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CK Baker Jan 2018
who lit the candles
placed so eloquently
behind purple rock?
that sculpted radiance,
chapel grace
wound in a chosen
defined way
down the spiral
stone stairs

street cars dawdle
alongside
the packer slew
biding merchants
shuffle their wares
as the front man
and pock face
sing their
holy blues

cut jazz echoes
over the accompanying
gabble and drone
incense and haze
pour from
a lower trap door
sack fish, truffles
and splendid crafts shine
inside the stained glass fronts

a wide mouth snapper
with a bloated tongue
greets the
morning tide
(not camera shy
in the least!)
the fish traps
and beaneries
bring life
to the flourishing causeway

hula hoops
and circle ballers
join the
cobaine stage
favoured rogues
and mac jacks
speak easy
of the big daddy

beth’s triple by pass
taking firm hold on
tricky ****
and the nutcracker
maze ways,
taggers and
lost tunnels
of cu chi
strike a
nerving blow

a poised finger man
belts out his tune
(with a sniff sock
and iterating glare)
his nosey neighbors
cut artisan bread
(with a white wine
and jelly spread)
midwives push forward
for an afternoon
toddle and stroll
Nat Lipstadt Sep 2013
Composing Hallelujah

Fractious lines crack,
holiday decorate the spirit inferior,
while each note upon the priest's guitar
penetrates the aspirin roughened interior,
face slaps me, daggers and accuses,
you're not composing hallelujah.

So I mislead, big deal,
composing the anti-hallelujah,
yeah, I was ******* with you,
as you sit across from me electronically
pretending, me to you, you to me.

Lie to each other with smiling faces,
you too have reaped,
been emotionally *****,
by what our minds see and sow,
scowls and howls,
we've both grown our own demons.

My secrets, maybe are all there,
maybe, writ loud and clear,
in the songs I choose to share,
and in the unrevealed ones,
buried alive, held in reserve,
but not, for your average, rainy day,
could be today, you have no say.

Are we not all veterans of a kind,
don't we all have ribbons on our chest,
stripes and stars on our khaki blouse,
a record of our own great campaigns,
including the war to end all wars,
the never ending one,
the one the ******-historians renamed,
"The 24/7 Year Conflagration"?

It used to be just my secret, no more
don't need a cartoonist to tell me that's
the enemy is us, and there are moles, traitors,
hidden deep in our intelligence organization,
planting seeds, urges, pushing to
out the identity of our communist friend,

Depression

I don't mean the ordinary, garden variety,
a mere moody blues recession,
when funk is sourced from gray clouds,
served up proper, cold and wet,
then travels on when sun warmth
clarifies temporarily, the aspirin kicking in.

So I misled,
composing the anti-hallelujah,
yeah, I was ******* with you,
sit across from me and lie to me,
lie to each other with smiling faces
we reap what we own,
scowls and howls.

A chorus of harmonious poseurs
inside your own City Center,
vocalize the lyrics of the anti-hallelujah,
a composition of questions directed at
whomever in tonight's audience deserves it,
asking, nerving, to sing too loud, at decibel speed:

Are these verses, curses
about D,
our mutual acquaintance,
or just research notes for further followup,
part two of a pas de deux, and,
did you go this time, too far,
or still not far enough?

-
A old composition.   Needs work,  clarity. But you will gist it, I'm sure....
Tyler Zempel Dec 2018
The Explorer

“Good evening everyone!  We are here outside the home of missing serial ****** and kidnapper, Chris Morris.
I’m here with my beautiful girlfriend Rachel and I’m sure being so close to Chris Morris’s house here on 21 Hoover Ln. is making her *******
tingle with excitement at the idea of the unknown we are walking into here.
A cop car has been parked outside the home for the past few hours now and has yet to disappear.
We have been waiting to venture inside just in case cops are inside doing another search,
but based on both long distance and short distance research
of the house and area, we are convinced no one is inside.
The house is dark, no movement has been detected so it’s time to decide,
go inside and explore, or bail and go home.
I’ve been salivating at the chance to explore this house and I’m pretty sure at the mouth I’m beginning to foam,
so inside we are about to go!
I’m your host Andrew Pittman and what we are about to find inside, well no one really knows.
What we discover will be caught on my camera for all of you guys to witness for yourselves.
We are going to video tape the secret room where Chris kept his victims locked up for his own sick ****** pleasure.
Whatever else we may document on this camera will be added treasure.
Here we go, on a grand endeavor,
to document and bring to you this dangerous and risky adventure.”

The cop car sitting outside the house still has me worried.
If a cop is inside combing through the building for evidence, he has not been in a hurry.
We have been parked waiting outside for a good three hours now and we can’t wait any longer.
What exactly are we walking into, well that’s the dilemma we currently ponder.
We approach the house cautiously remaining on our tip toes in order to remain silent and move undetected.
I look over to Rachel, she has to be as nervous as I am, but her face doesn’t look affected.
She’s smiling and in control of her emotions.
My face is a nervous wreck stuck in a monotone blank stare almost as if it is frozen.

We stop our approach at the front door and gather our wits for a moment.
I give Rachel a quick kiss in admiration of her determination, unbroken.
I place my hand on the door **** and hold my breath
as I turn the **** slowly opening the door, exposing a world that feels as if it’s plagued by the black death.
I was secretly hoping the door was going to be locked and we would have to find an alternate route inside or bail,
but I guess inside we go in risk of going to jail.

Once inside, we close the door behind us as quietly as possible to avoid detection if anyone is indeed inside.
I’m instantly hit in the gut with a feeling that someone has recently died.
The house is dark, very dark and quiet, too quiet.
Rachel grabs me on the shoulder, her face is excited.
She can’t believe we are actually inside the home of Chris Morris, no butterflies are swarming around in her stomach.
I, however, feel as if I’m standing on the edge of a mountain and am about to plummet.

I notice the bookcase in the living room still moved aside showing off the entrance to the hidden room.
We will explore there last as that will be the last scene my viewers are allowed to consume.
It will be the ****** of this film after all.
In the comments section below, you guys can debate that call.
Rachel moves ahead of me into the house and stops at the bedroom.
Her mouth drops nearly to the floor; her eyes fill with a sense of doom.
She looks my way beginning to shake, tears beginning to fall from her eyes.
She tells me that we have a problem and I can tell by the horror in her ****** expression that is no lie.

I make my way next to Rachel and look inside the bedroom.
What I witness more closely resembles a tomb.

With the camera still rolling, “What in God’s good name happened here?”

A naked man lies apparently dead on the ground.
A police uniform lies scattered on the floor; we may have found our cop that belongs to the patrol car out front.
A woman is handcuffed to the bed but is not moving.
If this was consensual or not, right now there’s no telling.

I approach the woman and touch her on the face to see if I get a response.
It only takes a few seconds for her to respond.
Her eyes shoot open in panic, she must have fallen asleep.
I’m not sure what we’ve stumbled upon, but whatever it is, it’s deep.

“Are, are you real?  Please tell me you’re real!’

“Yes, we are real.  What happened here?”

“That man on the floor is, or should I say, was a cop.
He pulled me over near the intersection of Bradberry and Hilltop.
He planted ******* on me and told me if I didn’t play along with his game that things wouldn’t end well for me.
He cuffed me and placed me in the back of his patrol car so I couldn’t flee,
then brought me here in order to **** me.
He snorted line after line after line of ******* off of my ***,
then as he began to **** me, he overdosed and died right there on the floor.
Honestly, I thought I was done for.
He died and I was handcuffed to this bed and no one had a clue anyone was even inside this godforsaken house.
If you don’t mind, can you find the keys for these cuffs and get me unchained from this bed?”

I agree to the request and take the keys for the cuffs off of the officer’s belt.
This is quite the unforeseen situation we’ve been dealt.
I take the cuffs off of the woman who gets up and hugs me for freeing her as Rachel looks on with a jealous stare at a half-naked woman hugging me.
I mouth towards her, “she’s just happy to be free.”

“So if you don’t mind me asking, what brought you two into this house in the first place?
I honestly had myself convinced I would never see another living face.”

“We are explorers who like to explore and document our adventures in abandoned or just down right creepy places,
and what’s the top place to hit up and explore right now?
Well…Chris Morris’s house!
So here we are to explore and document our findings.
Didn’t expect to find you and a dead cop here though.
We will cover up your identity in the film, just so you know.
O, and don’t call the cops and report this when you leave.
We will do that for you after we achieve
what we have come here to achieve.”

“Regardless of why you are here, I’m happy you guys showed up.
You just saved my life.
I won’t report this to the police, I’ll leave that for you to do.
This place does give me the creeps so that might be a cue
to not hang around here to **** long,
so do what you got to do and get the **** out!”

With that said, the woman departs leaving Rachel and I alone in the bedroom with a dead cop turned ******.
Time to find out just who this man is.
I locate the dead man’s wallet and take out his I.D. to identify just who he is for my future viewers.
Anthony Armstrong is the man’s name, what a loser.
I recognize the name.
He’s the cop that lead the searches of this house for both of the missing girls but was unable to find either of them each time.
He had everyone fooled thinking he had a heart of gold, instead it’s made out of slime.
The ****** wasn’t even able to locate the girls in this house when he executed the search warrants.
It took outside help for them to be located.
An anonymous tip lead to the location of the girls.
That must have been embarrassing.
And this Chris Morris guy is still missing!
He could be anywhere, even somewhere nearby, but he probably fled the country to avoid going to prison.

“Did you get that viewers?
This cop failed to located the two missing girls who were being held right here in this house, and was only able to finally locate them after an anonymous tip came in alerting the police to their location.
Then, when they arrived to save the girls, Chris was already gone and they have been unable to locate him ever since.
Police work at its finest, I’d say.”

Rachel and I, now tired of being in the same room as a dead corrupt cop, decide to finish up the adventure and check out the hidden room Chris used to keep the girl’s prisoner.
It would be nice to find some evidence pointing to Chris’s whereabouts so he’s finally able to face the executioner.

We exit the bedroom and make our way into the living room where the bookcase that hid the room is still moved exposing the hidden room for us just to walk into.
This is the moment we have all been waiting for, I hope you all enjoy the view.

We walk past the bookcase and enter into the hidden room,
where we are greeted with a nerving sense of gloom.
The room is even darker than the rest of the house.
Hanging on the wall is a skimpy school girl blouse.
The pervert was a teacher and I guess had a fetish for his students.
He probably brought them here to punish them for being truant.
Yeah I see it now, he would bring them here to punish them in hopes they would begin to show improvement,
but all he would do was leave them with their virginity’s ruined.

This room feels like a dungeon.
If I had to choose a way to die, I would have to go with being bludgeon.
I can’t imagine being ******* here, ***** and tortured for months on end.
This man’s actions, no one is able to defend.
The one poor girl gave birth to a baby just after being rescued from here.
That had to be one hell of an ordeal to endear.
After being ***** and abused for months on end,
she finally is rescued just to give birth to a baby that will remind her of her abuser for the rest of her life.
What a cruel ******* fate.
I hope one day she can find a good, loyal mate.

Rachel whispers into my ear…
o…I guess she is dead now…
murdered by the other girl who was kept here…
she was killed by the cops and is dead as well…
**** this adventure keeps getting darker as we go on.

Anyways, the room contains no windows as one would expect.
The one room has a table with straps and I swear it still smells of young ******* being wrecked.
*** toys still line the walls of the room.
I hope one day all of this is used as evidence in the courtroom.

The second room is just a chain attached to a wall.
The one girl reportedly spent many long hours chained up in here with nothing but a hard floor curled up in a ball.
She was drugged for her obedience or so the media has reported.
This is sickening, I wish there was some way it could all have been thwarted.
Chris really does need to be caught and forced to pay for his actions.
He needs to be punished in a merciless fashion.
I would love to have a few shots at him myself.
I would turn his final moments on the flat Earth into a brutal farewell.
This room, and house overall in general, really gives me the creeps.
I can’t imagine staying overnight here to sleep.
A constant, cold, nerve inducing chill crawls up and down my spine.
This place should be demolished and be covered by the local paper as their front-page headline.

Having enough footage between the dead police officer, cuffed to the bed, seminude girl and this godforsaken hidden room, I turn around to head back out of the room to leave.
I believe I accomplished everything I came here to achieve.
I stop in my tracks as standing in front of me at the entrance to the hidden room are a man and a woman.
The woman has a gun pointed directly at my head, wanting to pull the trigger I’m sure, to insert into my brain an life ending bullet.

The man speaks, “What are you two doing in this house?”

“We mean no harm, just came here to explore this house a little bit, to get a bird’s eye view of the set Chris Morris used to torture those poor girls.
This room is beyond disgusting and makes us want to hurl.
We found a dead cop in the bedroom and a young woman who was handcuffed to the bed who we released and has already called the police to come here, so I suggest we all make our way out of here before we get in real trouble.
Once the cops arrive and see their friend dead in that room, they won’t be in a mood to sit around with us to ******* and chuckle.”

The man motions to the woman to lower her gun.

“My name is Nathan and this is my friend Amanda.
We didn’t mean to startle you like this.
We got suspicious of the cop car that’s been parked out front for far too long and got suspicious after your car showed up and remained parked out front for an extended period of time now.
This isn’t a place for people to be hanging around anyhow.
We stumbled upon the dead cop as well so I suggest we do get moving and leave here immediately before trouble happens to stumble upon us.
I see you have a camera and like to video tape your explorations, so I have something I would like us to discuss.”

“What do you have in mind?”

“Well, my good friend Dr. James Allen Burke is conducting the most groundbreaking experiment of his life right now as we speak and could use a camera man to capture the moment on tape.”

“James Allen Burke, I’ve heard of him!  Wasn’t he the world-famous brain doctor that was forced into retirement due to trying to conduct very controversial experiments and surgeries on people?”

“Yes, however his experiments have not stopped, he just moved them underground and out of the spot light.
He lives right next door to this house, as do I on the opposite side, so how about you come over with me and use your camera for some good?  I promise you the man won’t bite.
You will be recording an event that will rewrite the history books as we know them.
Too pass on this offer would be mighty dumb.
So, what do you say?
Will you come with us?”

I look over to Rachel who appears unsure of what we should do.
I smile and wink towards her also feeling uneasy about this since this offer just came out of the blue.
But if Nathan is right and I’ll be recording a massive historic event, I can’t pass that up.
Worst comes to worst, we will thank them for their time and leave if this turns out to be a bust.

“Ok we will come with you.”

“Great, let’s get moving!”
Hist? . . .
Through the corridor's echoes,
Louder and nearer
Comes a great shuffling of feet.
Quick, every one of you,
Strighten your quilts, and be decent!
Here's the Professor.

In he comes first
With the bright look we know,
From the broad, white brows the kind eyes
Soothing yet nerving you.  Here at his elbow,
White-capped, white-aproned, the Nurse,
Towel on arm and her inkstand
Fretful with quills.
Here in the ruck, anyhow,
Surging along,
Louts, duffers, exquisites, students, and prigs--
Whiskers and foreheads, scarf-pins and spectacles--
Hustles the Class!  And they ring themselves
Round the first bed, where the Chief
(His dressers and clerks at attention),
Bends in inspection already.

So shows the ring
Seen from behind round a conjurer
Doing his pitch in the street.
High shoulders, low shoulders, broad shoulders, narrow ones,
Round, square, and angular, serry and shove;
While from within a voice,
Gravely and weightily fluent,
Sounds; and then ceases; and suddenly
(Look at the stress of the shoulders!)
Out of a quiver of silence,
Over the hiss of the spray,
Comes a low cry, and the sound
Of breath quick intaken through teeth
Clenched in resolve.  And the Master
Breaks from the crowd, and goes,
Wiping his hands,
To the next bed, with his pupils
Flocking and whispering behind him.

Now one can see.
Case Number One
Sits (rather pale) with his bedclothes
Stripped up, and showing his foot
(Alas for God's Image!)
Swaddled in wet, white lint
Brilliantly hideous with red.
Talent was not worth it,
Until it turned into skill
Rise against the odds
To go in for the ****
Thought it was supposed to be silky smooth,
Thorns in a bed of roses lay still
Hate it for the un-nerving truth
Victory accompanied by a sunken face
And a broken tooth,
What once was
A mountain to climb,
Now within my reach
The peak of ascent
Toiling along the way
A threshold to breach,
A view so spectacular
I could live there forever
Alas, the only thing worse,
Than an incoming frown
Is the dream I was having
Of getting to the top
Without ever putting a foot down,
A ghost of perdition
A drunken semaphore of
Nihilistic fortitude
Scarring enough to even put
Any effort in the journey,
Thinking all I had was
What I ever needed.
The blues seems to suit my heavy heart,
May give me the fuel to finally kickstart.

...

Maybe I'll come back to this at a better time.
Kaitlyn Marie Aug 2014
an unsettled gap between my stomach and back
a nerving tone of voice
is what my dad has.

my dads insufficient ways to encourage church
included yelling, guilt tripping, and personal traps
is some of his pestering crap.

church is a lovely place of gathering
though if you believe
that's one thought bubble
I'd like to leave .

I stopped believing after he pestered me for years
his brainwashing cycles
needed a clean.

it's my life
particularly my dream

you can control my birth
what I eat
the rules of the family

but not my beliefs...
@Copyright Kaitlyn Marie
Àŧùl Dec 2015
I lay in my bedroom,
Near lifeless I was,
Hardly any movement,
Neither voluntarily,
Nor involuntarily,
To parents' utter disappointment,
And to their sadness.

I had never thought,
Not even dreamed,
Heavy felt every step,
Never so desperately,
Narrower felt each passage,
To my parents' daily observation,
And to their dismay.

But still they were strong,
Harder than diamond,
Impossible to shake their spirits,
Time admitted defeat in the end,
Thanks to their nerving nerves,
I could only muster strength,
And I walked upright again.
My HP Poem #937
©Atul Kaushal
jeffrey robin Aug 2010
little, lost
PURE FEELING

gentleness
UNYIELDING

sense of justice
UN-NERVING

loyalty
UN-SWERVING

and we say
HE CAN'T "MAKE IT"

WHY DON'T HE
JUST..FAKE IT?

AND BE  LIKE US!!!!!

the soft and sweet child never judges
our meanings

keeps on going
though needing

a sense of some sort of "humanity"

OF SOMETHING SACRED
OR SOMEONE FREE

but all he's got
is you and me

oh dear god
just you and me
Alexander Miller Mar 2019
I grew up in the putrid decay of trauma
Trying to reconstruct the systems drama
Playing a part of victimized slaughter.
Of every word of hope I had, every laugh
Every stab, every push in the back every part of love I lack
Every piece of hate I contract. Man I'm losing track.
Keeping every Jenga piece in the stack.
And I hate the negativity I attract.
Thats why I’m trying something new.
Turning my progression into something true. Every copy, Every piece, Everything I do
Constructed into a new brand of truth
And as time is passing. Voices are still asking. Why is this white kid up here rapping.
And I ‘ll tell you why this is my passion. I hate the thought of our trauma crashing.
Making the better of us while the devil is laughing. And in a corrupt world where body’s are stacking and hurt is open traffic. And the only frequency we receive is static.  And the fact that my mom was an attic only adds comfort to my panic. This system is nerving ending. And the shock is sending a mixed wave of pending impulses. And when the action is constructed, Their only thoughts are the past your stuffed with. Gagged and fed in. The hate of what you did that you’re continuously stuck with. And no matter your current sins. You are still given the opportunity to be forgiven.
Points are misconstrued. Any question, Every answer. Anything you choose.
Lets pick one to re-construe.
Our systems are filled with hate. Abuse to recreate. Siblings are disconnected.
And our worlds are fed with the continuous negativity within our media that our minds our sent with.
Peace within the races is drifted apart. And theres no light in the dark. Only bodies of morals that were taken from the start. Blood fashioned into a negative art. There’s racial divide right where the lines are. And the distance of peace is mile like far. Crimes committed every hour by the powered while someone innocent is arrested every hour. And when the diverted posture of hate is playing a part to keep our mouths sour. Eyes are closed. Centuries of neglect rose. And hatred is like fire ready to emerge from the stove. And our ideas of morals are completely distorted. Warped and contorted. Flooded with the pattern of systematic blood. Ideas of change are purposely adverted. Not enough pineal glands Removed  from the skin when the knife is inserted. The system designed to keep us devoured. Within the difference of civil slavery and power. You want something to pray about. What about the neglect of the deaths of the ones who are left. And yet we are still having *** with the devil, who is the one to meddle with our lively hood.  And yet those things aren’t understood. The first thing to truth being unearthed is.  
The possibility of the word ‘could’. And then change can finally give birth.

— The End —