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“But I was so much skinnier back then,
And I looked so much better”
I hear myself say.
But I was drinking three meal replacement shakes a day
And passing out after running 3k.
Daisy.
A little flower with white petals that sometimes turn pink.
An orange centre that withstands the constant extraction of those petals,
with the pang and echo of tiny voice shouting
          “He loves me; he loves me not!
Often mistaken for a ****.

Daisy.
A girl who winces with insecurity
every time the nearest dandelion clock is
plucked from the soiled earth around her.
She watches with wet, reddened eyes
as she is paralysed
and unable to stop the careless children blow away Time,
as if it were some sort of lark,
seed by seed.

Daisy.
A witness to the exposure of stalks and leaves alike;
a veteran of the unwanted embrace and, indeed,
the wanton thieving of petals and memories and silence and voice
combined.

She is swaying but explicitly not
bending to the wind.
She stands her ground and she has
blossomed.
Written in 2018 and published in an anthology the same year, this poem acted as some sort of prophecy for what I was to endure in the next 6 years or so. It’s really cathartic for me now, as I have just rediscovered it and can’t get over how much I can relate to it.
Perla Nov 4
I saw myself in the evening and I saw myself at dawn. I even thought I saw myself as Venus wandered on

I looked down at the soil, at the gillyflowers, at the stock, but their scent was just too cloying so I began to walk

I came across a mine filled with rubies and gold but found the darkness heavy and far too empty and cold

I heard some voices whispering down a dusty road and more flowers seemed to bloom with every uttered word. I heard them getting closer so opposite I strode and I wound up in a field scattered with glass it was only then that I noticed just how much time had passed

I saw myself in the evening, I saw myself at dawn and then I finally realized that at last, in all her glory, Venus had finally passed.
Sophie Hunt Oct 27
I feel it in my stomach first -
hollow pain that prods to be noticed

there’s a dizziness, sudden need to
orientate myself

that ominous stain
glares

I have a boiled egg for breakfast
shatter the shell, examine the yolk

next, nausea
white bites churn

spat out egg is uglier than
disintegrated egg planted in my pants
Lark Oct 17
"I AM NOT afraid, i was born to do this" please, jehanne la pucelle--
here, humming, the constant
burn whilst he--inkspinner--mollifies and
****** ****** skin
I AM NOT
afraid--the hum, epauliere lying
heavy, cumbersome--my shoulders are broad and
moth eaten, trembling, waste;
mom, my canines hurt; i have to
show my teeth.
there are gauntlets in my skin, mom, licks of
fever-heat beneath my heels.
I draw the Weary longsword.
"I AM the drum." see: i too spit blood, raise the banner; are we the drum, all
you and i? watch the masses close in.
conflagration inferno round and round;
the sting of flesh, the weight,
the ache in my gums; the
drum, which GOD beats out HIS message please, mom, it
hurts. please, jehanne, it hurts please beg me BE NOT AFRAID
Not sure how I feel about the flow of this.
My grandad used to buy
Wall’s vanilla ice cream and
Robinson’s orange squash for me
When I’d visit him as a child.

For the longest time, food of any kind
Was just food and nothing
Was a treat or
Had to be earned.

Now I yearn for a lackadaisical meal,
For squash and ice cream,
For food to be food and it all to be good.
For when calculators were used in maths lessons and not to pinpoint the exact moment I overstep and
My figure becomes
Mathematically incorrect.

I want to re-learn how to exercise for fun and not punishment,
How to be happy and grateful for my fuel and nourishment.
Skinny doesn’t feel or taste very nice at all
Saanvi Sep 29
The goddess looks breathtaking
In her red saree, an emblem of marriage.
Her skin is soft to touch,
Yet she carries a heavy sword in her hands.
The goddess looks serene and calm,
Only that she is about to **** the darkness of demons who are awaiting their freedom.
The goddess wears Kohl in her eyes,
Only to smudge it with her tears.
As she wins the battles plunging the heart out of evil.
The goddess is a mother, she wears red bangles, a colour for both womanhood and rage,
Intertwined and interconnected since the beginning of time.
The Goddess has given birth to her children
with great pains and no agony can beat her strength.
As Devi would not hesitate to become a bloodthirsty Kali
To protect her children.
Divine femininity I bow to you.
Men can only know the power of violence,
But Devi knows the power of love,
How in times of war, it can be our biggest weapon.
Fueled by the energy to **** not out of hatred or Revenge,
But love that led a Mother to pick up arms
So she could protect us all
from the evil that harbours within.
Devi is divine feminine and I bow to her.
She has been created from the strength of all mothers and sisters and daughters.
She tells us the ancient tale of
how women always have had the hidden strength
To leave trails of destruction, only when forced.
Devi does not bleed every month only to be scared of the blood of
evil rakshasas on her hand.
The goddess will happily drink it
And decorate her hands with the demon's blood,
Spreading it on her fingers like red henna.
Devi looks focused, almost peaceful as she kills Mahishasur.
She doesn't want the glory of power.
Her only truth is love.
Even in the heat of battle, Devi's beauty shines through.
Divine Feminine, I bow to you.
Divine Femininity, I bow to you.
Carlo C Gomez Jul 25
~
Sun drips
on leaves

not the backyard variety
but the trembling kind

the kind
that weld night-time
intermissions to
the roof of the mouth

sonnet-filled
evaporation
reveals
the timely concealment of
a very, weary
inanimate object
at the brink

just enough hip
to be woman

just enough wild
to be frontier

~
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