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"bassoon" poems
The flame-red moon, the harvest moon, Rolls along the hills, gently bouncing, A vast balloon, Till it takes off, and sinks upward To lie on the bottom of the sky, like a gold doubloon. The harvest moon has come, Booming softly through heaven, like a bassoon. And the earth replies all night, like a deep drum. So people can't sleep, So they go out where elms and oak trees keep A kneeling vigil, in a religious hush. The harvest moon has come! And all the moonlit cows and all the sheep Stare up at her petrified, while she swells Filling heaven, as if red hot, and sailing Closer and closer like the end of the world. Till the gold fields of stiff wheat Cry 'We are ripe, reap us!' and the rivers Sweat from the melting hills.
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10k
The Harvest Moon
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, 'There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play.' Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, 'The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine? But mine, but mine,' so I sware to the rose, 'For ever and ever, mine.' And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls. To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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3.2k
Maud
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, 'There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play.' Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, 'The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine? But mine, but mine,' so I sware to the rose, 'For ever and ever, mine.' And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls. To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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74
For each word that never made it past my teeth -harsh critics- I am sorry I told you I loved you last night in bed and all you heard was my breathing -waves on your shore- I am sorry For each step I should have taken that was frozen in my legs -stone pillars- I am sorry I ran to the edge of the earth for you where I heard the lilies were blooming -empty vase- I am sorry For each song that suffocated in my hollows -white noise- I am sorry I scored you a serenade for clarinet and bassoon and your shutters heard nothing -white noise- I am sorry For each quiver of my hands that has held me chained to the anvils of fear For the confidence I lack and the love I have not given -myself- I am sorry For times I held truth by the throat underwater and prayed you wouldn't notice the splashing For those days I went sleep walking -through prayers- I am sorry For the stability I cradle while sitting on dreams singing songs we all know the words to the song we've each written verses to 12 bars on each wall of this blue cage that we sing through For the times we don't fight For the times that we mean to For the injustices that steal the peace from our silent nights For the riotless streets For thriving inequalities For microphones and stages still wet with my ego For the silence I keep -when the world is listening- I am sorry Shake me from these paralytic dreams from the cloud of ideas and fantasy -what is art but a landing?- Shake me make me rise up and face the music climb out of myself and breathe -what is prayer but respiration?- Shake me until my apologies are gone and your house is full of flowers and your ears are full of songs and your heart is filled with this love of mine your quivering hands shook free Shake me until I see beauty in truth and truth in what we are made to be
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Jan 26, 2014
Jan 26, 2014 at 2:48 AM UTC
Shake Me
For each word that never made it past my teeth -harsh critics- I am sorry I told you I loved you last night in bed and all you heard was my breathing -waves on your shore- I am sorry For each step I should have taken that was frozen in my legs -stone pillars- I am sorry I ran to the edge of the earth for you where I heard the lilies were blooming -empty vase- I am sorry For each song that suffocated in my hollows -white noise- I am sorry I scored you a serenade for clarinet and bassoon and your shutters heard nothing -white noise- I am sorry For each quiver of my hands that has held me chained to the anvils of fear For the confidence I lack and the love I have not given -myself- I am sorry For times I held truth by the throat underwater and prayed you wouldn't notice the splashing For those days I went sleep walking -through prayers- I am sorry For the stability I cradle while sitting on dreams singing songs we all know the words to the song we've each written verses to 12 bars on each wall of this blue cage that we sing through For the times we don't fight For the times that we mean to For the injustices that steal the peace from our silent nights For the riotless streets For thriving inequalities For microphones and stages still wet with my ego For the silence I keep -when the world is listening- I am sorry Shake me from these paralytic dreams from the cloud of ideas and fantasy -what is art but a landing?- Shake me make me rise up and face the music climb out of myself and breathe -what is prayer but respiration?- Shake me until my apologies are gone and your house is full of flowers and your ears are full of songs and your heart is filled with this love of mine your quivering hands shook free Shake me until I see beauty in truth and truth in what we are made to be
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61
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH *By the *way,  was ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  *THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL **  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
0
Dec 13, 2010
Dec 13, 2010 at 3:26 AM UTC
*" IN FULL COLOR * " (#42)
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH *By the *way,  was ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  *THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL **  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
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1
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
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Dec 26, 2013
Dec 26, 2013 at 6:21 PM UTC
Opening For Yusef Lateef In 1975
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
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34
*you are in the mist, a grey mist a beautiful coverlet to the eyes of dawn you’re standing there, in the mist all the eyelids fall from lunar spark and come to drape on my beige undoing of graceful bassoon echoes* in this darkened window frame, I look out and the beat of life pumps on in the veins of foliage friends *in the mist, all cities are alive in muffled sounds and reaching sighs why give up so soon? why give up.. at all?* S T – 4 feb 14
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Feb 4, 2014
Feb 4, 2014 at 1:05 PM UTC
in the mist
There was not much to do down at the zoo They were all getting bored, wouldn't you? The keeper was called, we're out of our minds Help us out, if you'd be so kind The keeper said, so what can I do? I'd like to help but give me a clue Well, said the giraffe it may sound daft But I've always wanted to play the harp You know what,  said the baboon I would like a big bassoon The emu said, I really do feel A hankering after a glockenspiel The lemur requested a violin Certain he'd coax a tune from the thing The elephants stood all in line Already they could trumpet in time The gorilla said he could use his thumb To bang away on a big bass drum They all got their wish, it was quite a scene And proudly they played God Save the Queen
0
Apr 21, 2016
Apr 21, 2016 at 6:13 AM UTC
Let's take the Queen to the zoo today
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, "There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, "The brief night goes In babble and revel and wine. O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine." And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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1.6k
Come Into The Garden, Maud
Come into the garden, Maud, For the black bat, Night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die. All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon. I said to the lily, "There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, "The brief night goes In babble and revel and wine. O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine." And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
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TENOR:         My love!         My first bassoon!         The one - who taught me loves sweet tune! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! TENOR:**         My love!         My sweet La Lune!         She came - and then was lost so soon! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! SOPRANO:         My love!         My great Maestro!         The one - who taught me all I know! TENOR:         Why?         Why did she go?         Why did she - L..E..A..V..E... - M..E? {DRUMS}         GONE!  GONE!  -  GONE!  GONE! BARITONE:         My sweet La Lune! - She plays her tune         Upon a shiny new bassoon!         My sweet La Lune! - She plays for me         Oh such ****** symphony! {BRASS}         OOM PAH PAH! - OOM PAH PAH! TENOR:         What's this?         I spy La Lune?         Blowing bassoon - a new c-o-n-d-u-c-t-o-r?         His baton -         She's sat upon!         It seems she's found - a new i-n-s-t-r-u-c-t-o-r! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! SOPRANO:         My love!         My new found love!         How I adore - your o-r-c-h-e-s-t-r-a-t-i-o-n!         And with -         Your dextrous hands -         You fill me with - a-n-t-i-c-i-p-a-t-i-o-n! BARITONE:         My love!         My new found love!         You light me up - a shining c-a-n-d-l-e!         And with -         Your dextrous lips -         My baton loves - to feel your H-A-N-D-E-L! {BRASS}         OOM PAH PAH! - OOM PAH PAH! TENOR:         The end!         The end is nigh!         And they must die! - There's no denying!         But how -         To pay them back?         For they deceived - me with there l-y-i-n-g! CHORUS:         The end!         The end is nigh!        And they must die! - There's no denying! TENOR:         Upon my word - I will make them pay!         Upon my word - they will die THIS DAY!       {TRIANGLE}         TING! {CURTAINS CLOSE - END OF ACT 1}
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May 13, 2014
May 13, 2014 at 7:29 AM UTC
Orchestrating Your Demise
TENOR:         My love!         My first bassoon!         The one - who taught me loves sweet tune! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! TENOR:**         My love!         My sweet La Lune!         She came - and then was lost so soon! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! SOPRANO:         My love!         My great Maestro!         The one - who taught me all I know! TENOR:         Why?         Why did she go?         Why did she - L..E..A..V..E... - M..E? {DRUMS}         GONE!  GONE!  -  GONE!  GONE! BARITONE:         My sweet La Lune! - She plays her tune         Upon a shiny new bassoon!         My sweet La Lune! - She plays for me         Oh such ****** symphony! {BRASS}         OOM PAH PAH! - OOM PAH PAH! TENOR:         What's this?         I spy La Lune?         Blowing bassoon - a new c-o-n-d-u-c-t-o-r?         His baton -         She's sat upon!         It seems she's found - a new i-n-s-t-r-u-c-t-o-r! {DRUMS}         GONE!  GONE!  -  GONE!  GONE! SOPRANO:         My love!         My new found love!         How I adore - your o-r-c-h-e-s-t-r-a-t-i-o-n!         And with -         Your dextrous hands -         You fill me with - a-n-t-i-c-i-p-a-t-i-o-n! BARITONE:         My love!         My new found love!         You light me up - a shining c-a-n-d-l-e!         And with -         Your dextrous lips -         My baton loves - to feel your H-A-N-D-E-L! {BRASS}         OOM PAH PAH! - OOM PAH PAH! TENOR:         The end!         The end is nigh!         And they must die! - There's no denying!         But how -         To pay them back?         For they deceived - me with there l-y-i-n-g! CHORUS:         The end!         The end is nigh!        And they must die! - There's no denying! TENOR:         Upon my word - I will make them pay!         Upon my word - they will die THIS DAY!       {TRIANGLE}         TING! {CURTAINS CLOSE - END OF ACT 1}
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Geoffrey Saucer Siegfried Bassoon W.B. Yeast Sylvia Bath Tub Adrienne Ditch James Joist Samuel Bucket Edgar Allan ***
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Sep 20, 2014
Sep 20, 2014 at 5:10 PM UTC
Great Poets: A Tribute
The bass bassoon is poised And the penny whistle too And when the families converge You hear under the hullabaloo The sweetest harmony Absent of cacophony Because you see There's one thing that we rely upon Everyone of us has an eye on The front man who bears the baton As he grips our attention For no matter how long Directing us as instruments Of righteous passion. This is his signature song, So lead on dear maestro, Lead on!
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Feb 3, 2017
Feb 3, 2017 at 3:50 PM UTC
Instrumental
Anticipation tiptoes from table to table. My Jelly Roll Soul Sets sail for Alice’s rabbit hole. In front of a hushed, hip crowd, The music condenses into a scarlet cloud, And originality speaks aloud. A trumpet sounds, A subway car rumbles underground, Signaling all the cool cats That it’s time to get down. A virtuoso teases black and white keys, Shaping notes with subtle expertise. The closest I’ve ever seen, man come to mastering machine. Slowing the frenzied, fractured step of the East Village above, To E’s. Legato ease. Optional Z’s Leave many without sleep, For who could snooze At times like these? The alto-sax Is bending C’s! Just listen in, on that wailing bassoon, Who howls to the moon. It might be noon, Up there. But that’s up a flight of stairs, And I’m enjoying my jazzy state of affairs. There will always be time for Nostalgia in Times Square.
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Feb 16, 2011
Feb 16, 2011 at 2:57 PM UTC
The Fez
does your **** get hard when you hear your own voice or are you really auditorily jackin off a softie? chokin on pulls between bottles and bowls we all know you're full of **** yellin unfair brackets are the worst of it come back and talk to me with eyes a little less red with some stories and quips you haven't beaten so dead if you're fed up with the honesty then get up and head out I'll never be stoppin ya scream and shout as much as you like but somewhere else cause I'm seconds from droppin ya an understatement is ever hearing your voice again would be too soon just the memory is worse than a broken out of tune bassoon in short I don't hope you end up dead in a fire but to say I'd be sad would just make me a liar
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Apr 30, 2015
Apr 30, 2015 at 11:56 PM UTC
Dear too many people I used to know,
The music man in my family Has fingers made of piano keys I hear his songs throughout the house Speaking the language That bleeds through him From his father's early bassoon notes And mother's late night flute whispers And there it is: The language of the music man Swirling Jumping Freedom sounds That tinker up the walls And through the vents And pipes of our house All from the piano key fingers Of our music man.
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Mar 12, 2013
Mar 12, 2013 at 1:56 AM UTC
The Music Man
Through the Truffle Umptty trees, cute truffleumps run free. The smallest local children come along to see, if they can glimpse the truffleumps , go swinging through the truffle trees. The Truffleumps eat donuts. They love them so, you see. The man in the bakery shop. He makes quite a few. Some are pink and others blue. Sometimes, he does green ones. Other times they're red. He serves them up with ice cream that is really, really cold. The baker gets his bassoon out, to tell the truffleumps. Their donut tea is done. He hangs them on the Truffleumpty trees. He doesn't hang them high. As everybody knows, that truffleumps can't fly. It's great to capture fresh donuts, as soon as they've been hung. They're always tasty tea time treats. Before they go to bed Everyday at five o clock. The Trufflelumps get down from their trees. Waiting for the donuts, which soon will be their tea They carry wicker baskets, to take their tea away. Their trufflemummies watch them, as they go collect their tea. As all good mummies know, it's not safe climbing trees, even if they're bouncing through the branches of their favourite wood. Happily hunting donuts in the Truffle Umptty trees is really very good. (c)LIVVI
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Oct 25, 2016
Oct 25, 2016 at 5:47 PM UTC
TRUFFLEUMPS
~°~°~°~ The rosy bride didn't pace the hall, Nor was there a wedding ball. No bridesmaids, no flower girls, Nor did I wear my mothers pearls. For without the groom, Playeth not the loud bassoon, Tis the words that played, While my heart like thunder relayed. Melancholy, like Caesar, did I feel, Piercing eyes, put forth the deal, Closer to a faint, did I reel, And like Calpurnia, I now kneel. Hoping you'll read this through, Hardly ebbing the feelings, I grew. ~°~°~°~ Commit I, what I detest, & leave you culprit, like in Gone Girl. Painful thoughts, my mind did protest, To new ventures, it would whirl. A letter of love & apology, on the very last day. bearing, like Juliet's analogy, Concealed beneath the fray. 'What ifs' sadly got the better, But letter, tis the right way! Or so I thought, while my mind did fetter, To take action, a letter will I lay... Sans number or address, To test you, cuz love finds a way. But this too, did I redress, The masts somewhere else will sway. "Don't be so hard on him, Leave your number deep within." "No, no, that'll make him dim, give not even the pin." Yet another did say, "Leave clues, in & out, work em woe till the gray." These nasty devils dashed about. ~°~°~°~ At last did I none, But write this terrific pun. I know you know what I did last summer. That has rid, All that went on for the past 3 years? Reality had become my fears, Alas you believe the deed is done, But you're right, you weren't the one. If you had the patience, To read this till the end. Sans showing indifference, Gratitude, I do extend. By now, far away I'll be, If Shrek could reach, so could you to me, But there's a reason, it's a fantasy. So goodbye, cuz I see, Life has bigger plans for me. ~°~°~°~
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Jan 5, 2021
Jan 5, 2021 at 2:28 AM UTC
Confessions
~°~°~°~ The rosy bride didn't pace the hall, Nor was there a wedding ball. No bridesmaids, no flower girls, Nor did I wear my mothers pearls. For without the groom, Playeth not the loud bassoon, Tis the words that played, While my heart like thunder relayed. Melancholy, like Caesar, did I feel, Piercing eyes, put forth the deal, Closer to a faint, did I reel, And like Calpurnia, I now kneel. Hoping you'll read this through, Hardly ebbing the feelings, I grew. ~°~°~°~ Commit I, what I detest, & leave you culprit, like in Gone Girl. Painful thoughts, my mind did protest, To new ventures, it would whirl. A letter of love & apology, on the very last day. bearing, like Juliet's analogy, Concealed beneath the fray. 'What ifs' sadly got the better, But letter, tis the right way! Or so I thought, while my mind did fetter, To take action, a letter will I lay... Sans number or address, To test you, cuz love finds a way. But this too, did I redress, The masts somewhere else will sway. "Don't be so hard on him, Leave your number deep within." "No, no, that'll make him dim, give not even the pin." Yet another did say, "Leave clues, in & out, work em woe till the gray." These nasty devils dashed about. ~°~°~°~ At last did I none, But write this terrific pun. I know you know what I did last summer. That has rid, All that went on for the past 3 years? Reality had become my fears, Alas you believe the deed is done, But you're right, you weren't the one. If you had the patience, To read this till the end. Sans showing indifference, Gratitude, I do extend. By now, far away I'll be, If Shrek could reach, so could you to me, But there's a reason, it's a fantasy. So goodbye, cuz I see, Life has bigger plans for me. ~°~°~°~
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Music is so much more Than just rhythms on a page because I can hear the bass in someone's chest Or jazz in their laughter And I can find music In the way people's voices rise and fall Or the sound of their lungs The low trill that comes from the smugness in someone's voice Or the fast strings of someone panicking Some people sound like a piano, smooth and quiet While others sound like the thunder of the brass, Unable to be missed, but capable of tender moments Because no one is less than an orchestrated piece No one notices the subtle parts at first, Like the vibrato in the solo of their thoughts Or the sudden accelerando of passion and arguments The forte pianos of being tired of fighting Or the single flute of absolute euphoria But when you return again and again You fall in love with the way Words seem to rise from their feet and wash over you like fog, like a bassoon Or the quickly improvised comments that fills you with a sense of warmth and safety   play with the strings of your heart like a saxophone Because nothing compares to noticing the people Who are made up of nothing else but music
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Jun 25, 2014
Jun 25, 2014 at 11:24 PM UTC
Untitled
the din of one thousand plus audience members is displaced as the concertmaster clip-clops from stage right to center a fusion of brass and strings begins its call-to-order by the woman charged with bringing chaos to hundreds of orchestral voices - a boisterous parade of timpani vs. flute vs. bassoon vs. viola then - silence - then a moment of expectation - she enters smiling with baton under her arm applause from the low seats of the orchestra to the heights of the highest balconies she mounts the rostrum - a penguinesque black- striped uniform topped by a bob of dark curls a moment of silence from the musicians - her hand points the baton to the sky - and strikes the air with the sweep of authority - a blend of sounds causing heartbeats to still - allegro ma non troppo © Lewis Bosworth, 2018
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Oct 23, 2018
Oct 23, 2018 at 2:51 AM UTC
allegro ma non troppo
CFM. (Adult) 5 January 2022 Hunger-wearing-black-booted- Midnight-shadow-street-corner-blue- Bartender-bassoon-smooth-wailing-horn, Tonight pull me while I'm burner-raw-torn. Desiccate-night-thirst wake me. Tease. Moon CFM drown me, break me. Roaming-desert-music, seize me. Viola-tight-throat-hum-love, sting! Tonight no hope, I need to sing.
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Jan 5, 2022
Jan 5, 2022 at 11:43 AM UTC
CFM
Watching the truffleumps down by the sea, With their mommies and daddies, they're running free. Having fun. They love to play. They wore swimming suits made from green string and lace. The brightest thing on their bodies was the smile on their face. They paddled in rock pools. Fished for wriggly shrimps. They put them in buckets made out of bright yellow plastic. Those truffleump imps. Just by the water, mom saw some bright fish. The truffleumps went in for a swim.They put the shrimps back in their pool. To take them home would be unkind. The sound of the bassoon whistled out. Telling the truffleumps, it's soon time for tea. They picked up their towels and buckets and spades. Home they went, drinking pink lemonade. Past the houses. Past the shops. For today the truffleump day stops. The truffleumpty trees were loaded with donuts. So mom, dad and truffleumps got off the bus. Baskets filled up with donuts for tea. Heading home they go at the end of the day. (C) LIVVI
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Oct 30, 2016
Oct 30, 2016 at 7:12 AM UTC
TRUFFLEUMPS DAY OUT
I've only imagined where I'd go were the skies to open up Magical, and time to be metered Only in metrical or musical Timbre what bassoon might be heard when and if Flutes bass drums human voices Joined into that chorus of Nature resounding unheard On the distance in the forests On sunrises in flowers In the eyes of the forlorn The starving bellies Of the deserts In that mass of culled voices Written on papers buried In libraries in educated ***** on leather desks in the Remotest abscesses where the hurt cannot reach or on Wool carpets decorated Florals instead of the marvels God Sent created made us in Oh I cry loud I cry at top of my lungs ability Wake me up Cry cry Sound out Poets Those with more than My abilities. The time is Now.
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Mar 23, 2018
Mar 23, 2018 at 3:56 AM UTC
Sound out
My heart is a bassoon once I've tackled it to the ground, oboe in my good hand As a battering ram A morning star A mace A flail Nary more a tune My heart is a bassoon! got it now? It waits to fill up every room "Water always finds It's own level" or so they say and if my heart were full of water I wouldn't have a clue what they mean by that anyway My heart is a ********* bassoon and if I were to put it in the bath it would ruin it
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Jan 29, 2019
Jan 29, 2019 at 3:52 PM UTC
Shut Up
I've been waiting at my gate, waiting, just waiting. I've been waiting so long with my music and songs, the cello and bassoon. Many years have elapsed. Will there be your coming ever? Some question. I gaze on. Far away is the blue sky line.
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Feb 25, 2017
Feb 25, 2017 at 6:48 PM UTC
Waiting