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Rae Hogan Jan 2012
New Year's Eve party.
With the popular kids.
That you don't know well.
But your boyfriend's going,
and you need to go too.
(for a New Year's kiss,
of course.)

Your favorite pair of jeans
because they are easy to dance in.
Your best floral tank top
because it's brand new
(and it's cold out, so you can
have an excuse to wear his jacket.)

Coral blush
because it looks good with
your skintone.
Purple eyeliner
because it makes your eyes pop.

And french manicure,
(your very first one!)
Done by your older sister,
aided with scotch tape
for the tips.
(It makes your hands look pretty,
and official,
like your best friends mom.)
Ann M Johnson Oct 2015
Last night the moon took a break from showing it's Full Face.
  It made a showing it was still so bright.
   It was a crescent moon.
   Who's bright shape resembled a French Manicure.
   Maybe even the moon likes to be pampered and look beautiful
   for the stars in the sky, and us people below
    Until daytime when the sun makes an appearance once more
     That is the time when the moon gets it's beauty sleep.
Helen McKean Apr 2010
a coat of Naughty
a flick of Flirtatious
a dab of Daring
slick on Scandalous
with just a touch of Mischief

voila!
let's go out...
Maggie Emmett Aug 2015
Lady Macbeth washed her hands
cleaner than Pontius Pilate
with a new improved, bio-enzyme
oxy-bursting, 99.9% germ-scouring
recommended by dermato-logists
scented with rose attar
oils from Arabia
and spermaceti soothing
unguents from long dead whales.

She’s going to the nail bar
for a manicure and application
of semi-permanent, diamond-
tipped, acrylic base-coated
in red blood enamel.

She’ll scratch
and etch rich tattoos
on her husband’s back
with every ******, he will shudder
with pain and delight
He’ll soon forget long, dark nights
bewitched by ghosts and ambition.

© M.L. Emmett
Alternate views of Literature
RockWriteOn Nov 2011
I have let my nails grow some
they are well over the tips of my fingers,
i’d say considerably long.
noticeable is their length as i text smilies
type similes. sincerely, i am apologizing now
and well in advance for any future scratches,
scrapes, welts. any body mods. highly probable are scars to your skin too,
later revealing themselves, after a bath like a photograph
being developed. i dig deep in the heat of-brushing, my lips
will serve as nurse, medicinal in purpose.
so there is no need to worry.
poetry
judy smith Jan 2016
People write down New Year resolutions in a variety of categories like health, happiness, family and so on. I think beauty deserves a spot on that list too.

It’s my job to be beauty obsessed and I love it, but there are always areas of improvement for me, and maybe for you too. I think there are a few things we all need to do more of this new year. Some of them are things that you have heard me say over and over again (and yes, i’m not going to stop), and some you’re hearing for the first time.

But a new year should bring ideas, practices and habits that will make you who you want to be. Here are my (and some of your) New Year beauty resolutions for 2016.

1. Wear Sunscreen Every Single Day

I’m pretty good with this because I never leave my house without sunscreen on my face.

I use it underneath my makeup and then use my primer on top. I’m great with applying SPF on my face and all over, especially if I plan to spend long hours under the sun. But one thing I know needs improvement is being more aware of my neck, chest, hands and other areas that one might forget.

If this resolution needs to be on your list, I would suggest you apply sunscreen all year round. It is also important to add an extra coat of sunscreen on your hands when getting a gel manicure because of the UV lights often used to dry the nails.

2. Washing My Makeup Brushes

Speaking of brushes, I’ll like to mention their somewhat high maintenance nature. If you don’t wash your brushes regularly, not only are you leaving them open to bacteria, which leads to possibly breakouts, it also means that your brushes won’t pick up pigment and work as well as it should. I know, washing your brushes seems like an huge task, but if you use a brush cleaner, it is much easier and faster.

Personally, I’m going to set aside a specific time – Sunday afternoon at 2PM to do this chore every week. This will give my brushes enough time to dry properly before the start of the week. To help you remember every week, you can set a reminder on your phone.

3. Being More Adventurous with Makeup (and hairstyles)

It’s so easy to get into a makeup routine, but people like MakeupShyla do a great job of switching it up. Celebs on Instagram are a great inspiration for trying new things, gold eye shadow, bold red lips and more. Amrezy always mixes it up; glossy lips, matte, dark lips, Coloured eyeliner she isn’t afraid to try it out.

And why should she be? It’s makeup she can wash it off! We should all be more out there with out makeup looks and try out new looks. Bold red lips, more shimmer, cut crease eyeshadow – the beauty world is your oyster.

4. Book in for Regular Facials

Looking after your skin is a bit like looking after your teeth. While you may brush and floss regularly, you still need to see the dentist for a deep clean and check up.

I have a fantastic ****** routine and really good products I use on my skin, and even though this might seem enough, it just isn’t. I know that times are tough in this economy and it’s undeniably smart to cut back on extraneous purchases. However, here is my opinion on why a monthly ****** is a good investment.

Your skin is always on display and often has the power to dictate how good we feel about ourselves. Investing in proper skincare has a value that can be arguably more important than buying a new dress or going out to a fancy restaurant or even taking an expensive vacation (a ****** is a mini-vacation).

A ****** will cleanse the pores on a much deeper level, extractions/cleaning out the pores can help to maintain clear skin, stop acne formation, as well as help to change the pore’s size. Often times left unchecked, pores can start to stretch and widen with the accumulation of oil and dirt. So I have decided to get a ****** monthly, and I think it wouldn’t hurt if you did too.

5. Using Hair and Skin Masks

Hair and skin masks are fun to use and make a huge difference for soft, shiny hair and clear skin. I really love the dead sea mud mask from Pure Body Naturals at the moment. I love the way my skin feels after I use it – it’s simply amazing.

And I also love the Cantu hair masque – it leaves my hair moisturized and soft. I think I would use this once a month going forward, and also apply a facemask once a week at a time that’s perfect for me.

6. Take Care of My Natural Nails

As ridiculous as it sounds, a manicure is one of the first things people will notice about your appearance, especially if you work in an office.

For a while I have been using nail extensions and acrylics. While it looks beautiful, it also makes my nails underneath very soft. I would like to take a break from nail extensions and grow my own nails. Strong, long and healthy! This is also something you can adopt, your nails need the TLC.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-brisbane
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
Pepper Dove Feb 2020
I can always tell when my life is beginning to fall apart by the mere glimpse of my ******, torn and gnawed to the bone fingertips. A reflection of my internal chaos, now exposed. Revealing my lack of will power to resist the urge when life’s mundane patterns and stress-induced anxiety take over. There’s something to be said when your toenails become longer than your fingernails. I’d say it says that it's time for a manicure of the soul. ****, a pedi wouldn’t hurt either.
A pattern I've noticed when I'm not at my "A-Game" in life. I think I'll use it as a red-flag to pick myself back up again. It's time to nourish my soul.
tread Nov 2012
the sounds of a crowded cafe
ca-caw! like a crow, everybody's crowing something
each a beautiful story dressed in winter hop-scotch
or a poorer story dressed in a business suit.

who knows
perhaps it's like a rich chocolate covered in a wrapper
and that business suit is to be peeled off soon
enjoy the sweet treat underneath

but I can always tell when someone is selling themselves
because they look like a city map
drawn to design

I guess try-hards are alright when they polish like diamonds
except the beauty of a diamond is not faked
the beauty of the diamond hides itself underground, to show that the deeper you go
the greater it gets

so why manicure?
why manicure, Mr. Business Cowardly,
are you afraid of yourself?

- - -

I probably moved on in observation a few moments later when I realized the pretty girls across the way whom I used to go to high-school with
never did I once speak with them
I felt no need
because I knew they manicured themselves to avoid the fact that the diamonds underneath were either hidden away to be kept for themselves
or just
never there?

the wailing baby is the bravest
the wailing baby is the greatest
the wailing baby understands the grand stand by remaining unstood

fine, fine wailing baby
you are God and you already know it
but get ready to forget because Mr. Cowardly Business
and Mrs. Manicured Face will eat you too
and leave you soulless until you're soulful

the daily drain of the soul into an unholy grail.

let the world sip from the cup like a poisonous water
WAIT!
I'm still thirsty, don't drink it all yourself!

- - -

that serious face of beauty
rock-hard, dead-eyed beauty
I wear it too and I'm probably ashamed but I'm not sure yet.

- - -

just a little jittery from the jut-cliff of caffeine
ah, ah, aahhhh, it makes me thirsty to live.

ah, ah, ahhh, what lovely visions upon seeing
appearance vs. reality
appearance is reality
appearance is
disappearance
is
pardon me I need to ****.

- - -

at least somebody cares
but stop pretending *** I know you're too scared
to admit it.

- - -

christmas decorations already
I guess that makes sense if you're trying to
increase
your net
profit

prophet

- - -

pretty face you wear
******* for hiding your pretty face

- - -

do I qualify as some cultural absurdity
considering I'm sitting here
sipping coffee
writing poems
baby blue toque
comfy-patterned sweater?

what's better?

- - -

these dash-breaks don't annotate much
except implicit unity

yes, you know me.

- - -

not really sure
what to think
about that one

or that one

or that one

or
this
1

- - -

one of the men in a business suit
describes this place as
noisy

but quiet.

maybe he's not so
Mr. Cowardly Business

maybe I judged him over the
speed
limit.
Sidney Nov 2014
I am that petite build, with that straight, black and shiny hair that every white girl envies.
I have those slanty eyes that turn into slivers when I laugh.
I love kimchee, rice and mandu.  There is never such a thing as too much garlic.  I put red pepper flakes/paste on everything.
I use chopsticks.
People think I'm "cute" and pat me on the head.  That drives me nuts.  It still happens and I'm 32.
I regularly tell people that I don't speak Korean, except for "Where's the bathroom?" and of course "Anyonghaseyo".
My skin turns a dark tan in the summer months and I wish I was more peachy or pale like the white girls whom I think are beautiful.
I wear glasses.
I love to read and research things and I'm a good, diligent student, but I'm terrible with math and science.
I'm musical.

****

I play the clarinet, not the piano, violin, or cello; like every "Asian" should play.
I'm a tom-boy; you will never find me in a tu-tu or frilly-like dress (in public).
I do not wear make-up.
I'm loud, boistrous and obnoxious at times.  I have a serious *****-mouth and I'm not reserved or "refined".
I ask the guy out; not the other way around.
My career is more important than "settling down"-- at least during this point in my life.
I choose to never have children -- EVER.
I bite my fingernails and I've never had a manicure.  I've never even been inside a manicure shop.
I am a fantastic driver.
I am the only person of color in my immediate and extended family.
Over 99.5% of my friends are white.
I have never been in a relationship with an Asian man.
I grew up in an all-white neighboorhood and when I saw the Vietnamese, Cantonese, and Hmong students at my elementary school, I always wondered what it must like to be "them".

In 2007 I lived in South Korea for 3 months.  I encountered complex questions concerning who I am.  Who am I, really?  Am I an adopted Korean?  Am I a "real" Korean? Am I a Korean-American?  Am I none of these?  Does it even matter?  I was left with a gaping hole in my chest of deeper questions, deeper insecurities, and a poignant feeling of loss.  I thought, back in the States that who I am there is who I really am.  But, here I am, in the country of my birth, surrounded by people who share my ethnicity.  This is who I really am, right?  I felt such a deep responsibility to be more Korean.  I felt that if I identified as "white" or even a Korean-adoptee, that I was betraying my culture, my People, my home.  But, while I was in my homeland of Korea, I was so homesick for Minnesota.

When I returned back to Minnesota around Thanksgiving time, a few months later, Eastern Social Welfare (adoption agency in Korea) found my birth mother, Yoon, Young-Hee.  They were able to confirm that she was indeed my mother.  They tried to tell her that I have begun a search and that I wrote a personal letter for her, waiting at the agency.  Once they mentioned me, Young-Hee hung up the phone and would not answer Eastern's calls over a course of a year.  Children's Home Society and Family Services in St. Paul, MN contacted me and said that Eastern Social Welfare suggested that I wait a few years and try again.  I waited 6 years.  Last Decemember I re-intitated the search with the hopes that Young-Hee had gained the courage to talk to the social worker.  I had prayed for this for so many years.  I visulized light and love surrounding her.  I asked God for help.  I have heard nothing from my social worker and it's been almost 10 months.

I am learning how to let go of this search and let go of Young-Hee.  I am learning how to take my healing and my identity into my own hands.  I have a million questions that I wish I knew -- questions about my birth family's medical history.  Questions about why she gave me up. Questions about her current family.  Endless questions.  Now, I have come to terms that my questions may never be answered.  I could always have a mystery around my birth and possibly the future cause of my death (until I am diagnosed with something).  Can I live with this ambiguity?  As of right now, barely.  I am barely able to keep myself from falling apart with the frantic wonderings of my mind.  But, this is something I have to live with every day.

The Adopted Korean Community often hears wonderful and inspiring stories of adoptees being re-united with their birth-families. This is not my story.  My story is the all-too-common story that is rarely heard.  No one wants to hear how your birth mother will not cooperate with the Korean social worker and even read a letter you wrote for her.  No one wants to face the fact that millions of adoptees around the world live with this reality, too.  No one wants to acknowledge the pain, the rejection, and the loss that prevails.  Why would anyone want to hear a story like that?  Well, people who do not find their birth families or are turned away by their birth families have a story to share too.  It may not be an "upper", but it's a pretty important story to hear, too.  It lets us remember how we've all felt this way at some point in our lives, as an adoptee.  Most importantly, hearing stories like this helps other adoptees cope and feel that it is okay if their birth families wish to not meet or communicate with them.  It's not the adoptee's fault.  Adoptees who do not have success stories need to hear that this happens to many others and that a giant rejection does not mean he or she is worthless and less "special" than an adoptee who has been fortunate enough to reunite.

Why is it that I so closely tie my identity and then my self-worth to my birth family?  Why can I not be sovereign unto myself?  I am Korean.  Yes, I am.  It doesn't mean I must do, be, act, believe, see, or think in a certain way.  I am human, too.  I choose to have little identities that I see myself as while in different situations, with different people.  Indentity is complex-  it often signifies one thing-- oh that, (points) THAT is a chair. But simultaneoulsy, identity can also be so fluid and flexible -- (points) THAT chair is a folding chair, but this one isn't. But they're both chairs.  Maybe in some situations I can be a folding chair.  I'd like to play around with identity and let the concept roll around in my mind.  The thinking error comes when we think we must be one, same thing at all times. That is when we become stagnant.  How refreshing it is that we get to have such fluid identities!

Like every person on Earth, I have many shades.  I have many identities, and I surrender the long, hard fight to conform to one identity or another. This is my life and this is who I am, so I reserve the right to identitfy with whatever and whomever I see fit to be ME! :-)
Amnesia like leaky faucets swollen drain ventilates vapid powdered portrait
At least smiled.
Blood slightly warmed manicure and smiled in forgotten garden
Such lovely font.  All wanted
Mini clouds surrounding shrines backlit green in ritual.
Smiles speak but of the wet smell of pollen and the sweat collecting in his hand behind the small of her uncrushed spine.

Curing chlamydia the straight—A fairytale.  Conned alive, clumsily and bitter.
Nurtured cotton uprooted attempt.  Scrubbed stains to shreds

Not even the green light merely aftermath so of course when shaking egg shells sheltering in “cold hands warm heart” chests receive the song I sing but never knew
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Jordan Frances Apr 2016
To my fake nails
That flaunted a pastel color in the fall
I don't remember why, exactly
I only recall ripping you off, one by one
Like petals from a daisy
It hurt, but I liked the sound of glue
Tearing off dead skin
Plunk you into the trash can
Because you didn't scratch his eyes out
Like you were told to
You didn't react
Like you were told to
Your body didn't fight back
Like you were told to
Instead, body break body shatter
Like glass on wood floor
Now, I watch her fall as smoothly as I did
When will she shatter for him?
Now, my real nails dig into my wrists
Holding onto everything you took
When you - I don't know what to call it anymore
Call it ****** assault
Shatter
Call it revictimization
Shatter
But that makes it seems like it was never his fault shatter in the first place
When your life becomes nothing
But sharpened nails and broken glass
You forget what you are made out of.
I see his iron bar face
But I am composed of diamond
Because the only thing that can break one
Is itself.
Poem #2 in my new series.
katie Jul 2015
My nails are a mess,
but not a mess like a 2 week perfect manicure 'mess',
a mess like chipped old blue nail varnish
where I have picked away at it.
A mess like peeling skin
when anxiety from deep within
has resulted in me absentmindedly scratching
until I am awoken by crimson blood,
pooling on pale flesh.
I grab a cloth and sigh,
as I realise I will now have to hide
my hands from onlookers,
who will probably tut disprovingly
because I'm a girl you see,
and it's my duty to present myself beautifully.
To be perfect on the outside, but how can that be?
You see my hands bear the scars that are inside of me.
You can't just paint over scars and expect to be free.
Sam Oliver May 2010
Don't be fooled.
I don't woo with words.
I don't woo with actions,
Either.

No, I am too much of a novice.

My intention,
Intended,
To release these tensions
Intensified by the cloud
Of tense living.

In tensions with no spa,
No relief,
No massage,
No pedicure,
No manicure
To calm them.

Ever wondered
Who masseurs
The masseuse?
I don't wonder.
I know.

No one.

Intending
To untensify
The tender
Tendencies of
Tenacious living,
The tenders of
Untended flesh
Relieve your tensions
With no intentions
of receiving intended returns.

They take your tensions
With only intentions
To leave you intense
In the freedom of life.
Meanwhile fragile tensions
Tend to rend them,
Causing trouble and strife.

Feel relieved.
They are in tension,
Don't worry about
Giving attention.

You weren't going to anyway.
Z Atari Jan 2015
Beauty is power
The words we teach our girls
whipped mousse over the freckles along your temples
will get you respect
the zit under your chin
will make you somebody to avoid for a month
The rouge on your cheeks
will make people think they've made you laugh each time you smile
Taken more seriously under anonymity on cyberspace
than to that same person talking to your face
As the standards grow higher
The modified faces and bodies of revlon and maybeline
become tall tales in every sense
The waistline is taken in to better display the shellac of that manicure
why of course!
as more and more voices go hoarse
from taking out meals before
in fear of a body to abhor
when beauty is power
and its concepts changing
is it only to keep us from misbehaving>
Julia Jan 2012
Designer clothes.
Designer shoes.
Manicure.
Pedicure.
Highlights, too.
Your facade is immaculate,
but you don't need to be told.
You put up a front,
and think nobody knows
the real you.
That insecure woman,
is much more beautiful
than any surface you could summon.
American city, your roads make me gasp,
Hold my breath with cancerous anxiety.

Your sidewalks,
Ancient ruins of time passed: A failed optimism for Utopian desire:
A house, a yard, a car for every person.

Now derelict, termite infested, but rented.
Chlorinated chemical water runs through rusted, moldy spickets to
Rinse pesticide seasoned vegetables.
And yet they remain so tasteless.

But who cares?
Suburban middle class zombies?
Created with media placed propaganda.
Born and inoculated with DisneypepsiMccocacola ideologies.

Oh Wal-Mart,
how we love your homogenized Chinese products.
Oh America,
how we love your multi-million dollar cathartic films,
They bring my mind to no place and inspire nothing.

Your theme park inspired retail caters to any identity I desire:
I am a professional,
My wallet lined with the best credit cards,
SUV, Hummer, Super boat, designer label, mall bought,
bleached teeth smile, with slick greasy hair style.

I'm cool, I pay for the gas.
Beep your horn, and rev your engine.
We are at war with each other.
Everyone get out of my way: road rage lifestyle: compete or die.

Big screen television dream.
Bought it at Target.

Open my cupboard: Macaroni and Cheese, delicious.
Ambian, Prozac, antibiotic, Listerine.

Collagen bovine beauty:
Manicure, pedicure, dye and wax

Acrylic nails, hair extensions
And silicone sacs.

Oh, American city
How we want to steal your money and **** your blood.
Chop your trees and cement your grass.
American city you are dead.
OnwardFlame Nov 2015
Is it possible
To become addicted to lost love?

I should drink more water
I should sleep more hours
I should think of you less
I should, I should, I should.
olivia anne Jan 2019
the last time i got a manicure
was the day i met you.
you helped me pick out the color,
a coral pink gel that i hated until you said it looked nice.
the longest we went without talking that day was the 5 minutes it took my nails to dry.
the manicure wore off after 2 weeks
but the crush certainly didn’t.
i got my nails done today, and you told me they looked cute even though i didn’t choose the color you picked out. we’ve come full circle.
Third Eye Candy Oct 2012
however i choose
to abuse these loose reigns
to gain whatever gallops may overtake
to overrun the rampant jade
in summer's plum, my teeth in no shade
but the plump flesh
of a ****** day; brightly at heel
of my toes, bejeweled
in ocean spray
fresh cut lawns with diamond dew, disarranged
sprinkler cast before midday
to cheat the sun,  a sip or two -
and slake the thirst
of emeralds
i would soon delight
to cantor through.
to roam
with eyes too wide
to choose
a culdesac ... to dread-
or view. Perhaps
a glance at crates
and crude cadavers of a life
removed -
from every thing i worship twice !
while prancing, ever-prancing -
through
the manicure
that has ' no cure '
for Nature's way
of tending too the over-groped
and fussy plucked,
some Charter barks
you have to do; What Art dispels
what man has framed ?
what power drapes
the Land more true ? A dozen Elves ?
Prayer in school ?
what genius
never fails to ask -
the question that reveals the fruit ?
or listens .... to the loamy grass ?

a very
few, if any who -
would
do
the same; the
mortgage and a
landscape, paid;
' in-full.'  [ The first ]

with love, the glade ?

The Earth
is all i know,
would do
for nothing,
all...  Spite all -
we do.
however we blockade
or stake
the acreage
we have papers prove-
belong to every
dispossessed
with keys to doors
that lead to
rooms -
that seldom have the sun
inside the red Redwood
the old thing died
too raise your roof
under god's blue
sky.

To shelter
men from other
men,
who covet what
you keep in
them.

a 1000 yrs of Life, undone  
to build our vapid
ornaments.
a forgery
of hearths; and hardly worth
the vasty parlors
lost.

we parcel, carve
and auction
off
our petty Lots of
*******...

the empty ones we polish
while our homeless
remain home-
less

the echoes of a simpler time
too weak to even haunt them.

our shame intact, we slash
and burn, for coffers have
no conscience.

our charity is scarcely more than earplugs
for a blindness; a band-aid for an Apathy
a thimble and
a wine list
etched inside the hollow
just below the milk of kindness
that soured
in a palsy hand
that brought a drop
and spilled it.


However
I have chosen more
than fiberglass and
fountains
my habit is to wander off
the beaten path
to mountains.
To slopes
of avid avalanche
and quiet shouts
of Silence -
that echo and return
as if to soothe
my withers'
finally...

an
ache
to meadowlark and leap
for leagues without a harness
without
a gate to keep
the lush pavilions
at a distance

nothing
to contain
the gift
and no one
there to
name
it.

nothing but the wind to kiss
and no books to
explain
it.
When I was 12

I cut for the frist time I used this little
sharp thing that came in this manicure set
I don't know why I did it but I can remember
my hand hanging over the bathroom sink little drips of blood falling from me I staired in to space I can still feel that dead feeling
Latter that year I cut in front of my friend I did not think she was looking, she **** my hand and " oh my god, dude did you just make that happen?" I should be I shamed I would be now, but then I think I may have been proud, it got worst I cut everyday
mostly my hands. One day my older brother
asked what happen to my hands I said his cat had scratch me
a really bad lie cuz rocko would never hurt a fly,
and he new cuz he told my mom right there and then
Ma, I think she's cuting herself, I was so panic that I don't even remember what she said, but I did not stop
mouths later I think it was in Jan of 2001
I was at my sisters house and I must have had a scrach or scar showing
I reamber what she said, my hand are shaking tyeping it,
"Why are you cutting you're self little *******!, you know that bring the devil he likes that!, little did I know those would be that last words she ever said to me cuz she died in feb that same year
and know it's crazy but part of me will allways blame me and my cutting,
and i still think of her when I cut, I don't have to tell you that did not stop me,

whene I was 13

I don't think I cut much wich is do odd cuz it was the worst time in my life, insted I dressed like a ****, got drunk, talk back to my famliy and messed aroung with grown up guys,  and started writeing poetry
but I never cut.

Whene I was 14

god that was I really bad bad time I'm pretty shore I was crazy
I was convosed about my sexuality and gender,
i shaved my head started dressing as crazy as possibal maybe get ppl to look at me, maybe to scare them away I don't know.
but I cut, I cut I LOT! I can remember locking myself in the basement with my KORN and SLIPKNOT CDs turned up so load no one can hear my cry, I craved an anarcy symble in my lag, and fell asleep on the liveing room couch, my mom saw it and freaked out, she asked me if I was crazy?, gay?, if it hurt?, all I did was turn over and go back to sleep.

When I was 15

everyone just knew I was crazy, I cut be with the head to toe black
dog colers and books on the cruch of Satan no one really nodest, but I knew, it was takeing over my life, I had so meny cut on my arms that
ther was not a part of my skin that was not scabed red or swollen
but I did not stop.

When I was 16

I lot of things about me chanched at 16
but it was hard to say what they where
i remember one day I staired in the mirror so long
I could not stand mr face and more I was enraged
I was allwas sad, but now it was anger I did not want to see
any part of me or my life any more a hated it all so much
I tryed to blind me self, with narr hair remover, I put in to my eyes
it was the worst pain I ever felth, and when everything started to look gray I was scard and for the frist time sents my sisters death
I prayed to god not elfs or the vampire ruler
but god, and it stop the bruning the grayness stoped
and from that the I never said I did not believe in god, you can call me crazy, but I think I should'ev been blind.
but I never stoped cutting,
just mouths layer in the summer I can remember
being dressed like a latex dominatress, I craved the word nothing in my hand that word ment a lot to me it was my seventh name
I never thoght anyone nodest but when I came home one day
2 of my 3 brothers and my mom where waiting like an intervention
they asked me why?, what does it mean?, my father asked if I " really worship the devil?" I just said I do it cuz I'm crazy and never said anouther word,  but I did not stop cutting.

When I was 17

my life was sleep cutting and poetry and nothing more,
I lived in razor blades and notbooks, I can remember one day I had 2 cuts on my arm my uper arm, but I must have forgot cuz I did not
where a swater to the dinner table, my brother the same brother
that nodest when I was 12 got up in a rage and went in to the ketchen with my mom and was yelling at her " did you see the cuts?, did you see thies ******* cuts, he did not think I heard no one did but that mead my cry so hard, I'm and will allways protective of my mom, I hated that she was getting yelled at for something I did, but than she starting blameing everyone but me, I craved a heart in to my hand and she went if in my neice say "did you see her do this?"
now my cuting was everyone pain
but I did not stop

when I was 18

I did not cut as much but whene I did it was bad
I used broken glass it was my favoret, and I cut placeing
that never showed, when I  was dressed,
and I looked normle just like anyone els
nothing dark of freaky about me but if you saw me
naked I was a masacare
and I did not stop.

When I was 19

I had a hole deffrent feeling like nothing I did
was good enough, I'm not like everyone els my
age, I allwas had this thing where when ever u was outside
and someone laughed I thought it was about me
if they looked at me it was cuz I'm ugly
or just a freak, at this time it was worst
cuz I realize not much has chanched in my life.
I got my shoulder once I was one my computer
and my dad asked what happend I said I got cut when I was
moving things in my room all he said oh I thought
you where doing something weird, talk about being the last to know.

When I was 20

I only cut twice that year, And my mom seemed to think about it more that me but in a defforent way "what are you gunna do with those scars?"
shed allways say, still does no mans gonna wanna marry someone with
unexplainable scars on her body, I allways found that shallow
and cold but I did not completly stop cuting.

When I was 21

I had an inter deffrent soul or at lest a new mask
in lost wight, trund blond, for the longest time replaced
poetry with make up, try to perfect most ppl thought I was
even me, I was bublelie that girl who laughed really loud
with butterflys in my bedroom and boys on my cell phone
mirrors and make up, it kinda the new obession cuz I can feel it taken over, and no one knows it  they will never guess it
but I did not stop cuting

now i'm 22 years olds

sometimes I feel so fake I wanna scream,
I don't reconize me anymore, but I never like me anyway
I can't understand how I can want those feeling back?
I mead so long, how can I just stop?
Cuting is part of me, as much as I want it gone
then why did cry so much, more then the blood
why do I feel so worthless saying
I did not stop cutting...
Every word is true, I never told anyone any of this
I never will,
CharlesC May 2013
After last manicure
preparation for guests
concern for
their notice of
most careful work..
Yet something was
hidden concealed from
close diligence..
With the sun
a yellow explosion
just that single one..
deep yellow glory
a message of
imperfection
in quick rising
Joy...
angelwarm Oct 2014
YOU HAVE
TO WANT IT



MAN
“go outside,” the doctor says,
“stand on the grass for fifteen minutes a day.”
you’re here because today you want to get better.
“tell me how you’re feeling.”
“I’m scared.”

“I mean physically.”
“so do I.”




ANGEL
an angel can come in a burst of a blister,
on the tip of a finger.
he always starts small
with the whispers,
         “i know about love,”
   like you asked for it.

he prefers to come at the end of the month,
            amid deadlines, another set of blood-soaked, ruined *******,
some traces
     of the relationship with your father and failure.
but you like that: having an excuse that sends you
   scrambling for car keys.

    at first it’s forests, their fires,
the flowers that follow once the ash and skin and soil
are mixed. at first it’s earth and rubbing it in,
     seeing god behind your eyelids.

so you clean the pipes, keep washing sheets.
      the voices they stop coming; once in a while you
      read online how many kids this week have overdosed
    on ****** and it’s foreign. kids with dirt
under their fingernails, kids in basements, kids
with ***** canvas shoes and overgrown cuticles.
           they don’t look like you. you still look like
you.




MAN
                   mike sparks a j in the basement.
        we chew on xanax and no one’s paying attention to the TV.
some white static and early afternoon rain. it’s made me gone
ghost, sitting on a leather recliner, silent with a cigarette.
              it’s a right of initation to carve your name in mike’s
coffee table and sign on the back wall. this summer I added
   mine alongside the kids I used to get nervous around in high school.
                       his mom comes downstairs with a joint of her own rolled
and a French manicure. her lip liner is too dark for her
lipstick, and phil’s warmly lit and ivan leans so far into the
couch he isn’t human.

mike sits up, “ma,
you know you owe me some money?” he changes the channel.
she laughs throaty, her insides a swamp. she’s
prettier when she’s high like this.
                       “I got your money,” she promises. it gets soft
from there and phil smiles over his body and ivan moves
further into the couch. she touches mike’s hair.

“good kid,” she tells me and I smile up at her. I wish I had
a body but I left it wandering through
the thunderstorm outside. ivan nods his hazy head.
          mike hands her a diet coke and she hands him a fifty and she goes—through the walls—
       phil digs his hand into the couch cushions to find papers. I go
ghost in the seconds it takes him to spark his lighter.

the ghost lights herself a cigarette.
   the ghost lights herself another cigarette.
               the ghost lights herself a cigarette. “are you chain
smoking now,” phil slurs playfully. “yes,” the ghost agrees.
     “are you having fun,” ivan turns to her.
                “yes.”

HUMAN
i don't want to know what love is like i want
                                       air that
                     tastes like apples and
       i want real raw
         brown sugar
       i want to shoot up every
grey second for two weeks— get frantic then
       take benzodiazepine until i shred my
stomach lining, singing
                                                    
            i want bud light and
a backyard. bed time stories and
            white furniture and ritz crackers
             with fancy party cheeses
                              i want to complain about the drinking age,
                              new york’s black-dusty wind charm. complain like the
                              moon is still lonely and not a destination
                                          i want to wake up in the sun spot
                                          i want to wake up to a baby crying
                          soft like mothers do, going to
                                     that dear one to quiet them down,
                                        i can be here to kiss you calm
                                                              i want to get out of bed
                                                              i want to call friends back
so winter can come and i can still
                              go home.



       WANT
         throwing on the rag&bon;; jeans,
         neither rag nor bone more milky skeleton-ized, eyes
         pin headed. faces struck yellow all tops of the heads
         with umbrellas and sorry throats. "here take mine" no
         "you'll get sick" it's fine
                                                        the gothic church with social strangers
                                                       ­ tweakers and nodders all smiley side-
                                                        eye­-Y
                        i know the gimme gimme
                        i know the routine
         and blondie (they think) here she comin she twenty years clean
         blondies a baby she weak as **** she dont know what she got
but i know the "i want" "i want"
         and the ok baby,
         Got U




HUMAN
i dont want to know what love is like,
                  i want to walk the manhattan bridge at sunrise
                  i want
                       grass wisps and capers
                       chicken noodle soup
                       a night at the new york city ballet
                       and pauses in sentences, in breath
                       the breath before a kiss or the breath
                       after it. i want instant hot chocolate
                       and reality television, ugg slippers with
                       faux trim. a bicycle painted lilac with a
                       basket, and clear skin. i want pier 63 on
                       a 70 degree day, the weepies playing
i want to be a ghost
            where ghosts are white sheets with two button eyes
             and make jokes about halloween and their past lives
i want to go there
to street fairs
and watch fireworks and write out names
in fresh concrete patches
                                                     i want to eat blackberries in the bathtub
                                                     i want skin to make me feel safe again
                                   i want to want to live
                                   but i know the "i want" "i want" and the ok baby,
Got U




WANT

they were right,
                               they were all
              going (right
they were righjt
they were right

air hanging eyes to dry
blood pull in push out brown golden push IN
  

they were right they were all right
nothing could ever make me as happy again



WANT

it’s a hold on something so quiet and soft in your hands and no one knows what it is and you dont know what it is. it’s the pin drop in a hospital room and so lemonade refreshing. im in a snowstorm and i cant see the city, cant see past my own two feet. im on a long highway drive and it’s rain that comes in sheets so hard i cant move. i walk and the world writhes underneath me and we put needles in our arms. and we wait for the blood push. and i watch my life go away in warm *******. and i watch it go this way like it’s not me. and i’m going home to ****** and i’m scared, i say outloud to maggie, “i’m scared i’m going to do something stupid,” and she is so quick to say “like what” that i know she knows what it is. and i’m so scared.





WANT

give up on me , I Know where im going. don’t follow. don’t even look for me. keep
Counting sugar cubes and stirring your coffee , it is my wish for you that it always tastes sweet.
I love you












WANT


i just wanted to be kept warm by something that looked like love



MAN
i walk slower on the streets of manhattan; stop at
   the strand, look for the man with eyebrow rings
asking "do you know where a girl in this city could get some relief?"
         he laughs, says he just looks like someone who would know
            that. he asks, "is that Monster Blood?”
                             &nbsp
this will continue to be edited from time to time. it's a long poem i'm working on as a semester project.
judy smith Jan 2016
“Ever since I started this job and anyone asks how I’m doing, I always say, ‘I’m great!’ ” Maayan Zilberman excitedly explains. And why shouldn’t she? The former Lake & Stars lingerie designer, who has since founded confections lineSweet Saba, happens to have the sweetest career around. Concocting a literal visual feast out of her Park *****, Brooklyn, kitchen and Fort Gansevoort Meatpacking pop-up shop, the Israeli-born polymath uses her background in sculpture and a biting sense of humor to create her vibrant, indulgent delicacies. Think sugarfied tubes of lipstick, rap mixtapes, and Rolex watches—with their raw handiwork and dead-on wit, these in-demand pieces match Zilberman’s equally enticing wardrobe. Hardly barefoot in the kitchen, Zilberman teeters about in her workspace in vintage Betsey Johnson Mary Janes, while throwing on a customized Adam Selman pearl-laced apron to protect her Prada skirts andProenza Schouler knits. Here, the dazzling candymaker reveals how she has always been more En Vogue than grunge, why she never forgoes a perfect press-on manicure, and her plans on taking Sweet Saba herbal.

From Jerusalem to Vancouver

I was born on a kibbutz, where the first clothing I had was a mix of unisex hand-me-downs, so I was given a pretty blank slate. When I lived in Jerusalem we were surrounded by several sects of Orthodox communities, and the fabrics associated with each group were inspiring to me. During those years, designer brands were becoming popular, and the only place I was seeing this was in the shuk [market] where one could find imitation Calvin Klein and United Colors of Benetton next to tzitzit and shawls. I think it was in the early ’90s that I first understood how to mix my ethnicity with fashion and food.

Also, one of the most influential books of my childhood was Color Me Beautiful, which the women in my family took very seriously. I learned at the age of 6 that I was a “Winter” and haven’t veered off course since. I still have the book and love to pull it out at parties. Later in high school in Vancouver, grunge was the big trend and there wasn’t much room for my sensibilities in that environment—even when I wore my Revlon Blackberry lipstick and grunged out with irony. I was always far more En Vogue and Versace than the Pacific Northwest could handle.

Taking Cues From ’90s New York City Street Style

When I first got to New York, when I was 15, one of the first things I discovered was all the music I could get on Canal Street. I used to buy mix CDs from girls in monochrome outfits and big name-plate earrings. They pointed me to Fulton Mall in Brooklyn, and that’s where I finally got pants that fit right and jewelry that reflected my personality—a departure from the stuff I’d received for my bat mitzvah.

A shift in style for me meant a tougher, more confident look, where a short skirt is a reference to an era, not a call for attention. Music and lyrics played a big part in teaching me about how to dress and how to feel feminine. I had a Versace quilted skirt that I wore a lot—it made me feel like the supermodels in the ad campaigns: Cindy, Claudia, Stephanie, et cetera. I also had a Jean Paul Gaultierdouble-breasted pinstripe suit that I’d wear casually. In fact, I’m still wearing most of my clothes from those days: Betsey Johnson floral dresses, Donna Karanbodysuits, a metallic Byblos pouf skirt, and a grommeted Pelle Pelle jacket.

Lingerie Beginnings

I studied sculpture at the School of Visual Arts, and for a year at the San Francisco Art Institute my major was “new genres,” a very ’90s thing. Right after I graduated from SVA, I did an artist residency with Ilya Kabakov at the Fondazione Antonio Ratti in Como, where they also manufactured some of the world’s most beautiful silks. A tour of their factory opened my eyes to a potential dip into fashion, but it wasn’t until I met a pair of women in New York City that same year looking to start a lingerie brand that I took a chance on garment design. I bought a bunch of bras and took them apart and figured out how they were put back together. I cofounded The Lake & Stars in 2007 with the desire to make a brand that was in line with the story I wanted to tell as an artist. Lingerie was a tool, a structure that gave me rules so I could tell a sci-fi tale while inherently delivering romance and *** appeal.

read more:http://www.marieaustralia.com

www.marieaustralia.com/short-formal-dresses
Lysander Gray Sep 2013
Once we were panthers,
sleek and powerful
embroidered in the silks
of midnight and dawn.
Passing the reflections
of city windows
as all bare streets
gave us their throats-
Tasting of blood and love.

And then the morning went away.

The dust settled with a silent thunderclap
the open streets closed upon us
with a wall of eyes,
We reached our hands forth
and touched nothing -
but the ivory shadow
left by
daffodils in death.

The day the morning went away.

We poured our questions
into the water supply,
we drank the mix
as the night rolled by.
It painted upon our minds
that we were snow coated deer
and soon we took their form.

We never made love again
we simply locked horns
until the roosters call
called us to stop.

For to make love
became a *******
and to **** without mercy
our golden seduction
into their secret submission

The day the morning went away.

Your perfect stranger
became your perfect enemy
your perfect enemy,
your  perfect friend

and you were silenced by the thunderclap
you were silenced by

the thunderclap.

My little panther
afraid of the quiet thunder
afraid of the doe eyed stare
that cuts you from the mirror
cuts you right down
to the bone.

I watched you place
your tiny
white
lipstick to the corner
of your eyes
and manicure
your perfect
stag horns
as you brace yourself
to step outside.

The morning mist
comes into your lungs
and you exhale
a liar’s hello
to all below.

The day the morning went away.

Our ebony coats were hung up on a nail
we once were panthers
now our hearts are meek
we once were panthers
we once chose to seek,
now we flee at the sight
of moths dancing in the
summer light.

We once were panthers
we once were panthers
we once were glorious panthers.
Olivia Kent Aug 2014
She's lost and alone.
As she bays at the moon,
it's soul, so full.
The full moon smiles in a mischievous way,
Inviting her sorely to come out and play.

Tangled hair rolls down her back,
enveloping her fearsome face.
For tonight's cull,
Her manicure's gone
her nails have grown,
They're so sharp, so vicious, so fierce,
her tears,
although,
tumbling,
remaining unwiped,
She can bear no scars,
from her previous hunt.

Who said that t'was only the seventh son of the seventh son?

She wanders lonely hillocks,
On the hunt for human kind,

Her mind is cursed,
with ****** souls blood,
As she wanders alone through the wind blasted wood,
she's looking for food.

Her mind's set on feeding the curse she was given,
Stuck in a situation she did not want to live in,
Death did not become her,
it never could,
while,
she wandered lonely
through the wild wood.
Although,
desperately,
she tried hard to expire,
as an immortal wolf woman,
her wish was denied,
and she cried.

On the evenings,
when the moon was wane,
she sobbed to herself.
Feeling such pain,
knowing incarnate,
that soon the full moon,
would with it bring with her next date,
a date with death,
for somebody else.
(C)Livvi
Samantha Aug 2014
Step One: Dress for Success
Dawn yourself in armor each morning
Spikes and studs
Headbands and helmets
Strike fear into every man’s heart
And look good while doing it

Step Two: Be a Lotus Flower
A rose, a lily
Be a venus fly trap
Deadly nightshade
Lady Macbeth said it best
“Look like the innocent flower
But be the serpent under it.”

Step Three: Always Have a Perfect Manicure
Sharpen your nails into knives
Slit your attackers throat
With just one swift movement
Of the wrist
Walk away with the blood working as polish
They won’t be able to tell the difference

Step Four: Smile
Never let them see you crumble
Never let them see you for what you are
Human.
Put up the walls
Man the cannons
You’re no longer a girl
You are a castle
And they want to storm you

Step Five: Be Polite
Swallow the bad words that want so badly
To sting that *******
Who cut in line at 7 Eleven
Suppress the rage that makes the blood
Under your pretty skin
Rise to your cheeks.
Instead, when he’s not looking,
Slash his tires in the parking lot.

Step Six: Stay In Shape
How else are you going to be able to survive
When the apocalypse comes
And its only you left

Step Seven: Focus on Your Education
So when the boys at school
Groan because they have to work with you on the English project
You can spit out verses of Shakespeare
And Frost
And Plath
And make them shake in their
Khaki shorts

Step Eight: Don’t Forget Where You Cme From
Don’t forget the hours
Your mother spent in labor
Pushing you through heaven’s doors
Don’t forget the women who came before you
The women who have tried so hard
To be the perfect girl
To collapse themselves into paper
To roll themselves like dough
Don’t forget those women,
Those girls.
Don’t forget to kiss your wrists each night
And say thank you to the stars.
Saif Shaikh Jan 2013
Staring at the world
Sitting by the window
watching it pass her by
Sitting by the window
All alone

Her eyes dried red
Forever Incomplete
Regrets left unsaid
She has no retreat

Willingly Given
Forcibly Taken
Pulled Back
to yesterday

Clothes neatly repressed
Easily suppressed
She puts on a new smile
Disguising inflicted vile

Perfect Darling Princess
Daddy's little girl
Alone in her world of shadows
Voices calling out to her in the swirl

Nail Paints
and a Bloodstain Manicure
Cold Faints
feeling so impure

Some wounds
aren't meant to heal
and some scars
are better left unseen

"please!"

There she lays now..
... Forgotten

Darling Abigail
Beauty so broken
Like the promises i made
Holding you against the wall..
Amelia Jo Anne Dec 2013
I am alive & just barely;
my throat is closing off
with hard, precious cancer eggs
tucked safely where my tonsils
are supposed to sit.
my fingernails this lovely
shade of purple, a deeply
blueish tint influencing them
almost indigo. They tattle,
silently proclaim my complacent
malnutrition. the moons of my manicure
have sunk backwards, eve
returns to dusk, my favorite
time of day, where the quiet
begins, the candle may be lit,
& the eyes I always feel on me
are at least shadowed from my vision.
the coffee is so black
pulsing through my shrunken veins
that my tears are caffeinated.
even when I don't hold a cigarette,
I see the smoke under my breath.
my hands & feet are always cold,
my muscles tremble & I swoon
when we try to stand strong together.
there is turmoil
constant static
in the fissures of the grey matter.
well? tell me! does it really matter?
my bones ache
my face breaks
oh, this Exist Contemplate.
my government has always
been corrupt; the city walls
are finally wearing, having
borne the onslaught for decade
& decade. oh, the Burn & Blister.

I crawl to my coffin without your permission;
Where are you, my Handsome Benediction?
Dear Baby Love Princess
Abigail Ella Jul 2013
Because you are wonder-bread-woman--
bearer of two and a half children,
five feet and four point six inches
of dapper domestication.
soaring, you are at the peak of the bell curve, and when you slip
it's on spilled milk, never cried for.
wistful, you stand on the edge of the bed and reach,
manicure  outstretched towards plastic glow in the dark stars
upwards of your eight-foot-walls,
because after all,
ceiling's the limit.
Bitter much?
karin naude Apr 2013
finally i give way
a deep low moan
my arching back relaxes
satisfaction flushes over me
sealed with a warm passionate kiss
a new moon begun
a dash of color added daily
new hair style, off with the old
accessories a must, compliments my manicure
dark short and eye catching
all i need is the perfect pair of shoes

a women matured
savored for my chosen
the nape of my neck
small of my back
the tip of my *****
a knowledgeable lover
brings fire to my belly
stopping only at sight of satisfaction
the kind young girls fantasize about
old women relive in memories gone by
stories and poems inspired

my words covered in lace
awakens passion
my lovers eyes burn at the thought of me

:) :) the mind a powerful gift
Abigail Ella Mar 2012
If the world was a metaphor,
we would manicure our animosity.
you’d file it down,
and once a week I’d paint it--
that way it’d always be clean.
Perhaps it's for the better...

— The End —