1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.

III. TO APOLLO (546 lines)

TO DELIAN APOLLO --

(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar.  As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow.  But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house.  Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer.  Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.

(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song?  For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles.  All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?

(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son.  But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:

(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly.  But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'

(ll. 62-82) So spake Leto.  And Delos rejoiced and answered and
said:  'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured.  But this saying I fear, and I will
not hide it from you, Leto.  They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth.  Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves.  So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people.  Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.

(ll. 83-88) So said Delos.  And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'

(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord.  But Leto
was racked nine days and nine nights with pangs beyond wont.  And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus.  Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.

(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long.  And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words.  When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her.  So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.

(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath.  Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.

(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer.  But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone.  Forthwith Phoebus Apollo spoke out among the deathless
goddesses:

(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'

(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him.  Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.

(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them.  Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering.  A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together.  For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth.  And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men.  Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.

(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens.  Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?'  Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.'  As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true.  And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.

TO PYTHIAN APOLLO --

(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.

(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet.  Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age.  Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist.  And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo.  Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest.  And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.

(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song?  Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops.  Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi.  Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves.  From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.

(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way.  Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first.  And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.

(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.

(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles.  And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'

(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long.  But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart.  The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within.  But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar.  But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.'  So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.

(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus.  And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under.  There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:

(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me.  And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'

(ll. 294-299) When h

With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war

Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies' troop forever stands.

O'er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies' hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.

The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene'er our dark-stoled troop advances,
Whene'er our feet lead on the dismal dances.

For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven's light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.

What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though 'neath the earth our realm in unsunned regions pale.

The origin of spiritual sustenance is defined differently by each person. Most attribute it to a divine power or some God incarnate that helps us, limited corporeal beings that we are, relate to a deity or to the infinite. Like billions of other sentient souls, this is a way of "seeing" or believing that I have embraced on some level. However, when I ask myself what sustains me beyond this, I am taken down another path.

That path leads me to the crumbling adobe dwellings or sometimes to the freshly painted stucco buildings scattered across the great southwest. That path leads me to something more tangible or palpable than I can glean from traditional halls of worship. I am led instead to a simple yet profound vision--the sight of a hot plate of Mexican food.

Here is where a slight or perhaps dramatic shift in the way one thinks about the spirit is required. This is not necessarily a new concept but merely my take on it. You have all heard of "Soul Food" as it applies to the cuisine of the African American community or more generically in recent years, "comfort food". Also, some of you may recall me saying at one time or another, truly good junk food bypasses all vital organs and goes straight to the spirit. Let me clarify that last line--it is not that I believe the physical laws of the universe are suspended when one eats certain kinds of food—calories will still be consumed, the food digested and metabolized, etc. Instead, I believe, like so many things spiritual, eating Mexican Food transcends the natural laws of the universe as we know them.

This begs the question, why Mexican food as opposed to some other fare like Chinese or good old fried catfish, a southern favorite? The answer is simple. Some people, because of where they were, who they were, and when they were, are Christians, some are Hindus, some are Muslims and some are witches. I am a worshipper of Mexican food.

My sustenance, therefore, comes not from those in polished marble and stone palaces, clad in clerical garb and carrying holy texts. Instead, it comes from humble servants scurrying about hot kitchens doing what they do perhaps simply to feed their families—from my point of view, a noble endeavor in and of itself.

From the time I see a Mexican eatery through a bug-splattered windshield, I notice its energy or aura. When I open the door and see the gaudy but somehow authentic colors on sombrero covered walls, and hear playful Mariachi, and smell the frying tortillas, I know I have entered one of the houses of the holy. Truly, the colors, the sounds, the sights and the smell all take me to a higher place.

This sounds strange to most readers I am sure, but if I were speaking of a nature walk in dew covered grass among the scent of lofty pines, listening to the sound of songbirds, all could relate to its transcendent quality. We somehow place pristine nature above nature sculpted in a way for human benefit. I do this myself, except when it comes to Mexican food or perhaps a beautifully restored VW van, but that is another story.

To return to my original premise, the spiritual value of Mexican food—when the hot oblong platter is placed in front of me, I first notice its colorful array on the plate. Imagine a platter with red and blue corn chips, gray/brown frijoles covered with white cheese, orange rice, chili verde (green), a golden cheese covered enchilada, olive green guacamole, red ripe tomatoes with rich green cilantro and snow white onions, and last of all deep green jalapenos, forming a colorful tapestry and visual feast. (Contrast this with a hunk of brown steak, pale green peas, and a white glob of mashed potatoes.)

The scent of this feast immediately attacks my olfactory bulb and like so many smells, has the power to evoke startlingly clear memories. For me, I am taken to a place where the door opens to a moonless starry sky. I am in the desert, perhaps for the first time. I am in the desert, being courted by the dark desert lady who still haunts my soul in the night. I go back there so many nights, when all is quiet and my long day’s journey into night is finished. This vast, dark and inhospitable land that has called holy men to it through the ages calls me, a man as common as the cook whose labors unwittingly took me there. I huddle among the cacti, creatures who ask the earth for so little. I feel the endless winds that carry the remnants of a thousand ancient souls across the black Sonoran sky and rattle the door from where I came, as if still asking for entrance to a place where they can no longer dwell. Long ago, they returned to the desert for a final time, and now, a thousand nights and a thousand miles away, they mix with the holy night air as only desert dust can, and for a moment tempt the living, but then return to the black night. I do not yet join them—the door still opens to me. I can still see the colors, hear the sounds and place earthly but heavenly morsels in my mouth, and ask for more salsa.

Outside, in the dark desert, the night waits for me, but I have a few more bites to take, and a few more words to write, and to borrow a line from another, a few more miles to go before I sleep—thus, the spiritual value of Mexican food.

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[Lost Animals]
Cats probably aren’t even lost
Dogs are trying to find the way back to you
And then there’s butterflies and wild geese that can fly
thousands of miles and back every year and just know
The way home  

[Photographs of Abandoned Places]
Empty rooms filled with flotsam and jetsam
once colorful but now faded and dusty
what draws us here?
The emptiness, the mystery of why we would leave
our dwellings and go elsewhere

[“Don't Lost" Sign]
Our faces were cold and it was windy
we smiled and laughed anyway
warm from the dim lights and food we’d left behind
Don’t lost what? Don’t get lost? Don’t lose yourself?
Cryptic commands posed by an unknown painter with bad grammar  

[Labyrinth]
Isn’t it strange that we make a game out of getting lost?
Ariadne Gave Theseus golden thread to solve the Labyrinth and defeat the Minotaur
Cathedrals have them too, so we can meditate and walk through them
But what minotaur lies at the center of our labyrinth?
More importantly, can we defeat it?  

[Cultural Appropriation]
A clinical term for the simple act
of erasure, of losing.
A people, a nation a culture, a shared memory
who are we without these things?
Such power in taking them away and reducing the people to shadows.  

[Photographs of Chernobyl]
An eerie empty city of ghosts
The pictures show that nature will take us all back one day
there are trees in living rooms and schools  
The photos of howling, pain, mutation are a warning that we shouldn’t seek to have
So much power.

[Losing People]
Stoics say that when someone has died you have ‘returned’ them
This sounds better than losing I suppose
because they aren’t lost
they are gone. And they’re never coming back
No matter where or how long we look we won’t find them  

[Guiding Stars]
The palest of light that seeps into our atmosphere
we are under the same stars as everyone else wherever we are on this lonely planet
that ought to give some comfort, when I look up at night that I see the same stars
as you. I want to brush them into the palm of my hand and offer their light
to you so you could maybe see your words are what is painted on the inside of my soul.  

[Feeling at a Loss]
My tongue is tied and I can’t even think of words because I can’t breathe
around this knot in my chest that forms when I think of you and how I lied and why I let
myself lose you and so for a long while my heart cried oceans and I begged it to stop
So I wouldn’t have to think about the words that I didn’t say and the light I lost,
the brightest that came from your heart.    

[At a Loss for Words]
When someone says something you’re not even sure you heard right, you’re stunned
because you can’t even think of a response while the blood rushes to your face and
pounds in your ears like waves on the beach will you sit silent, stoic
not wanting to give away heat you feel just under the skin.  

[Losing My Religion]
How can you lose your beliefs? Unless someone stole them
Or the disgust with hypocrisy built on good intentions breaks in you until you lose sight
of what you believe to be real and all you can do is renounce it.
What happens if you never knew what to believe in the first place?
A crisis of faith is averted? But at what price?

[Lost Clothes]
The left sock, left glove, that ugly winter jacket you had as a kid.
Where do they go? Why do they just disappear? You just never find them. What do you
Do with the extras? What happens to the lost ones? Is there a land for lost socks? Are
they lonely, trying to find their other half?  

[Missing Person Posters]
Can you lose a person? No, surely not. How can let someone fade from you so far away
that they go missing? Maybe they let themselves fade. Pulled away.
Of course, they could be stolen, or forget who they are, but that is almost less disturbing
than thinking of than people running away or being lost by people
who are supposed to care.

[Lost Cause]
Maybe not so much a cause going nowhere as one that people tired of
too much work with no end in sight. So they left and let the tenacious ones
the true believers take over, to finish the ***** work and clean up the mess
is that how this grace thing works? Holding your tongue while someone else chases
glory only to abandon it when it is too difficult and they leave you to see it through?

[Lost My Mind]
My mind is currently wandering through some forested path on a mountain almost
on the way to touching the sky or lying on the bottom of a the clearest blue ocean
looking up through the kelp leaves and shimmering fish. Or between words of a book.
So forgive me, I missed what you were saying. I’m sure it was important. I was just
trying to follow my mind to those places. And be somewhere else.        

[Lost Souls]
The kind of thing you say talking about a girl with empty sad eyes raccooned by liner.
Or a boy who is always angry or in an altered state of consciousness,
so he can face his everyday. It is reminiscent of ghosts, who wander, not sure where to
go, or who to trust so they hold their despair and fear tightly against their chests.    

[Lost Time]
A euphemism for fainting. Or maybe used by historians for a time with no records.
It sounds more mysterious, Where can time go, except forwards? How can there be a
lost part of time? it sounds as though time has a private life, that it won’t share.
Unless asked politely. Which is what we do when we investigate the past isn’t it,
Looking for the lives of others.  

[The Lost Generation]
“Don’t wanna be an American Idiot” said Scott, and Ernest, and Gertrude.
So they sent each other invitations to their chic Parisian salons on creamy white paper
and said ‘darling let’s make it a holiday!’ and had a divine time with the French
so they wrote novels of despair and disdain and the pain of being human.
and drowned the pain in champagne and beautiful women and men.  

[Lost in Translation]
Some words that cannot be translated in English especially
ones that are raw and tender and romantic
ones that are universal feelings with no name that everyone understands
but the meaning is changed to make it something no one understands in English
So something universal becomes something ungraspable to all.   

[Lost and Found]
The one who crawled out the cave
out of the dark into the pure light so they were blind
Gave so much to come back for the others out of love?
Or a sense of duty? Or maybe they were just returning, as we all do
as we all will do someday.

I prayed with light voices, but a burdened heart;
You are not here--that I am supposed to know of.
But still, my mind cannot accept that we are now apart.
I am despaired by my own hands, by my own love;
Your images keep shrouding me--you keep haunting me.
Your portraits shout your name, but none of ‘em is truthful;
They reject my bliss, though they told me I was beautiful.
I keep looking for you in the shades: but all I find is blueness,
And as daylight grows mature, I feel but scarce and clueless;
I am entrapped by my own wishes, and I can no longer write.
Ah, ‘tis over now--I should declare;
I walk home and sleep, and decide I should no more be in love--
Some sheer charms I might better not be.

I was running across the moors, and secretly hoped I would find thee there;
Thee with thy own giggles and mockery and childish wishes;
Thee with a resemblance of moonlit skies on thy face.
Thee with a thousand arches in thy brown eyes;
Eyes that were genuine, hopeful; with spirits that would not die.
And those lithe hands; and thy handful of full lips;
Thou always startled me within thy black jacket,
Yes, that black jacket with gruesome naughty little pockets,
Thou always asked me to chase around the bogs;
While peering naively into the hidden summer spider webs.
Thou woke me up with thy morn noises;
Thou wanted to tell me a tale of castles, friendship, and promises.
Thee with a thousand smiles, hopes, and legitimate fears;
Thee with the sweetness of a moonbeam, thee with one hundred kisses.
Thou wert like a lonesome butterfly at first;
And on a shiny day I but caught thee;
and weaved my colourful love onto thy plain nest.
Thou shined again, and I felt but merited;
As time passed, I grew hungrier for thee--and always delighted;
Thou wert a summer to a pleasant summer itself;
Thou made my heart warm, and my seasons magnified.
Even my lavenders were stupefied by thy cleverness;
They were warm always, to welcome and greet thee at night.
Ah, my darling, my half spirit, my sweet;
Thou owned the second spare of my green light;
Thou wert my frost at conned summers, and mild winters;
Thou wert the white snow I played with--and its evening rainbow!
Ah, and at times--thou wert like a nature among yon shrieking green grass;
I smiled always, as I entrapped thee within my clear glass.

I should twist this story away, and welcome him;
Welcome whoever shines through my love--in reality, and in dreams.
I know I hath to celebrate him behind the furnace;
I shall smile sweetly and charm him by my maiden’s face.
He hath a lovely aura as the unheeded stars;
And his steps are awkward, but stately as the moon’s.
He hath smooth and virile advantages about him;
He hath a weather, but still he hath not thy playful air.
He is serious, thou art more festive and thoughtful;
He is cordial, but I findeth him at times uninnate and insoluble.
Ah, Immortal, he liveth but in a cold bubble away from me;
And so you know, the love of him is but a love of pain;
Sometimes I want to find thy face in his poetry;
Sometimes I want to see again, but your fairness.
Thy heart is, as thou hath figured, widespread within me;
It ambushes me and glides me around like a cheeky star;
But as thou gazed into me,
I found that thy charms were absolute;
I pampered this notion of thee--as I still do;
Thou wert my nymphic and immortal dream;
Thou art my sane and insane ambition;
Thou art my sand, my boats, my sails!
Thou art the sea worth a thousand miles;
And I care not what foul and fuzziness thy soul might carry;
I shall purify thee, I shall endorse thee, I shall welcome thee into my lonely heart!
Ah, Immortal, I am but a spoiled of ruins and wreckage now;
As I woke up t'is very morn, I knew I wouldst not see you tomorrow.
And guess now--how shall I define our once glossy, faint Sofia?
I do not want to pronounce to Sofia, ah, our very dwellings, a goodbye;
I shall never pronounce such; and on t’is I shall care for thy sayings not--
As telling such wouldst indeed be a remarkable lie.
Instead, I should dream again, of being by your side;
I shall be the terrified mermaid--but thee--my gentle merman;
We shall swim across the sea and startle the aquatics by our depth;
And thereon I shall dream of myself cherishing you--and holding you in my arms;
As I pray and bow and submit the rhapsodies of my heart, all day and night.

Ah, but where is Immortal, Immortal, Immortal;
Without whom my heart is bleak; and winters are hard.
Ah, Immortal; by whom rains are pretty, and colours are magnificently saturated;
By whom storms are no more storms, and no more downpours are petty;
By whom lakeside houses are not cold, and slippery rocks are not frightful;
By whom birch trees shall sing, and honey bees shall farm away for hours.
Ah, Immortal, by whom my poetry stays alive, and fed tranquilly by yon earth;
Immortal, by whose lullabies I fall asleep among the midnight’s icy hearth.
Immortal, whom my heart values, and urges me to love;
Immortal, by whose side debris are whole, and ruins picture unity;
Ah, Immortal, by whose singing melodies are songs, and rhythms are but poetry.
Immortal, Immortal, Immortal, by whose words--the entire worlds are but Sofia;
And all merit and grace but belong to the romantic Bulgaria.
Immortal my entire darling; who taught me to see how the moon teases the sun;
And how the latter becomes fainted but mirthful, at t’is very realisation.
Ah, Immortal, Immortal, Immortal, by whose absence I feel but frightened.
Ah, Immortal, do you think I should hurry--shall I fleet and run?
I shall meet thee again tonight, around the corner by the lake;
Before such an eve grows genuine--causing the day to turn fake.
I should meet thee before everything is but feasted and pierced;
And I shall bringeth thee my midnight poems and soliloquy;
I shall embrace thee by my myths, and relish thee within my solitude.
I shall make thee remain by my side, and keep shady thy burly night;
I shall, perhaps, make thee my mirth itself--I shall keep thee warm, and safe, and bright.
Ah, Immortal, one who was always aired by my fresh recitations;
One who was entrenched in my tales of craze, atrocity, and vanity;
One who cried by me like a selfish child--but at times, became the radiance itself.
Ah, Immortal, one within whose palms the moon is transparent;
And the harmony of night becomes more possible;
Ah, my darling Immortal, who was once infatuated with my nights--and 'twas apparent;
Oh, my darling, my own darling, my very darling--how I hath only words to play with!

Where is but Immortal, Immortal, Immortal,
My jokes cannot sleep, and even my eyes choose to stay awake.
My heart feels absurd, as it is not calmed and soothed by him;
Even as I can sleep no more, I am but unable to edify him in my dreams.
Ah, where is my Immortal--for as I scurry outside, I cannot locate him;
While he is but the golden lock I need to deliberate my heart.
Ah, my husband, who owns but the charms heartbeat cannot describe;
Ah, Immortal, by thy words--thou knoweth, vanished worlds are real to me today.
The rush of your blood still, knowingly, flows within my breath;
You look like that little lad proudly standing by yon bridge faraway.
Immortal, my little sound, my eager song, my profound lilac;
How shall you ever know what you mean to my heart?
To me, you are more than any gold, brown silver, nor white bronze;
You are my tears, my growth, and the height of my winter;
You own the youth and throne my heart hath always longed for.
Ah, Immortal, no matter how hard thou hath defeated--and perhaps, betrayed me;
Thou art still more immortal than a thousand suns outside;
And more mature than t’is benighted winter as it already is.
Ah, Immortal, 'tis hath grown silent again, and I need to greet my lavish worlds;
But for you know--your scent shall remain better than the sun's on its own, and more lively.
Ah, Immortal, and while those winds shriek, and hop, and wail;
‘Tis your voice still, that I but imagine in my *****;
And while their spread and take rule of their wings;
Thou shalt remain by prince, my ruler--the one I choose to be my king.

My heart hath borne thee since I was in her womb;
My mother's chaste womb--and there, just there--
I had but been formed by her sheepish threads.
Ah, and thus I heart her like t’is-but not as much as I heart thee, perhaps;
If I doth dream of her; it meaneth I'd but dream of thee;
And thou knoweth--my dreams of winter shall be but one about thee;
About thee--my vigour, my shadow in my traces, my vengeful spirit.
Ah, Immortal, Immortal, Immortal; my century of blessings, my time
and poetry of such an endless eternity.
Ah, Immortal, in whose heart there was purity;
And in whose love I felt reified, and no such tyranny,
Ah, and t’is loss of thee perhaps means a life of illness;
A time of neglect, but a loss of my valid youth.
I want not to age, for thou art, thyself, young and ageless and immortal;
I want to dwell but only in yon Paradise of thee;
And be fueled solely but thy desire, and not anyone else's.
Ah, Immortal, I want to feel but the flavour of thy skin;
And be engrossed but against thy stomach.
I want to be thy lily, and thy novel rose that shall never wither;
Ah, Immortal, I want to be little again; and thy most awesome lavender.

And thy blame--such as t'is one, shall mean a brawl to my destiny;
And its glam is but my fiery--while insuperable--destruction.
As I promised thee--I shall not be weary, I shall not be sad;
But never shall I love, never shall I be satisfied.
Ah, Immortal, I shall never agree to love again;
I want to keep my love for thee; for whom I shall advocate my youth,
I want never to share my trembling love with anyone else.
As I hath loved thee just now, perhaps I shall love thee forever;
Ah, Immortal, as how it usually is, thou shall be the sailor-
And ever the painter, in our very own colloquial poetry!

Immortal, my grace, my perambulations, my ecstasy;
Immortal, my good, my one, my irrepressible;
I hath fulfilled thy wishes, at least at present, to bear t'is alone;
But for you know, that life without thee is no Paradise;
And even when I am dead, perhaps my soul shall never lie;
I shall wander the earth still--to look for thee, my tears and my lost love;
And insofar as thou remaineth away, I shall too stay on earth; and never ascend above.

With its three southern branches reaching the Chu border,
And its nine streams touching the gateway of Jing,
This river runs beyond heaven and earth,
Where the colour of mountains both is and is not.
The dwellings of men seem floating along
On ripples of the distant sky --
These beautiful days here in Xiangyang
Make drunken my old mountain heart!

People are like houses sometimes-dwellings.
You never find them completed.
Some are foreclosed; deprived & discouraged,.
Some are declared condemned; no hope of becoming anything remotely beautiful or something anyone would want.
Halfway finished, they come only with a foundation & you're left with a choice.
Are you gonna build them up?
Or tear them down?

Could the sun be
    just
    a hole up there—
    that if I could leap
    would enter that breach of light

Someone!
   Throw me a line!
   Give me a reason
   There’s never enough
   in this life of breathing!

Someone!
   Explain why dreams roll a soul
   toward the cliffs of day
   Wakes to ache
   then stuffs its mouth
   with necessary same
  
Inhale—
   button shirt—brush hair
Exhale—
   necessary glance in the mirror
   (yes, still there)    

A lifetime!
   in a shallow instant’s stiff clear water
   (Yeah— still there)  
   in endless caverns of tired eyes
   above mouth still trying
   to say SOMETHING!  
   from ever smaller eternities
   in the glass-flat empty....

Please! Someone explain!
   this draw of breath
   one forcing itself upon another's
   life
   of beating —
   Violence in my chest!

Why hearts don’t sleep—

and I wind up watching
again and again—till
I am the ******...

...Morning lies
   in the mists of a humid *****
   who moans and sweats
   and boils her hips—
   and I wind up watching!?

“Will someone please…!"

   ...and I wind up watching
   bedspread, bed sore, death bed
   till you’re breathing easy
   when she sits and picks
   her collapsed bouffant
   damning the makeup
   that got crushed in the sheets

…Morning
Lies--

   with no expectancy
   both tired of knowing...

   ...The Devil lost his balance
   in my presence one night

...tired of knowing—

THE WILL!  
THAT WILL!

  ...walk away
   or continue to play

   I could open this screen!
   watch the world STEP BACK!
                                 SLAP FLAT!
   as trees and dwellings flush like quail
   to prop their tottering panic
   against the blue—

You—assume composure...
   compose assumptions
   Await my next—

Move like a spy

A fisherman is drifting, enjoying the spring mountains,
And the peach-trees on both banks lead him to an ancient source.
Watching the fresh-coloured trees, he never thinks of distance
Till he comes to the end of the blue stream and suddenly- strange men!
It's a cave-with a mouth so narrow that he has to crawl through;
But then it opens wide again on a broad and level path --
And far beyond he faces clouds crowning a reach of trees,
And thousands of houses shadowed round with flowers and bamboos....
Woodsmen tell him their names in the ancient speech of Han;
And clothes of the Qin Dynasty are worn by all these people
Living on the uplands, above the Wuling River,
On farms and in gardens that are like a world apart,
Their dwellings at peace under pines in the clear moon,
Until sunrise fills the low sky with crowing and barking.
...At news of a stranger the people all assemble,
And each of them invites him home and asks him where he was born.
Alleys and paths are cleared for him of petals in the morning,
And fishermen and farmers bring him their loads at dusk....
They had left the world long ago, they had come here seeking refuge;
They have lived like angels ever since, blessedly far away,
No one in the cave knowing anything outside,
Outsiders viewing only empty mountains and thick clouds.
...The fisherman, unaware of his great good fortune,
Begins to think of country, of home, of worldly ties,
Finds his way out of the cave again, past mountains and past rivers,
Intending some time to return, when he has told his kin.
He studies every step he takes, fixes it well in mind,
And forgets that cliffs and peaks may vary their appearance.
...It is certain that to enter through the deepness of the mountain,
A green river leads you, into a misty wood.
But now, with spring-floods everywhere and floating peachpetals --
Which is the way to go, to find that hidden source?

Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwellest; but, heavenly-born,
Before the hills appeared, or fountain flowed,
Thou with eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song.  Up led by thee
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down
Return me to my native element:
Lest from this flying steed unreined, (as once
Bellerophon, though from a lower clime,)
Dismounted, on the Aleian field I fall,
Erroneous there to wander, and forlorn.
Half yet remains unsung, but narrower bound
Within the visible diurnal sphere;
Standing on earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues;
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visitest my slumbers nightly, or when morn
Purples the east: still govern thou my song,
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son.  So fail not thou, who thee implores:
For thou art heavenly, she an empty dream.
Say, Goddess, what ensued when Raphael,
The affable Arch-Angel, had forewarned
Adam, by dire example, to beware
Apostasy, by what befel in Heaven
To those apostates; lest the like befall
In Paradise to Adam or his race,
Charged not to touch the interdicted tree,
If they transgress, and slight that sole command,
So easily obeyed amid the choice
Of all tastes else to please their appetite,
Though wandering.  He, with his consorted Eve,
The story heard attentive, and was filled
With admiration and deep muse, to hear
Of things so high and strange; things, to their thought
So unimaginable, as hate in Heaven,
And war so near the peace of God in bliss,
With such confusion: but the evil, soon
Driven back, redounded as a flood on those
From whom it sprung; impossible to mix
With blessedness.  Whence Adam soon repealed
The doubts that in his heart arose: and now
Led on, yet sinless, with desire to know
What nearer might concern him, how this world
Of Heaven and Earth conspicuous first began;
When, and whereof created; for what cause;
What within Eden, or without, was done
Before his memory; as one whose drouth
Yet scarce allayed still eyes the current stream,
Whose liquid murmur heard new thirst excites,
Proceeded thus to ask his heavenly guest.
Great things, and full of wonder in our ears,
Far differing from this world, thou hast revealed,
Divine interpreter! by favour sent
Down from the empyrean, to forewarn
Us timely of what might else have been our loss,
Unknown, which human knowledge could not reach;
For which to the infinitely Good we owe
Immortal thanks, and his admonishment
Receive, with solemn purpose to observe
Immutably his sovran will, the end
Of what we are.  But since thou hast vouchsafed
Gently, for our instruction, to impart
Things above earthly thought, which yet concerned
Our knowing, as to highest wisdom seemed,
Deign to descend now lower, and relate
What may no less perhaps avail us known,
How first began this Heaven which we behold
Distant so high, with moving fires adorned
Innumerable; and this which yields or fills
All space, the ambient air wide interfused
Embracing round this floried Earth; what cause
Moved the Creator, in his holy rest
Through all eternity, so late to build
In Chaos; and the work begun, how soon
Absolved; if unforbid thou mayest unfold
What we, not to explore the secrets ask
Of his eternal empire, but the more
To magnify his works, the more we know.
And the great light of day yet wants to run
Much of his race though steep; suspense in Heaven,
Held by thy voice, thy potent voice, he hears,
And longer will delay to hear thee tell
His generation, and the rising birth
Of Nature from the unapparent Deep:
Or if the star of evening and the moon
Haste to thy audience, Night with her will bring,
Silence; and Sleep, listening to thee, will watch;
Or we can bid his absence, till thy song
End, and dismiss thee ere the morning shine.
Thus Adam his illustrious guest besought:
And thus the Godlike Angel answered mild.
This also thy request, with caution asked,
Obtain; though to recount almighty works
What words or tongue of Seraph can suffice,
Or heart of man suffice to comprehend?
Yet what thou canst attain, which best may serve
To glorify the Maker, and infer
Thee also happier, shall not be withheld
Thy hearing; such commission from above
I have received, to answer thy desire
Of knowledge within bounds; beyond, abstain
To ask; nor let thine own inventions hope
Things not revealed, which the invisible King,
Only Omniscient, hath suppressed in night;
To none communicable in Earth or Heaven:
Enough is left besides to search and know.
But knowledge is as food, and needs no less
Her temperance over appetite, to know
In measure what the mind may well contain;
Oppresses else with surfeit, and soon turns
Wisdom to folly, as nourishment to wind.
Know then, that, after Lucifer from Heaven
(So call him, brighter once amidst the host
Of Angels, than that star the stars among,)
Fell with his flaming legions through the deep
Into his place, and the great Son returned
Victorious with his Saints, the Omnipotent
Eternal Father from his throne beheld
Their multitude, and to his Son thus spake.
At least our envious Foe hath failed, who thought
All like himself rebellious, by whose aid
This inaccessible high strength, the seat
Of Deity supreme, us dispossessed,
He trusted to have seised, and into fraud
Drew many, whom their place knows here no more:
Yet far the greater part have kept, I see,
Their station; Heaven, yet populous, retains
Number sufficient to possess her realms
Though wide, and this high temple to frequent
With ministeries due, and solemn rites:
But, lest his heart exalt him in the harm
Already done, to have dispeopled Heaven,
My damage fondly deemed, I can repair
That detriment, if such it be to lose
Self-lost; and in a moment will create
Another world, out of one man a race
Of men innumerable, there to dwell,
Not here; till, by degrees of merit raised,
They open to themselves at length the way
Up hither, under long obedience tried;
And Earth be changed to Heaven, and Heaven to Earth,
One kingdom, joy and union without end.
Mean while inhabit lax, ye Powers of Heaven;
And thou my Word, begotten Son, by thee
This I perform; speak thou, and be it done!
My overshadowing Spirit and Might with thee
I send along; ride forth, and bid the Deep
Within appointed bounds be Heaven and Earth;
Boundless the Deep, because I Am who fill
Infinitude, nor vacuous the space.
Though I, uncircumscribed myself, retire,
And put not forth my goodness, which is free
To act or not, Necessity and Chance
Approach not me, and what I will is Fate.
So spake the Almighty, and to what he spake
His Word, the Filial Godhead, gave effect.
Immediate are the acts of God, more swift
Than time or motion, but to human ears
Cannot without process of speech be told,
So told as earthly notion can receive.
Great triumph and rejoicing was in Heaven,
When such was heard declared the Almighty’s will;
Glory they sung to the Most High, good will
To future men, and in their dwellings peace;
Glory to Him, whose just avenging ire
Had driven out the ungodly from his sight
And the habitations of the just; to Him
Glory and praise, whose wisdom had ordained
Good out of evil to create; instead
Of Spirits malign, a better race to bring
Into their vacant room, and thence diffuse
His good to worlds and ages infinite.
So sang the Hierarchies:  Mean while the Son
On his great expedition now appeared,
Girt with Omnipotence, with radiance crowned
Of Majesty Divine; sapience and love
Immense, and all his Father in him shone.
About his chariot numberless were poured
Cherub, and Seraph, Potentates, and Thrones,
And Virtues, winged Spirits, and chariots winged
From the armoury of God; where stand of old
Myriads, between two brazen mountains lodged
Against a solemn day, harnessed at hand,
Celestial equipage; and now came forth
Spontaneous, for within them Spirit lived,
Attendant on their Lord:  Heaven opened wide
Her ever-during gates, harmonious sound
On golden hinges moving, to let forth
The King of Glory, in his powerful Word
And Spirit, coming to create new worlds.
On heavenly ground they stood; and from the shore
They viewed the vast immeasurable abyss
Outrageous as a sea, dark, wasteful, wild,
Up from the bottom turned by furious winds
And surging waves, as mountains, to assault
Heaven’s highth, and with the center mix the pole.
Silence, ye troubled Waves, and thou Deep, peace,
Said then the Omnifick Word; your discord end!
Nor staid; but, on the wings of Cherubim
Uplifted, in paternal glory rode
Far into Chaos, and the world unborn;
For Chaos heard his voice:  Him all his train
Followed in bright procession, to behold
Creation, and the wonders of his might.
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God’s eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure;
And said, Thus far extend, thus far thy bounds,
This be thy just circumference, O World!
Thus God the Heaven created, thus the Earth,
Matter unformed and void:  Darkness profound
Covered the abyss: but on the watery calm
His brooding wings the Spirit of God outspread,
And vital virtue infused, and vital warmth
Throughout the fluid mass; but downward purged
The black tartareous cold infernal dregs,
Adverse to life: then founded, then conglobed
Like things to like; the rest to several place
Disparted, and between spun out the air;
And Earth self-balanced on her center hung.
Let there be light, said God; and forthwith Light
Ethereal, first of things, quintessence pure,
Sprung from the deep; and from her native east
To journey through the aery gloom began,
Sphered in a radiant cloud, for yet the sun
Was not; she in a cloudy tabernacle
Sojourned the while.  God saw the light was good;
And light from darkness by the hemisphere
Divided: light the Day, and darkness Night,
He named.  Thus was the first day even and morn:
Nor past uncelebrated, nor unsung
By the celestial quires, when orient light
Exhaling first from darkness they beheld;
Birth-day of Heaven and Earth; with joy and shout
The hollow universal orb they filled,
And touched their golden harps, and hymning praised
God and his works; Creator him they sung,
Both when first evening was, and when first morn.
Again, God said,  Let there be firmament
Amid the waters, and let it divide
The waters from the waters; and God made
The firmament, expanse of liquid, pure,
Transparent, elemental air, diffused
In circuit to the uttermost convex
Of this great round; partition firm and sure,
The waters underneath from those above
Dividing: for as earth, so he the world
Built on circumfluous waters calm, in wide
Crystalline ocean, and the loud misrule
Of Chaos far removed; lest fierce extremes
Contiguous might distemper the whole frame:
And Heaven he named the Firmament:  So even
And morning chorus sung the second day.
The Earth was formed, but in the womb as yet
Of waters, embryon immature involved,
Appeared not: over all the face of Earth
Main ocean flowed, not idle; but, with warm
Prolifick humour softening all her globe,
Fermented the great mother to conceive,
Satiate with genial moisture; when God said,
Be gathered now ye waters under Heaven
Into one place, and let dry land appear.
Immediately the mountains huge appear
Emergent, and their broad bare backs upheave
Into the clouds; their tops ascend the sky:
So high as heaved the tumid hills, so low
Down sunk a hollow bottom broad and deep,
Capacious bed of waters:  Thither they
Hasted with glad precipitance, uprolled,
As drops on dust conglobing from the dry:
Part rise in crystal wall, or ridge direct,
For haste; such flight the great command impressed
On the swift floods:  As armies at the call
Of trumpet (for of armies thou hast heard)
Troop to their standard; so the watery throng,
Wave rolling after wave, where way they found,
If steep, with torrent rapture, if through plain,
Soft-ebbing; nor withstood them rock or hill;
But they, or under ground, or circuit wide
With serpent errour wandering, found their way,
And on the washy oose deep channels wore;
Easy, ere God had bid the ground be dry,
All but within those banks, where rivers now
Stream, and perpetual draw their humid train.
The dry land, Earth; and the great receptacle
Of congregated waters, he called Seas:
And saw that it was good; and said, Let the Earth
Put forth the verdant grass, herb yielding seed,
And fruit-tree yielding fruit after her kind,
Whose seed is in herself upon the Earth.
He scarce had said, when the bare Earth, till then
Desart and bare, unsightly, unadorned,
Brought forth the tender grass, whose verdure clad
Her universal face with pleasant green;
Then herbs of every leaf, that sudden flowered
Opening their various colours, and made gay
Her *****, smelling sweet: and, these scarce blown,
Forth flourished thick the clustering vine, forth crept
The swelling gourd, up stood the corny reed
Embattled in her field, and the humble shrub,
And bush with frizzled hair implicit:  Last
Rose, as in dance, the stately trees, and spread
Their branches hung with copious fruit, or gemmed
Their blossoms:  With high woods the hills were crowned;
With tufts the valleys, and each fountain side;
With borders long the rivers: that Earth now
Seemed like to Heaven, a seat where Gods might dwell,
Or wander with delight, and love to haunt
Her sacred shades: though God had yet not rained
Upon the Earth, and man to till the ground
None was; but from the Earth a dewy mist
Went up, and watered all the ground, and each
Plant of the field; which, ere it was in the Earth,
God made, and every herb, before it grew
On the green stem:  God saw that it was good:
So even and morn recorded the third day.
Again the Almighty spake, Let there be lights
High in the expanse of Heaven, to divide
The day from night; and let them be for signs,
For seasons, and for days, and circling years;
And let them be for lights, as I ordain
Their office in the firmament of Heaven,
To give light on the Earth; and it was so.
And God made two great lights, great for their use
To Man, the greater to have rule by day,
The less by night, altern; and made the stars,
And set them in the firmament of Heaven
To illuminate the Earth, and rule the day
In their vicissitude, and rule the night,
And light from darkness to divide.  God saw,
Surveying his great work, that it was good:
For of celestial bodies first the sun
A mighty sphere he framed, unlightsome first,
Though of ethereal mould: then formed the moon
Globose, and every magnitude of stars,
And sowed with stars the Heaven, thick as a field:
Of light by far the greater part he took,
Transplanted from her cloudy shrine, and placed
In the sun’s orb, made porous to receive
And drink the liquid light; firm to retain
Her gathered beams, great palace now of light.
Hither, as to their fountain, other stars
Repairing, in their golden urns draw light,
And hence the morning-planet gilds her horns;
By tincture or reflection they augment
Their small peculiar, though from human sight
So far rem

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

She stands at the window
a fine white stream of goodevil knowledge
trickling down her chin

Lungs heaving against the pane
Lungs heaving against the pain
She longs for a killer breeze
from the die-hard fan.

The yellow-eyed seconds slither out the clock
hi S S ing in rhythm as they crawl.

On the table lies the used core of a once
juicy red delicious
hourglass figure, cyanide hearts and all

She is aware of her own nakedness.

The moon watches on
bleeding silver
from stab wounds by dagger-branches
waiting for a crack in the window
through which to enter

The Tree of Life towers menacingly overhead.

He walks in
AdamAnt
intelligent-designer suit: businessgod attire
briefcase in hand
brief case in point

He knows.
She knows.
Time knows.

An Electrified goliath stirs in the depths

The Ego awakens
lifts its rod
beckoning to the waves of children behind it,
parts the folds of red sea
charges head on.

It rides long and hard
hooves pounding the riverbed
Ready
to pull out on the other side

But the branches find their crack.

The Enraged goliath stumbles
suffocating
Ego trips
relentless walls closing in,
It goes under in a seizure
frothing at the mouth
drowning
as its children swim.

Time holds the twosome breath in its constricting grip
Tree binds Life inside a cell
at the center of the evolving prison

The pane, reflecting
The pain, reflected
Window souls mirror soul's Window

Branches regain their higher dwellings.

An exhumed goliath stirs
on a distant shore.

She stands at the window
a fine white stream of goodevil knowledge
trickling down her shin.

one of my neighbours I have not seen all summer
due to the amount of growth between our dwellings
and that due of course, to our mini monsoon of a summertime
its amazing what raining can achieve, just by falling

For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness.

Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said.

Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said.

Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness.

The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said.

Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said.

"There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing."

The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show.

All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said.

"I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said.

The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said.

"We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide

XXIX. TO HESTIA (13 lines)

(ll. 1-6) Hestia, in the high dwellings of all, both deathless
gods and men who walk on earth, you have gained an everlasting
abode and highest honour: glorious is your portion and your
right.  For without you mortals hold no banquet, -- where one
does not duly pour sweet wine in offering to Hestia both first
and last.

(ll. 7-10) (33) And you, slayer of Argus, Son of Zeus and Maia,
messenger of the blessed gods, bearer of the golden rod, giver of
good, be favourable and help us, you and Hestia, the worshipful
and dear.  Come and dwell in this glorious house in friendship
together; for you two, well knowing the noble actions of men, aid
on their wisdom and their strength.

(ll. 12-13) Hail, Daughter of Cronos, and you also, Hermes,
bearer of the golden rod!  Now I will remember you and another
song also.

Saying “Women of the Night”
Might be alright
As a description for some girls,
They stream eastward
Along the bank,
Checking for marauders and adjusting curls.

Yet courtesans are different;
They came as swiftly as they went,
Called on by important men.
From house and hotel they are borne,
In carriages, and in finery worn,
For those who have a yen.

Yet others still elude one name,
Of condemnation or fame.
They do not wander at men’s whims.
They deliver terms to him or him.
And live in dwellings finer still,
Until the payer has had his fill.

But with the latter does he ever
Tire of the source of pleasure?

For some the need outlasts his want,
And he becomes the supplicant!
Then woman’s wit becomes the master,
While her body wields a whip.
The sinner’s desire speeds still faster,
As she the body’s scale does tip.

I.

The last thing? It wadn't nothing special. Pa and me, well, we never had what I guess you'd call a real easy exchange. He kept to hisself. I kept to myself. We worked hard, and we appreciated each other. But we--and this may be sad to you, but it ain't sad to me--we didn't get touchy-feely. Didn't say "I love you" or things like that. We traded off fetching the water. Traded off nabbing clothes off the line for Ma. He taught me how to be, to live, you know? How to work the cotton. How to work the mules. He gave me three bullets--just three--every time I took the .22 out to get a squirrel. "Make it count," he'd say. "Don't bring home less than four." Making it count--that means more than that other stuff.

So, what I'm saying is, in the end it wadn't no big to-do. Before he handed Ma the shotgun and told us to get, he stuck his head out the kitchen window, the one just over the sink. He said, "It's gonna rain. Them's the kind of clouds that ain't fickle."

I said I reckoned he was right. He said yep. Handed Ma the shotgun. And that was that.


II.

Robert never wanted to live in Tennessee. He was a Kentucky boy, and if it hadn't been for my selfishness, I believe he would have died a Kentucky boy--or man, rather--at a much later date. See my mother, Faye, she got dreadful sick back in '31, and I says to him, I says, Robert, you know my sister can't take care of her--this being on account of her being touched in the head and all. He didn't say nothing, which was usual, but he didn't grumble neither and that, that right there, is the mark of a good man.

We started with just 80 acres. He built the house hisself. Did you know that? It wasn't nothing fancy, no, but we didn't need nothing fancy. It was made pretty much entirely of--oh what do they call it. It ain't just cedar. That uh uh uh--red cedar. Can't believe I forgot that.

Anyway, our place was sprawling with red cedar. Not the prettiest trees you ever saw, but they were ours, and they provided what we needed of them.

Because of us doing alright with the logging, we was able to pick up the Whitmore place. That was another 160 acres.  Robert hated Tennessee, not a doubt in my mind about that. It was his home, though, you see. It was his land. He wanted to make something of it to give to our son, Henry.


III.

Come all you people if you want to hear
The story about a brave engineer;
He's Franklin D. Roosevelt, in Washington D.C.
He's running the train they call 'prosperity.'

Now he straightened up the banks with a big holiday;
He circulated money with the T.V.A.
With the C.C.C. and the C.W.A.
He's brought back smiles and kept hunger away.
      -"Casey Roosevelt" [Excerpts]
          Folk song recorded by Buck Fulton for E.C. and M.N. Kirkland, July, 1937


IV.

Before they even started on the reservoir, the Tennessee Valley Authority started digging up the dead. I'm serious. Most frightful thing you ever saw. Hickory Road--and I swear, I swear on the country, the good Lord, anything from a ****** to a mountain--the road was full-up with buggies carting coffins. Three days straight they were carting dead folks down to Clinton. Most of the coffins were barely holding up, too. Made out that crude pine. Seeing them yellow-but-not-yellow heads poking out was enough to make a feller sick.

If I remember right, they had to relocate something like 5,000 before they dammed up the Clinch, but they made a lot more living, breathing folks than that move along. Lot more.


V.

A week before the T.V.A went and flooded the valley the sounds stopped. The duhh-duhh. The errgh-errgh. You know? The sounds of work. When you don't got all that noise going on--that routine, I guess you could say--what can you do but think?

And because of that, I believe, that last week Pa acted different. He was trying not to, trying to act just the same. But he was trying to be the same too hard. Ma would take coffee off the stove, pour it for him and he'd say: "Thank you, sweetheart." He always said thank you. That much was the same. It's that sweetheart bit that didn't fit in his mouth right. She left the kitchen. Couldn't take it.

Tom Scott hung himself, too. Clyde Johnson, his brother Jacob. There was one more. Big fella that lived down by Hershel's store. Can't remember his name. Pa's was the only body that didn't wash up on the bank.

I never did see them after they washed up. Mrs. Scott said it was appalling. She said her husband's body was all puffed up, swollen with the water. Sheriff cut the rope off her husband's neck. She said that neck was black leading into purple leading into black. Raw. Mrs. Scott didn't live too long after that. A year or so. The shame got to her I suppose.

When folks called my pa a coward, I never argued with them. Didn't see the point. What's a coward? Somebody hang hisself? Somebody that leave his wife and boy to fend for themselves? That a coward? Call him what you want. I ain't gonna argue. All he is--is dead to me.

VI.

My people will abide in a peaceful habitation, in secure dwellings, and in quiet resting places. And it will hail when the forest falls down, and the city will be utterly laid low. Happy are you who sow beside all waters, who let the feet of the ox and the donkey range free.
         - Isaiah 32:18-20

VII.**

Robert had brown, wavy hair. He had big hands with scarred knuckles. He was missing a tooth on the right side. Three or four down from the front. You could only tell when he laughed. Every day in the field he wore the same cap, a Miller's Co-op cap, with overlapping sweat stains. He never wanted to track dirt in the house so he'd knock on the side of the house anytime he needed something from inside, like a box of matches or a knife or something. The first two knocks would be to get my attention. They'd sound urgent. The third was soft, as if to say please. When we went to bed, he always waited for me to fall asleep before he even tried. He knew his snoring kept me up.

On the last day, Robert handed me his shotgun. Says, "I love you, Mary." He was so choked up, I didn't know if he was going to kiss me. So I kissed him. Says, "I love you Robert." And that was pretty much all. We got in the buggy and headed off to my mother's.

I wanted to bury the shotgun. I knew I'd need a place to visit, a place to talk to Robert. And it had to be a piece of him. I dug the hole out behind my mother's place. Henry, he must've thought I was crazy, digging that hole the very next day. He asked me what I was going to put in there. I says the shotgun. He says, "No, ma'am, you isn't." I says, "Yes, son, I is." He says we need that gun. Get squirrels. Get rabbits. Make it count, he says.

I was pretty sore about it, but I ended up throwing my wedding ring in that hole. It being the only other thing that was him. We put the shotgun over the door frame in the kitchen.

I miss him every day. I feel it in my body. Feel it down to my bones. I imagine it wouldn't feel no different if I had lost a hand. But what makes me sadder than anything, sadder than not seeing Robert every morning, sadder than knowing he don't get to see what Henry makes of hisself, is that Robert didn't get nobody's attention.

He never said that's why he had to do it. I just figured as much. He wouldn't die for nothing. That wasn't him. The paper wouldn't say nothing about him other than he was dead. I wrote the T.V.A. Never heard nothing back. It's like the world mumbled, "I'm sorry," and just spun on. That's what they give the good men: a mumble. Killers make the front page. They're in the pictures. The good men? For the good men, the world has to keep asking for their names. The world says, "Oh, Robert, right," and "I'm sorry." But the world don't mean it. The world's got dams to build, valleys to flood. Graves to move. People to uproot. Why? Do you know? Course you don't. God hisself would shrug his shoulders and tell me that's just the way it is.

Skyscrapers in every nation,
Signs of mankind's aspiration,
Millions of plebs face starvation,
No dwellings for them, deprivation,
No, skyscrapers they keep building,
How many lilies are they gilding?
What else could they  be doing?

Once wars were fought with sticks and stones
to flog the flesh and batter bones
and conquer lands, defending thrones -
though gods provoke, not one atones.

The multitude (by hordes beset
with battle-ax or bayonet)
braved blades, dyed red and dripping wet -
the stains were wiped with no regret.

When raining blood, the teardrops spill,
enough to drown the daffodil
that withers in the mourning chill -
who was it said 'thou shalt not ****'?

The mad machine's now mechanized,
torment and torture legalized,
blind barbarism globalized
and wrath of demons sanitized.

Each rival's right (whichever side)
committing holy homicide
in names of gods diversified -
like Cain and Abel fratricide.

Above, a Drone that terrifies -
a button's pushed, a missile flies
to rip apart, to vaporize
(defending life, they fantasize).

Dismembered victims everywhere,
most, non-combatants, unaware -
a lone survivor, solitaire,
unfolding hands, too late for prayer.

Beneath the dust, a baby lies
with mouth agape, with bleeding eyes,
arrayed in death that money buys -
though warriors watch, none empathize.


The media's impervious -
in truth they're ever devious
for fear that reason's dangerous,
find every question treasonous.

Through eyes lit up like rosy sores,
embedded scribes report on wars
with tales to line the cuspidors -
the Fourth Estate? A herd of ******.

To paint the slaughter civilized,
objective news is sodomized -
when foreign streets smoke, pulverized,
the body counts are minimized.


Big Berthas boomed in days of yore
but now the tanks spit spikes of Thor
and mortar shells like raindrops pour
upon the lands of Nevermore.

The grumble of a hand grenade
is drowned in claps of cannonade -
assorted charnel chunks lie flayed
in battlefields where kids once played.

Somewhere a ******'s bullet flies,
somewhere a voiceless victim dies,
somewhere a famished orphan cries
while weapons warble lullabies.

The bunker busters burst the sides
of dwellings where mankind resides
and innocence in darkness hides -
the die is cast, but who decides?

Use cluster bombs and barrels too,
(crude critters in the wartime zoo),
to shred more souls than hitherto -
choose death en masse, avoid the queue!

The leaders lead (twelve steps behind),
enmeshed in intrigues, well enshrined -
yes, powers, business (so entwined)
pull twisted threads, ensnare mankind.


The mercenaries hack and maim
(god's creatures crippled, morally lame),
do beastly things that none will name -
well-paid for such, they feel no shame.

The ****** bombs and phosphorus
and ghastly weapons gaseous
are scattered widely, bounteous -
behold the desert wilderness!

Yes, Agent Orange burns slow and calm,
may leave behind a blazing palm
(or better yet, a molten mom
inside a hut)  in Vietnam.

And phosphorous… its flame so white,
exploding, falling through the night,
commemorates the Sacred Rite -
and babes in arms, thus blessed, ignite.

Cast chlorine, sarin or VX…
a lethal dose (or side effects
like blistered lungs) will serve to vex -
but death in war? No one objects…


Constructing A-bombs's arduous -
uranium, depleted thus,
can trash a tank with little fuss,
cause natal cankers, cancerous.

But doomsday warheads (dropped or thrown),
ignited, leave the sun outshone -
beneath a mass of melted stone
lies powdered ash, once flesh and bone.

When atoms split in bombs debased,
vast cities smolder, laid to waste,
a million sinless souls erased -
perhaps, one day, all life effaced.


You close your eyes but can't ignore
that body parts and bags of gore
are bursting through golgotha's door,
and strewn beyond the ocean's roar
like rotting fish that wash ashore.

Why can't we stop and end all war…


POSTSCRIPT
Regard the dreary death Arcade
of Armaments (a fruitful trade)
and tally up the millions made
by ghouls that raise a colonnade
of miles of missiles, weapons-grade,
in Armageddon's crazed parade,
and hide behind a masquerade
of lollypops and lemonade
while planning new an escapade
for sending armies to invade
and loot far oil lands, unafraid
of misery and grief parlayed
until our final days cascade
into a hell no more delayed
by happenstance or luck outplayed
that leaves society decayed,
bombarded with a fusillade
of lies upheld and truth betrayed
by pundits in the shifting shade,
and crises of the world clichéd
as sung in solemn serenade
by journalistic hacks that preyed
on wide-eyed folk in sham charade
that lulls to sleep with eyelids weighed
by tiny tears that disobeyed
to stay behind the barricade
and bathe the modern-day crusade
of war in cheers and accolade.

The bottom line? Just profits paid
for deadly sins that god forbade…

Can I tell you how seriously I take this poem!
_
Could the sun be
    just
    a hole up there—
    that if I could leap
    would enter that breach of light

Someone!
   Throw me a line!
   Give me a reason
   There’s never enough
   in this life of breathing!

Someone!
   Explain why dreams roll a soul
   toward the cliffs of day
   Wakes to ache
   then stuffs its mouth
   with necessary same
  
Inhale—
   button shirt—brush hair
Exhale—
   necessary glance in the mirror
   (yes, still there)    

A lifetime!
   in a shallow instant’s stiff clear water
   (Yeah— still there)  
   in endless caverns of tired eyes
   above mouth still trying
   to say SOMETHING!  
   from ever smaller eternities
   in the glass-flat empty....

Please! Someone explain!
   this draw of breath
   one forcing itself upon another's
   life
   of beating —
   Violence in my chest!

Why hearts don’t sleep—

and I wind up watching
again and again—till
I am the ******...

...Morning lies
   in the mists of a humid *****
   who moans and sweats
   and boils her hips—
   and I wind up watching!?

“Will someone please…!"

   ...and I wind up watching
   bedspread, bed sore, death bed
   till you’re breathing easy
   when she sits and picks
   her collapsed bouffant
   damning the makeup
   that got crushed in the sheets

…Morning
Lies--

   with no expectancy
   both tired of knowing...

   ...The Devil lost his balance
   in my presence one night

...tired of knowing—

THE WILL!  
THAT WILL!

  ...walk away
   or continue to play

   I could open this screen!
   watch the world STEP BACK!
                                 SLAP FLAT!
   as trees and dwellings flush like quail
   to prop their tottering panic
   against the blue—

You—assume composure...
   compose assumptions
   Await my next—

Move like a spy


1990


Take careful note:  

Why I don’t play chess or any other game
for that matter.    
    
“...and when you're really out there
the windows all have opened onto nothing...
Death having long since-- left the scene.
When you get really out there
it's all--
and nothing…”

this small lake where only the breeze is present on
the water’s surface where only the ducks and moorhens
chatter about us silent hills and the shadows of clouds
passing  passing dark shapes passing over the snow streaks

horses suddenly four dark cobs sturdy travellers’ beasts
grazing a golf course gentle souls quietly padding
moving close by inspecting us for food I touch a coat
black as black as short as the sheep-clipped grass

distance everywhere spreading out into a haze of a lowering
sun fold upon fold of field and pasture walled tree-lined
disturbed by dwellings grey stone white-walled even
red-roofed disappearing into trees nestled next to barns

flow of the hill the hills flow long stretches of stunted grass
upwards to nearly snowlines where fissures of white fingers
reach down towards the sheeped grass a few tops nearly
mountains brilliant white

suddenly finding troubled thoughts are nowhere gone away
left somewhere perhaps on the train journey north passing
out of the windowed view and now just the present present
resting in the cool to breathe cool air

strange that so many images now mind-snapshots conjure
past-thoughts sharp memories your blue figure almost
motionless sketching with charcoal and finger ends
kneeding texture into the paper so still still

the track beyond this farm is an unrolled pattern towards
the higher hills across the meadows winter has almost
drained of colour to disappear the once green becoming
nearly neutral but going further before a surprise in store

a valley revealed after reaching the hill’s brow there a
river’s part-song flows across a tree-accompanied edgeland
before a sleight village there’s a road one vehicle
passing in the half hour you sit and draw

there is colour here autumnal shades though nearly spring
the earth sandstone-red bracken fit to be burnt and there
very distant a line of smoke following a crease in  the
southern hills rising and spreading horizon-ward

every time birds crows starlings gulls lift from a field
a wood a hillside my heart lifts with them to glide with
unexpected joy that this should be so that such movement
should make this landscape sing

walking westward sunward into the sun’s setting haze
distant Lakeland distant Ullswater somewhere in the
gathering purple corrugated sheets of rising hills in the
almost empty sky promising a cold night

and later in the warmth of resting as the sky reddens
and dusk falls the snowdrop rich woodland from our
window captures the westward light and birds roost
as we roost on our bed we might not sleep in tonight

but we are to stay and later walking the night-dark road
leaving the small town behind the stars bend down to the
very edge of nearer horizons the cusp of close fields so
sharply bright bold alarums of once-worlds everywhere

to see you sew is to witness peace I often imagine dream
of close my eyes to see those quiet fingers press and touch
and move so later I bring my own fingers into a play of  
unclothing to stroke and press and bring close

and morning there is frost fielded to a curve of a pasture
edged with what seem to be trees but are distance-belied
falsely distant felt too close extraordinary I pull the curtain
just a little to gaze that I see it so

my darling there is more and it is more than I know how
to place on the page my notes now run to not-quite sense
but I discern to be full of walking’s pleasure to grasp a
freedom paced together to tread to be under the soft sky still

Paradise
Men falling from the sky using parachutes of peacock plumage hues
The professionals plummeting in perfect spirals
The novices sheepishly prolonging their gentle, gliding drop
The salmon shade adobe dwellings with their thatched, lovely roofs
Shelter me in their auspices from an unforgiving star
Handmade tiles of authentic design line each steep stone step
A covert staircase leading nowhere, we lounge near the pool by day
There I observe a couple through a sour tequila haze
A scarlet clad native and her sometime American lover
Their hands never leave each other’s guilty bodies, sexually charged
His absence of wedding ring betrays his intended affair
In the distance crushing waves claim territory on the shoreline
I underestimate; in a death roll I lose all sense of direction
The blushing sky with rosy smile watches over its children
A lighthouse by its lonesome guards the cliffs from clumsy ship
Locals sell their wares by approaching fair-skinned tourists
Necklaces of beads require long hours of work
Their labor goes unappreciated, sells for meager dollar
Popcorn man blows his lonely, dissonant horn forever
Into the deaf night

High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.

Decolor, obscuris, vilis, non ille repexam
  Cesariem regum, non candida virginis ornat
  Colla, nec insigni splendet per cingula morsu.
  Sed nova si nigri videas miracula saxi,
  Tunc superat pulchros cultus et quicquid Eois
  Indus litoribus rubra scrutatur in alga.
  CLAUDIAN.


I sat beside the glowing grate, fresh heaped
  With Newport coal, and as the flame grew bright
--The many-coloured flame--and played and leaped,
  I thought of rainbows and the northern light,
Moore's Lalla Rookh, the Treasury Report,
And other brilliant matters of the sort.

And last I thought of that fair isle which sent
  The mineral fuel; on a summer day
I saw it once, with heat and travel spent,
  And scratched by dwarf-oaks in the hollow way;
Now dragged through sand, now jolted over stone--
A rugged road through rugged Tiverton.

And hotter grew the air, and hollower grew
  The deep-worn path, and horror-struck, I thought,
Where will this dreary passage lead me to?
  This long dull road, so narrow, deep, and hot?
I looked to see it dive in earth outright;
I looked--but saw a far more welcome sight.

Like a soft mist upon the evening shore,
  At once a lovely isle before me lay,
Smooth and with tender verdure covered o'er,
  As if just risen from its calm inland bay;
Sloped each way gently to the grassy edge,
And the small waves that dallied with the sedge.

The barley was just reaped--its heavy sheaves
  Lay on the stubble field--the tall maize stood
Dark in its summer growth, and shook its leaves--
  And bright the sunlight played on the young wood--
For fifty years ago, the old men say,
The Briton hewed their ancient groves away.

I saw where fountains freshened the green land,
  And where the pleasant road, from door to door,
With rows of cherry-trees on either hand,
  Went wandering all that fertile region o'er--
Rogue's Island once--but when the rogues were dead,
Rhode Island was the name it took instead.

Beautiful island! then it only seemed
  A lovely stranger--it has grown a friend.
I gazed on its smooth slopes, but never dreamed
  How soon that bright magnificent isle would send
The treasures of its womb across the sea,
To warm a poet's room and boil his tea.

Dark anthracite! that reddenest on my hearth,
  Thou in those island mines didst slumber long;
But now thou art come forth to move the earth,
  And put to shame the men that mean thee wrong.
Thou shalt be coals of fire to those that hate thee,
And warm the shins of all that underrate thee.

Yea, they did wrong thee foully--they who mocked
  Thy honest face, and said thou wouldst not burn;
Of hewing thee to chimney-pieces talked,
  And grew profane--and swore, in bitter scorn,
That men might to thy inner caves retire,
And there, unsinged, abide the day of fire.

Yet is thy greatness nigh. I pause to state,
  That I too have seen greatness--even I--
Shook hands with Adams--stared at La Fayette,
  When, barehead, in the hot noon of July,
He would not let the umbrella be held o'er him,
For which three cheers burst from the mob before him.

And I have seen--not many months ago--
  An eastern Governor in chapeau bras
And military coat, a glorious show!
  Ride forth to visit the reviews, and ah!
How oft he smiled and bowed to Jonathan!
How many hands were shook and votes were won!

'Twas a great Governor--thou too shalt be
  Great in thy turn--and wide shall spread thy fame,
And swiftly; farthest Maine shall hear of thee,
  And cold New Brunswick gladden at thy name,
And, faintly through its sleets, the weeping isle
That sends the Boston folks their cod shall smile.

For thou shalt forge vast railways, and shalt heat
  The hissing rivers into steam, and drive
Huge masses from thy mines, on iron feet,
  Walking their steady way, as if alive,
Northward, till everlasting ice besets thee,
And south as far as the grim Spaniard lets thee.

Thou shalt make mighty engines swim the sea,
  Like its own monsters--boats that for a guinea
Will take a man to Havre--and shalt be
  The moving soul of many a spinning-jenny,
And ply thy shuttles, till a bard can wear
As good a suit of broadcloth as the mayor.

Then we will laugh at winter when we hear
  The grim old churl about our dwellings rave:
Thou, from that "ruler of the inverted year,"
  Shalt pluck the knotty sceptre Cowper gave,
And pull him from his sledge, and drag him in,
And melt the icicles from off his chin.

Bringing up a black son, is a purer act of courage
When there is evident coverage
Of heavy ignorance, that blurs reasoning
To an extent that makes man a beast, and a zombie that devours the black skin
Shall I compare it to planting of hard trees?
In a wild and untamed climate
Or better still, constructing a long bridge
Across a wide river, filled with all manner of predators
It is such a complex, and demanding process
That might render the mother hopeless

When the sacred wind blows, to remind us of our different origin
The history has it all, as it tells why it is hard
When the white men plundered, all over the world
They got hold of the black men, and made them slaves
To serve and obey, without questions and delay
And everyone knew, the black is inferior, and next to the beast
The world changed though, with great struggle and war
And the inertia still, creates rifts and tension, among the black and the white
The disparity is evident, in health and power
The black dwellings are encroachments, of poverty and inferiority
There are health issues, which **** the black, and spare the rest
The disparity is wide and strong
It endangers the black sons, in the world of calamities

It pains even more, beyond the birth of a black son
Poverty and diseases, are difficult and die-hards
As they dominate, the black continent, and the black dwellings
Just as the slave dweller, the mother toils, and labors
To make the ends meet, and see the young man grow
And when he is of age, he must be sent to school
That is friendly, to both environment and the black skin
Lest your son is terrified, by the tantrums of discrimination
If it happens, God forbid, that he meets the strangers
Who scare and frighten his life
It is my role, as the mother, to repair and amend
Lest a wrong notion steals his destiny away

Why do you scare?
Of the indolent ripples of malice and hatred
That only dare, drive men from their destiny
And spread their waves, across the ocean of humanity
Oh my son, find courage, from within your heart
Pay no mind, to the ignorance of men
Black has a great meaning
That, which cannot be identified,
It is the unseen, the hidden black power

That is responsible for great achievements


When you walk by night, the suitable camouflage of your skin will protect you
From the night runners and the foes of men
When you walk by day, in the scorching fury of the sun
The darkness will shade you, against the harmful glares of the day
In a white cloud, you will be clear as the crystals
You will always stand out, when the sun is high

When the man becomes of age, and strong gentlemen
It might take the entire village, to grow a black man
The worlds need him, more than he needs it
If he ever becomes a man, much is expected of him
The mother’s role, however, cannot be overlooked
She creates the foundation, of love and courage
Which is necessary, to face the unknown, coiled in the future
The man must fight, for his way to the top
In order to pelt and create, a better place than he found it
Where equality and character, dominates the process and leadership
It might take great pain, to nurture a black son, to a man of value
However, it is worth, for such a toils bears nothing, but the best!

'Tis a bleak wild hill,--but green and bright
In the summer warmth and the mid-day light;
There's the hum of the bee and the chirp of the wren,
And the dash of the brook from the alder glen;
There's the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west is the free wind's breath,--
There is nothing here that speaks of death.

  Far yonder, where orchards and gardens lie,
And dwellings cluster, 'tis there men die.
They are born, they die, and are buried near,
Where the populous grave-yard lightens the bier;
For strict and close are the ties that bind
In death the children of human-kind;
Yea, stricter and closer than those of life,--
'Tis a neighbourhood that knows no strife.
They are noiselessly gathered--friend and foe--
To the still and dark assemblies below:
Without a frown or a smile they meet,
Each pale and calm in his winding-sheet;
In that sullen home of peace and gloom,
Crowded, like guests in a banquet-room.

  Yet there are graves in this lonely spot,
Two humble graves,--but I meet them not.
I have seen them,--eighteen years are past,
Since I found their place in the brambles last,--
The place where, fifty winters ago,
An aged man in his locks of snow,
And an aged matron, withered with years,
Were solemnly laid!--but not with tears.
For none, who sat by the light of their hearth,
Beheld their coffins covered with earth;
Their kindred were far, and their children dead,
When the funeral prayer was coldly said.

  Two low green hillocks, two small gray stones,
Rose over the place that held their bones;
But the grassy hillocks are levelled again,
And the keenest eye might search in vain,
'**** briers, and ferns, and paths of sheep,
For the spot where the aged couple sleep.

  Yet well might they lay, beneath the soil
Of this lonely spot, that man of toil,
And trench the strong hard mould with the *****,
Where never before a grave was made;
For he hewed the dark old woods away,
And gave the ****** fields to the day;
And the gourd and the bean, beside his door,
Bloomed where their flowers ne'er opened before;
And the maize stood up; and the bearded rye
Bent low in the breath of an unknown sky.

  'Tis said that when life is ended here,
The spirit is borne to a distant sphere;
That it visits its earthly home no more,
Nor looks on the haunts it loved before.
But why should the bodiless soul be sent
Far off, to a long, long banishment?
Talk not of the light and the living green!
It will pine for the dear familiar scene;
It will yearn, in that strange bright world, to behold
The rock and the stream it knew of old.

  'Tis a cruel creed, believe it not!
Death to the good is a milder lot.
They are here,--they are here,--that harmless pair,
In the yellow sunshine and flowing air,
In the light cloud-shadows that slowly pass,
In the sounds that rise from the murmuring grass.
They sit where their humble cottage stood,
They walk by the waving edge of the wood,
And list to the long-accustomed flow
Of the brook that wets the rocks below.
Patient, and peaceful, and passionless,
As seasons on seasons swiftly press,
They watch, and wait, and linger around,
Till the day when their bodies shall leave the ground.

The truth behind my absence might scare a few
People will turn a blind eye, because I am not part of their crew
I sit alone in a teeming room
Look up, you won’t find me there, I left to soon

My silent dwellings concaved, keep me sane
The noise within these walls, prevent the pain
As they stroll by me everyday
I hear them say...

"The light is too bright
For someone with poor eyesight
Dim it
For he will give you a fright!"

Spread the love, Stop the hurt
I am different

Introvert.

The dweeb lived in the dwellings of a dwindling tribe of dwarves
Who anchored little kayaks at the moorings in the wharves.
He organised this transport so that they might go at night
Deep into the dark dense woods to visit their Snow White.
But the dwarves were very old and weren’t getting any younger
And although they really wanted too it couldn’t last much longer.
Meanwhile the dweeb would study every minute of the day
So studious and serious with little time for play.
The daddy of the dwarfs known as Doctor Joe
Said to him, “Look dweeb, there’s little left to know.”
But still he studied on writing loads of lengthy notes,
Which sometimes he would use to make tedious little quotes.
Until eventually the dwarves found him annoying and real boring
Besides he woke them up at night with his constant snoring.
So Doctor Joe hatched a plan with his little tribe
It was devious and genius and this I will describe.
They knew Snow White was lonely and longing for a man
So this is what they had in mind for this dweeb known as Stan.
Snow White would lie there in a dwam pretending to be dead
And somehow they would lure Stan along to her deathbed.
So they told her that he was a Prince, the great love of her heart
She of course was up for it, and couldn’t wait to start.
Doctor Joe then told the dweeb, that Snow White was no more.
He said that he might save her and showed him to the door.
On their little kayak they paddled up the river
But the dweeb then said to Doctor Joe, “I don’t know what to give her.”
The Doctor reassured him that it would be real bliss
If only one time in her life she had a loving human kiss.
The dweeb replied, “This just won’t work.” So he quoted healing potions.
When Doctor Joe rejected these he suggested soothing lotions.
None of these the Doctor said were right for their Snow White
Only a kiss from a real-man could help her end this plight.
So eventually there beside Snow White all the party stood,
Outside of the stone cottage deep within the wood.
The dwarves should have looked distressed but they were full of glee
And so they had to hide their smiles in case the dweeb should see.
At long last they’d be rid of him, this boring little nerd
Some of them expressed this and they hoped he hadn’t heard.
But the dweeb was now distracted by the beauty of this girl
He didn’t know if this would work but he’d give it a whirl.
He puckered up his lips and planted one before he spoke
Then gob-smacked he stood there as Snow White soon awoke.
Immediately when their eyes met he knew that it was right
Likewise she felt this too, it was real love at first sight.
So you see that all of this now ended happy ever after.
Doctor Joe and all the dwarves left in bursts of laughter.

another november creeps in at the corners, and her omission of modesty has once again amazed me. the trees cry, golden tears that tesselate under my toes, cloaking the concrete in earthy hues that might fool you into thinking humanity had never touched this realm of benevolent bliss.
But it has, for this metropolis is full of foolery, of factories and fame,
all of which have obnoxiously trampled every square inch of the woodlands which once ran riot over the distant, deserted hills.
Mists of fine floods hang now, like a veil in the haze of a rainy wedding day.
There is thunder in the eyes of the untamed, the flesh and blood whose dwellings have been disturbed by savage, civilised society.

"Attention! Attention!"
"This is the final call for Space World Airlines flight SW406 direct to Earth. Could all passengers for this flight proceed immediately to Martian Lounge 3. Thank you for your kind attention and we hope you have a safe flight. You will be missed!"

Seven months later...

So I inhabit the quaint hamlet of Earth,
Whose streets I have wandered,
Breathed their oxygen,
Felt their dirt and grime in my skin.

**** sapiens are pitiful organisms
Which are plagued by deficiencies in bottle green pigment.
They are just plain nonsensical and silly
With a passion for rather outlandish hairstyles.
All of us have zero wild hair from where I originate from..
Possessing formidable odours,
Mysterious in their temperaments,
Endless bickering and ticked-off outbursts,
Endeavours to implement their godly theories,
404 Not Found Error.

The females bear a gadget
Identified as a handbag
It ought to be alive
Since it is secured around their necks
And is clutched solidly.
In the event that others investigate
I presume these others desire to set it free.

They must absolutely have deplorable eyesight
As when a number of them are
Stepping down and up a street,
They have a tendency to head straight for each other.
Some of these humans occasionally bump
Into one another and they surprisingly
Accuse themselves and each of them apologises.
Mind-boggling, isn't it?

The majority of them seem to have one hand
Attached to the right or left side of their skull
And chatter to it..
How bizarrely ridiculous!

It really is crazy just how this planet is indeed so gigantic,
And features such an abundance of land,
But yet most of these pathetic creatures,
Will never grant you any without money.
Of course, this is obviously a bit of paper!
You will discover an awful lot food everywhere,
But nevertheless countless **** sapiens go hungry;
Thanks to the worship of this outrageous paper..
They don't permit these flying feathered beings
To ascend the heavens,
Shooting them down nutty humans,
To make shoes and boots and mittens!
They cut down all the big trees,
To construct infinitely more dwellings.

Tick tock, Tick tock..
Where is that mystical melody emanating from?
I felt so faint and dizzy..
That sound..
Then, I spotted a crystal face
With a pair of hands and eye ***** moving right and left
It seemed similar to a bomb and gazed ominously at me,
Did the inexplicable humans plan to eradicate the entire alien population?
Have you no mercy?
O, when shall my spaceship arrive,
And take me away from this perilous planet?

I'm merely a martian exploring this space,
So absurd, so preposterous
Do visit us one day, we will greet you hopeless humans,
And reveal to you the splendid planet we reside in.

Southwestern Dis-United States of Memory*

Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: *música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven.

The singer herself grew old but her YouTubes live forever.

Is this the place where garland grows,
Among the olive branches low?
Splattered, cindered, clay abode,
Am I so alien?
Encircled those, in khaki drab;
Paying homage to the bags;
Which hold remains of brave, young lads;
Will I feel again?

Surrounded, chains of un-lit lights,
Which only shine in day, not nights;
Illumination betrays the plights,
Should we become aglow.
A tree of polypropylene,
Adorns the tower, so serene;
A branch of steel hid in-between,
That only gunner knows.

The air of diesel, not of Myrrh,
As pre-fab dwellings start to stir,
Indifferent as they observe,
Fading of the Star.
A failed attempt at lone ‘SandMan’
Adorned with boots, bayonet in hand,
Iraqi winds displace his stand,
Re-formed in Kandahar.

T’was yesterday, on Christmas Eve;
A day ahead of promised leave,
When Paul, Eric, Mark and Steve,
Took leisurely patrol.
In Tikrit, where he was born,
Some sixty years before this ‘Storm’,
They’d set-out on this early morn.
Assessing evening’s toll.

Among the buildings, scattered ruins;
Charred men, like shadows, on the dunes;
From temples soar cremated plumes;
One hour had gone by.
In the distance, beyond the spire,
Come ‘reports’ of skirmish fire,
Incessant screaming of the dire;
Then screams dissolve to cries.

Approach, inside a city square,
Where once a fountain teemed, right there,
Smoldering flesh, low burning hair;
A family splayed together.
Rank and putrid pieces strewn,
Mother’s face, shrapnel-hewn;
Attending Allah far too soon--
All their hands were tethered.

Domestic dogs, now on their own,
Fight for human flesh and bone;
Such holy image sets the tone,
As chorus strikes ‘Jihad’.
Eric stumbles, exploded knee,
Bearing witness to comrades, three,
Souls reclaimed near instantly;
Christmas in Baghdad.

Is this the place where garland grows;
Among the olive branches low?
How I miss New England snow,
This Christmas in Baghdad.

I hold my cards
close to my chest
on this night that is
oh so close.

No fan
to blow
air into my face,
not that it would
matter anyway.

The air
would just
remind me
that it is hot
this summer night.

I am drinking beers
while the fruit flies
are sharing with me.
No sense
in picking them
out of the cup..
more will arrive.

The woman
who lives upstairs,
how can she ride her bike,
on such a summer night.

I hear her,
it's the sound
of rowing,
a creak-creak-creak.

88 Willow,
the building with eight dwellings.

Through the open window
I hear a dog barking,
maybe two, three blocks away.

This building that I live in,
where the walls
are so thin
you know that
they have ears.
Have ears to hear.

Creak-creak-creak..
the woman is rowing,
her rowing machine rows
out into a great big sea
of imagination,
where there
is every kind
of sea creature
that you can conjure  
up in your mind.

And her
boyfriend, a fine
painter and sculpture.
He wants to do the
cover of my next book..

And I think, like that's ever going to happen.

My good friend
was over tonight,
he told me a story about
how he proposed
to his 'maritime' woman.

She cried and she cried
after she saw the ring,
not because it was so small,
but because she was
beside herself
in joyful delight.

I envy what it is they have,
but what they have
requires work, hard work.
They have one tried and true
partnership.

We talked about
reaching out to extended family,
as well as brothers and sisters in blood.

Me, of my own,
my father is turning eighty.
Eight decades and I know him not.
He fought
in the Korean War
and I've yet to ask him
about it.
Not once in my life time
has he even smelled
the wartime memories
that I am sure waft up
on occasion.

Now back to 88 Willow.

There is a drunkard
living in a basement apartment.
His legs are going
from wet brain.

He only calls me when
he is drunk.

He has two drinks and
he starts fumbling worse
than a line backer
intercepting
a foreword lateral pass.

I don't want to move,
though I know I have to,
to keep on keeping on,
I've got to move,
I have to move.


© 2013

Other worlds have hopes,
for plants, for trees and
dogs walking by, panting
soaking in humidity like carp
above water.
Not ours.
Dead ends, parked cars supplanting
serenity with passion, desire
crammed into
row upon row of heartless
dwellings expunging sunglass-wearing
**** suckers
blocking their emptiness from the world
with reverse blindfolds.
I know their eyes still glare at me, scoffing at
them. Walking, I
walk past
their barricaded kennels, under-
construction housing
impersonating natural climes
with sushi and slushy shops.
People like them have admiss-
able drives, hankering after
freedom; they're indoctrinated
to believe admission is
monthly cable bills
wired in beneath concrete slabs
maintained compliance
through lines painted on grass
where overlords can tell livestock
what to do.
Bus chutes form
hillsides, beside lines of
trees which perfume these
feedlots
we call
cities.
**** oozes below streets
walked on, they stared at me
like cows, watching a ranch-hand
suspicion toward anything
beyond bistro fences.
"What the **** are you looking at,
you filthy animal?
Have you no idea which species your greed
feeds?
Do you know where this ends
for you?
Who's tazing your ***,
who's making you sit there?"
Moo, mooo.
Mooooooooooooooooooo.
Receipts, a cudgel on each table,
more cudgels ring
from pockets
telling them what time it is,
where they're to be.
Sunday's almost over,
back to blocks of houses!
Graze on painted grass,
then die,
but not before you stare at me
with empty eyes,
you pathetic, miserable
creatures.