op gehou pm te glo ek kan toor
ek het ver geval en seer gekry
ek het op gegee op my
my kop en my lyf probeer mekaar so ver moontlik vermy
weereens het ek myself verloor
ek is te moeg om op te staan om weer te begin soek
ek is bang vir die kry, die kruis verhoor
ek voel teen gekant en vervloek
ek is niks nie anyways
Ek het 'n iemand tattoo op my skouer wat vir my bid,  want ek kan nie altyd en vader weet ek het dit altyd nodig
Andrew L Manson Jul 2018
Ik druk mijn lippen op jouw naam,
sierlijk op een enveloppe geschreven,
fragmenten van herinneringen,
in een brief die ik je nooit heb gegeven.

Weet je nog *** wij de eerste keer liepen,
door die oude hoofdstad van ons land?
Door de straten zwervend, lachend,
jouw koude in mijn warme hand.

En weet je nog de kleurigste herfst,
wandelend door het bos bij de duinen,
met jouw dochter die vol bewondering
naar paddenstoelen liep te struinen?

En weet je nog die hoogste schommel,
die bijna reikte tot de maan
waarop ik jou steeds hoger duwde,
omdat ik nog niet weg wilde gaan?

En weet je nog *** wij samen,
slenterend door winkels van ingebonden papier,
intiem pratend, de wereld negerend,
jij mijn hand pakte en zei “hier”?;
“Voel *** wij uit alle macht
hetzelfde dansen op het ritme van dit leven”
en *** ik toen ter plekke bedacht
dat ik jou mijn wereld wilde geven.

En weet je nog, toen het tij
zich tegen ons begon te keren
en wij nog dachten dat wij samen
de storm wel zouden kunnen trotseren,
*** ons roerloze schip
tezamen met mijn wereld is vergaan,
toen de golven van emoties
het tegen de rotsen hebben doen slaan?

En heb je het nog gehoord dat ik zoekend,
tussen het wrakhout in de koude oceaan,
jouw naam heb geroepen tot ik,
schor en half in verdriet verdronken,
maar aan land ben gegaan?

En heb je het geweten dat ik dolend,
over bospaden en de straten van die oude stad,
gezocht heb naar sporen van jou,
niet wetende of je aan mij dacht of dat je mij vergat?

Maar wat je niet hebt kunnen weten
en waarschijnlijk ook niet meer ziet
is dat ik nooit heb kunnen vullen,
de leegte die je achter liet.

Ik druk mijn lippen op jouw naam,
sierlijk op een enveloppe geschreven,
fragmenten van herinneringen,
in een brief die ik je nooit heb gegeven
Jou eierbeloftes word
In mooi woordjies
En trane spoortjies
Toegedraai
En ingelyf
In die raadsale
Van my helderheid
En my bekwaamdheid
Oor gesonde redenasie
Uit legio self disintigrasie

Ek bêre dit knus
In my eie kluis
Te midde my huis
Ń yspaleis

As ek dit bewaar
Teen die donker gevaar
Wat dreig uit elke
Oordeelsdag
Wat op al die ponde
en onse wag
Elke "ek het vasgeval in verkeer"
Elke "jou wanvertroue maak my seer"
Elke kode woord
Agter die slot op jou skerm
bly jou sondeval verstoord!!
Jou eierbelofte is ń kuikenmoord!!

Dan hardloop ek terug
En kyk na die dop
Wat my toe snou
As ek dit net stywer toevou
, minweted salmonella
En bylepes
Skuil in die amnion
En wurg die blou driehoek
Op ń voortrekkervlag
Eet ek daarvan sal die dood op my wag

Jou eierbeloftes
Jou akkideskak eer
Jou asyn rein liefde
Sal ek bly trotseer

Vergewe my tranedal
Want blykbaar is
Ek net verlief
Op my eie terugval
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain
Nienke Aug 2015
rusteloosheid
en vastgeroest verdriet
niemand ziet
het lam tussen de wolven
maar ver komt het niet
waar komt het vandaan
en waar is het geboren
of zit dat tussen haar oren
als er weer eens niemand is
het aftuigen van zelf
nog hopen op meer
lichamelijk zeer
een druppel wanhoop
gemengd met wantrouwen
en al gauw, de wanemmer verzoop
in eigen tranen
dan stromen het doet
en blijft stromen voor goed
rusteloosheid
diep in de nacht
wanneer er niemand op je wacht
behalve de ster achter de wolken
geen woorden maar daden
ja dat zal het zijn
maar het tegenbewijs valt klein
woorden onhoorbaar
een jongen die lacht
het vertrouwen ontkracht
een laatste afscheidsgroet
valt niet helemaal goed
als de duisternis nabij
zoals mijn geboorte
alleen en vrij
later zeer zelfstandig
maar nog geen procent als de rest
verpest
verpest
waarom ben ik zo anders
wat is er mis met mij, zo vrij
iedereen een ander perspectief
en ik begrijp het maar niet
ook al noemen ze mij lief
de wereld redden
met iedereen erin
heeft opeens weinig zin
als het verboden blijkt te zijn
slechts een eenzijdig spel
ach, het lam weet het nu wel
tevergeefs
rennend in de ochtendzon
verscholen in een wolkenbed
de eerste straal licht
uit het zicht
uit het zicht van de wolven
waar anders heen
springend over steentjes
met sterke beentjes
alleen in de grote wei
waarin de stilte zo groot
haar hart stilletjes vergroot
zo ook de klap van pijn
de enorme val
zo jong al
de verhouding van zwaarte
en het verdragen
aan de andere kant het extreem behagen
dat is toch geen rechte lijn
maar slechts twee woorden mochten er zijn
in steen gekerfd, beroerd gepolijst
blijdschap en depressie
maar niets er tussen in
want dat had toch geen zin
voor iemand met sensitieve uitersten
bestaat geen middenin
toch levende in een wereld van het midden
zoek balans, het middelpunt
en *** men het haar ook gunt
ze was nu eenmaal als lam geboren
en niet als schaap..  (noch rund)

blind als een mol
gravend in de grond
het was haar eigen graf
waar ze uiteindelijk op stond
omringd door de vertrouwde pijn
vroeg zich af wel van haar te zijn
met borstkas gespleten door twee
het lam kreeg heimwee
stond half dood op
wachtend op één
met hart nog langzaam trekkend
lekkend
de geur van aarde in vacht
wie had deze terugkomst ooit verwacht
en het worden van schaap
in wolfskleren
wilde zich immers niet bezeren
want moe het al was
met steen gevulde buik
de val nu slechts een kras
en wist niet eens meer wat de val was
de doorn(en) uit verleden
gestoken in vers vlees
al genoeg geleden
dus besloot nu gewoon ook wolvin
je bent een wolf, meisje
je bent een wolfmeisje
met het schaap
bloedend
nog ergens binnenin
Cry Sebastian Jan 2010
Trek my siel uit met swart onlogiese krapmerke op my pick n pay strokie.

Breek my fingers af op n hout skryf blad
en hou die honde naby vir die bene wat spat.

Vermergel dan my vellies
en gooi dit op n graf
en se dis vir al die girlys
-dis van papers wat smag.

Edel en opreg is die regter se kaf.
Heilig is die helde van die bars van die nag.
Ons onthou die spoke van Oranje stad,
Ons kleef aan hulle woorde soos n tros vol kak.
Ons hou van die serries en die doef van Jak,
En moenie met my stry nie ek sal jou in pak.

Melodie jou wysie met ewige tone,
mengel mooi jou woordtjies met jou oulike drome.
Hou die fort van veiligheid en nasionalisme,
Wees n patriot en vermoor Anglisisme.

Beskerm jou mother language teen n kombuis taal.
Daar is niks in hierdie wereld wat die taal mag vaal.
Victoria Feb 2019
Jy hou van die manier waarop sy jou naam troosvol uitgespreek het na 'n swaar dag wat jy gehad het.
Jy is lief vir *** sy jou bekommernis verlig met elke woord wat sy sê dat jy nie presies kan vind *** sy daarin slaag om dinge wat jy nie kan uitdruk nie, uit te druk.
Jy hou van *** haar teenwoordigheid jou op jou reënerige dae troos en warmte gee.
Jy hou van haar klappergeur wat in jou kar hang nadat sy saam jou iewers heen gery het.
Jy hou daarvan om die geluid van haar lag te **** wat die leegheid van jou wêreld vul, soos simfonie jou uit die leemte haal.
Jy is lief vir *** sy gedigte geskryf het wat jy altyd weggevoer het, *** hulle gewys het hoeveel sy jou liefgehad het.
Jy hou van die manier *** haar klein vingers met joune verbind is, *** dit jou laat voel het dat jy die is wêreld waarna sy draai.
Jy is lief vir *** hierdie woorde die helderheid van die sterre diffundeer en *** hulle in die konstellasies hierbo vervang.
Jy hou van die manier waarop sy haar lippe saggies die besonderhede van jou gesig spoor soos 'n veer wat sy tydelik in die golwe van die wind laat dryf.
Jy hou van die geluid van elke strook van die potlood wat sy gemaak het toe sy die kruiswoorde wat jy op jou tafel gelos het, opgelos het, en besef dat dit nooit reg was nie, maar om na haar te kyk, was 'n antwoord self.
Jy is lief vir *** sy alles vir jou gemaak het, so erg dat dit jou laat verdrink het.

Jy is lief vir die idee van liefde wat hierin gevorm word.
This is in Afrikaans***
Opgedra aan ‘n kind  wat gebliksem moet word.
Deur: Desperaatheid en vrees

Jy klim in en uit die ***** van bestaan,
beide die rede vir liefde en
die kind wat sy baar.

Jy is ‘n drievoud van godelike hervertellings
, want wie kan regtig liefde
in ‘n enkel sin verhaal?

Geminag , die seun van liefde en haat
- jou einste bestaan ,van die vroegste
paradoksale meesterstukke.

Verewig , verewig tot ‘n kind
tussen die Groottes wat
blindlings onder jou boogpunt swik.

Vir elke nasie ‘n ander droom
Vir elke geloof ‘n ander naam en
Vir elke mens ‘n ander god.

Amor , oh Amor!
Die sinnebeeld van liefde
wat die mendsom verbly

, maar Eros jou ramkat
jou hupse hygelbek!
Jou erotiese aanraak!
(die begeer ek)

En ek?
Met my koker van lig en van goud,
wat hulde blyk en bou en bring
maar bestorwe le voor my Laurel
oor ‘n lood-stomp pylpunt vir haar ‘n treuerlied sing!

Amor, Amor word wakker!
My son le liefdeloos in my bros hart
, wat instaan teen logika
– sterk op die oorlogspad!

Jy wat na my heuning reik
-met honger hande vieslik gryp
en ek wat jou met angel steek
in desperaatheid jou nat vel breek…

“Oh moeder”, roep die wetter na bo
vir die planete om aan te ****:
“Oh moeder, Oh liefde “ ,spat die sot se treur,
“ *** kan so bietjie , so klein – so seer!”

En die heumel druis soos die moeder lag
haar humor eg , maar haar woorde sag:
“ My naakseun, my hinksperd
My fallus met vlerke!
Jy ,nog ‘n roosknop.
gaan ook so te werke!
Aanvaar die poëtiese justitie
Stil nou liefstetjie
Lamtietie Damtietie …”

Amor, Amor!
Weerstaan tog skoonheid se wieggelied
en wees my genadig!

Begunstig my ten einde laaste
, selfs vader tyd is verveeld
met die son se enkelpad!

*** lank nog wil jy sluimer?

Amor, Amor!
Tel weer op jou leisels
en bring liefde op die wind
my wereld lê in afwagting
vir die dolfyn en sy kind!

Wees my genadig, Amor!
Deurboor my leemte met goud,
,want die bringer van lig is slapeloos
en my hart is droewig en koud.

Oh Amor, Amor!

Ek weet jys nog jonk,
maar *** speel jy dollos met lewe se vonk…

Amor, Amor!

Word wakker!

Amor…
Vir die liefhebbers van die Griekse- , Romeinse mitologie en aanhangers van Eros...
DIe pleidooi van almal wat valentynsdag haat... geniet die epiese klagbrief aan Amor!
blev formet og mast og presset ind
i en cirkel forklædt som en ramme,
der gjorde det vanedannende at være
en udgave af mig selv, jeg ikke kunne
genkende
så jeg kendte ikke nogen, og følte
mig hjemløs i min egen entré
gik ture ved din opgang, og læste
dit navn op indtil mine læber blødte
af savnet fra dine nøgne fingerspidser
og blå øjne, der kunne få mig til at
smile med tårer i øjnene
jeg var altid elleve år gammel
i undertøj på din højre side med dine
ribben op ad mine egne
lænede mig så meget op ad dig, at jeg
glemte at trække vejret selv
om det så var på marmorgulvet i dit
køkken med ømme ankler af berøringer
havde kun klaustrofobi, da du ikke
var her
jeg var kun et menneske, da jeg
elskede dig
havde kun hjemve
da jeg holdte
op igen
- digte om et papmachesind
David Adamson Jul 2015
(Villanelle)


It takes patience to wait for the perfect light.
Glance away and the image can disappear.
And sometimes the background isn’t quite right.

The moment missed is like a face out of sight
That against all logic we hope will appear
From around a corner, bathed in perfect light.

Or a pause in the music on a moonlit night
When hesitating lips touch, and love leans near,
But voices whisper that something’s not right.

Technology offers consolation in its sleight
Of hand:  Digitally correct the analog here
And now
, counterfeit the perfect light.

Yet we want more than the mastered byte.
We want the flash between the waiting and the souvenir,
The instant when self and spectacle fuse, reality felt right.

And so we hold on to what’s passing out of sight,
The collision between soon and too late, the sheer
Thread connecting to the perfect light
In which the background is precisely right.
Katrine Jul 2014
Kan jeg?
brænde mig selv ned
med hud og neglerod
hver en sprække
af fregnede smil
og skarpe vinterknogler
havde man fingre af kul
kunne man tegne sig selv op i silhuet
en skælvene kvindes
begyndende skygge tager form
på halvmånens blege papir
under fuldmånen er jeg
en lysende diamant
indtil da
danser jeg på tåspidsen om bålet
kan jeg se mig selv
gå op i røg og damp
stolt som den enøjede konge

Skal jeg?
presses sammen til
noget du ikke genkender
når vi støder ind i hinanden i gaderne
tilfældigt, selvfølgeligt
gyderne af vores
måneskinsvandringer
hvor vi drømte om en måne der var hel
skal jeg samle månens stykker sammen
uden dig til at smile når jeg ikke blot er konturer af vores drømme
og jeg lyser gyderne op

Må jeg?
glemme at du fandtes
den dag hvor der var måneformørkelse og du
ikke dukkede op i gyden
jeg så dig gå op i røg jeg så
at ilden i dit hjerte aldrig brændte for mig
må jeg vide at jeg kan blive en funklende diamant også efter at
jeg brændte mine fingre på dit hjerte
da du sagde at du elskede mig under månen
og jeg vidste at du var aftagende
Mateuš Conrad Nov 2018
.****... who came first... ol' Jim or ol' Jack? well i know that Jim began his stature of being the marquees de bourbon in 1795... but Jacky boy? personally i can't tell the difference between two... it's not like i'm drinking whiskey... the differences are so much more subtle... and every time i crack open a bottle... brothel perfumery comes to mind... that's what bourbon feels like: if you've ever visited a brothel... the scent in the air is filled with sweet sweet bourbon and soap and tender skins: no latex, no leather.

the day began with me having a cigarette,
and admiring rain drops hanging off
the washing line...
    oh... like that flock of birds...
that sit on a roof in rows...
it might have been the European starlings,
but, my guess is just as good as yours...
so let's say... a row of ~starlings...

now for the sentence...
no... wait...
a side-note addition postscriptum
of working from
a sample of a cultural exhange
program from Cold War II
,
                  circa? now.

synthetic a priori is
actually synthetic a- priori,
there's no knowledge involved...
   hence the a- hyphen being
     added to denote: without...
only chance, a curiosity,
a haphazard...
   a genius invention,
a "mistake"...
   take champagne
or L.S.D., these are examples
of a case of synthetic a- priori,
i.e. they they take a concept
of synthesis, and apply it to:
with a prior to, said example...
a discovery!

now for trying to write that sentence
using 7 variant dialects...
mind you...
i think i figured out the circumflex
over the omicron
in the Kashubian word for boy:
knôp...
             see... the linguistic explanation
is a tongue tied /uo/
doesn't work for me...
i found a better depiction...
      of ô:
i.e. kno'op - the apostrophe better
explains the circumflex hanging over
the omicron...
   it's... such an outdated linguistic
system...
to explain a diacritical mark in a word
with merely more letters,
i.e. ô (circumflex,
   which will not appear
in commaful's html) = /uo/
   i prefer the new method i conjured...
use the whole word
so? the ô in the word knôp = kno'op...
or at least... look here,
there's a U in there, oddly enough,
using the apostrophe you can
create a U shape with this "x-ray":

                kno   op
                       U
                                     but saying:
knuop?
                  well, my taste is different...
oh... and... today i watched a scary video...
people were giving out their D.N.A.
details out for free..
saliva swabs...
                     that bothers me...
so... you think these ancestry companies...
will not pass the data
to crime prevention agencies?
   you don't think they're creating
a database... not that you might commit
a crime... but if you were to...
isn't this... minority report?

anyway... looking at these dialects...
oh... look...
     an overring... which is typical
for Scandinavian languages...
  notably in the chemical constant
of the å (ångström)...
     well... that **** wasn't invented
by the Masovians...
  it had to come with the Vikings,
passing down the Vistula to found
Kiev...

(you know you're writing something
difficult to read...
when even you experience... tedium)...
you just know it...

now, the sentence...
utilizing (in no particular order):
Kurpian, Kashubian, Silesian,
Gaelic, Pict Gaelic, Cymru and Cornish...
oh ****... revising the Book of Revelation's
seven headed beast...
i.e. "revising"... I, V, X, L, C, D, M...

now for some more brothel
perfume... to think of a decent sentence...

( cicha woda, brzegi rwie
   - the silent water tears away
     at the edges -
so much for the freedom of speech,
so much said, and yet,
silence... eats away the fringes
of society, while the majority,
are fathomed, to be subdued
by a lullaby...

  a liar does not walk
on stilts - i.e. a liar is no
             longshank (edvard) -


       yr łgårz a 'dèanamh nynj
          ar hir giry
      
- a łżélc je chan eil
                   hir-aranau -

certainly not:
Eideard Fadacasan.
bheith acu:
             déanta úsáid roinnt
   Gaelach,
however much broken.
                                                         ­          )

p.s. if you're not in some way intoxicated,
or in a "schizoid" state of mind,
invoking ciphers and metaphors...
how the hell do you know you're
writing poetry?
is reading the book a revelation
something to be taken...
literally, or with a grain of cipher?
who the hell writes poetry
like its some reply to a company memo?
who makes poetic language
authoritarian,
giving out commands,
or worse still: advice?
     who makes the art of poetry
less than a hallucination of language,
of phonetic encoding that
transcends, phonetic encoding?!
poetry is bound to an inherent
incoherency, because it does not
translate into rhetoric...
it is a fascination with the elevation
of autism into the realm
of the demigod Solipssus...
it can't be coherent,
it cannot be found to not be teasing
the para-schizoid dimension
of the reality of language...
listen...
  i'm not giving you sentences,
i'm not spewing the lawyer gerbil
language of... god prevent us
using the dictionary,
and direct meaning...
we all know that lawyers
have not knowledge of the existence
of the dictionary...
they skipped that part...
and went straight for the thesaurus...
******* weasels...
poetry is the ultimate authority
of language...
if it's confusing,
it's supposed to be confusing...
how can you expect to say:
a square is a square is a square...
how can a poet be poet...
when he hasn't experienced
an auditory hallucination...
you trip on psychoactive substances...
you become a painter...
but people are afraid of what they
might "hear" compared to
something they might, "see"...
the eye is an enthralling palace...
but the ear?
     ah... the scary place...
how would i ever write poetry,
to the coherency standards of
sane people literature?!
   can anyone even comprehend
the mundane reality of
writing sane people literature?!
of course they can...
most of that literature is adopted
into movies...
or, whatever translates the x-ray
into muscles, body, flesh...
you can't be expected to write sane poetry...
you're already dealing
with the metaphysical...
   which implies:
that, which translates
the transcendence of the physical
into the meta- realm...
   of language...
  the, literally is the one poison
arrow that kills the art of poetry...
poetry is, by far,
the best translation of philosophy...
whereas the far *******,
sorry, darker aspect of poetry,
is the, "translation" of sophistry...
but that aspect of "poetry" is
a lesser form of sophistry...
esp. within the realm of populist
poetics...
it's called: latching onto the bandwagon
of what was already said,
and emphasizing a partisan
language of appeasement...
no, philosophy is not a pretentious
genre in literature...
it's just ******* difficult...
plain and simple...
   for a philosophy book,
to be translated into a poem...
5 years, and the greatest aspect of
this scenario?
   it'... inexhaustible...
who the hell expected for poetry
to be a sanity bastion for those
who do not have enough *******
in them to write fictional narrations,
and character plots of expansion?!
        
to end? my fetish for the deutschezung:
   ein steinherz,
                ein leeren verstand:
         ein eisenwerden -
              und die vergessene welt:
wohnte im durch eisen sein.
at lege mor og tørre op
og vaske op og at gå op i
et andet menneske
helt så samvittigheden
klistrer på din tunge,
helt så du glemmer din hud
i dørkarmen
sætter aftryk af blod
i badeværelset, og efterlader  hemmeligheder
i gulvsprækkerne
hvisker historier til væggene, alle
dem jeg aldrig fik fortalt dig
jeg var hende, der rakte kolde
hænder ud i et naivt forsøg på at
få dig til at smile i marts
opdrog dig med moderlige øjne
og blå ord, jeg ellers kun skrev ned
holdte dig i hånden, og lod dig ikke
bevæge dig yderligere
indtil du omsider kunne gå selv
vidste ikke dengang,
du ville gå længere ud,
end du selv kunne  bunde
lærte dig at holde om pigeskuldre
så det skar i organer af glæde
lod dig blive afhængig, og lod dig
skænke samvittighed op til randen
af glasset, så vinen smagte af
cork og følelser, der gav mig lyst
til at stikke tre fingre i halsen
måske bliver jeg væk en dag,
drukner
mig selv så jeg måske er væk
snart
- digte om et papmachesind
angela brooks Sep 2016
He was sitting on the stone cold step outside the Co-op
A thin blanket around his thin shoulders
His outstretched hand reached out to me
And touched my heart.
I gave him the cup of coffee I had been drinking
He seemed pleased, I felt good.

I saw him again on Saturday night, he looked thinner
His face hidden beneath a ***** grey hoodie.
Once more the outstretched hand reached out to me
I gave him a warm blanket, made of wool.
He grunted thanks, I felt good.

One week later I went looking for him on the stone cold step
outside the Co-op
He was sitting on the woollen blanket,
his eyes shrunken into his skull
I gave him my coat.

He gave an almost imperceptible nod of his covered head
And stretched his hand towards me again.
I fumbled in my purse, and gave him all I had – he grunted “Huh”
I felt I’d let him down.

My friends said I was losing weight, my clothes no longer fitted me.
I gave my sweater made of cashmere
To the hooded skeletal figure on the doorstep
outside the Co-op

His jeans were frayed and ***** from the streets
I gave him mine, they no longer fitted me.
He looked up, his broken teeth bared in a forbidding, dangerous smile.
I flinched. His outstretched hand pulled at my wrist,
I backed away, he held me.

I tried to run but his fingers tightened their grip, digging into my flesh
He pulled me in the direction of my home.
His grip on my wrist burning hot

I turned at my door to see him, he grinned, his eyes seeking my soul.
His face now no longer thin, his bony fingers now fleshy,
his rotted teeth Improved.

I looked at my hand. I saw my reflection in his eyes. My face skeletal
with shrunken cheeks,
My shadowed deep set eyes
haunted.
He laughed a croaking triumphant laugh as he entered my house
And pushed me out.


I turned and my feet took me back to the stone cold step
Where I crouched down outside the Co-op
A thin blanket appeared on my thin shoulders
I held my outstretched hand towards an approaching stranger
Who walked on by.

©AEB 14.05.16
Mateuš Conrad Aug 2021
the dream began long before the sleep overcame
me...
   lazy architect of the clouds:
what was it going to be this time:
per usual: castle, swan... a death mask -
ruminations of the future?

                     a violin quarter op. 17
no. 4... or as i imagined it before
sleep dragged me below the waves
into the deepest caves before it plucked
out my eyes and have me tears
or shed in watercolours...

   something so tender as this poem ought
to break into a thousand pieces...
or however many letters there are to match...

standing on Waterloo Bridge... playing that ******
violin... however crudely...
a pocket of fame so tiny that would
spread until... some other violinist heard
of the antics taking stage...
   a dream... that didn't catch me by surprise...
not lingering like a dream: proper...
which might take up at least the whole
morning of a tomorrow upon waking
and bewilder and amaze...
  
            such that i promised myself:
not a sip of that fine Mount Gay Eclipse
***... never: i hope never again will you drink
"thinking" you might write something:
at worst! tender sips only after something
blessedly sober was started during
the business of a day...

               an alternative to the Italian risotto
or a Spanish paella?
none other! the Biryani!
  oh the spices at my disposal...
a black cardamom pod
4 green cardamom pods
a piece of acacia bark (sorry...
  out of cinnamon!)
   3/4 tsp of fennel seeds...
caraway seeds, cumin seeds...
coriander seeds. black peppercorns...
a star anise...
6 cloves
      a bay leaf...

something from Norwegian poetry?
olaf bull?

og jeg, en levende mand, paa jorden hjemme
and i, a living man, with earth my dwelling...
som jeg, en død mand, paa jorden hjemme (begrenset)...

but i'm not going to learn Norwegian
on these isles...
it would make some sense
to learn Danish for a historical
whim or German...

then again... my bet it on either
Romanian or Turkish...
a today... at the Turkish barbers'
i only instructed him:

keep the length (of beard):
   but tidy the rest up...
tut(mak) uzunluk nın-nin sakal:
ancak temiz...

well i sat down in the waiting line while
the other turkish barber was finishing
off a customer... working with the electric
razor around the stubble...
strange sounds...
i've heard of iron stubble...
the sound of shaving never sounded
so... glass on a chalkboard...
a piano shattering...
something felt odd: like someone
was playing me a Turkish film
with Armenian dubbing...

so he shaved and shaved and i looked
on... does an electric razor mowing
stubble make that sort of, "sound"?!
it was only when my usual barber:
the one i modelled for once
when i came in like a homeless man
and 20kg overweight...
he took photos of before & after:
pointed me toward seat no. 2
did i finally come to grips with the sounds...

ha!
a cage with two budgies - budge-rigours...
budgerigars was placed in the corner...
two jittery little fellows...
i sat back closed my eyes and relaxed...
better than a *******:
ah... with ******* you need to staple your
eyes open to your eyebrows...
but getting your beard trimmed?
nothing to it... like kissing metal...
oddly enough either i was relaxed
or my barber was relaxed...
not a ******* pipsqueak from the two
birds...
a vibrating sense of contentment
a bit like...
when was the only time you saw
a bulldog content?
in the company of another bulldog...

now that's what i call a barber shop...
when he finished i was asked by
the other barber whether i wanted
to a cup of coffee...
my barber offered me a hot towel...
i refused both...
i'm pretty sure this was a way
to make new friends...
or rather: have some backup should
a funeral take place tomorrow...

maybe i have been living in England
for so long that... i might look English:
like the Turkish ******* remarked...
but i feel... neither here... nor there...
if i were to go back to my native birthplace:
i'd be alien too: not engrossed in
the politics in the culture in the everyday:
starting from: "born yesterday":
engrossed in the culture & politics of England...
but hardly "born & bred" as one
former fwend of mine: child of Egyptian /
Iranian immigrants remarked...
i can switch off from all the saturation
and read some Knausgaard in ******...

right now... i've just spent a mad hour cycling
and i'm going to sip some proper whiskey-esque
*** without the stealth assassin / an agitator
of a diluter of spirits... caffeine murderer of
a carbonated caramel ****...
i'll drink it straight over some ice...

an hour well spent...
  for all that's currently music: lyrical constipation:
i need to relearn how to breath:
to even think...
revisiting that dream i never had
that began with Haydn's op. 17 no. 4...
just the violins... no need for drum-tactic rhythm...
we're all "im-der-hier"... in the here...
"im-der-jetzt"... in the now...
but never really: must be lagging...
daydreaming or otherwise wishing it was
otherwise...

would taking the offer of a coffee and a hot
towel made so much of a difference...
or would i just have set there like
a ******* pile-on-steam-of-****?!
i love the smell of manure in the morning...
i love the smell of manure in the foggy morning...
i love the smell of manure when i'm
planting a new tree and it grows to be over
8ft tall after planting the original bonsai plum
some 7 years prior...

even in classical music:
there's the music that's there: played to death
& a second death that's boredom
that's only used to diffuse fame...
Haydn's op. 20 no. 4: that's how
a mousetrap ought to work...

niche listening: there will always be
someone reading something by Stephen King...
otherwise... spend a year on the oeuvre
of some composer...
at least the composers never fail:
produce "too much": then listen to it
being filtered down... sharpened to:
a bugging nugget of praise...

all that's pop is not necessary...
unless: utilised for pedagogic tactics...
breathe the air! there are no percussion instruments!
barricade the doors to your mind
with the wind of violins!

seems only fair that since i've had
my beard trimmed by a Turkish specialist...
speck? ***** & span... no...
speZ... if i am to write someone of my own
i'm drowning in the works of others
and there's 7am to mind...
there's defrosting two fridge-freezers too...
the sensibility of waking up
moderately sober...
all that's day and all that's a masquerade!

trivial things: poetry: porcelain...
but they shouldn't be so easily: quashed...
now that everyone can readily
read: write... somehow... long before
poetics was pushed aside...
of all people... if the Vikings are to be
somehow... envied... emulated...
ingenious thieves that they were...
at least they kept words somehow
sacred...
while they exhausted each limb from limb...
a body wed to the earth
a mind wed to the air...
and all congregating in sun, fire & water...
perhaps some mead some
frost... fog and shadow...

how i envy the almost first men
and their chemical eureka upon eureka of
the first intoxication with beer!
not this intellectual: morose flight of body
anchored down by the more heavier extraction
of run: run: ***-***-**-here-we-go!

let it not be another knock-out night for me
on this tired plank of wood i dare to call
ship: but i'm dried up on what's
language: trapped in conventionalities
of passer-by conversations that are hardly
that...

of course this couldn't be a lament:
i would regret a good conversation
since the *** is almost as good or if not better
than any whiskey...
a good conversation would get me off
my rockers all the more...
but then the fear of sobering up
in the middle of it...
for the proper K.O. i'll wait for the chemicals
to take charge... while i'll play both
mouse & fox & sneak downstairs for
a glass of milk...

architects of dreams: best to appease a
boredom of London by stripping it down to:
far away... Athens... here in quasi-Sparta
on the outskirts... the ******* emblems of
itching at the sky...
the ****** emblems of stadiums for
which football was made to be: ahem... "footed"?

bypass the standards of any language...
the nouns...
then work around the verbs...
and the adjectives that work as substitutes of verbs...
eh... prepositional, pronoun and conjunction
shrapnel...

presto scherzando: of Haydn's op. 20 no. 4:
a sort of violin does a pilgrims farewell
to the folk dance: hey hey hey trance
which reminds me of...
some modern song...
   very, very: modern...
                
it complete silence: or rather... memory
by now has become a drunken orchestra!
on the tip of my tongue...
ah! yes! corvus corax! herr wirt!
hey hey hey... there are accents of it...
littering Haydn's
presto scherzando: of op. 20 no. 4!

- and to think... i could have had a wife!
- and to think... i could have had a son!
- and to think... i could have had a daughter!

an uncle was a disappointment...
half of my grand-parentage i don't know...
beyond estranged...
cousins etc. long gone: still alive...
my maternal grandmother recently
estranged herself
from her grandson and her daughter
choosing a conspiracy of three
attitude with some cousin and her son...
while my grandfather...
there's pain: exhilarating...
quickly done away with you:
with a butcher's pardon on the guillotine...
then there's: pain: numbing...
relapsing... erosive...

well... i hardly imagine having enough time
to... somehow conjure up a connection
between corvus corax's herr wirt
& haydn's presto scherzando: of op. 20 no. 4...
beside the fire of the television:
how lacerating the warmth
how tongue numbing how...
if only this insomnia was
somehow translated into a transparency...
like my melancholy is a perpetual
hard-on...

all that's intelligent while only ending up
being mere posturing...
all that's plain daft while only ending up
being mere arrogance...
the insensible Kafkaesque tribalism
of the urban peoples...
the masculine aspect forgotten?
new: automated new: muscle loss?
the new wheat? juxtapositions around
cat's persistent inquiry whether the window
is somehow open...
or whether the bed is not yet slept in?

throw in a glass of milk come 1am
and... beside all that's to come with the chemical
circus... from now...
docile wolf still itching: bite a harvest...
sliding doors... the quintessential British
film from the 1990s...
it has to be...
that's me... dreaming of Swiss cheese...
cut with a guillotine... not a knife...
better still...
                     how familiar a curry has
become...
but you try and find the proper rice
to make a biryani not look like some phlegm
suckling stuck together grains of rice...
of a risotto or a paella...
Arpita Petersen May 2016
DU LEVER I DIN EGEN BOBLE
DIT EGET UNIVERS OG ALT KØRER FOR DIG
DU BRUGER NATTEN OG DAGEN PÅ DIN TING
PÅ LIGE DET DU ELSKER OG KAN
DIT LIV HANDLER OM DEN ENE TING DU KAN
DU GLEMMER ALT OMKRING DIG
DU SMILER OG ER GLAD
HELT IND I DIT HJERTE

DU VÅGNER OP I ET KOLDT ***
INTET LYS
DU VÅGENDE OP FRA VIRKELIGHEDEN
TIL KRIG OG ØDELÆGGELSE
LIVET VISER SIG FRA SIN MØRKE SIDE
DEN TING DU ELSKER
DEN TING DU KAN
ER BRAT
STEMMEN SIGER TIL DIG;
UNDSKYLD MEN DU KOMMER ALDRIG TIL AT DANSE IGEN
DU FORSTÅR DET IKKE
DU DANSER VIDERE SELVOM ALT GØR ONDT
ALT ER I MOD DIG
DU ER ALENE
DIN BEDSTEVEN BLEV DIT VÆRSTE MARERIDT
NU SKAL DU FINDE DIG SELV IGEN
FINDE EN PLADS I LIVET UDEN DIT KÆRESTE EJE
DU KOMMER DESVÆRRE ALDRIG TIL AT DANSE IGEN
MIN PIGE
- Drømmen om det store går i stykker.
Mateuš Conrad Aug 2018
.Roger Moore!
  what? Roger Moore!
the definite Mishter Bond...
yeah yeah...
Sean Connery -
the, "original"....
  but Roger Moore had
Duran Duran to back him up!


First Name: Matthew
Surname: Elert
Address 1: 294 Havering Road
Address 2 (Rise Park) /  left blank
Town / City: Romford
Postcode: RM1 4TH
Tel: (+44) 01708 766 994
Email: m.k.elert@gmail.com
Date of Birth: 15      05       1985
Gender: Male.

Is this the first time you have bought Henry Westons Vintage cider?
No.

Where did you buy this bottle of Henry Westons Vintage cider?
Other.

Where do you do your main shop?
CO-OP on days when Russian Standard is on offer, given that CO-OP has your cider on a constant 3 for £5 all the time, otherwise Tesco, 15 minute walk, but still CO-OP for your cider.

In a few words, what made you buy Henry Westons Vintage?
I feigned a desire to drink more Magners, or for what matter the Swedish ciders (Kopparberg, Rekorderlig, etc.) - it's actually genius how your cider, standing at a whopping 8.2% alcohol volume... can't be branded an alcoholic's wet-dream like Carlsberg's Export most assuredly could. What a pristine balance of combating the sugars, that, other ciders, don't allow... I mean, at surfacing just shy of 5% in the Swedish examples? Near suffocating over-sweetness, taking a dog for a walk that was adamant on pulling the leash and hanging itself in the horizontal canvas would be more enjoyable than, walking with a bottle of those ciders... not enough alcohol to equilobrate the sweetness of a cider, per se... simply perfecto! I've already made the same point  on https://tinyurl.com/y7eaweeg... so, suma summarum: nothing, exactly made me buy the cider, originally, perhaps the logo, or some plain boredom from the Magners' and Swedish standards... but on 2nd purchase? The ****** quality, that simply transcends this question, in terms of advertisement "concerns"; p.s. you don't need to expand into pear cider. Any chance of hearing some Sonny Clark or Herbie Hancock at the festival? What about Joshua Redman?

you never know...
i might have a chance of visiting America...
if i win the Westons' Cider lucky draw...
and head over to the New Orleans' Jazz festival...
i like jazz...
   more than classical music...
well... within the reasonable constraints
of ******* on Handel's conductor's wand...

    smoochy smoochy...
   a helium balloon...
   dipped in either honey
or vanilla extract...
        chasing it...
     while a baby in a tram,
by accident,
                       releases it.
Reece Mar 2013
California highway buzzes and the searing sun shines on the beach towel as I stroke Walt Whitman's beard
Transcendent and alive, but dead, still dead as my brother and his brothers, the 19th Century posse
We know the world better than them but are less learned, as the schools are a failure
and the business is us, but not the same as the industrial business of yesteryear
We are here to consume, consume and as we're dying of consumption , we consume more.

Alcohol, cars, phones and laptops, tablets, tablets, pills and more pills, condoms, liquor, ***** and brews, women, men, more women, more men, razors, lasers, heaters, coolers, snacks, rucksacks, ex lax and nick-knacks. They sell us dreams and nightmares, movies and bomb scares, they sell us news by the hour and power as they exert their own power. They give us gifts and incentives, draw us in so they they can stick us with a pin or a bracelet, and we too can sell to our friends on group hangs or as we stand still listening to our favourite bands. Billboards scream for our attention, or the buses stop at the intersection, and we're supposed to open our little phone and buy whatever is advertised. Why? Y?

They call us the Y generation too, why? Perhaps we ask the question  too much, perhaps we haven't asked enough. Perhaps the X generation simply ponder why we are so consumed with the technology they feed us. Why? Why must they question us, when we are the next great generation, we do laugh at that too. The internet is the new religion, bow down before Google and drink from the pixelated chalice, my child. Any question one could need answering is answered by the internet. The Bible is irrelevant in our society, burn it and download a bible app on the latest smartphone, the Qur'an too, hell, try the Tanakh, the Smriti and the Pāli Canon, for we are enlightened ******* It. And we want more.

somenonamesarcasticasshole@yahoo.com
RE:PARTY TONIGHT!!!!!

Hey yo mane some warehouse downtown has this dubstep DJ from like ******* Iraq or some ****. *** down, gonna be hella ******* there
xo

What music do you like?
All of it
Films?
All of them
TV
I don't own one but I watched every episode of The Wire on Netflix
...
I am a pansexual being riding the ever changing dunes of the Sahara, like so many great poets before me.

Digital immigrants and immigrants of empathy too
How serious do you believe us to be?
I am not using sarcasm as a form of wit for I have no wit.
Stoicism and rejection of education, employment and training.
We surly are the neatest generation, how can we make a mess if we are not awake most days?
Save for the endless party that is life, as we throw used glow sticks at women we desire
and ***** over car windows before getting blown on the lawn

lol dat wuz cray last nite
xo

Die young poets we have no desire for your kind, pacify us with Kerouac and Ginsberg so that we may emulate intelligence and impair the senses, for we care not about the real world either
Our world is the only one that exists, yours will soon crumble
We have trained for the end with extensive views of zombie flicks in coffee houses

@SomeFacelessJerk Follow for follow

Hey OP, you are a ******.
Why yes, yes I am. Does that bother you.
No, OP. You see I too am a ******.

Do away with your hurtful words they have no meaning today
White man died and lost control of his precious dictionary
We are here to save language by replacing all vowels with X's and O's
We are here to consume and in turn consummate this marriage,
the marriage of ignorance and bliss.
I feel as if I lost control of this particular piece and in turn lost control of myself
The snow is falling and I decided to freeze myself to death
The snow as I learned is a fantastic insulator and so I only served to warm my spirits

Addendum
I am not a poet

Footnotes on The Addendum
All people are poets but only a few are talented enough to shine like [insert simile here] and cause the world to [insert hyperbole here].

Addendum to the Footnotes of the Addendum
xo

Additional Notes
Apathy is the overriding factor in our lives, or at least that's how it seems to me. The trust fund kiddies in their beach houses are bored because Mommy and Daddy have no attention to spare them. The kids without parents in the projects are bored too, bored of the death and poverty, they're bored of the trust fund kiddies playing gangster, buying ******* from Mad Jack the Black Mack on Smack on the corner of 3rd and 15th. I am bored by the words I write, you are bored by the words you read, and we are all bored of the capitalist agenda that serves only to perpetuate boredom amongst us and bleed our pockets so that we have no choice but **** each other for their amusement as they place obscene bets on which child will 'win'.

*******, I have More Notes
Take this work for the post-post-post modern-proto-futurist-pre-apocalypse ******* that is. I have attempted to put no substance into this piece, apart from grams upon grams of ******* I brought from some guy some place, some time ago. It doesn't really matter, and we all stopped caring.
Rowan Deysel Sep 2016
Kyk! Kan jy dit sien?! Dis wolke.
Dis waar! Dit is gemaak uit spoke.
Mamma roep ons, lyk soos kos vir wolwe.
En boetie sin lyk soos 'n klomp golwe.
Ek kyk op en sien 'n hartjie.
Dit is groter as my hele handjie.
Mamma se ek moet my kos eet.
Maar ek hou glad nie van die beet.
Ek kyk weer op en weet ek speel in die sand.
Wolke is vir my so, so interessant.
A poem by my little sister - Annuschka Deysel - 10.
Nikki Wolmarans May 2014
Dit is die trane wat niemand sien nie
Die seer wat niemand voel nie
Dit is die koue gevoel in jou hart
wanneer jy van buite af inkyk *** almal lag
Dit is die eensaamheid op naweke
Die stilte wanneer jy skree
Dit is die afwesigheid van n warm hand
Die oorblyfsels van n gebroke sielsband
Dit is die spasies tussen jou vingers
Elkeen n herinnering van n tekortkoming
Dit is die koue winters alleen
Die somers spandeer onder skaduwee
Dit is die hinkering na "ek is lief vir jou" briefies
Die drome oor die "ek is trots op jou" soentjies
Dit is al die gebroke beloftes
Die "liefde met voorwaardes"
Dit is die idee van *** alles moet wees
Wat keer dat jy gelukkig is
Dit is die wonde wat brand wanneer jy dalk mag glimlag
Om jou te herinner van jou seer se mag
Dit is die donker aande sonder sterre
Jou dood stille foon op die moeilikste tye
Dit is die konstante bevraagteken van jou waarde
Die "gaan nie eers probeer" nie's
Omdat jy voel niemand sien jou raak
En skielik is gelukkig wees, n verbode taak
Maar dit is die leemte in my hart
Die swaarte krag van al die vrae
Die "Opsoek na die vermiste stuk van my legkaart"
Wat die hartste praat
Dit is die gewoonte om te voel jy misluk
Dit is die "minderwaardige" plakker in die plek van jou gesoekte legkaartstuk...
Language: Afrikaans
Tussen my gesteelde fotos
En bekoorde akoorde
Verstik ek aan twyfel
In my verlies aan woorde

Ń Oorverdowende stilte
In die kuberruim
,Die koperkoord kletskamers
En bakkiesblad boodskappe.
Trek op jou neus vir
Die new-age kakkerlakke.

Tik my vingers stompies
Op die gladde skerm
Rook in die aande as
My gemoedsbekakkings kerm
Oor die stilte op die foon...
Rukkings deur my lyf
My harts onwrikbare toorn

Ek **** aan jou
Ek droom van jou
Ek wens en hoop op jou
, maar self met die masker
Van moderne tegnologie;
**** jy ook
*** raas die stilte nou?
TreadingWater Mar 2016
it was your
{birth}
Day
of course you were on. my. mind.
HaRD to for//get
YoU

I h op e you had the
Sun
onyourface
cold Duvel in-your-fist
friends all a round
Mariah sing _ ing
》》FuLL BL,.....aaaa...ssssTTT

I h op e the air smelled like
Wet leaves&pin;;&the; subtle brine
Of your be _ love _ d harbor

I h op e your toeswereinthesand
& the waves¡ were¡ crashing¡¡ merrily¡¡
atyourfeet
writing your name/swigging whiskey/ dancing. with. the. breeze.
... as you ...
watched the sun
                            set,
hearing >the >hues >
orangeandred,orang&red;,orange/red

I h op e you _ let _ loose _ the
tied-up-ends in your heart
forgot/about/your/hurt
if. only. for. a. heartbeat. (ormore)
& yourealizedthebeauty
the l.  U. C. k.
of the world
that~ you ~ were ~ born

I h op e you fel{l}t so high
you. forgot. the. ground.
in those moments
you filled-your-lungs with air
&recalled; the beauty
and ^ the ^ grace
that are all
yoUrs,...

..I wish all. of. these. things.
for;... you
on your
day{birth}
Dit was middernag op ń Saterdag aand
Ek was voor die tv in my warm wolkombers
; hulle was styf teen mekaar gekrul
In die stormdreine van Die Rosestad
Dit was nag.

Dit was 1 uur op ń Sondag oggend
Ek was in ń glasie brandewyn verlore
; Sy was in ń ongeluk in Die Laan bestorwe
Dit was nag.

Dit was 3 uur op ń Sondag oggend.
Ek het aan haar lippe gehang oor die foon
; Hy het homself met ń leerbeld gehang
Oor ń brief in ń hastige hand.
Dit was nag.

Dit was 5 uur op ń Sondag oggend.
My kussing was vol trane.
Die stormdreine was vol kadawers.
Die Laan het geskitter van glas skerwe.
Die brief was vol verdriet.

, maar wie sal omgee?
Wat die oë nie sien nie...
En niemand het gesien nie,
Want dit was nag.
Die donker dans in daai kind se oe
kyk *** die duiwel om hom draai en
walts met die doodsdonker nag
op die ritme van sy swak hart.

Die kind se swak hart
natuurlik bosluis die duiwel hom
toe op die bloedjie se bloed
tot sy are net gal spoeg.

Tant San se hy speel met vuur...
en sit op die doringdraad
tussen hierdie span en die ander
wie hy altwee lelik speel.

Oom Jaap se hy snuif hom slim
die gom is maar om sy hart weer
aanmekaar te plak en die spirits
vir die graffiti op sy spirit en sy soul

maar mens praat nie so van God se kind nie
die laaitjie praat met engele
en gaan eerder hemel toe as jy...
want geen mens gan tweekeer hell toe nie.

Hy wag net om te dooi...
Sjame , die arme kind.
**** jy die **** van yster-gordyn wat val en die aarde omhels ten laaste sy afwaartse versnelling.

Dit maak seer mamma...

Gewere word neergelê as ń universiële teken van hoop en vrede , maar verlang na ń lid van die geledere.

Dit maak seer mamma...

Ons was almal naïef; in ons drome was daar plek vir twee,
Ń eindelose see waar ons kon wegvaar van die ontbindinde spoke van gister, waar ons ons hande in soutwater-poele kon was iewers langs die kus van versoening...

Dit maak seer...

Niemand sou kon raai dat die jare se snellertrek en loopgraaf grawwe jou eens sagte vel kon magnetiseer nie... *** kon ek voorsien dat jy ń bietjie van die geweld gaan steel het om vir jouself te hou nie. *** sou ek weet dat jou vingers jeuk sonder die dooie staal wat dit streel nie...

Een skoot
Twee skote
Drie skote
Ń eenman vuurpelaton reën op my neer en dring deur my ope arms...
Jy het nog altyd ń plek in my hart gehad, maar nou het jy dit beset met lood en alle onskuld uitgerook met brandende kruit...

Dit maak seer...

Dele van jou hang nog swaar op al die plekke wat saakmaak en seermaak en trek my af grond toe...

Eina...

Liefde ek het altyd geweet ons het mekaar se ruë gehad... ek hey net nie geweet jy was besig om ń rooi kruis vir jou fissier op myne te verf nie...

Dit maak seer mamma...
Koebaai
Daan Jun 2019
Ik
Ik heb wat testjes afgenomen,
wilde bepalen welke dromen
mij het beste klaar kunnen stomen
voor een leven in de bomen.

Ik stem, studeer en ben het bos
verloren, staar en veer op
van het bed, wens terug los
te zijn, zoek vrijheid en een job.

Ik, wie ben, ik, boe, wie ben ik, moe.
Wie ik ben, is wat ik doe,
niet minder, meer, niet zeer,
toch op zoek. Want wat was nu ook weer
de clue?

Ach juist, ik was op zoek,
naar wie mij kan definiëren.
Ik heb een onuitstaanbare nood
aan vastleggen wie ik ben,
het is geen aanrader, 'k zou het niet
proberen.

Ik wil vertrouwbaar zijn, betrouw
me gauw en ik zal horen,
ik ben als luisteraar geboren.
Ook lief en accepterend,
de armzaligen verwerend,
doch lachend uit, oordelend,
liefst de taken verdelend.
Dat ben ik, Daan, de ambassadeur
van buzz, plezier en lachen
bezorgen aan de cohorte
is mijn favoriete forte.

Zeg ik allemaal zelf, rapportage
is onbetrouwbaar onderzoek,
ik blijf blijkbaar blij mijzelf verschuldigd
te zeggen wie ik ben
en is dat een probleem?
't Is dat ik vanonder zoek.
Voor mij een beetje maar van bovenaf is
dat allemaal oke.

Vanaf morgen zeg ik nee
wil ik minderen
die letters zinderen na
en daarom zeg ik ja
wanneer ik liever
afwijs.

Het is een zwakte als
pas gelakte nagels
later wordt het mooi,
voor nu is het een zooi
tot het droogt
en het poogt
alles te
verbeteren.

Dat ben, was, word ik later
een zeveraar een prater
een typer, een tikker,
getikt, jouw type, cherry picker.

Ik eet de kersen op jouw taart
wanneer je moederdag verjaart
eet de olie van jouw dom
de spookjes uit jouw kom
Ik ben veel en ook een vraat
ik schrok zelfs terwijl ik praat
tijdens de film
god wat zou ik mezelf
ambetant vinden
als ik mezelf niet was

Daarom kan ik niet om met mensen die niet anders zijn,
ik zou ze verwensen maar dat is niet mijn
manier van werken
ik tolereer ze, laat liefst niet teveel merken
van mijn afgrijzen, afschuwelijk plezier
als ik zie *** pijnlijk op een kier
de deur staat
naar vergetelheid.
Waarom ben ik
judy smith Jun 2015
Fashion, fun and entertainment will feature on August 1 when Hospice West Auckland and national business networking organisation BNI New Zealand partner to present the Absolutely Fabulous Fashion Show, proudly supported by major sponsor Douglas Pharmaceuticals.

Returning due to popular demand, the outrageous fashion fundraising event features upcycled outfits sourced from donations to West Auckland Hospice Shops. Included in the evening is a ‘Designer Clothes Sale’ featuring garments seen on the catwalk, which will be available to purchase on the night. Modelling the clothes will be celebrities, prominent Aucklanders, Hospice staff and professional models.

Award winning ‘Comedienne of the Decade’ and celebrity host for the evening Michele A’Court was delighted to be asked to MC the event. “It just sounds like tremendous fun and I am a sucker for Hospice fundraisers, so I jumped at the chance to be involved. Also, I am a massive fan of op shops, so how could I resist?”

CEO of Hospice West Auckland, Barbara Williams said, “We know the audience is in for a very special night for a great cause, with lots of laughs. We also want to showcase the fabulous range of designer clothing that donors so generously give us, and to highlight the quality of garments available from our Hospice Shops. Op shopping is good for your wallet, the planet and your community and we are keen to show that it can also be brilliant for your wardrobe.”

Barbara is delighted to welcome Douglas Pharmaceuticals as the major sponsor this event. “Douglas is a key supporter of Hospice West Auckland and Founder Sir Graeme Douglas has been our Patron since 1996. We are thrilled to have Jeff Douglas, Managing Director, continuing their support and appreciate his commitment to this event.”

Barbara acknowledges the support of long-time partner BNI NZ as a major asset for the event. “BNI’s networking groups up and down the country have supported Hospice for many years and raised over a million dollars for Hospice nationally.”

“Our long standing relationships with Douglas and BNI NZ and are very important to us, not only financially but also in terms of engaging with the communities their businesses operate in.”

Graham Southwell, National Director of BNI NZ, says BNI has a strong presence in West Auckland with a lot of local businesses participating in its networking groups. “Hospice West Auckland approached us because they know that we have active local business members in the community that could provide resources and help make this event even bigger and better this year,” Graham says. “It’s exciting to work with Hospice and use our expertise in BNI to help collaboratively put on the event. At BNI we are all about creating strong relationships in the community and Hospice have come to us because of our network and assistance with logistics as well as getting the word out about this fabulous event.”

Guests will be able to purchase some fabulous fashion, bid on a range of exciting auction items as well as enjoy wine, canapés and live music. All proceeds from the event will go to Hospice West Auckland, who provides free palliative care and support to patients and families living with terminal and life-limiting illness.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-2015
A Henslo Feb 2019
DE SNEEUW VINDT HAAR EINDE OP EEN WARM GAZON
EN WAT OVERBLIJFT

De diepste indruk maakt een dik pak sneeuw.
Rustig residu die middag,
opziend naar een wonderblauwe hemel.

Sneeuw biedt je weer een lijf, zet je een hoed op,
begraaft je in haar tweede natuur, met een schijnsel
van sepia, lekkend schemerblauw.

De sneeuw friemelt aan je voegen,
wil naar binnen.

In de sneeuw ben je engelachtig
en zij is niet beangstigend, zij lijkt ons veeleer
te omarmen en te beschermen
op onze weg door de stad

Zelfs middelbaar ben je weer even kind.
De sneeuw vangt ons met haar gepeperde adem
en geeft frisse lucht.

Zij komt en gaat en komt weer terug
Zij hoopt zich op zonder
hoop op duurzaamheid
& wenst niet te blijven.

De sneeuw, ik benijd haar,
dat zij zal verdwijnen
laat haar koud

Zij is haar eigen landschap,
met haar coole witkalk
creëert ze
een albasten pracht

trekt zich dan terug zonder klacht.
English Dutch transposition by A.Henslo
Original poem by Deborah Landau, 2018

The Snow Goes to the Gallows of a Warm Grass  and What Survives

The deepest redress is a thick and fulsome snow.
Peaceful prevail of afternoon,
looking out at this bluish marvel the air.

The snow realizes you a body, puts on you a hat,
tombs you in its second nature, with consequence
of sepia, a leaking dusky blue.

The snow fumbles at your borders,
wants a way in.

In the snow we are angelic
and it’s not discouraging in fact it is marvellous
when the snow has its arms around us
and we walk the streets as if safe.

You’re a child, even in midlife.
The snow clouds us in its peppery breath
and the air comes fresh.

It comes and goes and comes again
it doesn’t aim for durability
it accumulates for the sake of it
& doesn’t want to last.

The snow, I envy it,
it will vanish
but it doesn’t care,

it’s its own garden,
its own cool chalky paint―
kicks up
an alabaster splendor

then retreats without complaint.
David Adamson May 2019
Patiently waiting for the perfect light.
Glassy lake, wind, clouds, perfection’s near
as the moment dwindles into night.

Captured moments prove that you’re alive, a height
of feeling between depths of time and fear
that living casts only imperfect light.

But the moment missed is like a face out of sight
that against all logic you hope will appear
from around a corner, framed by the night.

Technology offers consolation in its sleight
of hand:  Digitally correct the analog here
and now, counterfeit the perfect light.

Yet you want more than the remastered byte.
You want the flash between waiting and souvenir,
Self and spectacle fused, reality felt right.

And so you wait for what’s passing out of sight,
the collision between soon and too late, sheer
threads connecting to the perfect light
before the moment dwindles into night.
Du er diamanter, jeg kan mærke mit hjerteslag.
Og du føler at du er i live igen.
Oplevelser igennem hinder af koldsvedende løfter.
Vinden på stranden flyvende gennem mit hår.
Hvis vi kun har det her liv, med idéfyldte tanker
Lad os nyde det sammen, for husk;
Det er mørkest lige inden - du står op.
Så jeg føler at jeg er i live igen.
Jeg er din diamant, jeg kan mærke dit hjerteslag.
Du får mig til at føle.
Johan Nel Jul 2016
Teen die hange van die berge-nag
Speel die donker op die ligte sag
Die kalm daal op die chaos-stad
Van klank en mense op elke kronkel pad
Dit voer jou mee in 'n sterre mat

In skoon lug met 'n oop kop
Kan gedagtes net vloei en skrop
Aan dinge wat is en kom
Aan mens wees, goed en krom
Aan die eenvoud en dit wat verstom

Woorde lê in 'n niks-wees dwaal
Dis rou, dit is maar net  -  dis kaal
Net om die stemme wat skree te verlos
Dinge wat 'n uitlaat soek in die kosmos
Dit het ink gevind, soos vuur in fynbos
© Johan Nel (written in December 2015)

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