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Mark Lecuona Nov 2014
Flowing out of every pore
Reconsidered by every nerve
Are the things we reject
And the things we serve
Chained by our emotions
Freed by our loneliness
Courage from passion
Apprehension from sadness

I know I know I know
I know why
I know why you are afraid
You’re afraid of another lie
I can’t I can’t I can’t
I can’t promise
I can’t because I’m not ready
It’s easier to be honest

Standing in the doorway
As my eyes ask the question
My heart pretends not to know
Who will hear my confession
I want you to forget everything
Forget yesterday and tomorrow
This is no time for hesitation
This is no time for sorrow
Love apprehension commitment
Jared San Miguel Oct 2014
Certainly I can't offer
a reasonable return
for any time you may spend
on such a thing as me.

If I knew me then
and I could speak to those ears
I would advise against
the things I offer to you.

But alas, against better
judgement based on 'then me'
and 'now you'
I pursue with blind ambition.

I'll hold your hand and kiss your lips
like I meant too, all the while
convincing myself that the four years
you have yet to have are not important.

I'd like to love you
like I meant to love
the loves I had before,
and prove wrong my own hindsight.

But if you're like me,
you will take the 48
months to learn
and I will be unable to keep up.

I can build a house on air
and craft perpetual motion.
I'm at least willing
to try to prove me wrong.
ryn Oct 2014
my steps are just attempts
to stow away
on the sails, on future's mast

as I walk away,
leaving behind the trail
of my unsuccessful past...
Lauren Cole Sep 2014
Now,

I don't mean to be offensive,
but every
time I come to you,

with great news, 
about something I've done,
something I'm proud of,

you're so apprehensive,
like what I've done can't possibly be greater,
than what you've accomplished in life,

I come to you excited,
and I leave you,
a crater,
of a person once happy,
once passionate,
once excited,
for life,

you were once the reason,
I went home,
sat down,
and brought out my knife,

to bring the blade to my body,
to carve out my soul,

I’m just a corpse now,
and I'm starting to mold,

my mind has deteriorated,
I can’t think straight,

I'm afraid to speak around you,
I'll just stick to my plate,

because if I,
say the wrong thing,
if I appear to be fine,

you'll take your words,
like a fork,

and on my happiness
you'll dine.
Leonard Sine Sep 2012
i like it when we talk.
but i like it more when we're totally silent.
listening to what the tapping rain
is trying to tell us.

i like when you wear dresses.
but i like it more when you wear sweatshirts
with stretched-out necks.
one shoulder struggling to keep you covered,
the other threatening to reveal more.

i like your smooth hands.
but i like your callused fingers more.
they remind me of how much
I love you
strumming a guitar.

the smallest things about you
take up the the largest place in my mind.
Enigmuse Mar 2014
Her eyes and lips and waist are sad poems,
which he finds pretty, but hard to look at, due to
the fact that unlike anyone else in the world, he's
indulged himself in the words she's composed of;
he's ran his fingers over the black print covering her
skin, and, mesmerized by her story, found solace in the
melancholic stanzas of optimistic sadness.
A girl with eyes as wide as the moon, maybe even wider,
hides behind books and songs and movies,
which prove nicer than the real world.

He stands tall and silent, one epic poem too long for
the world to read. However,while he's
fast asleep, she runs her fingers over the words and
pictures he's made visible to the world. One long,
sad poem about the world, one the rebels would marvel
at, about what it really is and what it never was.
Tattoos starting at the nape of his neck,
traveling down his arms and back, ink spilled upon a
lonely canvas, displaying a sad but accurate portrayal
of him: the boy who grew up too fast..

They're both odd and difficult to understand;
they are the poems that do not rhyme, the ones with
breaks midway through lines. Scriptures written along
the brims of both their beings, about a precocious boy
with tattoos and a naïve girl with dreams.

Love and dreams and perfume and flowers,
stars and books and blood and tears,
tears and blood and fire and angst,
want and drugs and needles and hate.

But that's okay.

In their affair of little talks, awkward silences,
holding hands beneath tables and speaking with their eyes,
they make beautiful silk webs of words, which hang from
the ceilings, are strewn along the walls and cover them in
their sleep.
Words to lines to stanzas to poems to stories.
Never had there been a more bitter-sweet relationship than
that of two beautifully sad poems in love.
Where he won’t say ‘I love you’, and she swears she understands,
and he sits on the sidelines drinking, while she waits to be asked to dance.
old, but mine

— The End —