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"guttering" poems
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound'ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.
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3.6k
Dulce Et Decorum Est
Tears from dusky lowered lids crystallize and scintillate in the flames of the guttering candles. (Walk away, love, walk away! Kiss my cheek and turn.- A shattered heart beats, ****** in your breast.) We love, and yet we return to our 'others'. We pray we never hurt them. Pray we never break. I cannot stop this love!  I do not regret it. There! I only hope that we hide it well enough that it not disturb the innocents... because, we were innocents too, when it came crashing into our lives. Bien!  Non Regrets Rien.  Sing the song, and Edith will sing with us. ... Or Aznavour will.  Or Lara Fabian, or Jacques Brel... Sing on le chanteur et les chanteurs,   then come and weep with me.
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Dec 19, 2011
Dec 19, 2011 at 5:31 AM UTC
When the Little Sparrow Sings (a poem for Edith Piaf)
I would not have a god come in To shield me suddenly from sin, And set my house of life to rights; Nor angels with bright burning wings Ordering my earthly thoughts and things; Rather my own frail guttering lights Wind blown and nearly beaten out; Rather the terror of the nights And long, sick groping after doubt; Rather be lost than let my soul Slip vaguely from my own control— Of my own spirit let me be In sole though feeble mastery.
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2.7k
Mastery
We'd found an old Boche dug-out, and he knew, And gave us hell, for shell on frantic shell Hammered on top, but never quite burst through. Rain, guttering down in waterfalls of slime, Kept slush waist-high and rising hour by hour, And choked the steps too thick with clay to climb. What murk of air remained stank old, and sour With fumes of whizz-bangs, and the smell of men Who'd lived there years, and left their curse in the den, If not their corpses... There we herded from the blast Of whizz-bangs, but one found our door at last, Buffeting eyes and breath, snuffing the candles, And thud! flump! thud! down the steep steps came thumping And sploshing in the flood, deluging muck - The sentry's body; then his rifle, handles Of old Boche bombs, and mud in ruck on ruck. We dredged him up, for killed, until he whined 'O sir, my eyes - I'm blind, - I'm blind, I'm blind!' Coaxing, I held a flame against his lids And said if he could see the least blurred light He was not blind; in time he'd get all right. 'I can't' he sobbed. Eyeballs, huge-bulged like squids', Watch my dreams still; but I forgot him there In posting Next for duty, and sending a scout To beg a stretcher somewhere, and flound'ring about To other posts under the shrieking air. * * * Those other wretches, how they bled and spewed, And one who would have drowned himself for good, - I try not to remember these things now. Let dread hark back for one word only: how Half-listening to that sentry's moans and jumps, And the wild chattering of his broken teeth, Renewed most horribly whenever crumps Pummelled the roof and slogged the air beneath, - Through the dense din, I say, we heard him shout 'I see your lights!' But ours had long died out.
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2.5k
The Sentry
We'd found an old Boche dug-out, and he knew, And gave us hell, for shell on frantic shell Hammered on top, but never quite burst through. Rain, guttering down in waterfalls of slime, Kept slush waist-high and rising hour by hour, And choked the steps too thick with clay to climb. What murk of air remained stank old, and sour With fumes of whizz-bangs, and the smell of men Who'd lived there years, and left their curse in the den, If not their corpses... There we herded from the blast Of whizz-bangs, but one found our door at last, Buffeting eyes and breath, snuffing the candles, And thud! flump! thud! down the steep steps came thumping And sploshing in the flood, deluging muck - The sentry's body; then his rifle, handles Of old Boche bombs, and mud in ruck on ruck. We dredged him up, for killed, until he whined 'O sir, my eyes - I'm blind, - I'm blind, I'm blind!' Coaxing, I held a flame against his lids And said if he could see the least blurred light He was not blind; in time he'd get all right. 'I can't' he sobbed. Eyeballs, huge-bulged like squids', Watch my dreams still; but I forgot him there In posting Next for duty, and sending a scout To beg a stretcher somewhere, and flound'ring about To other posts under the shrieking air. * * * Those other wretches, how they bled and spewed, And one who would have drowned himself for good, - I try not to remember these things now. Let dread hark back for one word only: how Half-listening to that sentry's moans and jumps, And the wild chattering of his broken teeth, Renewed most horribly whenever crumps Pummelled the roof and slogged the air beneath, - Through the dense din, I say, we heard him shout 'I see your lights!' But ours had long died out.
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blood                                                   blood patter and splash                             leads us         concrete toward tracing back        til the scene         i’ve flashing thoughts of the brutality    the violence     that must of cussed     between persons                      in fear    fray    and inebriation down the steps                                                  my four year old child and I go           the greasing bleed     in bronze putters   growing and leadening on stone labours glowing citrus    the refrigeration                           of the underpass           ‘flips the bird'   at the summer blaze grey dead coral bricks of urination   seasoned in deep   beading now cold the broke up weapon                                            candy slates of brittle teeth glass / bottle / beer /brown     the neck its' hilt                    and the main mud of the bleeding the flies are the thing                                                          that bothers my ‘little nipper’ usually a flapper of queries on repetition no other queries are raised      just eager for the vibration       of train carriages gatling over our heads i stopper any words i may have on the matter   he holds my hand with his hot hand we progress under a port arms                                                                procession of caged floodlights       and walled in by fresh graffiti fingers dripping   retching for the guttering
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Dec 22, 2023
Dec 22, 2023 at 3:05 PM UTC
melrose underpass (26/06/23)
blood                                                   blood patter and splash                             leads us         concrete toward tracing back        til the scene         i’ve flashing thoughts of the brutality    the violence     that must of cussed     between persons                      in fear    fray    and inebriation down the steps                                                  my four year old child and I go           the greasing bleed     in bronze putters   growing and leadening on stone labours glowing citrus    the refrigeration                           of the underpass           ‘flips the bird'   at the summer blaze grey dead coral bricks of urination   seasoned in deep   beading now cold the broke up weapon                                            candy slates of brittle teeth glass / bottle / beer /brown     the neck its' hilt                    and the main mud of the bleeding the flies are the thing                                                          that bothers my ‘little nipper’ usually a flapper of queries on repetition no other queries are raised      just eager for the vibration       of train carriages gatling over our heads i stopper any words i may have on the matter   he holds my hand with his hot hand we progress under a port arms                                                                procession of caged floodlights       and walled in by fresh graffiti fingers dripping   retching for the guttering
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35
i must be the only one who finds sparrows amusing outside my window filled with song, the same in me trying to imitate their song with a range of onomatopoeias never written (thankfully, poets who write sparrows' song, may you be disgraced, chirp chirp, beat-box that **** elsewhere, where you're welcome by admirers), the same in me laughing at the kangaroo hops unable to use both feet to walk in the guttering of the carcass plateau of crows... but there my laugh, like the last whims of a pope when a robin presides over the ritual outside the window on the sill... i find pronouns unable to capture timing, a class of words for standing still, they just can't capture timing, they're space orientated, a man of 70 will say the same of a man aged 20 about a woman, but both will be idiotic about the size of her earrings concerning her promiscuity: bigger the earring, the bigger the need to feed her juiced up genitalia lips... warm **** and cold mouth, some say in reverse: getting ****** off is like ice-cream being eaten... and cold in reverse would give you circumcision defined lawfully as **** a cold genital assertion of womanhood will peel the skin right off... ask for a cake you''ll be welcome away from the bony **** of your hand's embrace... perhaps marriage... and that cold mouth that encompasses all hidden glaciers; still, the **** is about sparrows in rain rain gutters hopping along to the orchestra playing only one tune that's ha ha ha. all in all, when aroused, one hole warms up the other cools down... the third? don't know, don't care, apparently it's exhilarating, trying to turn men onto all three and away from homosexuality, with the fourth (woman's ego) being missed... could never equate that to a phallus and a hole... i always felt ***** by that thing, the fourth dimension once the **** was explored... it's all Dostoevsky after that... everything is permitted, no deity exists, i guess a the end is required of such a poem as this.
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Feb 14, 2016
Feb 14, 2016 at 10:20 AM UTC
sparrows outside my window do tell
i must be the only one who finds sparrows amusing outside my window filled with song, the same in me trying to imitate their song with a range of onomatopoeias never written (thankfully, poets who write sparrows' song, may you be disgraced, chirp chirp, beat-box that **** elsewhere, where you're welcome by admirers), the same in me laughing at the kangaroo hops unable to use both feet to walk in the guttering of the carcass plateau of crows... but there my laugh, like the last whims of a pope when a robin presides over the ritual outside the window on the sill... i find pronouns unable to capture timing, a class of words for standing still, they just can't capture timing, they're space orientated, a man of 70 will say the same of a man aged 20 about a woman, but both will be idiotic about the size of her earrings concerning her promiscuity: bigger the earring, the bigger the need to feed her juiced up genitalia lips... warm **** and cold mouth, some say in reverse: getting ****** off is like ice-cream being eaten... and cold in reverse would give you circumcision defined lawfully as **** a cold genital assertion of womanhood will peel the skin right off... ask for a cake you''ll be welcome away from the bony **** of your hand's embrace... perhaps marriage... and that cold mouth that encompasses all hidden glaciers; still, the **** is about sparrows in rain rain gutters hopping along to the orchestra playing only one tune that's ha ha ha. all in all, when aroused, one hole warms up the other cools down... the third? don't know, don't care, apparently it's exhilarating, trying to turn men onto all three and away from homosexuality, with the fourth (woman's ego) being missed... could never equate that to a phallus and a hole... i always felt ***** by that thing, the fourth dimension once the **** was explored... it's all Dostoevsky after that... everything is permitted, no deity exists, i guess a the end is required of such a poem as this.
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51
Eulogising was a challenge under constant bombardment from falling masonry. But the gathered crowd deserved the effort. There was Honest Bob, whose cut-price bricks had won the tender and built the edifice behind us. Slick **** the concrete king fresh from an industrial tribunal and ready to pay tribute. Fat Larry, the glass magnate, dodging the shrapnel from his wind-shattered panes, just like the rest of us. I raised my voice amidst the crash and crumble to praise the architect. There were those who had forgotten the terrible designs that had been ******* by her dogged determination, Her clarity of vision (here, I was interrupted by three roof-tiles in succession, smashing at my feet), her strength of purpose (nine bricks and a length of plastic guttering) and her shining conviction. But here, in the shadow of the teetering mass, we could all acknowledge her unforgettable legacy with pride and gratitude. Champagne, truffles, and off we all went, helicoptered to who knew where happily leaving others to clear up the mess.
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Apr 14, 2013
Apr 14, 2013 at 5:14 AM UTC
The Architect
Now hollow fires burn out to black, And lights are guttering low: Square your shoulders, lift your pack, And leave your friends and go. Oh never fear, man, nought's to dread, Look not to left nor right: In all the endless road you tread There's nothing but the night.
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1.7k
Now Hollow Fires Burn Out To Black
a woman's passion is a fiction of the sun a radiance that forms and lingers it's time burning like a rag in a guttering flame it flickers, it spits a storm, a moment's certainty a lifetime's doubt it is the whisper of the wind in barren trees a crucible for gravity's fervor a silence dreaming its imploded sounds
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Sep 26, 2025
Sep 26, 2025 at 3:53 AM UTC
a fiction of the sun
I heard a song From within the rain As it splashed against My window-pane Like a mystical bell Casting a spell I looked outside While raindrops fell Ripples of jingles Guttering in song As children in play Went skipping along Their faces a picture In the beauty of nature Laughing and jumping In puddles together Crystaline beads Hugging the trees As it slowly danced To the musical breeze Pavements of silver Reflections of truth Feeling the love As the sun shone through The skies ablaze As the music fades Where a touch of love Now smiles above In the beauty, born From the rain. © Jon.London 2010 Copyscape Protected
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Jul 30, 2012
Jul 30, 2012 at 4:15 PM UTC
:::R:::A:::I:::N:::
A Drop. Then it came Pirouetting. It came clattering It came guttering with furore and fight with rhythm and rhyme like many dancing feet. On steel roofs On downy pines and baobabs and old cracked earth Pattering and shimmering drawing dust from dirt women and men from houses enshrining the sky with their trembling hands.
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Aug 3, 2015
Aug 3, 2015 at 5:57 PM UTC
Rimjhim
The airport bar in Boston, I'm sway drunk & holding my glass as if it's liquid gravity. She sits next to me, technically. But she's drifting away like Orion into unreachable courts of evening. Its a hard thing to live with someone who loves you less and less. Rooms are always empty and loneliness settles like ash on the soul. The heart passes sentence against itself. Guilt's rapier parries any kindness. Sometimes I was desperate and clawed my way through acres of gin. It never ended well. But at that airport bar I first heard a voice calling from under the scattered waves of the alcohol sea inside me. It told me the truth: her love was guttering like a candle whose wax is fleeing across the table.
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Apr 16, 2019
Apr 16, 2019 at 10:02 AM UTC
In An Airport Bar
well acting is a metaphysical assertion of the physical act of theft, in Cartesian terms: a part of the extension is stolen, for example an object passed down via generations, your grandmother's wedding ring... acting is in a sense a theft that defines creating a civilisation and eradicating tribalism: galoshes, guttering, sewers and irritable bowel movements. some said acting was a subtler form of defining theft, given the term       doppelgänger; i.e. i stole your shadow, all you have is a hand to mimic a shape of a hare's head to please children,                           deal with it.
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Mar 6, 2016
Mar 6, 2016 at 10:28 PM UTC
civilised theft
When Susan’s work was done, she would sit With one fat guttering candle lit, And window opened wide to win The sweet night air to enter in. There, with a thumb to keep her place She would read with stern and wrinkled face, Her mild eyes gliding very slow Across the letters to and fro, While wagged the guttering candle flame In the wind that through the window came And sometimes in the sentence she Would mumble a sentence audibly Or shake her head as if to say, “ You silly souls, to act this way!” And never a sound from night I would hear, Unless some far-off **** crowed clear; Or her old shuffling should turn Another page’and rapt and stern, Though her great glasses bent on me, She would glance into reality And shake her round old silvery head, With-“You!—I thought you were in bed!” Only to tilt her book again And rooted in Romance to remain ባልቴቷ ሱሳን ሱሳን ሥራዋን ሰራርታ ትቀመጣለች ወፈር ያለ ሻማ አብርታ፣ መስኮቷን አርጋ በሰፊው ከፈት ባለግሩም መአዛውን የማታ አየር በደንብ ለመሸመት! ገፁ እንዳይጠፋባት አልባ በአውራ ጣት፣ ሻማዋን ንፋሱ እያንገላታት ተመስጦ በሚስተዋልበት ቅጭም ያለ ፊት እየተደመመች ታነባለች ዓይኗን ከዚህ ወደዚያ ወደዚህ ከዚያ በፊዴሎቹ ላይ እያደረገች ሸርተት፡፡ በዛ ኮሽታ አልባ ፀጥታ ይሰማል በለሆሳስ ስትናገር የሆነ ነገር ወይ ጭንቅላቷን ነቅንቃ ስታበቃ ስትል ‹‹ምን አይነት ናችሁ እንዴት ንደዚህ ታደርጋላቸሁ?›› ከሩቅ አውራ ዶሮ ኩኩሉ ረጭ ብሏል ሥፍራው ሁሉ-- አይሰማም ምንም ድምፅ ካልሆነ መፅሐፍ ሲገለፅ፡፡ በትልቁ መነፅሯ ልታይ ዙራ፣ ሥፍራውን ማትራ፣ ሽበት ቀመስ ጭንቅላቷን እየነቀነቀች ወደኔ ያየች ‹‹አንተ ገና አልተኛህም?›› ትለኛለች ዳግም ወደመፅሓፏ ተመልሳ፣ በተመስጦ የፍቅር ታሪከ ውስጥ ራሷን ልትረሳ! (በዋልተር ዲላሜር)//
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Dec 28, 2015
Dec 28, 2015 at 1:35 AM UTC
Old Susan/(ByWalter De La Mare)/Translation in Amharic/ባልቴቷ ሱሳን/By Alem Hailu
When Susan’s work was done, she would sit With one fat guttering candle lit, And window opened wide to win The sweet night air to enter in. There, with a thumb to keep her place She would read with stern and wrinkled face, Her mild eyes gliding very slow Across the letters to and fro, While wagged the guttering candle flame In the wind that through the window came And sometimes in the sentence she Would mumble a sentence audibly Or shake her head as if to say, “ You silly souls, to act this way!” And never a sound from night I would hear, Unless some far-off **** crowed clear; Or her old shuffling should turn Another page’and rapt and stern, Though her great glasses bent on me, She would glance into reality And shake her round old silvery head, With-“You!—I thought you were in bed!” Only to tilt her book again And rooted in Romance to remain ባልቴቷ ሱሳን ሱሳን ሥራዋን ሰራርታ ትቀመጣለች ወፈር ያለ ሻማ አብርታ፣ መስኮቷን አርጋ በሰፊው ከፈት ባለግሩም መአዛውን የማታ አየር በደንብ ለመሸመት! ገፁ እንዳይጠፋባት አልባ በአውራ ጣት፣ ሻማዋን ንፋሱ እያንገላታት ተመስጦ በሚስተዋልበት ቅጭም ያለ ፊት እየተደመመች ታነባለች ዓይኗን ከዚህ ወደዚያ ወደዚህ ከዚያ በፊዴሎቹ ላይ እያደረገች ሸርተት፡፡ በዛ ኮሽታ አልባ ፀጥታ ይሰማል በለሆሳስ ስትናገር የሆነ ነገር ወይ ጭንቅላቷን ነቅንቃ ስታበቃ ስትል ‹‹ምን አይነት ናችሁ እንዴት ንደዚህ ታደርጋላቸሁ?›› ከሩቅ አውራ ዶሮ ኩኩሉ ረጭ ብሏል ሥፍራው ሁሉ-- አይሰማም ምንም ድምፅ ካልሆነ መፅሐፍ ሲገለፅ፡፡ በትልቁ መነፅሯ ልታይ ዙራ፣ ሥፍራውን ማትራ፣ ሽበት ቀመስ ጭንቅላቷን እየነቀነቀች ወደኔ ያየች ‹‹አንተ ገና አልተኛህም?›› ትለኛለች ዳግም ወደመፅሓፏ ተመልሳ፣ በተመስጦ የፍቅር ታሪከ ውስጥ ራሷን ልትረሳ! (በዋልተር ዲላሜር)//
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63
The night flopped over the chimney tops and dripped from the guttering as the day broke through in spots I could hear the house martins sing. The radio sizzled, the bacon crackled, on the range was a pan full of porridge from the morning before. Boots by the door which were itching to go everything's slow when you want to go fast but at last we were out on the last day of the world,(a game that we played where zombies were real and they were coming for us to make of us a meal) Each day is a bonus where the onus to be, is the King of all castles, the Queen of all seas and to seize with both hands the hands of all friends. The day ends with a call from, Mother, you know, everything goes fast when it ought to go slow.
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Mar 3, 2015
Mar 3, 2015 at 3:57 AM UTC
1963 riverside rules
We are never the same person twice. "Now" ends as soon as the word is uttered; whoever we are in one breath flickers and fades in the next until it is a thing of the past, a guttering candle. We are never the same person twice. I promised myself I'd never fall for a smoker. You promised yourself you'd never smoke. And we swore to each other we were not promise-breakers. So tell me, when I first saw you with the ****** thing between your fingers, why did I so badly crave the taste of nicotine as long as it meant your lips against mine? And why was I willing to risk entering your carcinogen-filled haze just to be near enough to hold your hand? You turned me against my own self, yet I could not bring myself to hate you. You could not bring yourself to love me, though I've given you all the reasons to. We are never the same person twice. Yet we are not always so volatile. I constantly find myself on my knees. I am constantly digging through our ashes, Searching for embers that must still be there. I constantly find you towering above me. You are constantly pacing around in your drenched shoes, Blindly extinguishing everything we could ignite With your saltwater tears I know will never be for me. We are never the same person twice. I await the morning this actually feels true. The morning I wake up a version of me That is no longer in love with every version of you.
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Aug 1, 2015
Aug 1, 2015 at 11:48 PM UTC
I Need To Stop Writing About You
Within white stagnant walls kinship reeps phyletics Lavished in immoral conducts; distributing demon fits. I envisioned hell before me when sick pricked. My shrills were short lived; as my ambuscade died down. Escapading not, I did muster inducement. Decoy to fail, could I never entice this asylum town.   Decifer the mutters I did; creating chaos while dim. Told in realm; increased heartrate overwhelms; *"You're a sick little ***** with the dunce smoothered cap oversized." "Have you ov procelitized, I would be seven lighted voices and notith six dark cackles" "I spit on you in shackles, spy the roaches and the grime" "Crawl for Roman Nero, he wanes" "Guttering your vessels into wine, you are now his drooping mane"*   I saw the heads of six, as roaches looked upon me taking turns to spit. My time here arose as a feeding black hole. I crawled for Nero and six more; I stuttered trying treason. Here I lie pathetic; with rays of decoy, Dreaming the nightmare most feared; most do not believe in. Hallucinating alone within the stale walls; I felt prone to end all. Once gathered what had struck; I knew perspectives aren't always as they seem. Merely and only; one severe demented dream. Shall I not turn the tables on authority once more. To ambuscade the power; leaves needle incisions sore Not only pain by fluid; both realities changed illucid. I did what I must've to be discharged; I did what I must've in best regards.
0
Oct 30, 2010
Oct 30, 2010 at 2:17 PM UTC
Daemonium;
KABUL, Afghanistan scorching sun phantoms of heat drifting above the roadway Col. Geoff Parker, 42 "rising star" perched in the command vehicle proudly on guard Taliban wild rush -- crump waves of heat and fire spinning debris "This barbaric act of aggression" anger and outrage desert wind flutters tattered and scorched fatigues "It's always unfortunate" reek of charred flesh guttering flames unfortunate
0
Aug 24, 2010
Aug 24, 2010 at 9:09 AM UTC
Too often in the news
Time ticking down, Like the guttering of a dying flame, So close, Can nearly taste, Where you and me will soon be three, When our son we can finally meet. I can picture his little hands, His oh-so little feet, Eyes as big as plates, So filled with possibilities and innocence, A pitcher for you and me to fill, With kindness and glee. But it seems so far away, Still seems like a bit of a dream, That the hypothetical seems to still carry me, On a cloud, Gently floating, On an azure dream.
0
May 20, 2023
May 20, 2023 at 12:42 AM UTC
36 Weeks
Sun From rain Guttering it's vibrating current Feeding flowers, Flowers from Hell. They bloom through the cracks, Cracks in our streets For the dealers to prune and pick. What chronic digestion pains, prays For relief as petals scatter, Scatter the windy alleys. The night gives no surrender To the lowly craving bones, Caught in shadow the flowers blown bare, Leaving only the seeds naked and black Slipping the cracks And dealers awaiting the bloom.
0
Jun 27, 2015
Jun 27, 2015 at 9:41 PM UTC
the poppy
He knelt for twenty years and more to fan the guttering flame, and when he sifted through the ashes found no reason to remain.
0
Feb 22, 2015
Feb 22, 2015 at 12:24 PM UTC
Time to go
Do not feel sorry for yourself Self pity is silly The whole world is full of the brutish agony of life Struggling to survive the gales of it's storm You are a small candle guttering in the wind But Please, Know yourself Inspect yourself Dig deep and look deeply Into all the little crevices and cracks At all the dark lines of imperfection All the edges that threaten to break themselves On all the surfaces of the world And when you have investigated the whole of yourself Then own yourself Own your cracks, your faults, your hates, your loves, Your lacks And when you own them, When you have accepted the intimate nature of your own imperfection Please, Work on them Change them, And change yourself Only a fool stays the same Just, Don't feel sorry for yourself
0
Jan 7, 2018
Jan 7, 2018 at 5:19 AM UTC
Do Not Feel Sorry For Yourself
<)))<   <)))<  <)))< <)))< <)))<  >(((>  <)))<  <)))< <)))<  <)))<  <)))<  <)))< being different means going against the school being free to think alone though you're thought an oddball fool at least your mind isn't set in stone! for who is foolish but the ones who follow blindly with the tide for their end has e'r begun to withdraw to run & hide in the crowd they are not seen in the shelter of conformist streams but who of import has ever been who did not stand out like a beam? be a lighthouse! not a candle almost put out and guttering there is nothing you can't handle God will give you roots & wings!
0
Aug 19, 2017
Aug 19, 2017 at 1:45 AM UTC
fish
everyday i'm discussing with everyday, myself as i make out to the glamouring the inches and dashes of every self i have and stitches of sinew here in which lies the me that is this i, i that am i walked in leaves of grass, of wriggling splendor's summers of shoulders and achy crimsoned necks by the suns meters of light measuring the stints of our crawling opaque days and suns of many sons it's very that is that even when sun should repose his ***** of uncadenced carefully miraculous shimmering blood like orange and ardent flesh he'd go on us it, giving his very stuff our bodies to wear on our wheres and whens and whys. is night not also beautiful? it is naked beautiful. **** and beautiful plenteous and beautiful with all its hearts in tinder palely igniting every atom of copious earth. bowls of copious illuminant children, the things which will become after us the us that we were before their coming. but they are gorgeous and neither would i weep if in my going they should take that space where were was i. resting the shouts of my self in the orchards of youth, i am now so but it's quickly running, flitting eagerly from my this. in vines and plurals i am single and many. neither none nor many. but many ones, little bubbles of tranquil vile fluid guttering the songs of wind. i go to streams and they are me. i go to mountains and they are me. i go to valleys and they are me. can i be streams and mountains and valleys? can i not be streams and mountains and valleys? they are weeds and i am a **** a **** is a rose. i am rose. i am blossomed in full spring. able of petals. i am turned to the sun, with my root between the lips of earth. who is my lover. the earth is woman. she is a **** a **** is a rose. by another name. they smell just as sweet.
0
Apr 27, 2011
Apr 27, 2011 at 11:21 PM UTC
Untitled
everyday i'm discussing with everyday, myself as i make out to the glamouring the inches and dashes of every self i have and stitches of sinew here in which lies the me that is this i, i that am i walked in leaves of grass, of wriggling splendor's summers of shoulders and achy crimsoned necks by the suns meters of light measuring the stints of our crawling opaque days and suns of many sons it's very that is that even when sun should repose his ***** of uncadenced carefully miraculous shimmering blood like orange and ardent flesh he'd go on us it, giving his very stuff our bodies to wear on our wheres and whens and whys. is night not also beautiful? it is naked beautiful. **** and beautiful plenteous and beautiful with all its hearts in tinder palely igniting every atom of copious earth. bowls of copious illuminant children, the things which will become after us the us that we were before their coming. but they are gorgeous and neither would i weep if in my going they should take that space where were was i. resting the shouts of my self in the orchards of youth, i am now so but it's quickly running, flitting eagerly from my this. in vines and plurals i am single and many. neither none nor many. but many ones, little bubbles of tranquil vile fluid guttering the songs of wind. i go to streams and they are me. i go to mountains and they are me. i go to valleys and they are me. can i be streams and mountains and valleys? can i not be streams and mountains and valleys? they are weeds and i am a **** a **** is a rose. i am rose. i am blossomed in full spring. able of petals. i am turned to the sun, with my root between the lips of earth. who is my lover. the earth is woman. she is a **** a **** is a rose. by another name. they smell just as sweet.
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