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“Boyfriend,”
my inner voice laughs, with grins.

“Benefits,”
maybe one-sided — never love that knocks
me off my feet, just more accidents that bruise
my shins.

“Relationships,”
nowadays are so hard to relate.

“Let’s communicate,”
always seems to rhyme with “let’s debate.”

“Let’s go out,”
only works if food’s involved,
that’s the closest thing to a date.

“Our first kiss,”
could be bittersweet on the lips, a downhill
ride when “kiss” rhymes with “hiss.”

“Go touch some grass,”
but how tall has it grown outside?
Love is anything you choose to paint it, though art
can be creative — it’s also unforgiving and wild.
This is the prelude to a corny poem — not by genre, but by gesture.
The kind of moment you text someone who can never quite let go.
A character who, the more you explain yourself, builds up their
anger, like Lego — stacked tight, no gaps. Great, now you're blocked!
It’s the same game; they say they’re breaking down like Tetris,
but you’re the last crooked piece, a corner away from clarity, from
giving out a proper response, but you're stuck at a stop sign called
Writer’s Block.

(Not to say I grew up on the streets —but a soft smile is what I
use to pave the way of finding peace.) And whether this turns into
a path toward a kiss all depends how well you’ve cemented your
foundations, for your intentions to come out firm and concrete.
Not to sink into gossip, like spilled tea on the front steps of the
neighbour down the street. Because not every door you knock on
is one built for your peace. Not every neighbour you greet is a
neighbourhood of people open to giving you some peace.

Community grief isn’t all of our concerns to give… so call me rude,
but I don’t like to deal with everyone’s grief. So when I see you
approaching, I might walk in the other direction of this street.
Especially if I’ve already read all the signs but you chose to walk
into that direction. Now you stand in your wreckage, asking me
for directions, as if I’m still your GPS for healing.

Making me appear lost for words, stuck again at Writer’s Block —
where metaphors turn to mortar, and the silence right between us
starts stacking brick by brick. A friendship we were supposed to
build up as something worthwhile. But the foundation we built
it all on was something we never hoped for.
Take me as a definition: a surface-level heart that drowns in
deep thought, quietly pondering love, quietly grieving loss.
Loss not just for someone; a loss for most words. Because
when you’ve been dealing with a lot, you stop explaining
and start enduring.

Take me, for example: yesterday I had a conversation with
myself, but it sounded like I was addressing the ugly stuff,
the versions of me I don’t post about. Getting a little older,
I now feel the subtraction of duration settling in my bones.
It’s not pain exactly. It’s more like time knocking without
waiting for permission.

Multiply that by multiple misfires, all the times I believed,
in my head, that I’d finally found the one. Now, I’m left
divided. Not between people, but between the stories I told
myself; the truths I keep avoiding. Insanely rich with poor
results — "wait, that doesn’t add up." As that’s the math of
memory: it never balances the way love promises it will.

Still I need a leg up, not just to raise the hopes of this tired
heart, but just to step out of my despairs. Because lately,
I’ve been third-wheeling the very idea of love; a tagalong
to a party I used to host. And when it comes to falling for
someone with a previously broken heart, you learn quick:
it doesn’t come with a spare.

I’ve realized love either helps you make strong memories
or leaves you with the memory of a sus stain. You can’t
always tell which until it’s already on you, and by then
you’re already trying to scrub out that which you hoped
to sustain.

The Arithmetic of Almost-Love.
Губы, ресницы, скулы,
Жопа, спортзал, вся хуйня.
Купил вчера себе куклу —
Ну, здравствуй, Барби моя.
Ты точно не Кена искала,
И я искал не любви.
Осталось дело за малым —
Зарядку найти и носки.

Yaroslav Kulikovsky. Prague, 2022 (c).
Part of the cycle: Poems on City Flesh and Power

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem plays with the aesthetics of modern perfection — bodies, routines, artificial love. Behind the irony is the right to desire, to choose your own version of intimacy. The plastic world here is not shameful — it’s just another frontier of ****** autonomy.
Зеленая, летняя, чистая,
И спелые губы нагретые
Кусают подушку душистую,
Горячий предмет внутри.
Ломает тебя спетую,
Сминает тебя разогретую,
Входит в тебя надетую —
До самых глубин любви.

Yaroslav Kulikovsky. Paris, 2021 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
Eroticism here doesn't aim to shock — it reveals ****** vulnerability, seasonal ripeness, and consent as pleasure. To be desired, to be present, to be oneself — this is the right to the body.
Oh yes, I deserve to be touched like a song —
The kind that hums warm beneath your skin,
Truly the kind of verse that lingers after it's gone,
Feelings like lips chasing honey, aching to begin.
I'll be a hundred miles out of breath; no ease —
Not to drift through love like life’s just a breeze,
But to feel the weight of it, strong and long —
Not to breeze through kisses like they don’t belong.

Let me find the centre of her hive, even if it stings —
I’ll wear the wounds for the sweetness it brings.
And I'll give buckets of love — let her be my list,
Filling up her day as a bucket list; every joy I’ve missed.

☐ To check myself daily — am I still right for her?
☐ To write emotional cheques that mirror her worth
☐ To admire her skin like diamonds, her hair like dusk
☐ To breathe in her scent — warm myrrh, not just musk
☐ To love her as one who's fully unmasked and just,
☐ To rise beside her in creation; like Adam from the dust
☐ To speak smooth words not to convince, but soothe
☐ To be her steady stillness, to be her rhythm, her truth
☐ To warm her up like tea after long, many loud days
☐ Then to spill the tea of our day, in the softest ways
☐ To hold her close where she can safely freefall
☐ And to keep my arms armed, but never build up walls

‘Cause everyone’s quick to think love peaks with *** —
But true touch starts when the soul, and another connects.
Where her rivers rush not from the waist, but from her heart,
And your love leaves graffiti on her walls, becoming fine art.

As you don’t paint over passion — you trace, and extend,
As you learn and value all of her curves, love and her bends.
To be a market of marvels; variety with depth in store —
So she aches with wonder for what's in store.

She truly deserves more.
All the stars are falling down.
Make a wish
maybe we’ll fall in love
before they hit the ground.
And if it fails, I guess we’re
just crashing down.

                                     To shot my shot, and try to be
                                     your shooting star —
                                     aimed so high,
                                     but I was falling too fast
                                     at the sight of your brown eyes,
                                     soft as cosmic dust.

I’m the dusk, you’re the sun —
and if we make love
to make a son,
will that light save us,
or are we still just crashing down?

                            Until then - hold me in the silence
                            between the boom and the burn —
                            where gravity forgets us,
                            and stars don’t return.

And if we’re meant to fall,
then let it be together —
two sparks in the dark,
pretending we’re forever.

                          Even if we burn out
                          before the dawn,
                          at least we lit the sky while
                          we were on.
Concrete coffee grounds — stapled receipts;
messages from exes you’re not ready to delete.
It’s quiet now, filled with dead conversations —
a well-kept cemetery.
Ceremonies in eyeballed crowds, proclaiming
falsehoods of love in soft languages.
Meets and greets, all speaking the lies we
feed ourselves; sandwich boards worn like identity.

Some days, bored with myself, as I draw away
from a good time like a thin sketchbook filled
with half-drawn, abandoned things.
Pulling my heart from my chest like a drawer.
An artist, talking to his shadows —learning from
my old self like it’s shadow.

Avoiding those who tease with wet mouths of lies,
but kiss with dry tongues. Parched
but maybe just too thirsty for love.
Being caught in a drought: a crumb of eye crust,
tinted with dry grass.
Still, I’d set myself on fire just to be noticed —
willing to be her wild campfire.
But even those fires need feeding.
You can’t give it all until you’re ash —
and watch them move on to another flame.

Making you feel not wild enough.
Staring at the ugly person in the mirror —
and what’s left after the smoke clears?
It's no longer a game of smoke & mirrors
I’ve got finger stitches — love handed me needles;
the attentions of spiraling vines; some bear grapes,
but not all are ripe with maturity, some just needless.
Burning every bridge while the sky stays divinely nested,
and I’ve tied these knots around my tired heart,
left admiring birds of a feather — but never flying
south together — all bested.

They press your buttons just for their luck to press —
dim suggestions also light up the road to regret
Lessons in subtle form and silent —whatever mistakes
you walk into and out of, never forget their steps.

Hiking with joy into the last light of sunset; yes, we can
fall in love like the sun falls behind a mountain crest —
rising bright by morning, but crying in the dark —
perhaps this isn’t love yet.

And that’s okay.
Limes Carma Jul 7
I never learned the rules they made —
the apps, the games, the masquerade.
I tried them once, they felt too loud,
like chasing something through a crowd.

I’ve had my nights, I’ve played my part,
but none of it could reach my heart.
I want something that doesn’t fade —
but not the way it’s now portrayed.

I’m not online, I stepped aside.
Not hiding — just not in the tide.
I don’t perform. I don’t compete.
But that’s how people seem to meet.

They match, they text, it moves so fast —
like every moment’s built to pass.
And while I watch it come and go,
I wonder where the slow hearts go.

Where do they cross, where does it start,
when swipes replaced the human part?
I never learned to play the cut —
Which leaves me here. Now what?
© Copyright 2025 - Limes Carma
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