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begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Madison Aug 2018
Our story's beginnings are rather plain
Set in a town built on the mundane.
In this town, there lived a boy
Devoid of ambition, love, or joy.

He sleepwalked through his days
Aimless and alone.
Drowning in a melancholy haze
He longed for something lovely to call his own.

Now, I shan't tell you the young man's name
For fear he'd hang his head in shame
But his story you should know.
For it's not the name that marked this boy
But the places he would go.  

One day, an idea dawned
To take a day trip out of town.
The boy made a map
And a line was drawn
To the path he would walk down.

He followed the map with surprising ease
Over the hills and through the trees.
Though the boy was thrilled
He couldn't wrap his mind
Around the treasure
He would soon find.

The path came to an end
Without the map's warning
Causing the boy's plans to upend
Before it was even midmorning.
But the boy was in awe
Despite the offset.
He knew what he saw
He would not soon forget.
In the middle of the golden field
Stood a tall ivory castle.
His chronic disenchantment healed
The boy vowed to see inside
Whatever the hassle.

So he searched for a door
Until he could search no more.
He attempted to climb
With no regard for time.
He searched for a ****
Or a lock
Or a key.
Only when he was about to give up
Did the answer break free.

Against all reason
The castle began to glow.
When the transformation came to completion
A strange voice let him know.

"Come in," coaxed the disembodied voice
Honeyed and assured.
Feeling as if he had no choice
Inside, the boy was lured.

"My, you are a rude one," the voice began to chide.
"A lady invites you into her home, and without a word, you come inside?
I'm not expecting you to write me a sonnet, but at least have a bit of tact!
If we're being honest, boy, I believe your manners lack."

Sure this was some sort of stunt
The boy calmly shook his head.
"Forgive me, Miss, for being so blunt
But I believe the fault is yours instead.
You expect me to believe I was propositioned
By a castle that spoke?
I am certain one of my peers commissioned
Some sort of pricey joke.
I'm sorry, Castle Lady Dear
But I must be on my way.
I'm afraid I can't stay here
Perhaps we'll finish another day.
It's truly nothing personal
I simply have a hunch
That if I stick around for now
I'll miss my mother's lunch."

The boy turned on his heel
Not saying any more.
He soon let out a pitiful squeal
When he found there was no longer a door.

The Castle Lady countered his squeal
With a sinister cackle.
"Did you really believe you could leave me here
Without it becoming a debacle?
I'm sorry, dear
But for now
To this place, you are shackled."

Heart suddenly stricken with fear
The boy's eyes filled with tears
And he began to cry.
"Please let me go!" he cried out.
"I am far too young to die!"

Much to the boy's chagrin
The Castle Lady only laughed again.
"Goodness me, my dear!
You must be some sort of fool!
I do not plan to **** you here.
How could I ever be so cruel?"

Angered by the castle woman's taunts
The boy's eye began to twitch.
"If you won't **** me, what do you want?
Let me go, you witch!"

Unphased by his outburst
The Castle Lady simply tsked.
"Are you sure the witch is me
When you're the one being so mean?
I know what a statement this might be
But I believe you're the meanest boy I've seen.
But you can relax
For I've had my fun.
I simply have a favor to ask
Before you turn and run."

Against all logic
And stranger-danger talks
The notion of adventure
Overpowered his urge to balk.
"What is it?" he asked the Castle Lady
As curiosity struck.
When the Castle Lady responded
He could not believe his luck.

"Resting in one of my rooms
Is an awe-inspiring prize.
It holds power and beauty few men ever get to witness
With their own two eyes.
In fact, it holds too much power
So much that it's making me sick.
Only the brightest of young men can bear it
And you're the one I've picked."

The boy's heart raced.
For that prize, he yearned.
Still, he said:
"There must be some mistake.
Are you sure this is a prize I've earned?"

Overtaken by laughter
The Castle Lady began to roar.
"I am not that sick, dear boy!
Of course I am sure!
I can not make any mistake
No matter how small.
Didn't your mother teach you
That divine beings know all?
Now, you are an imaginative lad
With the charisma to match.
I'd dare say you are the best equipped child
Out of the local batch."

The boy couldn't help but crack a grin
Flattered by the Castle Lady's assessment.
"I suppose you must be right, then.
Now where do I get my present?"

"It is not a difficult journey at all," the Castle Lady replied.
"Just walk a bit down this here hall
And look to your left side."

Suddenly, the room filled with bright light
To help him find his way around.
In saying the journey was not difficult, the Castle Lady was right
As another glowing doorway
Was soon found.

"Very good, you clever boy!" the Castle Lady cried.
"Just give your fingers a quick snap
And take a step inside."

Proudly, the boy followed her advice.
The snap of his fingers reverberated
Sounding quite nice.
Secretly, the simple action
Gave him a small thrill
For he was the only child in his town
Who had such a skill.

Just as the lady promised
The door opened right away.
Thus, he took that fateful step inside
As she said he may.

Alas, it seemed the boy had been cheated by his wanderlust.
The only thing inside the room
Was a wooden box
Coated in dust.

All sense of wonder gone
The boy was certain it was a trick.
"You horrid con!
What in here is making you sick?"

Unamused, the Castle Lady sighed.
This was not the first time a child had thought she lied.
"You're jumping to conclusions, boy.
I'm not that sly a fox.
If you want to find the treasure
Look inside the box."

Begrudgingly, the boy obliged
Lifting up the top.
In the moment he saw what was inside
The whole world seemed to stop.

The boy's jaw dropped
As the box glowed
As if it contained all of heaven's rumored light.
It was true that he was unlikely
To ever again see such a wonderful sight.

"Well?" the Castle Lady inquired.
"Would you like to keep it?
You have all the qualities required
It's only fair that you reap it."

"Of course I'd like to keep it," said the boy.
"But what should I do?
What power do I have
To take care of this box
Any better than you?"

"The box can do anything," said the Castle Lady.
"Perhaps that's why I can not have it.
Still, you need not engage in special care and keeping
Or develop any new habits.

The box can do whatever you wish
Cure disease and famine
Or make your family rich.
I can not tell you what to do
Just use your own discretion.
Besides, it wouldn't truly be yours to use
If you did so under my direction.
So simply take it home
And do with it what you will
But before you choose to roam
I have one more message for you still."

Holding the box to him
The boy lifted an ear
Regarding her as a friend.
"What is it, Castle Lady?
Please say what needs to be said!"

When she spoke again
The boy could swear her voice contained a smile.
"When you leave me, the castle will come to an end
And this part of me will be dead.
Though I'd love for you to stay a while
So we could become better acquainted
I'm afraid that would be against the rules
And the prophecy would be tainted.
So, clever boy
For now, I'll bid you adieu.
You deserve to be given joy
And I hope that is what the box will do."

No sooner than she spoke
Did the castle vanish
In a puff of smoke.
Once again, the boy stood in the field.
In his hands rested the box
The closed lid keeping its powers concealed.
Somewhere between satisfied and sad.

He gave her a eulogy
However unorthodox.
"Goodbye, Castle Lady Dear, I enjoyed our little talks.
Maybe we'll meet in another world...
Oh, and thank you for the box!"
Having said all he needed to say
The boy knew he should be leaving soon.
He turned to walk the other way.
Walking home, his fingers snapped a tune.

It wasn't long before the whole town
Knew about his treasured box.
The boy made sure all his friend knew.
In school, he stopped all of the clocks.

He provided his class with great delight.
As a school day
Melted away
Into a Friday night.
The grown-ups none the wiser
He pulled off the perfect crime.
Forever the improvisor
He also did away with bedtime.

He gave his family money
As the Castle Lady said he could.
Though his old bullies looked at him funny
His clothes had never looked so good.

He gave himself popularity
A Labrador puppy
A brand new bike.
The ones who teased him
Spoke apologetically
And there wasn't a single girl
By whom he wasn't liked.

It wasn't long, however
Before the fun began to fade.
As much power as he had, he never intended
To share his gift with his whole grade.

"Can you tell me
If my pet goldfish is really watching from above?"
"Can you please help me
Make my parents fall back in love?"
"Can you make it so that
My grandpa isn't sick anymore?"
"Can you invent a robot
To help me do my chores?"
"Can you make sure
That my family keeps our home?"
"Oh-- and while you're at it
Help me write my girlfriend a nice poem?"

Alas, the boy paid no mind
To their wants and needs.
He had left his charitable days behind
In favor of his newfound greed.
Though his box could do anything
It really wasn't his job.
No matter what happiness to others it might bring
Of his power, he'd feel robbed.

He didn't know that at night
His friends went home to cry
Asking their nonexistent treasured boxes
"If he can have something special
Why can't I?"

Life went on like this
Until one day, he was greeted by a bird.
It landed on his shoulder
And hissed,
"You'll never guess what I heard."

The boy was quite frightened
Both by the bird's familiar voice
And what it said.
Still, his eyes brightened
When he shouted
"Castle Lady?
I thought that you were dead!"

"Too bad," the bird crowed.
"For I'm very much alive.
And I figure you should know
I won't allow you to continue to connive."

At her choice of words
The boy sputtered.
"What do you mean, bird?"
He nervously stuttered.

The Bird Lady stared at him
With beady black eyes.
"I mean, I saw what you've done with your gift
And I was unpleasantly surprised.
You didn't disrupt any tradition.
I told you to do what you would.
It was just that I had the premonition
That you'd use your power for good.
You're no better than any of your classmates
You silly sap!
Did it ever occur to you
That you were only picked
Because you can snap?
When my last life came to an end
You thanked me for the box
And ran home to your mother.
My spirit would have been able to rest
If you had used the box to help others.
I am older than most earthly things
And some sights I've seen are hellish.
This in mind
It's beyond me
Why you'd choose to be so selfish.
See, this box was once mine
Changing owners as it does
And when it fell into my hands I wished
To be anything but the girl I was.
From then on, I've been trapped
In the form of many objects
And, whenever I try to go from this world to the next
Fate always interjects.
I'm the keeper of this box
Until it falls into the hands of someone good enough
And I'm here to say, dear boy
I'm afraid you must give it up."

Without warning
The boy broke down
Dropping to his knees.
For the first time since that fateful day
His sense of superiority ceased
And truth began to reign.
Head in his hands, he grieved
For those he had caused pain.

The Bird Lady remained by his side
Trying her hardest to soothe.
"Now, clever boy, you need not cry
But the box does need to move.
Now, I need you to calm down and listen to me
And let me make myself clear.
I need you to go to the sea
And that's the last wish you will make here."

Suddenly, the boy understood.
When it was far too late, he used his powers for good.
So he wished for the ocean, heeding the Bird Lady's advice.
The two of them were at the beach
Before he could think twice.

"Very good," the Bird Lady praised.
"All you have to do now is let go.
Don't worry, my dear boy
When the box finds its forever home
I'll be sure to let you know."

The boy nodded.
With shaking hands, he looked down.
Taking a deep breath, he dropped the box
And all his wrongdoings drowned.

"Thank you very much," the Bird Lady chirped.
"Now, relax, and let your conscience be cleared.
You can go home
And I'll take it from here.
One last thing
I should tell you, my friend.
All this can be fixed
If you just have an ear to lend.
No matter how heartfelt
Apologies only take you so far.
What you should do now
Is fix your regrets with actions
To show them what a lovely boy you are."

With that
The Bird Lady dove
Picking up the box with her magnificent beak.
The boy returned home
With redemption to seek.

All these years later
Our nameless boy is now a man.
He's ordinary, yes
But ordinary is good enough.
He doesn't look down on others
Or even try to act tough.
Though he's no longer a heartthrob
One girl remained by his side.
When she is there
He never has to hide.
When a friend has a problem
He is there to listen.
And, though he holds no glowing box
His eyes still glisten.


Meanwhile, our Lady's soul
Now rests within a spaniel dog.
Though the box still has no permanant owner
She doesn't think it will be long.
Though that might seem unlikely
Divine beings do know all
Though everyone makes mistakes
Both big and small.
She may chastise others
For poor choices and self-control
But in the end, she knows the box only needs one thing:
To be cared for by a beautiful soul.
PJ Poesy Nov 2015
Luna Tickle eats only pickles and ***** up all the brine
When her brother tells their mother she begins to whine:
“Yes I did it! And left no tidbit
Is that such a crime? My brother smells and raises hell
And leaves the loo full of slime.”

Now their mother dear began to fear her children were obstructions
Never listening, since their christening, and wished for their abduction
So she planned a slaughter and called her daughter
Outside to the woodshed, then chopped her neck in two
She put Luna’s head in her brother’s bed and said,
“Now, they’ll be no more Boo-Hoos”

Now you know of Luna and her tragic ending
But there’s more to this rhyme that’s pending
For the Tickle name is quite insane
And was never worth defending
But that’s just what her brother did
When Mrs. Tickle met Judge Knuckle
And almost flipped her lid
Screaming:
“I never liked that kid from the day she began to suckle!
Why she couldn’t be more like me, or her lovely sister Tess”
Twas all Mrs. Tickle could confess that day to Judge and jury
Until brother **** chimed-in and confessed his sin
And did so in such a fury, it was heard throughout and within
The entire state of Missouri:

“I am Richard Tickle and do confess I am not fickle
In fact I am quite pugnacious
If you do not see the circumstances like me
I’ll be forced to be disputatious”

Interjects Judge Knuckle:
“Boy, I’ll have you buckled this instance to electric chair
If you’re not scared I’ll be splitting hairs
In a place where the sun does not shine
So if you care, you’d best beware
Or your Gherkin will be in a brine”

Now Tess screamed out and her mother did shout
In perfect unison:
“**** is my love and none the likes of any other hooligan”

At this there was a scuffle
Each dame was muffed and ruffled
They could not contain
All their angst and their pain
And it led to the ugliest tussle
For each thought ****
Was devoted to she
And apparently, this could not be
As we know of the trouble with Luna
So the jury was not out
Or even in doubt
Of these sinister makings and troubles

It was the sickest of affairs
Mass-producing glaring stares
From everyone within the court
Missouri Gazette’s headlines that day
Told of how they did slay
And burn the Tickle chalet
Leaving it in incestuous rubble
The lesson today to this horrific ballet
Is don’t live your life in a bubble
**** and ****** survival is no laughing matter, but what else could I do? I challenge anyone to read this to their children, and have an open discussion. It is a sickness to be stopped in its' tracks, as nothing good can come of it.
Duke Thompson Jul 2014
I look at Sil and start to SCREAM and yell and yammer excitedly with this new idea bursting forth -  Let’s go to Sunday mass hungover, or maybe still drunk. Maybe we can puke in the pews or confess our sins to the pederast priest! Sil, always an easy read, agreed instantly so we left the watering hole in the wall, brimming with stalwart stoic sin and soaking in ***, gin and ugh…pheromones.

“fadder I puked in yer pews. How many hail Marys is dat?”

“fadder I smoked a joint in the rectory.”

“fadder I occasionally sleeps wit men.” I cry,

We see his previously shock beet red face light up.

“Wit MEN fadder wit men.  Not little boys”

Disappointed pederast priest preaching piously about the sins of drugs and alcohol and *** and ****** and y’know, pretty much everything fun ever.

“fadder I sold me mudders dentures for new headshots.”

“fadder I was in a ****” et cetera. After the pederast has a coronary we’ll steal the communion wine and dance on the church *****. You can play a sweet soft soothing melody accompanied soliloquy or Debussy’s Claire de Lune. We’ll remember better days when he could still play and cry red tears, ****** drunk. Stuck in our respective funk ruts our calls to the coronary catholic become more somber.

“fadder I’m afraid. I’m afraid of dying…I’m afraid of living.”

Rolling around on the confession booth floor now,

“fadder I want to die, fadder I tried to **** myself”

Sil shows strong salient scalpel scars that we both still remember suturing shut.

“fadder I should be in the Waterford In-patient wing”

By now we’ve revived the poor old Father…As it happens he’s a rowdy red whiskey noser. Sil’s feeling good, rambunctious and reeling secretly seething I believe.

“So fadder explain to me why it’s a sin to love another man but every other ******* week some ******’ pillar of the community cops for kiddie ****?!” His ire is up, red cheeked wide eyed boiling over.

The priest is mute silent on the subject at first, finally looking up from a leather bound book, he starts to speak in careful, measured words unfamiliar to the impatience of our generation.

“My son, I’ve never ****** any boys, nor do I hate ‘the gays’ and what’s all this about killing yourselves and Waterford Bridge Road?” I feel a lecture coming on…”What’s the allure of this demure throwaway life attitude you have, so many of you.”

This question throws a long echoing silence through the puke stained pews.  A symbol for broken, wasted, busted, beat down lost youth. Or whatever. (Say it like a valley girl honey.)

Breaking the silence I turn to him quietly, “I guess for me I really don’t see the point of any of it beyond a couple of laughs and a lot of highs. I see the corruption that I’m too stupid to fix, that I can’t realistically change.”

Sil interjects “I think generationally we just don’t really have a tether – Everyone exists superficially, digitally we don’t know how to talk to one another we just get drunk or high and crash into each other blindly praying for a little connection on those rare occasions we realize how disconnected we really are.”

“Generationally? Is that even a word?!”

“Shut up milk drinker!” Sil punches me

“Yeah everyone sitting alone in rooms or all together with a *** and coke and a cellphone silently tapping away.”

The pederast nods “you boys need family, children, religion even. You know it brings us together as a community. The ****** of the masses son” He pauses, wagging a finger “and I don’t consider that to be a pejorative.”

Taking a ridiculous swig I nod “I understand the appeal really but I prefer actual opiates  and being alone and not changing.”

After a box of communion wine, (Yes it can come in boxes, look it up) we bid farewell to the swell drunk ‘ol pederast priest, promising to return someday with Irish Mist for his thirsty Irish lips, (Is that bigotry?) the old coot.

“Sil come over and stay in my bed we can binge watch a season of Louie and drink ******’ Borises and I’ll play guitar for you an…” I stammer on

“STOP! You had me at BED” Sil yells at me belligerently as we stagger down Bully Street arms intertwined drunk walking. It’s foggy and misty, our feet soaked and my body is drained of life. Finally we knock into my front door struggling with keys, we must have dropped 5 times.

“I think yer scars are beautiful Sil” (I love it, I do) I tell her softly as I run my hand over them, feeling the slight texture change, the scar raised…We kiss and stare into eyes, not alone not for tonight.
natalie Mar 2012
mind stands solemnly in the middle,
with logic and emotion on either side
like devoted sentinels guarding a queen.

"don't think about it,"
emotion says, batting her long lashes.
"just do what feels right
and follow your heart."

"but sometimes,"
logic interjects with his sharp eyebrow cocked,
"what feels right will
hurt us in the long run."

"do you want to try, and know, and fail?"
emotion asks with suprisingly honest conviction.
"or do you want to spend the rest of your
life wondering what could have been?"

"would you rather open your heart,"
logic counters thoughtfully and quickly,
"and have a part of it stolen?
or would you rather protect it all?"

as mind wavers in the middle,
she feels herself rip in two.

half of herself stands upright,
stiffly held under logic's watchful eye.
the other half melts into emotion's warm embrace.

her heart aches and she feels sick.
the idea of following logic's advice
would mean to ignore emotion's advice--
and to follow emotion's advice would
mean ignoring the advice of logic.

she looks back and forth pleadingly.
logic's cadaverous stare seems to tell
mind that only logic will solve this problem.
but emotion smiles softly, and her eyes say
that this way, though it may cause pain,
will be the most rewarding.

"neither choice is the right one,"
mind says finally,
with a little bit of logic and
a little bit of emotion.
"but i must choose now, for soon i will
not be able to make a choice at all.

"then whose advice will you follow?"
emotion questions carefully.
"will you open your heart to love?"

"or will you listen to me and protect
yourself from unnecessary pain?"
logic asks, eyebrow cocked again.

"perhaps you are correct, logic,
and i would do well to seal off my
heart and never let anybody in."

at these words, logic smirks knowingly,
but mind continues anyway.

"as for me, i think i would rather
feel true, burning love and have to
live with the scars than to be
lonely, bitter, angry, and old
and die without ever knowing
how to love myself and somebody else."

emotion does not gloat;
she simply nods softly,
encouraging mind to continue.

"after all, is life not a journey of risks?
how could we ever find peace and
contentment without enduring a
few bad decisions and learning from them?"
Raj Arumugam Apr 2014
1)
at dinner
the kid asks Dad:
“Dad, do caterpillars
taste good to eat?”

“Be quiet,” says Dad
“I’ve told you many times
never talk crude”

“Yeah, Jason,” interjects
Dad’s darling little girl
“Never talk crude”

“Yeah, but I only asked cos
I just saw Dad eat
his salad
and the wriggling caterpillar;
and Dad even licked his lips
straight after”


Dad orders the kid
straight up to bed –
and not to come down
till morning


2)
Seconds later
Jason hollers
from upstairs:
“Dad, can you bring me
a glass of water?”


Dad screams:
“Shut up and sleep!”

A minute later
Jason hollers again:
“Dad, can you bring me
a glass of water?”


“One more word from you,”
screams Dad
“and I’ll come up there
and spank you!”



And swift comes Jason’s reply:
*“Dad, when you come up to spank me
can you bring me a glass of water?”
poem based on a couple of jokes from online
girasol Jan 2019
My heart screams
I love you
My head interjects
F**k him
mark john junor Oct 2013
an utterance of folly
her natural unvarnished thoughts
spill slowly from her adorned lip
and crawl forth to battle his opposing view
her words crowd his ear
a thousand angry little versions of her
with sword in hand coming to slay the misbehaving dragon
of his free will
his own thoughts flee as one
from the opposite side ear
with furtive glances back
hoping to escape unscathed

his own folly
childlike in form
plays marbles
looking for that elusive Aggie
called inner peace

together they amble down
country road
both shouting the random formulas
for completing and mailing
the required forms for
a visa to paradise
its roads are paved with candy
she insists
its hills are carved from
pure chocolate he  interjects
neither realize its paradise because
it lacks the likes of them

he kisses her adorned lip
and tastes the metal of her
resolve to  endure
she french's her tongue into
the small spaces of his mind
and savors the spices of his
need to flee
whats needed here they devise
compromise is a plate of cold fish
seal it in a bottle and cast it overboard
perhaps their lives shall find a sandy shore
to rest their every weary
makeout machine
Raj Arumugam Jul 2013
the English tutor
sits with Tommy at the table
and Sam the cat sits opposite

today they are practicing their vowels

every time the teacher
says: “Tommy, give me a word
with a vowel or two”

Sam the cat interjects:
*“Meow…meow…meow!”
8 of 9 in The Cat Poems series; poems based on jokes from online
Somebody sleeps in my bed alone.
I watch his lungs rise and fall as he rests.
I can hear his heartbeat tighten as he dreams terrible dreams.
I can see his hands clasp tightly when he thinks of his situation.
His legs move constantly, restless, because his thoughts are the same.

He wakes up every morning and hates.
He opens his eyes to terrible noises, and stares.
Why can't I sleep forever, thinking out loud. I can hear him.
Why can't I awake to her eyes and smile and hips like we dreamed?
He gets up. He touches his clock. It dies. He was statically charged. Again.

The water doesn't help. Or the soap.
His pity attempt to clean his long, tangled hair.
His half-awake thoughts while staring at the white walls.
He's thinking of women. And sleeping. And sleeping with them.
Or rather, he's thinking of her. Sometimes it's his "lover," sometimes it's his regret.

More sleep. Clothes.
A suit today, he wanted compliments.
A briefcase. **** I look snazzy. He smiles in the mirror.
Your perfect smile is fading. He interjects as if only to sting before leaving.
I watch him trudge out the door only to start freezing. But he's already frozen.

Thoughtlessly driving. No seat-belt.
At least I'll die in my funeral outfit if I do.
He arrives, throwing on a fake smile for the eyes around him.
Music. Mind numbing practice with his golden instrument's sound.
I watch him sit there, stretching his legs, listening with awakened ears.

"Why are you dressed up."
"Because." "Because why?" "Because I am."
Most people would quit there, but there must be a reason.
They keep pressing him. He gets annoyed, but not yet frustrated.
He smiles and answers their questions dishonestly. He always does.

A fake smile for everyone.
It would be so much easier to live this life,
If I could stop thinking of her. But I can't. And won't.
We spoke. We made new words, but no new promises.
Promises always hurt. Even when they're followed through.


He opens his phone.
Browsing for that photo of her.
New, in a sense, though it is still old her.
So young. So bold. So sad. So beautiful. Wanted.
Why won't she talk to me. She said we wouldn't do this!

"The oak and the cypress,
Do not grow in each-others' shade."
I know, old man, but when my tree thrives in darkness,
Why can it not find a properly emitting source, especially from her.
She was so close. She was my waking spark. And now she won't even...

The oak and the cypress.
Staring into different corners of the forest.
Still only feet apart.
You told me you fell
And that you hit your head
You said to leave you alone
And that you just wanted to lay in bed

But I can't help myself
I care about you
It's just in my nature
So there's nothing I can do

I sit here
And worry
And worry
And think
And worry
And wonder
And my heart starts to sink

Does she have a concussion?
A herniated disk?
A fractured skull?
Could she have broken her spine?
Then logic interjects,
"She's probably fine"
But my imagination
That beautiful beast
Drowns out my logic
And the worry won't cease
Oh God.
What if she's deceased!?
What if she's dead!?
No
What am I saying?
I know she's alive
She has to be.
She just has to.
Oh God
I hope she's ok.
There's nothing worse than having a vivid imagination when it comes to worrying. (Just to be clear, this poem is supposed to be comical. I'm not actually like that.)
Neil Brooks Aug 2013
It's September 2013.
A Coronal Mass Ejection scorched the Earth,
collapsing the Global infrastructure.
Those that weren't fried up in the killshot
traverse a world nearly foreign to them,
devoid of any form of luxury.
They make their ways to the FEMA camps,
setup all over the United States,
because that's what their TVs told them to do,
just days before the blast.
But they knew since the Remote Viewing program began in the Cold War.
A teenage boy,
now forced to be a man,
leads his Mother through the terrain,
avoiding building fires and roving gangs.
Finally they arrive,
the camp like a shimmering oasis
in the burned out barrens.
They stand in line at the gates,
poor and huddled masses.
When it is their turn,
they present the IDs they were informed to bring.
"Sorry son, your name's on the list,
you can't get in."
"What do you mean? What list."
"The list of people who didn't know how to keep their mouths shut on facebook.
So, you're out, but your Mom can come in."
Another guard approaches and squires her in at gunpoint.
"No, I won't go, not without my Son!"
To which the guard interjects
"Shut the **** up..
take your clothes off..
we're going to pour powdered sugar on you."
"Noooo! Mahhhhhhhm."
"We're gonna **** your Mom kid." the gatekeeper laughs.
*Insert Whale sound
Hal Loyd Denton Nov 2011
Wayward
Well I found it no where a little slice of life between here and some place it’s a tad blue well any way the
Blocks are they fit so tightly it’s the best really it goes so well with the remoteness although it does lead
To Burgeoning streets with a used book store tucked away discreetly with a cozy built in the feel of old
Knowledge just brooding under the rafters you can walk down the shelves with finger tips sliding down
The books you can run the gambit of Centuries it s like you have crossed a boundary unseen have elves
Created this Place one section marked wonder the next expectation another adventure you are in the
Mode Brooding swelling a rich gloating as you press further into the darkening walls that rise and fall in
Shaded Order the books take on the look of a city sky line that can be found the world over even the
Floor has been constructed of the most perfect wood do you feel the forest do you feel and see paths
That lead to a sun lit glen a perfect tree awaits set lean back take a nap then from your soft supple
Leather bag take out one of your favorite books and start to read immeasurable pleasure interjects
Mixes with all the Imagined sights and sounds your brought back to the present your ear hears awes
Coming from a child you move closer you see he has taken the first steps into the ever delightful
Cavernous endless life Found Within the covers of books every whim appetite all the hunger for
Knowledge rich beyond Compare stimulation on any and all subjects is harnessed bridled given free
Reign your life dark by Circumstances open the covers to spilling dazzling light never be discouraged all
The heroes of the ages Stand and wait for your call to them they march through each page they cover
Every cry disappointment you can avoid pitfalls see how they faced danger out witted trouble that surly
Had them defeated yes the end of nowhere is where the beginning of somewhere starts what is so great
you can find this in the most quiet desolate places you can be all alone feel forgotten have no clue then you
Stubble on such a find that its origins are truly divine wisdom knowledge passes through barriers of
Stupidity greed Selfishness it honors the one who finds this treasure then mines it with earnest
Appreciation gives it stringent application you will find emptiness is forced out and glory and true
Knowing has readily entered an empty vessel you are an asset to any and all and worth the find enjoy
The trip to Enlightenment
Aaron Mocks Feb 2013
You are just a prop in this play of life.  You will decay.
Your mind will rot as your thoughts turn to smoke and ash so grey.
Your teeth will grind your words to dust and forever trap them in a cave.
Your couplets and rhymes will all bleed from time, forever lost in but one somber day.
That which you wish to project yet only protect will come from another and seem but a jest.
And though hope smiles and interjects, you'll always feel that others write it best.
Thomas Lawrence Jun 2011
love blooms each morn...

[how am i supposed to write the quintessential love poem when the short, dumpy, plain girl at
the next table  
desperately, too loudly    interjects her
placating ‘wows!’, ‘awesomes!’ and ‘that’s amazings!’
into every stunted breath-pause in the stun gun voiced,
spine stabbing soliloquy
spewing
from the hirsute parody she followed in.
as if volume and volume somehow trump tepid, vapid content
tho it might have been interesting that
“this one time, ginsberg ****** in your mouth” if you had had the ***** to swallow it
but you spit it out you coward
and so, bored and ******,
i remembered
ginsberg wasn't into hairy
or three year olds
or hairy three year olds]      where was i


... like a glory
awakens to the sunlight in your smile
and the gentle breeze
of your sleeping eyes
Sunny Chopra Oct 2013
At helm while directing
in a muddle I seem lost

Caught in sort of vortex
my own demons I accost

A belief in old prowess
subsistence still directs

Belying any of the doubt
enroute which interjects

Almost at a tethers end
with upshot not in sight

The day brings new hope
each night begets a fright

Every jab at my foresight
pierces my real zest anew

To trudge upon unknown
and walked by far and few
James Jarrett Jan 2014
She doesn’t care

If I think about her

But I do

As the sky runs from

Blue to red

And the sunset bleeds out its final hues

Power lines and traffic

Distracting with electric hum

The bustle and blur of modern life

That interjects and controls

But I do

And will

In between the weaving lines of traffic

Crossing dotted lines

That mar my sunset

And sometimes dull my mind

I always will

I can’t help it

She’s my Texas girl
For my beloved niece Shonnie
autumn black Oct 2011
it's a faint scent that always
carries me back.
i see only a glowing blue,
a blue spark given to me by you
subtly catching tired eyes,
gently whispered lullabies,
singing, twisting, encrypting
everything i say.

nevermind, that my dear
it's really hard to stay clear.
i'm floating in and out of memories.
dreams stolen by lonely company.
it's okay though,
perhaps they need them more than i do.

it's fall again.
eyes in full swing business
orange, fiery chaos.
breathe deep. cool and fresh,
  October air.

how can i tell you,
when my chest is a dusty,
ill ridden fissure.
hollow, empty
echos.
echos.
walls painted with unbelievable
smiles
depression compression within these dark places.
is it too late to call your name?

im back now.
tattered and worn
open book, tired of language
Sleepy eyes, close themselves.
Should I compromise?
Maybe just let it happen..
meek, but never weak.

goodnight, good night.
music interjects.
a perfect time to start over
cool and fresh.
Diana Santiago Nov 2018
A lonely woman stands in the distance
As the apple of her eye is perusing the apples
That sit on display outside the market
She watches her apple grab a basket

This woman waits in the cold February breezes
To catch her forbidden fruit emerge
When said apple steps outside
Her heart pulls her like a toddler to follow

As her eyes focus on her beloved subject
Her feet begin to pace in slow motion
The subject so far away now like in a tunnel
Her mind interjects with words that hurt

Leave that apple hanging on the tree
Along with its happy family
Pick not what isn't yours and never was
Return to your own empty branches
Where you shall hang alone
Terry Collett Apr 2015
Breakfast time
a school day
Lizbeth sits

poking at
her breakfast
scrambled egg

and sausage
tomato
her parents

sit there too
her mother
looks at her

what is up
with you now?
the mother

asks Lizbeth
nothing's up
Lizbeth says

poking egg
with a fork
I know you

my young girl
you're moody
and poking

at your food
Lizbeth stares
at the lips

moving of
her mother
more moaning

she muses
it's a boy
I expect

her father
interjects
what's a boy?

Mother asks
her bad moods
Father says-

unless he
muses it's
genetics

and she's got
her mother's
moody genes-

what boy's this
Lizbeth dear?
Mother asks

-Lizbeth thinks
of the boy
Benedict

and how she's
attempted
to have hot

*** with him
umpteenth times
without one

successful
episode-
not a boy

Lizbeth says
forking in
scrambled egg

just Monday
and the blues
and I'm on

on what Liz?
Father asks
looking out

over his
newspaper-
on the rag

Auntie's come
periods
bleeding lots

she muses-
Lizbeth stares
at Father

in that way
that she has
and he says

o I see
and looks back
at the big

newspaper
something more
Mother says

more than that
you've not got
pregnant

with a boy
have you Liz?
No I've not

Lizbeth storms
spitting egg
throwing down

her steel fork
on the plate
I've just said

that I'm on
and would I
just have ***

just like that
without you
knowing all

before me?
what about
that Benny

you talk of
he's a boy?
Mother says

Lizbeth sighs
I am still
a ******

innocent
of all crimes
she utters

just moody
Father says
like most girls

Lizbeth picks
up her fork
and eats more

scrambled egg
and thinks of
Benedict

and how she
tried to get
him to have

*** with her
on her bed
some weeks back

but he said
not like this
not just now

we're too young
but Mother
knows there's more

than just moods
and studies
the young girl

as she eats
wondering
if Liz has

with that boy
signs are there
she muses

but deep down
the mother
refuses

to accept
such could be
and sips tea

Lizbeth stares
at her plate
thinks of ***

with Benny
when it comes
if it comes

and what place
it might be
lifts her cup

and sips tea.
A SCHOOL GIRL ONE MONDAY BREAKFAST IN 1961.
Kewayne Wadley Mar 2017
In her heart just beneath her skin lays a tin pitcher.
The spout along with it's sides covered with frost from the coldest of water.
Parched lips long for a drink.
But without cup or glass.

I implore that I have swallowed fear of the utmost; Diving in head first.

A slow sip that eases the insecurity of rejection.

Another sip that interjects that you could be everything that I need.

One more to ensure that  I would gladly drown to be loved by you
guy scutellaro Apr 2023
nothing is any good
you know
unless you
share it
so Tom has brought back the bar:

the Elvis impersonator
who almost
played las vegas,
the hair dresser
come future race
car driver,
a sufi
and a seer.

the seer
tells me she hit a cat
the cat was still alive
so she ran it over
again and again,
"and that's when god
talked to me."

"was that before or after
you ran over the cat
the second time?"
i asked.

"She talks to me every day,"
the angry divorced seer
tells me.

is god talking, now?

now, elvis
joins in,
"what if camus and nietche
met. what would they think
about the cat?"

"nah, who cares,"
the race car driver-
hair dresser,
says, snorts another line,
"what if they
started
a rock
and roll
band."

the Sufi wonders,
"who would play
what?"

"nietche on drums!" tom interjects
with a smile.

"yes,
and camus,
a gibson semi hollow."

"vocals???"

"god!" exclaims the seer.

"right on," i say, everyone smiles
and the seer is looking better and better
after every beer.

sometimes the dead
travel the road
to nowhere
with a smile


and i've got to get
up at 7a.m.
i'm a college
educated
toy store clerk

it's closing time at the circus
I dreamed that you could understand the code that I'd devised
devoid of ambiguity as plain as broad daylight
and anyone who heard or read could look out through my eyes
a sweet, seductive fantasy that helped me sleep at night
I rushed to put it down in ink the moment I awoke
but trains of baggage came along with every word I chose
the clarity was the mirage, and all I clutched was smoke
that through my fingers oozed away and to the stars arose
Retreat!Retrench! at least in math, we share communion pure
that isn't just conventional, transparent to us all
but Gödel interjects to say I must not be so sure
an edifice on such a base in time may also fall
self-organized dream-words conform to heptametric verse
so somewhere, entropy must grow within my universe
Ade MacLeod Feb 2017
Plastic flip-flops, curly hair
Shorter dresses, mother's dare
Inky artwork, shoulders bare
Thumb rings, nose rings, dragon slayer

Kookie, bookish, head is down
Fantasy intensity, tiny frown
Tannoy interjects ding-**** sound
Battle pauses, station bound
I dreamed that you could understand the code that I'd devised
devoid of ambiguity as plain as broad daylight
and anyone who heard or read could look out through my eyes
a sweet, seductive fantasy that helped me sleep at night
I rushed to put it down in ink the moment I awoke
but trains of baggage came along with every word I chose
the clarity was the mirage, and all I clutched was smoke
that through my fingers oozed away and to the stars arose
Retreat!Retrench! at least in math, we share communion pure
that isn't just conventional, transparent to us all
but Gödel interjects to say I must not be so sure
an edifice on such a base in time may also fall
I hammer language 'til it fits in heptametric verse
then launch it on its Viking pyre into the universe
Michael Angelo Dec 2018
I imbibe on this treacherous night
Amongst fanged smiles
And murderous eyes.
They all know *******-
But themselves- are afraid to die.
Take another one down-
Their laughter like a car crash rapes my ears. They sin but know no tears. I fail but know no fears. I can't relate to my peers. What am I doing here?

Got flanked by one asking, "So, in your eyes, what's the biggest difference between the rich and the poor?"

"One has nothing but act like it's everything. The other has everything and acts like it is nothing. Both think the other a fool."

Another one interjects, "But surely poverty can't be that noble."
As if Jesus was handing out cheese trays and champagne to dinner guests wearing Italian suits with silk vests.
"Poverty is self inflicted. Anyone who works hard enough can achieve whatever they want."

I smirk and say, "That's why your grandfather's business pays for all of your families' needs, so you can reap the benefits and call it work?"

The subject is changed.
Some nonsense about politics now.

And all they do is talk.
No mind changed or knowledge gained.
The atmosphere is dry; tame has become their death glance.
Maybe I should change the music and show them how to dance.
it keeps him awake
night after night
few hours of sleep
does he quietly receive
it interjects into his
mind most unexpected
rousing him from
the land of slumber

ever
he bears the weight
ever
the tonnage remains
ever
unsettling his thoughts

there's no escaping the past
it's a persistent thing
he wrestles with guilt
and the grip cannot be unshackled
nor be readily unlaced

it rises during the night
in provocative ****
this be his damning load
Maddie Aug 2019
I’m not asking for much.
Just everything.

I want the light to shine through, and the darkness to settle
(but only when it needs to).
I want to soak up the sun, even if it burns.
I want to dance in the rain, even if the droplets come from tears.
I want beautiful sunsets, laughter with friends, cuddles on a cold night.
I want to learn to dance and trip on toes.
I want snowmen and hot chocolate with marshmallows melting next to a cackling fire.
I want heartbreak and thunderstorms and paper cuts and short breaths.
I want butterflies and butter pie and authentic love, like everyone else. 
I want to feel the rush of air in my lungs when the first taste of fall interjects itself into the summer air.
I want to hear the birds awaken like dominos falling in the trees when the sun rises and I haven’t slept a wink.
I want to feel my heart rest when it has found the right words to say.

I’m not asking for much.
Just everything.

Everything everyone deserves.
Everything life can extend to us.
Everything that makes me feel alive — makes me feel a life beating beneath the surface of my skin.

I’m not asking for much.
Just everything —
The good, the bad, the beautiful, the human.

Everything.
A daughter's love can be complex,
Especially when the past interjects.
A mother absent from her youth,
Leaves scars that run deep, and truth,
Can be hard to find amidst the pain,
That lingers on like an unwelcome stain.

But still, she loves her mother dear,
Despite the fights and tears each year.
For in her heart, a part remains,
That longs to ease her mother's pains.
To heal the wounds that still persist,
And build a bond that can't be missed.

It's not an easy road to take,
For trust and understanding are at stake.
But love can conquer all, they say,
And so this daughter hopes and prays,
That someday soon, they'll find a way,
To mend the past and start anew today.

For though the fights may come and go,
And though the scars may never show,
The love between a mother and daughter,
Is a bond that time cannot slaughter.
And so, she'll keep on loving, strong,
Hoping that their hearts will one day belong.
B P Jan 2021
I.
On this day, a quotidian wind may carry the force of anger,
May lash out at the stoic trees which surrender only dying leaves,
An offering of dead letters falling in a farewell dance to meet the earth;
Jagged notes to touch the dust—that surely tell of sterile promises.

II.
No matter the meadow he is still claustrophobic,
For everywhere there is too much of the world at once.
He parts a stalk of corn in a gleaming field
To hear and to remark upon the bees teeming inside,
Which would otherwise rest in the eyelids of wildflowers.
"You know," he thinks to himself, "we would not feast without the bees;
Where there are bees, so there is the cornucopia."
He speaks only to himself.

III.
“It is now 12:00,” the well-dressed man interjects between the widow’s sobs.
“Would you like to take the flowers with you?”
Softly she turns a knuckle to her eye, effacing her tears.
“Yes. Yes, thank you,” she replies in a hushed voice.

—or shall we let bouquets chance the untold tide of darkness,
The cold, unforgiving colossus of night?
By morning they shall have withered completely
In the cool hospice of the soil.
And so we move on.

IV.
The undertaker sweeps beneath the grass and dirt
Not merely bodies, but our heap of hours.
With bodies also go the games and the houses of words we built
And lived in.
Now by landslide they slip into silent coffins.  
Let certain words be backwards-facing windows looking out upon the brink,
That singularity of past and now that ferries our tomorrows
On uncertain streams
Where our worlds do not grow taciturn.

V.
It is now time to leave this place.
It has always been the time; that faceless phantom
That inhabits all things and makes all things sick and wish to die.
It is time.
A child’s eye shines upon you but is eclipsed.
An old friend whispers something like goodbye.
A stranger greets your shell and is amused.
A dark spate of moonlit oceans rises and falls upon a transient seedbed of memory.  
There where you were, so shall you return,
Birthed
And nurtured and loved
And carved and posied and constellated.
Your form swells beyond the human meridian;
Ribbons of color spin about your head, decked in a halo of stars,
And the pulchritudinous lifelike light—

— The End —