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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
The flame-red moon, the harvest moon,
Rolls along the hills, gently bouncing,
A vast balloon,
Till it takes off, and sinks upward
To lie on the bottom of the sky, like a gold doubloon.
The harvest moon has come,
Booming softly through heaven, like a bassoon.
And the earth replies all night, like a deep drum.

So people can't sleep,
So they go out where elms and oak trees keep
A kneeling vigil, in a religious hush.
The harvest moon has come!

And all the moonlit cows and all the sheep
Stare up at her petrified, while she swells
Filling heaven, as if red hot, and sailing
Closer and closer like the end of the world.

Till the gold fields of stiff wheat
Cry 'We are ripe, reap us!' and the rivers
Sweat from the melting hills.
Tryst May 2014
TENOR:
        My love!
        My first bassoon!
        The one - who taught me loves sweet tune!

{DRUMS}
        GONE!  GONE!  -  GONE!  GONE!

TENOR:­
        My love!
        My sweet La Lune!
        She came - and then was lost so soon!

{DRUMS}
        GONE!  GONE!  -  GONE!  GONE!

SOPRANO­:
        My love!
        My great Maestro!
        The one - who taught me all I know!

TENOR:
        Why?
        Why did she go?
        Why did she - L..E..A..V..E... - M..E?

{DRUMS}
        GONE!  GONE!  -  GONE!  GONE!

BARITON­E:
        My sweet La Lune! - She plays her tune
        Upon a shiny new bassoon!
        My sweet La Lune! - She plays for me
        Oh such ****** symphony!

{BRASS}
        OOM PAH PAH! - OOM PAH PAH!

TENOR:
        What's this?
        I spy La Lune?
        Blowing bassoon - a new c-o-n-d-u-c-t-o-r?
        His baton -
        She's sat upon!
        It seems she's found - a new i-n-s-t-r-u-c-t-o-r!

{DRUMS}
        GONE!  GONE!  -  GONE!  G­ONE!

SOPRANO:
        My love!
        My new found love!
        How I adore - your o-r-c-h-e-s-t-r-a-t-i-o-n!
        And with -
        Your dextrous hands -
        You fill me with - a-n-t-i-c-i-p-a-t-i-o-n!

BARITONE:
        My love!
        My new found love!
        You light me up - a shining c-a-n-d-l-e!
        And with -
        Your dextrous lips -
        My baton loves - to feel your H-A-N-D-E-L!

{BRASS}
        OOM PAH PAH! - OOM PAH PAH!

TENOR:
        The end!
        The end is nigh!
        And they must die! - There's no denying!
        But how -
        To pay them back?
        For they deceived - me with there l-y-i-n-g!

CHORUS:
        The end!
        The end is nigh!
       And they must die! - There's no denying!

TENOR*:
        Upon my word - I will make them pay!
        Upon my word - they will die THIS DAY!      

{TRIANGLE}
        TING!

{CURTAINS CLOSE - END OF ACT 1}
I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh
RAJ NANDY Apr 2016
THE  SAXOPHONE STORY
          BY RAJ NANDY

The Saxophone is perhaps the most expressive
instrument next to the human voice.
Was made by Adolphe Sax, a Belgian, through
a deliberate choice!
He wanted to offset the tonal disparity, -
Between the string, wind, and brass instruments,
with musical clarity !
He felt that the strings ones were overpowered
by the wind instruments.
While the wind instruments got overblown by
the brass ones instead !
Now what would happen if the best qualities
of these three instruments types,
Could in a fusion blend and coalesces into a single
instrument type ?  
So finally at the age of 20 years, in March Eighteen
Hundred and Thirty Four,
Adolphe Sax created a magical instrument for the
World to hear and adore!
It had the power of the brass, the flexibility of the
strings, and the woodwind’s variety and tone;
Which got christened after Adolphe Sax as the
SAXOPHONE !

Adolphe’s famous composer friend Hector Berlioz
in Paris City,
Gave this new instrument wide publicity!
In 1844 the Sax was presented in the Industrial
Exhibition at Paris;
And subsequently got patented on 20 March 1846.
It soon got adopted by the Bands of the French Army.
Making other instrument makers to become green
with envy!
The Sax was 80 years old when it became part of the
musical instruments of the Jazz Band.
A small bore mouth piece was created to suite the
varying tonal qualities required by Jazz.
Initially, 14 different sizes of Sax was created by
Adolphe.
Today only five types are in use for us to hear and
see;
The Soprano, Alto, Tenor, Bass and the Baritone
Saxophone.
They now form a part of our Jazz music's backbone!
                                                      - By Raj Nandy
FOOT NOTES :
Adolphe Sax (1814-1894) , son of famous musical instrument maker
Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments  = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music!
** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY
Those who have read my Story of Jazz Music in Verse, are likely to like this true story also. Best wishes, -Raj.
Now swarthy Summer, by rude health embrowned,
    Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank’d, and crown’d,
    A wild and giddy thing,
And Health robust, from every care unbound,
    Come on the zephyr’s wing,
      And cheer the toiling clown.

  Happy as holiday-enjoying face,
    Loud tongued, and “merry as a marriage bell,”
Thy lightsome step sheds joy in every place;
    And where the troubled dwell,
Thy witching charms wean them of half their cares;
    And from thy sunny spell,
      They greet joy unawares.

  Then with thy sultry locks all loose and rude,
    And mantle laced with gems of garish light,
Come as of wont; for I would fain intrude,
    And in the world’s despite,
Share the rude wealth that thy own heart beguiles;
    If haply so I might
      Win pleasure from thy smiles.

  Me not the noise of brawling pleasure cheers,
    In nightly revels or in city streets;
But joys which soothe, and not distract the ears,
    That one at leisure meets
In the green woods, and meadows summer-shorn,
    Or fields, where bee-fly greets
      The ear with mellow horn.

  The green-swathed grasshopper, on treble pipe,
    Sings there, and dances, in mad-hearted pranks;
There bees go courting every flower that’s ripe,
    On baulks and sunny banks;
And droning dragon-fly, on rude bassoon,
    Attempts to give God thanks
      In no discordant tune.

  The speckled thrush, by self-delight embued,
    There sings unto himself for joy’s amends,
And drinks the honey dew of solitude.
    There Happiness attends
With ****** Joy until the heart o’erflow,
    Of which the world’s rude friends,
      Nought heeding, nothing know.

  There the gay river, laughing as it goes,
    Plashes with easy wave its flaggy sides,
And to the calm of heart, in calmness shows
    What pleasure there abides,
To trace its sedgy banks, from trouble free:
    Spots Solitude provides
      To muse, and happy be.

  There ruminating ’neath some pleasant bush,
    On sweet silk grass I stretch me at mine ease,
Where I can pillow on the yielding rush;
    And, acting as I please,
Drop into pleasant dreams; or musing lie,
    Mark the wind-shaken trees,
      And cloud-betravelled sky.

  There think me how some barter joy for care,
    And waste life’s summer-health in riot rude,
Of nature, nor of nature’s sweets aware.
    When passions vain intrude,
These, by calm musings, softened are and still;
    And the heart’s better mood
      Feels sick of doing ill.

  There I can live, and at my leisure seek
    Joys far from cold restraints—not fearing pride—
Free as the winds, that breathe upon my cheek
    Rude health, so long denied.
Here poor Integrity can sit at ease,
    And list self-satisfied
      The song of honey-bees.

  The green lane now I traverse, where it goes
    Nought guessing, till some sudden turn espies
Rude batter’d finger post, that stooping shows
    Where the snug mystery lies;
And then a mossy spire, with ivy crown,
    Cheers up the short surprise,
      And shows a peeping town.

  I see the wild flowers, in their summer morn
    Of beauty, feeding on joy’s luscious hours;
The gay convolvulus, wreathing round the thorn,
    Agape for honey showers;
And slender kingcup, burnished with the dew
    Of morning’s early hours,
      Like gold yminted new.

  And mark by rustic bridge, o’er shallow stream,
    Cow-tending boy, to toil unreconciled,
Absorbed as in some vagrant summer dream;
    Who now, in gestures wild,
Starts dancing to his shadow on the wall,
    Feeling self-gratified,
      Nor fearing human thrall.

  Or thread the sunny valley laced with streams,
    Or forests rude, and the o’ershadow’d brims
Of simple ponds, where idle shepherd dreams,
    Stretching his listless limbs;
Or trace hay-scented meadows, smooth and long,
    Where joy’s wild impulse swims
      In one continued song.

  I love at early morn, from new mown swath,
    To see the startled frog his route pursue;
To mark while, leaping o’er the dripping path,
    His bright sides scatter dew,
The early lark that from its bustle flies,
    To hail his matin new;
      And watch him to the skies.

  To note on hedgerow baulks, in moisture sprent,
    The jetty snail creep from the mossy thorn,
With earnest heed, and tremulous intent,
    Frail brother of the morn,
That from the tiny bent’s dew-misted leaves
    Withdraws his timid horn,
      And fearful vision weaves.

  Or swallow heed on smoke-tanned chimney top,
    Wont to be first unsealing Morning’s eye,
Ere yet the bee hath gleaned one wayward drop
    Of honey on his thigh;
To see him seek morn’s airy couch to sing,
    Until the golden sky
      Bepaint his russet wing.

  Or sauntering boy by tanning corn to spy,
    With clapping noise to startle birds away,
And hear him bawl to every passer by
    To know the hour of day;
While the uncradled breezes, fresh and strong,
    With waking blossoms play,
      And breathe Æolian song.

  I love the south-west wind, or low or loud,
    And not the less when sudden drops of rain
Moisten my glowing cheek from ebon cloud,
    Threatening soft showers again,
That over lands new ploughed and meadow grounds,
    Summer’s sweet breath unchain,
      And wake harmonious sounds.

  Rich music breathes in Summer’s every sound;
    And in her harmony of varied greens,
Woods, meadows, hedge-rows, corn-fields, all around
    Much beauty intervenes,
Filling with harmony the ear and eye;
    While o’er the mingling scenes
      Far spreads the laughing sky.

  See, how the wind-enamoured aspen leaves
    Turn up their silver lining to the sun!
And hark! the rustling noise, that oft deceives,
    And makes the sheep-boy run:
The sound so mimics fast-approaching showers,
    He thinks the rain’s begun,
      And hastes to sheltering bowers.

  But now the evening curdles dank and grey,
    Changing her watchet hue for sombre ****;
And moping owls, to close the lids of day,
    On drowsy wing proceed;
While chickering crickets, tremulous and long,
    Light’s farewell inly heed,
      And give it parting song.

  The pranking bat its flighty circlet makes;
    The glow-worm burnishes its lamp anew;
O’er meadows dew-besprent, the beetle wakes
    Inquiries ever new,
Teazing each passing ear with murmurs vain,
    As wanting to pursue
      His homeward path again.

  Hark! ’tis the melody of distant bells
    That on the wind with pleasing hum rebounds
By fitful starts, then musically swells
    O’er the dim stilly grounds;
While on the meadow-bridge the pausing boy
    Listens the mellow sounds,
      And hums in vacant joy.

  Now homeward-bound, the hedger bundles round
    His evening ******, and with every stride
His leathern doublet leaves a rustling sound,
    Till silly sheep beside
His path start tremulous, and once again
    Look back dissatisfied,
      And scour the dewy plain.

  How sweet the soothing calmness that distills
    O’er the heart’s every sense its ****** dews,
In meek-eyed moods and ever balmy trills!
    That softens and subdues,
With gentle Quiet’s bland and sober train,
    Which dreamy eve renews
      In many a mellow strain!

  I love to walk the fields, they are to me
    A legacy no evil can destroy;
They, like a spell, set every rapture free
    That cheer’d me when a boy.
Play—pastime—all Time’s blotting pen conceal’d,
    Comes like a new-born joy,
      To greet me in the field.

  For Nature’s objects ever harmonize
    With emulous Taste, that ****** deed annoys;
Which loves in pensive moods to sympathize,
    And meet vibrating joys
O’er Nature’s pleasing things; nor slighting, deems
    Pastimes, the Muse employs,
      Vain and obtrusive themes.
Come into the garden, Maud,
  For the black bat, Night, has flown,
Come into the garden, Maud,
  I am here at the gate alone;
And the woodbine spices are wafted abroad,
  And the musk of the roses blown.

For a breeze of morning moves,
  And the planet of Love is on high,
Beginning to faint in the light that she loves
  On a bed of daffodil sky,
To faint in the light of the sun she loves,
  To faint in his light, and to die.

All night have the roses heard
  The flute, violin, bassoon;
All night has the casement jessamine stirr'd
  To the dancers dancing in tune;
Till a silence fell with the waking bird,
  And a hush with the setting moon.

I said to the lily, 'There is but one
  With whom she has heart to be gay.
When will the dancers leave her alone?
  She is weary of dance and play.'
Now half to the setting moon are gone,
  And half to the rising day;
Low on the sand and loud on the stone
  The last wheel echoes away.

I said to the rose, 'The brief night goes
  In babble and revel and wine.
O young lord-lover, what sighs are those
  For one that will never be thine?
But mine, but mine,' so I sware to the rose,
  'For ever and ever, mine.'

And the soul of the rose went into my blood,
  As the music clash'd in the hall;
And long by the garden lake I stood,
  For I heard your rivulet fall
From the lake to the meadow and on to the wood,
  Our wood, that is dearer than all;

From the meadow your walks have left so sweet
  That whenever a March-wind sighs
He sets the jewel-print of your feet
  In violets blue as your eyes,
To the woody hollows in which we meet
  And the valleys of Paradise.

The slender acacia would not shake
  One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
  As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
  Knowing your promise to me;
The lilies and roses were all awake,
  They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
  Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
  Queen lily and rose in one;
Shine out, little head, sunning over with curls.
  To the flowers, and be their sun.

There has fallen a splendid tear
  From the passion-flower at the gate.
She is coming, my dove, my dear;
  She is coming, my life, my fate;
The red rose cries, 'She is near, she is near;'
  And the white rose weeps, 'She is late;'
The larkspur listens, 'I hear, I hear;'
  And the lily whispers, 'I wait.'

She is coming, my own, my sweet;
  Were it ever so airy a tread,
My heart would hear her and beat,
  Were it earth in an earthy bed;
My dust would hear her and beat,
  Had I lain for a century dead;
Would start and tremble under her feet,
  And blossom in purple and red.
Steven Hutchison Jan 2014
For each word that never made it past my teeth
-harsh critics-
I am sorry
I told you I loved you last night in bed
and all you heard was my breathing
-waves on your shore-
I am sorry

For each step I should have taken that was frozen in my legs
-stone pillars-
I am sorry
I ran to the edge of the earth for you
where I heard the lilies were blooming
-empty vase-
I am sorry

For each song that suffocated in my hollows
-white noise-
I am sorry
I scored you a serenade for clarinet and bassoon
and your shutters heard nothing
-white noise-
I am sorry

For each quiver of my hands that has held me
chained to the anvils of fear
For the confidence I lack and the love I have not given
-myself-
I am sorry
For times I held truth by the throat underwater
and prayed you wouldn't notice the splashing
For those days I went sleep walking
-through prayers-
I am sorry
For the stability I cradle while sitting on dreams
singing songs we all know the words to
the song we've each written verses to
12 bars on each wall of this blue cage that we sing through
For the times we don't fight
For the times that we mean to
For the injustices that steal the peace from our silent nights
For the riotless streets
For thriving inequalities
For microphones and stages still wet with my ego
For the silence I keep
-when the world is listening-
I am sorry

Shake me
from these paralytic dreams
from the cloud of ideas and fantasy
-what is art but a landing?-

Shake me
make me rise up and face the music
climb out of myself and breathe
-what is prayer but respiration?-

Shake me
until my apologies are gone
and your house is full of flowers
and your ears are full of songs
and your heart is filled with this love of mine
your quivering hands shook free

Shake me
until I see beauty in truth
and truth in what we are made to be
In response to Walter Mitty
Jennifer Beetz Jan 2019
My heart is a bassoon
once I've tackled it
to the ground, oboe
in my good hand
As a battering ram
A morning star
A mace
A flail

Nary more a tune

My heart is a bassoon!
got it now? It waits
to fill up every room

"Water always finds
It's own level" or so they
say and if my heart were
full of water I wouldn't
have a clue what they
mean by that anyway

My heart is a *******
bassoon and if I were to
put it in the bath it would
ruin it
barnoahMike Dec 2010
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH By the *way,  was *ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****,  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL *  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
copyright 2010    barnoahMike           Mike Ham
Robert C Howard May 2016
Sinbad’s sea-battered ship was
poised on the edge of annihilation,
The Sultan's brow furrowed with curiosity,
then without warning
Scheherazade stilled her narrative
and lived to see the morning sun.

When the moon and stars next owned the sky,
Sinbad was snatched from the jaws of death
then the saga of Prince Kalandar
seized the king's soul with wonder
but Scheherazade left the tale unfinished
and sang with the birds at dawn.

Rimsky-Korsakoff  turned the pages at his desk -
consumed by Scheherazade’s charms
then etched his pen across the waiting staves:
The violin must weave her spell once more
and bassoon and oboe take the prince’s part.

Trombone and trumpet led the martial call
and all the rest enlisted for the cause.
Russian bravura fused with the seductive allure
of exotic tunes born of the dust on the silken road.

A sonic whirlwind filled Saint Paul Church,
as winds and tremolos grew to cyclonic force.
A wall of brass completed Kalandar’s tale.
capped by an exuberant clash of cymbal plates.

The silence yielded to tender violins
chanting a hymn to the princess in all her grace.
Tambourine and winds wove a tapestry
of her debonaire and most virtuous prince.

As the final pizzicato chord faded, the Sultan
turned to Scheherazade with tear-filled eyes
and beheld his immortal princess
and she her valiant and eternal prince
and so it would be as long as night preceded dawn.

She kissed away his tears of joy and whispered in his ear,
“My beloved husband, I will tell you stories forever.
Tomorrow you shall learn of the Feast at Baghdad.”
Another site I have posted on, Poetfreak.com is shutting down so I am moving some the poems here. More refugees will follow.
LD Goodwin Dec 2013
Puce fresnel washed its light on his over sized African patterned dashiki,
while paisley notes poured from his reeded dreams.
Like the Hamelin piper I was mesmerized by hypnotic tones,
every sweet and spicy slur, every bend of every breath,
I followed him down history’s path and heard the world come boldly through.

“You got to keep the magic”, was his advice .
“Don’t give away too much of the theme.”

Through fake fog he swirled his love,
his passion, his calling.
“Summertime”, played on an oboe
is like hot liquid southern summer ***.
It crawls up your spine and explodes in your brain,
and you understand the songs meaning without one word sung.
Hundreds of years of vassalage reenacted in every blue colored measure.

This man did not think of himself as a descendant of slavery though.
He was, like all of his brothers of color,
a descendant of great Princes and Kings,
stealthy Hunters and fearless Warriors,
grand Land Owners and Wise Men,
Great Leaders of Peace and Brotherhood,
and he lived out his life as they did,
changing the world one note at a time.
He played the music of all people,
“World Music” it later came to be known.

Listen….he is in the rhythm still.
Wherever there is an ethnicity holding on to their heritage in song.
Wherever there is an indigenous rhythm, a harmony, a feeling……
Yusef is there, and he will be there forever.


*Yesef Lateef
Born October 9, 1920 in Chattanooga, TN
Died December 23, 2013 Shutesburry, MA

Musician, author, spokesman, educator

Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto


Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.
Knoxville, TN December 2013
Marshal Gebbie Aug 2023
Everything is BIG here.

Meals are big, bums are big, cars are huge and the skies are a million miles wide.

Janet and I are travelling in the Northwest of the United States of America, spending time with Boaz and Lisa in Idaho, Steve Yocum in Oregon and Greg and Linda in Washington State.

The trip is a "quickie" in that we are fitting one helluva lot into just three weeks duration.
Never in all my days have I seen such huge quantities of food served up in restaurant meals, plastic bags discarded, American flags fluttering and all the young, blonde girls in tattered, impossibly short cut offs and sleeveless tops talking loudly, incomprehensibly at a million miles an hour ......Just blows you away!!
Monstrous pickup trucks, Rams, Broncos, big V8s travelling the freeways continuously. Sheriffs, troopers and Road cops all wearing firearms on the hip, in their souped up pursuit vehicles parked on the roadside shoulder, eyeballing everyone as they pass, with a mean, accusatory glare.
Out on the range there is a million square miles of nothing but sage brush and basalt rock....and searing, baking heat.
114 degrees in the painted desert of Moab. Beautiful though with vaulting red sandstone cliffs and rearing stone arches against the blue-est of blue skies.
Standing pillars of ancient sedimentary rock born in depositions laid down in vast oceans of bygone eras, millions of years ago.

History is painted vast in this immensity. The gigantic and abrupt catastrophic inundation of a vast and deep inland sea, swelled suddenly by floodwaters of rivers diverted by lava flows from subterranean fissures....Unimaginable torrents abruptly released, gouging out ancient lava beds to create gigantic waterfalls and deep, sheer sided chasms.

Cascades that constituted the biggest river flow ever known in the history of the planet, washing away everything from the epicentre of the continent in Utah through Idaho to the Pacific ocean in the rugged coast of Oregon. Such was the Bonneville flood of 12,000 years ago illustrated today by the gigantic chasms created in the beds of basalt and rhyolitic larva throughout Idaho and the fields of massive, round, house sized boulders strewn from the floods origin near what is now, Salt Lake City in Utah to the coast in Oregon, a thousand kilometers away.

The two weeks stay with Boaz and Lisa just disappeared in a flash. They took us down to Moab painted desert, Zion National park, the Craters of the Moon, Monument National Park and up to Stanley and the Sawtooth mountains by the mighty Salmon river. Janet and I took advantage of a couple of push bikes hanging in the garage and spent most days cycling the local trails and visiting Starbucks for a celebratory cappuccino or two....Those bikes saved our bacon, walking trails in that heat was ******. Great hospitality enjoyed here. watched reruns of Sopranos on Boaz's 70 " SmartScreen TV and enjoyed Arnie's escape from postwar Austria to Mr Universe and fame and fortune @ Hollywood with Boaz whilst enjoying chilled margaritas in the hot tub.

The camaraderie of meeting an old mate of 45 years past, Steve Yocum of Oregon  a fellow writer and author. Both of us intent on shooting the breeze, putting the world to right. In some ways a sad exercise in that no longer can either of us make things right for with age upon us, neither has influence. We can huff n puff n blow the house down....but it seems, nobody pays the slightest bit of attention. The penalty of age is invisibility. The relief in it all is that, really, nobody actually gives a hoot!

Just two Old Dogs letting off steam..... it's rather cathartic actually! Thanks to Stevo, Ian and lovely Heidi for the accommodation, great hospitality and warmth.

The cool atmospheric relief of the serene and calm, Puget Sound in Seattle, Washington state gave welcome respite from the intense heat of the interior and the serenity of our cottage accommodations and startlingly beautiful garden surrounds. A forest of conifers and deciduous trees harboured gardens of blooming roses, hollyhocks and multihued cone flowers, emerald lawns carve swarths of sunlight in avenues of deep, green shade....a delight for the sunburnt brows of yesterday's heat.
Woken by the bassoon blast of the passing early morning ferry out in the waterway, to stroll out to sit at the very edge of the sandy, pebble beach and gentle surge of the deep, clear saline waters of the magnificent Puget Sound.
The peace of early morning crisp cool air, a seascape of moored fishing boats on mirrored waters, the distant Olympic range rearing to its' full 7,000 ft against a powder blue sky left us quite breathless with the utter beauty of it all....add to that a lovely breakfast offering of fresh berries, kiwifruit slices and yogurt and a chilled glass of fresh squeezed orange juice...and we absolutely, couldn't want for anything more. To Greg and Linda our love and thanks for giving up your beautiful bed, travelling us around beautiful Seattle and being our airline coach to and from Portland. We shall return the warm hospitality next time you hit NZ and Taranaki.

Vulcanism has dominated the terrain in Idaho, Montana, and Utah. Continental drift westward of the land mass has brought about a steady transference eastward of the massive geothermal hot spot which currently lies in Yellowstone park and which is the source of all volcanic activity within the park..
Idaho, in ancient times, wore the volcanic mantle of the region in having truly gigantic rhyolitic ash and magmatic eruptions. These cataclysmic eruptions emptied deep cavernous, subterranean magma chambers which collapsed under their own weight leaving vast circular calderas in the landscape. Subsequent plate tectonic activity caused deep faulting allowing huge flows of sticky magma to surge to the surface like searing hot black toothpaste, spreading across the plains obliterating all evidence of the rhyolite caulderas, surfacing the state, to this day, with millions of acres of hard black basaltic rock.
Here and there, rhyolite has wormed its way to the surface building gigantic domes, over the centuries these have weathered leaving statuesque, dramatic flat-topped mesa scattered across the landscape.
Altogether a truly unique and enthralling terrain for visitors to behold and one which reveals a dramatic insight to the volcanic and tectonic violence of the recent past and gives a definite air of mystique to the beholder.

In a land of 360 million people, supermarkets are downright huge...and they contain the spoils of the nation's plenty.
Acres of dazzling variety... and cheap by international standards. The very best of prime beefsteak, sides of pork, Alaskan cod freshly caught and displayed in rows of chilled enticing exhibit. Every possible vegetable and fresh picked fruit known to man in piled pyramids of brilliant, colourful display. Beautiful ornate furniture, beds, mattresses, tiers of car tyres of every conceivable brand and size, wheelbarrows, fertilizer, fresh flowers in mountainous display, ***** in barnlike chillers. Supermarket trolleys for giants..... and gird yourself for a marathon hike in collecting your basket of groceries...and give yourself half a day....you'll need it!

America has momentum, huge momentum. Across vast tracts of country lie networks of highway. Multilane concrete that tracks mile after mile carrying huge trucks with 40 tonne loads. Incessant trucks, one after another,  thundering along carrying the lifeblood of America, merchandise,  machinery, infrastructure, steel, timber and technology. Gigantic mobile freezers hauling food from the grower to the markets. Hauling excavators, harvesters,  bulldozers and giant Agricultural tractors. Night and day this massive source of production careers across the nation transporting the promise of America, the momentum which drives the Stars and Stripes onward, ever onward.

On the margins of the cities of Portland and Salem the unhoused gathered in squalid tent communities. In the beautiful city of Seattle I saw many down and out unshaven, untidy individuals with hopelessness in their eyes, pushing supermarket trolleys containing their sparse possessions. I drove through rural communities, some of which, reflected hardship and an air of despair. Run down dwellings in need of maintenance and repair, derelict rusty vehicles adorning the **** strewn frontages.
Not 20 kilometers away in Ketchum and Sun Valley Idaho the homes were palatial in grounds tended by gardeners and viticulturalists. Porsches and Range Rovers graced the ornate, rusticated porticoes. Wealth and privilege in evidence in every nuanced nook and cranny.
America is, indeed, a land of contrasts, a land of wealth, privilege, and plenty..... and yet a land that, somehow, tolerates and abides a fragile paucity which emblazons itself, embarrassingly, within the national profile.

On a hot day in Twin Falls, Idaho, I walked into a huge air-conditioned sporting goods store specifically to look at guns....and in the long glass cases there were hundreds of them. From snub nosed revolvers to Glocks, 38s, 45 caliber even western style Colt 45s and the ***** Harry Magnum with the long, blue gun barrel and classic, prominent foresight.
In the racks behind the counter are hung fully and semi-automatic rifles of myriad types...all available for sale providing the buyer has appropriate licensing.
In a land where mass shootings proliferate weekly, I ask myself....does this availability of lethal weaponry make sense?

The aching beauty of the mountain country in Northern Idaho, Oregon and Washington state cannot be overstated. The Sawtooth mountains, the Cascades, Mt Ranier, Mt Hood and the Olympic range. Ridgelines of towering conifers as far as the eye can see, waves of green deciduous running down to soft grassy clearings with boulder strewn, rushing streams and the cascade of plunging waterfalls. The magnificence of the natural beauty of this rugged, heavily timbered mountain country just defies description being far, far isolated from the attentions of man.

To happen upon this country from the far distant reaches of the South Pacific is a culture shock, to be suddenly exposed to the extreme largess. It is difficult to calibrate, hard to encompass, impossible to assimilate....but the people encountered warmed us with their generosity of spirit, their willingness to welcome travelling strangers into their homes....and, of course the invaluable time we spent with our family….and for these factors alone together with the huge magnificence that is this........
GRAND AMERICA.
We are truly, truly grateful.

Janet & Marshal
Foxglove@Taranaki.NZ
st64 Feb 2014
you are in the mist, a grey mist
a beautiful coverlet to the eyes of dawn
you’re standing there, in the mist
all the eyelids fall from lunar spark and come to drape on
my beige undoing of graceful bassoon echoes


in this darkened window frame, I look out
and the beat of life pumps on in the veins of foliage friends


in the mist, all cities are alive in muffled sounds and reaching sighs
why give up so soon?
why give up.. at all?*




S T – 4 feb 14
in the mist, we see what we can.. until it clears.
Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the rose is blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
In a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.

All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.

I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.

I said to the rose, "The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those,
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."

And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;

From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.

The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."

She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead,
Would start and tremble under her feet,
And blossom in purple and red.
martin Apr 2016
There was not much to do down at the zoo
They were all getting bored, wouldn't you?
The keeper was called, we're out of our minds
Help us out, if you'd be so kind

The keeper said, so what can I do?
I'd like to help but give me a clue

Well, said the giraffe it may sound daft
But I've always wanted to play the harp
You know what,  said the baboon
I would like a big bassoon
The emu said, I really do feel
A hankering after a glockenspiel
The lemur requested a violin
Certain he'd coax a tune from the thing
The elephants stood all in line
Already they could trumpet in time
The gorilla said he could use his thumb
To bang away on a big bass drum

They all got their wish, it was quite a scene
And proudly they played God Save the Queen
Happy 90th birthday to our lovely Queen
Come into the garden, Maud,
     For the black bat, Night, has flown,
Come into the garden, Maud,
     I am here at the gate alone;
And the woodbine spices are wafted abroad,
     And the musk of the roses blown.

For a breeze of morning moves,
     And the planet of Love is on high,
Beginning to faint in the light that she loves
     On a bed of daffodil sky,
To faint in the light of the sun she loves,
     To faint in his light, and to die.

All night have the roses heard
     The flute, violin, bassoon;
All night has the casement jessamine stirr'd
     To the dancers dancing in tune:
Till a silence fell with the waking bird,
     And a hush with the setting moon.

I said to the lily, "There is but one
     With whom she has heart to be gay.
When will the dancers leave her alone?
     She is weary of dance and play."
Now half to the setting moon are gone,
     And half to the rising day;
Low on the sand and loud on the stone
     The last wheel echoes away.

I said to the rose, "The brief night goes
     In babble and revel and wine.
O young lordlover, what sighs are those
     For one that will never be thine?
But mine, but mine," so I sware to the rose,
     "For ever and ever, mine."

And the soul of the rose went into my blood,
     As the music clash'd in the hall;
And long by the garden lake I stood,
     For I heard your rivulet fall
From the lake to the meadow and on to the wood,
     Our wood, that is dearer than all;

From the meadow your walks have left so sweet
     That whenever a March-wind sighs
He sets the jewelprint of your feet
     In violets blue as your eyes,
To the woody hollows in which we meet
     And the valleys of Paradise.

The slender acacia would not shake
     One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
     As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
     Knowing your promise to me;
The lilies and roses were all awake,
     They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
     Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
     Queen lily and rose in one;
Shine out, little head, sunning over with curls,
     To the flowers, and be their sun.

There has fallen a splendid tear
     From the passion-flower at the gate.
She is coming, my dove, my dear;
     She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
     And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
     And the lily whispers, "I wait."

She is coming, my own, my sweet;
     Were it ever so airy a tread,
My heart would hear her and beat,
     Were it earth in an earthy bed;
My dust would hear her and beat,
     Had I lain for a century dead;
Would start and tremble under her feet,
     And blossom in purple and red.
I have always found trigonometry helpful,especially when boiling eggs,my maths teacher who was himself somewhat of an egg head,said,'it's all about angles,I read it as Angels and ever since then have been trying to plot a course to heaven.

I found Geography extremely useful,although I can't find my way back home on a Saturday night after a few pints of beer at the local inn,my tutors words come back to me,follow the spot on the end of your nose and you'll always go in the direction you are heading in.


Religious instruction was fascinating, who would have guessed there were so many thees and thous and sacred cows don't get a mention at all.Idols and idle men and prophets who preach for no profit at all,seas that part and fishermen and romans who rule are they the rowmen?

Sports was good.the physical exertion of training,the rugby field in the pouring rain,and the medicine ball..which we used if we needed no medicine at all. I climbed up the ropes in the gymnasium and expected to disappear,like some fakir in the backstreets of Bombay.it never happened and I'm still climbing

#English lessons. why is the language of my fathers all greek to me,past imperfect,present tense,commas and the colon,what a bleedin' carry on,Keats and Shelly and what the hell is poetry,my English teacher who was called Gupta Singh taught me all I ever knew.

Music, food for the gods and food for the cats and the piano never played in key.teacher said it was me who couldn't carry the tune,the oboe,bassoon,the flute,lute,triangle,the jingle jangle of mediocrity is everything that music means to me.

Art,the only lesson in which I really took part..loved the splashing of colours and the butter of words on the sheets,loved the wisdom of wordsworth,the delicacy of picasso and then,in the factory when I left school there was art in the furnace,in the pig iron and ingots,the melting of iron the fire and the bellows...but I saw none of it because work took it away from me,artists are only ever free when they're painting or writing and not working to stave off starvation.

yes school taught me so much but now it's all gone, as the headmaster told me....'you'll never be anything if you don't make something of your life' or is it that the headmasters gone and life goes on,...

Philosophy was good too.

Biology taught me that we come from eggs and we could have been ducks or platypii..and pi is not a platypus but a mathematical equation..education may help us to learn but it can be very confusing.

History..it's always good to know that we walk on the bones of the dead as we wander through The battlefield of history.and that Mesopotamia which is historical is also biblical, two lessons in one,

education on the cheap.
Geoffrey Saucer

Siegfried Bassoon

W.B. Yeast

Sylvia Bath Tub

Adrienne Ditch

James Joist

Samuel Bucket

Edgar Allan ***
This is my best one yet.
Steve Page Feb 2017
The bass bassoon is poised
And the penny whistle too
And when the families converge
You hear under the hullabaloo
The sweetest harmony
Absent of cacophony
Because you see
There's one thing that we rely upon
Everyone of us has an eye on
The front man who bears the baton
As he grips our attention
For no matter how long
Directing us as instruments
Of righteous passion.
This is his signature song,
So lead on dear maestro,
Lead on!
Inspired by the phrase "instruments of righteousness"
Anticipation tiptoes from table to table.

My Jelly Roll Soul
Sets sail for Alice’s rabbit hole.

In front of a hushed, hip crowd,
The music condenses into a scarlet cloud,
And originality speaks aloud.

A trumpet sounds,
A subway car rumbles underground,
Signaling all the cool cats
That it’s time to get down.

A virtuoso teases black and white keys,
Shaping notes with subtle expertise.
The closest I’ve ever seen, man come to mastering machine.
Slowing the frenzied, fractured step of the East Village above,
To E’s. Legato ease.

Optional Z’s
Leave many without sleep,
For who could snooze
At times like these?
The alto-sax
Is bending C’s!

Just listen in, on that wailing bassoon,
Who howls to the moon.
It might be noon,
Up there.
But that’s up a flight of stairs,
And I’m enjoying my jazzy state of affairs.

There will always be time for Nostalgia in Times Square.
Poetry by Ted Boughter-Dornfeld Copyright © 2009
Amanda Fawcett Mar 2013
The music man in my family
Has fingers made of piano keys
I hear his songs
throughout the house
Speaking the language
That bleeds through him
From his father's early
bassoon notes
And mother's late night
flute whispers
And there it is:
The language of the music man
Swirling
Jumping
Freedom sounds
That tinker up the walls
And through the vents
And pipes of our house
All from the piano key fingers
Of our music man.
Joe Hill May 2015
does your **** get hard when you hear your own voice
or are you really auditorily jackin off a softie?

chokin on pulls between bottles and bowls
we all know you're full of ****
yellin unfair brackets are the worst of it

come back and talk to me with eyes a little less red
with some stories and quips you haven't beaten so dead

if you're fed up with the honesty then get up and head out
I'll never be stoppin ya
scream and shout as much as you like but somewhere else
cause I'm seconds from droppin ya

an understatement is ever hearing your voice again would be too soon
just the memory is worse than a broken out of tune bassoon


in short I don't hope you end up dead in a fire
but to say I'd be sad would just make me a liar
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?

The Bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din.'

He holds him with his skinny hand,
'There was a ship,' quoth he.
'Hold off! unhand me, grey-beard loon!'
Eftsoons his hand dropt he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

'The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The Sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—'
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

And now the STORM-BLAST came, and he
Was tyrannous and strong:
He struck with his o'ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.

It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white Moon-shine.'

'God save thee, ancient Mariner!
From the fiends, that plague thee thus!—
Why look'st thou so?'—With my cross-bow
I shot the ALBATROSS.
It's an epic poem, worth the reading effort
Olivia Kent Oct 2016
Through the Truffle Umptty trees, cute truffleumps run free.
The smallest local children come along to see, if they can glimpse the truffleumps , go swinging through the truffle trees.
The Truffleumps eat donuts.
They love them so, you see.
The man in the bakery shop.
He makes quite a few.
Some are pink and others blue.
Sometimes, he does green ones.
Other times they're red.
He serves them up with ice cream that is really, really cold.
The baker gets his bassoon out, to tell the truffleumps.
Their donut tea is done.
He hangs them on the Truffleumpty trees.
He doesn't hang them high.
As everybody knows, that truffleumps can't fly.
It's great to capture fresh donuts, as soon as they've been hung.
They're always tasty tea time treats.
Before they go to bed
Everyday at five o clock.
The Trufflelumps get down from their trees.
Waiting for the donuts, which soon will be their tea
They carry wicker baskets, to take their tea away.
Their trufflemummies watch them, as they go collect their tea.
As all good mummies know, it's not safe climbing trees, even if they're bouncing through the branches of their favourite wood.
Happily hunting donuts in the Truffle Umptty trees is really very good.
(c)LIVVI
Katie Tanji Jun 2014
Music is so much more
Than just rhythms on a page because
I can hear the bass in someone's chest
Or jazz in their laughter
And I can find music
In the way people's voices rise and fall
Or the sound of their lungs
The low trill that comes from the smugness in someone's voice
Or the fast strings of someone panicking
Some people sound like a piano, smooth and quiet
While others sound like the thunder of the brass,
Unable to be missed, but capable of tender moments
Because no one is less than an orchestrated piece
No one notices the subtle parts at first,
Like the vibrato in the solo of their thoughts
Or the sudden accelerando of passion and arguments
The forte pianos of being tired of fighting
Or the single flute of absolute euphoria
But when you return again and again
You fall in love with the way
Words seem to rise from their feet and wash over you like fog,
like a bassoon
Or the quickly improvised comments that fills you with a sense of warmth and safety  
play with the strings of your heart like a saxophone
Because nothing compares to noticing the people
Who are made up of nothing else but music
Shivpriya Jul 2020
O light-ful  origin of communication,
please let me know your self-adjusting joy
because I don’t want to forsake this
hope that holds my indomitable
spirit and life together.

I wish to sing imperviously to all the odds!

O Radha-kanta!
You are so faithful!
Please help me to
remain very close to you...
Save me from the beseeching calls of
a gloomiest empire. It is always ready
to enmesh me into its disheartenment.

O Gopika-kanta!
Be the lover inside me and
in the love form too...
You are the enchanter!
When you keep me safe inside your heart, I feel that
I can always be a daring brave soul!
©️shivpoetesspriya
Without warning, the house lights dim. Conversation stops mid-word, and instantly all eyes are on our orchestra, impeccably matching in black tuxedos and gaucho pants. I can no longer see my smiling friends in the crowd, just a sea of dark, empty faces staring back at me.

The yellowing, torn pages on my music stand read “Symphonie Fantastique -- 1st Bassoon” in bold lettering. “Watch!”, “Play out!”, and other enthusiastic reminders litter the margins. Behind me, the timpanist quietly tunes to D, preparing for the fourth movement, March to the Scaffold, containing one of the most well-known orchestral bassoon solos of all time. “Play it like a pompous king laughing as a criminal is led to the guillotine,” our short, Italian conductor insisted one day in rehearsal. Next to the fortieth measure marker, a doodle of a stick figure in a crown laughs.

I stare at the black scuff marks on the glossy stage floor as the orchestra swells around me. All too soon, the timpani rolls from underneath the angry violin pizzicato. My cue. I breathe in deeply.

first solo
heartbeat in time
with racing eighth notes
Megan Parson Jan 2021
~°~°~°~

The rosy bride didn't pace the hall,
Nor was there a wedding ball.
No bridesmaids, no flower girls,
Nor did I wear my mothers pearls.

For without the groom,
Playeth not the loud bassoon,
Tis the words that played,
While my heart like thunder relayed.

Melancholy, like Caesar, did I feel,
Piercing eyes, put forth the deal,
Closer to a faint, did I reel,
And like Calpurnia, I now kneel.

Hoping you'll read this through,
Hardly ebbing the feelings, I grew.

~°~°~°~

Commit I, what I detest,
& leave you culprit, like in Gone Girl.
Painful thoughts, my mind did protest,
To new ventures, it would whirl.

A letter of love & apology,
on the very last day.
bearing, like Juliet's analogy,
Concealed beneath the fray.

'What ifs' sadly got the better,
But letter, tis the right way!
Or so I thought, while my mind did fetter,
To take action, a letter will I lay...

Sans number or address,
To test you, cuz love finds a way.
But this too, did I redress,
The masts somewhere else will sway.

"Don't be so ******* him,
Leave your number deep within."
"No, no, that'll make him dim,
give not even the pin."

Yet another did say,
"Leave clues, in & out,
work em woe till the gray."
These nasty devils dashed about.

~°~°~°~

At last did I none,
But write this terrific pun.
I know you know what I did
last summer. That has rid,

All that went on for the past 3 years?
Reality had become my fears,
Alas you believe the deed is done,
But you're right, you weren't the one.

If you had the patience,
To read this till the end.
Sans showing indifference,
Gratitude, I do extend.

By now, far away I'll be,
If Shrek could reach, so could you to me,
But there's a reason, it's a fantasy.
So goodbye, cuz I see,
Life has bigger plans for me.

~°~°~°~
Hey guys! Back after a looooong break & writers block. This poem was inspired by The Rime of the Ancient Mariner by Samuel Taylor Coleridge, an all time favorite ❤️
Lewis Bosworth Oct 2018
the din of one thousand plus
audience members is displaced
as the concertmaster clip-clops
from stage right to center

a fusion of brass and strings
begins its call-to-order by
the woman charged with
bringing chaos to hundreds

of orchestral voices -
a boisterous parade of
timpani vs. flute vs.
bassoon vs. viola

then - silence - then
a moment of expectation -
she enters smiling with
baton under her arm

applause from the low
seats of the orchestra to
the heights of the highest
balconies

she mounts the rostrum -
a penguinesque black-
striped uniform topped
by a bob of dark curls

a moment of silence from
the musicians - her hand
points the baton to the
sky - and strikes the air

with the sweep of authority -
a blend of sounds causing
heartbeats to still -
allegro ma non troppo


© Lewis Bosworth, 2018
BTW Jan 2022
CFM
CFM.  (Adult)
5 January 2022

Hunger-wearing-black-booted-
Midnight-shadow-street-corner-­blue-
Bartender-bassoon-smooth-wailing-horn,
Tonight pull me while I'm burner-raw-torn.
Desiccate-night-thirst wake me. Tease.
Moon CFM drown me, break me.
Roaming-desert-music, seize me.
Viola-tight-throat-hum-love, sting!
Tonight no hope, I need to sing.
Olivia Kent Oct 2016
Watching the truffleumps down by the sea,
With their mommies and daddies, they're running free.
Having fun.
They love to play.
They wore swimming suits made from green string and lace.
The brightest thing on their bodies was the smile on their face.
They paddled in rock pools.
Fished for wriggly shrimps.
They put them in buckets made out of bright yellow plastic.
Those truffleump imps.
Just by the water, mom saw some bright fish.
The truffleumps went in for a swim.They put the shrimps back in their pool.
To take them home would be unkind.
The sound of the bassoon whistled out.
Telling the truffleumps, it's soon time for tea.
They picked up their towels and buckets and spades.
Home they went, drinking pink lemonade.
Past the houses.
Past the shops.
For today the truffleump day stops.
The truffleumpty trees were loaded with donuts.
So mom, dad and truffleumps got off the bus.
Baskets filled up with donuts for tea.
Heading home they go at the end of the day.
(C) LIVVI
You need to read my TRUFFLEUMPS poem to understand this.
wordvango Mar 2018
I've only imagined where I'd go were the skies to open up
Magical, and time to be metered
Only in metrical or musical
Timbre what bassoon might be heard when and if
Flutes bass drums human voices
Joined into that chorus of
Nature resounding unheard
On the distance in the forests
On sunrises in flowers
In the eyes of the forlorn
The starving bellies
Of the deserts
In that mass of culled voices
Written on papers buried
In libraries in educated
***** on leather desks in the
Remotest abscesses where the hurt cannot reach or on
Wool carpets decorated
Florals instead of the marvels God
Sent created made us in
Oh I cry loud
I cry at top of my lungs ability
Wake me up
Cry cry
Sound out
Poets
Those with more than
My abilities.
The time is
Now.
I've been waiting at my gate,
waiting, just waiting.  I've
been waiting so long with
my music and songs, the
cello and bassoon.  
Many years have elapsed.
Will there be your coming
ever?  Some question.  I
gaze on.  Far away is
the blue sky line.
Longing for a return.

— The End —