Fresh from the lathe
Your bedpost pillar stands
In support of the canopy above

A quarter of the strength needed to Elevate You upwards from the
Floor below

A wooden column polished and
Created to collect
Hurt souls in notches

A monumental mast to be
Molded by martyred men
Out of love for You
-•-

So it begins
It's first nick comes as
A scar that dents the fine finish
An eyesore incision

The same as trash to treasure
One mans pain becomes
Your pleasure portrayed as
A slash across the room

Etched so deeply
The engraving as an epitaph for
A damaged embrace of failed love

With chisel in hand
You prepare Yourself to
Chop and hack Your way
Through honest men's lives

Consuming all in a
Sculpting effort to find what
You are truly looking for

Unknowing Your actions are a
Mere aimless diversion from
Living and existing as
Your own shallow self
-•-

This is just the start
As more come and go
Loving hearts are carved in
One by one and staked down to
Your ground

Chipping and scratching away
Bits of wooden passion
Fall in flakes and splinters that
Gather to cover the carpet

With good looks and a shiny smile
The gaps in Your picket post grow
Gashes that grind down and
Gnaw away with sharp selfish teeth

These grooves are reflective of
Your own emotion
But You refuse to let Yourself
Slow the pace until
You have reduced this
Upright support to a skinny stick

Your bedstead now an homage to Constantly diminishing attempts to
Shape Your life in love
-•-

When will You be satisfied that
It's finally been cut down to size?

Each slice doesn't change the score
Every sliver shaved away leaves Your heart
Your will
Raw and sore

Trimming little by little
Allowing hearts to crumble
A work of art You've whittled in a
Destructive stumble through
Crushed people

The indentions You've made
Are what have disintegrated
Your shame

You've let them erode
Eat and wear away
Weaken and grind down
Your heart and souls true desire to
Devote Yourself to
Just one man who will stay

You thought You could never align
With a single indent for all time

Now do You would realize that
You should have waited to
Watch what You'd been
Creating all along?

The bed has collapsed
Your bedpost is now
A jewelry box
-•-

Kneeling in reverence
Apprehensively opening the lid to
Reveal its contents

You find nothing except emptiness
The same as the
Company of the room You're in

No more places to tally tick marks
No more hearts left to hurt
No more bodies remain to
Cut and burn

Let the leaning sleep and the
Loneliness serve as a
Reminder of Your reckless abandon

No ring will ever reside in Your box
Your finger will be bare forever

As punishment for Your
Torment and misery
Anguish and agony
Sadness and suffering in
Perpetual heartache

A box from a bedpost
                 </3

Heirlooms

Jun 2017

One day, parkouring through my uncles two story apartment,

I was drawn naturally to his desktop computer

upon which I found his OkCupid Dating profile.

I don't remember his username, Or anything about the site really,

But I remember the head-shot of a beautiful woman

framed above the desk

the sterile grey Rubbermaid totes behind me like caskets, 

How they made even the hardwood floors

look like they were holding in the dead.

For my Grandmothers birthday

my family gathered at Captain Newicks

her favorite seafood restaurant.

My uncle flirted with the waitress.

I don't think I've ever gone to a restaurant with my uncle where he

didn't flirt with the waitress.

Captain Newicks went out of business shortly after that dinner

followed shortly by my grandmothers life.

the relationship between my uncle and that waitress expired well

before both my Grandmother or Captain Newicks.

I remember asking my grandmother about my Uncle.

Tarots Fool would have predicted

my grandmothers eyelids

a silent prayer before her words.

He had two children by his first wife,

keeps a portrait of her above his desk.

She was a blessing on the family

Selfless amd loved by every one.

She took her own life

Spread her wings to break free from the cage He kept her locked in.

He buried his heart in her casket,

motorcycles, empty bottles

had a third child by a second wife

who buried her heart in drugs and strangers.

Amanda was 6 years old when her mother died.

my uncles wife. Her brother josh was 3

when she died my uncle wanted to put them both up for adoption

he didn't.

Their mother died on the 20th of September

a week after her 25th birthday.

their mother once bought a bunch of carnations

with a dead rose in the middle

and said "it looks like I'm dead".

she took a bottle of pills before going to a chinese restaurant

went out as a family

and collapsed at the table.

she was rushed to the hospital

she didn't make it.

their mother wasn't happy

her and my uncle were getting divorced at the time

lived in the same house that I grew up in.

when my uncle told the kids mommy wasn't coming home

my mother was 17 

and there to see all of it.

When my mother was 17 

she had to watch her baby cousins be told their mother had died.

When my grandmother passed.

grief bounced off of my uncles callouses

ricocheted to my cousins, robbed 

twice now of a selfless mother.

The tragedies in my family

have always enthralled me.

like shakespeare sonnets

I breath them into my faithless nights

tap an extra dream-catcher on my bedpost

in space of a prayer.

When The hearth-fire of our family dimmed 

a tealight in my grandmothers eyes.

grayed, Glossed.

she could no longer crochet 

one big dysfunctional quilt, 

together from our families yarn.

without her needle, 

I was determined to watch how our life spun forward.

The next time I saw my uncle,

He offered me a job.

Thick mosquito blinded us as we carried our sweat 

with Rubbermaid totes into a blue two story home 

deep in the evergreen thickets of Maine.

a tall white fan rotated slowly back and fourth 

Cooling the wet patches on our T-shirts while my Uncle 

flirted with the landlord

I still remember when my uncle tossed me the truck keys

the look of terror I gave him

How easy it was for him to trust

I guess when your heart is buried in a casket 

you stop worrying who has your keys.

It makes me remember

when my daughter asked for my keys 

I would sit her in the drivers seat

watch her pretend to drive.

I loved imagining her free

living how she wanted.

I still wouldn't give her my keys.

she would turn my car into a casket.

It makes me remember

when that little girls mother asked me to drive

My words spun portcullises

prison bars forged in anxiety

scaffolding out of latex secrets

Glued with siren smiles, pacifier kisses

denying cigarette smoke on her breath

fueling infernos in my head.

when my uncle handed me his keys without hesitation.

my religion was insulted by his tough skin.

I felt his simple kindness 

like a splash of holy water. 

saw in me, the devil 

caging a woman like property

holding her hostage 

out of fear.

And yes 

when She could drive she left me

And yes 

when she left me she took her daughter.

every morning 

cereal bowl of pills, I **** myself

keep a poster of my mothers face 

covered in bruises 

behind the tiny orange bottles 

to remind me why I do it.

wake up twice, 

first as Phoenix, dying

second as a watcher, writer and admirer.

callouses are not to protect us from the outside at all.

Callouses harden our bodies into caskets.

Hold in all our dead.

⚠Trigger Warning:
The following poem contains subject matter pertaining to ****** assault and misogyny. ⚠
~
you call the ******

*****:

because the hair between my legs reminds you of a cat's fur? reminds you of an animal that is frightened by the simplest of matters--yes, you call me weak.

but that is just the way you prefer us, isn't it?

with our backs arched (but not too high).

forbidden to leave room for a man to crawl under our bodies.

a man is not meant to lie beneath a womxn, no;  

for, a womxn's place is between the man and the mattress.
___________________
***­:

is that all we are good for?
__________________­
box:

many things can be put inside a womxn, an empty vessel that you believe it is your role to make full again.

storage locker where you keep your **** rent-free.

slab of cardboard collecting filth in the attic.
__________________
bea­ver:

another animal analogy.
_________________­_
cookie. cupcake. ****(in). bean:

to butter up. to Flick.

inhaled, not savoured;

nothing more than a midnight fast-food run.
___________________
min­k:

skinned and sold and worn-- a notch in your belt (and your bedpost).
_________________­
cherry:

popped(!)
____________­_____
clam:

stolen treasure.
_________________­
kipper:

in the staff room, someone has left an unopened bag of shrimp crisps. A man I work with walks in and says it smells “like bad ***** in here.”


i laughed.


why the **** did I laugh?
__________________
flo­wer:

plucked from the garden of eden.
__________________­
*******:

blackout.
_____________­____
hoo-ha:

a battle cry.
___________________­
****:

a word i was taught never to say aloud

(i do it anyways.)
_________________­
***:

you abbreviate our bodies.

our voices, too.

will we never make it to four letters?

(love)
__________________­
whispering eye:

a whisper is but a gateway to silence.
__________________­_
You call the ******

*****.
***.
box.
******.
cookie.
cupcake.
****(in).
bean.
mink.
cherry.
clam.
kipper.
flower.
*******.
hoo-ha.
****.
***.
whispering eye.

but never what it truly is:

Beautiful.
____________________

Gemini in seasonable  evening,
serenely swirling in Septemberous
ferris wheels
reeling in the vast domain
of lonesome leviathans
and witch-fires;
nowhere bound in the boundless fecundity
[ the feral joys of creation... ]
twins
meander in gravity's
well of souls,
swollen with unknowns and proteins;
golden rods in pointless foam
brewing the elixir vitae
in the Dippers cup. the Milky Way,
a wayward gush
from an ancient Mother Goddess,
plump and shameless, pumping teats
to nurse worlds
infused with divine rays of gamma and x...
why set dark apart
from firmament burning
spheres?

dragons
must clutch eggs in the void
as much
as fork tongue white dwarfs.
of course, the Source
unfolds
as  Love does. it's purpose,
in thrall of fearless veracity,
spinning yarns for glad garments
to clothe the naked dread
of such fearful symmetries
as roam the wild delights
of the infinite
meringue.

the Pi
on the window sill,
tempting the circular frame of reference
to square with the sublime Will.
another Fibonacci in your
bedpost,
to better hobnob with
broomsticks.
everything annihilates hatred.
from within,
we sojourn to sovereign super-continents
of opulent peace.
profound realities surge serpentine
with Meaning.
we are outdone on the inside by small minds
and farcical
hearts.

so at night
look up.

Love's Tongue Is
Love's
Word.

It all began when someone left the window open.
The love bird cocked its bright green head at the shut door of Woodren’s third floor bedroom, perched on her bedpost. Its bright black eyes glittered, listening for the sounds of Woodren’s footsteps. None came. It ruffled its feathers impatiently; waiting for Woodren to come back with some water for its thirsty beak.
The love bird’s first memory was of Woodren: her clear gray eyes expressing her great happiness through them and not through the tiny curve of a smile on her thin pale lips. Her small white fingers pressed on the syringe gently, and a hot, mushy substance that tasted of apples and bananas went down its throat. The tiny black beak clattered against the plastic syringe greedily. “Aw, you poor baby. You’re hungry aren’t you, my Hoopsie-girl?” she murmured.
She then later taught her baby lovebird to fly with the patience of a mother. As soon as its wings started flapping feebly, she lifted Hoopsie up on the palm of her hand above her head and drew her hand away quickly, teaching the lovebird to fly and landing on Woodren’s soft bed. On cold nights, Woodren would wrap her favorite emerald green scarf around Hoopsie and place her behind the television where it was always warm and sellotape the electric sockets and wires so that Hoopsie was safe.
Woodren never even considered snipping the feathers of Hoopsie’s wings; she would never hurt her darling creature, and snip of its greatest glory. She would comb the feathers with a miniature pink Barbie brush, noticing how blue feathers had started to appear on Hoopsie’s wings and red ones slowly layered beneath the blue as time went by.
Showering Hoopsie was the hardest of all. Aunt and Uncle Palmer had no idea that Hoopsie even existed and revealing her presence would leave both Hoopsie and Woodren with no home. Late at night, Woodren would have to sneak out to the bathroom on the first floor (not on the second floor because that one was right next to Aunt and Uncle Palmer’s bedroom), down the stairs (taking care to step over the thirteenth stair that groaned so loudly), turn on the taps quietly and wash a sleepy Hoopsie with warm water.
Her two youngest cousins often made fun of her for the funny smell that stuck on her clothes sometimes. Linda and Lucy, her bratty twin cousins, asked in their scornful sing-song voices, “Why do you lock your room Woodren? Scared we’ll find all your old ***** clothes under the bed that you wouldn’t let Ma throw away?”
“No, maybe she’s scared we’ll find naughty magazines? If we do, we’ll tell Pa and you’ll have nowhere to stay ‘cause Pa says that type of behavior is sinful and he won’t tolerate it in his house!”
Woodren found it in her heart to look upon her silly cousins as childish entertainment. What did they know of the love she had for Hoopsie? “No, I’m scared you’ll find the monster under my bed and start crying for your Ma”
Linda narrowed her blue eyes, “I’m telling Ma you mentioned Lucy’s fear of the monster under the bed to her face! Besides, you don’t have anywhere else to go. You live on Pa’s charity. Ma said so.”
It was the lowest of insults based on a harsh truth. Woodren’s mother had died of cancer when Woodren was very young and her father followed her mother not a year after with heart grief. Her mother had asked her younger sister to take in Woodren; they were her only relatives and had stopped being fond of her once their own two twin daughters arrived and Mr. Palmer started to have to work harder to feed the six bellies at his dinner table. She just became another mouth to feed.
The only person Woodren got along well with in the household was her eldest cousin, Max. Max rarely spoke in anything but grunts, thought of his two little sisters as annoying brats, refused to say more than two sentences at a time to his simpering mother and loudly obnoxious father and often came and sat in Woodren’s room with his large feet against the wall, stroking Hoopsie’s head in silence. She really was fond of Max sometimes. He could be so thoughtful. Just two weeks before, for her birthday, Max had bought her maroon silk curtains with white birds imprinted upon them. He had even gone further than that and stitched in white thread, “Happy birthday. I love you” a red wonky heart followed and then “From Hoopsie.” Simply imagining him sitting there with a huge, thick curtain holding a tiny needle in his bear-like paws, cursing as he stabbed his rough fingertips and fumbling clumsily made her shout with laughter.
It was Max’s idea to buy Hoopsie a big metal cage and attach it to a branch on the big tree in their garden with a piece of shoelace, hidden among all the green leaves. That way, when Hoopsie sang Woodren wouldn’t have to blast her music and radio at the same time or pinch Hoopsie’s beaks shut when her Aunt or Uncle come to  yell at her if she was deaf or crazy or both. And that way, Woodren’s room wouldn’t have its twangy smell of bird **** and Woodren wouldn’t have to be paranoid all day long at school, wondering if nosy Aunt Palmer had broken into her room and found Hoopsie. And that way, she could leave her window open during the day, trying to rid her room off the nutty, sugary smell.
Max’s room was on the same floor as Woodren, the third floor. Every morning, bright and early before school, Woodren would run with a small lump in her sweater and the keys to her locked room jingling on her wrists to Max’s room. Max would barely acknowledge her as she ran across his room, opened his window and climbed out like a monkey to the branch that pushed against his window sill. She crawled along it with speed and sat there, with her legs hanging down and the branch between her legs, fumbled for the cage door above her head, made sure there was enough water and food to last Hoopsie for the day, popped Hoopsie inside with a quick kiss, arranged the fan-like fresh morning-smell leaves to cover the cage completely and skate back towards Max’s window.
Hoopsie mourned with a few high whistling notes. She hated being away from Woodren during the day- waiting for the moment when the sun was getting hot, and Hoopsie was tired of chatting to the birds in the nearby trees, when Woodren’s sharp little white face with its explosion of frizzy black hair would appear in between the leaves with her happy grey eyes and let her fly around the tree before calling, “Hoopsie” followed by her signature tilting whistle. But for now, and for every morning till noon, Hoopsie would have to wait.
“You don’t think they’ll find her do you?” Woodren would ask Max as she clambered back into his window. It was their daily morning ritual.
“No. Pa told Ma that it’s all about privacy now that I’m a growing-up boy. I’ll lock my door; promise.” He would reply back, completing their ritual.
“Are you still eating lunch with that Ed kid?” he asked, completely breaking their ritual this morning.
“Yes.” She was completely surprised. Not only was Max breaking a routine, Max of all people, he was doing so by asking her a question about her personal life.
Woodren eyed Max strangely. To her, Max was her huge cousin that somehow managed to communicate with a variety of different grunts and hated cutting his hair because of his fear of sharp objects; but to the rest of the school and neighborhood, she knew Max was the “strong and silent” handsome tall boy, every girl’s dream, with his shaggy blonde hair.
“Why?” her gray eyes grew rounder when suspicious instead of narrowing.  
“You don’t have many friends at school.”
“You know I don’t get along with any of them but Ed. I don’t like being friends with people unless I actually like them… unlike all the other girls at school.”
“I don’t like you staying around the Ed kid too much.”
Woodren felt a little glow of affection for Max in her heart. She understood why Max was worried. Ed was unstable with the rest of the world. He did what he wanted to, he said exactly what he wanted to and he wasn’t afraid of anything because he didn’t care what anyone said. He was the kid that the no parents wanted their children to stay near. There wasn’t anything Ed hadn’t done before.
Despite what everyone else thought, Woodren knew that his morals and sense of good and justice were strong in his heart. And when it came to Woodren he was always there for her since he moved to the neighborhood more than half a year ago. No matter how many offending remarks he made, she felt he had become the only stable thing in her life in spite of him being so apt to change. She had learned to depend on him.  
At the breakfast table, Woodren’s gray eyes slid over from Linda to Lucy to Aunt Palmer to Uncle Palmer and rested on Max the longest. Until she had come to look at Max, all four of them were identical in their attractive features and identical in their pinched-up, suspicious and petty expressions glazed over with a courteous mask. Max’s blue eyes, though the same shape as Aunt Palmer’s and the same color as Uncle Palmer’s, expressed a good heart and sincerity.
Her first subject of the day was an art lesson. All she had to do was sit comfortably, a palette with swirls of colors, paintbrushes, charcoals and pencils, a *** of water, and a fresh-smelling page. Usually she drew herself as a monster, or Linda as the devil- disturbing pictures that made people believe she was “talented”. But today, it came to her all of a sudden she’d never done a good, worthwhile painting of Hoopsie. Sure, her tables and notebooks were filled with carvings she’d doodled in class but never something she would want to keep.
She started to sketch Hoopsie on her bed post, eyeing the nuts Woodren had stolen from Aunt Palmer’s snack cupboard. She drew Hoopsie in the big tree and painted a metal cage around her. Somehow, the silver cage ruined the picture completely, making Woodren grimace. When the paint dried, she erased Hoopsie from inside the cage and drew her beside it, her small black feet gripping a twig.
Woodren remembered how elegant birds looked when she looked up into the sky, and saw them with their wings spread out and imagined feeling the wind rush through her feathers and ripple down her head and spine, with a heaven of azure blue surrounding her, shooting through clouds cold and refreshing like a sprinkler in the garden. Maybe that’s what freedom tasted like. She tried drawing Hoopsie soaring in the sky before she realized she’d never seen Hoopsie soar like other birds do, because Hoopsie had never done so.
Broodingly, she packed up when class was dismissed, slowly and thoughtfully. Somehow, that small beginning of a painting had darkened her frame of mind completely. Still ruminating, she headed down the hall way to eat lunch.
“Woody!” Hearing the sound of that voice, she momentarily forget her unease and Woodren’s thin, pale lips spread in a smile even before she turned around to him. Ed was the only one who ever called her that. His oval head was covered in small black bristles and one of his black eyebrows rose as he smirked with his pink lips curving down. The diamond earring in his ear glinted like his teeth did. He caught her eyes with his hazel ones; his eyes were warm and lively.  His mouth formed words that were witty and charming and could always make Woodren laugh.
Woodren put a look of amazement on her face. “You came to school today.”
“What are you talking about? I’ve been coming to school nearly all month.”
“That’s why I’m surprised.”
He hit her arm lightly. A few girls nearby turned around and giggled when they caught Ed’s eyes. Woodren remembered when Ed had first come to school. All the prettiest girls at school kept sidling over to him and batting their eyelashes. Ed had taken one look at the curves on their bodies; his eyes flickered over their face, a little bored, and continued his conversation with Woodren as if there had been no interruption.
It was a mark of their friendship three weeks later when she told him about her family. His hazel eyes had burnt hotly. When he was angry, his voice was quieter, but strained as if the passionate anger behind the words were being controlled with the greatest effort, “People who ruin other people’s happiness on purpose and with joy are just plain evil.” He told her that he hated the monsters that kidnapped children, crippled them, not only in body but mind too, and forced them to beg, far away from those that loved them. Here followed a stream of facts, all said in the same tone that both scared and impressed Woodren.
“How do you know so much about it?” she had once asked him.
He looked at her with an odd gleam in his eyes, “Because I care.”
Now he was looking at her without breaking his gaze, the same odd gleam in his eyes, searching her face. “What’s wrong?”
“Nothing.” She had still been brooding over Hoopsie in a cage, and why the picture upset her so much.
“Woody, tell me what’s wrong.”
Every time Woodren mentioned Hoopsie, Ed would go silent or make an offending remark about the way that Woodren took care of Hoopsie. Over a very short time, Woodren had learned never to mention Hoopsie’s name and though it drove her crazy with frustration, she knew Ed would never tell her reason the why if she tried to pry it out of him. Knowing not to answer truthfully, “I told you, nothing”
“I can tell when you’re lying. Your eyes grow whopping and your mouth pouts to the right.”
“Shut up.”
He looked at her searchingly before giving up with an irritated sigh.
“Come with me.” The chair scraped as he pulled out and pushed the table away from him. His tall frame dwarfed her.
He brought her to the back of the school where teachers and students never went, leaned against the wall and lit a cigarette. “You want to try one?”
“I don’t smoke, Ed”
“Why won’t you even try it?” The tone he used when he was about to state something that began an argument leaked into his voice smoothly, like oil. Woodren opened her mouth to list the damaging things it did to your lungs and heart but his voice had begun in its rapid, silky tone:
“Because society has brain washed you so that if you smoke when you’re a child, you’re a horrible ungrateful creature that will never go far in life. But when an adult smokes, it’s okay. You don’t smoke because people and teachers tell you not to try it. Well I say, **** them. These are the best years of your life. Do what you want, try everything so you can make the choices of your life later with a rounded experience and knowledge. I’m not saying get addicted. You have to be strong if you’re gonna be a risk-taker…” he inhaled deeply and exhaled in a husky voice, “I just thought you always went on about how you were such a strong risk taker.” He blew a cloud of heavy smoke above her head. “Oh, and of course you won’t try it because Aunt and Uncle Palmer said it’d be sin, isn’t that right?” he asked with a tantalizing grin in a mocking tone. He watched her face contort with anger, his hazel eyes dancing with glee. He knew he had hit at the bull’s eyes. No one ever jeered at Woodren’s inner power and then put her on the same note as her Aunt and Uncle.
A sudden snarling sound flared from her. She didn’t have to listen to anything Aunt and Uncle Palmer said… they never did anything worthy intentionally. She knew that. He was just stupid. She swore at him and knocked the cigarette out of his hand with a smart slap before storming away. An amused laugh from behind her made her ears tingle pink.
As soon as school was over, she pushed pass Ed who was waiting for her and ran back home. Opening the front door of the house, she scurried up the stairs to the third-floor and knocked on Max’s door. When she opened it, Max was already holding Hoopsie in his big hands. Hoopsie sang with joy when she saw Woodren.
“Hoopsie-girl” Woodren whistled with a tilting note that Hoopsie identified instantly. Hoopsie flapped over and landed on her shoulder.
“By the way,” said Max, “she must have knocked over her water because it was wet on the bottom of the cage. She kept trying to drink it. She’s thirsty.”
“Oh you silly Hoopsie! Why did you knock over the water? You know I’m supposed to have 8 cups a day?” she pampered the lovebird with caresses and endearing words before hiding Hoopsie in her shirt and running back to her room.
Woodren placed Hoopsie gently down on the bed post

when you are three you will bring home your first tracks of mud from the garden when you sneak out of the door to play. i will wash the grass stains off your socks and tell you to wait for mummy to come out next time too.

when you are four you will bring home your first macaroni necklace from nursery school and try to eat it raw. i will put it around your neck and we will make pasta together, minus the glue.

when you are five you will bring home tears and your first bleeding knee after falling off your tricycle. i will clean up the wound with antiseptic, put on a smiley face band aid and tell you it is okay to cry.

when you are six you will bring home your first finger painting from kindergarten and a white tee shirt that is streaked with a myriad of colour. i will place it on the laundry pile and we will stain canvas with paint coated fingers for the rest of the afternoon.

when you are seven you will bring home your first report card and babble excitedly about the A you got in art class. i will tell you i knew your teacher would love the tiger you drew that had too many teeth.

when you are eight you will bring home your first best friend and you will ask if you can have a sleepover. i will bake you cookies and put up a tent in the backyard so you can fall asleep under the blanket of stars.

when you are nine you will bring home your first 100 on a test and ask me if perfect is a good score. i will hug you and say that no score can be more perfect than you are.

when you are ten you will bring home your first girl guide badge and tell me you need it sewn on your uniform. i will teach you how to use a needle and thread and see your pride at accomplishing the task on your own.  

when you are eleven you will bring home your first medal from a junior fencing competition and tell me you love the foil but you are scared of the older ones who use epees and sabres (even though one day you will be one of them, too). i will hang the medal on your bedpost and show you my rusting sabre in the storeroom and tell you my stories.

when you are twelve you will bring home your first case of chickenpox from the girl who sits next to you in class. i will make you chicken soup and we will make bad puns about poultry for the next two weeks of quarantine.

when you are thirteen you will bring home your first failure on a test paper. i will sit with you in your room and go through your mistakes and we will learn together, because you are more than a number and i never want you to forget that

when you are fourteen you will bring home your first questions about why the girls in school giggle about boys when the name you doodle in your jotter book is the one of your hauntingly beautiful social studies teacher. i will tell you that love is whatever you believe it to be and who you love is less important than why you love them.

when you are fifteen you will bring home your first can of beer in an effort of rebellion and try to hide it in your room. i will get out the wine and we will share it and i will teach you all there is to know about alcohol and being careful around it, and regale you with stories about the fact that i am a happy drunk.

when you are sixteen you will bring home your first attempts at a resumé and tell me you want to find an internship. i will watch you with pride as you make your own way as part of the working crowd for the very first time and learn more than i could ever teach you on my own.

when you are seventeen you will bring home your first girlfriend and introduce her to me, blushing and stammering. i will smile and ask her if she wants any orange juice from the fridge, and watch you give me a grateful grin.

when you are eighteen you will bring home your first college application and all the relevant documents. we will sit down over the kitchen table and discuss the pros and cons of local and international schools.

when you are nineteen you will bring home a suitcase and some assignments when you come back home during break. i will watch you tuck in to local fare ravenously and listen to you dreamily talk about the girl you share your dormitory with.

when you are twenty you will bring home your first paycheck from a part-time job you’re holding while studying for your degree. i will joke with you on what blue chip stocks to invest it in and we will go out for dinner at a swanky restaurant together.

when you are twenty one you will bring home an engagement ring and ask me if it is too young to ask your dormmate turned lover forever. i will remind you that love has no age and preconceptions have no place in devotion.

when you are twenty two you will bring home everything you need to propose to the love of your life. i will watch her stare at you in shock and fall into your arms and cry, and i will smile at the way your breath leaves your lungs, and you cry along with her.

when you are twenty three you will bring home your first pre-wedding jitters and be fretting about tomorrow’s ceremony. i will reassure you that everything will be perfect- even if it isn’t.

when you are twenty four you will bring home your first spare key to your new place and entrust it to me. i will bring over the dishes you and your wife love every sunday and we will have dinner together, talking, teasing, and laughing till we cry.

when you are twenty five you will bring home your first daughter you have adopted from the orphanage.

and daughter, i hope you will tell her the things i have told you.

longing
1. noun; a yearning desire
- i never used to be uncomfortable in my own bed. i knew your name before my rib cage started to sing it in my sleep. every night that has passed crosses itself off of a pocket-calendar that is stuck in the drawers of my chest. you move your favorite things into the empty spaces, you hang your worst fears up like clothes that are waiting to dry, you scratch how you love into the bedpost and put your handprints all over the walls. i can't take a deep breath without
hearing your voice in the refrain of my lungs.

yearnining
2. noun; a feeling of strong want or need
- the first time i heard your voice, it sounded exactly like what
your voice should sound like. soft, barely above a whisper, low
and confident and eager. when you spoke, i wanted
to cancel the outside noise of my breathing to listen to you. i wanted
to close my eyes and imagine that voice next to my ear, barely
above a whisper, low and confident and eager and right there
with both of our breathing suspended by its echo.

desire
3. noun; a strong feeling of wanting to have something or wishing for something to happen.
- every day it is something different. your eyes and how they
almost close when you smile. how your whole family has brown
eyes but you have bright blue ones that turn to gray as the
seasons wear on. your hands and how they look like you
should play an instrument, im saying put those hands to
good use and find something to strum. and we laugh because
you know what i mean. your laugh. it sounds like an answer
to a question i've been asking the silence.
give me someone to love like that. give me someone to love like that. give me-
like a call back from the
darkness. like, here he is in all of his glory and you
still can't have him.

My father was always one notch on his bedpost close to hypocrisy
and my mother was a couple notches shy of getting there-
she never dabbled in multiracial relationships like my father did.
You see when I was growing up
I had a crush on the little mixed boy down the street
and I was afraid of telling anybody
but it wasn't because of his skin-
but because ew, feelings. Right?
I never saw just black and white,
skin color was never a forefront
it was all just background noise-
to me it was all just gray.
There's no handbook about who you connect with
and there's no color scheme that's gonna show you who to trust.
I realized that because before I had a boyfriend
No black people where allowed at my house
not because they didn't want me hanging out with black people-
but because they were afraid I would end up with one.
Segregation was my father's second nature
and I would like to blame it on the era he was born-
even though I'm really not so sure.
And now that I have a boyfriend everything is fine...
It's like in their mind the more melanin the more sin
I'm sorry father and mother but there is no color coordination
to this thing we call life-
I never grew up afraid of colors because I loved rainbow-
I never grew up scared of the skin that wasn't like mine
just because of all the stories these white folks like to tell-
But the funny thing is
it was a white male, and a white female that molested me....
And my parents probably would've warned me
about the mixed boy down the street-
so really? who should we be afraid of?

Everyone. Equally.

Hey Harvey Wallbanger
I’d like you to tie me to the bedpost, baby
And press your fuzzy navel to my slippery ******.
Give me your white angel kiss and I’ll lie down like a brown cow
While between the sheets you play the Italian stallion.

Like a kamikaze pilot head for my pink squirrel
Then give me your ol’ Alabama slammer
And pack a *** punch into that screwdriver of yours.
I want a screaming ******
That’ll send me to blue heaven. Wu Wu!

So, don’t mention that ****** Mary
With her devil’s kiss,
Or you’ll find I can give a snake bite that’s as deadly as a B-52.

Instead let’s ride into the tequila sunset in our golden Cadillac
For *** on the beach
And on the sea breeze we'll hear an old love song sung by a ‘salty dog’ with a Gibson
And watch a tropical storm over Manhattan
We'll go to Peppermint Patti’s café
And order an Irish coffee and a large slice of cherry pie.

Happy, after dark let’s drive home for a sloe comfortable ***** with satin pillows
And fall into the sweet surrender of a summer dream.

Cross-legged and bare foot,
Spice on the tongue,
Iced beer through a straw;
Makeshift ****
On the white-wash balcony
Over dusted streets.

Revolving procession of strangers,
Exhausted stories born new;
Doctored through years of rehearsal.

I am every man.
White skin mistaken for affluence,
Exchanged for free gifts
And easy ***.
I never need to remember
Their names. They are always gone

By the afterglow morning,
Nights of mad love with no consequence;
Climbing heaven with feet on the ground.

Bruise of her mouth,
Stifled ******;
Surface wound on my shoulder
The only evidence
She was here.
Impermeable, remorse stale

As last night’s cigarette.
My open door births a crack of light,
Too slight for anyone to pass through.

Are you thinking of another
While you're lying here with me
Is your mind out there cheating
wishing it were free
free to love another
while we lay here once again
Your body is here with me
But, your mind, it is with him

you came to me from someone else
you cheated once before
you thought of me while with him
because you wanted more
I gave you all I have to give
But, I know I've lost you to
Someone who thinks he's the one
And who knows not what you do

In all our time together
Were you cheating in your mind
Was I just a passing fancy
Until another you would find
Is the game the expectation
of what you'll get next time through
When you told me that you loved me
How much of that was true

You're cheating and I see it
There's no passion anymore
Am I a notch upon your bedpost
Adding one more to the score
Are you thinking of another
when you lie here in my bed
I may have you now in body
But I don't in heart or head

Are you thinking of another
While you're lying here with me
Is your mind out there cheating
wishing it were free
free to love another
while we lay here once again
Your body is here with me
But, your mind, it is with him

i want to eat you
let no one else have you
tie you to my bedpost
and leave the house for the whole day

uneventful day graces
what might one say when all
the cookies are gone
make merry with marrow narrowness

the slave’s in my bedroom with
window blinds open for all to see
in shocking stark gestures
and through showering trees

my dear, where has all the poetry gone
i might answer, where the cookies
and love went, the stubbornness
of push and shove, you speak when i say you can

beg when i want you to

Sticks and stones may break my bones
But whips and chains excite me
So tie me the bedpost master
**** me ride me bite me

I.
Well you know that I sip on my sadness, my dear,
filthy palms, filled to the brim.
And I know that you watch trains
passing by, dizzy eyed, still drunk with sin.
Your teeth reek of reality lately,
You smile facts, figures and cracked calcium.
Now, once more with cupped hands
leaking, shaking delirium up to your chin.

Well I know that I’ve missed the point, honey
I should get it tattooed on my wrists,
but you know you talk like firecrackers
so flinching gets awful hard to resist.
I make believe that I’m right like craters
make moons believe.
So I’ll comment on comets and ignore
truths popping between parentheses.

My delusion has your lips liquored up,
but I notice your tongue...

II.
You say,
“It’s fiction we live in. You play in pastels
and fake hollywood rhythms and I’m tired,
staring up at your screen.

You're addicted to this diction. My voice is lost,
screaming these words you keep stealing
and twist for yourself what they mean."

III.
Your lips liquored up,
but I notice your tongue's not numb.
Drink deep, darling. Let's inoculate.

IV.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."

It's this clothing, from bedpost to box-spring,
It's all wax-coats and smoke screens,
live lit-candle lasting
When did skin begin to fit wrong?

V.
So they say, one day
Or, one day, they say,
we’ll find ghosts sewed to the seams
of Fringe Wolf bones picked clean
who waltz wicked and crooked a foxtrot to show
that sometimes loss is beautiful.
And when I ask for your hand you’ll look tragic
like this dance was only ever for me
and my feet always fall off beat
Like I beat off any discreet romancing
To pretend that this dancing was
Anything more than masturbatory.
I guess I do dance the way I drink:
Heavy handed and troglodytic
And a little listless, but I always fight it.
So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering.
You keep whispers like keepsakes.
You speak so soft but
Baby, your voice sticks with me
like sickness.

VI.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."

Alright, it's fiction that we live in
It's intended for men like me, bottled, up-ended,
but at best I just seeped through your teeth.

VII.
I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway.
Your voice sticks
to my ghost-sewn, sea-floor bound foot steps like sickness.
Tread lightly, my love. Let's inoculate.

VIII.
So when they ask for me at the after party
With neon eyes and harlot tongues,
You can tell them I traded this stale air in
For forest fires and tornado lungs.
Because I’ve been reading up in matchbooks
how to dance with disastrous fate,
and I'm finding my rhythm so wake silent
or sleep long, my love. Let's inoculate.

Do not touch yourself.
Your body is not yours to claim,
Reign in your securities
And tie them to the bedpost
A notch that your crotch will never

Remember,

Do not try to regain
The strength to stand up tall,
It only gives you a place to fall from.
If you hold your head up high
People will start looking what is inside.

Remember.

Only let others touch which is yours.
Now open your legs for a round of applause.

With wings like barn doors, perched upon the tower and scathing
The king fell, the Earth moved and let him drift slowly to death
Bukowski on the bedpost sang rosy melodies through tin can headphones
and the daffodils of a thousand fields wilted at the news of her death
Needles fall from the *****'s arms, a rain drop escapes

Coca-Cola bottles strewn on a green carpet, smooth under foot
and the festival casualties drift aimlessly to their scorching cars
Pills fall from pockets as a forlorn criminal collects coins
The clouds disperse from the estate, reggae disrupts cats making love
Bass that resonates, crumbling cars and the warring between neighbours

Lay with her as the coffin descends, gun crime statistics
Spinoza makes accusations from beyond, ethical misappropriation
Stop talking, for your voice could make an angel weep
but the children still scream, running, frenzied on the lava streets
Cracking bull whips at the backs of a slave, ******* passion, weeping
and the sun sets in the East, proverbial ******* to the populace

Franzen now teaches me how to live such a lonesome life
While the night holds me like a mother once would
Until I pass,
and the arms of Susanna Blamire beckon
Hold me close
I'm scared

Bedpost gold.
Common contours.
Bare blankets unfold.
Unraveled slack.
Treasured hazel tundras gazing back.

Hollow silver.
Lavender lace.
Stitched up smile.
A diamond ace.
Balanced on a crystal brim.
Faded toil.
A violent grace.

everyone's dying and all I can do is scream at the top of my lungs and wait for the bathroom light to burn out so we can use up all the extras we bought for the apocalypse that's never going to happen

and we smoke too many cigarettes in the house and everything is kind of yellow and you can't see yourself in the mirror proper but the stains on the couch and the carpet and the bed sheets seem to do the trick just as well

and we stay up too late and see more of the moon than the sun but we talk about our dreams like it hasn't been six months since we last saw a sunrise

and the floor is made of dust and ash but we never fall through when the blinds are closed and you carve the notches in the bedpost too deep and the bed collapses beneath us again

and the traffic never stops and the snow never melts cause it's always cold here but we burn the newspapers and our old science textbooks to keep warm and I couldn't even tell you what month it is now

but this morning I opened my eyes and read what the walls have been writing for months and we climbed up on ladders and smashed the ceiling.

we made a skylight and watched the sun rise

For once I would like to be longed for. I have spent countless hours of my life yearning for love from people who did not know how to accept mine. I have been told time and time again that not everybody will understand the way I love. Not everyone holds their hearts in the same regard as I do so they do not know how to return my love back to me. Over time I started confessing my love in front of mirrors, my reflection both the sender and the recipient of my love letters.

For once I would like to be the girl you dream about. I want to be on the receiving end of smiles from bubbly girls. I long to be the one to make brooding boys laugh. I am the only one writing poems about strangers I see in the streets. I make playlists for my best friend to tell her I love her but never send them. My love has been rejected too many times to take chances. I have accepted that maybe I’m only meant to dish out love like donations. My heart is spare change in empty coffee cups on busy city sidewalks.

For once I would like to be loved. Not just liked. Not just a fling or a fleeting thought or another notch on another persons bedpost. I want someone to think of me in the same way I think of them. I want someone to look at me and see a spark. A possibility. A future that’s worth working for. I would like to be on the receiving end of goodnight texts sent long after I’ve already fallen asleep, so when morning comes I can know I’m on someone’s mind even when I’m not present. Maybe someday I’ll be the girl you hear about in love songs but for now I’ll keep writing love letters I never send. Spilled ink will never hurt as deeply as watching someone you love not love you back.

You left your mark
On my bedpost again,
Beautiful and
fresh with sin.

we danced under
a haze of ignorance
just hoping to hold again
holding up my hope with this.

You string me along
by the week,
I'm feeling little and meek
Without you by my side and then

You left me again
With a mark
on my bedpost
Filled up with sin.

This is not a love poem.
Because
I know nothing about the entrancement of Romance
It’s like watching a mime mimic antics
It makes me panic.
No, I write epics and tragedies.
About political catastrophes.
About the rhythmic anatomy of poetry.
Not about “How do I love thee…”
But let me count the ways that these days
Have grown strange;
The passage of time has seemed to stop.
This black clock’s bold Tock and
Tick have been erased and
I’m still sick with the aftertaste
From the venom of your kiss
Your toxic lips made me itch that
Poisoned twitch One-thousand times
Before my bloodshot eyes
Went blind to your beauty.
“A most unfortunate disability”
Professionals told me
But I just sighed and smiled insignificantly
“No, no, you see this,
Ironically, is immunity.”
Imperviousness to seduction

But this is not a love poem.
It’s a professional epiphany
An observation

All research and annotations state things like
Blind Fortunes and
Heart complications are just
Minor alterations that
Spark fascinations in
Lab coats and stethoscopes.
Isotopes of foreign hopes
Are my safety ropes to cope with my
Distance away from you another day
And there I go again.
Every ******* word I say will start out right
But then convey to betray me with the
Cliché decay
Of a fluttering heart.
And on this day when time has stopped
I’ll re-lock my jaw that dropped
And, with Blind Eyes, this mental case
Will try to trace the chalk outlines
Of  lucid days
With the white spine
Of the brain stem

But this
Is not
A love poem.
Because
I refuse to be Entranced by Romance.
I’m the kind of guy who would Panic in
That Frantic state of mind
And draw away from Sunlight
To find warmth Moonshine
To bite the bullet and lace up these shoes
Because eleven shots and twelve steps
Is the closest I get to refuge.
See, I dream in the Black and White
Of a first version television box set
About Bloodied tragedies
And political catastrophes
Set to a beat based on
The rhythmic anatomy of poetry
Rarely about “How do I love thee…”
Or the bedpost marks of
Fading, Chalk-Laced Memories.

It was a cool morning in January
when I cracked my blinds
and peaked at the world I knew.
Bright breasted robin, perched in the azalea,
watched me dress and curse this life.
He did not sing, did not so much as move
as I dragged my feet and clutched my chest.
Bright breasted robin, soaring the skies,
always came back to make sure
each morning my lights turn back on.
He watched me tie myself to my bedpost,
hide away the razors, suffer through headaches
because I convinced myself I lost the aspirin…
It wasn't until a warm March morning
that I could open my blinds
and gaze upon the robin that sang me awake.
A nest, perhaps two feet from the glass,
perched on the limbs that clawed a child's dreams,
sat the bright breasted robin and three others:
A choir, A reminder, A hope.

Stare at your bedroom wall
and bard me a story about
the creeks of white between
the sun-patches of blue paint,
the faded yellow of the door
where the damp towel was hung
day after day after day.
Tell me about the mark
of a swept paintbrush
that accidentally destroyed
distinction between wall
and radiator.
They're no longer clean,
either of them.
How are the door handle dent marks
from that hurried moment when
you rushed into your room
away from our argument?
What of those stories?
Will you need a new place
to erase the memories from your mind?
The flies and the walls cannot speak
to anyone but you now.

It's all rotten anyway.
The sweet stink of evenings
spent in an intimate supine,
with a cleaver caught upright
in the cutting board bedpost.
We were atop one another
with our faces to the ceiling,
reading passages of poems aloud
after drenching the bed sheets
in varied indentations.
Cut words and minced gazes,
we grayed as shadows
against those weathered walls.
I remember those walls,
moonlight had reflected off the frames
of littered photographs, those stories,
and created a dance floor pattern of crescents
and plank-meeting-plank askew.
Those walls will tell me stories
even if you decide not to anymore.
I'd buy them all up, I would,
as I do the meat hook-hanging
in the butcher shop.

I leaned in towards her, mimicking the curve in her back and the squint in her eyes. I rested my chin in my hands, completing the final touches to creating a mirror between us. A mirror. I smiled to question which one of us was the reflection and which was the reflector. Or, perhaps, we are inertly tied together at the wrist. The definition of reflecting written in my scars, hidden beneath my cardigan.  I smiled, and she smiled back, no longer questioning me, no longer doubting any part of my sincerity. I leaned back, and she followed me, relaxing into her new role.
I knew that I had her now, that I had all the power. With this, I formed promising words on my lips. Caressed careful tears down my cheeks while her head nodded and her hand jotted. I weaved the world I lived in, colored it red and black, or blue and pink. I brought her to the edge of the cliff side, and nudged her in, to be ****** under the carpet of waves and disappear in the waters and the wild. But, I brought her back up, nestled her in my arms and drifted back to Earth and to the warmth of the desert. I braided her hair and fixed her mind to the glorious battlefields of my youth, the stunning victories and the ****** defeats. I was the hero. A shining beacon of light in the dismal landscape.
I could tell be the way her lip quivered at the end of my story that I had won. Like wrinkled silk clinging to a bedpost, she hung onto every word I said and gazed in awe at the girl who overcame all odds. Victory was mine indeed.

But I take no prisoners.

Carrying her scalp, I left her screaming body in the office, next to the box of tissues and the thrift-store couch, which was still warm from where I had sat.

And I went on to the next therapist, a new story already brewing in my mind.

you knew
what you were
doing
with all that
slinking around
in
lingerie and
leather
it didn’t matter
to you
that I was
only
ten

you kissed
my childlike eyes
with an
open mouth
until I adjusted
to the
light in the
cave
of your
tongue and
teeth and
lips
you hot, ****
handgun

in high-heels
you were
dancing
on a primetime
table
hammer-cocked
back
turned sideways
for show

commercial
breaks were
the 75 cent
bathroom
vending-machine
condoms
that couldn’t
stop
anything

are you as
proud of
my glorious
fist-fights
as you are of
how
good you
look
with the right
lighting?

my gaze is
handcuffed
to the bedpost
of death
and light-
hearted
****** mysteries

because it’s
just
make
believe
so what, if
it is pretty
violent
after all?
it is
pretty
it is
violent

sure, I’ll
grow
out of it
or get
over it
if I don’t
grow
into it
or get
under it

like I got
under your
sheets
“all the better
to snipe you
with, my dear”

and
I haven’t felt
any of it

The game played no longer how it once was
No votes on new posts
don't check the trends
or check your own for views and comments
The substantive roaming data of broken WiFi connections
Mangle your jangling words, hide your swollen faces behind forced smiles, Rembrandt bastardisations or smeared oil paintings of the black soul(less) beasts that lurk in satiate tree shadows fawned over the lawnmower blue cycle rinse washed acid soaked daydream ***** slap nation
So you revere the works once read on poetical facsimile sites
only to smear words of younger wordsmith wrangled teen angst
and now in your age and ardor it seems advantageous to judge
But then that will leave you hollow inside
or in fact, you could jump from a tall building only to bounce off the concrete into a children's pool and drown there in three inches of **** coloured rain water
But so instead the workload decreases as your dementia bedpost nightmares
all come aflutter
The laced lily white throng of petal pinched patterns masks
the marked men on their dusty knees
There, watch how heads explode
or listen to foley artists rendering the lacquered finish of the watermelon headjuice
Make up words
or make up lies
Wear make-up daily, earn some prize
or don't
I don't care
idc
idk
Resemble rhyme or reason
Disassemble the times and season
Return to pejorative pretensions, rants in verse verse verse verse prose format and **** the rest
Or simply return to the old ways of playing the game
Upvote this, and maybe they'll take interest
Comment here
return one there
Use tags, hashtags, wash rags, fat slags, arm chair fat cats
But always separated by spaces, prettyblankspaces
No, I don't do slam poetry, I'm too white and not nearly rich enough to not care
Reassemble the times and season, maybe make sense of it
Maybe not
Just don't let them become a passing trend, please

i havent washed my hair in a week. ive been wearing these braids for the last four days but today a girl said my hair looked like the sea, thick water green with life, my heels fall too heavily when i walk and i know i seem angry but i promise im just tired, i'm drinking pond **** and pretending it's sweet  im falling off the roof again

ATLAS HOLD ME UP ATLAS HOLD ME UP I KNOW IM NOT THE WORLD TO YOU IM JUST A GIRL THAT MADE YOU CRY BUT GOD IM SO ******* SCARED IM AFRAID OF DROWNING BUT I HOLD MY HEAD UNDER SALTY WAVES ANYWAY

this is like a brick to the gut this is like a skipping record screaming the same words with the same intonation but prefaced by a thousand of itself it somehow takes on new meaning a new sort of color, a repetition rash, a spot you cant stop scratching

BUT REALLY WHAT MATTERS MOST ISNT THE LAST WORDS YOU SAY BUT THE LAST WORDS YOU HEAR BECAUSE THE WORLD IS STILL MOVING THE WORLD IS ERASING ITSELF BUT YOU ARE ENDING I AM ENDING AND I DONT WANT YOUR VOICE AS THE LAST ******* NOTCH ON MY BEDPOST

and you said you could still feel me, you said you could taste me like pennies in your mouth but it meant nothing and we were petty we were hollow we went as far as grazing lips and faking smiles i know you werent what i wanted did you know i wasnt what you wanted?did you know im not what you need?did you wait for me to touch you and wither when i turned away?im sorry im so callous. im sorry im so detached.

THIS IS A HAMMER TO THE KNEES THIS IS YOU WAKING AT TWO AM CHOKING ON MY HAIR THIS IS YOU FLINCHING WHEN YOU SEE ME SMILE THIS IS BLISTERED LIPS AND CALLOUSED KISSES AND BITING MY TONGUE FOR THE FIFTH TIME TODAY MY EYES HAVE BEEN BLOODSHOT SINCE BEFORE WE MET IM SORRY I DIDNT LET YOU AFFECT ME BUT WHEN I CRY IT IS NOT FOR YOU I AM OVERWHELMED BY MYSELF AND YOUR APOLOGIES ARE ONLY KINDLING IN A BONFIRE A WITCH BURNING MY GRANDMOTHER TOLD ME ID GO TO HELL AND I GUESS ITS COMING TRUE

im just a ******* storm chaser, running after anything that could be a hurricane and leaving when its just another ******* sigh i stand in the shadows of broken people and get bored when they hold me instead of ripping me apart, what the **** is wrong with me?ive been listening to your voicemail for the past ******* hour, you want to know why i havent called you back, it took five months to realize you were no hurricane, it took five months for my interest to fade and its my fault, i gave you time to get attached then tore you away like a bandage soaked through and useless im sorry, i thought you were stronger than this at least strong enough to bruise but instead you hold my hand and cry.i cant take this.i don't want your love i want you to destroy me i want you at least to try and im sorry i let you think i was whole enough to balance you but im just a different kind of broken

I WANT INTERLOCKED FINGERS AND SUPPRESSED LAUGHTER IN A CHURCH BUT I GUESS THATS ASKING TO MUCH THATS SELFISH ITS MIDNIGHT AND IM SCRIBBLING UGLY FACES IN A NOTEPAD, IM THINKING ABOUT YOU, I WANT SOMETHING DIFFERENT I DONT WANT TO BE THE ONE ALWAYS LEADING THE ONE ALWAYS HAPPY I WANT TO BE SWEPT ALONG IN SOMEONE ELSES GALEFORCE FOR ONCE AND I WANT SOMEONE TO WANT ME NOT SOME IDEAL THEYVE GLUED ONTO MY SKIN IM NOT DEEP IM NOT SEDUCTIVE IM NOT CLEVER IM JUST IMMATURE AND INSECURE WITH STANDARDS HIGHER THAN I DESERVE

i dreamt of you last week. you cut off my hair while i stared at the floor, wove tapestries to hang on your walls, left me comatose in the kitchen. hasn't it been a while since we spoke? how've you been?

ITS ALWAYS GONNA HOLD A SPECIAL MEANING FOR ME THE WAY YOU LET ME PHOTOGRAPH YOUR BRUISES AND I HID MY CIGARETTES WITH THE NECKLACES MY GRANDMOTHER GAVE ME I HAVENT TOUCHED THEM IN WEEKS BUT ****, IM WRITING ABOUT YOU AGAIN AND I NEED SOMETHING IN MY MOUTH THAT ISNT YOUR NAME

i wanted us to live forever in a whirlwind spinoff universe, falling too fast and laughing too hard to think, your fingernails scratching me enough to bleed, but you called me annabel lee and i wonder why the ******* wanted me to die, but i know i cant blame you because poetry is hard to understand, you can only have one or the other i understand poetry but not people emotion only makes sense in theory, wild chaos and discord, and ive been in love with eris since i was a child, but with your hand in mine i cannot reach  through your ears to pull out your thoughts in verses and try to understand you, and im sorry that i hide my verses from you instead of telling you *i feel trapped

Her hands shaking like the bedpost,
Springs are sprung in a similar way to how I am for her,
Bending over effortlessly to feel the sway of her remarks.
If only her remarks were as sweet as her accent,
(If only she had an accent.)
Brave wake-up calls furthering our existence.
Memories lost at the bottom of half empty bottles & at the top of the ping-pong ball's curve.
The sky has been dark for a few hours & the back seat is really the only place we have ever found coherence at.
Tears. Lots of tears.
"Forget about them, take a little chance with me."
The friction,
the faulty red cups,
the unforgettable music,
the fair use of things that are older than our grandparents,
the flavor of her lips, (which makes me think of home, which makes me remember what shattered glass looks like on a kitchen floor & helps me remember what hands that would grab my arm too hard felt like) nostalgia in a pair of lips,
the fruit we were all too eager to try,
the fall of our bodies & the rise of our voices,
the few times we actually would like to remember,
the famous upside-down sip,
& the four words that I could never say in her presence again:
•Light
•Deer
•Exhibit
•Hello
"Promise me you won't forget me."
Misunderstanding her voice never helped me until now.
We're very tired.
We're very sleepy.
But yet our lips aren't.
They seem to forget their purpose once they have a taste of sin.
"Please don't tell anyone I did that."
We're too young for this & I think that's why we do it.
Purposely persuading your every step.
"Don't tell her I said that"
Home is now haze & books are now blur.
More tears.
"I'm not ashamed of you, I just like keeping everything a secret."
We're too old for mistakes & I think that's why we choose to make them.
Calm nerves make her nervous & so do unsteady pens.
"Please don't be mad at me."
We're too smart to be stuck on the same chapter & I think that's why we close the book instead of continuing to read on.

We're all just accidentally sinking to the bottom of the ocean.

[ G Major 3/4 time]

Some nights I cant remember
All the things that happened
I never will get over
All the mornings after

How many loves of a lifetime
Walked right out my front door
While I lied-awake hopelessly
Wanting for more

Each notch in my bedpost
Another scar on my heart
Of the ten-thousand maybes
Who turned out to be not

They march right through me
In an endless parade
Insufficient remedies
For someone I cant replace

My pulse is the drum beat
Our love was the war
And their harmonies choke me
As I hang by my
Guitar chords

I keep on playing you
A song written for her
It has a different title now
The contents are undisturbed

Violins whisper
A dull aching pain
And in a hundred "I love yous"
I whispered her name

Each moment of ecstasy
That rips you away
Leaves the empty shell of me
Searching for an escape

But her song keeps playing
A phantom theme in my head
While you reach your crescendo
I'm just here in our bed

My pulse is the drum beat
Our love is the war
And our harmony chokes me
As I hang myself by my

Emptiness chokes me
As I hang myself and I

Suffocate
As I hang by my
Guitar chords

<instrumental - strings bridge>

<modulated harmony and waltz... piano>

<drums and acoustic front + choral vocal overlay "suffocate...">

Her pulse was my drum beat
My love was the cost
Cashed-in in self-sacrifice
It was me that I lost

In mirrors like pictures
I can see who I was
But I look so different now...
I became "I am because"

We shared our heartbeat
Our love was the war
and this song hangs
Something unfinished
I suffocate
Trapped in our tapestry
It's just me
Left to hang by my guitar chords

Gun metal and asbestos
The tundra of your father’s eyes
His heart left in London after the war
Stubborn, your mother clung to the lie
Hide the shameful sight
Your hands left over right
Roll a crochet ****** under your blanket
Picture perfect mask the missing
Digits and appendages
“That child’s not mine…Ma”
Shoulda put ya in a home

Whispered sins and indiscretions
You slept with your sister in silent rooms
Peed in a porcelain ***
Defiant, Old Nellie in her witch gray wool
She won’t latch the outhouse again
Keep that abomination strapped to your thigh
Crossed and awake at night
You came out swinging when he touched you
"Shoulda put ya in a home…."

Pick the rock salt from your hide
And never cry
Secrets sting more than saline bullets
You bared those knees in a hand made dress
And fled…newly wed
Birthed that ten toed baby girl
Relegated yourself to the drain of domesticity
Brownstones and picket fences
When did you cast the first thread
Spiderwebs and pyrite
Whispered sins and indiscretions
Broken dishes…
Broken bones…
Broken vows…
You lied so much better than you lived

That crave for validation in your fathers’ eyes
Drift away over his open grave
You played Taps in the shadows
One last time
I was an open wound in a house of pain
You couldn’t love your child
And swallow the shame
That little redhead down the street
Baby boy you couldn’t give
Fed your shattered ego with fear
In my eyes
Notch your bedpost with ticks for lovers and fools
Man eater never sated
**** point met….She’s not your daughter
You left him in an empty room
Payback is a jade eyed snake coiled up in your marriage bed

That High school Knight
Greasy hands and milk toast breath
You fled again
Tell me you’re happy
When he’s gone from dawn to dusk
Catching crappies* and suckin Pabst in a can
While you pickle yourself with cheap *****
And soap operas
Buried your crazy mother, your Witch of a sister
And the **** you married first….
No ripples of remorse
In the cement of your soul

We only speak across miles
Unreconciled
You will never apologize
Little dreams strangled
Wet ******* around my neck
Soap in my mouth
Welts and belts,
Wire brushes and hangers
Fitting discipline
Can’t leave my own alone with you
Drown your grandchild in the toilet bowl
Rather than ask for the truth
From a terrified child
Who had only begun to adore you
Now I can’t love his scars away
The truth is bitter, cold and lonely
Love cannot grow in a heart of stone
Chiseled bitter by the sins of a mother
A father and another
You never had a chance to be
Complete….
02/24/10
For Barbara....
*crappies are a pan fish.

The world wants delicate creatures
That never rust
When with the faintest vibration
They crumble into dust
So you can keep the fresh bouquets
Lined up on your bedpost
I'm happy just to be the mulch
That made the garden grow

She's Japanese and Cherokee
And whiter than a ghost
She'll pull your hair and scratch your back
She's quite the host
She's definitely not the type
For meat and potatoes
The broke-back boys and wig-haired girls
Are scratching their elbows

The world wants strong features
That never fade
When only a sliver of us
Ever hole that ace
So you can keep making time
While your soldiers make haste
I'll be the one with a blowtorch
In a vat of toxic waste