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I'm tired of twisting in my days
Looking for a thin straight line
The Minotaur looked at me
I could see the Theseus
there upon his mind

The labyrinth is not the same
It's turned into a maze
I have no more reasons now
I must be on my way

So the Minotaur made reservations
The Mediterranean
Is nice this time of year
He flew tourist class
With a herd of after Christmas deer

Minos called and made his request
Come back this instance
Was his plea
But the Minotaur was bullheaded about it
There's more to this than you , it's me

So the Minotaur stayed upon his beach
Never regretting making the call
Trapped inside our living labyrinth
Is one maze too tall
Kewayne Wadley Nov 2016
Dead in the center of her heart I found a minotaur.
Of all things a frigging minotaur.
I stood puzzled as we locked eyes.
When I stumbled upon him he was sleep with today's newspaper drenched across his lap.
He bounced up in full guard.
Me being me I asked him for simple directions.
Telling him that I thought I was lost.
I planned on seeing heart shapes maybe a butterfly or two.
A big bunny shape thing or two but you, just wow.
He grinned slightly and said yeah that's the first time I've heard that one.
One step further, I added.
I take it from the amount of drool on the side of your lip you've been sleep for quite a while.
Now I don't mean to intrude on your guarding the labyrinth thing but,
How about you let me *** a smoke and we'll talk about it at the nearest dinner.
After all who can be mad over breakfast
Nora J Watson Jul 2010
"Speak,"
Said the Minotaur.
"Speak."
"For I am tired of silence and riddles."
Said the Minotaur.
"And I am tired of being wise."
"Come," he said.
"Come touch my horns."
"Feel my velvety nose."
"Come cradle my head,"
The Minotaur said.
"I am tired of being alone."
DebbyDebutaunt Aug 2024
When I heard people talk about Minotaur's they would always be wrong,
they would say his lower half took the shape of a bull, his upper a man,
if you thought this too don't worry it's a common misconception,
they would say he was created because Pasiphae fell for a bull,
although that is half right it is still wrong,
the Minotaur was a creature who's body was human and held the head of a bull,
he wasn't created just because Pasiphae fell for a bull,
he was created because Minos didn't sacrifice the bull Poseidon sent,
Poseidon forced Pasiphae to lust over the bull as punishment and bare its child,
the Minotaur was created in spite because Poseidon failed to get his way,
he was locked away and labeled as a 'Monster' just because he was different,
when one of Minos three children were killed he ordered 7 Athenian youths and maidens to be sacrificed to the Minotaur each year,
the Minotaur never asked for any of that, he was luck enough to get a name,
sure he was different but he was still a kid, he deserved the right to live like the rest,
in a home, with a bed, food, and family,
he didn't deserve to be feared and hidden away,
I'm happy Theseus slayed him, for he no longer had to live that life of misery.
robin Feb 2014
it is february, and outside it is twelve degrees.
in winters past,
you dragged me to the shore every day to see if this time,
the ocean froze, and we could
walk away from here together.
sometimes you stood in the water for hours.
[but that was long ago.
thats in the past, waiting to be forgotten.]
it is february, and this morning you asked when it would end.
it's been seven thousand days,
you told me it gets better in time. how much time do i have to give?

you threw out every lock in your home.
you bent to kiss the bonfire goodbye and your hair caught the flame like
a hand catching a moth, and now
every room is full of candles pressed wick-to-wick,
melted wax hardening on the floor like cooling lava,
or congealing blood.
aren’t you sick of being somewhere between a natural disaster
and an emergency room tragedy?
aren't you tired of being sad all the time?
arent you sick of wearing the scent of burnt hair like perfume?
aren't you tired of crushed wings in your fist and careless,
accidental strength?
[or perhaps this is your dream, god knows
i've had stranger.]
maybe you always wanted to be a terribly sad monster,
a giant with the blood of a thousand bulls,
a titan preparing to birth
the gods.
picking at the skin 'round your nails till you bleed. broken teeth
embedded in the wood of the stairs.
you wanted to be zeus,
wisdom bursting from your skull like a bullet,
daughters like grey matter,
but you're just a labyrinth.
you're nothing but a prison,
a maze with a monster in the middle,
swallowing children and thread.
were you made for the minotaur or was it born for you?
you've been gathering sickness like moss on cave walls.
you've been pulling up the tiles from the bathroom floor.
last night's dew froze and clothed the stairs in ice.
there's a body floating in the bathtub and you promise it isnt mine
[i don’t know if i believe you].
you are undoing every knot i tied to keep myself together,
you are looking for anything in me to prove that i care. i do, i love you,
i love you like an ox, i love you like a child,
i am bursting with the lymph of every mother in my bloodline and i care for you like my own, but
in your mouth,
"loving" and "mother" don't fit together right.
a mother is someone who has too many monsters in her bed to fight the ones under yours,
"motherhood" is a synonym for "natural disaster,"
and all you can do is try to survive.
at this point i'm inclined to agree.
you make me feel like my womb is full of crude oil
and the distal phalanges of both your hands.
ive been sleeping with statues and dreaming about metal bones.
the only love you know is the kind where your clothes crumple on the floor.
you're always finding someone new to be the minotaur in your heart.
you don’t want theseus to find his way,
trailing thread as he traces mossy walls,
kicking bones aside.
when the minotaur dies,
you'll be nothing but a cave.
you already feel hollow when it sleeps, you say i don’t know if if you’re my minotaur
or another sacrifice.

i say [i don’t know if i’m your friend or
the closest thing to a mother
you’ve ever had.]
you have broken every tile.
you have cleaned the mirror countless times but your reflection still shows.
drink some water. wash your passageways with floods,
you don't need the bones of every failed theseus
littering your veins.
i can teach you to live with a minotaur like
a bezoar in your stomach.
Claire Waters Mar 2014
“Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout ******* and ovaries rather than ***** and *******;to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars - to be a part of a scene, anonomous, listening, recording - all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to ****** them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...”*
-Sylvia Plath

all the streets i’ve walked become a neat little maze
under crete is a labyrinth
under los angeles is a cage
in my head forms a neat little map
cover your legs with your napkin
the monster in my head
says to cover my back

she’s looking for a sweet little life
she’s slumping over in her seat looking white
she may seem a little lifeless because she is
are you okay, are you okay?
are you?
no.

you put on a little periwinkle dress
you reign in your red hair with barrettes
now you shed the little periwinkle dress
in a gas station bathroom
to be less like a girl and more like
the smoke in your lungs
the pain in your heartstrings

you rip your red hair from the barrettes
it doesn’t feel good anymore
they don’t feel right
you go to goodwill and stare at the men’s button ups
in gaudy patterns and colors
shaken and sleight like your mind
some people’s eyes just chill your bones
you think it is safer to wear camouflage
in a city where pretty little girls
are devoured by minotaurs
when they wander out alone

don’t think about strange boys on the boardwalk
who are stuck in your sun glared eyes
the less you told
keep telling yourself it was wise
the lies you told
keep replaying through your mind
the wall rears it’s head
when he says the word *****
you ignore the warnings
you ignite the warnings
you forgot the warnings
hand him the lighter and watch them burn

they say they can feel your lightness
you tell them you are looking for a life full of light
and it lessens, as the sun drops
learn your lesson
they only want one thing
and you don’t want to think about it
but eventually they say what they really think
what they rashly think
what they readily think
the sniffing nose around the corner
you barely blink
the bull shows you the horns
you know you stink vulnerability

and you always get up to leave
just in time, the warnings
you disappear back into your well memorized labyrinth
your body and mind are warring
the minotaur is bearing down
the moments are fleeting but you carry the feeling
the moments are feeble but the fear keeps on teething

maybe tonight
you can do something different
try not to haunt
every place that you live in
the feminine
The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.

That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.

'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,

'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?

The ****** end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.

Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
Onoma Dec 2016
Truth enamored of itself...based upon
the forever following.
Flow's entrails--the
seven circuit labyrinth pends the
recollection that yielded it.
Thus, the unsound voice pouring
voicelessness.
Minotaur's digestive sound bite.
Where Once, as only Once allotted
the victor of Truth.
As told, as held...now confounds
with a self-fabricating prophesier,
profaning all telling.
Disconsolate swipes of emotion
make and remake the barren.
Pray tell the lessening visage of thee,
where by and by shall deem thee
bygone.
Natalie Martinez Nov 2013
[Lost Animals]
Cats probably aren’t even lost
Dogs are trying to find the way back to you
And then there’s butterflies and wild geese that can fly
thousands of miles and back every year and just know
The way home  

[Photographs of Abandoned Places]
Empty rooms filled with flotsam and jetsam
once colorful but now faded and dusty
what draws us here?
The emptiness, the mystery of why we would leave
our dwellings and go elsewhere

[“Don't Lost" Sign]
Our faces were cold and it was windy
we smiled and laughed anyway
warm from the dim lights and food we’d left behind
Don’t lost what? Don’t get lost? Don’t lose yourself?
Cryptic commands posed by an unknown painter with bad grammar  

[Labyrinth]
Isn’t it strange that we make a game out of getting lost?
Ariadne Gave Theseus golden thread to solve the Labyrinth and defeat the Minotaur
Cathedrals have them too, so we can meditate and walk through them
But what minotaur lies at the center of our labyrinth?
More importantly, can we defeat it?  

[Cultural Appropriation]
A clinical term for the simple act
of erasure, of losing.
A people, a nation a culture, a shared memory
who are we without these things?
Such power in taking them away and reducing the people to shadows.  

[Photographs of Chernobyl]
An eerie empty city of ghosts
The pictures show that nature will take us all back one day
there are trees in living rooms and schools  
The photos of howling, pain, mutation are a warning that we shouldn’t seek to have
So much power.

[Losing People]
Stoics say that when someone has died you have ‘returned’ them
This sounds better than losing I suppose
because they aren’t lost
they are gone. And they’re never coming back
No matter where or how long we look we won’t find them  

[Guiding Stars]
The palest of light that seeps into our atmosphere
we are under the same stars as everyone else wherever we are on this lonely planet
that ought to give some comfort, when I look up at night that I see the same stars
as you. I want to brush them into the palm of my hand and offer their light
to you so you could maybe see your words are what is painted on the inside of my soul.  

[Feeling at a Loss]
My tongue is tied and I can’t even think of words because I can’t breathe
around this knot in my chest that forms when I think of you and how I lied and why I let
myself lose you and so for a long while my heart cried oceans and I begged it to stop
So I wouldn’t have to think about the words that I didn’t say and the light I lost,
the brightest that came from your heart.    

[At a Loss for Words]
When someone says something you’re not even sure you heard right, you’re stunned
because you can’t even think of a response while the blood rushes to your face and
pounds in your ears like waves on the beach will you sit silent, stoic
not wanting to give away heat you feel just under the skin.  

[Losing My Religion]
How can you lose your beliefs? Unless someone stole them
Or the disgust with hypocrisy built on good intentions breaks in you until you lose sight
of what you believe to be real and all you can do is renounce it.
What happens if you never knew what to believe in the first place?
A crisis of faith is averted? But at what price?

[Lost Clothes]
The left sock, left glove, that ugly winter jacket you had as a kid.
Where do they go? Why do they just disappear? You just never find them. What do you
Do with the extras? What happens to the lost ones? Is there a land for lost socks? Are
they lonely, trying to find their other half?  

[Missing Person Posters]
Can you lose a person? No, surely not. How can let someone fade from you so far away
that they go missing? Maybe they let themselves fade. Pulled away.
Of course, they could be stolen, or forget who they are, but that is almost less disturbing
than thinking of than people running away or being lost by people
who are supposed to care.

[Lost Cause]
Maybe not so much a cause going nowhere as one that people tired of
too much work with no end in sight. So they left and let the tenacious ones
the true believers take over, to finish the ***** work and clean up the mess
is that how this grace thing works? Holding your tongue while someone else chases
glory only to abandon it when it is too difficult and they leave you to see it through?

[Lost My Mind]
My mind is currently wandering through some forested path on a mountain almost
on the way to touching the sky or lying on the bottom of a the clearest blue ocean
looking up through the kelp leaves and shimmering fish. Or between words of a book.
So forgive me, I missed what you were saying. I’m sure it was important. I was just
trying to follow my mind to those places. And be somewhere else.        

[Lost Souls]
The kind of thing you say talking about a girl with empty sad eyes raccooned by liner.
Or a boy who is always angry or in an altered state of consciousness,
so he can face his everyday. It is reminiscent of ghosts, who wander, not sure where to
go, or who to trust so they hold their despair and fear tightly against their chests.    

[Lost Time]
A euphemism for fainting. Or maybe used by historians for a time with no records.
It sounds more mysterious, Where can time go, except forwards? How can there be a
lost part of time? it sounds as though time has a private life, that it won’t share.
Unless asked politely. Which is what we do when we investigate the past isn’t it,
Looking for the lives of others.  

[The Lost Generation]
“Don’t wanna be an American Idiot” said Scott, and Ernest, and Gertrude.
So they sent each other invitations to their chic Parisian salons on creamy white paper
and said ‘darling let’s make it a holiday!’ and had a divine time with the French
so they wrote novels of despair and disdain and the pain of being human.
and drowned the pain in champagne and beautiful women and men.  

[Lost in Translation]
Some words that cannot be translated in English especially
ones that are raw and tender and romantic
ones that are universal feelings with no name that everyone understands
but the meaning is changed to make it something no one understands in English
So something universal becomes something ungraspable to all.   

[Lost and Found]
The one who crawled out the cave
out of the dark into the pure light so they were blind
Gave so much to come back for the others out of love?
Or a sense of duty? Or maybe they were just returning, as we all do
as we all will do someday.
Lysander Gray Oct 2012
Her mouth glittered agape
With sacred promise,
Like a box of unused
Engagement invites
Christening invites
Birthday invites
Still in the wrapper
For sale at a
Lifeline.

When you’d rather live
In a car
Than the zombie stance
Of a modern house,
Clean and soulless
With a hermetically sealed lawn,
Winter pageantry draws to a close
With bogan’s shooting-
Pearly eyed paupers
With constellations in their gaze.
With eyes full of hope and stars
That burnt bright and fade for
Flickering lens light.

Their voices murmur soft
Through catacomb
And underbrush
As only the ephemeral things are whispered of –
Dreams.
The addicts of ideals
The junkies of hope
The drinkers of despair
Have tiger soft tongues.

They lap and feast gladly,
From broken vessels
Chipped with hazardous teeth
That seek to fill their
Ermine mouths with the ******
Draught
Of truth.
Stumbling through wine-hour
They swarm, with tongues ******
And all constellations burnt out.

The hyacinth rides wild
Upon her shoulder,
Writhes in the silver brunt
Of moonlight,
Writhes in the stillness of dead perfume.

Marching to the beat
Of my enemies drum,
My hands inside my pockets.

Little bluebirds spun from dream
Sit on the holy perch,
A branch in all innocent minds.

The redeemed and patient
Make a subtle art from
Long distance perversions.

Similarly as we chase ghosts over Daffodils.

Fields of winter
under lunar glow
sway without us.

Long distance love
lingers with loose lust
along Regret street.

I hung it next to the memory
Of childhood cooking and Indian summers
Without further thought.

It slipped into the novel that took the form
Of an old coat, slipping into the lined pocket
It sank with a sigh.
Satisfied with itself.

Bombarded by the pounding
Dead eyed stare of ***** goddesses,
Broken by the undisputed angelic
And unglued ones,
All moon faced
All hopelessly optimistic
All lawfully rebellious
With green serenity
We pasted our dreams
On a wall so real it shone gossamer.
He counted the imperfections in the glass
With mind hesitation
As the whole world went black,
In a sea of much deserved discontent,
Wishing for the soft.

A moment of pure luck?
Jesus was an astronaut
Smoking Zen by the fire.

Suicidal angst
never had you in sonnets?
What a ******' shame.

Our life is but a song
We never hear.

I chipped away at the excesses
of my baroque person,
each strike took a
Railing
mounting
wall
decoration
desire
demand
exclamation
from the battlements.
All left now, a hill.

I paid for my banquet
with a sip of loneliness
and left behind the question
that asked all quiet poets
the meaning of love,
that asked all quiet poets
to answer with a villanelle
shouted from every
distant peak.

They sent the troopers
to greet me instead,
and my library was put in shackles,
and I kissed their ***** feet.

I answered that I carved this mountain
from the baroque bedrock
upon which they laid their city.
They smiled and asked about the aqueducts.
I wept and spoke of kitchenettes.

A meal provided
on a lead cast plate
my jailor asked about freedom
I answered with defeat.

There were two atoms
One questioned the meaning of existence
The other the existence of meaning.
             -Regardless they looked the same.

An apple on a branch,I took
The same way history takes a footnote.

The same way cashiers are all doctorates.
The same way trains find the station.
The same way you sing like a bird (and I like a cow).
The same way we never really wish to be writers.
The same way our final friend is made of pine.
The same way all streets lead to nowhere.
The same way all jobs **** society.
The same way we always lie to our children.
The same way a man loves a woman.
The opposite way we ****.
The opposite way we make love.
The way that I know a man who’s totem animal is a worker ant and he is unemployed by choice.
The same way we take old memories and turn them into fashion.
The very same way all sacred things become profane and all profanity becomes sacred in the eyes of many.

Dying relic of the Optimistic Seventies,
A new coat of paint for the old irony
     -slap dashed with obscurity.
Although I wear the costume of my enemy,
I will write the exaltation in blue smoke
As **** by an unsuspecting victim
Occurs in the dark.

The face of another love stares down at me.
I smile.
Yet I know it is not her.
I weep.
A sudden method sparks revival.

Jackie Pleasure wore a gray smile,
The anthem of a lost generation:
‘Happiness is lost in smiling.’

You are dead to me,
the boatman calls
I will not taste of your amber lips
I will not taste.

The welfare of all never hinged on darkness as we fear the fall,
A multitude of angels sang their songs
And never learnt to say goodbye
Or cast a long distance eye
Over half spent desire.

Drawn out caricatures,
Paraded intoxication
Flirt with our mistress death
And have her pick up the tab.
She pays with silent music.

The ***, we learn, is a bridge
Between all words and waltz’s,
Our Light Brigade to conquer art.

In the twilight of this, our mansioned night
Let us ring out true with indulgence,
Excess, abandon and the call of ‘yes’
Kali rang on the wire of a golden telephone.
Her name
“Kali, Kali…”
Like a quarrelsome minotaur
Flew through the waves of silk ideal
And strangled the babe
With cool breath.

There was ice (oh yes!) and fire and song.
With our candles burnt down to the ash of all streets
We walk then. We walk.
All life is but a song.

The ghosts of all forgotten stamps
Now echo on the wind of speech.
On High! Oh speak!
Of songs sung but never danced
With our broken dream.
When starlight meets the dust, and
Shadow eats the snow,
All our stories are satin sheer
And all our wants are gone.
We watch the memories march, until
They find a sliver of chrome that showed that place
Where all piano’s live and breathe.
My father in the wishing well,
My mother played trapeze.
My sister never saw the light,
My brother never born.
That was that,
Where stars meet dust
And floorboards sing off key.
Over the course of several months, I carried a small notebook in which I kept random musings and poetic snippets that came to me. This is the compilation of that.
By David John Mowers

Oceanus, Acheron, Styx and Gyges, Phlegethon,

Phaeacians lament, mourn the loss, Scheria, dissolved in froths.

Virgil’s tale, found correct, a land too good, a nation wrecked,

Nausikaa, burn the ships; their minds released, cool airy nips,

Below the wave, watery grave, submerged to bottom, fathoms by stave,

Fathoms some more, until the whorl, descending to, another world.

Through Omphalos, to Land of Sleep, awaits a beast, where time has ceased,

Darkness here, underworld, cold and frigid, below the whirl,

In solemn grave, souls released, judged and counted, by the beast,

Deeper than, the deep itself, past drowning fairies and dying elves,

Who did mourn them? Those golden men, magic mariners, Mino's kin?

What wrong was seen? What vice not true? What awful sin? What did they do?

One thousand years, first black age, Two thousand more, to find the stage,

Cast off Aries and cast Orion, to find beginning, of Golden Lion.

Man of Heavens, Beast agrees, Bull of Sky, Ox of seas,

Land of Punt, Land of Éire, Ogyges blue, hearts on fire,

All the seashores, all the mines, Tribe of Dan, from ancient times,

Port of Sais, Port of Thera, Port of Lagash, bygone era,

Sailor’s horse, Minotaur, a lyre is crying, strummed guitar, nation dying, abattoir.

Ochre foams to sanguine depth, there they rested, where Kronos slept,

He’ll never answer, he doesn’t care, we’ll never know, if this was fair.

Our hearts in sadness, hands on the gates! I curse you Poseidon!

. . .and your Sea of Fates!
Every historical and mythological reference to the kingdom of Atlantis which was destroyed by it's founder; Poseidon. All of the characters including the archaeological agreement on the historical basis along with Geo-location as well as an approximate age of occurrence, extent of the kingdom set to metered rhyme.
Kelly Bitangcol Sep 2016
I have always been fascinated by mythology. I remember seeing my older sisters with a greek mythology book, and wishing I could be in high school so I can know it already. I was interested in the mythical creatures, in the gods and goddesses, in the battles, and just like everyone, I was interested in the love stories. I wanted to learn it with passion for I heard it was the inspiration of almost all the modern literature that I love. I could still remember feeling excited to be in class and discuss it. And now that I have reached high school, and I also reached my dream of studying greek mythology and not only that, because I reached it with you. We learned about the titans, the gods and goddesses, the olympians, the monsters, the stories. We were both engrossed and captivated by it, that mythology was the only thing we ever talked about. We even related it to real life, we related people to the characters. Whenever we see a person we know, we would think of the character that best resembles them, and we will start calling them their characters that we decided them to be. We called our friend Athena, we called your cousin Apollo, we even called someone the Minotaur. And that’s what our teacher told us, that not because it’s fantasy that immediately means it cannot happen in real life. The stories there, are reality, the only difference is, they added magic into them. We loved greek mythology so much that we related it to everything. However I realised something, we related it to everything except to ourselves. So I asked you, “Who are we?”. You told me, “Baby, we’re no one there, for we will make our own mythology. We will make the greatest one, so beautiful that it would surpass the best literature of all time.” Your favourite one was Plato’s quote, you would never shut up telling me the story that “humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.” And you would always tell me, that you wished to tell Zeus you found yours already. I expected myself to love the romance most, for myself to have the love stories as my favourite. But instead, I loved the opposite,  I loved the tragedies.


I don’t know why, but I found myself loving the tragic stories. I found myself loving the story of Orpheus and Eurydice. The ultimate tragic love story, in which Orpheus would have brought Eurydice back to life if only he had done what Hades said. Orpheus went to the underworld to ask Hades to bring back Eurydice, but Hades had one condition, he should not look back while his wife was still in the dark, for that would undo everything he hoped for. He should wait for Eurydice to get into the light before he looked at her. But then, Orpheus couldn’t control himself, he looked at Eurydice and hugged her, then suddenly Eurydice was drawn back to the underworld.


And who would ever forget Pyramus and Thisbe? The star crossed lovers who had families who hated each other and whispered sweet nothings through a crack in the wall that separates their houses. And they decided to run away, but when Thisbe showed up under the mulberry tree, a ****** jawed lioness was there. So Thisbe ran, and just when Pyramus arrived, he saw the lioness ripping apart Thisbe’s shawl. Thinking that Thisbe died, Pyramus stabbed himself. And when Thisbe returned and figured out what happened, she stabbed herself too. To this day, the formerly white berries of the mulberry tree are stained red with the blood of these tragic lovers.


Here comes my favourite story of all, the myth of Icarus. Icarus and his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Daedalus cautioned him that flying too near the sun would cause the wax to melt. And because of hubris, Icarus ignored his father’s instructions and flew too close to the sun. Then the wax in his wings melted and he fell into the sea.


When I was reading the stories, epiphany suddenly hit me. Perhaps the reason why I loved tragedies so much because we’re turning into one. I finally got the answer to my question when I asked you who we are. Maybe we are Orpheus and Eurydice, we loved each other too much that we would do everything just to be together. But we ignored all the warnings, we thought love was the only thing that really mattered. We never got to control our feelings and we forgot everything, because of that, we were separated from each other. Or we could also be Pyramus and Thisbe, we are the perfect definition of lovers who almost made it, who almost achieved happiness, who almost became the greatest lovers of all time but then we never became one, we became tragic ones. And darling, perhaps Icarus resembles us the most. We are both Icarus, our wings, are ourselves,  and love, is the sun. Everybody told us not to get too near the sun, for the wax in our wings will melt, we will lose our wings because we are too close to the thing that could save and destroy us both. And just like Icarus, we disobeyed the rules.  We flew too close to the sun, look at us now.

As we were walking out of each other’s lives, I realised something. We were not meant to create the greatest story of all time that it would top the best literature. We were never making our own mythology, because we were just bound to become another tragedy. Another tragedy that people will love, and I still don’t know why, but people tend to see something beautiful in it. And maybe, just maybe, people will also see something beautiful in our tragic story. But just like Orpheus and Eurydice, Pyramus and Thisbe, Icarus; one thing is for sure, my love. We will achieve a thing we both wanted,  **we will never be forgotten.
1.
I cling to the rigging
of the sleek, black ship
as it speeds toward
Crete, seeding the waves
of the wine-dark sea
with my hopes of heroism,
with my desire to refine
my strength in battle,
my cunning in pursuit
of prey, my courage
in the face of inexorable death.

Immortality awaits
the victor, or so
I profess. It is my Greek
code of honor to turn
glory into deathlessness,
to sow the whirlwind
and reap calm breezes
of brotherhood with
the gods, to revel
in repose at their table,
to feed on the sweet
satisfaction of becoming
who I am.

I am favored
in this relentless
struggle to prove
my prowess and
resolve, my power
to subdue my foes,
to dominate --
in this, my seventh
labor -- the sire
of the Minotaur.
I arrived on Crete
because King Eurystheus
of Tiryns has imposed
this labor to try to
assuage Olympus’
Queen Hera's
irrational hatred of me.
I must continue to atone
for the sins she caused me
to commit. With my entire
family slain, she owes
me everything.

2.
As the muscular
offspring of Zeus --
Hera's wily, randy
husband -- and an
ordinary mortal, I stride
through the world
half-man and half-god,
a living mockery of
the Olympian purity
that Hera so hysterically
cherishes: a mirror
that reflects nothing but
delusion, nothing but
a buzzing hive of grandiose,
self-comforting lies.

The gods don their
pearl-white tunics
to convince themselves
they are made
of nothing short
of pure glory, pure
eminence, despite their
blatant self-indulgence
and moral laxness,
despite their privileged
violation of cosmic laws,
despite persisting
in their perverse ploys
without the slightest
twinge of conscience --  
drunk on the ambrosia
of boundless power,
the ironic gift of my
unheralded birth.

3.
I know I possess
the cunning to have
prevented
the Minotaur
from ever pawing
the plowed-over earth,
from ever charging
some unwitting
victim frozen in fear.

I could have
kept this monster
from being born,
from embracing  
the rosy-fingered
dawn of existence.
I could have
saved Theseus, my
fellow Greek hero,
from his backbreaking
battle with the bull-
headed mutant.

Indeed, I could have
stopped altogether
his labyrinthine
struggle to **** the mighty
Minotaur, to curb its
cannibalistic tastes
for maidens and
young boys, to undo
its enormous
lusts and tame them
into docility,
dissonance and death.

If only I had arrived
in Crete sooner,
before this, my latest
labor, stuck in the stream
of imperious judgments
against my fatal fit of madness
that ended my innocent
family’s all too precious lives.

4.
I proudly claim my
birthright as a son
of Zeus and a worldly
woman. Call it the outcome
of Olympian adultery,
an act that ignited
Hera's intractable
jealousy and rage
until she inflicted
insanity on me
and perverted my
innate powers
and strength,
turning them  
against my wife
and daughters,
as I attacked them
as if they were
the Nemian lion.

Torn by grief,
I quietly returned
to my right mind,
mourning my foul
deeds and crying
out against the divine
injustice of Hera’s petty
interference. And all this
because of Zeus’ calculating
dalliance. All this to satisfy
a moment’s passion
that swiftly spawned
eternal consequences.

5.
Now I am bound
to capture the
Cretan Bull, sire
of the Minotaur
and source of
endless chaos
on the fertile
island of Crete.
In its own species
of madness, the bull
has uprooted crops,
and torn down
walls. All semblance
of order has
vanished in its  
destructive wake.
King Minos of Crete
demands that it
be immediately
removed and
banished
from his sight.

So my strategy
is simple: use
my secret stealth
to wrangle the bull
from behind
and strangle it
to the brink of
death. Unconscious,
it proves such an easy
package to dislodge
and ship back
to Tiryns, where
King Euryhtheus
plans to sacrifice
it to Hera. But she
refuses such piety.
She seems sworn
to deny any
trace of my glory,
to devour any shred
of my pride.

If only I could cut
her out of my name.
I would wander
the world incognito.
I would gladly deny my
identity, happily
forsake my fate,
and in the depths
of dark anonymity
unbecome who I am.
Russell Douglas Feb 2010
A Verse In Time: A Trickster’s Alchemical Approach to Memory in Three Waves

(Warning: The following collection contains depictions of three waves
of the psychedelic experience—particularly with God’s allies, Los Aliados, the mushrooms—and like the psychedelic experience each wave possesses its own waves within itself.  Ride with discretion.)

.

Wave I: The Allies’ Nursery Rhyme

The Allies
came to visit
and take me
on a trip.
No need for boat
or bus
or plane
or even rocket ship.
The galaxy, as they explained
resides inside your mind,
The portals to the universe
are windows you call eyes.
Instead of always looking out
you should try to look within.
The ending you have always feared
is exactly where you begin.

Yes, all the spans of time and space
exist in you behind your face
and yet you cannot understand
that nothing is a race.

Oh wait, please be careful with that mirror
when we are here and you draw nearer.
Don’t let the face of everyone replace your face with fear.
You are Horus, Mary, Jesus Christ, Cervantes, and Shakespeare,
and all the men from beast to mice, from oceans down to tears.

And so they pried behind my face
and pushed me on through outer space
and soon enough I understood
there never was a race.

It all exists right here, right now—
the past, the future, the grass, the cow,
the vast, the nature, the cash, the house,
the king and the savior
the beast and the mouse
are all your creation,
your relation,
your spouse,
your Path,
your Bible,
your ‘Gita,
your Tao.

It is all
of your moment,
It is all
of your now.

For you are the mystery
of that which you seek.
You invented the minutes, the hours, the weeks,
the deserts, the rivers, the valleys, and peaks,
your digits, extremities, elbows, and knees.
You created the cure, you invent the disease.
The labyrinth is you and
You defeat it with ease.
To master the Minotaur just follow the string
Discover the dinosaur, discover the king,
discover this grandiose song that you sing,
and uncover the truth of the message you bring
when you ring bells or

Stroke piano keys
and make the doctor sweat.
The pranksters shifting shapes again,
it’s time to make a bet.
With silly laws of threes and fives, this riddle I repeat, replies
that by the time the rhyme is over, the trickster will arrive.
Gliding up in cycles by, the prankster grins and winks his eye.
He fabricates a fluffy fix with fuzzy snow white lies
to bring the doctor to a six then down to four inside
and bring the tempest to a wave
on which the four can ride.

Do we glide?
Do we slide?
Do we fly really high?
Do we bobble and sink
with the rise of the tide?

I remember the brink
the cellular stride, the following leap,
the primitive mind
I remember the dirt, the water, the fire,
the wind and the ether,
the passion, desire.
I remember that art
can never expire.

Do we depart?
Do we retire?

The answer is yes,
The answer is no,
The answer’s the same wherever you go.
It’s never too fast,
it’s never too slow
and you are never the last to not really know.
For the sun always shines,
the moon always glows,
the old always die,
the young always grow,
The seeds that you plant
are the trees that you sow,
from the bees and the ants
to the bulls and
black holes.

It is all
in your stance.
It is all
in your
soul,

When you follow your dance
the bliss
takes control.
Take your place
in the play
and master
your role.
The Aum
is your home
it’s inside
of your dome,
Whatever
you wonder,
Wherever
you roam.

And so it flows behind my face
the universe of time and space
Now I understand that time
is invented as the race

Yes, you are Borges, and Buddha, and Krishna,
and Lorca, and Vishnu, Dickinson, Lennon,
Eliot, Gandhi, Marley, McKenna,
Campbell, Picasso, Alpha, Omega.
You are your enemy,
your stranger,
your neighbor.
You are the peasant,
the king,
and the savior,
the mandala man,
the cosmic *******.
You are the taste
You are the flavor
and you are
the wave
the unwavering
Creator

Even us
as they explained
merely extend from you
A mirror to the macrocosm
for you to gaze into.




So when you get lost
within your lies
and cannot find
your rhyme,
Gather inside with your
Allies
and master
the maze
of
time.


Wave II: Contemplating The Allies’ Advice

Thunderbolts of cackling giggles
shutter through your vitals, shaking shoulders
and squirting tears from squinting eyes.
Exciting when dimensions hidden creep into your line of vision,
morphing mapping iridescence with a fleeting fuzzy phosphorescent
undulating elfin presence following your every contemplation.

Concentrating on a caterpillar crawling up the wall
how curious, this furry beast has fingers not to fall.
He folds into his fuzzy form, a sleeping bag to keep him warm,
a little home as still as lead.  He hibernates and contemplates,
waits and waits and transmutates into a gilded butterfly
that flutters through my head.

Violet translucent landscapes bleed through grass and trees,
focus on a precise place of time and space and witness the birth of the human race.  Projections made in fuzzy fourth dimensions quickly fade
if your gaze should wander.  Positioned to ponder,
you plunge into prepubescent wonder as a shooting star splits the sky wide open revealing heaven and everything under the sun is tune and the sun is eclipsed by the moon.  And once again, the music comments chronologically on your moments, as if all these notes and lyrics were cataloged to sync with the scenes of your epic voyage.

Destroying contemplation again, the sea ***** the wind through the trees
and blows a blue marine breeze through your hair.
Do you dare take the time to recognize the punctuality of the gale?
Should your frail and fragile mind be dangled from a line
to flap and fluff and figure out the nature of the rhyme of our mother?
You are your brother, your keeper, and your lover.

All the lines align and oscillate in cadenced flow,
the more you see with your mind the more your mind will know.  
A ****** brain may strain and throw a fit
if faced with the tricky truth of the third eye
Surprise! Who knew that Jesus Christ could sprout from cow ****?
Can you believe it?  Wow, Bob, wow.
Where do you think we got: ******* and holy cow?
Heaven is the here and now
and every time you try to leave
you lose what you have found.

(* All words in italics come from    
   various songs, films, works of        
   literature, etc. and are not the words    
  of the author.)


Wave III: Los Aliados Wake

An apple carries a story deeper than the tree,
More nourishing than the luscious skin,
More central than the seed.
for the apple gave original sin
and knowledge from within
and fell upon the head, announcing gravity.
Have you ever heard the tale of Johnny Melon seed?
(The apple is global, so I wonder why,
what could be patriotic of pie?
Is it not just a strudel,
a pastry disguised?)

The colors we create
distort. manipulate.
The fools who follow fear
are doomed to find their fate
between their ears
where the colors seem
to blend and stream
and almost disappear.
To wonder why we’re here
all colors must appear
and merge into the blinding light
that obliterates our fear.

All your dreams, your fantasies, your symbols, and beliefs,
all a compass pointing you to endless mystery.
The treasure that you seek
resides inside the Self,
A jewel within the rock,
A book upon the shelf.


I bought the ticket,
I’m taking the ride.
I’m spiraling miles through the bowels of time.
I’m spinning and laughing
and losing my mind
and finding
it always returns
just in time.
It’s right where it left me,
so I’ll leave it behind
and return when
I’m ready
to relish the ride
with a bite
from the apple
of my
holy
third
eye.
Alessander Sep 2016
With frenetic horns he gores
    The limp woman
******-aired
          Draped on his bulging forearms
              Undoubtedly bronzed
          By  Mediterranean suns
                      Or paled
         By subterranean shadows

She is either praying or panting
                     Fainting or fawning
                           Framed
              In an unimagined  tense
Based on Picasso's drawing "Minotaur and Pray"

https://s-media-cache-ak0.pinimg.com/736x/e5/fe/fc/e5fefc9f093b90449db9962fc2a1ea8b.jpg
Kenna Jul 2012
Your eyes burn caverns in my soul
Your breath sears scars into my heart
Your horns rake spears across my free will.
You bind me for your life.

I sculpt your mind to ash.
I whittle your heart void.
I paint my own expressions across your face.
I fight you for my life.

In this dramatic scenario who is the enemy?

The fight begins
You lunge into my open arms
I trap you.
* +1 point for me
Your fangs tear my skin
+1 point for you
My mind flies and whirls
Your eyes emulate.
I watch you.
I watch you writhe and offer my assistance.
My hand reaches out...
You grab my hand
-1 point for you
Upon the first touch your mine.
I feel it
This hypnotic state encloses you.
I whisper you commands.
I toy with your morals.
I complicate your values.
+3 points for me*
You leave, according to orders.
The fight is over and I have won.

I rest.
In my sleep I dream.
I dream you.
-1 point for me
I thought the fight was over....
You control my dreams.
+1 point for you
You bind me in this nocturnal jail.
+1 point for you
You lock my words
+1 point for you
The dream is over and you have won.

We are back to where we started.
or are we?
I can't be certain.
You do the math.
Minotaur is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
WHILOM, as olde stories tellen us,                            formerly
There was a duke that highte* Theseus.                   was called
Of Athens he was lord and governor,
And in his time such a conqueror
That greater was there none under the sun.
Full many a riche country had he won.
What with his wisdom and his chivalry,
He conquer'd all the regne of Feminie,
That whilom was y-cleped Scythia;
And weddede the Queen Hippolyta
And brought her home with him to his country
With muchel
glory and great solemnity,                           great
And eke her younge sister Emily,
And thus with vict'ry and with melody
Let I this worthy Duke to Athens ride,
And all his host, in armes him beside.

And certes, if it n'ere
too long to hear,                     were not
I would have told you fully the mannere,
How wonnen
was the regne of Feminie,                            won
By Theseus, and by his chivalry;
And of the greate battle for the *****
Betwixt Athenes and the Amazons;
And how assieged was Hippolyta,
The faire hardy queen of Scythia;
And of the feast that was at her wedding
And of the tempest at her homecoming.
But all these things I must as now forbear.
I have, God wot, a large field to ear
                       plough;
And weake be the oxen in my plough;
The remnant of my tale is long enow.
I will not *letten eke none of this rout
.                hinder any of
Let every fellow tell his tale about,                      this company

And let see now who shall the supper win.
There as I left, I will again begin.                where I left off

This Duke, of whom I make mentioun,
When he was come almost unto the town,
In all his weal, and in his moste pride,
He was ware, as he cast his eye aside,
Where that there kneeled in the highe way
A company of ladies, tway and tway,
Each after other, clad in clothes black:
But such a cry and such a woe they make,
That in this world n'is creature living,
That hearde such another waimenting                      lamenting
And of this crying would they never stenten,                    desist
Till they the reines of his bridle henten.                       *seize
"What folk be ye that at mine homecoming
Perturben so my feaste with crying?"
Quoth Theseus; "Have ye so great envy
Of mine honour, that thus complain and cry?
Or who hath you misboden
, or offended?                         wronged
Do telle me, if it may be amended;
And why that ye be clad thus all in black?"

The oldest lady of them all then spake,
When she had swooned, with a deadly cheer
,                 countenance
That it was ruthe
for to see or hear.                             pity
She saide; "Lord, to whom fortune hath given
Vict'ry, and as a conqueror to liven,
Nought grieveth us your glory and your honour;
But we beseechen mercy and succour.
Have mercy on our woe and our distress;
Some drop of pity, through thy gentleness,
Upon us wretched women let now fall.
For certes, lord, there is none of us all
That hath not been a duchess or a queen;
Now be we caitives
, as it is well seen:                       captives
Thanked be Fortune, and her false wheel,
That *none estate ensureth to be wele
.       assures no continuance of
And certes, lord, t'abiden your presence              prosperous estate

Here in this temple of the goddess Clemence
We have been waiting all this fortenight:
Now help us, lord, since it lies in thy might.

"I, wretched wight, that weep and waile thus,
Was whilom wife to king Capaneus,
That starf* at Thebes, cursed be that day:                     died
And alle we that be in this array,
And maken all this lamentatioun,
We losten all our husbands at that town,
While that the siege thereabouten lay.
And yet the olde Creon, wellaway!
That lord is now of Thebes the city,
Fulfilled of ire and of iniquity,
He for despite, and for his tyranny,
To do the deade bodies villainy
,                                insult
Of all our lorde's, which that been y-slaw,                       *slain
Hath all the bodies on an heap y-draw,
And will not suffer them by none assent
Neither to be y-buried, nor y-brent
,                             burnt
But maketh houndes eat them in despite."
And with that word, withoute more respite
They fallen groff,
and cryden piteously;                    grovelling
"Have on us wretched women some mercy,
And let our sorrow sinken in thine heart."

This gentle Duke down from his courser start
With hearte piteous, when he heard them speak.
Him thoughte that his heart would all to-break,
When he saw them so piteous and so mate
                         abased
That whilom weren of so great estate.
And in his armes he them all up hent
,                     raised, took
And them comforted in full good intent,
And swore his oath, as he was true knight,
He woulde do *so farforthly his might
        as far as his power went
Upon the tyrant Creon them to wreak,                            avenge
That all the people of Greece shoulde speak,
How Creon was of Theseus y-served,
As he that had his death full well deserved.
And right anon withoute more abode                               *delay
His banner he display'd, and forth he rode
To Thebes-ward, and all his, host beside:
No ner
Athenes would he go nor ride,                            nearer
Nor take his ease fully half a day,
But onward on his way that night he lay:
And sent anon Hippolyta the queen,
And Emily her younge sister sheen
                       bright, lovely
Unto the town of Athens for to dwell:
And forth he rit
; there is no more to tell.                       rode

The red statue of Mars with spear and targe
                     shield
So shineth in his white banner large
That all the fieldes glitter up and down:
And by his banner borne is his pennon
Of gold full rich, in which there was y-beat
                   stamped
The Minotaur which that he slew in Crete
Thus rit this Duke, thus rit this conqueror
And in his host of chivalry the flower,
Till that he came to Thebes, and alight
Fair in a field, there as he thought to fight.
But shortly for to speaken of this thing,
With Creon, which that was of Thebes king,
He fought, and slew him manly as a knight
In plain bataille, and put his folk to flight:
And by assault he won the city after,
And rent adown both wall, and spar, and rafter;
And to the ladies he restored again
The bodies of their husbands that were slain,
To do obsequies, as was then the guise
.                         custom

But it were all too long for to devise
                        describe
The greate clamour, and the waimenting
,                      lamenting
Which that the ladies made at the brenning
                     burning
Of the bodies, and the great honour
That Theseus the noble conqueror
Did to the ladies, when they from him went:
But shortly for to tell is mine intent.
When that this worthy Duke, this Theseus,
Had Creon slain, and wonnen Thebes thus,
Still in the field he took all night his rest,
And did with all the country as him lest
.                      pleased
To ransack in the tas
of bodies dead,                             heap
Them for to strip of *harness and of *
****,           armour *clothes
The pillers* did their business and cure,                 pillagers
After the battle and discomfiture.
And so befell, that in the tas they found,
Through girt with many a grievous ****** wound,
Two younge knightes *ligging by and by
             lying side by side
Both in one armes, wrought full richely:             the same armour
Of whiche two, Arcita hight that one,
And he that other highte Palamon.
Not fully quick, nor fully dead they were,                       *alive
But by their coat-armour, and by their gear,
The heralds knew them well in special,
As those that weren of the blood royal
Of Thebes, and *of sistren two y-born
.            born of two sisters
Out of the tas the pillers have them torn,
And have them carried soft unto the tent
Of Theseus, and he full soon them sent
To Athens, for to dwellen in prison
Perpetually, he n'olde no ranson.               would take no ransom
And when this worthy Duke had thus y-done,
He took his host, and home he rit anon
With laurel crowned as a conquerour;
And there he lived in joy and in honour
Term of his life; what needeth wordes mo'?
And in a tower, in anguish and in woe,
Dwellen this Palamon, and eke Arcite,
For evermore, there may no gold them quite                    set free

Thus passed year by year, and day by day,
Till it fell ones in a morn of May
That Emily, that fairer was to seen
Than is the lily upon his stalke green,
And fresher than the May with flowers new
(For with the rose colour strove her hue;
I n'ot* which was the finer of them two),                      know not
Ere it was day, as she was wont to do,
She was arisen, and all ready dight
,                           dressed
For May will have no sluggardy a-night;
The season pricketh every gentle heart,
And maketh him out of his sleep to start,
And saith, "Arise, and do thine observance."

This maketh Emily have remembrance
To do honour to May, and for to rise.
Y-clothed was she fresh for to devise;
Her yellow hair was braided in a tress,
Behind her back, a yarde long I guess.
And in the garden at *the sun uprist
                           sunrise
She walketh up and down where as her list.
She gathereth flowers, party
white and red,                    mingled
To make a sotel
garland for her head,            subtle, well-arranged
And as an angel heavenly she sung.
The greate tower, that was so thick and strong,
Which of the castle was the chief dungeon
(Where as these knightes weren in prison,
Of which I tolde you, and telle shall),
Was even joinant
to the garden wall,                         adjoining
There as this Emily had her playing.

Bright was the sun, and clear that morrowning,
And Palamon, this woful prisoner,
As was his wont, by leave of his gaoler,
Was ris'n, and roamed in a chamber on high,
In which he all the noble city sigh
,                               saw
And eke the garden, full of branches green,
There as this fresh Emelia the sheen
Was in her walk, and roamed up and down.
This sorrowful prisoner, this Palamon
Went in his chamber roaming to and fro,
And to himself complaining of his woe:
That he was born, full oft he said, Alas!
And so befell, by aventure or cas
,                              chance
That through a window thick of many a bar
Of iron great, and square as any spar,
He cast his eyes upon Emelia,
And therewithal he blent
and crie
PARIS MEXIS Dec 2012
I trip in darkness
Waiting for an idea

Waiting for the idea

I walk in a limited labyrinth
My deadline is set
And although I have traveled these dark corridors again and again
My path is always new

I am stronger than my maze.
If in need, I will break a wall, I will create a new path
This maze made for me
Is also made by me

The labyrinth is mine
I am its master

Coming the idea, I will seize to exist
Light will be spread to the maze
And the twirls and turns of its halls
Shall become a straight line

The journey
The intellect
The effort
Of the monster
Will merge with this idea

And few will be able to perceive
That before it
There was darkness
A labyrinth

And a monster
Zeljka Clark Jul 2015
"Love is blind"
I wonder:
Is this a warning...Wisdom...
Dare I dream with my eyes open
Am brave enough
To allow your voice to guide me
When we both cannot see
What others see
When they look at us
Walking through the labyrinth

And who is lost
Who will lose
Who will come out
Who has the thread
Who's Love is wise?
Who's heart can stand
To embrace the Beast
To lose itself completely
Stepping into magnificent
Immortal, passionate Tango
Turning the Beast into Artist
Labyrinth into Castle
Where Love is just Love
Free to be as it is
However it feels
We'll never be lost
Zeljka Clark Jul 2015
"Love is blind"
I wonder:
Is this a warning...Wisdom...
Dare I dream with my eyes open
Am brave enough
To allow your voice to guide me
When we both cannot see
What others see
When they look at us
Walking through the labyrinth

And who is lost
Who will lose
Who will come out
Who has the thread
Who's Love is wise?
Who's heart can stand
To embrace the Beast
To lose itself completely
Stepping into magnificent
Immortal, passionate Tango
Turning the Beast into Artist
Labyrinth into Castle
Where Love is just Love
Free to be as it is
However it feels
We'll never be lost
jose large Jun 2012
sweet Kali stands before us
an offering she holds
while all the skulls around her neck
sleep in a child's repose

there are many souls in limbo
they wander through our sight
seekers for salvation
seeking for the light

a universe lies waiting
a red planet full of stars
just beneath the lingham
that rests in Kali's arms

the dogs lie waiting patiently
while Ganesh begins to writhe
turning to a serpent
that writhes before our eyes

here's the minotaur from Jambu Dweep
wrapped in a golden fleece
telling stories in my head
the tales of ancient Greece

then Kali holds a severed head
cradled gently in her hand
while beneath the Shiva Lingham
someone lies upon the sand.....
this poem was inspired by the tryptich of my artist friend Druvinka
Kenny Brown Mar 2012
Ominous notes are spewed from the *****,
Shaking the chandelier.
“It’s a syndrome he suffers from, one of being half-reared.”
The monotonous metronome ticks at allegro
While the all too sure foot taps andante.

Entrancing sweet air surrounds that ever-thinning hair
While I chew on half of a pear.
Wear and tear quickly begins to take place
While I erase the ink on my page to make space.
To make space for answers to these overwhelming questions.
I’ve never been much of a winner in this race.
And I’ve heard pace is the key,
But I have no such interest in locks.

Oh yes I’ve got golden goals,
But not the type of gold the count uses for bitter revenge,
Gold more likened to The Idiot’s investments.

Thetis by what mind did you dip only my fingers?
At sunrise my left side malingers.

Hello Mr. and Mrs. Jones I’m a sales representative from corporate united
Can I interested you in a genuine grin this evening.
Oh…that’s fine, I get paid just to ask.
But regardless, I could really use some conversation at the moment.
Would you mind ministering me with melodies?

I scrape the insole of a misfit pair…
Staring and staring at the ground waiting for it to shake.
Trembles are a sort of comforting contagion.

Oh it’s long been cold enough to build fires,
But I’ve only just collected the wood,
And I see no value in conversing alone outside,
Splitting the options with a razor, the sheets are more comfortable.
Lonely days bring still shivers multiplying,
My skin’s grown thin, all my warmth radiates out.
Oh I should have been a pair of scuttling claws…
The salt water is purely a majority,
My spirit is displaced into phytoplankton riding waves.
There there are no graves,
No cremation or consolation.
Just rest.

My I’m tired, I’ve toiled and tilled till morning
And still haven’t seen sprouts.
The bull in my chest shouts and I’ll I want
Is to wring it’s neck.
I’m tired of walking amongst bloodsuckers and
Angry hordes of minotaur’s.
I’m tired of constantly treading over manmade floors,
And walking down the hall
Only to find my destination…a steel locked door,
Then having to implore upon the janitor.
I’m tired of dancing all the time,
Just let me stand in silence.
RebelJohnny May 2014
True love, the kind in fairy tales - ya know the ones with witches and knights, strapping princes and tarot-reading witches - is unexpected.

Don't listen to your mother and her love stories, or those cheap dime store romances. Love is not a teenage dream, or the flings on the soap operas (winning your Lucas back from that ***** Sammie, always my grandma's favorite villain in Days of Our Lives). Grandma, the life, love and days i want are different.

Love is fluttering butterflies. The uncertainty of knowing if this moment lasts, seeing a rainbow. The feeling always has an unspoken expiration date. It is rare. So rare that we pay psychics to find it, and whole forests have been lost amidst writing out our collective fantasies.

I guess it's a good thing my ideal love isn't grown on trees then. Supernovas can't be purchased. Trading hearts isn't easy. In fact, it hurts so much that Shakespeare's ghost considers revising Romeo and Juliet any time he thinks of what love has shown me. My love burns like a broken heart might sting if you shoved it full of stardust.

The ancestors knew love is a mystery. The sphinx doesn't know our riddle, and if spells worked I wouldn't be reading this poem. I can't waste anymore hope on tarot cards which have become worn out, bent, and far too familiar since I met you, love. Here let me explain:

The smell of you is a kind of mystic vapor. The oracles at Delphi would trade in their visions for one of yesterday's t-shirts. Don't be embarrassed or confused, I'm not here to play The Fool. I've already proven that we both can be The Magician, High Priestess and The Emperor. The magic of love is bigger than either of us.

My love comes with keys to my kingdom, sit on my throne, direct my armies, and borrow The Chariot. Hell, you can have the castle! You know that's what fairy tale sweethearts do.

This kingdom has known no Empress. That seat sits empty. Think you're man enough for the position? In a future fantasy, you'd inspire the nation, just the way you'll inspire me. We'd leave a legacy. Pyramids, empires, new eras, and new faiths would rise in our names. Pharaohs would envy how the Hierophant pronounces us inseparable. In my fairy-tale, letting down walls is easy. Love knows no labels, no limits, no bounds. Love is fairy dust.

In my 3 part epic, love and romance are no burden. See, this fantasy is one we read through time-to-time and I'm only just learning how to trust wishes made on shooting stars and genies in bottles. No one before has ever made it past the dragons, soldiers and that Minotaur. Believe me when I say, you appeared out of thin air and I trust in fate now. Thank you. I know you aren't the one. I'm learning to let you go.
I hope I do you justice. When you showed up, I prayed to my fairy godmothers for the first time I can recall. The last ******* ran off with Excalibur, the unicorns, and my scepter. "Oh well," you said. "That isn't what counts."

I've been a hermit so long, I forgot how to smile. But when I wake up in this new fairy-tale called life, I don't notice the treasurer, my wars, and problems in the kingdom or even that all my favorite princes still dream of finding their princesses most nights. Even that doesn't scare me. This is all too authentic and the heart gets used to being rejected. Stamped return to sender so many times, I can't count.

My happily-ever-after doesn't have to be perfect. I'm a realist, and besides, we've both gained so much that it feels like we finally landed a spin on the jester's wheel of fortune. Writing poems is something I gave up when I put aside these stories I grew tired of envying. Now I am writing my own. You currently don't fit the part of Prince Charming. Ironic since you inspired him.

Ya see my physical wants are just side effect of the real bliss that I find when I am myself beside you. I don't need ruby rings, or magic slippers to feel at home here. You give me the Strength to fight my own nightmares off. That’s a gift no elves could forge into gold.

It's the way you make the world explode into color that is worth any cost. It’s your honest caring that neutralizes the occasional tragedy. Besides, the drama, which is less dramatic than any of the past “once-upon-a-times” I've fallen into, only makes the story more exciting.

You broke the spell that a Black sorceress and her 3 sister put on you. I first felt like a hero that day at your side. Hearing you renounce your former desire to be the Hanged Man, or to desire Death, is still one of my favorite chapters of the story we wrote.

The love I dream of isn't easy, as I've said. It isn't always epic or fantastical. Sometimes it’s about finding the Temperance not to push potential princes off the balcony too often. There just aren't enough magic carpets these days. I've discovered that learning not to expect change is its own school of challenging wizardry. Luckily, I'm not bad with rare wands.

My love has its risks. I get it, love is usually a surprise! Love like this is easy to deny, fear or resist. I don't want a proposal or their parent's permission for a hand! I just want my prince to be the first person willing to face down The Devil for me, the only one who climbs my Tower and really ruffles the sheets, the one who outshines The Moon.

I don't want to be "that prince." I'm no former-frog; I'm no good with a sword. Honestly, I had given up on magic until you asked me to eclipse the moon. It wasn't hard. If I have to extinguish the Sun, my tears would swell and blacken the sky. I am glad I don't need to shed them anymore.

This love, rare and mystical, is like a leprechaun. Everyone wants it, nobody seems to find it. I got to the end of the rainbow though. It will go something like this, "once upon a drunken, Vegas night..." an Urban fantasy at its finest, if I do say so myself. I just don't want the *** of gold. Give me the dark, mysterious knight. **** the prince. I know it sounds crazy. He and the princess can take the *** of gold, the baby unicorn, and my Judgment too!

My love is risky. It has no chains, guarantees, or Geico lizard to vouch for it. No time-turner to fix it when I **** up, no love potion to make you stay. In my fairy tales, the dragons are our wounded personalities. His shining armor is a defense mechanism, and my damsel-in-distress routine won't work if we let the spark go out.

In my timeless romance, The Lovers learn to enjoy the moment. **** castles, I'd be happy to get a studio. I don't have a unicorn. My chariot looks the same after midnight. I can't promise riches, fame or immortality. And yeap, compared to the princesses, I'd better resemble a toad some mornings.

But I have a love that can put Shakespeare to shame. I'm more complex than Tolkien's Middle Earth, braver than Harry and just as scarred, smarter than Gandalf though I lack his beard, more patient than any of those damsels, and I bet I cook better. No, I know I do. Somehow, this quest has taught me self-confidence.

Unlike those fairy tales, I'm no finished masterpiece. This work in progress has a heart of gold, is on a quest, growing up daily and aims for future royalty. I'm looking for love, ready to leave Neverland, and all i have to offer you are my best effort, this worn deck of cards, myself, and all The World I can bewitch for us.

WANTED: one prince charming who can see themselves in this real-life fairytale.
I. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!

II. The Spilled Blood

I will not see it!

Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.

I will not see it!

The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.

I will not see it!

Let my memory kindle!
Warm the jasmines
of such minute whiteness!

I will not see it!

The cow of the ancient world
passend har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!

Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him.
He sought for his beautiful body
and encountered his opened blood.
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multitude.
Who shouts that I should come near!
Do not ask me to see it!

His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No challice can contain it,no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!

III. The Laid Out Body

Stone is a forehead where dreames grieve
without curving waters and frozen cyprseses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.

I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.

For stone fathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.

Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death was covered him with pale sulphur
and his place on him the head of dark minotaur.

All is finshed. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.

What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away.
with a pure shape which had nightingales
and we see it being filled with depthless holes.

Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody ****** the spurs, not terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.

Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.

Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.

I want them to show me a lament like a river
which will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.

Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.

I don't want to cover his face with hankerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!

IV:

The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever.

The autumn will come with small whiet snails,
misty grapes and clustered hills,
but no one will look into your eyes
becuaase you have died forever.

Because you have died froever,
like al lthe dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No, but I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth:
of the sadness of your once valiant gaiety.

It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.
david badgerow Jan 2012
unsuccessful potatoes & you found a tree in the ocean
i spent the afternoon digging, digging
my fingernails into my own fear of commitment
the fear of my own reputation

now the cat's in heat & richard nixon (the dog)
is teasing her with his trump card
she takes it
& squeezes it
very gently
then rips it open madly & snarls
& it oozes and drips out of her mouth
we all pick up a thousand pieces of a minute

i cremated my sister this morning & new spirits
arrived at my doorstep before noon
they sang to me of instinct,
whinnying about the antique zenith
up in cheyenne

"gimmie some secrets" she said
so i carved them
into my arm
into a minotaur's chest
into a giant looking glass
into a wooden boat
& i set sail for the sundial,
"there is no truth"
my eyes are wax & the ocean
means nasty filth

but everything is useless now
frogs carry high powered harmonicas
& walk into the spells of Poe
& into the hexagrams of Hamlet

i do not want to carry a pitchfork across
some godforsaken desert
i do not want to feel my own evaporation
while the real artists brood in the meantime
i want to waste away on a slushy evening
i will live in my armpit
& hate you
& never wear deodorant

"your mind is small--it is limited--why must you understand?"
robin moyer Jul 2012
Sea of Trees crests at Mt Fuji's feet.
Thick forest of Japanese cypress, red pines
grow neck and neck with alder. Where when
trees fall, they don't: they cant. Rope-like
roots, stymied by volcanic rock, twist and turn,
tortured by ancient lava impeding their desire
to push deep within.

Some voices echo that the trees themselves,
fueled by juices full of malevolent energy
sap the resolve of ones who venture there.
Gnarled branches twisted, tortured
under deceiving feathery moss, rise
above intertwined cypress knees as if
the forest had gone for a stroll and then knelt
when a soul ventured near.

Jukai, of the breathtaking views
where hanging hemp ropes take breath forever away.
Living greens so dense, sounds are swallowed whole:
No one hears the screams in Aokigahara
and there is no one to see until
bleached bones lie in stark relief;
Death thrives next to the rotting.
Sunlight muted beneath canopy
where chilling beauty lies
in perpetual twilight
and the only movements are swinging ropes
where no breeze passes.

Here come the ones who have reached
the end
of their rope or choices: Hanging is
the death of choice in Aokigahara.
Yurei, Japanese spirits who yet cling
to Earthly realm flit between the trees--
white, shifting forms caught only in the
corner of your eye. Leading, perchance,
across cenotes or hollow tubes,
where hidden caves make up your mind
when you travel down the wrong path.

Colorful ribbons, blue, white, red
stream through the forest; strings,
tapes trail behind those who walk
in case they change their minds for
no compass works near volcanic iron.
I am reminded of gaily wrapped presents
but here, what is unwrapped is death--
here, there is only the past where
Theseus unwinds his ball of thread
in the labyrinth of the Minotaur,
in the labyrinth of Aokigahara.
Scavenger hunts lead only
to those scavenged by the forest gleaners.

Death lies in the mists,
in the midst of the living.
An Apollo butterfly
rests on a sign pleading for life--
Apollo, god of light, of plagues, of music
seems to have no place here
but for the plague of suicide
which runs rampant.

Repugnant skulls with hollow eyes
can no longer see their reflections
in the rounds of polished glass
that mirror anguished souls
at the train station in hope
that they will see that they are not
invisible and stay among the seen.
The station is last stop
before they walk the forest path.

Aokigahara, Sea of Trees
looks up to the sun glinting off Mount Fujiyama
but beneath the canopy
are only the fallen.
What happened that night? Your final night.
Double, treble exposure
Over everything. Late afternoon, Friday,
My last sight of you alive.
Burning your letter to me, in the ashtray,
With that strange smile. Had I bungled your plan?
Had it surprised me sooner than you purposed?
Had I rushed it back to you too promptly?
One hour later—-you would have been gone
Where I could not have traced you.
I would have turned from your locked red door
That nobody would open
Still holding your letter,
A thunderbolt that could not earth itself.
That would have been electric shock treatment
For me.
Repeated over and over, all weekend,
As often as I read it, or thought of it.
That would have remade my brains, and my life.
The treatment that you planned needed some time.
I cannot imagine
How I would have got through that weekend.
I cannot imagine. Had you plotted it all?

Your note reached me too soon—-that same day,
Friday afternoon, posted in the morning.
The prevalent devils expedited it.
That was one more straw of ill-luck
Drawn against you by the Post-Office
And added to your load. I moved fast,
Through the snow-blue, February, London twilight.
Wept with relief when you opened the door.
A huddle of riddles in solution. Precocious tears
That failed to interpret to me, failed to divulge
Their real import. But what did you say
Over the smoking shards of that letter
So carefully annihilated, so calmly,
That let me release you, and leave you
To blow its ashes off your plan—-off the ashtray
Against which you would lean for me to read
The Doctor’s phone-number.
                                                 My escape
Had become such a hunted thing
Sleepless, hopeless, all its dreams exhausted,
Only wanting to be recaptured, only
Wanting to drop, out of its vacuum.
Two days of dangling nothing. Two days gratis.
Two days in no calendar, but stolen
From no world,
Beyond actuality, feeling, or name.

My love-life grabbed it. My numbed love-life
With its two mad needles,
Embroidering their rose, piercing and tugging
At their tapestry, their ****** tattoo
Somewhere behind my navel,
Treading that morass of emblazon,
Two mad needles, criss-crossing their stitches,
Selecting among my nerves
For their colours, refashioning me
Inside my own skin, each refashioning the other
With their self-caricatures,

Their obsessed in and out. Two women
Each with her needle.

                                       That night
My dellarobbia Susan. I moved
With the circumspection
Of a flame in a fuse. My whole fury
Was an abandoned effort to blow up
The old globe where shadows bent over
My telltale track of ashes. I raced
From and from, face backwards, a film reversed,
Towards what? We went to Rugby St
Where you and I began.
Why did we go there? Of all places
Why did we go there? Perversity
In the artistry of our fate
Adjusted its refinements for you, for me
And for Susan. Solitaire
Played by the Minotaur of that maze
Even included Helen, in the ground-floor flat.
You had noted her—-a girl for a story.
You never met her. Few ever met her,
Except across the ears and raving mask
Of her Alsatian. You had not even glimpsed her.
You had only recoiled
When her demented animal crashed its weight
Against her door, as we slipped through the hallway;
And heard it choking on infinite German hatred.

That Sunday night she eased her door open
Its few permitted inches.
Susan greeted the black eyes, the unhappy
Overweight, lovely face, that peeped out
Across the little chain. The door closed.
We heard her consoling her jailor
Inside her cell, its kennel, where, days later,
She gassed her ferocious kupo, and herself.

Susan and I spent that night
In our wedding bed. I had not seen it
Since we lay there on our wedding day.
I did not take her back to my own bed.
It had occurred to me, your weekend over,
You might appear—-a surprise visitation.
Did you appear, to tap at my dark window?
So I stayed with Susan, hiding from you,
In our own wedding bed—-the same from which
Within three years she would be taken to die
In that same hospital where, within twelve hours,
I would find you dead.
                                                  Monday morning
I drove her to work, in the City,
Then parked my van North of Euston Road
And returned to where my telephone waited.

What happened that night, inside your hours,
Is as unknown as if it never happened.
What accumulation of your whole life,
Like effort unconscious, like birth
Pushing through the membrane of each slow second
Into the next, happened
Only as if it could not happen,
As if it was not happening. How often
Did the phone ring there in my empty room,
You hearing the ring in your receiver—-
At both ends the fading memory
Of a telephone ringing, in a brain
As if already dead. I count
How often you walked to the phone-booth
At the bottom of St George’s terrace.
You are there whenever I look, just turning
Out of Fitzroy Road, crossing over
Between the heaped up banks of ***** sugar.
In your long black coat,
With your plait coiled up at the back of your hair
You walk unable to move, or wake, and are
Already nobody walking
Walking by the railings under Primrose Hill
Towards the phone booth that can never be reached.
Before midnight. After midnight. Again.
Again. Again. And, near dawn, again.

At what position of the hands on my watch-face
Did your last attempt,
Already deeply past
My being able to hear it, shake the pillow
Of that empty bed? A last time
Lightly touch at my books, and my papers?
By the time I got there my phone was asleep.
The pillow innocent. My room slept,
Already filled with the snowlit morning light.
I lit my fire. I had got out my papers.
And I had started to write when the telephone
****** awake, in a jabbering alarm,
Remembering everything. It recovered in my hand.
Then a voice like a selected weapon
Or a measured injection,
Coolly delivered its four words
Deep into my ear: ‘Your wife is dead.’
Birthday Letters, published in 1998, is a collection of poetry by English poet and children's writer Ted Hughes. Released only months before Hughes's death, This collection of eighty-eight poems is widely considered to be Hughes' most explicit response to the suicide of his estranged wife Sylvia Plath in 1963, and to their widely discussed, politicized and "explosive" marriage. (From Wikipedia)

This is one of my favorite poems. Coldly emotional, gripping, and much more
And our brother, too, the metal shaman
Reaches up, plucks knowledge from the stars
We chant, guttural grunts, primal urges
And fierce grinding teeth clenching and screeching
The shaman dances and
Reaches up, plucks knowledge from the stars
And we SCREAM shrill
Bare our necks and bring the knife across, ****
A sacrifice to the metal beast
The shaman stares straight up,
Plucks knowledge from the stars
And the blood leaves us
Hair turns grey
Daily exploits lost in deepening wrinkles
The macabre ritual culminates...
The Shaman, unappeased
Laughs like Hyena, cackling
REACHES UP AND PLUCKS KNOWLEDGE FROM THE STARS!
The existential cacophony diminishes
Din dimming
Beast is empty
Bits flow like blood
Ones and zeros in a jumbled pool
The shaman delivers

The family sits around the glowing box
A tribe in an ancient ritual
Flip the switch, change the channel
The children plucking out their eyes
Little blind Oedipus
Smashing faces through the tube
To the life on the other side
Celebrities, products, and reality shows
Forget thought
Present your mind
To the beast
A cinematic ****
Send Damsels to appease the Minotaur
Change the channel
Inspired by The Lords and the New Creatures by Jim Morrison
Life is a maze.
Life is a phase
Life is a craze.
Life decays
Life can amaze
Life can be full of clichés
Life filled with schooldays, holidays, long delays.
Life is a labyrinth, with a Minotaur in the shades
Life is full of constraints
So leave the maze, untangle your hair and meet me in a different cabaret, I'll be there
I'll show you how life is just one big malaise, we need to fill the maze with a blaze of glory.
After all life is a story. The ending the same, we all die, but in between, we runaways from the maze can drop the chains and create our own tales of the maze.
*And those tales can be quite amazing!
This is dedicated to a young poetess that I feel a kindred spirit to.
Life is a maze, together we can find the exit to a happier place and be called survivors.
© JLB
17/09/2014
16:57 BST
Aa Harvey Sep 2018
This is my Blood Bowl.


Thank you Games Workshop for giving us Blood Bowl;
I’ve played it all my life and I’ve completely re-written the rules.
It allows my imagination to run wild carrying a sword,
Attacking all sorts of creatures, whilst playing American Football.
It has magic, magic items and you may think it’s just for kids;
But without Blood Bowl,
I wouldn’t have imagined half of the things that I did.


People need a release from the real world;
Mine is found on a football pitch in the game of Blood Bowl.
People cheat, steal and bribe referees and do almost anything.
If you give this game to your kid,
They could imagine the impossible
And some day, maybe, write random poetry like me!  He, he.


…And now down to the pitch to see the kickoff!...


The humans line up against the bad boy orcs;
The dwarfs and elves are in support.
Chaos lords and chaos spawn (twisted creatures);
Rain down pain and death on the undead and the living.


The undead walk slowly, the goblins flee!
Rat Ogres and trolls are invading the pitch!
The referee blows his whistle to send the giant off!
The deadly dark elves chop the referee’s up with chainsaws,
Or use swords and axes, grenades and clubs.
They are all fighting to win the B.B.C. cup.


The Blood Bowl Championship;
It’s like the NFL Superbowl trophy.
I’ve made leagues and cups
And every single thing possible, just for fun; just for me.


The Official Blood Bowl Organization,
Try to make all weapons illegal, but oh no, no, no!
This is the sport of death!  
This is Blood Bowl!


Use spells and magic items and cause suffering;
The tiny snotling is beaten by the little Halfling.
The ***** in there somewhere, though nobody cares;
The Beastmen are just here to fight,
Whilst the gnomes laugh at the high elves hair.
Such pampered fools, in love with themselves;
Vanity and self-love?  That must be the elves.


Here comes a chaos dwarf, driving a steam roller;
He flattens the Fimir and another vampire.
The zombies are clueless and one fumbles the ball,
Before he is decapitated, by the Reikland Reavers’ Mighty Zug!


The ghoul’s are hungry for blood;
Here come the orks, the band of goffs.
Crazy *** gitz, just having a laugh.
Here are the sneaky Skaven to stab someone in the back.


Amazonian women are running around screaming,
Like the banshee’s and all sorts of scary demons.
The Sisters of Battle are from the future;
A bear charges at a Treeman and look!  There’s a little Gnoblar.


Giant bats, giant snails, giant rats and giant eagles,
Giant leeches, giant frogs, giant spiders and giant scorpions.
The norse are Vikings, (ranked titles include kings);
There’s a termagant from the year 40,000 and something.
There are space marines, and space wolf marines,
All armed to the teeth with weapons.


The genestealer’s steal genes to make new creatures/weapons;
There are evil gnomes, evil ewoks, ewoks and evil Treemen.
Lesser demons fight lesser goblins and run from the Lictor!
The werebear’s and werewolves fight the wolves and Saurus creatures.
There is no victor.


The skinks fire poisoned blowpipes at the Large beasts & minions.
Chaos Halflings beat up people on camels and horses
And they beat up Khemri with anything.
Mummies climb out of their crypts to bring death to the mutants;
The slayers are here to bring down the mighty bone giants.


The noble Brettonians see Blue and Pink Horrors running around;
Tyranids, Tyranid warriors and tyrants send people underground.
Dead now in this game of Blood Bowl; the game of death!
Witch elves are being hunted by Witch Hunters;
There’s only three left.


To the right is a Zoat fighting a huge Yeti.
A chaos human rides a chaos horse; look out Goddess Betty.
Greater demons bring down Griffons and **** the crazy monkeys;
The mushlings and snotrooms are simply fleeing and screaming.


Skeletons on skeletal horses, fight salamanders and satyrs.
Jabberwocks and Juggernauts,
Destroy Hydra’s with the Hydra’s own fire.
Chaos Warriors and Chaos human cowboys, slug it out with Gods;
Norse dwarves fight Nurgles rotter’s and nurgling’s fight ogres.


The slann were the originators of the game of Blood Bowl;
The Ushabti Tomb Kings come from Khemri to fight the robotic Tau.
Vostroyan drunks are fighting with Wood elves.
Oh my God!  That troglodyte really does smell!


Warhounds race Gladehounds and cyborg’s fight cyboar’s;
Big cats include tigers and lions, so we must quickly carry on.
A carrion is an undead bird and they are ****** huge!
The imperial guard are like the rebels in Terminator;
They are humans.


Kroxigor’s smash boney clubs & break Kroot’s predator-like heads;
Kislevite Horsemen and Cowboy’s ride horses onto the pitch.
Night goblin’s and forest goblin’s steal from all including the Eldar.
They are elves of the future and there are chaos space marines…

They have travelled far.


Every creature has come to take part in this game of football.
Its American football with death included; it’s so much fun!
Harpy fly above Haradhrim as a Necron breaks his own jaw;
He fell over when dodging the tomb scorpion’s claw.


Thrall and Wights march to battle on the pitch against the living;
Undead champions are leaders of death
And the minotaur’s eat the dead.  
Nobody knows who is winning.
Chimera and other daemonic beasts are really tough to ****, I see;
But that boar just exploded, thanks to the grenade…
Bye life, hello death; he, he.


Elementals are like Gods of earth, wind, water and fire.
Dragon ogres are going to **** anything that gets in their way!
Dreadnoughts are made to ****; there’s a wolf!
This undead one’s dire.
Dryad are small Treemen; there are some Elite Skaven!
Open fire!


Savage orcs fight sea elves as squig hopper’s bounce past randomly.
Ungor’s are little Beastmen, but there are still quite deadly.
Manticores destroy lizardmen and there’s a blood-soaked cold one.
Bull centaur’s charge at black orc’s,
Who are ganging up with a chaos champion.


Centaurs crash into carnosaur’s,
As Dark eldar fly down from their space ships.
Hobgoblins can’t be trusted; the thieving gits!
Orc leaders are warlords, bosses and big bosses too;
The Redemptionists are the priest from aliens 3 or aliens 2.
Whichever I can’t remember and haven’t got time to look;
Oh yeah let’s watch the game again and see who has got the ball.


Golem!  (phlegm!)  Golem!  No; not that one!
These golems are Flesh golem’s and some are made of stone.
They are creature of magic and are here to smack some heads;
And this is the end of the poem…

Dedicated to Games workshop (thank you) and the sport of death!


(C)2013 Aa Harvey. All Rights Reserved.

— The End —