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"accordions" poems
“i’m done with furries” i. i can’t dream your dreams, but you’ve told me about them. you wear an owl mask shaped by fists and transgression; a laceration splits your side from a skin split to your rib splits. your love, Bill Clinton or Donkey Kong (whoever populates your thoughts), crack your bare skin until makeup leaks out of your pores. you dream of emulating art; O hanging from a ceiling claw, clicking heels against drywall until leg muscles give up and her diaphragm accordions close. but who is your sculptor? who is your artist? ii. alas, i am only a paper mache bird. i flinch when it rains, i flinch when i move; my paper skin could cave in from lip crack to *** crack. (i hate Inside Out. but, i’ve only watched it once, and i’ve been told my eyes would adjust on the second viewing.) i dream of emulating art; Marat in an ice bath, tragedy and love and death captured without conflict. but who is my muse? who won’t break my bones? iii. you don’t know my dreams either, but we could dream together. two reveries in polyphony of an owl and bird ******* making love before they make art. our love is ******* weird; a childhood seesaw we’re trying to find the perfect balance to with our weight. we dream different things; **** fantasies and intimate kissing, but that doesn’t matter. at this point in two years, we can see through each other. i can’t make art without you. you aren’t done with furries.
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May 31, 2018
May 31, 2018 at 11:15 PM UTC
Yiffing in the Time of *******
Asylum In the madhouse on beds of daggers we slept like crickets chirping to ourselves while they tried their best to make us cannibals. The nuns were worse than lawyers, praying like accordions, tracking their sins into our soft wax skulls, wheezing like roosters when one of us cried, laying the greasy ribs of Jesus on our plates. They kept you behind door number six. I'd go to you with a stolen key, when the noon smelled bright as carnations, when the nights were more purple than the jacarandas. You spoke of your father dead of snakebite, a clockwork marvel with his million-dollar suit of skin, of your mother with the viper between her lips. I remember your kiss astringent with reason as bitter lemons, and the way your hair blew back from your dog-brown eyes like poisonous smoke from the oleanders. I thought these things as beautiful as angels whispering in the dahlias when I was lost in the asylum, when the doctors did all they could to see that we ate each other down to the bone. April 2022
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Sep 13, 2025
Sep 13, 2025 at 8:54 AM UTC
Asylum
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
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Dec 27, 2010
Dec 27, 2010 at 5:16 PM UTC
Christmas at Macys
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
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Sunday-empty Auckland my pre-breakfast escape, Sheep-spotted mountains in early morning mist, Whangarei marina for a cauldron of cappuccino. Shop of metal sheep starts a day of Kiwi weirdness, Of customer requesting glassblowing lessons, and “All Blacks” silk boxers, unworn by players I hope. Driving to Dargaville for Mr. M. Ujdur museum treat, That late gum-digging, Esperanto teaching, vintner. Beside a colossal collection of accordions with muzak, Playing an instrument-impossible Whiter Shade of Pale, Plus coins and buttons and stamps and Scotsmen, Left feeling stunned, like I was tripping on acid. The possum cull with prizes seemed almost normal.
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Nov 25, 2012
Nov 25, 2012 at 9:29 AM UTC
Driving To Dargaville
Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets!   on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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Sep 9, 2016
Sep 9, 2016 at 9:28 PM UTC
Heron
Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets!   on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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68
I drank musty ale at the Illinois Athletic Club with the millionaire manufacturer of Green River butter one night And his face had the shining light of an old-time Quaker, he spoke of a beautiful daughter, and I knew he had a peace and a happiness up his sleeve somewhere. Then I heard Jim Kirch make a speech to the Advertising Association on the trade resources of South America. And the way he lighted a three-for-a-nickel stogie and cocked it at an angle regardless of the manners of our best people, I knew he had a clutch on a real happiness even though some of the reporters on his newspaper say he is the living double of Jack London's Sea Wolf. In the mayor's office the mayor himself told me he was happy though it is a hard job to satisfy all the office- seekers and eat all the dinners he is asked to eat. Down in Gilpin Place, near Hull House, was a man with his jaw wrapped for a bad toothache, And he had it all over the butter millionaire, Jim Kirch and the mayor when it came to happiness. He is a maker of accordions and guitars and not only makes them from start to finish, but plays them after he makes them. And he had a guitar of mahogany with a walnut bottom he offered for seven dollars and a half if I wanted it, And another just like it, only smaller, for six dollars, though he never mentioned the price till I asked him, And he stated the price in a sorry way, as though the music and the make of an instrument count for a million times more than the price in money. I thought he had a real soul and knew a lot about God. There was light in his eyes of one who has conquered sorrow in so far as sorrow is conquerable or worth conquering. Anyway he is the only Chicago citizen I was jealous of that day. He played a dance they play in some parts of Italy when the harvest of grapes is over and the wine presses are ready for work.
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Fellow Citizens
I drank musty ale at the Illinois Athletic Club with the millionaire manufacturer of Green River butter one night And his face had the shining light of an old-time Quaker, he spoke of a beautiful daughter, and I knew he had a peace and a happiness up his sleeve somewhere. Then I heard Jim Kirch make a speech to the Advertising Association on the trade resources of South America. And the way he lighted a three-for-a-nickel stogie and cocked it at an angle regardless of the manners of our best people, I knew he had a clutch on a real happiness even though some of the reporters on his newspaper say he is the living double of Jack London's Sea Wolf. In the mayor's office the mayor himself told me he was happy though it is a hard job to satisfy all the office- seekers and eat all the dinners he is asked to eat. Down in Gilpin Place, near Hull House, was a man with his jaw wrapped for a bad toothache, And he had it all over the butter millionaire, Jim Kirch and the mayor when it came to happiness. He is a maker of accordions and guitars and not only makes them from start to finish, but plays them after he makes them. And he had a guitar of mahogany with a walnut bottom he offered for seven dollars and a half if I wanted it, And another just like it, only smaller, for six dollars, though he never mentioned the price till I asked him, And he stated the price in a sorry way, as though the music and the make of an instrument count for a million times more than the price in money. I thought he had a real soul and knew a lot about God. There was light in his eyes of one who has conquered sorrow in so far as sorrow is conquerable or worth conquering. Anyway he is the only Chicago citizen I was jealous of that day. He played a dance they play in some parts of Italy when the harvest of grapes is over and the wine presses are ready for work.
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40
(repost) Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets! on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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Jun 28, 2017
Jun 28, 2017 at 11:06 AM UTC
Heron
(repost) Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets! on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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69
Last night I watched in silence At the end of the road in forest deep I hid amongst the trees watching in awe As gypsies dance while others sleep Under the violet hue of evening sky Haloed by evening's golden moon I watched gypsies dance and sing As flames from bonfires leaped high in the air Dark haired women in shawls and beads Happily dancing and twirling without care Casting their spells of magic and enchantment Performing their honeyed seductions Blended with aphrodisiacs of scent and sound Gypsy men with kerchiefs around their necks Hoops of silver adorning their ears, singing joyful songs Children laughing, dogs barking As if they’re singing right along Oh, I so wanted to join them as I stood watching in awe Envious was I of their freedom and joy Caravans painted in bright images and colors Tambourines jingling as velvet shadows danced in the night Skirts swirling, gold and silver bangles on their arms Dancing 'round the bonfire's fiery light Accordions singing, with happy notes from a fiddler's bow As they sang and danced barefoot under evening moon In the coming dawn once again... It will be time for them to pack and move on With a last meal served... The caravans are readied to make another journey long "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on Time to find another home You must have gypsy blood In order to survive" As their wagons move along dusty trails They'll be looking for a place to camp A place to call home... at least for awhile A place to hang their colored paper lamps Until... Suddenly- a cry rings out "Stop the wagons, ring the bells We've found the perfect place The perfect place for magic spells Tomorrow brings a brand new day! Let's feast, dance and make merry Come on let's get things underway" And so... The journey goes on And never ends! "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on, time to leave Time to find another home You must have gypsy blood In order to survive"
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Apr 10, 2013
Apr 10, 2013 at 6:17 PM UTC
The Gypsy Dance Of Life
Last night I watched in silence At the end of the road in forest deep I hid amongst the trees watching in awe As gypsies dance while others sleep Under the violet hue of evening sky Haloed by evening's golden moon I watched gypsies dance and sing As flames from bonfires leaped high in the air Dark haired women in shawls and beads Happily dancing and twirling without care Casting their spells of magic and enchantment Performing their honeyed seductions Blended with aphrodisiacs of scent and sound Gypsy men with kerchiefs around their necks Hoops of silver adorning their ears, singing joyful songs Children laughing, dogs barking As if they’re singing right along Oh, I so wanted to join them as I stood watching in awe Envious was I of their freedom and joy Caravans painted in bright images and colors Tambourines jingling as velvet shadows danced in the night Skirts swirling, gold and silver bangles on their arms Dancing 'round the bonfire's fiery light Accordions singing, with happy notes from a fiddler's bow As they sang and danced barefoot under evening moon In the coming dawn once again... It will be time for them to pack and move on With a last meal served... The caravans are readied to make another journey long "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on Time to find another home You must have gypsy blood In order to survive" As their wagons move along dusty trails They'll be looking for a place to camp A place to call home... at least for awhile A place to hang their colored paper lamps Until... Suddenly- a cry rings out "Stop the wagons, ring the bells We've found the perfect place The perfect place for magic spells Tomorrow brings a brand new day! Let's feast, dance and make merry Come on let's get things underway" And so... The journey goes on And never ends! "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on, time to leave Time to find another home You must have gypsy blood In order to survive"
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and no you dont understand when i tell you i want you to hold me a certain way it's not because your elbow hits my scapula in a way that makes it impossible to sleep and when i ask you to kiss me it's not because i really need the validation or comfort of lips pressed hips ****** together and heartbeats knocking like opportunity at the door & my knees and when i ask you to make love to me it's not because i can't take it ***** i mean you could just shoehorn it in there but that's not the point and what do you get when you ask for twenty pages of love notes and dust scribbles in cobwebbed corners where you'll never look twice and how do years curl up the way pillbugs do when they die accordions collapse and ribbons lie shredded on sawdusted floors above us you know lately i've been begging every man i meet to tell me fifteen stories high on acid low on fuel the fire when i knelt to feed it cedar explodes in embers writhing syllogisms of love the way that moths feel like featherpaper shadows when you turn off the lights where do they go on and on and on andon andonandon&onampersand; storm and locust breeze might be the only thing we have to eat until you can't stop . if i drive back to colorado tomorrow it's not because i cant take the heat and lord knows it's not the rain thats keeping me rooted even if my boots are covered in mud it's because right now i'm a little fragile & that doesnt mean dont touch.
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Sep 12, 2013
Sep 12, 2013 at 3:05 AM UTC
this side up
sinking won't get you the sky as much as not sinking will never happen to a boat tipping the scales at three hundred pounds and a guilt complex an invisible lump in your throat. on a happening wave. in a storm season of unreasonable Questions... an amusement for sick angels Did You Know ? On Jupiter ! the accordions sound like crap so noooooobody plays accordions and everybody's so very very Happy all the Time. they look crazy. Did You Know That ?
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May 3, 2013
May 3, 2013 at 2:13 PM UTC
sinking won't get you the sky as much as not sinking will never happen to a boat
In a town just up the mountain straight out of an old John Wayne movie where there's no parking lots just places to tie up your horse and the jail has one cell and you'd expect to see Billy the Kid breaking out of it any minute now joshua trees and tumble weeds and all the bars have swinging doors and there's a coffin leaning up against one of the walls of the bar with the swinging doors that's where you took me to your favorite place in the whole world a restaurant where a different band plays every night with a different sound and a different look from ones composed of old hippies and cowboys playing their accordions and mandolins singing old folk songs that everybody just knows you don't know how you know you just do and then to the band of kids straight out of suburbia singing songs about ******* and heartache with their hair slicked back and their pants rolled up and their moms are sitting right there in a table right in front of the stage eating burgers and salads and talking about the burgers and salads then there's the girl from New York she spells her name real weird and keeps her hair long and flowing just like her dress and she sings about empty motel rooms and the Bhagavad Gita and she tells stories in between songs and there's writing all over the bathroom walls little gems like "what would Joan Jett do?" or "punks not dead, punks sleepin' drunk" but mostly just names of lovers in hearts sometimes just initials like a secret code only they know and the dates that they became lovers there's paintings on all the doors horses and hookers and cowboys under the stars and all the walls around the stage are covered in license plates one from California from 1939 one shaped like a bear from Canada one from Saskatchewan wherever that is and all the drinks come in mason jars and all the candles on the tables do too and none of the chairs match but that just makes them all unique you're sitting in a one of a kind but the whole place is really one of a kind and that's why it's her favorite she finds all these things to be just beautiful not to mention the bartender keeps giving her free drinks because it's her birthday and they take her word for it and she's making friends with all the hippies and she's dancing under the strings of lights and we're kissing under the dark black sky and I've never seen her so happy. s.mndi
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Jun 25, 2014
Jun 25, 2014 at 12:07 PM UTC
Pioneertown
In a town just up the mountain straight out of an old John Wayne movie where there's no parking lots just places to tie up your horse and the jail has one cell and you'd expect to see Billy the Kid breaking out of it any minute now joshua trees and tumble weeds and all the bars have swinging doors and there's a coffin leaning up against one of the walls of the bar with the swinging doors that's where you took me to your favorite place in the whole world a restaurant where a different band plays every night with a different sound and a different look from ones composed of old hippies and cowboys playing their accordions and mandolins singing old folk songs that everybody just knows you don't know how you know you just do and then to the band of kids straight out of suburbia singing songs about ******* and heartache with their hair slicked back and their pants rolled up and their moms are sitting right there in a table right in front of the stage eating burgers and salads and talking about the burgers and salads then there's the girl from New York she spells her name real weird and keeps her hair long and flowing just like her dress and she sings about empty motel rooms and the Bhagavad Gita and she tells stories in between songs and there's writing all over the bathroom walls little gems like "what would Joan Jett do?" or "punks not dead, punks sleepin' drunk" but mostly just names of lovers in hearts sometimes just initials like a secret code only they know and the dates that they became lovers there's paintings on all the doors horses and hookers and cowboys under the stars and all the walls around the stage are covered in license plates one from California from 1939 one shaped like a bear from Canada one from Saskatchewan wherever that is and all the drinks come in mason jars and all the candles on the tables do too and none of the chairs match but that just makes them all unique you're sitting in a one of a kind but the whole place is really one of a kind and that's why it's her favorite she finds all these things to be just beautiful not to mention the bartender keeps giving her free drinks because it's her birthday and they take her word for it and she's making friends with all the hippies and she's dancing under the strings of lights and we're kissing under the dark black sky and I've never seen her so happy. s.mndi
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milk skin taut on bones, the colour of calcium, today the milk is dotted with sun blots, but it hasn't gone off yet. further down the milk is purple and bruised. but you never want to go further. drowning in milk skin isn't different from drowning in milk, the blood of the cows staining your eyes. red in your eyes, eat out my eyes. picket fence eye lashes; one day we will make them stand so tall, one day i will stand tall, so tall that you won't see me, i will be a cloud, and a bird, and a whole aeroplane. there is a war. and it is happening underground. if you are an overground soldier, your milk skin will drown you. if you are deep underground, you are purple and bruised. but for the LAST TIME, you NEVER want to go further. dogs yelp. and it sounds like accordions. but secretly it is accordions. and they are made from lions. according to the yelping dogs, of the purple underground. i like the idea of skeletons walking around, but not skeletons covered in muscle. the underground well they are coated in muscle, strapped firm to their skin, like suicide bombers. and you are a cause worth dying for; according to the world leaders with their picket fence eye lashes, according to the yelping dogs of the yelping darkness. you never want to go further.
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Sep 16, 2013
Sep 16, 2013 at 7:02 PM UTC
3145
10/04. I. tonight she finds herself left behind, choking on ashes. the light on the shelf where her picture used to be is burning out. and names left, here, to fade away. long ago, the river found its way to this house's front door. one year ago, a spirit departed not forgotten. in swollen memory, it's girls singing night thru the halls &echoes; behind a white door. (another voice has found its way into the resonance. the broken harmonies provide reassurance to the stories inside these walls.) II. girl stands in halflit doorway, singing songs of invention and disbelief-- candles on dim porches, tired cars, tired slaves. inside -- the walls breathe like accordions alive with her story. glory fades into whispers into silence, into dust. her heart radio (racing) playing the same track repeatedly. voices underwater, steady (harnessed) scent of black roses. don't tempt me, the silence. o sunstruck night, beaten. "it's here, follow." do you follow?
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Feb 13, 2010
Feb 13, 2010 at 7:11 AM UTC
rsmp
Okay, so it's technically already the seventh but I haven't gone to bed yet, so this counts. My heart is an accordion Inside it's many folds are notes from past lovers one says "I told you I loved you, i promise I didn't mean it" one says "why are you such a cold hearted ***** and one says "you give the worlds best back rubs" together, these notes don't amount to much they would make a ****** poem a reflection on my innocence of how to untangle the functionality of a relationship a perfect precise image of my attempts to figure out how to be and how to be with someone I still can't figure it out. But the thing about accordions is, they sound beautiful with others but just as awkward and lovely alone.
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Apr 7, 2012
Apr 7, 2012 at 4:37 AM UTC
4.6.12
baby birds collapsed on concrete i wonder if she gave them names before they fell & became jelly drenched in their own **** & shame with limbs bent like accordions after bursting from a broken egg their infancy spread evenly across the sidewalk's face. & when the flies came floating in to feast on bloated intestines filled with food undigested exploding out of rubber ribs i wonder if the mother sits watching from a skyward limb mourning for her fallen kids or if she's flirting with the worms & already forgotten them.
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Jul 9, 2010
Jul 9, 2010 at 6:47 AM UTC
naturehood
oh  so  well  the  frame So delicate my brow And such delicious branches like an elephant grasping for air On the sidewalk where hookers  courage add  with ferns and accordions on my hand like the mist of love or the fall of a feather nothing on sight but hunger still young where the tires, with their beautiful song Oh my lovely youth My future My lasting hate The deepest agony and then To become me and Lovers on forgotten kisses Where the moon and the cheeseburger Laugh without time All for my self My lovely charming self
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Jul 20, 2014
Jul 20, 2014 at 1:55 AM UTC
Oh my brow
The floor is warm. Outside is still for once. Notes of French accordions swirl in my ears’ soul. And there is a lost expression searching for the tears within that say: “You never meant  a thing.” Surging with unexpressed frustration the Pain comes alive; Reporting that all activity points to a truth I’m terrified to see. My mind drags itself around these walls; only to return to the centre of it all. Within four walls there is no escape. I cannot allow myself release, until I see the sunshine of my truth. Every 12 months it comes to this: Now I have no reason to feel or believe this might ever be any other way. The bed is too far for comfort; The world unknown to me for refuge. My company is sliced open with dreams of you telling my heart its better this way for now: All this time the dead trees flower with soft, cold snow.
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Dec 4, 2010
Dec 4, 2010 at 3:07 AM UTC
It never was
The February winds blew through the field, Morning silence dominated the Marsh. Never did I think that their love would yield- Parent separations can be too harsh. It became my turn to give it a try, Holding hands wondering if its true love… I only saw lightning flash in the sky, Feelings of fear I couldn’t get rid of- Started running then & I have not stopped, Created distractions to get away. My plans for love would soon have to be swapped, For cobblestone roads and red chardonnay. Accordions play and sing through my ears, The magic of love without all the tears.
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Feb 25, 2015
Feb 25, 2015 at 1:59 PM UTC
Italy, My Love
At the heart of the city, place where there is already a beat already a steady pounding of secret music to dance to, there are places for us to move to see our heroes standing up with a bold bird flying off one hand and a microphone in the other guitars, violins, accordions, horns, and oh yes, drums to pound our ears into a joyous submission. Last night the sweat on my body can as thick as the beer that was dumped on me the only place I can stand ***** and the bodies pushed against me, slowly twirling, quickly churning, a maelstrom of people that a weaker girl would have avoided but I left my umbrella at the door and dove in. When that happens, the only thing that is real is the music it's what is controlling the waves some mad conductor at the mouth of a symphony made of shrieking hyenas the order that occurs in chaos the smiles on people's faces the punches thrown the glasses lost and found again my God This is where I belong
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Jul 29, 2013
Jul 29, 2013 at 9:27 AM UTC
Summer Shows
I wait in the sunset garden as planet grows it's auburn scarf. s u d d e n l y                       I hear heart monitors slowing down. Everything                        receding. People come home from universities tapping their feet to tenor conclaves, palms rubbed together for a spark because clouds have become air condition systems. Layers are now a necessity. Soft sheets glow to those enlisting in another year of the continental war. We ENTER A TIME OF WAITING the moon is murkier and light thickens like EPHEMERAL AUTUMN VAPOR. Masayoshi Fujita makes Victoria seem more methodical at night. (the  one  man  xylophone  orchestra) There's non conventional furniture everywhere! (Candle      in a          fishbowl) But isn't that us all? especially this time of year? wax to water. Comfort is rooftops under HEAVYRAIN. Spurs of ((isolation)) can be therapeutic. On another note, "LADIES AND GENTLEMEN AND CHILDREN OF ALL AGES" Think hard on that, just think is all I ask. As a poet, I am blind in the same way you are not. Accordions are the instrument of the universe. I'm personally a fan of elevator m            u                      s                                  i                                               c TOKYO seems an appealing place to visit as any. I crave a certain spontaneity, an abruptness S      L    O   W   L  Y..................... soaking thru those leaves who's moment has come                                          to pass. Alarm clocks fizzle where the weary lay, letting their hair go it's own way (to enter a new era where sunglasses serve no purpose) ......I'll wait for that time, like a true Buddhist that holds his patience in front of him. A daisy wilting into gold.
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Sep 19, 2015
Sep 19, 2015 at 4:01 AM UTC
A Poem for You.
I wait in the sunset garden as planet grows it's auburn scarf. s u d d e n l y                       I hear heart monitors slowing down. Everything                        receding. People come home from universities tapping their feet to tenor conclaves, palms rubbed together for a spark because clouds have become air condition systems. Layers are now a necessity. Soft sheets glow to those enlisting in another year of the continental war. We ENTER A TIME OF WAITING the moon is murkier and light thickens like EPHEMERAL AUTUMN VAPOR. Masayoshi Fujita makes Victoria seem more methodical at night. (the  one  man  xylophone  orchestra) There's non conventional furniture everywhere! (Candle      in a          fishbowl) But isn't that us all? especially this time of year? wax to water. Comfort is rooftops under HEAVYRAIN. Spurs of ((isolation)) can be therapeutic. On another note, "LADIES AND GENTLEMEN AND CHILDREN OF ALL AGES" Think hard on that, just think is all I ask. As a poet, I am blind in the same way you are not. Accordions are the instrument of the universe. I'm personally a fan of elevator m            u                      s                                  i                                               c TOKYO seems an appealing place to visit as any. I crave a certain spontaneity, an abruptness S      L    O   W   L  Y..................... soaking thru those leaves who's moment has come                                          to pass. Alarm clocks fizzle where the weary lay, letting their hair go it's own way (to enter a new era where sunglasses serve no purpose) ......I'll wait for that time, like a true Buddhist that holds his patience in front of him. A daisy wilting into gold.
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64
because she’s still wearing her diamond earrings and they still bloom reflections in flour-coated sunsets in pre-dawned hospital windows at dusk and beyond they don’t come off obtrusive and quiet and every spark bright where her eyes haven’t been lately she’s not all there so i should be holding on tightly because her hands are battlefields her eyes are blizzards and she ate half a scoop of strawberry ice cream just last week it was just the other day she said my name because i can see every jolt her heart now beats tsunamis that slam her ribcage and there’s no higher ground because she still sits up in bed head in palms and asks what day it is like the churches aren’t shut like her hallways aren’t gathering dust because when she sleeps she dreams of a lovely ghost with a shovel and pre-technicolor dirt on his cheeks and he wants to be with her again because when she wakes she wonders before she remembers she forgot because we remember we sit in the living room we flood our eyes with laughter and dead lambs and fish and loaves of bread and wooden spoons and chicken cordon bleu and i want her to hear and taste and see and smile again against homemade wine the singing in summer the accordions i never got to hear because she still asks me what i ate for dinner(though it’s only lunchtime) and until she can no longer speak--
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Sep 22, 2024
Sep 22, 2024 at 11:05 AM UTC
the opposite of wanderlust, ii
For the first time in my life I want to see her colored Stand on tiptoe Wait for my thousand tales of kings Navigate the ocean All year long just to see her swimming Oh My life don't stop following the road Keep walking the alleys Maybe they can follow you ... For a long time lived without time For many seconds lived as a secondary For many lists lived without being protagonist I want to be on tiptoe Get close to your hand And I will give you my heart I want to go through the steps Live in space and abandon myself in my own hug Knock on your door I wait for another time To tell you, look at the time I want to run through the rain I get wet in the bunches of grapes Twirl on the posts Create new clippings Ah ... I want to spend winter with you Knowing I'm already in my shelter I want to walk hand in hand Knowing that my heart will only have wings I want to get on the big wheel Speak, I love you with a thousand speakers Just not to lose you every moment ... Ah ... Young people know how they feel As incredible as it sounds, they've seen a shooting star The desperate write poems Lovers write books Drunks Write Flyers Writers write about themselves Ah ... The lunatics write for you Not knowing if in any universe will have you ... Already me? I can't dream without delighting in the words I can't drink without remembering you I can't see but I feel the feeling why Oh gosh! Maybe dive into the sea of ​​illusions Waiting for the sound of beautiful accordions The one of "s" Sofia's "S" Sofia of Paulo Paulo of Sofia And there she went ... Already me? For now I suffered
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Sep 9, 2019
Sep 9, 2019 at 5:58 PM UTC
Sofia
For the first time in my life I want to see her colored Stand on tiptoe Wait for my thousand tales of kings Navigate the ocean All year long just to see her swimming Oh My life don't stop following the road Keep walking the alleys Maybe they can follow you ... For a long time lived without time For many seconds lived as a secondary For many lists lived without being protagonist I want to be on tiptoe Get close to your hand And I will give you my heart I want to go through the steps Live in space and abandon myself in my own hug Knock on your door I wait for another time To tell you, look at the time I want to run through the rain I get wet in the bunches of grapes Twirl on the posts Create new clippings Ah ... I want to spend winter with you Knowing I'm already in my shelter I want to walk hand in hand Knowing that my heart will only have wings I want to get on the big wheel Speak, I love you with a thousand speakers Just not to lose you every moment ... Ah ... Young people know how they feel As incredible as it sounds, they've seen a shooting star The desperate write poems Lovers write books Drunks Write Flyers Writers write about themselves Ah ... The lunatics write for you Not knowing if in any universe will have you ... Already me? I can't dream without delighting in the words I can't drink without remembering you I can't see but I feel the feeling why Oh gosh! Maybe dive into the sea of ​​illusions Waiting for the sound of beautiful accordions The one of "s" Sofia's "S" Sofia of Paulo Paulo of Sofia And there she went ... Already me? For now I suffered
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56
They talk of data, seeya later what do I need to know? The sisters of the holy cross gave me up, I said, it's your loss but in the end it was mine date stamp blue lamp data crime report caught on camera seeya later. I operate a first come first served, parole on application. In the olden days we all had accordions mouth organs flutes but these days we got data at a rate of knots spots before my eyes lie detectors truth inspectors digital toothbrushes for Christ's sake and they make dental impressions free form soft **** and false confessions I drown in the data stream **** in the powder keg dream and explode.
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Feb 3, 2017
Feb 3, 2017 at 4:05 PM UTC
Welcome to Ill Dorado
None of us are home Unless we walk the road Where we find ourselves In love Never settle into buildings Made of just wood and stone Travel well on bricks Of gold In carriages with throne Flowing with gypsy Blood Russians know best When writing stories from love Singing of passion Over the breath of accordions None of us our home Except when dancing Around hearth and flames Pulsing with gypsy Blood As Russians sing best With fiddles and violins Poems of life And love
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Jun 4, 2016
Jun 4, 2016 at 11:53 PM UTC
Russians Know Best
*storms take you by surprise catch you off guard when your garden is dry please water it plants are tiny continents whose minds feed your soul inside resides the universe destiny is dry so undress the wet lawns and grow tomatoes in moonlight torn the madness overtakes me as does your honey scented silence tunnels of diamond studded waterfalls the salmon colored halls realms of all the worlds old owls sour like lemon drops tease me with some colorful splashes of your voice accordions are strung out children pulled and pushed together for whatever reason they no longer can dance rest upon tiny lily pads like frogs without legs we leap in broken rhythms sifting a pile of seeds larger than one’s body i effect the water as your daughter affectionately calls you forward storms are stars taking their vacation instant agitation is elemental play imply nothing with those eyes the way you move is dynamite’s alibi*
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Apr 21, 2017
Apr 21, 2017 at 6:35 PM UTC
storms are stars taking their vacations