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John F McCullagh Jan 2017
Chewie hasn’t touched his food
I hope he’ll be o.k..
It hasn’t been the same for him
Since Leia passed away.

He’s a melancholy Wookie
as anyone can see.
He mopes around the ship all day
And he’s molting terribly

Twas bad enough when Obi-wan
was struck down by Darth Vader.
But it’s no surprise when an old man dies
That’s expected, now or later.

Our Princess was a force you see
Bringing gales of laughter
which is why we want her here
and not in the hereafter.

He’s a melancholy Wookie
as anyone can see.
He mopes around the ship all day
And he’s molting terribly.


I hope one day we’ll meet again
In Mos Eisley’s Cantina
That gold bikini may not fit
But we’d still be glad to see her.
Carrie Fisher requested that Harrison Ford sing at her memorial Oscar nod.  She suggested he sing "Melancholy Wookie" so i took the liberty of writing his song
Robert meacham Apr 2021
Ramón Delgado- The most feared name in all Mexico.

One summer’s night in 1866 while fleeing from the Mexican Army, Ramón Delgado, infamous hired gun, and murderer, clung to his black steed whose convulsing frame showed evidence of violent exertion. Ramón whipped and spurred his mount until white froth oozed from the animal’s mouth and nostrils. Appearing as shadow across the low ridge, Ramón and steed outran the echoes created by the beating hoofs upon the rocks.

There was a time, ten years earlier, when Ramón, a tall handsome dark brown eyed, square-jawed man with black raven hair, and full Manchu mustache, held the rank of captain in the Mexican army. One day, upon returning home, he found his wife and two sons murdered by the hands of well-known local bandits. Fredrico, neighbor and friend, witnessed the murders and informed the mournful Ramon. Ramón unleashed a ruthless revenge, sought out the bandits, killing them one by one. In doing so, Ramón became hunted by the very army he had served. Some would say he had right for revenge; others thought the killings made Ramón lose his mind.

In a short distance, below the ridge, a small town lay asleep, except for the cantina. The cantina lured Ramón to an abrupt stop. He dismounted, quickly scanned the area, and then went inside. Six caballeros sat playing poker as Juan Hernandez played flamenco while his beautiful wife Maria, clapping hands and stomping feet graced the small dance floor.

Carlos Alvarado, the short black bearded bar tender, gazed at Ramón in mortal terror. Carlos, as did everyone else in the cantina, knew right away, who entered.
Ramón stepped to the bar grinning wryly. “Whisky and leave the bottle,” he growled.

Carlos, shaking, reached for the whisky bottle behind him on the shelf, nearly dropping the shot glass as he turned and sat it on the bar. Slowly backing away from the bar, Carlos offered, his voice weak, “For you Senor Delgado. No charge.”

Ramon laughed, grabbed the bottle of whisky and shot glass, and then, approached the card game. When he got to the table, one of the caballeros stood and offered Ramón a chair.

“Take my chair Senor Delgado.” The man backed away, turned, and left the cantina hurriedly.
Ramon sat in the chair, took a shot of whisky each time he looked at each of the five remaining men, and then slammed his glass to the table. “Let’s play,” he yelled.

One hour later, an empty whisky bottle is all that remained on the table. The very lucky Ramón scooped all the winnings in his pockets and then waved his revolvers above his head. Laughing deliriously, he stumbled toward the table where the senorita still danced. He began shooting close to her feet until she stumbled and fell to the floor.

Ramon placed his revolvers in the holster, turned and walked back to the bar. “Another bottle for the road,” he demanded.

Carlos looked past Ramón and moved quickly to the end of the bar. The complete silence in the cantina compared to a tomb.

Ramón sensed piercing eyes fixed to the back of his neck.
“Who is this who wants death?” Ramón uttered as he turned to face Juan.

Ramón saw Juan staring at him with deep-set dark eyes, remaining steady and full of revenge. Ramón did not see the steady hands that drew the pistols and fired the bullets of death.

A life, short, poignant, and haunted, ended by a single bullet. Ramón’s life pulse lay mangled on the floor. His disorder of demons lay nameless in shrouded form. At least now, they could no longer haunt the shadows of his mind.
His soul lay helpless in obscurity without an escape route.
As Ramón’s lungs choked in silence, his new loneliness befriended darkness and his soul
COISAS DO ARCO DA VELHA

- Os etês gostam de bunda. Foi o que captei da conversa entre as meninas, enquanto caminhava no calçadão do Liceu.
- Tem caras que não gostam, né; acho que não são chegados; comer um cuzinho será que não faz bem?!
- Cruz credo! Exclamei mentalmente, e segui meu caminho rumo ao Fórum, que fica em frente.
Elas vieram na minha direção, a passos firmes, olhar direto, "você tem fogo...", perguntou a morena pele-de-cuia, "e como tem", observou a loira de olhos azuis, típica europeia, me examinando de cima a baixo, parando os olhos, ostensivamente, na minha barriguilha; "te vejo sempre por aqui", disse a morena, enquanto eu lhe entregava o isqueiro; "é, estou sempre na cantina, tomando café; café de Fórum é choco, frio, fraco, e causa-me asia; então, venho na cantina, às vezes comer alguma coisa", concluí.
- Uma bucetinha, um cuzinho e o que mais? Indagou a loura, acendendo o cigarro.
- Você está sempre cercado de meninas! Não é à toa!! Vai ver é o maior safadão, pica doce.... Completou a morena, sempre combinando seus ataques com a colega.

O Liceu é uma escola destinada à classe média alta, concebida nos tempos do império, onde só entravam filhinhos de papai e seus apadrinhados do aparelho de estado. Mas isso dançou com o advento da república, e hoje, assim como os "Pedro II", recebem qualquer um, desde que aguentem suas provas de avaliação, pois ainda são um padrão de ensino almejado pelas camadas interessadas em ascensão social e tecnica. Seus prédios são construções coloniais, com arquitetura rebuscada, estilosos; janelões de madeira nobre, ainda insensíveis ao cupim. Uma coisa fantástica em termos de concepção, pois possuem salas espaçosas, bem arejadas, lousas imensas, mesas de cedro vernisadas, cheias de gavetas; seus corredores lembram aqueles do filme Harry Potter, sinistros de arrepiar. E no caso do Liceu Nilo Peçanha, de Niterói, Rio de Janeiro, tem um sótão, que seguramente foi planejado como adega, pois tem balcãozinho cheio de compartimentos para copos, taças e talheres, à frente de um espelho na parede em moldura de mogno  e uma silhueta vitoriana; além de um velho barril de carvalho, aonde, sem dúvida, Casimiro de Abreu, Fagundes Varela, Lima Barreto e tantas outras celebridades literárias desta terra de orfandades iniciaram-se nos caminhos da radicalidade estética.

- Conhece o sótão do Liceu? Indagou a morena, quase ao pé do meu ouvido.
- É ideal para uma brincadinha... Insinuou ela. Respondi que lá eu já namorei, me embriaguei, estudei e fiz muita reunião do grêmio.
- Então é "liceano... Vamos!" Disseram ambas, quase em uníssono.
No rádio da cantina, exatamente às dez da manhã no meu Rolex, tocava uma canção, cujo trecho diz assim:" Deixa isso pra lá, vem pra cá, venha ver. Eu não tô fazendo nada, nem você também..." e seguia insinuando outras coisas, ditas pela voz de um dos meus tantos ídolos da mpb, Jair Rodrigues.

Bom, pra encurtar o lererê, a morena está aqui em casa há 32 anos. Já somos avós, e, nem os filhos nem os netos jamais saberão das nossas façanhas e quando lhe mostrei o rascunho deste texto, ela fitou-me com seu olhar fogueando e objetou: você não pôr aí os detalhes...
- Claro que não!! São nossas relíquias!

if i remember accurately he puts hand between her thighs she gets wet her body tells him she wants him she puts hand between his thighs she feels hardness his body tells her he wants her a little blue pill and KY lotion don’t convey anything except maybe we’re too old for this sexuality was once the most defining intention in life but not anymore when youth perspire it smells **** when elderly sweat it’s malodorous yet in another breath old people are more appreciative know the hurt humiliation of neglect invisibility they secretly harbor passions beyond contemporary standards old age is ground zero for truly authentic perversity desires unfulfilled in youth



i don’t remember when the disenchantment began was it part of some greater change Dad’s illness death leaving Chicago my dog’s passing 9/11 or simply old age at some point my life stopped feeling like adventure all the crazy dreams aims aspirations cravings longings insatiable hungers wild experiments beautiful women everything slowly fading away leaving only ghostly empty disenchantment a profound sad knowing the world is never going to heal get better the whole brutally honest realization greed corruption poisonous toxins overpopulation think tanks planet candidates anger hatred atrocities will triumph i know i must not listen to this voice inside me these feelings of disenchantment if i can learn to heal myself and try my hardest to love forgive others than i will succeed in this harsh existence no matter what the world does



in my garden grows an abundant jalapeño patch i share it with my postman Fernando he picks ripe peppers for his wife Barbara she makes salsa with the jalapeños then Fernando shares Barbara’s salsa with me anyway Fernando served 6 years in the Marines and is of Mexican descent he recently told me a story about a holiday he shared with 2 fellow Marines at a ******* beach in southern Spain Fernando described a seashore bustling with many women exposing their ******* all of a sudden Fernando spotted this amazingly gorgeous long legged female wearing nothing but flimsy string thong she walked into a cantina the 3 Marines followed Fernando's buddy set up tripod behind amazingly gorgeous long legged woman and started shooting Fernando explained she turned enraged yelling at the Marines i commented to Fernando his Marine buddy ought to have first asked consent he replied we knew we should have but who gives a **** we’re Americans everybody knows Americans are ******* when people from other countries find out you’re American they deliberately treat you like an *******



October is pivotal April May June July August September mornings shine bright early dusk comes late then suddenly October bursts on scene changes everything mornings grow darker days end sooner October is the culprit this month 5 Fridays 5 Saturdays 5 Sundays old dog painfully arthritic legs climb stairs sound of waves crashing against shoreline distant stars in night sky cooler breezes blow whiff of death in air harvest your wheat oats barley cook your squash last of corn tomatoes eat your pumpkin pie swig your cider you know what’s next now familiar footsteps tread on path come to take you home back to place before the beginning you’ve got to pick up every stitch must be the season of the witch



Mom spoke about memory a fogginess she says comes over her she began by admitting she realizes how she camouflages so people won't notice how bad she truly is because they might not want to be with her she says it does not scare her it is just part of getting older she recognizes it in her friends Mom says she very much wants to remain independent she knows her house how to maneuver in it she feels angry she didn't sell the apartment when the market was better though she loves her home does not want to ever wind up in residence for the aged does not want anyone living with her she is used to living alone doesn't like idea of a caregiver in the house this passage is difficult for her in a new way somehow i think the difficult challenge for us all now is how to help Mom manage on her own and continue to empower her with dignity she is a brave woman turning 90 in late October woman descending a staircase
Santiago Jun 2015
Con el alma herida por un mal cariño
Que sin condiciones le entregue mi amor
Llevo ya dos días en esta cantina
Dos días, encerrado tomando licor.

Un mariachi toca, yo sigo tomando
Y vuelvo a pedirles la misma canción
Esto que me pasa no es nada envidiable
Ni al peor enemigo se lo deseo yo.

Tóquenme mariachi otra vez la misma
Esa que me llega hasta el corazón
El abandonado, toquen la de nuevo
Tóquenme diez veces la misma canción.

Aquí esta su cuenta, me dice un mesero
Ya me debe mucho, pégueme señor,
El mariachi dice, ya estamos cansados
Y yo solo contesto, háganme un favor.

Pa´ variar un poco tóquenme la misma
Esa que me llega hasta el corazón,
El abandonado, tóquenla de nuevo
Tóquenme diez veces la misma canción.

Con el alma herida por un mal cariño
Que sin condiciones le entregue mi amor
Llevo ya dos días en esta cantina
Dos días, encerrado tomando licor.

Un mariachi toca, yo sigo tomando
Y vuelvo a pedirles la misma canción
Esto que me pasa no es nada envidiable
Ni al peor enemigo se lo deseo yo.

Tóquenme mariachi otra vez la misma
Esa que me llega hasta el corazón
El abandonado, toquen la de nuevo
Tóquenme diez veces la misma canción.

Aquí esta su cuenta, me dice un mesero
Ya me debe mucho, pégueme señor,
El mariachi dice, ya estamos cansados
Y yo solo contesto, háganme un favor.

Pa´ variar un poco tóquenme la misma
Esa que me llega hasta el corazón,
El abandonado, tóquenla de nuevo
Tóquenme diez veces la misma canción.
The last outlaws of Hello  had rode long and hard.
And after leaving the brothel finally hit the road.
Wild Turkey feuled ****** Amigo stop touching my ****.
Dear lord man how many times can we listen to lady gaga

Get your minds outta the gutter really just who
do ya think your reading?
I dont write **** like VK rowling or Miya Angelou  or was
her last name Cyrus anyways who in the state of Hannah Montana
gives a **** anyways?

Just over the border we finally landed in the land
of masked wrestlers hostoric sights
yes who doesnt like a donkey show?

The cantina hot as usal my amigo looking around
confussed like a young  Ricky Martin  befor
the rockstar life of menudo ****** him all up.

Drinks flowed music played  dam macdonalds was great down here.
well cept for the clown who wore his red nose in  a diffrent place
bad touch kids.
Least my uncle was fitting in here lord help his boyscout troup.
camping in uncle Ronnys bed taught you a lotta things
like never to sleep on your stomach.

But enough with the foreplay children.
We were on a mission.
But not one from the big guy.
Although im not much on worship
besides  Bill Gates was a tool anyhow.

We spent the night drinking dancing not togather
that is.  Although Jack was a great kisser
but enough about are fishing trips
Gary was already jelouse as it was.

It was great fun till the dam hangover kicked in
it hurt so dam bad it was like Justin Bieber had
caught me asleep and ***** my ear like his mother
had sold his soul so she wouldnt have to work.

The pounding in my head,the drunken Brit in the sambero
Bouncing up and down on the bed singing paparazzi
but enough bout Goldie were the hell was Jack?

And who the hell killed the ****** and put her  
in the bathtub?
Jesus fargone Phil must have been here
no wonder I was missing a kidney thoose naughty Brits get me every time.


After diposing of the body thoose blind kids
will have fun with that pinyatta.

I was off leaving no stone or  whiskey bottle or brothel unturned.
I interogated so many senoritas.
Finally I figured I should ask where Jack was.

Finally after a good session with a older woman
the sixteen year old finally gave it up.
And then I remembred to ask the question how much?
Im kidding I asked that way befor the umm interogation.

******* the tatoo from fantasy island sounding woman replied.
Lord woman no time for a puppet show im not uncle Ronny.
No senior *******.
Lord dear woman  what you didnt get to watch the muppet show as a kid or something?

Finally ****** the starnge sounding woman blurted out.
Look ******* Jack's off he left with some weird little guy earlier.
they took a plane.

All a sudden from the sky I herd a sputtering
noise and like a bald eagle  who had a affair with a unclean vulture.
Im just saying.
It emerged from the coulds a small plane  the door flew open
Jack appeared with another man why was it yes it was Eliot.

Why you ***** ***** you!
Ouch **** miss I was talking to Jack.
Oh my bad senior but you desserve that just for writting
this ****.
everyones a critic.

Seems my amigo was taking Eliot sky diving dam great way to bound.
well it was cept thoose Brits seem to not use parachutes
but hey you really cant feel much with them on anyways.

Eliot like a well.
Like a guy threw from a plane screamed  worse
than a teenage girl  at a Jonas Brothers Concert
Hey my wife wanted to go okay.
Thank God the house broke his fall.

There lay Eliot crying like Tiger Woods after
his divorce hearing.
No worries my friend  I called a ambalance.
Three hours later the horse and bugee finally pulled up to
the hospital.

Im joking it wasnt a horse it was a donkey
And it would have been sooner if it wasnt busy
being Mr show bueisness.

Later at the bar.

Gonzo and Jack  sat with there full body cast friend Eliot
sipping drinks telling stories.
Wondering why we were ******* fire.

Gonzo no wonder you love it here
what part of Mexico are we in?
Dear lord man were in mexico?
Seems my friend was a bit confussed
but then again after reading this you probaly
are two  untill next time kids  greetings from
New Jersey.

Stay Crazy Gonzo
this is a write from a Gonzo book im working on yes the king of bad taste has returned with a vengence cheers
BarelyABard Dec 2012
Out in the West Texas town of El Paso I fell in love with a Mexican girl. Night-time would find me in Rosa's cantina Music would play and Felina would whirl.

Blacker than night were the eyes of Felina Wicked and evil while casting a spell. My love was deep for this Mexican maiden I was in love but in vain, I could tell.

One night a wild young cowboy came in Wild as the West Texas wind. Dashing and daring A drink he was sharing with wicked Felina The girl that I loved.

So in anger I Challenged his right for the love of this maiden down went his hand for the gun that he wore. My challenge was answered in less than a heart-beat, the handsome young stranger lay dead on the floor.

Just for a moment I stood there in silence, shocked by the foul evil deed I had done. Many thoughts raced through my mind as I stood there I had but one chance and that was to run.

Out through the back door of Rosa's I ran Out where the horses were tied. I caught a good one It looked like it could run Up on its back And away I did ride just as fast as I Could from the West Texas town of El Paso Out to the bad-lands of New Mexico.

Back in El Paso my life would be worthless Everything's gone in life, nothing is left. It's been so long since I've seen the young maiden My love is stronger than my fear of death.

I saddled up and away I did go Riding alone in the dark. Maybe tomorrow A bullet may find me Tonight nothing's worse than this Pain in my heart. And at last here I Am on the hill overlooking El Paso I can see Rosa's cantina below My love is strong and it pushes me onward Down off the hill to Felina I go.

Off to my right I see five mounted cowboys, off to my left ride a dozen or more. Shouting and shooting I can't let them catch me, I have to make it to Rosa's back door.

Something is dreadfully wrong for I feel A deep burning pain in my side. Though I am trying To stay in the saddle I'm getting weary Unable to ride

But my love for Felina is strong and I rise where I've fallen Though I am weary I can't stop to rest I see the white puff of smoke from the rifle I feel the bullet go deep in my chest

From out of nowhere Felina has found me Kissing my cheek as she kneels by my side Cradled by two loving arms that I'll die for One little kiss and Felina, good-bye
tangshunzi Jun 2014
Invece del matrimonio grande sala da ballo con una lista degli ospiti gigante .questa coppia ha deciso di avere un super divertente .rilassato .eppure incredibilmente bella matrimonio sulla spiaggia di Cabo San Lucas .e oh mia parola .è una delizia.Sara Richardson Fotografia catturato arance luminose e prugne vivaci .Picados papel agitando al vento .i fiori mozzafiato da Florenta .fondamentalmente il matrimonio ideale spiaggia .Passare il margarita !


ColorsSeasonsSpringSettingsBeach ResortStylesDestination

dalla splendida sposa .E 'stata una bella serata .cielo sereno con una bella brezza fresca .acqua blu che lambiscono la spiaggia di sabbia e pittoresche Lands End in background .E 'stata una sfondo perfetto per il nostro matrimonio a Cabo San Lucas .

Dopo essersi impegnato .Chris ed io abbiamo deciso ci piacerebbe avere un matrimonio su una spiaggia .Veniamo da famiglie e voleva avere un piccolo matrimonio intimo con la nostra famiglia immediato e gli amici intimi .Dopo un paio di mesi di ricerca diverse località balneari .un amico mi ha consigliato di Cabo San Lucas .La bellezza della zona era incredibile e ci è piaciuto quanto Cabo San Lucas aveva da offrire in ristoranti .divertimenti e attrazioni .Avevamo abiti da sposa 2014 trovato



la nostra posizione perfetta .
Inizialmente abbiamo cercato di scegliere la nostra sede per il matrimonio .ma abbiamo scoperto che coordinare tutti i dettagli di un migliaio di chilometri di distanza non eraè èandare a lavorare.Siamo stati fortunati a connettersi con Vari Avila .un wedding planner a Allure Event .Vari raccomandato Hacienda Cocina y Cantina sia per la cerimonia e il ricevimento cena .Ci piaceva l'idea che abbiamo potuto sposarsi e cenare su una spiaggia lontano dalla folla degli hotel.Abbiamo anche apprezzato il fatto che l' Hacienda ' décor ci ha ricordato Messico tradizionale e c'erano una splendida vista Lands End .Eravamo davvero eccitati che il ristorante era noto per servire fantastico cibo messicano .

Abbiamo incontrato Vari il giorno abiti da sposa corti in cui siamo arrivati ​​.Lei ci ha accolti con abbracci e un sacco di entusiasmo e abbiamo capito subito che avrebbe fatto di tutto per rendere il nostro giorno del matrimonio perfetto .Vari e il suo team hanno fatto un lavoro incredibile di rendere i nostri sogni diventano realtà .Il décor era di là di quanto avremmo potuto nemmeno immaginato .Le composizioni floreali di viola e arancione brillante e Picados papel aggiunto un grande tocco di colore .

La cerimonia ha avuto luogo al tramonto e ha dato una sensazione calda e intima .Uno dei miei momenti preferiti era alla fine della cerimonia .quando i nostri ospiti scossero la maracas personalizzati per il nostro primo bacio .E 'stato un divertimento .unico add-on per la cerimonia .Per la cena di accoglienza .i nostri ospiti goduto di un delizioso pasto abiti da sposa 2014 di tre portate .e invece di una torta di matrimonio abbiamo deciso di avere un bar deserto .che è stato un enorme successo .Il clou finale della serata stava ballando tutta la notte sotto le stelle

Fotografia : Sara Richardson Fotografia | Floral Design : . Lola Caballos da Florenta | Wedding Dress : Maggie Sottero | Scarpe : Riservato | Gioielleria : Ann Taylor Loft | Bridesmaids Dresses: Alfred Angelo | Rosticcerie : Hacienda Cocina y Cantina | Ufficiante : reverendo Marco Arechiga | Event Design \u0026 Coordination : Vari Avila dal Allure evento | Hair \u0026 Make-up : Suzanne Morel | Luogo : Hacienda Cocina y CantinaFlorenta Design Fiore e Sara Richardson Fotografia sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Florenta Flower Design VIEW PORTFOLIO Sara Richardson Fotografia VIEW
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Brandon Oct 2011
Jim Morrison is alive and well

I found him in some juke joint cantina
Down in the deserts of southern America

He was sitting in a dimly lit
Booth in the corner of the room
Digging on some blues band blowing blues
And nursing a bottle of whiskey like a pro
Slowly channeling the shaman within his soul

As I approached in dumbstruck awe
He waved me to take a seat on the bench
Adjacent to where he himself sat

We ate from a plate of enchiladas and ten-cent tacos
And spoke of the poetry of Rimbaud and Baudelaire

He dreamed a dream where he and Kerouac
Took a trip from France to San Francisco
And read volumes of poetry books
From famous beat authors
And reminisced about their pasts as famous men

We continued to allow the whiskey
To slither like serpents down our throats
As ancient poems sauntered back up
Like lyrical word *****

I told him of a dream where he and I
Ate off a plate of enchiladas and ten-cent tacos
In some southern American juke joint cantina
Listening to joyously lamented blues
And discussing the great poets of the past

We laughed and had a great time
As the Doors of our perception
Bled poetic verses of imagination

When the night was over
And the dawn began to arrive
We parted ways with many thanks
And a hugging hand-shake

He went his way
Off into the the waiting sun
A Lizard King in celebration

And I went mine
Off into the depths of shadow
Taking a late moonlight drive
A dream i dreamt last night...

http://grindedintopoetry.tumblr.com/post/20720753055/the-doors-of-our-perception
En torno de una mesa de cantina,
una noche de invierno,
regocijadamente departían
seis alegres bohemios.Los ecos de sus risas escapaban
y de aquel barrio quieto
iban a interrumpir el imponente
y profundo silencio.El humo de olorosos cigarrillos
en espirales se elevaba al cielo,
simbolizando al resolverse en nada,
la vida de los sueños.Pero en todos los labios había risas,
inspiración en todos los cerebros,
y, repartidas en la mesa, copas
pletóricas de ron, whisky o ajenjo.Era curioso ver aquel conjunto,
aquel grupo bohemio,
del que brotaba la palabra chusca,
la que vierte veneno,
lo mismo que, melosa y delicada,
la música de un verso.A cada nueva libación, las penas
hallábanse más lejos del grupo,
y nueva inspiración llegaba
a todos los cerebros,
con el idilio roto que venía
en alas del recuerdo.Olvidaba decir que aquella noche,
aquel grupo bohemio
celebraba entre risas, libaciones,
chascarrillos y versos,
la agonía de un año que amarguras
dejó en todos los pechos,
y la llegada, consecuencia lógica,
del "Feliz Año Nuevo"...Una voz varonil dijo de pronto:
-Las doce, compañeros;
Digamos el "requiéscat" por el año
que ha pasado a formar entre los muertos.
¡Brindemos por el año que comienza!
Porque nos traiga ensueños;
porque no sea su equipaje un cúmulo
de amargos desconsuelos...-Brindo, dijo otra voz, por la esperanza
que a la vida nos lanza,
de vencer los rigores del destino,
por la esperanza, nuestra dulce amiga,
que las penas mitiga
y convierte en vergel nuestro camino.Brindo porque ya hubiese a mi existencia
puesto fin con violencia
esgrimiendo en mi frente mi venganza;
si en mi cielo de tul limpio y divino
no alumbrara mi sino
una pálida estrella: Mi esperanza.-¡Bravo! Dijeron todos, inspirado
esta noche has estado
y hablaste bueno, breve y sustancioso.
El turno es de Raúl; alce su copa
Y brinde por... Europa,
Ya que su extranjerismo es delicioso...-Bebo y brindo, clamó el interpelado;
brindo por mi pasado,
que fue de luz, de amor y de alegría,
y en el que hubo mujeres seductoras
y frentes soñadoras
que se juntaron con la frente mía...Brindo por el ayer que en la amargura
que hoy cubre de negrura
mi corazón, esparce sus consuelos
trayendo hasta mi mente las dulzuras
de goces, de ternuras,
de dichas, de deliquios, de desvelos.-Yo brindo, dijo Juan, porque en mi mente
brote un torrente
de inspiración divina y seductora,
porque vibre en las cuerdas de mi lira
el verso que suspira,
que sonríe, que canta y que enamora.Brindo porque mis versos cual saetas
Lleguen hasta las grietas
Formadas de metal y de granito
Del corazón de la mujer ingrata
Que a desdenes me mata...
¡pero que tiene un cuerpo muy bonito!Porque a su corazón llegue mi canto,
porque enjuguen mi llanto
sus manos que me causan embelesos;
porque con creces mi pasión me pague...
¡vamos!, porque me embriague
con el divino néctar de sus besos.Siguió la tempestad de frases vanas,
de aquellas tan humanas
que hallan en todas partes acomodo,
y en cada frase de entusiasmo ardiente,
hubo ovación creciente,
y libaciones y reír y todo.Se brindó por la Patria, por las flores,
por los castos amores
que hacen un valladar de una ventana,
y por esas pasiones voluptuosas
que el fango del placer llena de rosas
y hacen de la mujer la cortesana.Sólo faltaba un brindis, el de Arturo.
El del bohemio puro,
De noble corazón y gran cabeza;
Aquél que sin ambages declaraba
Que solo ambicionaba
Robarle inspiración a la tristeza.Por todos estrechado, alzó la copa
Frente a la alegre tropa
Desbordante de risas y de contento;
Los inundó en la luz de una mirada,
Sacudió su melena alborotada
Y dijo así, con inspirado acento:-Brindo por la mujer, mas no por ésa
en la que halláis consuelo en la tristeza,
rescoldo del placer ¡desventurados!;
no por esa que os brinda sus hechizos
cuando besáis sus rizos
artificiosamente perfumados.Yo no brindo por ella, compañeros,
siento por esta vez no complaceros.
Brindo por la mujer, pero por una,
por la que me brindó sus embelesos
y me envolvió en sus besos:
por la mujer que me arrulló en la cuna.Por la mujer que me enseño de niño
lo que vale el cariño
exquisito, profundo y verdadero;
por la mujer que me arrulló en sus brazos
y que me dio en pedazos,
uno por uno, el corazón entero.¡Por mi Madre! Bohemios, por la anciana
que piensa en el mañana
como en algo muy dulce y muy deseado,
porque sueña tal vez, que mi destino
me señala el camino
por el que volveré pronto a su lado.Por la anciana adorada y bendecida,
por la que con su sangre me dio vida,
y ternura y cariño;
por la que fue la luz del alma mía,
y lloró de alegría,
sintiendo mi cabeza en su corpiño.Por esa brindo yo, dejad que llore,
que en lágrimas desflore
esta pena letal que me asesina;
dejad que brinde por mi madre ausente,
por la que llora y siente
que mi ausencia es un fuego que calcina.Por la anciana infeliz que sufre y llora
y que del cielo implora
que vuelva yo muy pronto a estar con ella;
por mi Madre, bohemios, que es dulzura
vertida en mi amargura
y en esta noche de mi vida, estrella...El bohemio calló; ningún acento
profanó el sentimiento
nacido del dolor y la ternura,
y pareció que sobre aquel ambiente
flotaba inmensamente
un poema de amor y de amargura.
Santiago Jun 2015
Ya me voy para siempre
Para nunca volver
El amor que yo quise
No me quiso querer

Ya me voy derrotado
Me duele el corazon
Por que el amor de mi alma
Por que el amor de mi alma
Solito me dejo

Voy a vagar, por ahi
Trataré de pasar
Mi vida mas tranquila
Si sigue este dolor
No le sorprenda que
Mi hogar sea una cantina

Ya me voy derrotado
Me duele el corazon
Por que el amor de mi alma
Por que el amor de mi alma
Solito me dejo

Voy a vagar, por ahi
Trataré de pasar
Mi vida mas tranquila
Si sigue este dolor
No le sorprenda que
Mi hogar sea una cantina

Ya me voy derrotado
Me duele el corazon
Por que el amor de mi alma
Por que el amor de mi alma
Solito me dejo
Kareena Dec 2016
I remember that night quite well
Went assuming you'd be there
Knowing it would be hell

Nervous shakes, biting lip
Laughs too loud
Daydream trip

I slipped into thought
Forgot where I was
Summer night, boiling hot

Crimson lipstick stained
On my white button up
Smile hiding heart pained

You appear as I hoped
Black shirt and tie
My heart in throat choked

After years of pining
Unrequited love
Was all I was finding

Your dark hair twisted
Light eyes to contrast
I regretfully resisted

No contact at all
Not eye or speech
Yet deeper I fall

Fast-forward still
Later that night
Heat subsides to chill

Lights reflect in my eyes
Strung like pearls on a necklace
And I'm hypnotized

Standing there wishing
Your hand was in mine
Romanticizing, reminiscing

A walk alone in the midnight garden
An open frame of mind
Instead of a heart hardened

It wouldn't have felt so out of place
For me to have met you there
To have a silent and secret embrace

For you, I felt so open
But you never found me there
I had just been hoping
Over the summer
Carlo C Gomez Jun 2020
Alcohol.
And train schedules.
A commuter's tightrope.
The last stop, Hpnotiq.
Where it rains sadness.
Where they're numb
To the moment of inertia.
Preferring instead to
Live on the rim.
"Cold Pizza recconnection electric arrest
old friends left over home alone red rover
flip book puff paint able zippy signing
lightning priced highly sprite-ling shy

leaves leap a leaf leavening leaves levers
lionize me syllables and cymbals symptoms and asymptotes
Saigon cinnamon whats gone the difference between Ke$ha cassia
lizard fish ports porter stout with the south border patrol
those tater tots eves since lighting daily lessening fatigue

green bar measure in response to the begging caboose
dim light lemon wedges squint islands honeycomb wide
perfect metaphors touch poem remedy powder doughnuts
a flask a mile width cantina cactus dessert dish lips road slick
female professional tag team tobacco handler interest yields

hey baleful pinky spam vy the guar and the sandwich song is humming a tune
to the sun and the moon and the wayside is wont for supper
a Loom spun round noon grooms an unbridled silver spoon
four ye old won't stop being contractions

contrast only reaps the aura mood in the the conical darkness
event is a horizon a jungle fools chained wrist to ankle
banks full listless investment feel drench razed
shake the way, late too ate tea teal a lit in did go
non-sense sin is a million aeons idle pining growth ignored

**** growth from the root why dragging the gravel lightly
emerging ravenous pushing the sun with the scalp singed minded
ogre bleeding decked and gripped dreams idealized eyes delete
sounds sold summoners atones in limitless feeding frenzy

cells flinched echo dissonance opening i um ma ni pad may hummmmm?
why do I mumble sometimes humbly others sacred offerings yet
qualify the quality of cells fishing to be men in community
ruthlessly scrutiny is mutiny suppose to be loud to leave
pew pew ill losing hung lung fungus molding heaving epi not pen but the helium
the healing them believing can propane proverbs pains aim profane fans
breathing wind fillet of sky blue as the ocean beyond the waves
lines thickening tears of god embolden as rainbows streaks marking

pens pencils stencils window sills rest acquitted gloves stylize
notebook dropping concrete break dancing drunk down stairs stars stare
clean the shadow rise to the top rise out of the base meant to trace the blueprint
croon dining a line red as rare as charred dark as an assassin man dares to draw"
BILLYtheKidster Jul 2010
There was the usual exchange of foul words and light shoving around,
but then "Windy" rushed Billy and threw him down to the ground.
He sat on Billy's chest pinning his arms down to the floor.
He punched and smacked Billy's face. Each blow was more vicious than the one before.
Billy called upon all of his strength that he could possibly muster
and tried to work his 41 caliber out of his holster.
"That's enough Windy! You're killing the kid!" some concerned bar room patrons did roar.
A gunshot was heard. There wasn't a single spoken word
as Frank "Windy" Cahill rolled lifelessly to the floor.
Billy struggled to his feet. His bloodied face was so swollen he could barely see.
His smoking gun was still clenched in his shaking hand.
Congratulations Billy. Now look what you've done.
You've gone and killed your very first man.
Tales of this incident have been told far and wide from one extreme to the other,
such as the merciless killer kid who gunned down the helpless blacksmith
and then left the bar whistling without a care or bother,
but eye witnesses attest that the first version describes it best
and that the following quote seems most accurate and right.
"I never saw no killer. I saw a scared beat up boy run out of the cantina that night."
r May 2019
That badass girl’s got curves
like a Spanish guitar
a few scratches, a lot of scars
you can see almost any Saturday
at the Bullets for Martyrs Cantina
if she's not strung too tight, she’s a
lean, mean beautiful Argentine into
that whole revolutionary scene
singing Seremos como el Che
all olive drabbed and black beret’d
always quick with a ¿Como estas?
Eh, I'm okay I says, mis chica mas
bella, pero su ese Che es muerto
but here on the B!ue Mesa is where
the truly live come to live - ¿Comprende?
It’s been awhile since I’ve visited the Blue Mesa.

https://hellopoetry.com/collection/7717/blue-mesa-collection/
Cecil Miller Apr 2015
Mi' Padre' was stabbed in a bar fight.
The cantina is the deepest of wells.
Mi' Madre' put mi' ropa in la mochila.
La pandillas tiene mi' hermano - He fell.

Madre' sold her finest of silver
To buy maquillaje to color my face.
She said, "Better that you should have her"
To the man who had come from The United States.

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

I was but only sixteen.
I had never been touched before.
There I was in such a new land,
Our cothes crumpled on the floor.

The whole time I kept my eyes closed.
I longed for mi' familia and home.
He held me and slumbered when it was over.
My tears were hot and I felt so alone.
.
Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

I was told to learn to speak English.
To abandon the language I knew.
I did not speak of my heritage,
It was better that I was kept from view.

I learned to cook like an American wife,
And soon I could speak like the rest.
It was difficult, but I learned how to fit in.
I even changed the way that I dressed.

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

These days, I spend keeping shop,
When the children are still at the school.
They are the heart of my life.
They are named Sally and Raul.

The nights are the hardest to get through.
I still dream of my other life,
Before I was given to my husband.
But I love him now, I am his wife.

But,
I remember when -

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.
One of my most creative endeavors, Nina Novia is my first attempt at folk-tale poetry that is patially in Spanish. It took some effort because I am not exceptionally bi-lingual. You might read in the comments where I was inspired to explain her having to deny her heritage to fit into her new American life. At that time she is vulnurable, but it is a testimate to her strength that she endures. But in her regailment her Spanish becomes deminished, except in her recounting her past. That part was writen and added april 29th, when I read the comments and realized there was a gap in her story. I hope it translates well, and is well recieved. I hope it makes more sense. Now, I think it should be a ballad. I wrote and posted the original on April 27, 2015.
Carlo C Gomez Mar 2023
~
...he dreamt of her,
the one who could dance about
twin suns in cantina lace,
course through the veins
like power converters,
and scare far more
than a pack of raiders on the prowl.

...she who laid out
in the sands of Anchorhead,
and became a seductive sculpture,
her howls mixing with the wind
through Beggar's Canyon,
and turning into flame,
ascended like nomadic campfire
in an ocean of night
as far off as Mos Eisley.

...the one resembling Camie,
who bought farm water
for her off-world thirst,
he dreamt of her, you know,
he dreamt they would inevitably marry,
and settle down deep in the feral
of their desert love.

~
Tosche is pronounced Taw-SHEE
Mark Toney May 2023
St Simons Island, Georgia USA
East Beach, 12/4/2011

"Your focus determines your reality." —Qui-Gon Jinn


Witnessing an
amazing low-tide
phenomenon,
as if a walkway to
a parallel world
has suddenly appeared,
extending one-half mile
from East Beach
out to sea

People are slowly
gathering, walking, stopping,
stooping, staring in silence,
speaking softly—
I'm as eager
as Simon Peter
to join them, yet
somewhat afraid of
walking where
there has been
only seawater
minutes before—
Chattering dolphins
beckoning in the distance
instill confidence

So I join them,
stepping from the
beach onto the
other-worldly terrain,
first 42 steps confirming
we are not alone!
Surrounded by
a menagerie of
sand *****, clams,
beach flea amphipods,
sea roach isopods,
ghost, hermit, and
fiddler *****, even
cannonball jellyfish—
shades of the
Mos Eisley Cantina
on Tatooine
in miniature

But beware of
semidiurnal
tidal cycles—
Twice a day
at high tide
the sea, like an
unstable vortex
of a Chappa'ai,
consumes the
phenomenon,
even the beach itself
to the edge of
the dune


"The mystery of life isn't a problem to solve, but a reality to experience." —Frank Herbert

"So long and thanks for all the fish!" —Farewell message from exiting dolphins, translated by Douglas Adams



Mark Toney ©️ 2023
5/21/2023 - Poetry Form: Free Verse - ‘The Georgia coast is geographically the westernmost point of any Atlantic coast region, and part of the area known as the South Atlantic Bight, the coastline that curves from Cape Hatteras, NC to Cape Canaveral, FL.  St. Simons and Jekyll Islands are at the inward-most point of the South Atlantic Bight and thus experience the most severe tidal ranges of 6 to 9 feet. The Atlantic Ocean's tidal range, miles offshore, is just 2 to 3 feet.' —National Park Service | Fort Pulaski (nps.gov/fopu/learn/nature/hydrology.htm)
tangshunzi Jun 2014
matrimoni australiani non mancano mai di farmi un po 'tantino geloso di tutte le persone che hanno avuto la fortuna di parteciparvi .Perché quando prendo una sbirciatina a un matrimonio come questo da Sarah Bamford Fotografia So solo che gli ospiti sono ancora parlando di quanto sia divertente che avevano in questo matrimonio oggi .E ' la perfetta combinazione di moda e sentimentale .e c'è molto di più vi aspetta qui .

Condividi questa splendida galleria

Da Sarah Bamford Photography.This matrimonio era pura perfezione .Beatitudine Vintage ed eccellenza fai da te.Ogni splendido dettaglio è stato creato dalla sposa e lo sposo compresi i menu .centrotavola .la torre torta .bouquet e ospite book.The sposo anche fatto i tavoli di accoglienza da vecchi pallet in legno.Tale quota coppia un uno su un milione amore e la connessione e traspariva il giorno più di ogni altra cosa .Erano così facile andare e gli ospiti ci sono svanite abiti da sposa corti dalla bellezza di tutto questo.La cerimonia si è svolta nel bellissimo giardino percorso di Seppeltsfield Cantina abiti da sposa corti nella Barossa Valley .con la reception in un epoca ispirata tendone sul prato sopra .

Questo matrimonio aveva tutto.Una grande festa nuziale vestiti da sposa splendido .musica acustica dal vivo durante la cerimonia .polaroid .e naturalmente una torta ciambella di nozze per coronare il tutto !La giornata è stata perfetta e l'amore tra Olivia e Matt era indescrivibile .. Ancora una volta .pura perfezione e ispirazione Fotografia



: Sarah Bamford Fotografia | Doughnuts : Athelstone Bakehouse | Fiori ( di origine ) : Adelaide Central Markets | Fiori ( di origine ) : Adelaide Central Markets | Venue - cerimonia e il ricevimento : Seppeltsfield
http://www.belloabito.com/abiti-da-sposa-corti-c-49
http://www.belloabito.com/abiti-da-sposa-c-1
http://www.belloabito.com/goods.php?id=118
Vintage Adelaide Nozze di Seppeltsfield Winery_abiti da sposa 2014
Jonny Angel May 2015
It was as if
I were witnessing
a classic Hollywood western.
There I was
stuck in Lubbock
on that windy as hell day,
so I dropped into
the local drinking establishment
to guzzle some whiskey
for a spell.
It wasn't long before
she drove up
riding the prettiest Harley ever,
all chrome and polished black
with the sweetest sound
a bike could make,
it purred like a kitten.
She leaned that baby
up against the wall outside
& strutted like John Wayne
(some would argue Marlon Brando)
into the cantina
where she bellied up to the bar.
Every male jaw in the joint
was dropped
watching her down
three shots of Cuervo,
pay the check in hard cash,
a big bill,
and saunter right back
out of the place
like she owned it.
She was mesmerizing,
fluid motion,
tight jeans,
a rattlesnake sway.
Every man stood at the window
to watch her kick her stand up
& disappear
on that long black ribbon
into the falling sun,
breathtaking...
Leydis Jun 2017
Adonis esta viejo!

El caballo de la region,
esta perdiendo la razon
quiere aniquilar el Padre del pueblo,
pues este le recordo…
que no es ya el Adonis que enamoraba por monton.
que por su ego y corbardia,
anda solo por cabron!

Adonis esta viejo,
no le fian en la cantina.
Ya las mujeres andan corriendo el cuento….
de que ya no es buen amante,
que ya ni sirve pa’ comapañia!

Adonis esta viejo,
se ha mirado al espejo y no le gusta su reflejo.
aunque joven se siente por dentro
el espejo reflejas su piel plegada,
esa pansa bien crecida,
y el pelo se le esta raleando,
por atrás se ve su calva brillando.

Adonis esta viejo,
Adonis el mujeriego,
Adonis, el que todas la mujeres querian,
Adonis, el que sembro alegrias momentarias,
Adonis, que no anclo en ningun puerto,
Adonis, el que nunca pasaba una noche solo,
Adonis se quedo solo y sin su hombria.

Adonis no penso,
que el tiempo pasaria.  

Adonis esta viejo y no lo gusta lo que ve en el espejo.

LeydisProse
6/13/2017
https://m.facebook.com/LeydisProse/
Molly Greenhood Dec 2011
i.
fascination
sings "*******"
in a los angeles bar.
tests lips
on picnic tables.
feel the bark in my
back against the tree
and the backseat
of my car.

ii.
infatuation
takes shots of tequila
in mission cantina.
eager, greedy
sliding up my skirt
in the bathroom.
follows the path
to sneak glances
in my bed.

iii.
satisfaction
sits on your couch
drinking wine coolers
in the dark.
silent infomercials
and jungle beats
your hips and mine.
rough hands fading
down my leg.

iv.
desperation
whispers by a pool
hushing crushed hearts.
not the time
not the place
a forced reality to face.
avoids complication
holding my tongue
inside my chest.
Aiere ha fatto n'anno - 'o diece 'e maggio,
na matenata calda e chiena 'e sole -,
penzaie 'ncapo a me: "Cu che curaggio
io stamattina vaco a faticà!".
Facenno 'o paro e sparo mme susette:
"Mo mme ne vaco 'a parte 'e copp' 'o Campo".
Int'a ddiece minute mme vestette
cu 'e mucassine e cu 'o vestito blu.

Nun facette sparà manco 'o cannone
ca già stevo assettato int' 'a cantina,
annanze a nu piatto 'e maccarune:
nu zito ch'affucava int 'o ragù.

C' 'a panza chiena, a passo... chianu chiano
mme ne trasette dint'a na campagna,
mmocca nu miezo sigaro tuscano,
ca m' 'o zucavo comme 'o biberò.

Tutto a nu tratto veco nu spiazzale
chino 'e ferraglie vecchie e arrugginite.
E ched' è, neh?... nu campo 'e residuate:
"il cimitero della civiltà".

Nu carro armato cu 'a lamiera rotta...
trattore viecchie... macchine scassate...
n' "Alfetta" senza 'e qquatte rote 'a sotto...
pareva 'o campusanto d' 'a Pietà!

Guardanno a uno a uno sti ruttame,
pare ca ognuno 'e lloro mme diceva:
"Guardate ccà cosa addiventiamo
quanno 'a vicchiaia subbentra a giuventù".

Mmiezo a sta pace, a stu silenzio 'e morte,
tutto a nu tratto sento nu bisbiglio...
appizzo 'e rrecchie e sento 'e di cchiù forte:
"Mia cara Giulietta, come va?".

Chi è ca sta parlanno cu Giulietta?
Nmiezo a stu campo nun ce sta nisciuno...
Tu vuo vedè che l'hanno cu ll' "Alfetta"?
Cheste so ccose 'e pazze! E chi sarrà?

Mme movo chianu chiano... indifferente,
piglio e mm'assetto 'ncopp' 'o carro armato...
quanno 'a sotto mme sento 'e di: "Accidente!...
E chisto mo chi è?... Che vularrà?".

Chi ha ditto sti pparole? Chi ha parlato?
I' faccio sta domanda e zompo all'erta...
"So io ch'aggio parlato: 'o carro armato...
Proprio addu me v'aviveve assettà?

A Napule nun se pò sta cuieto.
Aiere un brutto cane mascalzone
se ferma, addora... aiza 'a coscia 'e reto,
e po' mme fa pipi 'nfaccia 'o sciassi".

"Vi prego di accettare le mie scuse,
v' 'e ffaccio a nome anche del mio paese;
Ma voi siete tedesco o Made in Usa?
E come vi trovate in Italy?".

"Sono tedesco, venni da Berlino
per far la guerra contro l'Inghilterra;
ma poi - chiamalo caso oppur destino -
'e mmazzate ll'avette proprio ccà!".

"Ah, si... mo mme ricordo... le mazzate
ch'avisteve da noi napoletani...
E quanto furon... quattro le giornate,
si nun mme sbaglio: o qualche cosa 'e cchiù?".

"Furon quattro.Mazzate 'a tutte pizze:
prete, benzina, sputazzate 'nfacccia...
Aviveve vedè chilli scugnizze
che cosa se facettero afferrà!".

"Caro Signore, 'o nuosto è nu paisiello
ca tene - è overo - tanta tulleranza;
ma nun nce aimma scurdà ca Masaniello
apparteneva a chesta gente ccà.

E mo mm'ite 'a scusà ll'impertinenza,
primma aggio 'ntiso 'e dì: "Cara Giulietta".
Facitemmella chesta confidenza:
si nun mme sbaglio era st' "Alfetta" ccà?".

"Appunto, si,è qui da noi da un mese...
'A puverella è stata disgraziata,
è capitata 'nmano a un brutto arnese,
... Chisto nun ha saputo maie guidà.

Io mm' 'a pigliasse cu 'e rappresentante,
cu chilli llà che cacciano 'e ppatente;
chiunque 'e nuie, oggi, senza cuntante,
se piglia 'a macchinetta e se ne va".

"Di macchine in Italia c'è abbondanza...-
rispose sottovoce 'a puverella -
si no che ffa... po' nce grattammo 'a panza:
chillo ca vene ll'avimmo acchiappà".

"Giulietta, raccontate qui al signore
i vostri guai" - dicette 'o carro armato.
L' "Alfetta" rispunnette a malincuore:
"Se ci tenete, li racconterò.

Come sapete, sono milanese,
son figlia d'Alfa e di papà Romeo,
per fare me papà non badò a spese;
mi volle fare bella "come il fò".

Infatti, mi adagiarono in vetrina,
tutta agghindata... splendida... lucente!
Ero un' "Alfetta" ancora signorina:
facevo tanta gola in verità!

Un giorno si presenta un giovanotto
cu tanto nu paccotto 'e cambiale,
io, puverella!, avette fà 'o fagotto,
penzanno:Chi sa comme va a fernì!

Si rivelò cretino, senza gusto:
apparteneva 'a "gioventù bruciata".
Diceva a tutti quanti: "Io sono un fusto;
'e ffemmene cu mmico hanna cadè!".

Senza rispetto, senza nu cuntegno...
cambiava tutt' 'e giorne... signorina:
ci conduceva al solito convegno...
... alla periferia della città.

Chello ca cumbinava 'o giuvinotto?
Chi maie ve lo potrebbe raccontare:
io nn'aggio mantenute cannelotte
'e tutte specie, 'e tutte 'e qqualità:

la signorina di buona famiglia,
a vedova, 'a zetella, 'a mmaretata...
E quanno succedette 'o parapiglia,
stavamo proprio cu una 'e chesti ccà.

In una curva, questo gran cretino,
volle fare un sorpasso proibito,
di fronte a noi veniva un camioncino,
un cozzo, svenni, e mo mme trovo ccà".

"A nu fetente 'e chisto ce vulesse
nu paliatone, na scassata d'osse'...
Ma comme - dico i' po' - sò sempe 'e stesse
ca t'hanna cumbinà sti guaie ccà?".

"E che penzate 'e fà donna Giulietta?".
"E ch'aggia fà? - rispose 'a puverella-
So che domani viene una carretta,
mme pigliano e mme portano a squaglià".

"Giulietta... via, fatevi coraggio -
(dicette 'o carro armato). lo ero un "Tigre",
il popolo tremava al mio passaggio!...
Mannaggia 'a guerra e chi 'a vulette fà!

lo so cosa faranno del mio squaglio:
cupierche 'e cassarole, rubinette,
incudini, martelli, o qualche maglio,
e na duzzina 'e fierre pe stirà"

"lo vi capisco... sono dispiaciuto...
ma p' 'e metalli 'a morte nun esiste;
invece 'e n'ommo, quanno se n'è ghiuto,
Jonny Angel Mar 2014
Stormtroopers
descended on Baja,
rolled over
the disrepaired highways
under the crescent moon,
both crazier than loons.

Dressed in full battle gear,
our billfolds
were stuffed to the hilt
with pesos,
mouths watered
for some aged tequila
& worms.

We met Rosa & Lupita
outside the cantina,
the drinking place
guarded by ten-year olds
carrying machine guns
covered with duct tape.

In the morning,
we were penniless
with hurt heads
& sore feet,
the amigas were gone.
Geno Cattouse Jan 2014
From thirty thousand feet above the desert floor I see it there below.
A city with a legend, the west Texas city of El Paso.

my mind is somewhere down there as I fly above the badlands of new Mexico.
Rose's cantina.

Bullets and badmen.
Don't take your guns to town son.
Marty Robbins made it real with his guitar and aching vocals
Chris Weallans Jul 2014
Brittle bright iced morning
Sun screaming across a harmonic sky
Misty windows clearing.

Work clatters to a halt
You sip cantina coffee and listen
As children beg biscuits

October afternoon
The Sun, behind the mist, between the trees
Pretends to be the Moon.

The iron runs steaming
Its slow warm dance across the shirts and sheets
As quiet evening falls.

You spark words with a friend
Discuss the politics of open love
With no point to defend.

I saw you once resting
Sweeping the hair from you lips with your hand
You gave a glancing smile.

These fine thoughtless  moments
Like unexplained dreams will last forever
Are dreams but dancing dust?

Is all of this madness?
If so I cling to this insanity
Plain, Beautiful, Hopeless!
Liam C Calhoun May 2014
Every time I see a
McDonnell-Douglas
80,
Or MD-80,
I sweat the deadened
Drop
Of a labor
I’d wish not
Remember.

We called it,
“The Oven,”
Name and noun
For the belly,
The belly of the
Beast –
Texas high noon
And no water,
While
Tossing luggage:
*******,
Prongs
And cadavers,
Hours on end
Under Spanish howl
And deafening
Jet engines.

I soon left,
The tarmac,
The turmoil
And clamor
Of airport operations areas.
I picked up,
Walked to the
Cantina
‘Cross the way,
Grabbed a beer,
Grabbed a U-haul
And grabbed my
Girl
On the way out.
I’m here now,
North
And of no end to
Mechanism,
My commodity
Food,
My machine,
Now a car,
Though admittedly,
When I look to the
Sky
And spot an MD-80,
I remember my
Toil
And sympathize for my
Sister,
A blonde and the
Youngest of the brood
Who continues to
Stomach that very
Hell
I’d freed myself from.
Published, "Down in the Dirt," magazine.
The Dedpoet Mar 2016
I retreat prompted by a certain
Charm for older things
Into my mechanized city:
A scene of 1920's buildings
Awaiting seeker of history.

    I sit by a grand oak
    With a book in hand
    And find a storage dimension
    Of Pecan and Ashe trees
    Whistling to Poplars in certain
    Winds between the River and the
    Town that runs through it.

Here in a walk with the River
I want to rest my soul
A destroy all other thoughts
Of complacent voices.

      An old cantina was placed
      At her heart, inside a Catholic
      Crucifix with Christ watches
      Over the patrons as they drink
      A merry round with old friends.

A profound feeling in the city,
I gaze at the Old Mission
Of the Heart, I remember her well,
The Alamo lights up my city
And perhaps my whole world.

     There is a tower of many Americas
     Compelling the watchers,
     Its as if the mercy of her heights
     Allows you to fly in the air
     Seeing certain histories from there.

I enjoy her charm,
San Anto at her heart
Is a maiden of loyal charms,
All resignation is set aside
As old voices speak to you,
And they  seem to say,
"Welcome, welcome old friends"
My charming downtown. Old style city.
rac1 Jan 2017
It's been years now
since I've seen her
I'm getting closer to Caterina
It may be why I'm here
sipping this beer
on the steps of the old Cantina
I sip the wine but do not swallow.
I let it fall to the earth at my feet.
Memories of warm arid air return.
A small village of ancestors.
Cellars of wine fermenting.
Near weeping barrels.
Fragrant smells of grape.
Wood fires of grapevines and
olive branches mix with the
fragrances of the evening meal.
My Grandfathers voice faint yet forceful.
My Grandmothers voice scolding yet yielding.
The dance continues.
Night rolls in off the mountains carting the souls of those who have been here always.
Young women parade before the festival.
Wolves watch.
The old men sing and play cards at the cantina.
The sound of church bells chime.
I climb the stairs to the roof.
Humid air flows as a river from the vineyards below.
A place I know and carry in my veins.
The memories intoxicate me.
In Vino et Veritas.
Aiere ha fatto n'anno - 'o diece 'e maggio,
na matenata calda e chiena 'e sole -,
penzaie 'ncapo a me: "Cu che curaggio
io stamattina vaco a faticà!".
Facenno 'o paro e sparo mme susette:
"Mo mme ne vaco 'a parte 'e copp' 'o Campo".
Int'a ddiece minute mme vestette
cu 'e mucassine e cu 'o vestito blu.

Nun facette sparà manco 'o cannone
ca già stevo assettato int' 'a cantina,
annanze a nu piatto 'e maccarune:
nu zito ch'affucava int 'o ragù.

C' 'a panza chiena, a passo... chianu chiano
mme ne trasette dint'a na campagna,
mmocca nu miezo sigaro tuscano,
ca m' 'o zucavo comme 'o biberò.

Tutto a nu tratto veco nu spiazzale
chino 'e ferraglie vecchie e arrugginite.
E ched' è, neh?... nu campo 'e residuate:
"il cimitero della civiltà".

Nu carro armato cu 'a lamiera rotta...
trattore viecchie... macchine scassate...
n' "Alfetta" senza 'e qquatte rote 'a sotto...
pareva 'o campusanto d' 'a Pietà!

Guardanno a uno a uno sti ruttame,
pare ca ognuno 'e lloro mme diceva:
"Guardate ccà cosa addiventiamo
quanno 'a vicchiaia subbentra a giuventù".

Mmiezo a sta pace, a stu silenzio 'e morte,
tutto a nu tratto sento nu bisbiglio...
appizzo 'e rrecchie e sento 'e di cchiù forte:
"Mia cara Giulietta, come va?".

Chi è ca sta parlanno cu Giulietta?
Nmiezo a stu campo nun ce sta nisciuno...
Tu vuo vedè che l'hanno cu ll' "Alfetta"?
Cheste so ccose 'e pazze! E chi sarrà?

Mme movo chianu chiano... indifferente,
piglio e mm'assetto 'ncopp' 'o carro armato...
quanno 'a sotto mme sento 'e di: "Accidente!...
E chisto mo chi è?... Che vularrà?".

Chi ha ditto sti pparole? Chi ha parlato?
I' faccio sta domanda e zompo all'erta...
"So io ch'aggio parlato: 'o carro armato...
Proprio addu me v'aviveve assettà?

A Napule nun se pò sta cuieto.
Aiere un brutto cane mascalzone
se ferma, addora... aiza 'a coscia 'e reto,
e po' mme fa pipi 'nfaccia 'o sciassi".

"Vi prego di accettare le mie scuse,
v' 'e ffaccio a nome anche del mio paese;
Ma voi siete tedesco o Made in Usa?
E come vi trovate in Italy?".

"Sono tedesco, venni da Berlino
per far la guerra contro l'Inghilterra;
ma poi - chiamalo caso oppur destino -
'e mmazzate ll'avette proprio ccà!".

"Ah, si... mo mme ricordo... le mazzate
ch'avisteve da noi napoletani...
E quanto furon... quattro le giornate,
si nun mme sbaglio: o qualche cosa 'e cchiù?".

"Furon quattro.Mazzate 'a tutte pizze:
prete, benzina, sputazzate 'nfacccia...
Aviveve vedè chilli scugnizze
che cosa se facettero afferrà!".

"Caro Signore, 'o nuosto è nu paisiello
ca tene - è overo - tanta tulleranza;
ma nun nce aimma scurdà ca Masaniello
apparteneva a chesta gente ccà.

E mo mm'ite 'a scusà ll'impertinenza,
primma aggio 'ntiso 'e dì: "Cara Giulietta".
Facitemmella chesta confidenza:
si nun mme sbaglio era st' "Alfetta" ccà?".

"Appunto, si,è qui da noi da un mese...
'A puverella è stata disgraziata,
è capitata 'nmano a un brutto arnese,
... Chisto nun ha saputo maie guidà.

Io mm' 'a pigliasse cu 'e rappresentante,
cu chilli llà che cacciano 'e ppatente;
chiunque 'e nuie, oggi, senza cuntante,
se piglia 'a macchinetta e se ne va".

"Di macchine in Italia c'è abbondanza...-
rispose sottovoce 'a puverella -
si no che ffa... po' nce grattammo 'a panza:
chillo ca vene ll'avimmo acchiappà".

"Giulietta, raccontate qui al signore
i vostri guai" - dicette 'o carro armato.
L' "Alfetta" rispunnette a malincuore:
"Se ci tenete, li racconterò.

Come sapete, sono milanese,
son figlia d'Alfa e di papà Romeo,
per fare me papà non badò a spese;
mi volle fare bella "come il fò".

Infatti, mi adagiarono in vetrina,
tutta agghindata... splendida... lucente!
Ero un' "Alfetta" ancora signorina:
facevo tanta gola in verità!

Un giorno si presenta un giovanotto
cu tanto nu paccotto 'e cambiale,
io, puverella!, avette fà 'o fagotto,
penzanno:Chi sa comme va a fernì!

Si rivelò cretino, senza gusto:
apparteneva 'a "gioventù bruciata".
Diceva a tutti quanti: "Io sono un fusto;
'e ffemmene cu mmico hanna cadè!".

Senza rispetto, senza nu cuntegno...
cambiava tutt' 'e giorne... signorina:
ci conduceva al solito convegno...
... alla periferia della città.

Chello ca cumbinava 'o giuvinotto?
Chi maie ve lo potrebbe raccontare:
io nn'aggio mantenute cannelotte
'e tutte specie, 'e tutte 'e qqualità:

la signorina di buona famiglia,
a vedova, 'a zetella, 'a mmaretata...
E quanno succedette 'o parapiglia,
stavamo proprio cu una 'e chesti ccà.

In una curva, questo gran cretino,
volle fare un sorpasso proibito,
di fronte a noi veniva un camioncino,
un cozzo, svenni, e mo mme trovo ccà".

"A nu fetente 'e chisto ce vulesse
nu paliatone, na scassata d'osse'...
Ma comme - dico i' po' - sò sempe 'e stesse
ca t'hanna cumbinà sti guaie ccà?".

"E che penzate 'e fà donna Giulietta?".
"E ch'aggia fà? - rispose 'a puverella-
So che domani viene una carretta,
mme pigliano e mme portano a squaglià".

"Giulietta... via, fatevi coraggio -
(dicette 'o carro armato). lo ero un "Tigre",
il popolo tremava al mio passaggio!...
Mannaggia 'a guerra e chi 'a vulette fà!

lo so cosa faranno del mio squaglio:
cupierche 'e cassarole, rubinette,
incudini, martelli, o qualche maglio,
e na duzzina 'e fierre pe stirà"

"lo vi capisco... sono dispiaciuto...
ma p' 'e metalli 'a morte nun esiste;
invece 'e n'ommo, quanno se n'è ghiuto,
Aiere ha fatto n'anno - 'o diece 'e maggio,
na matenata calda e chiena 'e sole -,
penzaie 'ncapo a me: "Cu che curaggio
io stamattina vaco a faticà!".
Facenno 'o paro e sparo mme susette:
"Mo mme ne vaco 'a parte 'e copp' 'o Campo".
Int'a ddiece minute mme vestette
cu 'e mucassine e cu 'o vestito blu.

Nun facette sparà manco 'o cannone
ca già stevo assettato int' 'a cantina,
annanze a nu piatto 'e maccarune:
nu zito ch'affucava int 'o ragù.

C' 'a panza chiena, a passo... chianu chiano
mme ne trasette dint'a na campagna,
mmocca nu miezo sigaro tuscano,
ca m' 'o zucavo comme 'o biberò.

Tutto a nu tratto veco nu spiazzale
chino 'e ferraglie vecchie e arrugginite.
E ched' è, neh?... nu campo 'e residuate:
"il cimitero della civiltà".

Nu carro armato cu 'a lamiera rotta...
trattore viecchie... macchine scassate...
n' "Alfetta" senza 'e qquatte rote 'a sotto...
pareva 'o campusanto d' 'a Pietà!

Guardanno a uno a uno sti ruttame,
pare ca ognuno 'e lloro mme diceva:
"Guardate ccà cosa addiventiamo
quanno 'a vicchiaia subbentra a giuventù".

Mmiezo a sta pace, a stu silenzio 'e morte,
tutto a nu tratto sento nu bisbiglio...
appizzo 'e rrecchie e sento 'e di cchiù forte:
"Mia cara Giulietta, come va?".

Chi è ca sta parlanno cu Giulietta?
Nmiezo a stu campo nun ce sta nisciuno...
Tu vuo vedè che l'hanno cu ll' "Alfetta"?
Cheste so ccose 'e pazze! E chi sarrà?

Mme movo chianu chiano... indifferente,
piglio e mm'assetto 'ncopp' 'o carro armato...
quanno 'a sotto mme sento 'e di: "Accidente!...
E chisto mo chi è?... Che vularrà?".

Chi ha ditto sti pparole? Chi ha parlato?
I' faccio sta domanda e zompo all'erta...
"So io ch'aggio parlato: 'o carro armato...
Proprio addu me v'aviveve assettà?

A Napule nun se pò sta cuieto.
Aiere un brutto cane mascalzone
se ferma, addora... aiza 'a coscia 'e reto,
e po' mme fa pipi 'nfaccia 'o sciassi".

"Vi prego di accettare le mie scuse,
v' 'e ffaccio a nome anche del mio paese;
Ma voi siete tedesco o Made in Usa?
E come vi trovate in Italy?".

"Sono tedesco, venni da Berlino
per far la guerra contro l'Inghilterra;
ma poi - chiamalo caso oppur destino -
'e mmazzate ll'avette proprio ccà!".

"Ah, si... mo mme ricordo... le mazzate
ch'avisteve da noi napoletani...
E quanto furon... quattro le giornate,
si nun mme sbaglio: o qualche cosa 'e cchiù?".

"Furon quattro.Mazzate 'a tutte pizze:
prete, benzina, sputazzate 'nfacccia...
Aviveve vedè chilli scugnizze
che cosa se facettero afferrà!".

"Caro Signore, 'o nuosto è nu paisiello
ca tene - è overo - tanta tulleranza;
ma nun nce aimma scurdà ca Masaniello
apparteneva a chesta gente ccà.

E mo mm'ite 'a scusà ll'impertinenza,
primma aggio 'ntiso 'e dì: "Cara Giulietta".
Facitemmella chesta confidenza:
si nun mme sbaglio era st' "Alfetta" ccà?".

"Appunto, si,è qui da noi da un mese...
'A puverella è stata disgraziata,
è capitata 'nmano a un brutto arnese,
... Chisto nun ha saputo maie guidà.

Io mm' 'a pigliasse cu 'e rappresentante,
cu chilli llà che cacciano 'e ppatente;
chiunque 'e nuie, oggi, senza cuntante,
se piglia 'a macchinetta e se ne va".

"Di macchine in Italia c'è abbondanza...-
rispose sottovoce 'a puverella -
si no che ffa... po' nce grattammo 'a panza:
chillo ca vene ll'avimmo acchiappà".

"Giulietta, raccontate qui al signore
i vostri guai" - dicette 'o carro armato.
L' "Alfetta" rispunnette a malincuore:
"Se ci tenete, li racconterò.

Come sapete, sono milanese,
son figlia d'Alfa e di papà Romeo,
per fare me papà non badò a spese;
mi volle fare bella "come il fò".

Infatti, mi adagiarono in vetrina,
tutta agghindata... splendida... lucente!
Ero un' "Alfetta" ancora signorina:
facevo tanta gola in verità!

Un giorno si presenta un giovanotto
cu tanto nu paccotto 'e cambiale,
io, puverella!, avette fà 'o fagotto,
penzanno:Chi sa comme va a fernì!

Si rivelò cretino, senza gusto:
apparteneva 'a "gioventù bruciata".
Diceva a tutti quanti: "Io sono un fusto;
'e ffemmene cu mmico hanna cadè!".

Senza rispetto, senza nu cuntegno...
cambiava tutt' 'e giorne... signorina:
ci conduceva al solito convegno...
... alla periferia della città.

Chello ca cumbinava 'o giuvinotto?
Chi maie ve lo potrebbe raccontare:
io nn'aggio mantenute cannelotte
'e tutte specie, 'e tutte 'e qqualità:

la signorina di buona famiglia,
a vedova, 'a zetella, 'a mmaretata...
E quanno succedette 'o parapiglia,
stavamo proprio cu una 'e chesti ccà.

In una curva, questo gran cretino,
volle fare un sorpasso proibito,
di fronte a noi veniva un camioncino,
un cozzo, svenni, e mo mme trovo ccà".

"A nu fetente 'e chisto ce vulesse
nu paliatone, na scassata d'osse'...
Ma comme - dico i' po' - sò sempe 'e stesse
ca t'hanna cumbinà sti guaie ccà?".

"E che penzate 'e fà donna Giulietta?".
"E ch'aggia fà? - rispose 'a puverella-
So che domani viene una carretta,
mme pigliano e mme portano a squaglià".

"Giulietta... via, fatevi coraggio -
(dicette 'o carro armato). lo ero un "Tigre",
il popolo tremava al mio passaggio!...
Mannaggia 'a guerra e chi 'a vulette fà!

lo so cosa faranno del mio squaglio:
cupierche 'e cassarole, rubinette,
incudini, martelli, o qualche maglio,
e na duzzina 'e fierre pe stirà"

"lo vi capisco... sono dispiaciuto...
ma p' 'e metalli 'a morte nun esiste;
invece 'e n'ommo, quanno se n'è ghiuto,

— The End —