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tree essence Jul 2016
Two cakes
Both on my behalf
Carrot cake with a twist of lemon
Crunchie cheese cake
Complementary flavors
What a blend on the tastebuds
A birthday surprise
YUM YUM
Micheal Wolf Apr 2013
A designer ******
A nip and a tuck
A trim of the curtains
A tightening up
A complementary adjustment
A tidying of bits
Matches the uplift
You had on your ****
So 6 months it took
To create the perfect ******
Only to find he's left you tonight
Watched a documentary were and I quote "I had my saddle bags lightened and my tints re aligned" only for her husband to leave her.
Frisk Dec 2014
it's strange how our colors changed
from analogous to complementary

- kra
When a Compliment is genuine,
it can do more harm than good;
it can be fuel to the Fire of Ego
or it can be a humbling affirmation
of one's practice and discipline.

So, please, if you get a Compliment,
do not take it as an Ego trip
and likewise do not ignore it;
for someone has gone out of their way
to share their impression of you with you,
which, for some of us,
can be rather difficult sometimes.

The same applies to Critique;
someone has cared enough
to bring a thing to your attention
that you may improve it,
sometimes people criticize
lashing out from their Shadow,
but heed them not,
for they are lost.
Tim Knight Jan 2013
What did you do to your hair?

It is not fashion or regarded as a
good sight, for sightseers whom fight
for the best sight to see.

Nor is it complementary to your main meal face,
no condiment would ever accompany you,
let alone a boy in a start of the month, moon-a-new,
relationship-race.

It is not natural, nor be it an attempt to
blend into your surroundings at large,
as a red and blue fringe
will never be camouflage.

So, what did you do to your hair?
coffeeshoppoems.com
Lindsey Cira Jan 2013
Our dreams do not mix well
mixing purple and green only
makes brown.

The painting would be dull.
Over time our dreams may
change colors

Evolving to red and yellow
to glow orange and never fade.

Experiences will provide vibrancy
in our lives. Situations  have the
ability to bring us back together.

Until then my love will whisper
so my screams will not keep you
from pursuing your dreams.
Cecilia Rose Jul 2011
You were born the sun
I was born the moon
You taught me to smile
And I taught you to cry
Nat Lipstadt Aug 2016
quite recently, I received an extraordinary complimentary message to one of my poems, from a comrade in arms, dare I call him friend, that cored, scored me.  I post it below.  Not from braggadocio, or vanity, venal poetry sins.  But, it could not stand orphaned,
unrequited and unreciprocated,
for that would be a sin of even greater magnitude,

ingratitude

<>

this poem begins unique,
am struggling with a problem previously
unknown, never before even
close encountered

how do I commence?

poet wonders repeatedly,
a tune on the not-so-natty brain,
set on the machine's "repeat"setting,
this problematical for de minimus - 25 hour day,
this scribbler, this constant nibbler
on the Graham crackers life bestows,
befuddled muddled
for

this is never an issue,
it's the windup, the shutdown,
knowing when enough is enough,
that is the sorest point of his
elongated, can't shut up skill set

it cannot stand, it cannot just hang,
it needs a rabbinical wise,
responsible responsum,
a simple
thank you
holy, holy, holy
insufficient

these words, an almost wet smackdown,
catch me exposed, crossing Sixth Avenue,
against oncoming traffic (naturally),
while on cell phone bad boy,
doing his three R's,#
reading, writing & errrrr, deleting,
(yeah, yeah, I know, I know)
amidst my multiplicity of incoming artillery shells of
automobiles and messages,
this one,
seizing me up, me like a screeching,
near dying engine, broke from being oil-less,
nearly dropping my two large
20 oz. McDonald's coffees which easy
could flood this four lane
thoroughfare

you want to write like this,
are you mad, man?

all I ever es-say is what I see,
throwing in a rhyme or two,
a pinch of a fancy word to impress the
hoi polloi, and plenty salty sweet
to provocate a sensory ah ha
confusion

sir, why write like me,
when you pen this?

"yet all of this could
just as easily be,
the sum of two,
grateful hearts in equal parts,
the beat of two in rhythm thrum,
march in time upon one drum"
^

which pretty much says
what needs saying
all in one perfect stanza humming

but this note, is so far,
way deficient,
a mockery of what the situation requires and is deserving,
so multiple lovely muses redirect me
back to my email,
where I find this waiting,
in repose, this prose,
perfect

A compliment is a complement—
this I know, just as the clock
will always strike midnight
and history repeats. This is how
I can wake up the next morning
and love the world again.
^^

blossoming notion, this is but a complement,
where the line dotted allows free passage
from reader to poet, from poet to poet,
permitting the peaking reciprocity of completion,
and this complement
I accept, unashamedly, profoundly
for this is my 1/1,
for to make a whole, we still require
numerator, denominator,
of equal value

on this basis,
and this basis alone,
I accept your words

when prowling scowling late at night,
or early sun rising, old bones enthroned
in my Adirondack dis-comforter,
will come a-sneaking, a-peaking,
nobody-around-real quiet like,
for another look-see at this kookery,
in my solitary poet's by-the-bay nookery,

the thought comes,
maybe it's time to lay that pen down,
the Israelites have crossed that Red Sea,
dry and on their way to a land of promises,
when sure enough my coffee mug
spills onto an ant hill hard by the beach,
and oops, soiling the soil,
the Lesser Antillean inhabitants making an unholy ruckus,
and oops, ther goes another rubber plant, high hopes, poem aborning,^^^

but sir, be advised,
your excess foolishness is warming,
but we cannot without each other,
march to one drum,
our steps surely mismatched,
it is the reciprocity of
complementary numerical worthies that unites the fractions of us
into a singletary winter pea,
a whole of us,
in order to
"let us love the world again"
yes, a true 'story'
<>
#reading, writing and 'rithmetic
-----------
"some time back
this notion became clear to me.
have wanted to say it since;
this, your words, the perfect segue.

i have come to love
the style of your writing,
so much so as to adopt it,
as my own, though perhaps
in my own tone, voice, and
life experience.

much of how i write today,
I attribute to your influence...
no kidding, no hyperbole,
no gush, no mush, just truth.

whomever taught or influenced you
is to be admired most,
for in the style
i see most encapsulated by yours
is a conveyance that goes
well beyond words,
well beyond mere ideas...
it incorporates heart and emotion,
and more so,
the heart behind the heart,
in a way rather uncommon
to most poetry."^

S. Reimer
"After-math"
<>
^^ "On Being Told I Look Like FLOTUS, New Year’s Eve Party 2014"
by January Gill O’Neil

<>

^^^ https://www.youtube.com/watch?v=S94Bh3Qez9o
Elizabeth P Apr 2015
You are a country boy
I am a city gal
You like country music
I adore rock n' roll
You are hot headed
I am patient
You are chill
I am emotional
You are creative
I am just smart
You are athletic
I am not

You'd never think we'd get along so well
But you complement me
Every bit of you keeps me coming back for more
That's undeniable
I can't be bored when I'm around you
You are the air in my fire
I heat you up, you keep me going
Yes, I like this very much.
Maybe I'll keep you around ;)
In death's dream kingdom
           These do not appear:



                     I

They're handing out maroon balloons
And saying they are free
But grasping children grip them fast
And the monks amidst them disagree
Dispassionately, but en masse
While they liberate the children
With obliterating oms.

A nearby Byron expiates
And mildly reiterates
The soporific broken ode
He bellows over holy oms
To the smitten women who approach
That "a rose is a rose is a rose is a rose"
Dispensing with disinterest
Crimson bliss amidst the women
Who ignore the sinful image he bestows.

He hands them out like red balloons
To grasping girls all afternoon
Imploring them to trust their nose
Insisting they are free
And so continues to propose
To the smitten women in the street
That "a rose is a rose is a rose is a rose"
As if the word could smell as sweet
As the perennials he grows.

And in the corner – Romeo
Who greenly mourning understands
The worth of poison in his hands
Imagining a life of night
Where roses wither without light
And only stars through windows break
Through all the countless nights of fate
and every breath's an endless wake...

Meanwhile Byron's distant yells
Prevail over the choral swell
And plant a seed in grasping ears:
Salvation can be engineered!
Which Romeo soon understands
As kissing death, he takes her hand
Thoughts germinating into schemes
If a rose is a rose is a rose is a rose
...then a dream is a dream is a dream.


                     II

A griffin, a hippogriff, and a wyvern
Admitting me and
Gripping crimson
Dripping strings
So none of them will fly away.

Inside, Cain is killing Abel  
(How few! yet how they creep)
killing Abel
(Through my fingers to the deep)
killing Abel
(While I weep — while I weep!)
killing Abel.
(O God! Can I not grasp)
It is the first story:
(Them with a tighter clasp?)
A samsara of carnage and drama.

Somewhere above
On a city street
Desire's handing out balloons
He clips their thorns
And trims them neat
He says they're free
And just as sweet
As the women he impugnes
He belies his guidance on repeat:
That love is the light is the sun is the moon.

A widower laments and moves the world
That has such people in it:
A snake, a guard, a god, a dog
A wife by no other name
A faltering of faith, a peek
A pillar of salt, a severed head
Adrift on a river
Singing:

I'd transcend five hundred miles
And I'd transcend five hundred more
Just to be the man who transcends trials
Sprawled out on your floor

(Thy drugs are quick.)
Searching for a souvenir
To prove to you our world was here


Isaac, bound, blank and free
Bleating, looking for meaning
(All that we see or seem)
In his father's violent eye,
And finding it.
(Thus with a kiss I die.)
Abraham swings his knife.
A son is a sin is a ram is a rose.

A man pushes the sun up a large hill
(LET THERE BE LIGHT)
Every day, and then it rolls down again
And then an eagle eats his liver.
(I am the resurrection and the life.)
One must imagine Prometheus happy
The alternative is dark

The moon, by any other name, would—
But do not swear by the moon!
For she changes constantly
(Then said Jesus unto them plainly:
Lazarus is dead.)

Everything changes
But nothing is truly lost.

(at times
the fact of her absence
will hit you like a blow to the chest
and you will weep.
but this will happen less and less
as time goes on.
she is dead.
you are alive.
so live.
)

A man pushes the sun up a large hill
A day is a year is a life is a death.

One must imagine Orpheus happy.


                     III

In dreams, the sun resumes her loving glow
I'm reunited with my silhouette
I glue myself with soap to my shadow
And find myself beside my Juliet

No longer a balloon without a hand
I'm rooted to the earth where she grips me
With purpose guiding us through life's demands
I push my boulders uphill happily

I build a world with Juliet my wife
Where roses are all roses and smell sweet
We live a loving happy magic life
Together til our journey is complete.

[Enter, at the other end of the churchyard,
FRIAR LAURENCE, with a lantern, crow, and *****.
]

In union Eve and Adam are redeemed,
Not in a rose but in a living dream.
Can a rose be just a rose?
Ubuntu says that a person cannot be just a person.
Romeo grieves for the light of his sun, Juliet,
and chooses to live a life with her in a dream
as the poison kills him.
Et cetera Mar 2014
Whoosh goes the sound of wind
Pitter patter for the rain
Chitter chatter go the words
And blank goes silence.

Crack goes the gun, boom goes the bomb
Chaos of war and mayhem for lives
But there, two doves chirping concord
The sound of peace - after war.

The bubbly sound of bliss
The silent trip of tears
The wailing noise of mental war
The depressing silence of misery.

Look how they complement each other
The light balances the dark
The dark gives way to light
Same goes for everything.

They’re companions, they hold hands
With one comes the other
With the other comes the one
And life happens when they embrace.
Written on 23rd January 2014.
Sarina Mar 2013
Love on my toes, love in the cabinet, love jumps off balconies
it is an eighteen year old succubus offering spinal taps.
Bring the gentlemen their evening numbness before next
morning’s nightmare and ******* are scheduled on God’s map –
he just steps out for a moment, settles his sleeping mask on.

God is so unhappy: he understands nothing of love.
Get this recipe recited so we shall feed them pink and blue pills
which knobs can sting boys in the ***, a fleabite or bow
soon our leather heels chime through their ears like hooves.

The master may question their nutrition so hold out a paper cup
sloshing in female nectar, our vaguely cerise saliva
sustenance that comes from between slits carved for such –
these acids are love, love, love. Love from cavities, love pearls
knotted in the roots of a mother clam, fallopian love tubes.

Every shoebox offers warmth, complementary wakeup calls
a petite blonde to peel him out of his pajamas, too –
lay your husbands down into the doll-case if he has no love
as God is not watching here. Oh, how happy our gentlemen are.
Cole Morrissey Apr 2013
allocation of supreme alliteration illustrates perpetual contemplation and concentration that dictates a maligned mastication of federal incarceration of elongated complementary probation leaving you cuffed and based on baseless accusations conducted in aboriginal abbreviations masked task force concluding a course of brevity conducted in coordination then coordinating and copulating condemnation for a homeostasis of thought bought scolded eroded and shot inefficacy perpetrating cultural holocaust irrelevance somersaults galactic static of mathematical bombastic smack addict glued shut in a craft attic floral resurrection gartered section of ****** selection she moves fluid through unaltered perfection of cosmic bypass past the point of extemporaneous infinitude reciprocating fortitude of sinews congregating fabricating visuals of vitality soldering axonal membranes on the cerebellum and cortex simulation of sensual vortex demented fusion more blessed  I am that which stands to understand the incomprehensible unconsidered options of racial conflicts the screaming round of unaltered copper fiber severing life from the living only now can we debunk the years
"...Motus autem veros ex eorum causis, effectibus & apparentibus differentijs colligere, & contra, ex motibus seu veris seu apparentibus, eorum causas & effectus, docebitur fusius in sequentibus..."
D. Isaaci Newtoni.

There will be a sequence of unexpected statements.  We understood, that this was said which likened the beginning to the continuation.  It was the orchard from which delicious fruits displayed their love for the taste of them, the meanings.  Seeds were harvested through the dimly perceived writings of ancient scholars.

{ [ c exp tan r ( x ) d w d r ] / ( d x ) }
= { [ ( k , h ) tau int g ( r ) d w d t ] / ( d f d v ) } .

Visited in the course of evolution, all realized the implication, that seasons would arrive from which the meeting of machines would be complementary like the force of a sports team.  The objects gathering into droplets included the growth of sunlight transforming ashes; yet the dictionary is not to change.
cassie sky Jan 2013
Sing me a lullaby
Put these thoughts to rest
With the best high
The warmth in your chest
I knew you before
But not like this
Did I open a new door?
What did I miss?

I've seen another galaxy
It's just for you and me

It could not have happened
If this were another day
Wouldn't, couldn't, but did
Work out this strange way
It was perfect, you see

Led down the same path
We stumbled blindly into each other
Our galaxy was born, alas
Calm, crazy, hot and happy
How could just one night
Make me feel so right?
Ah, tread swiftly, softly
For our galaxy is just that:
Ours.
And they will not understand
They will pull back their hands
And curl them into fists
Or damage their wrists

We are their light
They are our shadows
Crouching tiger, hidden dragon
We lie awake til’ our sun shines on

The curtain will draw once more
Never to be closed again
And sun will pour over our bodies
Like an orange being squeezed
Fresh from the trees
It will weaken our knees

It will engulf us instantaneously
And we will be swallowed
By the humbled body of serenity
Left lounging on cloud mounds
Left with each others'
Complementary company
You are my most beautiful muse <3
tomsout001 Mar 2013
"Decision Points" is already atop Amazon's bestseller list. Number two is "Diary of a Wimpy Kid: The Ugly Truth," by Jeff Kinney. If you think we're going to mine that for cheap humor, you're wrong - anyone with pre-teen children knows that Mr.  So many "self-help" books preach, ramble, and simply leave us with a sense of having wasted our time. For men, books of similar titles are simply read as penance for having failed to mow the www.facebook.com toms shoes outlet lawn before the game was over and the rain came. Often they are simply dog-eared to give our partners the impression that we are indeed trying.

To figure out how many things you can plug into an outlet before it will catch fire, first we need to get to the heart of how electricity works. At any given moment, the average American house has 120 volts of electricity flowing though it. Somewhere in your house, you'll find a wall-mounted box, toms outlet store containing either circuit breakers or fuses (found in older homes)..

A bespoke suit is an absolute must. Bespoke, of course means made for you specifically and that means that you have to say exactly what you want the tailor to make. If it an existing style then it is in fact a custom suit. We may view in a big way as well. Let get an insight into behaviour of Georgia in foreign affairs (Georgia is a country in the Caucasus region of Eurasia. Situated at the juncture of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia ?note of translator).

The Beggar does not think like an ordinary man. The point is in absolutely other scheme of thinking that differs from mind of decent people. Resemblance between common worker and the Beggar is outward only, in other words it is biological, because both of them are human beings.

By the early 1970s INTERCO's apparel and general merchandise subsidiaries were generating approximately 56 percent of sales and 47 percent of profit. The apparel manufacturing group consisted of 11 apparel companies, with 62 manufacturing plants and 13 distribution centers. The general retail merchandising group operated 856--owned or leased--retail locations in 29 states.

Every fashionable guy knows how to pull off a suit in casual situations. Those post-work cocktails and early evening jaunts to the mall are child's play if you have a navy suit to throw on. The color that's just a wee bit lighter than black helps keep the suit itself from looking too sombre and businesslike..

"We are very excited to introduce Disney Store to outlet customers, who are extremely brand-conscious and passionate about shopping," said Mario Ciampi, president of Disney Store. "Our outlet stores will offer a magical, Disney-themed (babyandyUSA-March-11) retail environment complementary to our mall-based Disney Stores. Given the power of the Disney brand and The Children's Place experience in this channel, we believe the outlet venue will be an effective way to grow the business.".

Or you can choose for the like tweed, corduroy, or houndstooth. And now, Toms even makes wet-weather ready botas, which have a fleece collar and lining and a treated coating to protect her feet from the winter weather. Whatever her style or the weather conditions in which she lives, you will be able to find her something from Toms..  2013-03-15.
Third Eye Candy Oct 2012
fed the birds.
fed the birds a
book about
my dead  
weight.
fed the
birds a heavy.
fed them from
my thin
hands. The words
that live.
The birds ate.
The birds ate words that
lived and always
lived
in
separate
houses. if...
and i mean if
and only if
they
could afford
it.
if these
clever pagans
ever had
a dime.
they found
it boring rich
folk to
death.

i fed the birds
my indigenous
nomads. they dined
in high style...
dined black and
fancy
on
shabby
addicts, as they
hopped
trains . i fed the birds
my
swarthy tribe.
and they supped.
i fed the birds
a monologue
with trains of
thought
the words i fed
them... the vagabonds...
hopped
trains.

of thought.

I fed
the birds.
i fed the birds just
outside.
i sat
and fed them
black light and Harmalade
fed them blackly
fed them with
piano keys;  the black
ones, the ones
that radiate
i fed

i watched them. watched
them fancy peck. and peck
and fancy
pluck.
i watched. they dined
on serene defeat
by technicality.
it was surreal
to watch a blackbird
pluck from black
keys - peck
a morsel of glum
from

the black rays, yes.

the black rays with
opposable thumbs
and a
lifeline. the only one i
know forbidding gypsies
with three eyes.
an open
palm.
a paranoid  
black radish
white dwarf star
with piano keys
for black rays
of

nimbus, yes

mine is the hand that bites the hand
that writes the book
it wants
to ban, that ain't
a fan

not at all. just an appendage. a pen dirge ? What ?

i  fed the flock lots

I fed
the black ones -
with dolls'
eyes...

tucked
under
wing.

i fed them, yes.

a book
about the size
of any welcome
malcontent.

i fed
them sorrows
and ellipses with
adjacent lawns.
wutherings in
stately manors, squatting
on either side
of memory
lane, like
a bourbon and
coke had
practically crawled
across shards
of hard
things to break,
with a drink
in your
hand

and crawled, well blended

down the hatch
of enormous, well appointed
gothic frogs, that -
were mostly refurbished toads
with odd columns.

i fed
the birds,
broke out the
Good
Chi
na

hang the tantrums !  

yes
One should expect
a rich metaphor to want to
watch you
eat it's every
word
or
by extension;
lick the toad with 15 rooms,
three stories, unfit for children
and a full staff
of Adjectives,
highly trained
to

short-sheet the Bedlam, and fluff the pillories.

one should sip the liqueur
off the floor, inside the huge
and tipsy
gorgon
and be thankful
for the dank
and

the solid gold flyswatters.

they're complementary. take one
as you leave out
thinking
" toads, eat flies.... so it follows...."
apropos of nothing, on the
' Good China ',

now in the belly of birds, well fed
an unwell.

a book about
my dead-weight's
dream
to eat fewer
flies and
more
steak.

to grow wings.

yes.
Nat Lipstadt Sep 2013
Inadequate to the task
Humbled by the enormity of our love,
The perfection of our joining,
Where are the words kept that sufficient
Honor and portray what we have achieved?

You seated, beside me by the bay, finally,
Two old adirondack trees side by side,
By the sheltered place you bequeathed me,
Where poems are raindrops, so numerous,
And you, if not the subject, the source.

The waves rolling in, mirror the
Fluidity of thy dancing,
Fluidity of the adaptation,
Two lives, now one bay blue colored,
The merging, the unification,
Many waves, but one bay,
The Bay of Us.

Yet so different.
We are cloud worshippers,
Does not the Skye's Tableau inconstancy,
Mirror our ever changing form, individuality,
Yet, one sky,
The Sky of Us.

So many times have I lain be-sided
Even as we this afternoon sit now a-sided,
Tears welling up, above and beyond control,
This man's steady nerves, constant on patrol,
Our secret open, visible, un-hided,
Your are my Magi
My Yogi,
i.am, your, obedient devotee, shaped to you please.

This is the birthday present my words present.

Words, unremarkable,
Except for the contentment
That lies within them.

Let me love you more,
Recklessly abandon norms,
Kiss you at the supermarket, at the opera,
Unashamedly, take you in my arms
Wherever wonderment and wandering lead us.

T'is so very hard to compose
When tears flow upon my writing tablet,
To wipe, blot them away, I refuse,
For tears are joyous emblems,
Salty badges of love,
All compliments of our complementary beings,
The Tears of Us.

The soaring music we gather in.
The shimmering sparkles upon the bay,
My gift of natural diamonds better, this day,
Than jeweled glitterati I hide in the refrigerator.
All this treasure, part and sparkle of
The Treasure of Us.

T'is truth,
I know not, forgot, your age nor care,
The day the time the year,
What matter they to me these artifice markers,
I weep carelessly, undone, overcome,
Every day, but this day, most, united joy.

Need-No reminder,
I am a survivor,
From a concentration camp
That slow programmed to destroy,
Perhaps the kindness you claim
As the hallmark of my fame,
An inadvertent gift, from the devil?

You shook my hand on our first meet,
Don't think, have I ever let go?
Let me be your driver, entertainer, your only poet,
Let me be whatever you need,
Even as now, I laugh-cry, your tissue carrier.

For t'is I who weeps and keeps
These tissues as part of our history.
You are the first,
Who has ever read
The Words of Us.
Happy Birthday, my darling S.
Nicole Joanne Dec 2014
the film plays
a 1950's film
I am lost for a moment;
dancing to the blues and looking into the eyes of a lover -they're grey.
grey eyes. grey skin. grey lips. grey ballroom.
grey. grey. grey. -everything is grey.

But his eyes are a deep grey with light specks,
and the tiles on the floor are patterned with different shades,
and he is dressed with dark grey attire
-but he is the most colourful thing I have ever seen.

In a colourful world you would think things would be complementary;
but the more colourful it appears, the more black and white it is;
the carpet is red, just red, the walls are white, just white,
his eyes are brown. Just brown.
but in this film his eyes are grey -light, grainy, grey.

There's grey in his eyes,
and there's grey all around me,
but my, I seem to have gotten lost;
his eyes are the most colourful things I've ever seen in my life.

the film stops.

(Nicole Joanne) all rights reserved
Careena Feb 2016
From Chicago to Atlanta on the 5:45
I contemplate the fragility of being alive
I sit on the wing with a view of great breadth
While I dream about life and wonder of death

The sun has just set, the moon kisses the sky
And the atmosphere echoes its exhaling sigh
As darkness sets in, the graduation emerges
So I, in the sky, view its majesty in surges

The window is a frame of the moon as a crescent
And I spot a town way down, like a queen to her peasant
There is life, there is motion, there is somewhere to be
There is conflict, there are problems, and then there is me

I snap out of passivity like a casual thought
To locate the flight attendant complementary cart
Since her mobile vending machine is a couple rows down
I return to pensivity and stare at the ground

The tail lights of cars pulse when my true focus starts
As if they were red blood cells exiting the heart
There is a conversation I over hear from 27 E
The girl has dreams of studying alone in Italy

The man has a daughter and he rocks in his seat
They talk like old friends even though they just meet
There are young men in the Navy, and business folks
There is an air of community, peanuts, and hope

As my ears pop constantly and we climb higher
I think of my future and to what I aspire
And I wonder if there's anyone I'll see here again
Close and far away strangers, a view from a plane
Pete Leon Oct 2017
Carrot and coriander, why are you so pally?
With your 'c' sounding names and you both being edible,
Well I've got news for you boys,
I think you're absolutely terrible.

Carrot and coriander, why are you so pally?
Just because you both like soup and a little bit of season,
It doesn't mean you should be so close, it's not a good enough reason.

Carrot and coriander, why are you so pally?
You hang around in cardboard cartons, talking trash about other ingredients,
Well its just not acceptable boys, and I'm really not feelin' it.

Carrot and coriander, why are you so pally?
People think you're great, with your complementary flavours,
Well I'm sorry boys, think you're tasty? Do me a 'kin favour.
Zach Dailey Jan 2013
My eyes are glossed,
I can not see.
I'm just as lost,
As a rootless tree.

Young strong ambition,
Brought down by the evils of humanity.
A good life was once my mission,
Now I question my sanity.

I feel separated from the world.
Reality is a fragment of my imagination.
What appears straight is curled.
Light is just a mere imitation.

We seek justice that is always blind.
For our laws are rooted in discrimination.
Greed serves as the currency of our kind,
And profit the sole motivation.

To see the corruptions of our society,
And sit outside and observe.
Brings a cold chill of sobriety,
and feeling of atrocity to my nerve.

My eyes are glossed,
I can not see.
I'm just as lost,
As a rootless tree.

For every beautiful creature,
There is complementary predation and blight.
For every miraculous feature,
There is a parallel of war and spite.

You can choose to accept things as they exist,
Or be the person that brings in change.
But if our current circumstances persist,
Our decedents will learn nothing but rage.

A wise man once said:
"Be the change you want to see."
So peace and love I will spread.
And live by the same decree.

I will use my tools,
Given to me by my Creator.
To make wise men of fools,
And make the common good greater.

My eyes are now clear,
And I can see.
I no longer appear,
As a rootless tree.
Boaz Priestly Sep 2017
----
1. no beauty

was it beautiful?
like sitting at a desk
riddled with indents from
keeping the scissors away from skin
rocking back and forth
with only one thing circling
through an addled mind
the overwhelming urge to die
feeling ready to write that final
chapter on a life barely lived

was it beautiful?
forty pills that seemed like
enough at the time
choked down with soda water
and so many built up tears
feeling the rot of depression
absorbing the medicine that was
supposed to make things better
*******

was it beautiful?
regretting waking up hours later
younger sibling in the next room
noticing the stumble
the swearing that came from
feeling organs clench and shatter
but nothing coming up

was it beautiful?
admitting to taking so many pills
tongue feeling shredded by the words
being asked to stay awake
but only feeling so much anger
at having failed
at waking up again
at still being alive

was it beautiful?
three psych wards
every time a voluntary check in
unable to stay safe
healing scars
bashing limbs against every hard surface
ripping open old wounds
both inside and out
there is nothing beautiful
in self destruction

2. no romance

was it romantic?
hospital beds and an iv
in the back of a shaking hand
monitored bathroom breaks
too many to count while a body
too young to feel so old
purged itself of so many toxins

was it romantic?
fingernails chewed down to nothing
ragged cuticles
raw and ****** knuckles
because those hurt just a little bit less
than constantly pulling open
scabbed over splits in
gnawed on lips

was it romantic?
looking for love to give to others
not leaving enough behind to keep
not caring about that
too busy wanting to go home
please fix this
make the hurt go away
make everything shiny and new again

was it romantic?
unable to find respite
from the mental onslaught
in the unmarred arms of another
because illness and depression
do not care about
kissing scars to heal them
or boxes of chocolate
or roses
or whispered “i love you”s
because life is not a
teen romance novel

was it romantic?
wanting to die
even while sitting next to
that person that made things
not hurt so bad
and feeling guilty about fresh cuts
fresh bruises
burn marks that could be explained
away as accidents

was it romantic?
mass media certainly seems to think so
here’s looking at you
john green and jay asher
because why should people have
struggles if they can’t be candy-coated
and wrapped up in neat little bows
with complementary
packets of tissues on the side

was it romantic?
smelling of blood
and sweat from so many nightmares and terrors
trembling and shaking
racked by guilt and anxiety
waiting for an ulcer
waiting for something to happen
to make it seem worthwhile
because in mental illness and trauma
there is no prince
no princess
no damsel in distress
no disney movie happy ending
there is no romance
in wanting
to constantly die
Marieta Maglas Nov 2014
Van Gogh wanted to mix a material rainbow of colors
From primary red, yellow and blue in the sense of divine.
In the Holy Light, the love time of the flower clock discolors.
The empty glasses on the tables lack the Holy wine.

The ideal round tables assume their infinite regress,
While huddling down in a stupor the lonely men around.
Their eyes do not see the sense of life and true noblesse.
From a corner view, silent colors search for the sound.

Tables for awakening, for life and for the fate's game.
In life, a complete circled awareness needs time.
In many forms, the epitome of tableness is the same.
It keeps a purple silence for the painted mother of thyme.


This irreconcilable demon -woman hung on the left wall
Needs that freedom engraved on the emerald green door.
The watch on her hand shows the time for a masked ball.
Destined never to meet are the parallel lines on the floor.

Love is for completing the time as pink is for the emerald green.
In the mirror, this nuance of green reflects the sadness of life.
Against the red, pink and white, in games, the cue tip can lean,
Because all the main complementary colors are at strife.

The white coat of the waiter is a symbol in the glow of the lamp.
The perspective looks somewhat downward toward the floor.
Extending to new dimensions, Eve sits or she just up to vamp.
The flowers wither and the life disappears after an endless war.
K Balachandran Feb 2016
Day and night are  just opposites,
yet complementary ad infinitum,
sans any trace of discord, perfectly fit;
everything one comes across in life
is uniquely meaningful, let's not forget.
Fluffy Dec 2010
I searched for these words up in the attic
with narrow ribbons of enlightenment streaming
through all-too-small windows
igniting the drifting dust specks on fire,
and on the streets in the gutters
that were gloom-spattered with murky water lunging
towards the grated storm guards
as if they were salvation.
I scrounged through soaked and disintegrating cardboard boxes
bearing the letters L O S T A R T S
and old, musty and molded trunks
that had broken locks and missing keys.
I dug them out of  soft-cloth linens, carefully selected them
from heaping mounds of scrap
-like sifting through a junk yard-
to find those precious bits of silver,
sweet iridescent bubbles
encasing so delicately words like
"language" and "cellar."
I gathered these knic-knacks and baubles
and I alighted them with utmost care
through winding black back streets in my little burlap bag
to my borrowed safe-haven room. And without
turning on the lights,
the door was shut and stopped and I was perched
with great secrecy,
cross-legged upon my bird's nest of a bed,
daintily extracting each little orb
and examining them and all their wonder.
Tri-dimensional little things, that, no matter how you turned them,
seemed always to be a bi-dimensional halo of pale, golden light.
They shone, each minute embryo, like an old-time city lamp,
before such evil things as electricity came
and robbed them of a candle's beauty.
And its core, as is true with humans, is its most glorious aspect.
There is a transparent ocean in there,
with roiling waves that spin the currents
and coax every particle to circulate.
And caught in the eye of that undersea tornado are flecks of glitter,
so tiny that you would not be aware of them at all
were it not for the magnificent glimmer that they sparked,
magnifying and throwing back the fainter glow
of that ethereal encircling band.
Pixies that danced at the autumn festival.

I found these words for you,
broken and perfect and shining,
and collected them on a shelf where I could view them
before I handed them over to you.
I collected them with you in mind.
Can’t you tell?
I found words like “lustrous” and “lust”
because they reminded me of you.
I arranged them sporadically,
and smiled to see “alabaster princess”
sitting unintentionally before my eyes.
And how you are my Alabaster Princess.
But oh dearest-mine, be wary of how you find these words.
Use them sparingly, and do not tarnish them.
Keep them like nuns keep themselves: ******.
If you must write them,
then write them in pretty hand-made inks,
and decorate each letter with dips and swirls, each letter a flourish.
And if you must utter them,
say them quietly, and in simple complementary sentences.
You can be Kennedy for a day,
or speak softly and let them be their own big stick.
Keep them uncommon, like you are uncommon,
and know when the repetition of weaker words can make them herculean.
Guard these words with all your strength:
with that sword hanging deftly on your wall,
with that letter-opener on your kitchen table,
with that pocket knife in your favorite pair of jeans.
Those words will save us one day,
once the world has reverted back to an aristocracy.
With that noble face of yours and this clever brain of mine, love,
we’ll con them into making us their master,
gold and land or no.
even if the sole things we own are our names.
And we’ll teach them again how to speak,
with all the sweetheart mightiness of poetry that speech was intended to have.
And we will learn to bow with all the eloquence of B.C. bible writing.
Machiavelli never saw rulers like us.

We’ll cry like the Devil on a Sunday morning
for the alteration in our names from D’evil,
and whomever first declared “they’re there yonder to get their ***!” shall know my wrath
(although that may have been me).
Parlez vous Français?
Non.
These words that I pillaged
from the mouths of great stone grave monuments,
I hope that you will remember them well.
I hope that you will pour over them
and gaze at them in all of the bedazzled stupor that I did.
And once upon a time,
when children loved to read
and sought the same type of affection that I have at last found in you,
when even the Greek gods were playing with pens and devising an alphabet,
I sat there on rocky shore, seasoning with saltwater,
drawing with my toe under the waterline,
your face.
Pretty as a picture,
and worth a thousand words.
(c) 2006- From I Don't Know These Words
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Damaré M Aug 2013
My allegiance to be a leader 
Leader of my culture 
Vow to righteous cultivation 
Raise my right fist 
And I tell you this 
I will never quit 
Low souls I will always lift 
My determination is greater than or equal to my liberation 
Truly in the past I've gotten content 
Bent 
Ripped
Torn
Hesitant 
Forgot why I was born 
I ask for your forgiveness 
While I'm a realest 
I know I have to be rigorous 
And stay consistent 
Because now days everyone who's put in position loses their coherence and fear the consequences 
Like why work so hard to be a star?and get everyone to witness, 
Get everyone's attention 
... 
But don't have a mission!
PUT A CAMERA IN FRONT OF ME
TAKE A MILLION PICTURES
MAKE A DOCUMENTARY 
I CAN BE COMPLEMENTARY 
GIVE ME ENDORSEMENTS
I DON'T EVEN WANT THE PROPORTION
I'LL GIVE IT TO THE DISTORTED 
MAKE ME A RAP ARTIST 
AND PUT ME ON THE RADIO 
LET MY VOICE BE HEARD THROUGH THE STEREO 
I hope I don't speak this into existence 
Because all I need is a microphone with my voice coming through the PA system 
It's a shame that I might need security 
But it's not strange that I might need security
If I attract too many brown faces and people who come from unfortunate places 
That's where they draw the line,
Speeches for memorabilia 
But my work will be erased 
Hope I don't sound incredible 
I would not sound ridiculous if you remember our intellectuals 
They don't accept anyone who's exceptional 
They don't want to see anyone who has a big dream in their retinal 
Hopefully I can manage with 
About 30 plus years of residue 
Give up? 
Naw that's just what the rest will do 
Fight for our lives 
And take a chance with my life 
Whatever it takes to restitute

— The End —