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My stomach churns
And my fingers ache
My brain screams
My heart shakes
I am deeply sick
In anxious anticipation
Of all the worlds I will write
I'm going to try and make a living off of writing. Book 1 is in the last stages of editing, book 2 is in the first stages of writing. Praying for inspiration and motivation and clear signs to tell me if this is what I'm meant to do with my life.
I’m always watching myself
watch the world.
Even in love,
I’m already narrating the ending.

I turn silence into stanzas.
Affection into evidence.
Every kiss, a metaphor.
Every absence, a motif.

People think I’m honest.
But really,
I just edit well.

Half of what I write
never happened.
The other half
happened too hard.

I’ve written the same heartbreak
fourteen different ways.
Gave it a new name.
Gave it better dialogue.
Made him softer
so the betrayal feels worse.

I say I’m writing for me,
but I’m always picturing the line
someone might underline
and send to their ex
at 2:03 a.m.

I’ve performed pain
like a dress rehearsal—
highlighted the devastation,
downplayed the shame,
cut the part where I begged
and called it pacing.

There are poems
that made people cry
and replies I never opened.
Because if I read them,
it might mean
I was never alone in it.
And I don’t know
if that would feel better
or worse.

Some nights I write
like I’m searching for proof
that it happened at all.
That he said it.
That I felt it.
That I was the kind of girl
someone could ruin
on purpose.

And if the writing is good enough,
maybe I don’t have to go back.
Maybe I don’t have to forgive him.
Maybe I just have to
survive it beautifully.

So I sharpen the line.
I fix the form.
I leave the ending open.
I publish the ache.

And I tell myself
that counts
as closure.

The betrayal was real.
The good lines were mine.
And maybe closure
doesn’t come in paragraphs—
maybe it’s just a quiet night
I don’t turn into a poem.
Malia Mar 2024
Oops, I edit
As I go,
I take a step
Then erase it.
It’s counterproductive,
Don’t I know,
But I see the flaw
Then I chase it.
It won’t go away
‘Til the mirror is shattered,
Whether or not
It actually matters.

So I’ll cut and I’ll add
I’ll rewrite, double back
Only hoping that you’ll
Love what’s left
In the end.
robin kemme Sep 2022
I liked it
I really did
you write beautifully
it reminded me of that book
but different of course
it was a bestseller because
do you know what I liked
when he came in and she and then he says
haha I had to laugh out loud
not because it was bad but because you once said
no of course, that it really happened doesn't matter and
what do you say
that I now put you down as a Sunday writer
if that's how you feel it's your problem
besides, I haven't read it yet.
xjf Feb 2021
Some days
It's hard throwing away
All the things I want to say

Other days
It's super ******* easy
Mystic Ink Plus Jan 2021
For instance

If one is silent
That life needs some editing
If one is out of time
That life needs some editing
If one is within 4 walls
That life needs some editing
If one is in pain
That life needs some editing
If one is in dark mode
That life needs some editing
If one is out of a dream
That life needs some editing
Time up
There is so much more
Outside the box

Breathe easy way
Genre: Observational
Theme: A Reminder
Àŧùl Sep 2019

Just what science required,
Enticed by bioengineering,
Nucleotides it concerned,
Nucleosides it can fix,
Increasing the methods,
For editing genome,
Errors in the genes it fixes,
Righting some wrongs of mother nature.

Decoded by a wonderful lady,
On a day of helplessness,
Utilizing this tool we are now,
Debted by science and technology,
Neat-handed through practice we become,
Always we shall utilize CRISPR-Cas9 for good.

Few people notice that DNA is the suffix of her name.
A poem about something I am working on right now.

Jennifer Anne Doudna and Emmanuelle Marie Charpentier innovated CRISPR-Cas9.

My HP Poem #1770
©Atul Kaushal
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