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1347

Escape is such a thankful Word
I often in the Night
Consider it unto myself
No spectacle in sight

Escape—it is the Basket
In which the Heart is caught
When down some awful Battlement
The rest of Life is dropt—

’Tis not to sight the savior—
It is to be the saved—
And that is why I lay my Head
Upon this trusty word—
{My Soul} I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

{My Self}.  The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

{My Soul.} Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.

{My self.} Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery --
Heart's purple -- and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.

{My Soul.} Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known --
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

{My Self.} A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? --
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.
brandon nagley Aug 2015
i

She isn't thy average
Typical being;
She sit's upon a loft
Only made for a queen.

ii

Her bedstead is mine
We shareth ourn pillow;
I've never been so happy
Her love, pure as a meadow.

iii

A battlement coordinates
Wherein we shalt be protected;
She's spiritually awoken me
Hari and his reyna, ressurected.

iv

I shalt beget her, from her painful sleep
Now she's awoken, her face none more weep's;
Other's shalt Bestir us, from what they can't get
Though we shalt prevail, with love, forgiveness, them to forget.


v

Brigandine silver, shalt dress me in battle
For If beast's cometh close to mine queen, their boot's shalt rattle;
A Gilbertese I wilt carry, known as a shark tooth weapon
Mine Filipino empress is mine all, no faltering, none question's.



©Brandon nagley
©Lonesome poet's poetry
©Earl Jane dedication/Filipino rose......
Thou who wouldst see the lovely and the wild
Mingled in harmony on Nature's face,
Ascend our rocky mountains. Let thy foot
Fail not with weariness, for on their tops
The beauty and the majesty of earth,
Spread wide beneath, shall make thee to forget
The steep and toilsome way. There, as thou stand'st,
The haunts of men below thee, and around
The mountain summits, thy expanding heart
Shall feel a kindred with that loftier world
To which thou art translated, and partake
The enlargement of thy vision. Thou shalt look
Upon the green and rolling forest tops,
And down into the secrets of the glens,
And streams, that with their bordering thickets strive
To hide their windings. Thou shalt gaze, at once,
Here on white villages, and tilth, and herds,
And swarming roads, and there on solitudes
That only hear the torrent, and the wind,
And eagle's shriek. There is a precipice
That seems a fragment of some mighty wall,
Built by the hand that fashioned the old world,
To separate its nations, and thrown down
When the flood drowned them. To the north, a path
Conducts you up the narrow battlement.
Steep is the western side, shaggy and wild
With mossy trees, and pinnacles of flint,
And many a hanging crag. But, to the east,
Sheer to the vale go down the bare old cliffs,--
Huge pillars, that in middle heaven upbear
Their weather-beaten capitals, here dark
With the thick moss of centuries, and there
Of chalky whiteness where the thunderbolt
Has splintered them. It is a fearful thing
To stand upon the beetling verge, and see
Where storm and lightning, from that huge gray wall,
Have tumbled down vast blocks, and at the base
Dashed them in fragments, and to lay thine ear
Over the dizzy depth, and hear the sound
Of winds, that struggle with the woods below,
Come up like ocean murmurs. But the scene
Is lovely round; a beautiful river there
Wanders amid the fresh and fertile meads,
The paradise he made unto himself,
Mining the soil for ages. On each side
The fields swell upward to the hills; beyond,
Above the hills, in the blue distance, rise
The mighty columns with which earth props heaven.

  There is a tale about these reverend rocks,
A sad tradition of unhappy love,
And sorrows borne and ended, long ago,
When over these fair vales the savage sought
His game in the thick woods. There was a maid,
The fairest of the Indian maids, bright-eyed,
With wealth of raven tresses, a light form,
And a gay heart. About her cabin-door
The wide old woods resounded with her song
And fairy laughter all the summer day.
She loved her cousin; such a love was deemed,
By the morality of those stern tribes,
Incestuous, and she struggled hard and long
Against her love, and reasoned with her heart,
As simple Indian maiden might. In vain.
Then her eye lost its lustre, and her step
Its lightness, and the gray-haired men that passed
Her dwelling, wondered that they heard no more
The accustomed song and laugh of her, whose looks
Were like the cheerful smile of Spring, they said,
Upon the Winter of their age. She went
To weep where no eye saw, and was not found
When all the merry girls were met to dance,
And all the hunters of the tribe were out;
Nor when they gathered from the rustling husk
The shining ear; nor when, by the river's side,
Thay pulled the grape and startled the wild shades
With sounds of mirth. The keen-eyed Indian dames
Would whisper to each other, as they saw
Her wasting form, and say the girl will die.

  One day into the ***** of a friend,
A playmate of her young and innocent years,
She poured her griefs. "Thou know'st, and thou alone,"
She said, "for I have told thee, all my love,
And guilt, and sorrow. I am sick of life.
All night I weep in darkness, and the morn
Glares on me, as upon a thing accursed,
That has no business on the earth. I hate
The pastimes and the pleasant toils that once
I loved; the cheerful voices of my friends
Have an unnatural horror in mine ear.
In dreams my mother, from the land of souls,
Calls me and chides me. All that look on me
Do seem to know my shame; I cannot bear
Their eyes; I cannot from my heart root out
The love that wrings it so, and I must die."

  It was a summer morning, and they went
To this old precipice. About the cliffs
Lay garlands, ears of maize, and shaggy skins
Of wolf and bear, the offerings of the tribe
Here made to the Great Spirit, for they deemed,
Like worshippers of the elder time, that God
Doth walk on the high places and affect
The earth-o'erlooking mountains. She had on
The ornaments with which her father loved
To deck the beauty of his bright-eyed girl,
And bade her wear when stranger warriors came
To be his guests. Here the friends sat them down,
And sang, all day, old songs of love and death,
And decked the poor wan victim's hair with flowers,
And prayed that safe and swift might be her way
To the calm world of sunshine, where no grief
Makes the heart heavy and the eyelids red.
Beautiful lay the region of her tribe
Below her--waters resting in the embrace
Of the wide forest, and maize-planted glades
Opening amid the leafy wilderness.
She gazed upon it long, and at the sight
Of her own village peeping through the trees,
And her own dwelling, and the cabin roof
Of him she loved with an unlawful love,
And came to die for, a warm gush of tears
Ran from her eyes. But when the sun grew low
And the hill shadows long, she threw herself
From the steep rock and perished. There was scooped
Upon the mountain's southern *****, a grave;
And there they laid her, in the very garb
With which the maiden decked herself for death,
With the same withering wild flowers in her hair.
And o'er the mould that covered her, the tribe
Built up a simple monument, a cone
Of small loose stones. Thenceforward all who passed,
Hunter, and dame, and ******, laid a stone
In silence on the pile. It stands there yet.
And Indians from the distant West, who come
To visit where their fathers' bones are laid,
Yet tell the sorrowful tale, and to this day
The mountain where the hapless maiden died
Is called the Mountain of the Monument.
"OH, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea."

"That story is in print!" I cried.
"Don't say it's not, because
It's known as well as Bradshaw's Guide!"
(The Ghost uneasily replied
He hardly thought it was).

"It's not in Nursery Rhymes? And yet
I almost think it is -
'Three little Ghosteses' were set
'On posteses,' you know, and ate
Their 'buttered toasteses.'

"I have the book; so if you doubt it - "
I turned to search the shelf.
"Don't stir!" he cried. "We'll do without it:
I now remember all about it;
I wrote the thing myself.

"It came out in a 'Monthly,' or
At least my agent said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he edited.

"My father was a Brownie, Sir;
My mother was a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught to vary.

"The notion soon became a craze;
And, when it once began, she
Brought us all out in different ways -
One was a Pixy, two were Fays,
Another was a Banshee;

"The Fetch and Kelpie went to school
And gave a lot of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and a Double -

"(If that's a *****-box on the shelf,"
He added with a yawn,
"I'll take a pinch) - next came an Elf,
And then a Phantom (that's myself),
And last, a Leprechaun.

"One day, some Spectres chanced to call,
Dressed in the usual white:
I stood and watched them in the hall,
And couldn't make them out at all,
They seemed so strange a sight.

"I wondered what on earth they were,
That looked all head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me in the back.

"Since then I've often wished that I
Had been a Spectre born.
But what's the use?" (He heaved a sigh.)
"THEY are the ghost-nobility,
And look on US with scorn.

"My phantom-life was soon begun:
When I was barely six,
I went out with an older one -
And just at first I thought it fun,
And learned a lot of tricks.

"I've haunted dungeons, castles, towers -
Wherever I was sent:
I've often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.

"It's quite old-fashioned now to groan
When you begin to speak:
This is the newest thing in tone - "
And here (it chilled me to the bone)
He gave an AWFUL squeak.

"Perhaps," he added, "to YOUR ear
That sounds an easy thing?
Try it yourself, my little dear!
It took ME something like a year,
With constant practising.

"And when you've learned to squeak, my man,
And caught the double sob,
You're pretty much where you began:
Just try and gibber if you can!
That's something LIKE a job!

"I'VE tried it, and can only say
I'm sure you couldn't do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.

"Shakspeare I think it is who treats
Of Ghosts, in days of old,
Who 'gibbered in the Roman streets,'
Dressed, if you recollect, in sheets -
They must have found it cold.

"I've often spent ten pounds on stuff,
In dressing as a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth the trouble.

"Long bills soon quenched the little thirst
I had for being funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made of money!

"For instance, take a Haunted Tower,
With skull, cross-bones, and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains complete:

"What with the things you have to hire -
The fitting on the robe -
And testing all the coloured fire -
The outfit of itself would tire
The patience of a Job!

"And then they're so fastidious,
The Haunted-House Committee:
I've often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the City!

"Some dialects are objected to -
For one, the IRISH brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself in Bogies!
398

I had not minded—Walls—
Were Universe—one Rock—
And fr I heard his silver Call
The other side the Block—

I’d tunnel—till my Groove
Pushed sudden thro’ to his—
Then my face take her Recompense—
The looking in his Eyes—

But ’tis a single Hair—
A filament—a law—
A Cobweb—wove in Adamant—
A Battlement—of Straw—

A limit like the Veil
Unto the Lady’s face—
But every Mesh—a Citadel—
And Dragons—in the Crease—
Inori Kimimoto Sep 2021
the meaning of an apology:
echoes of a thousand I’m Sorry’s;
the silence of deceit, its awful slink;
the humbled hope to atone,
to pay amends where due,
to mend the maimed,
and trust renew.

forgiveness is a sad word:
it bears the scar of a wound;
to forgive is to hope with hurt.
it is to trust in tide to wash ashore;
for in lack of trust and hope,
it is noble to sink with the ship.
it is bolder yet to hop asea,
and let tide be guide.

the parable of the builders:
the wiser built his house on  rock,
the rain came down,
the floods came,
the winds blew,
and beat on that house;
and it did not fall,
for it was founded on a rock

the foolish built his on sand,
the rain came down,
the floods came,
the winds blew,
and beat on that house;
and it fell — and great was its fall.

determination's downfall;
for, is a house still not a house
despite its foundation?
fortune's fortress looms;
our sandcastle holdfasts hampered in comparison,
but home is neither keep nor battlement,
neither moat nor bailey,
neither portcullis nor drawbridge;

home is where you touch the ground,
where you choose to grow...

the rain will retain its hiss;
but the rain is still the rain,
the floods remain the floods,
and the wind is just the wind.

~ Inori
After a long hiatus from writing to focus on my academic life, which currently is in shambles, I present my apology: an I'm sorry for allowing negativity, doubt and youthful ignorance to get me down to the point of barely functional soon-to-be drug addict ; an apology long overdue.

~ Inori
Tim Knight Apr 2013
Service station blues:
another meal beside the news
station stand, and as Tuesday
clicks into Wednesday
I wait in no queue to be served
by no one.

From behind the
confectionery battlement,
decorated with the money-off-percent
products below,
a professional service station stalker
walked closer,
(hopefully to queue in the no one
queue beside, behind, next to and near
me).

We waited together for some
service in the service station queue,
as midnight became morning,
black sky to blue.
FACEBOOK.COM/TIMKNIGHTPOETRY
Trees and the menace of night;
Then a long, lonely, leaden mere
Backed by a desolate fell,
As by a spectral battlement; and then,
Low-brooding, interpenetrating all,
A vast, gray, listless, inexpressive sky,
So beggared, so incredibly bereft
Of starlight and the song of racing worlds,
It might have bellied down upon the Void
Where as in terror Light was beginning to be.

Hist!  In the trees fulfilled of night
(Night and the wretchedness of the sky)
Is it the hurry of the rain?
Or the noise of a drive of the Dead,
Streaming before the irresistible Will
Through the strange dusk of this, the Debateable Land
Between their place and ours?

Like the forgetfulness
Of the work-a-day world made visible,
A mist falls from the melancholy sky.
A messenger from some lost and loving soul,
Hopeless, far wandered, dazed
Here in the provinces of life,
A great white moth fades miserably past.

Thro' the trees in the strange dead night,
Under the vast dead sky,
Forgetting and forgot, a drift of Dead
Sets to the mystic mere, the phantom fell,
And the unimagined vastitudes beyond.
Linah Lynge May 2012
Let us hope these wings can fly, for they are all that I have.
Let us be prey to the sky, and hope these wings be dashing.
Let me wish for one more second that stillness will be granted.
Battlement to battlement let man soar.
Cody Edwards Feb 2010
Sepia wind runs through forgotten hands
Around a fitted frame, beneath a door;
Too like a battlement of local lore,
Too like an estuary of white sands.
And wind continues on and eastward past
A café built by Orpheus to house
The hungry lovers that would look, would louse
Eurydices by looking on at last.

And all to meet a rail upon a coast
Where sits a flower and a god of earth
Exchanging looks that burn the stars' bright feet.
She drinks the inks of valorous repeat,
Where fails the poet's hopeful hand at birth:
Exchanging all the words that leave us most.
© Cody Edwards 2010
[light.]

—And then I realize I’ve been breathing in through a cigarette.
Like again before, the violence of reality, its press of revelation.
Rush to write before it fades.

[drag.]

My Muscles could be putty (non anent my lungs
to soot); another year of breath and fight past,
another year to revisit me, its Tocks, it’s to
“Keep lithe to be left living after its descent.”
*******, I’ve been saying that for years,
—now that I’m older—*******,
I’m talking about every kiss I’ve forgotten,
that is, everything we lose on way to Adulthood.
It’s unique, the imago state; most betokened of
His image, right? We are social creatures, too.
This year descends with the sand-bag weighting of
its guests, demons, its music and oxford commas.
And like every student here, inches of brick between
their sod-sleeping heads—I’m getting puttied muscles.
Grandfather clocks could only measure the pace
of time dripping from filter to lip right now.

[drag.]

So, out with it! Outwith disclaim and excuse!
Did these calendars and turmoils bide
inside, waiting? And I carried on dumb?
No, I couldn’t face it. To have any brag
or claim on consciousness you couldn’t.
And brag is the stuff of home and placement.
Too, I felt placed, and set, and spoilt, like
a full-soled step was took each step.
And then the rain came Sunday,
I knew a full periphery again, all that;
And now the center, too.

[drag.]

Berthed I become as I imagine the sky cloud.
Fixin’ to rain war and revelation.
This earth is a battlement now, I’ll fight.
The rolled cigarette, violent reality,
sweetly slipped into my mouth.
I never want to sound conclusive
(assertions, pretensions): keep repeating:
I’m just a sensitive thinker.
No better than like a decade’s
worth of culture, every conclusion
becomes irrelevant and useless
like an old law. An old decade
is entirely the footrest of the new,
and just as sturdy as He makes it.

[drag.]

I never understood the value of a dollar
‘till inside a tower over the campus
I tasted the thousand-dollar crime
of Security & Maintenance for climbing
a building. Tuition’s, now, an inkwell;
($)30,000 unmarked, illiterate words
and too much say with one bottle.
Same, too, with one purchase.
But still the shame of confusion
is an education in and of itself.
Confusion as useless as the future
and old criminals acquitted.

Take on another [name], any other,
so that God can call out to you
in the night.
Well, I’m learning.
between this poems…[sic]
I’ve learned that names are your own,
so name the un-cut, -construed past
and all it is you, for safe-keep, see.
I’ve learned that a capitonym
is God by any other name :
Hope, Love-lorn, Terror.

Monistically, I’ve learned there is only
us, the namers, for so our charge was:
whatever the man called each living
creature, that was its name.
And
that’s gotten us a lot of places,
i.e. hubris, tragedy, undoing.
But it’s its very syllables that undo.
So whisper. Snarl if needed. But
tack that trouble to tree and let it bleed.
This is your deer, your grace and past.
Yes, rotting there is your former muscle
and ideals, all prelude to this very moment.
Just as real and violent as when alive,
yourself, and yet confrontable,
yourself.

[drag.]

[extinguish.]

[exeunt.]
Aaron Case Aug 2011
But tonight I decide to take the back way
with my single bag of groceries buckled in
for dear life with a white receipt fluttering
from between the battlement of butter and bread.

Tonight, the evening will swallow the sun like a pill
without water, as the late night trains sleepwalk through
the city humming, pondering the unanswered question—
ummmmmmmm, umm, umm, umm, ummmmmmmm—

and the mixture of cloud, locomotion, and sky
will remind me of the cannons and the rifles
and the smoke that bounced back and forth, and I couldn’t
have been more sure that someone was going to die out there

on San Jacinto Day

And eventually I will turn within this forest of street—
Hickory, Elm, Oak, Maple, Spruce, Pecan, Cedar—
to see the red capitals of my reflection, crucified
upon a metal grid for every fatigued citizen to see:

MORRISON'S
CORN KITS

with a light on top that pulses and breathes.
And all I can do is picture myself inside, working along
the assembly lines ******* slip-resistant shoes
onto the ankles of Mexican pubescents,

or painting old men’s faces with sweat,
or filling the bags under teachers’ eyes,
or doodling veins on the legs of ladies who
stand standing to stand, and stand all day, they stand.




And I’ll remember how my crying sister screamed
at every loud thing she heard, and how my
mom was like a parrot on her shoulder saying
‘It’s not real, honey. Honey, it’s not real.’

And I’ll watch how the smoke that endlessly vomits
from the stacks wearing the sky like a wig
distorts the fanned out walls like fun-house mirrors,
and dissipates into the night like a long, drawn out, exhale.
Carlo C Gomez Jul 2023
It's hard to know from where you rang out, and how the tone changed from memory to sorrow. Perhaps all those little cuts from the knife of Aristotle came with a price. Or maybe the polygraphic wildlife detected in your letters, enough to stir the inner fabric of my womb, drew out the scent. This is more than obligation, child. This is about the seasons of force or choice. And how the aural disintegrations from your mouth sound so effortlessly submitted and submerged. I fear they've turned to acceptance, their floral remnants as besieged as a Sarajevo Rose. My love for you will never live on the margins. This love is a tree-lined battlement. An endless voyage on the barometric sea.

It's so hard to know from where you rang out. But worse, I suppose, to hear nothing at all. Nothing until ambulance day. And the words a mother should never have to endure.
Actress Catherine Oxenberg fought for years to free her daughter India from the NXIVM Cult
022217

Build me with Your woven Words
Of a truth, of assurance, of hope, of confidence.
Build me and I am destroyed --
Let my fortified walls collapse
Let the Throne be Yours
Let the aesthetic boast Your sovereignty
As I become dignified
By Your coming glory.

Build me again, for now, I refuse not
Build me now w/ Your own battlement
May I not hide anymore
And so I welcome You as I open the gate
Let me enter unto Your rest.

Let me not be ashamed of my Designer --
A Jewish Carpenter who left the Throne of Heaven.
There's no god greater than you
Even Zeus can hold no power
No other Greek gods can sustain You.
Legends and historic beings may increase in numbers
But You alone, the Beholder of everything --
The Beholder of my being.

I'm not a skyscraper
The curtain wall was a display of Your affection
The facade was Your intricate details
It was Your design -- from inside out.

It's never been a theory, but of truth
Of how "Form follows Function" has fed my soul --
Dying inside without purpose
But there, I found my worth
In the Cross, You defeated death
It has no power, it has no pride.

I was told w/ pages of history
Marked with blots of the blood
Of those who later on contributed
To the land's freedom and victory.
But all those flags of advancement & uttered security,
They're all fair black in the background of mystery.

I can see myself waving another flag in white
As I wait for the coming of the Giver of Life
I can wait til forever has come to pass
Until the only Hero, I ever saluted will face me at last.

I can easily be broken or damaged --
It seems I am fragile
And so I let Your hands mold me
I let Your love fills me
Complete me, finish me.

I am still in the process,
"It is finished," I heard Your voice
The melody of pain yet gain in the resurrection
Finished -- but I am still in the process
I am still a BUILDING to be built
And I can only boast of one thing:
That You are my BUILDER.
2Co 10:4 — 2Co 10:6
For the weapons of our warfare are not of the flesh but have divine power to destroy strongholds. We destroy arguments and every lofty opinion raised against the knowledge of God, and take every thought captive to obey Christ, being ready to punish every disobedience, when your obedience is complete.

2 Corinthians 10:8
For even if I boast a little too much of our authority, which the Lord gave for building you up and not for destroying you, I will not be ashamed.

2Co 10:17 — 2Co 10:18
“Let the one who boasts, boast in the Lord.” For it is not the one who commends himself who is approved, but the one whom the Lord commends.
Johnny Agape Jun 2016
Looking on towards the struggle,
She smiles with knowing eyes.
Her voice is a calm fierceness,
Holding others at bay by her call;
Who could stand with that fearfulness?
Her arms display the might of her judgement;
Wielding a weapon, sharpened of mind and pointed knowing.
Her commanding presence is known by those who would heed the call of her battlement, by the who would heed the moment armed in their own courage;

Behold, the Goddess of Victory!
For Victoria, to whom I lost a battle I didn't realize I was in
Kvothe Jul 2014
The little bird flew down toward my heat,
it took a present for it's starving child.
A throne I made upon a rocky seat.
The trees let loose the whistle of the wild,
against an azure-crimson battlement.
My nose awash with nature's verdant scent.
Before I sleep I promise no respite,
as clocks tick-tock in counting away light.
Geno Cattouse Nov 2012
Yonder lies the barren stone
well placed. The howling wind now
shuttered in, a captive stripped and bound.

The parapets and walk- walks rim the edges of the stone.
a deathly shrill of spirits still confess the ****** sin.

A  postern gate squeals soon and late
The children of the wind.The howling specter
whips about from battlement to Bailey.

Soon to fade and serenade and  finally to sleep.
The centuries bound  now place the crown and  shackles dug in deep.
Now take you heed the spirit's need to rest within the keep.
paint me this picture, sonorous color
clutching the quiet ****

             pressed against cloying scenes,
        a loose hand bannering a bayonet.

rivet me waters, and much of the Earth
tightly groping inlands,

                thatched in the branch nowhere alone,
                is the song of God lullabying cities.

again the whole sky with its keen eyes
manifests a gleam worth knowing a cherub,

                 and sooner than it is later, when the seasons
    postpone their flamboyances, chiaroscuros of smoke,
   deceit, uncared for and unheard shrieks bounce off careless corners
    and the song of God is but static with little wings clipped
    and tossed into vicissitude:

song   or    no   song
bearing a fruition of attrition:

                    resounding far-away:  a comatose  of cars,
             a scuffle of powerlines, a melee of battlement and tranquil

continually     fluster the  child
   in  metronomic dance.
A song of war, violence and peace displaced.
nivek Aug 2016
when the need overwhelms your capacity to act
a time for four walls, a castle all your own
a cardboard box under a blanket
within the voices that tell you go hide
the memory of the womb you foetal curl up
******* your thumb eating till it hurts
staying out of sight to save your mind
your body your drawbridge pulled tight
walking the battlement of revenge
its a heartache kid
something you slowly learn to live with.
Kellin Jan 2019
cracked cement ramparts,
a less than mighty bastion,
  swamp cooler overflow,
   drool down the battlement.
    behind the stockade walls,
     faceless generals barked
      orders to their private troops,
       drilled their little soldiers.
                
           “welcome to my castle.”
      
       you call this a castle?
      heat throbbing off the
     parking lot convinced me
    to chance crumbling stairs.
   and there, step four, flight two,
  i bumped into my white knight.
okay, maybe more like gray.
i’ll compr with silver.
i.

this is such graver in silence when all of
the sound has conspired in the multitudes:
hands like machineries
and the groaning of the bones, when such desires
are but thirsts intimately quenched

ii.

all is but silent as brookwater:
the image in the surface is surfeit
amongst the froth of passing images.

iii.

what strangeness shall we inherit
when your face is but melded into
the many? when your name is but a passing
utterance with its immense battlement?
when your dance is but offbeat and my song,
clenched?

iv.

you are silent. and I began to speak you.
which days pass on in the flutter of your eyelids
whose nights fractured by distant shrieks
and of no delight,
what deeply-plunging moon scathes itself
with this riveting quietude,

v.

I am all but answers and you are enigmas.
my voice is young.
let my mouth be ripe.
let my teeth gleam with light,
let my all be tender with your name
that the feel of you under me,
and I over you,
like bridges stoic, steel with stillness,
will never utter a word
and only the loudest of quietness
the world will ever hear.
Evan Stephens May 2021
The purple folding face drips
into the cake-colored battlement:
night is here again.
The sun has kneeled into the treeline,
into the gauze-clouds
whose humid cobalt heads
hang, hang, just hang
all angled like hammers
in a carpenter's belt.  

Everything seems to be ending:
cicadas have erupted
in tens and sevens
with bright scarlet eyes
to die on the sidewalks
in little hums and hisses,
looking at me through
whetted blades of lawn.

I'm moving soon, to the point
of the old triangle
where we haunted
the coffee and ice cream store,
where she stole a little shining spoon
that we used to mix the luminous milk
into the coffee pool.

How will it feel, after dark,
under unfamiliar high-stippled ceilings?
So quiet - she's gone -
her vacant clothes
no longer flutter in the closet
when the breeze slips through.

Will some rain come,
blue-brushed brow,
& wash this feeling away?
I feel the night moving,
crawling on insect feet -
the air is full of absences,
great holes that go unfilled.

The wind is settled in the east,
and the clouds are gathering
heavy hems.
I find a single dark hair of hers
on the inside of the pillow case,
years later,
years later.
Chapter v
Brisehal abhors the Desert

For the desolate Dasht-e-Lut. After Brisehal bellowed being from the deserted sites of contemplation he was emerging from his great mountain of empty desert. The ghosts abounded wandering alone as if wanting to take hold of the last sparks of politics that they had left to surrender from their own lost solitude. Brisehal was a canine-headed mountain similar to Anubis, but millions of times larger and more acidic, like the hope of some parishioners to enter the garden-kingdom of Heaven!. Before the day trembled with the movement of his trembling footsteps, Brisehal spent two years moving day and night. When it roared, smaller mountainous areas were liquidated with the greatest effect of their spinning forces. They were immense thunderclaps that even scrubbed up to the spheroid clouds reddened by their rising. He turned from left to right as if wanting to exile the Desert of Lut, like casing his pro generation by bundles of optical rope or high-density fiber, which could cohabit with Vernarth in his odyssey of the Horcondising (Vernarth lineage paradise to Gaugamela) .

Before beginning the chant of his ultra-low thunder of Trumpets and armor of courage without break.  Any protocol is dissipated to inaugurate in the stands of the Iranian war-educational Sky and aesthetic drama, the analogous city in the extreme north in Irna; Located in the Talesh Mountains, just 50 km from Rasht, there is a small paradise surrounded by beauty: the city of Masal. It is with the force of his traction that he drags thousands of prayers and litanies in chains through the underground near Las Acacias where unscathed heroes have died embracing them, as the cold snowy cloak of Horcondising usually supplies, to those who dream that he will redeem the ignorance of not knowing how to be reborn next to the fallen and raised trunks, scattered and destroyed by the predatory shrew of yesteryear.

In genealogical peduncle rows of the Mandragora extension they marked the ship without an unbroken ****** sea, those who blow through their burdensome ear line up before encircling them with their smiles to swallow napkins of Hawthorn and Acacia early: (essences that their nose always vomited, to later recover them)
This is how his ancestors appear accompanying him to preserve his adventures and adventures:

"Amada y Amador, Arturo and Adelina, Bernardino and Baldomero, Cándida and Cesarina, Delfina and Dolores, Esperanza and Eulalia, Francisco and Felo, Gumercindo and Gilberto, Hilarión and Hugo, Isabel and Julio, Joaquina and Juan Bautista, Lastenia and Luidiana, Lidia and Melania, Mariano and Miguel, Nicolasa and Natalia, Pascuala and Pastora and Rosa, Agapito and Ascanio, Getulio and Leocadio, Tancredo and Tranquilino, Zacarías and Zenón ”. All his ancestors settled in the Horcondising Castle to observe his cereal sandwich that he gladly took to his mouth, and movia and arms and elbows clearing the lily vines and ivies of the
Below the branches,  Joshua de Piedra and Bernardolipo. The horns sounded in symmetrical filial genetics under the same hollow empty mausoleum.

Brisehal, confused by not getting along with Vernarth, decides to walk and approach him. Its size was millions of times larger in proportion to its little finger. Try walking on confused sides, broken geographical areas and undulating corridors of the Redemptive Pass of the Christ of Lisbon, or going straight or through the center, leaning to the left.  Until she finally looks at him and manages to retain her figure surrounded by several golden rings. He was on his back and in his ventral decubitus, creating love affairs even on the mid-morning dew grass. He managed to see him in his parapsychological regression, to support his hypnosis in the still unexplored states of his Consciousness as a toddler through the Fields of Macedonia and at night through the fields of Sudpichi, on the banks of the Horcondising neighing a glass full of Chupilca for not being less.

Brisehal was in the worst halite of the super distillate saying:
Heal me even if I am not. Heal me even if my head fails to receive you, nor my heart can reconcile you, heal me even though my longings can continue with you rolling around the world with my whole body in the midst of subversive political currents and social doctrines, rumbling falling all the divisions that separate us , even the outer walls of the farthest reaches of our separate and to be separated stocks. I will go with you until the end of this long journey, I will take your feet when they hesitate to continue and I will move your frozen head from the stocks and tricks to catch those you leave with glasses full, even with the Chacolí, who makes us go in circles through places without garment or bait through the desert where the thirtieth final Oasis awaits us ”after leaving it lying with the ivy roots of the Rio Bumodos, and by all the points of its body open to discontinue with this regression, it meets the twentieth oasis.

Twentieth Oasis next to Tel Gómel:
In the well-known art of the Afro-Asian belt of the Persian zones, of deserts that extend by hydrographic basins, it transports us to its second regression along the Bumodos River. Here with roots of 60 lures will be shed by 60 centimeters from your oasis soil. Here Vernarth will remain encapsulated from his roots of lush attire from years to years entering his veins.
Diplomacy is unleashed in Ecbatana, close to the encyclopedic collision, the shelves throb, distorting the story lines more than a paragraph inflamed by their own saffron sheets of tradition written in fornited papyrus. It has also been mentioned in the Bible by its Aramaic name Acmeta. According to Herodotus and The Biblical Oral Source.

At more than 15,000 kilometers in the Castle of Horcondising;  Her mother Luccica enters, taking the lace from her dress, to go up the northern balcony saying:
Luccica: What time can I see you, my beloved Vernarth, now that your life has been cut before the harvest. Black garlands progress along the edges of the swinging of the curtains of obscurantism…. !!
Then Luccica gets up. She goes to observe the walls of Adarve, to approach the guard and ask her if she had left the window half open. The guard moves away from the loophole and responds:
Guard: My lady, our prince Vernarth, left the Crusades for Tel Gomel. And I doubt that her absence has styled the hinges of the disheartened gate by the joy of feeling her voice proclaiming life where nothing has lived any species,  nor death where no one wants to inhabit it.

Bernardolipo, your spouse enters: do not doubt that you have well exercised the straps of the barbican interwoven with grates of poisoned ivy with the life of pagan serpents. But what else has to happen if our Vernarth forged the Rake with his burned hands, and still remains intact for anyone who tries to overcome it. Oh duel of Avernus without bosses to defend their Aras!

Guard replies:  It has been conceived through the corridors of arms, that your son is in TeL Gómel, on the magical sides of the Bumodos River. He is surrounded by people who love him. He rides stretched out on a white steed, with a white flame, with hooves of Fire…, Alikanto greater fever for elder fever in midnight of the witches who frighten the Mandragora.

The regression continues towards the region of Gaugamela, hearing with his breastplate on his sleep the distant tales of his parents in the Horcondising castle. He walks on the dry and discolored leaves, on the docile rods that hung over his veins, hydrating with magical liquids his body asleep in Bumodos and his accomplices. Every time he walked on this tube that was tubed through skies and beautiful places, he had to approach to inject the young elder wands with slopes of Bumodos concoctions, before eating and drinking delicious meals.Together with their diocesan comrades with wine.

This bacchanal episode has to do with a love story. Rather it mixes love, passion, madness and death.Or almost death. Persian legend tells that from the seeds that a bird dropped at the feet of King Djemchid (Yemshid), plants were born that bore abundant fruit, the fermented juice of which was drunk by the king's favorite. The woman fell asleep soundly under the relaxing effects of the drink, and when she woke up she felt healed and flushed, and also happy. Then the king named the wine Darou é Shah (daru eshjá), "the King's remedy." Almost with the second degree beer, he replied before Shamash Sumerio with his celestial oscillations, to approach the Philistines hand in hand to keep them intoxicated rather than healthy.Brightly and lights of the green candle in her tabernacle ... beyond the Sumeria table.

Vernarth says: Take out the table, take it out. I want to continue lying on the wild plasma floor of Bumodos. I need my odalisque Valekiria to bring ***** and elderberry to unleash the kidnapping of myself, for not wanting to be assisted nor for the greatest fear I have ever felt. This echoes in Horcondising in the ears of his mother who was in the battlement just a few minutes from sending her eagles.

Luccica says:With what number of molten bronze and burnished copper gag, I will polish your flabby regret for not being with us. Son I know that you will give your life in Gaugamela. I know that your strength is not mine or your father's. That Etrestles your brother will be in the biggest puffy nimbus clouds of the sacrosanct oracle. Pastoral flutes will take my basket to your store, loaded with goat cheese, grass bread with balsamic Palo Santo. "May the Nile Cobra not get dark your fiercely wounded Brisehal."
To be continued… / under edition
CHASING THE CURE
Anguishing skies, how heavily it dies
Into the west eyes how once cared,
Sunset to an evening star from far
made its ways to the hearts,
Past touch and sight and sound on sea
makes it is way back to me,
Not further to be found, the hopeless underground
Falls the remorseful day
The battlement of the world had taken its stand,
A golden path that puzzled the thoughts of man,
the sea rides on high the watery maze that takes place,
Ask me no more where was Love on shore,
When June passed the fading rose made its way back to the Sea
watching over whoever can see,
ask me no more the tingle's of the night with the moon
on domed lights give me the storm of true love
from heavens above.

- Judy Emery © 1981
The Queen Of Darken Dreams Poetic Lilly Emery
THE QUEEN OF DARKEN DREAMS POETIC JUDY EMERY
Court hiss sea hove The Irish Times,
     this hum mere ruck can bloke
kin esse spy climb mitt till impact
     desiccation ravaging with choke

hold thee aim rilled isle,
     which haint ok key doke
cuz won hoot rook froom sun
     whelps like heretic burned at stoke!
-     -     -     -     -     -     -     -     -     -  
More to the point (meaning jaw
ken minus **** faux
hackney poetic strung bow
***** Wonka barely understandable

     twanged and twinged) accent
hen reed how, accomplishment
in garnering alarming
     news-worthy ailment

     while this Unit Aryan ensconced
     within beef **** tee four comfortably
     numb burred battlement,
here at Highland Manor,

     I pay (if totally tubularly pennies rolled)
     approximately equaling bedazzlement
17,500 viz copper cent,
per month gratuity clement,

sans Grosse and Quade
     associates co-management
offered rental assistance congruent
(predicated on social security disability)

     to occupy one bedroom
     apartment kept air
     conditioned 60˚Fahrenheit
     perfect for concupiscent

     activity, albeit unfortunately marriage
     shot thru with celibacy
     suppressed sexless existence
more difficult to control

     than catching a tiger by the tail,
     hence this ****** delinquent dependent
Dickensian dada cooly cruising thru
      cyberspace espying embodiment,

how measurable heating up
     Gaia, i.e. Mother Earth (she) evinces
     no illusory figment, and just by a fluke,
     the spontaneous Google search,

     keyed revealed tumy mine eyes,
     wretched webpage showed
     stark rising temperature gradient
Dublin, Ireland experiencing

     worst drought since
     records began 168 years ago
where Irish Water (utility)
     warned Dublin would run out of water
     in 70 days, a “worst-case scenario”
     necessitating hyper-efficient
protocols immediately inherent.
James M Vines Apr 2020
In a moss covered tower cut from Black stone, deep into the side of a mountain, where the tallest battlement reaches to the setting sun. On  parchment is written the fate of men, by an old wizard holding a pen made from a dragons bone. Dipped in ink, drawn from the darkest well of men's souls, the ancient conjuror lays down lines on pristine white paper. At the rising of the sun until the going down, he scribes what mortals lives must be. With the bony pen taken from the fiercest dragon, he writes of mortal misery. He writes remembrances of broken hearts and of lost loves, and of greed and betrayal he pushes the words on to the paper with a smile. From coming of dawn until setting sun, he writes and writes on a never ending parchment. Then in the night the stories he has written fade as do the lives of mortal men. As he rest in his forgotten castle, he has sewn the discord among men. He dreams of nothing but tomorrow, when for his wicked pleasure, he gets to use the Dragon Pen again.

— The End —