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It's the perfect,
soothing,
excuse.

Warm, fragrant,
and necessary.

What else
could so
effectively
keep me
from my
writing?

Now,
there's
just mine
to do,
and I'm
out of
excuses.
©Elisa Maria Argiro
Meteo Aug 2015
in my mother's basement
once upon a time she ******* a clothes line
though most of the time
the line
was used to hang up
hangers
precariously hooked to a rope becoming less taut
as the years go on

the paradox of garage sale hand-me-downs of broken homes
as bodies for clothes become subtracted they make room for memories
we grow heavier by
as the hangers continue to multiply unused
clothes hangers are sacred
they are ghost as zygotes

back then there were days
I would wear my woven leather belt for an inverted neck tie
on those days
tie the other end to the wooden cross supports in the basement ceiling
then tip-toeing up
on a beat-up old stool
play chicken
a game of chicken with nobody
a side of extra mc chicken sauce for the soul

I wonder now
how if anyone would've wondered
if I had died never really learning how to wear a belt
or how to properly tie a neck-tie
kids today wear their pants too low
and parents back then were way too given to involuntary penance

to up the ante
I would write a list on the wooden beams in the ceiling
each time I got up there
for all the reasons I got up there
in attempt to embellish the exit sign
singing ugly duckling swan song echo
sedated by the attempt
training wheels for Icarus syndrome

it wasn't that my youth was in disillusion
I just never really learned how to measure distance properly
a pair of breaking parents
an unwanted pregnancy
"What's with in arms' reach?"
a game of catch
a game of release
a flight of stairs in one step
"it's not your fault kid
but you're gonna have to get hurt anyway"

funny how when you are teetering on stoic infinity
balanced like an idle pendulum
a noose becomes a life-support system
dance like no one is watching

I don't play those games anymore
my bones have gotten too heavy to bet against
memories I still wish to change
knees too weighted to two-step the precipice
on weekends

and since practicing how to use my legs again
and again
I now prefer walking this earth
wearing my belt around my equator
over drawstrings around my neck

the basement has since been renovated
no more wooden crosses
exposed in the ceiling
I don't play childish games anymore
I just do my laundry there
Kate May 2015
In a little pile by the bathroom,
a collection of my clothing engraved.
Though the cloth is cyclically exchanged,
the pile serves as vowed remain.
I say I keep them there in case,
but we both know it's promised trace
that any time I leave this place
there is a never-ending return.
I am whole-heartedly, undoubtably in love.
We do not live together,
but I stay there every night.
I am always here, so I keep a small collection of clothing that I leave by the bathroom door. A wall area in which I have claimed for my belongings. I keep them there in case I need to change, yes, but it is also symbolic of my return any time I leave. It is assurance that no matter what happens, I HAVE to get my things back. Almost like a promised excuse.
The clothing is "engraved" because I always leave them there, and even if I have to wash them, I leave a variety of articles "cyclically exchanged" so that the wall is never vacant.
All of the end words, except the first and the last line, are mainly like-rhyme. I used this to articulate the fluidity yet imperfectness of our love. I used words such as, "engraved, vowed, promised" to describe the pile of clothing because they are also used to describe marriage, wedding rings, etc. I am nineteen and marriage is not in my current desires, but this little pile of clothing is what I use to promise the continuation of my love. This poem is short and a pile of clothes is simple to illustrate how easy and simple our love is. We are not hung up on technicalities or societal structure but rather a realistic, honest bond.
A love as honest as laundry.
Lines 5-7 rhyme perfectly to illustrate the rhythm that two souls create as time goes on.
AJ Chilson Apr 2015
Some things
don't require
your special attention,
like, for example, my *****
laundry.
Therese G Apr 2015
Bent over the stream
of laundrywomen drench
words that flitter to and fro,
rinsing and revising spoken prose
across whispered conversations

Fading away into the piercing gaze
of an endless summer’s haze
the laundrywomen have mastered
the art of washing the soul with only water
and well-meant poems as soap
as if it were the cloth in their hands
topacio Mar 2015
i killed a gnat on my shirt today
and now he sits there dead
next to a hole
which is starting to look
more and more
like his twin brother.
both black spots reminding me
of the ***** dishes and laundry
and the difference between dogs
in the city and country.
Meg Howell Jan 2015
Everything can be poetic if you look at it that way

The way you smile and good off at yourself while brushing your teeth

The way the laundry does cartwheels in the machine

The way your curly hair falls right behind your ears

The way you smirk whilst trying not to laugh

The way you stifle a giggle at your crazy life

There is extravagance in the most normal of things we barely glance over
Maria Vera Oct 2014
sunshine seeps through blue dresses
and laughing echoes via open windows
with rays on my shoulders
and caresses on my nose.

splashes of rainwater glisten in the sun
with camisoles and lingerie above.
fulfilling stances of smiles and buoyancy
as i sway in my mary janes.

my snow-white blouse feels loose.
i inhale with ease
as the humidity offers a veil
over my bare shoulders.

the bitter moon has inched over
the prospect; the blue skies
have twisted and crooked to black.
dust lynches off disgusting, damp garments.

the moon hits the violet vests,
and cries are blocked by closed doors.
there is artificial light on my skeleton
and slaps printed across my face.

this deceitful place.
with obscure deceptions on every corner.
this circle of life really is bittersweet.
day is kind and night is not.

when the gangsters come out.
when mommy and daddy aren’t so ecstatic.
when brooklyn is authentic.
and your snow-white blouse feels tight.
This poem was inspired by an image I saw of laundry hanging over a tiny alleyway in Brooklyn, with a woman standing in the shadows of the sunlight at the bottom of the steps. Additionally, I tried to implement the use of sound in the poem - the first half uses a lot of soft sounds, describing the day, while the second half uses a lot of hard sounds, to describe the night.
Riley Renee Oct 2014
fortunate dreams, folded within security and affluence
a laundry pile of capital
you’ve tried and succeeded
prosperity, wealth, Constitutional rights in abundance
American dreams lay thriving, slithering between your fingers like sludge
nice sludge though
snow crystals rest upon the sludge, decorating it for the holidays

barren attempts to take hold of opportunities, you didn’t really try
efforts lay unmade, like the bed he shared with you
penniless
inferior in the corner of the kitchen
last night’s events crawling across the tile towards you
running over stains and chips, creating unshaped perfect squares
a city on fire; flames stumbling in the breezes
kelia Sep 2014
this is a room you haven't slept in yet,

and this skin has grown since i last saw you-
replaced itself

and the distant, but warm
blood that you tasted on my cheek the last time you kissed it
has since made its way through each vein and left-
replaced itself

and the smell of my shoulder,
gently rested beneath your chin
i've since changed my laundry detergent

and i've stitched the holes in my jacket
your finger used to trace each one
but i replaced each fray with new thread-
and i sleep with new dreams clouding my head

and my framed portrait of you fell to the floor
i replaced the glass, the image

but i still find you in laundry detergent and broken glass,
sleepless nights, skin cells mixed with blood

i tried
but god ******
i cannot replace you
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