of the molecules of the water they will
swim in, that flow by my citybounded
abode in a tidal estuary
heading fir dispersal and aspersions
into the Great Atlantic Ocean
which I will visit
come the spring,
and are etched yet then
within the relentless
waves of the those very same atoms, upchurning and upspitting
white foam which will
very lively likely contain
new poems, perhaps,
perhaps even,
those writ by fish
in their dreams,
for who actually knows
the original origins
of the dreams
we drink daily,
not I,
who finds them
when the wet smoke of
fog of evaporated
water
kisses my lips!

P. S. perhaps I have written poems
authored by the very same fish
you held in your grasp once upon
a time in a photo)

all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor

a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened

I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced

perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made

perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased

there are no lines or lies in my writings
there are no definitions and
perception is only your truth


Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,

3/13/18
1:09am

Got 0 followers, but one tongue, and that's perfectly ok...

cause I got
two eyes
two nostrils
two hands
two ears
two ventricles

they all
follow me

all riders
on the one tongue
that speaks my piece

that finds poetry
on ***** streets
in closed places
and in the
if's of our lives
that makes writing
in one common tongue
so **** desirable

not especially social,
just a couple of friends,
so our interaction qualifies,
special, very,
with sincerity I say,
fancy seeing you here

come and gone,
come back again,
restarting an engine,
that been redesigned
to be as simple as
you and me,
reader, writer

quit, here, brevity here,
but say out loud that word,
fancy
one mo' time

part fantasy,
special, very,
a poem read,
a fan friendship established
here, where words and eyes
intersect, a very fancy place...

Dear Mr. Carl Sandburg,

Once, you wrote:

"The lucid and endless wrinkles"
Draw in, lapse and withdraw.
Wavelets crumble and white spent bubbles
Wash on the floor of the beach."

Having observed often, the exact phenomenon you reference
in the words above, the undulating action upon a sand white beach, patient waiting the greetings of the all-day wavelets, which reminded you, which reminded me, of the lucid and endless wrinkles sea worn upon our faces, it is my happy duty incumbent to inform your spirit, that we have yet in this the 21st century, to invent, a machine that does it better than you man, hu-man, connecting our aged faces to the timeless stroking of the Earth by the water that sustains life.

Yours truly,

Mr. Smoke Scribe

Shakespeare’s Dog


in the theater tonight, the notion of a poem-potion
courtesy of Shakespeare's dog came unbidden

So when home arrived, was unsurprised that this
very peculiar pug was farting before my own front door.

get lost, I announced got what I need from your boss,
but before I could kick him across the floor,
the pug spake thusly:

this dog knows the boot too well,
it is parcel of this dog's life of no quality,
but if you give me shelter tonite, I will provide,
share some of Speare's un-Published Works
and you can claim it as your own!


kicked that dog across the room,
(having pity earlier I let him in and enter)
told Jim, (that’s what I called him)
he can stay the night, or long as the sun rises up
and goes down unbidden, but, if I ever
caught him plagiarizing, selling sonnets on the side,
I would report him to the ASPCA and the Poet’s Union.

The American Society for the Poets of Conscience Alive -
might have his low hanging ***** cut off in retribution.

he laughed out loud, rhyming funny, pontificating:

well mate,
thanks for the soliloquy,
me ***** long time gone,
but what I know and what I’ve seen
if tale-told you, and you were to listen,
you would keep me around as fodder
for your artistic soul.

in return chappie,
you need only provide me a rug, a fire,
A/C for the languid summer eves,
fodder for me body, and your boots,
far removed from my hindquarters.

We spoke much thereafter,
turns out he served his poet-masters
in many ways, more than a mere footstool.

his snoring keeps me awake some twenty years later.
his love for country music makes me put him on nice days,
outdoors, his headphones securely strapped round his double chins.

ugh that pug. became my best becoming love, old friend,
one of us will pass someday and an elegy composition,
the other devotee will furnish sadness utterly becoming.

so if a farting pug before your door you’ve  found,
take him in, give him water, an amply supply please
of Carrie, Trisha and Chaplin-Carpenter for his immortal soul,
but beware, he might try to sell you
some of my words, as your own.