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"dwellings" poems
Up and lead the dance of Fate! Lift the song that mortals hate! Tell what rights are ours on earth, Over all of human birth. Swift of foot to avenge are we! He whose hands are clean and pure, Naught our wrath to dread hath he; Calm his cloudless days endure. But the man that seeks to hide Like him (1), his gore-bedewèd hands, Witnesses to them that died, The blood avengers at his side, The Furies' troop forever stands. O'er our victim come begin! Come, the incantation sing, Frantic all and maddening, To the heart a brand of fire, The Furies' hymn, That which claims the senses dim, Tuneless to the gentle lyre, Withering the soul within. The pride of all of human birth, All glorious in the eye of day, Dishonored slowly melts away, Trod down and trampled to the earth, Whene'er our dark-stoled troop advances, Whene'er our feet lead on the dismal dances. For light our footsteps are, And perfect is our might, Awful remembrances of guilt and crime, Implacable to mortal prayer, Far from the gods, unhonored, and heaven's light, We hold our voiceless dwellings dread, All unapproached by living or by dead. What mortal feels not awe, Nor trembles at our name, Hearing our fate-appointed power sublime, Fixed by the eternal law. For old our office, and our fame, Might never yet of its due honors fail, Though 'neath the earth our realm in unsunned regions pale.
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Song Of The Furies
With its three southern branches reaching the Chu border, And its nine streams touching the gateway of Jing, This river runs beyond heaven and earth, Where the colour of mountains both is and is not. The dwellings of men seem floating along On ripples of the distant sky -- These beautiful days here in Xiangyang Make drunken my old mountain heart!
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5.3k
A View of the Han River
A fisherman is drifting, enjoying the spring mountains, And the peach-trees on both banks lead him to an ancient source. Watching the fresh-coloured trees, he never thinks of distance Till he comes to the end of the blue stream and suddenly- strange men! It's a cave-with a mouth so narrow that he has to crawl through; But then it opens wide again on a broad and level path -- And far beyond he faces clouds crowning a reach of trees, And thousands of houses shadowed round with flowers and bamboos.... Woodsmen tell him their names in the ancient speech of Han; And clothes of the Qin Dynasty are worn by all these people Living on the uplands, above the Wuling River, On farms and in gardens that are like a world apart, Their dwellings at peace under pines in the clear moon, Until sunrise fills the low sky with crowing and barking. ...At news of a stranger the people all assemble, And each of them invites him home and asks him where he was born. Alleys and paths are cleared for him of petals in the morning, And fishermen and farmers bring him their loads at dusk.... They had left the world long ago, they had come here seeking refuge; They have lived like angels ever since, blessedly far away, No one in the cave knowing anything outside, Outsiders viewing only empty mountains and thick clouds. ...The fisherman, unaware of his great good fortune, Begins to think of country, of home, of worldly ties, Finds his way out of the cave again, past mountains and past rivers, Intending some time to return, when he has told his kin. He studies every step he takes, fixes it well in mind, And forgets that cliffs and peaks may vary their appearance. ...It is certain that to enter through the deepness of the mountain, A green river leads you, into a misty wood. But now, with spring-floods everywhere and floating peachpetals -- Which is the way to go, to find that hidden source?
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4.6k
A Song of Peach-Blossom River
A fisherman is drifting, enjoying the spring mountains, And the peach-trees on both banks lead him to an ancient source. Watching the fresh-coloured trees, he never thinks of distance Till he comes to the end of the blue stream and suddenly- strange men! It's a cave-with a mouth so narrow that he has to crawl through; But then it opens wide again on a broad and level path -- And far beyond he faces clouds crowning a reach of trees, And thousands of houses shadowed round with flowers and bamboos.... Woodsmen tell him their names in the ancient speech of Han; And clothes of the Qin Dynasty are worn by all these people Living on the uplands, above the Wuling River, On farms and in gardens that are like a world apart, Their dwellings at peace under pines in the clear moon, Until sunrise fills the low sky with crowing and barking. ...At news of a stranger the people all assemble, And each of them invites him home and asks him where he was born. Alleys and paths are cleared for him of petals in the morning, And fishermen and farmers bring him their loads at dusk.... They had left the world long ago, they had come here seeking refuge; They have lived like angels ever since, blessedly far away, No one in the cave knowing anything outside, Outsiders viewing only empty mountains and thick clouds. ...The fisherman, unaware of his great good fortune, Begins to think of country, of home, of worldly ties, Finds his way out of the cave again, past mountains and past rivers, Intending some time to return, when he has told his kin. He studies every step he takes, fixes it well in mind, And forgets that cliffs and peaks may vary their appearance. ...It is certain that to enter through the deepness of the mountain, A green river leads you, into a misty wood. But now, with spring-floods everywhere and floating peachpetals -- Which is the way to go, to find that hidden source?
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32
Could the sun be just a hole up there— that if I could leap would enter that breach of light Someone! Throw me a line! Give me a reason There’s never enough in this life of breathing! Someone! Explain why dreams roll a soul toward the cliffs of day Wakes to ache then stuffs its mouth with necessary same Inhale— button shirt—brush hair Exhale— necessary glance in the mirror (yes, still there) A lifetime! in a shallow instant’s stiff clear water (Yeah— still there) in endless caverns of tired eyes above mouth still trying to say SOMETHING! from ever smaller eternities in the glass-flat empty.... Please! Someone explain! this draw of breath one forcing itself upon another's life of beating — Violence in my chest! Why hearts don’t sleep— and I wind up watching again and again—till I am the ****** ...Morning lies in the mists of a humid ***** who moans and sweats and boils her hips— and I wind up watching!? “Will someone please…!" ...and I wind up watching bedspread, bed sore, death bed till you’re breathing easy when she sits and picks her collapsed bouffant damning the makeup that got crushed in the sheets …Morning Lies-- with no expectancy both tired of knowing... *...The Devil lost his balance in my presence one night* ...tired of knowing— THE WILL! THAT WILL! ...walk away or continue to play I could open this screen! watch the world STEP BACK! SLAP FLAT! as trees and dwellings flush like quail to prop their tottering panic against the blue— You—assume composure... compose assumptions Await my next— Move like a spy
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Jul 15, 2017
Jul 15, 2017 at 1:36 PM UTC
Drowning in the Shallows
Could the sun be just a hole up there— that if I could leap would enter that breach of light Someone! Throw me a line! Give me a reason There’s never enough in this life of breathing! Someone! Explain why dreams roll a soul toward the cliffs of day Wakes to ache then stuffs its mouth with necessary same Inhale— button shirt—brush hair Exhale— necessary glance in the mirror (yes, still there) A lifetime! in a shallow instant’s stiff clear water (Yeah— still there) in endless caverns of tired eyes above mouth still trying to say SOMETHING! from ever smaller eternities in the glass-flat empty.... Please! Someone explain! this draw of breath one forcing itself upon another's life of beating — Violence in my chest! Why hearts don’t sleep— and I wind up watching again and again—till I am the ****** ...Morning lies in the mists of a humid ***** who moans and sweats and boils her hips— and I wind up watching!? “Will someone please…!" ...and I wind up watching bedspread, bed sore, death bed till you’re breathing easy when she sits and picks her collapsed bouffant damning the makeup that got crushed in the sheets …Morning Lies-- with no expectancy both tired of knowing... *...The Devil lost his balance in my presence one night* ...tired of knowing— THE WILL! THAT WILL! ...walk away or continue to play I could open this screen! watch the world STEP BACK! SLAP FLAT! as trees and dwellings flush like quail to prop their tottering panic against the blue— You—assume composure... compose assumptions Await my next— Move like a spy
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74
She stands at the window a fine white stream of goodevil trickling down her chin Heaving against the pane heaving against the pain She longs for a killer breeze from the die-hard fan Yellow-eyed seconds slither out the clock hi S S ing in rhythm as they crawl On the table the used core of a once juicy red delicious hourglass figure, cyanide hearts and all She is aware of her nakedness Moon ogles on bleeding silver from stab wounds by dagger branches awaiting a crack in the window through which to enter Tree of Life towers menacingly overhead He walks in AdamAnt intelligent designer suit businessgod attire briefcase in hand brief case in point He knows She knows Time knows Electric Goliath stirs in the depths Ego awakens lifts its rod beckons to waves of children behind it parts the folds of red sea charges head on Rides long and hard hooves pounding the riverbed Ready to pull out on the other side Branches find their crack Enraged Goliath stumbles Ego trips relentless walls close in It goes under in a seizure frothing at the mouth drowning as its children swim Time holds the couple's breath in suffocating grip Tree binds Life to a cell at the center of her flower prison Pane, reflecting pain, reflected Window souls mirror soul's Window Branches regain their higher dwellings Exhumed goliath stirs on a distant shore She stands at the window a fine white stream of goodevil trickling down her shin
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Oct 9, 2018
Oct 9, 2018 at 9:00 AM UTC
Eve at the Window
For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness. Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said. Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said. Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness. The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said. Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said. "There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing." The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show. All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said. "I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said. The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said. "We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide
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Apr 9, 2015
Apr 9, 2015 at 11:13 PM UTC
Sisters on the Runway to host fashion show
For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness. Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said. Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said. Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness. The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said. Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said. "There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing." The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show. All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said. "I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said. The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said. "We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide
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12
Saying “Women of the Night” Might be alright As a description for some girls, They stream eastward Along the bank, Checking for marauders and adjusting curls. Yet courtesans are different; They came as swiftly as they went, Called on by important men. From house and hotel they are borne, In carriages, and in finery worn, For those who have a yen. Yet others still elude one name, Of condemnation or fame. They do not wander at men’s whims. They deliver terms to him or him. And live in dwellings finer still, Until the payer has had his fill. But with the latter does he ever Tire of the source of pleasure? For some the need outlasts his want, And he becomes the supplicant! Then woman’s wit becomes the master, While her body wields a whip. The sinner’s desire speeds still faster, As she the body’s scale does tip.
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Sep 5, 2017
Sep 5, 2017 at 11:49 AM UTC
Courtesans and Stars
one of my neighbours I have not seen all summer due to the amount of growth between our dwellings and that due of course, to our mini monsoon of a summertime its amazing what raining can achieve, just by falling
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Aug 10, 2015
Aug 10, 2015 at 11:02 AM UTC
mini monsoon
XXIX. TO HESTIA (13 lines) (ll. 1-6) Hestia, in the high dwellings of all, both deathless gods and men who walk on earth, you have gained an everlasting abode and highest honour: glorious is your portion and your right. For without you mortals hold no banquet, -- where one does not duly pour sweet wine in offering to Hestia both first and last. (ll. 7-10) (33) And you, slayer of Argus, Son of Zeus and Maia, messenger of the blessed gods, bearer of the golden rod, giver of good, be favourable and help us, you and Hestia, the worshipful and dear. Come and dwell in this glorious house in friendship together; for you two, well knowing the noble actions of men, aid on their wisdom and their strength. (ll. 12-13) Hail, Daughter of Cronos, and you also, Hermes, bearer of the golden rod! Now I will remember you and another song also.
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The Homeric Hymns: 29- To Hestia
Skyscrapers in every nation, Signs of mankind's aspiration, Millions of plebs face starvation, No dwellings for them, deprivation, No, skyscrapers they keep building, How many lilies are they gilding? What else could they be doing?
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Jul 6, 2015
Jul 6, 2015 at 5:57 PM UTC
SUPERSCRAPERS
From the moment I saw you You and that personality I knew independence was your heart song Such noble aspirations Your heart reaches so many, and creates new havens Be courageous, young angel Embrace your forever Fly to the promise Fade not into never Understand that every house was given strings And in the present, and future continue to find those perfect melodies Conquer the many dwellings and expand your business Have your aura linger, and encourage forgiveness
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Jan 5, 2015
Jan 5, 2015 at 11:05 PM UTC
The Willpower of your Heart Song
Can I tell you how seriously I take this poem! _____ Could the sun be     just     a hole up there—     that if I could leap     would enter that breach of light Someone!    Throw me a line!    Give me a reason    There’s never enough    in this life of breathing! Someone!    Explain why dreams roll a soul    toward the cliffs of day    Wakes to ache    then stuffs its mouth    with necessary same    Inhale—    button shirt—brush hair Exhale—    necessary glance in the mirror    (yes, still there)     A lifetime!    in a shallow instant’s stiff clear water    (Yeah— still there)      in endless caverns of tired eyes    above mouth still trying    to say SOMETHING!      from ever smaller eternities    in the glass-flat empty.... Please! Someone explain!    this draw of breath    one forcing itself upon another's    life    of beating —    Violence in my chest! Why hearts don’t sleep— and I wind up watching again and again—till I am the ****** ...Morning lies    in the mists of a humid *****    who moans and sweats    and boils her hips—    and I wind up watching!? “Will someone please…!"    ...and I wind up watching    bedspread, bed sore, death bed    till you’re breathing easy    when she sits and picks    her collapsed bouffant    damning the makeup    that got crushed in the sheets …Morning Lies--    with no expectancy    both tired of knowing...    *...The Devil lost his balance    in my presence one night* ...tired of knowing— THE WILL!   THAT WILL!   ...walk away    or continue to play    I could open this screen!    watch the world STEP BACK!                                  SLAP FLAT!    as trees and dwellings flush like quail    to prop their tottering panic    against the blue— You—assume composure...    compose assumptions    Await my next— Move like a spy 1990 Take careful note:   **Why I don’t play chess or any other game for that matter.**          “...and when you're really out there the windows all have opened onto nothing... Death having long since-- left the scene. When you get really out there it's all-- and nothing…”
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Jul 11, 2018
Jul 11, 2018 at 7:57 PM UTC
Drowning in the Shallows
Can I tell you how seriously I take this poem! _____ Could the sun be     just     a hole up there—     that if I could leap     would enter that breach of light Someone!    Throw me a line!    Give me a reason    There’s never enough    in this life of breathing! Someone!    Explain why dreams roll a soul    toward the cliffs of day    Wakes to ache    then stuffs its mouth    with necessary same    Inhale—    button shirt—brush hair Exhale—    necessary glance in the mirror    (yes, still there)     A lifetime!    in a shallow instant’s stiff clear water    (Yeah— still there)      in endless caverns of tired eyes    above mouth still trying    to say SOMETHING!      from ever smaller eternities    in the glass-flat empty.... Please! Someone explain!    this draw of breath    one forcing itself upon another's    life    of beating —    Violence in my chest! Why hearts don’t sleep— and I wind up watching again and again—till I am the ****** ...Morning lies    in the mists of a humid *****    who moans and sweats    and boils her hips—    and I wind up watching!? “Will someone please…!"    ...and I wind up watching    bedspread, bed sore, death bed    till you’re breathing easy    when she sits and picks    her collapsed bouffant    damning the makeup    that got crushed in the sheets …Morning Lies--    with no expectancy    both tired of knowing...    *...The Devil lost his balance    in my presence one night* ...tired of knowing— THE WILL!   THAT WILL!   ...walk away    or continue to play    I could open this screen!    watch the world STEP BACK!                                  SLAP FLAT!    as trees and dwellings flush like quail    to prop their tottering panic    against the blue— You—assume composure...    compose assumptions    Await my next— Move like a spy 1990 Take careful note:   **Why I don’t play chess or any other game for that matter.**          “...and when you're really out there the windows all have opened onto nothing... Death having long since-- left the scene. When you get really out there it's all-- and nothing…”
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85
Paradise Men falling from the sky using parachutes of peacock plumage hues The professionals plummeting in perfect spirals The novices sheepishly prolonging their gentle, gliding drop The salmon shade adobe dwellings with their thatched, lovely roofs Shelter me in their auspices from an unforgiving star Handmade tiles of authentic design line each steep stone step A covert staircase leading nowhere, we lounge near the pool by day There I observe a couple through a sour tequila haze A scarlet clad native and her sometime American lover Their hands never leave each other’s guilty bodies, sexually charged His absence of wedding ring betrays his intended affair In the distance crushing waves claim territory on the shoreline I underestimate; in a death roll I lose all sense of direction The blushing sky with rosy smile watches over its children A lighthouse by its lonesome guards the cliffs from clumsy ship Locals sell their wares by approaching fair-skinned tourists Necklaces of beads require long hours of work Their labor goes unappreciated, sells for meager dollar Popcorn man blows his lonely, dissonant horn forever Into the deaf night
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Jan 8, 2011
Jan 8, 2011 at 6:17 AM UTC
58. Lighthouse 1/1/11
The dweeb lived in the dwellings of a dwindling tribe of dwarves Who anchored little kayaks at the moorings in the wharves. He organised this transport so that they might go at night Deep into the dark dense woods to visit their Snow White. But the dwarves were very old and weren’t getting any younger And although they really wanted too it couldn’t last much longer. Meanwhile the dweeb would study every minute of the day So studious and serious with little time for play. The daddy of the dwarfs known as Doctor Joe Said to him, “Look dweeb, there’s little left to know.” But still he studied on writing loads of lengthy notes, Which sometimes he would use to make tedious little quotes. Until eventually the dwarves found him annoying and real boring Besides he woke them up at night with his constant snoring. So Doctor Joe hatched a plan with his little tribe It was devious and genius and this I will describe. They knew Snow White was lonely and longing for a man So this is what they had in mind for this dweeb known as Stan. Snow White would lie there in a dwam pretending to be dead And somehow they would lure Stan along to her deathbed. So they told her that he was a Prince, the great love of her heart She of course was up for it, and couldn’t wait to start. Doctor Joe then told the dweeb, that Snow White was no more. He said that he might save her and showed him to the door. On their little kayak they paddled up the river But the dweeb then said to Doctor Joe, “I don’t know what to give her.” The Doctor reassured him that it would be real bliss If only one time in her life she had a loving human kiss. The dweeb replied, “This just won’t work.” So he quoted healing potions. When Doctor Joe rejected these he suggested soothing lotions. None of these the Doctor said were right for their Snow White Only a kiss from a real-man could help her end this plight. So eventually there beside Snow White all the party stood, Outside of the stone cottage deep within the wood. The dwarves should have looked distressed but they were full of glee And so they had to hide their smiles in case the dweeb should see. At long last they’d be rid of him, this boring little nerd Some of them expressed this and they hoped he hadn’t heard. But the dweeb was now distracted by the beauty of this girl He didn’t know if this would work but he’d give it a whirl. He puckered up his lips and planted one before he spoke Then gob-smacked he stood there as Snow White soon awoke. Immediately when their eyes met he knew that it was right Likewise she felt this too, it was real love at first sight. So you see that all of this now ended happy ever after. Doctor Joe and all the dwarves left in bursts of laughter.
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Dec 7, 2009
Dec 7, 2009 at 11:16 AM UTC
The Truth about Snow White
The dweeb lived in the dwellings of a dwindling tribe of dwarves Who anchored little kayaks at the moorings in the wharves. He organised this transport so that they might go at night Deep into the dark dense woods to visit their Snow White. But the dwarves were very old and weren’t getting any younger And although they really wanted too it couldn’t last much longer. Meanwhile the dweeb would study every minute of the day So studious and serious with little time for play. The daddy of the dwarfs known as Doctor Joe Said to him, “Look dweeb, there’s little left to know.” But still he studied on writing loads of lengthy notes, Which sometimes he would use to make tedious little quotes. Until eventually the dwarves found him annoying and real boring Besides he woke them up at night with his constant snoring. So Doctor Joe hatched a plan with his little tribe It was devious and genius and this I will describe. They knew Snow White was lonely and longing for a man So this is what they had in mind for this dweeb known as Stan. Snow White would lie there in a dwam pretending to be dead And somehow they would lure Stan along to her deathbed. So they told her that he was a Prince, the great love of her heart She of course was up for it, and couldn’t wait to start. Doctor Joe then told the dweeb, that Snow White was no more. He said that he might save her and showed him to the door. On their little kayak they paddled up the river But the dweeb then said to Doctor Joe, “I don’t know what to give her.” The Doctor reassured him that it would be real bliss If only one time in her life she had a loving human kiss. The dweeb replied, “This just won’t work.” So he quoted healing potions. When Doctor Joe rejected these he suggested soothing lotions. None of these the Doctor said were right for their Snow White Only a kiss from a real-man could help her end this plight. So eventually there beside Snow White all the party stood, Outside of the stone cottage deep within the wood. The dwarves should have looked distressed but they were full of glee And so they had to hide their smiles in case the dweeb should see. At long last they’d be rid of him, this boring little nerd Some of them expressed this and they hoped he hadn’t heard. But the dweeb was now distracted by the beauty of this girl He didn’t know if this would work but he’d give it a whirl. He puckered up his lips and planted one before he spoke Then gob-smacked he stood there as Snow White soon awoke. Immediately when their eyes met he knew that it was right Likewise she felt this too, it was real love at first sight. So you see that all of this now ended happy ever after. Doctor Joe and all the dwarves left in bursts of laughter.
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46
The truth behind my absence might scare a few People will turn a blind eye, because I am not part of their crew I sit alone in a teeming room Look up, you won’t find me there, I left to soon My silent dwellings concaved, keep me sane The noise within these walls, prevent the pain As they stroll by me everyday I hear them say... "The light is too bright For someone with poor eyesight Dim it For he will give you a fright!" Spread the love, Stop the hurt I am different Introvert.
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May 7, 2015
May 7, 2015 at 4:46 PM UTC
Different
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
0
Feb 23, 2017
Feb 23, 2017 at 9:37 PM UTC
Lindísima
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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3
Is this the place where garland grows, Among the olive branches low? Splattered, cindered, clay abode, Am I so alien? Encircled those, in khaki drab; Paying homage to the bags; Which hold remains of brave, young lads; Will I feel again? Surrounded, chains of un-lit lights, Which only shine in day, not nights; Illumination betrays the plights, Should we become aglow. A tree of polypropylene, Adorns the tower, so serene; A branch of steel hid in-between, That only gunner knows. The air of diesel, not of Myrrh, As pre-fab dwellings start to stir, Indifferent as they observe, Fading of the Star. A failed attempt at lone ‘SandMan’ Adorned with boots, bayonet in hand, Iraqi winds displace his stand, Re-formed in Kandahar. T’was yesterday, on Christmas Eve; A day ahead of promised leave, When Paul, Eric, Mark and Steve, Took leisurely patrol. In Tikrit, where he was born, Some sixty years before this ‘Storm’, They’d set-out on this early morn. Assessing evening’s toll. Among the buildings, scattered ruins; Charred men, like shadows, on the dunes; From temples soar cremated plumes; One hour had gone by. In the distance, beyond the spire, Come ‘reports’ of skirmish fire, Incessant screaming of the dire; Then screams dissolve to cries. Approach, inside a city square, Where once a fountain teemed, right there, Smoldering flesh, low burning hair; A family splayed together. Rank and putrid pieces strewn, Mother’s face, shrapnel-hewn; Attending Allah far too soon-- All their hands were tethered. Domestic dogs, now on their own, Fight for human flesh and bone; Such holy image sets the tone, As chorus strikes ‘Jihad’. Eric stumbles, exploded knee, Bearing witness to comrades, three, Souls reclaimed near instantly; Christmas in Baghdad. Is this the place where garland grows; Among the olive branches low? How I miss New England snow, This Christmas in Baghdad.
0
Nov 16, 2010
Nov 16, 2010 at 12:36 PM UTC
Christmas in Baghdad
Is this the place where garland grows, Among the olive branches low? Splattered, cindered, clay abode, Am I so alien? Encircled those, in khaki drab; Paying homage to the bags; Which hold remains of brave, young lads; Will I feel again? Surrounded, chains of un-lit lights, Which only shine in day, not nights; Illumination betrays the plights, Should we become aglow. A tree of polypropylene, Adorns the tower, so serene; A branch of steel hid in-between, That only gunner knows. The air of diesel, not of Myrrh, As pre-fab dwellings start to stir, Indifferent as they observe, Fading of the Star. A failed attempt at lone ‘SandMan’ Adorned with boots, bayonet in hand, Iraqi winds displace his stand, Re-formed in Kandahar. T’was yesterday, on Christmas Eve; A day ahead of promised leave, When Paul, Eric, Mark and Steve, Took leisurely patrol. In Tikrit, where he was born, Some sixty years before this ‘Storm’, They’d set-out on this early morn. Assessing evening’s toll. Among the buildings, scattered ruins; Charred men, like shadows, on the dunes; From temples soar cremated plumes; One hour had gone by. In the distance, beyond the spire, Come ‘reports’ of skirmish fire, Incessant screaming of the dire; Then screams dissolve to cries. Approach, inside a city square, Where once a fountain teemed, right there, Smoldering flesh, low burning hair; A family splayed together. Rank and putrid pieces strewn, Mother’s face, shrapnel-hewn; Attending Allah far too soon-- All their hands were tethered. Domestic dogs, now on their own, Fight for human flesh and bone; Such holy image sets the tone, As chorus strikes ‘Jihad’. Eric stumbles, exploded knee, Bearing witness to comrades, three, Souls reclaimed near instantly; Christmas in Baghdad. Is this the place where garland grows; Among the olive branches low? How I miss New England snow, This Christmas in Baghdad.
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60
*Aurora's resplendence aloft Setting irises aglow Ashen hazel Erupting into stardust Mirror of the soul drenched In tenderness Capturing the essence of perfection Eyes like Jerusalem Sublime in your bones You bleed halcyon Suffusing the bare with pigment Transfixed in your delicate gaze Fading in the kaleidoscope Of your halo, anchored A conduit replaying an echo Of transient inhaled solace A rapturous smile Breaths life into corrupted lungs Filling the darkest of dwellings As though to lasso the moon To present it at my feet*
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Mar 11, 2016
Mar 11, 2016 at 3:42 PM UTC
Jerusalem
Other worlds have hopes, for plants, for trees and dogs walking by, panting soaking in humidity like carp above water. Not ours. Dead ends, parked cars supplanting serenity with passion, desire crammed into row upon row of heartless dwellings expunging sunglass-wearing **** suckers blocking their emptiness from the world with reverse blindfolds. I know their eyes still glare at me, scoffing at them. Walking, I walk past their barricaded kennels, under- construction housing impersonating natural climes with sushi and slushy shops. People like them have admiss- able drives, hankering after freedom; they're indoctrinated to believe admission is monthly cable bills wired in beneath concrete slabs maintained compliance through lines painted on grass where overlords can tell livestock what to do. Bus chutes form hillsides, beside lines of trees which perfume these feedlots we call cities. **** oozes below streets walked on, they stared at me like cows, watching a ranch-hand suspicion toward anything beyond bistro fences. "What the **** are you looking at, you filthy animal? Have you no idea which species your greed feeds? Do you know where this ends for you? Who's tazing your *** who's making you sit there?" Moo, mooo. Mooooooooooooooooooo. Receipts, a cudgel on each table, more cudgels ring from pockets telling them what time it is, where they're to be. Sunday's almost over, back to blocks of houses! Graze on painted grass, then die, but not before you stare at me with empty eyes, you pathetic, miserable creatures.
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Jun 3, 2012
Jun 3, 2012 at 10:11 PM UTC
Painted Grass
Other worlds have hopes, for plants, for trees and dogs walking by, panting soaking in humidity like carp above water. Not ours. Dead ends, parked cars supplanting serenity with passion, desire crammed into row upon row of heartless dwellings expunging sunglass-wearing **** suckers blocking their emptiness from the world with reverse blindfolds. I know their eyes still glare at me, scoffing at them. Walking, I walk past their barricaded kennels, under- construction housing impersonating natural climes with sushi and slushy shops. People like them have admiss- able drives, hankering after freedom; they're indoctrinated to believe admission is monthly cable bills wired in beneath concrete slabs maintained compliance through lines painted on grass where overlords can tell livestock what to do. Bus chutes form hillsides, beside lines of trees which perfume these feedlots we call cities. **** oozes below streets walked on, they stared at me like cows, watching a ranch-hand suspicion toward anything beyond bistro fences. "What the **** are you looking at, you filthy animal? Have you no idea which species your greed feeds? Do you know where this ends for you? Who's tazing your *** who's making you sit there?" Moo, mooo. Mooooooooooooooooooo. Receipts, a cudgel on each table, more cudgels ring from pockets telling them what time it is, where they're to be. Sunday's almost over, back to blocks of houses! Graze on painted grass, then die, but not before you stare at me with empty eyes, you pathetic, miserable creatures.
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65
I hold my cards close to my chest on this night that is oh so close. No fan to blow air into my face, not that it would matter anyway. The air would just remind me that it is hot this summer night. I am drinking beers while the fruit flies are sharing with me. No sense in picking them out of the cup.. more will arrive. The woman who lives upstairs, how can she ride her bike, on such a summer night. I hear her, it's the sound of rowing, a creak-creak-creak. 88 Willow, the building with eight dwellings. Through the open window I hear a dog barking, maybe two, three blocks away. This building that I live in, where the walls are so thin you know that they have ears. Have ears to hear. Creak-creak-creak.. the woman is rowing, her rowing machine rows out into a great big sea of imagination, where there is every kind of sea creature that you can conjure up in your mind. And her boyfriend, a fine painter and sculpture. He wants to do the cover of my next book.. And I think, like that's ever going to happen. My good friend was over tonight, he told me a story about how he proposed to his 'maritime' woman. She cried and she cried after she saw the ring, not because it was so small, but because she was beside herself in joyful delight. I envy what it is they have, but what they have requires work, hard work. They have one tried and true partnership. We talked about reaching out to extended family, as well as brothers and sisters in blood. Me, of my own, my father is turning eighty. Eight decades and I know him not. He fought in the Korean War and I've yet to ask him about it. Not once in my life time has he even smelled the wartime memories that I am sure waft up on occasion. Now back to 88 Willow. There is a drunkard living in a basement apartment. His legs are going from wet brain. He only calls me when he is drunk. He has two drinks and he starts fumbling worse than a line backer intercepting a foreword lateral pass. I don't want to move, though I know I have to, to keep on keeping on, I've got to move, I have to move. © 2013
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Dec 26, 2012
Dec 26, 2012 at 10:37 PM UTC
QuestionmarK
I hold my cards close to my chest on this night that is oh so close. No fan to blow air into my face, not that it would matter anyway. The air would just remind me that it is hot this summer night. I am drinking beers while the fruit flies are sharing with me. No sense in picking them out of the cup.. more will arrive. The woman who lives upstairs, how can she ride her bike, on such a summer night. I hear her, it's the sound of rowing, a creak-creak-creak. 88 Willow, the building with eight dwellings. Through the open window I hear a dog barking, maybe two, three blocks away. This building that I live in, where the walls are so thin you know that they have ears. Have ears to hear. Creak-creak-creak.. the woman is rowing, her rowing machine rows out into a great big sea of imagination, where there is every kind of sea creature that you can conjure up in your mind. And her boyfriend, a fine painter and sculpture. He wants to do the cover of my next book.. And I think, like that's ever going to happen. My good friend was over tonight, he told me a story about how he proposed to his 'maritime' woman. She cried and she cried after she saw the ring, not because it was so small, but because she was beside herself in joyful delight. I envy what it is they have, but what they have requires work, hard work. They have one tried and true partnership. We talked about reaching out to extended family, as well as brothers and sisters in blood. Me, of my own, my father is turning eighty. Eight decades and I know him not. He fought in the Korean War and I've yet to ask him about it. Not once in my life time has he even smelled the wartime memories that I am sure waft up on occasion. Now back to 88 Willow. There is a drunkard living in a basement apartment. His legs are going from wet brain. He only calls me when he is drunk. He has two drinks and he starts fumbling worse than a line backer intercepting a foreword lateral pass. I don't want to move, though I know I have to, to keep on keeping on, I've got to move, I have to move. © 2013
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105
A while ago, I turned a table around I stabbed a fork into its crooked leg, And stood up for all the mice. And, ever since then – Everytime I walk into a room all the carrots would disappear It’s like being in a bubble of tyres burning And you’re trying not to scream And you won’t be able to scream Because you’re slowly suffocating under all the toxins. One day I decided that I liked the rabbits more than the figs And figs never smiled back at me. And that was alright, because every fig I’ve met since then Has had its heart rotten. And who likes rotten figs? I’ve had a mouthful of you, and your sister just last night And, I think I’m not into the aftertaste Of your plastic life. I know that my memory's shortcomings are directly proportionate to all the colorful vitamins you've been shoving up my retina. But, I think I just vomited half a stiletto That’s been stabbing the inner cavities of my chest. And, let me tell you – you’re a fool for not realizing That I can’t help but hold your hands And guide your never ending dwellings to the grave.
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Oct 6, 2012
Oct 6, 2012 at 2:42 PM UTC
Chronicles of a Vegetarian
"How beautiful are your tents, O Jacob, Your dwelling places, O Israel!" Thy children gather, telescoping generations, O Jacob, what do thine eyes ascertain. what history do they memorize? Coalescing younger star clusters, disparate related families uniting, embedding as a single unity, a star cloud, shedding a new light, the astronomers awed, witnesses, a super-star cluster birthed. The beauty of thy tents, thy wealth, O Jacob, is their multiplicity, their construct and content. The web of thy tissue, bindings, linkages, what resides within thy tents, acknowledge, testify, that the strength of thy issue, are the Matriarchs, managers of thy destiny, mothers of thy dynasty, The Sarah's, Leah's, the Rachel's, the Fay's, the Ginger's, the Miriam's these jewels bedeck, beautify, brides and bridles of thy tents, master mistresses of thy dwellings, without them, O Jacob, you, but, just, another desert tribe.
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Sep 14, 2013
Sep 14, 2013 at 3:16 PM UTC
How beautiful are your tents, O Jacob, Your dwelling places, O Israel!
Twisted tales come surging From a mind writhing and purging In an oft fomented urging For expressions, pure and raw That fight repressions, lure and claw Their way up to the surface To effect a sense of purpose But it's really all just worthless. . . That's, unless you think it's not! But if you don't: Your brain might rot! Your skin might bubble, blood might clot Leaving you heaving bile and snot Or maybe phlegm and sputum So your mental stores, you loot 'em Load these rhymes up and you shoot 'em Into repressed regression's mains Into depressed suppression's veins Until they sing a glad refrain Of being decoagulated Platelets become agitated Now the blood is circulated And the brain that hibernated Has awakened from its slumber Now it ponderously lumbers With intentions unencumbered Gotta do it by the numbers So, them synapses start firin' Them cortices start wirin' And belly full of fire sings Of jelly beans and tire swings Of silly schemes and flyer wings On foul mouthed little parrot, Owners ***** laundry, airs it Polly want a ******* Just a snack sir? But old Polly sez: **** me harder, Álvarez!"* Look aghast, her husband Ted: *"Oh hell no ***** 'cause that's the bed that both we AND our children sleep in! you've got Latin Lovers creepin'?"* She vacates the bedroom weepin' Well . . . that took a drastic turn To dwellings where disasters churn So silly, will we ever learn Or for mere want of learning, yearn? (Tom, to himself: Go eat food. . . .) (Tom, back to himself: Good idea!) I think he left, but I'm still near As tattered, scattered writing, dear! So, read me well and read me clear, And bring some friends to visit here!
0
Jul 28, 2019
Jul 28, 2019 at 1:03 PM UTC
LSDNA (lysergic acid diethyloxyribonucleicamide)
Twisted tales come surging From a mind writhing and purging In an oft fomented urging For expressions, pure and raw That fight repressions, lure and claw Their way up to the surface To effect a sense of purpose But it's really all just worthless. . . That's, unless you think it's not! But if you don't: Your brain might rot! Your skin might bubble, blood might clot Leaving you heaving bile and snot Or maybe phlegm and sputum So your mental stores, you loot 'em Load these rhymes up and you shoot 'em Into repressed regression's mains Into depressed suppression's veins Until they sing a glad refrain Of being decoagulated Platelets become agitated Now the blood is circulated And the brain that hibernated Has awakened from its slumber Now it ponderously lumbers With intentions unencumbered Gotta do it by the numbers So, them synapses start firin' Them cortices start wirin' And belly full of fire sings Of jelly beans and tire swings Of silly schemes and flyer wings On foul mouthed little parrot, Owners ***** laundry, airs it Polly want a ******* Just a snack sir? But old Polly sez: **** me harder, Álvarez!"* Look aghast, her husband Ted: *"Oh hell no ***** 'cause that's the bed that both we AND our children sleep in! you've got Latin Lovers creepin'?"* She vacates the bedroom weepin' Well . . . that took a drastic turn To dwellings where disasters churn So silly, will we ever learn Or for mere want of learning, yearn? (Tom, to himself: Go eat food. . . .) (Tom, back to himself: Good idea!) I think he left, but I'm still near As tattered, scattered writing, dear! So, read me well and read me clear, And bring some friends to visit here!
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52
Come to me with all that you are Leaving nothing behind Make no attempt to conceal a scar Nor wound of body or mind Bring all your lifelong memories Whether fragments or complete Your daydreams and your reveries Your tales, your songs, your grief Let old dwellings be deserted Pack each and every thought Allow no baggage to be diverted Every aspect to be brought Load up your darkness and your light Make parcels of all you know Wrap strength and weakness, wrong and right Prepare them all to go Make ready your heart for travel Include chips and pieces scattered Edges beginning to unravel Even dust, from when it shattered Be sure no detail is forsaken Have no token to give in lieu Delivery will be signed and taken With all the love I bear for you
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Aug 27, 2018
Aug 27, 2018 at 9:32 PM UTC
Love Unexpurgated
you flutter, but you're still in every aspect of this creviced existence. it may be best to act as decoration in a decorative world, the prettiest are always happiest, the ones who feel exalt or cry in creation will even- tually turn numb, or ice-cubes for pink margaritas, or reproductions on cascade walls of white-picket dwellings in a trajectory of white and beige houses like a ***** line of ******* pain is temporary. numbness is forever when it shoots for the brain and not the stars, when overcast skies become the reason for inner-living and streets are scary and trees are mere necessity for your breaths to filter, for your chest to flutter as it does, as it so surely and unabashedly does. you flutter, but you're as still as decoration.
0
Aug 23, 2012
Aug 23, 2012 at 3:21 PM UTC
the artist woes