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Sara Barrett Nov 11
Growing up as a girl, I watched and learned,
The truths of boys and men often go unturned.
“Boys will be boys,” a phrase we all know,
Implying that girls must shoulder the load.
This notion suggests that girls mature fast,
Leading to women who pick up the cast—
An unspoken burden, a silent decree,
To bear the weight of their irresponsibility.
In a world steeped in misogyny’s grasp,
Women face judgment; their futures unclasped.
Absorbing the shame of the games that they play,
While men to walk away, free to go on their way.
Many men abandon homes they once called their own,
Now seen as free, yet their true selves unknown.
Disgrace drapes over women like a heavy yoke—
A weight of neglect that shatters their hope.
This yoke is forged from promises unkept,
From fathers who vanish while their children wept.
He escapes guilt with practiced ease,
Dodging duty like a ghost on the breeze,
Claiming children and a wife he never knew,
While society laughs at the pain he withdrew.
Leaving his children to carry his woes—
Their identities shaped by the hurt that he chose.
His children learn quickly to shoulder the shame;
They remember who was the burden of blame—
Like he who claimed love but was never there.
Those left to carry his name feel the strain,
Learning of unfairness that echoes their pain.
Abandoned women and children continue to grow—
A daunting endeavor men wish to overthrow.
Yet shadows may linger, and burdens remain;
They’ll carve out a future where hope will maintain.
For every struggle faced will lead to the dawn—
A testament to strength as they carry on.
The poem “Left To Carry His Name” delves into the profound burdens that women and children endure as a result of men’s irresponsibility. This poem critiques the societal norms that enable men to escape accountability while women are left to shoulder the emotional and social consequences of abandonment. Through vivid imagery, it conveys the shame and struggle experienced by those who are left behind, underscoring their resilience as they strive for a brighter future. As the second piece in a series focused on gender roles and family dynamics, this work invites readers to reflect on how we can confront and change these deeply ingrained societal expectations.
Sara Barrett Nov 11
In a society,
There’s a tree called misogyny,
Where its deep roots
Grow into all girls,
Who develop in agony,
Facing judgment that feels relentless,
Much of it unspoken, a harsh irony.
This judgment seeps into our daily strife,
Trapping us within roles that limit our life.
Narrow expectations stifle our dreams,
While society’s pressure bursts at the seams.
We’re told how to act, what to say and wear,
As if our true selves are too much to bear.
Dreams of freedom fuel our inner symphony,
A quest to end this cycle of regulatory authority.
She bears the weight of expectations,
A load shaped by herstory’s complications.
With a heavy heart, she watched the tragedy,
As blame is passed down through each family.
Inheriting struggles, a cycle we see,
Each woman’s journey marked by disparity.
Disappointments linger, like shadows they stay,
A legacy of women woven in silence and gray.
The silence among women she cherished felt heavy,
An unspoken vow that let men be merry
Free from their own responsibility,
Caught in a system that kept them confined,
With “They didn’t know better” echoing in mind.
Hiding complicity in voices suppressed,
In a world where their wisdom was rarely expressed.
Each story unspoken, a weight they all share,
Navigating life with caution and care.
Yet deep in their hearts lies a yearning to be,
More than the shadows of what they could see.
In the silence, a strength that quietly grows,
A call for the change that each woman knows.
This poem, ‘Roots of Misogyny,’ explores the deep-seated nature of misogyny and its impact on women’s lives across generations. Inspired by the stories of women in my life, it reflects on societal expectations and the silent strength that grows within. As the first piece in a series examining gender roles and family dynamics, I hope it prompts reflection on how we can challenge and change these ingrained societal norms.
Rachel Rae Nov 6
When I was a girl
I thought I could be anything I wanted
I didn’t realize I would grow up
To be a woman
That I was forever ‘and her’
Instead of them
That my father loved me
As an exception
And I would have to witness my sisters
Wither away in happiness
I found out that I was not the ‘public’
In public transportation
That I needed to switch my grocery run times
Every now and then
Discovered the places where a hat
Could be the best weapon
On Sundays, I dress up and buy pretty roses for my table
To keep from remembering that
If someone wanted
There was nothing I could do to stop them
Sadness overtakes me for all my sisters and friends out there...
The winter breeze comes to rob the trees of their leaves.
With those leaves flows her light linen layer.
The shawl isn’t nearly enough to combat the cold,
So why would he be?

She shivers, the air’s frigidity insulting her sleek bronze surface.
“Let me hold you,” he says, “you’re so beautiful.”
Her eyes downcast and her knees pinch.

“Look at those beautiful eyes,” he says,
“Why don’t you will them to look into mine?”

She lifts them, heavy, and absently meets his.
Her lashes are frosted white.
The hypothermia wouldn’t take long to take her.

Her mind pleads, help, help, help,
But her thoughts seem to be freezing slowly at the same rate as her body.
Her lips tremble and crack as she separates them.

“Look at those beautiful lips,” he says, “Come here and let them meet mine”
She tightens the shawl to her skin, but it’s already lost all sense.
She’s already losing all sense.

“Don’t be ashamed,” he says, “you’re so beautiful.”

Her arms tense, but the light fabric seems fleeting from them.
Her light mind,
Fleeting from her…

His arms open,
“Come here, beautiful, why don’t you see?”

She whimpers, shakily, a plea:
“please.”

She crumples into his arms.

“You’re so beautiful, why don’t you see?”
“I don’t want to be beautiful,” she says,

She falls right through.
He was never there.

“I want to be alive.”
Based on the sculpture 'Winter', made by Jean Antoine Houdon in 1787
Locked into place.
Orwell’s boot on our face.
The human tragedy.
The human disgrace.
We slept with the enemy;
accepted his embrace.
“Aren’t things better now?”
they say; and it can’t be denied–
some things are better.
But is the difference so wide?
“Isn’t it enough, what I do for you?
Do I have to be perfect, too?”
No one is perfect. And I have gratitude.
But I’m waiting, still waiting
for one thing from you:
Admit what’s been done,
by your kind (and yes, you)
Don’t pretend to be blind.
Admit what we gave.
And what you received.
Admit what you took.
And how we weren’t believed.
When you bear this witness,
When you testify
We’ll be friends forever,
You and I.
Most men aren't sexist pigs. The problem is that they won't admit other men are.
The darkness of my own kind shoots daggers through my soul
Their eyes with the last flicker of light leave my saddened thought
How could one akin to me have a heart as black as coal?
The string of fate the ones different they have fought

Even with similar address, together not alike
Different to another, both disbanding
Never did anything except teach how to fight
Similar from another, neither understanding
A poem I wrote about misogyny I have witnessed from the perspective of a trans man
Brian Turner Aug 26
I want to be a nice narcissist
perhaps a mediocre misogynist
being comfortable being uncomfortable
maybe a polite and pleasant *****

In my world I
control everything
my destiny is written 'n
your value has been calculated 'n summed up

I am the author of your future
Trading you for something else is modern day barter
converting you into money, a simple task and honey trapping your friend into a
pyramid scheme just a wave of my hand.

my confidence is soaring
don't threaten me with your matrix media
your questions are not relevant
my questions are your mandate

you have to listen because I love you
I can give you what you want
take you from your broken body and make you my creation

I have become a figure of hate
no wait.....
fk this, fk this, I'm no Andrew Tate
Notes  having reluctantly watched the Andrew Tate program on Discovery+
David Hilburn May 23
****, knowing you
Straight fingers and sated backs
Where has an image of power, been?
Liberty in a handful of flowers, is what lacks?

Curiosity, at the price of privilege?
Somber hands, are we a callous voice?
Hindrance and silence, with a taste for religion?
Has a coping integrity, that supports my choice

Dread has known so many...
Future shadows, and the grace to be a caring
So if, in the name of this, the poise of lending
So it, in the name of bliss, a waited hand full of daring

So in, to be the confusion of a composed face
Placed in wishes that came and went, with muses
Such a shrill note, to look and see the stare we pace
Sorrow and defiance, forever married to a chastity, which enthuses:

Arbitrary liberty's name for pride...
Succor and decision's vex, to remember the pardon
Of my wealth of sunshine and grounded method, to a sighed
Welcome to needs life, to a haste's treasure that is only, a life's question?
At the eleventh hour, a haste of etcetera's with a cold shoulder?
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