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Matt 1d
those are the options a boy is given at birth,
a choice between two evils—
for to be is to conform,
to choose the path of ignorance,
for to not be is to remove oneself,
to stray from the social norms,

To be is to blend,
to fade into a mass of faces that never ask questions,
to wear the uniform of comfort,
to follow the crowd without ever knowing why.
It’s to shut your eyes,
to smile and nod,
and pretend that you’ve figured it out
when the truth is you’re just drifting,
suspended in a current that leads nowhere.

But to not be—
to stand apart—
is to feel the weight of a world that cannot understand you.
It’s to be misunderstood,
labeled as lost or crazy,
but deep inside,
there’s a fire that refuses to be extinguished.
To not be is to question everything,
even your own reflection,
to challenge what is said to be true
and create your own truths,
even when it feels like you’re the only one who believes them.

And so the boy stands,
on the edge of these two choices,
each a path with its own promise,
its own cost.

To be is to live in a lie that everyone else accepts—
to wear a mask that fits just right,
but hides the person beneath.
To not be is to risk it all—
to tear away the mask,
to live in the rawness of truth,
to be exposed,
and to wonder if the world will ever be ready to see you as you are.

And so, the boy is left wondering
was he given two options at birth?
Or was the real choice always this—
to be neither,
to refuse the roles they've set before him,
and to create his own way,
somewhere between the lies and the isolation?

To decide not what the world tells him he must be,
but to question,
to carve out his own existence—
for, perhaps,
the answer lies in asking the question
again and again…
to be or not to be?
I've never been able to decide which path is easier, to be or not to be, and if ease even dictates the better path to choose.
Bekah Halle May 18
Nothing is constant;
Neither my sense of satisfaction --
or loathing?

Does that bring comfort?
A yearning? Distraction;
from and liberation!

If Shakespeare were here now, what would be his wisdom
In the times of 'Trending' like fashion;
Would 'star-crossed lovers' be a clickbait sensation?
I really did ponder this, sat on it for hours, put it on the shelf, dusted it off and had another rewrite.
S May 13
I thought that I was going to be swept off my feet,
having the wind knocked from my lungs,
feeling as enamored with you as I did almost ten years ago.

I was wearing that magenta color again, trying to be a version of myself from back then.

Spring and summer are not my seasons but **** when you reached out I knew I had to try.

I wanted to try.

I had reached a plateau of almost overcoming my self hatred and I wanted to be more confident, strong, dare I say appealing?

I felt as though I was at the edge of a cliff, a dangerous precipice:

What if it would be weird?
Really, it was more: what if he thinks I’m worse than who I was before?
Honestly, it was: what if he thinks I’m fat?

Worst comes to worst, I would just leave- vanish mysteriously without even saying goodbye.

When I saw you I felt so light, happy-
it was as if you were exactly the same.
I mean honestly you still looked so good.
I kept saying: “It’s like you haven’t changed at all”.

And you said: “I have been so worn down”,
And that shook me and made me really look at you differently.

You are such a humble person.
You are so interesting and insightful and talking with you makes me feel like I am meeting you again for the first time.

Seeing you again brought up so many feelings, but the strongest ones were that I wish I would have gotten to really know you back then instead of being obsessed with the idea of who you were. Or who you could have been to me.

I want to get to know you better, now that we both have grown into who we really are.

I’m proud of you.
You are proud of me.

Amazing what almost ten years can do.
What a wild ride this one was, strange how seeing someone again brings up so many feelings
Jenny Gordon May 4
...I'm all mixt up, am I?!



(sonnet #MMMMMMMMMCCCXXXI)


Sweet blue skies with soft gilded clouds t'avail,
Red Maples' baby leaves now flutter hence
So lightly, and how dandelions thence
With sunny yellow heads dot green lawns' trail
To yonder as songs flit and call like bail
From every bush, tree, covert, nook, a sense
Of all we cherished in that note, no scents
Of pine, fresh grass nor clover to inhale.
But how the lake now ripples as winds stir
Across its face, the sparrows gaily too
'Non calling as geese rest. If plovers cure
Night's blackness, how frogs chorus through
The welcome touch of chill. And Shakespeare, poor
As subterfuge, remains cloaked. What is new?

23Apr25e
Enjoy?!
Jenny Gordon May 4
...neither of us.



(sonnet #MMMMMMMMMCCCXXX)


She calls to tell me of the wondrous scents
Now wafting in from her oped windows hale
In clover and fresh grass, whose sweet detail
Is not, she sez, though that can't be pretense;
And I am glad for her. Wisconsin dense
In such is far too perfect. I'd avail
Me but I am in Lincoln's Land sans bail,
And country living hers, I've no defense.
Best friends now from a distance, what is poor
Is we can't hang out anymore. We knew
Such parties in the day, shared dishes fer
The fun of it, went groc'ry shopping too,
Together, and now only have as t'were
Our phones. Thou gav'st all, LORD, and we wait You.

23Apr25d
A diversion? Perhaps.
Jenny Gordon May 4
Ah, dearest Will, you win, hands down.


(sonnet #MMMMMMMMMCCCXXIX)


Dear William Herbert, Earl of Pembroke, they'll
Not know you as you are. Tis as fr'intents
You wanted; oer four hundred years quite dense
With progress have erased you; that detail
Used then to masque is all they know t'avail
Them of as, "in black ink [my]Love-" fr'intents
Not thee, "may still shine bright." Tis called pretense
Whenas I try t'acknowledge thee. I've no bail?
The "gordian knot" who set in place to stir
That world back then has worked so well, what's true
Is not known now. As for thy Love, in poor
Reply what Francis Meres knew shall not do,
You are a pervert now. Your love in tour
"May still shine bright," yet your Love is just who?

23Apr25c
See again David M. Main's Treasury of English Sonnets.
Jenny Gordon May 4
Hmm.


(sonnet #MMMMMMMMMCCCXXVIII)


Tis Shakespeare's birthday, and his sonnets' sense
Of who he was, with notes of that detail,
Preserved "in black ink" like he knew'd avail,
Yet nary read by most, still face fr'intents
School children who would rather find defense
In play, but where I've learned much, likeas bail,
Including when the seasons are, in frail
Excuse for what we're taught, til what's pretense?
I wonder. For he clearly knew as t'were
What is, and what shall be. Or did he through
Whatever means but know the half in tour?
That this earth is reserved for fire how few
Know even now? What good is black ink? We're
Not going to read aught then. LORD, we wait You.

23Apr25b
By 1819 B. Heywood Bright untangled the "gordian knot" presented in the opening page of Shakespeare's publication of his "sugared sonnets" and by 1832 James Boaden publicized this assessment.  I stand by these gentleman's work in that case. See David M. Main's Treasury of English Sonnets.
Jenny Gordon May 4
...as does 1580.



(sonnet #MMMMMMMMMCCCXXVII)


Rain falls likeas a nursemaid's calm voice hale
In tender solace, where the light from hence
Has not resolved itself, and night seems thence
Reluctant to depart, the soothing scale
Of sheer relief what children gladly hail
When fevered as myself, for tis defense,
The soul aware within that note of whence
Being still hid by sheer mists, but what'd avail.
Late morning, how the dove calls from as t'were
Near yet half distant, sparrows, and geese too
'Non chatt'ring as the feast called breakfast's tour
Waits for indulgence, eggs, tomato to
Grapes, bacon, cottage cheese, banana fer
All that and brie with apple asking who?

23Apr25a
So, the controversy over aka William Shakespeare hasn't ended nor has his identity been established except by half.
One life,
one light to shine in our allotted hour
a single strutting chance upon the stage
a single line writ large upon the page,
a chance to love, to live, to give
and what is more,
one entrance and one exit, no encore
Mia Apr 22
Oh, for all a nights bliss,
A woke for them to make haste.
Stands them two, a gliss
For their strides, to be a waste.

There he goes, mine to love
With her hand in his
For his to mine, a torn glove.
was my eyes a miss?
Or his, a sharp trove ?

Would you think her hands are soft ?
That mine lays a thorn too deep
Would you think her hearts aloft
That mine lays far too deep?

There she goes, mine to wed.
With his ring in hers
For her to mine, a sharp lead
Was his tone a soft purr
Or mine a bit red?

Would you think his eyes a lot bright?
And mine lacks it's luster?
Would you think his charms a bit right ?
And mine lacks it's luster?

Oh, for all a night's bliss
A grave for them to make haste
Runs them two, a gliss
For their strides, to be a tale
This piece is one of my favourites ever. The idea was there in my notes app for a long time even the first stanza has. But it was just a few weeks ago that I finished it.
The story is an interpretation of Romeo and Juliet, a Dialogue piece between Rosaline ( Romeo's lover before Juliet and Juliet's cousin) and Paris (Juliet's fiancè ) who in this story stands in the top of a balcony watching the lovers flee. The poem is a dual pov.
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