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wedding bells peal o'er
the world to-day
they peal in such an
exuberant way

pealing for the bride
and groom
who'll be partnered
to love's bloom

pealing of devotion's
everlasting bliss  
the beauty of a warm
loving kiss

pealing a nuptial
togetherness
the sharing of a close 
love fondness  

pealing
pealing
pealing
an amplified sound
pealing
pealing
pealing
a joyous resound

wedding bells peal o'er
the world to-day
they peal in such an
exuberant way
The poem was inspired by wedding bells, that were pealing a few days ago.
Alyssa Underwood Jul 2016
It is out of the heart’s cavernous longing and furious search
for love, significance, acceptance, approval, identity, security,
freedom, belonging, innocence, intimacy and transcendence—
out of its primordial memory of what was lost to us in the Garden—
that we begin to ***** idols for ourselves.

Unconsciously we hope they might restore to us a taste of paradise,
taking away our fear and shame and isolation.
We yearn to go back but, alas, we cannot get in from there.
We ache to connect to beauty, to be desired by it as much as we desire it,
and Jesus is the only door by which we may enter.
He is the Beauty, and all the rest are simply there like pealing bells
to arouse our hearts to Him and tell us that He is coming for us.

Still, as if we haven’t quite yet heard and believed the message, we keep
aimlessly trying to forge a false righteousness through our false gods.
When they are lost or the dreams of them unrealized we are devastated,
for the shadows, echoes and reflections we had supposed would finally
make us feel good about ourselves have been exposed as frauds,
and once again we are left to feel naked but without fig leaves to cover us.

It is at these precise moments, when the bottom of our false hope falls out,
that we are best prepared to encounter Christ in His intimate
fullness and most apt to recognize at last that He alone is
everything we have been so desperately wanting.
It is our boiling point, where the unbearable weight
of failed expectation so crashes in on us that we are finally
begging God to lift our idols off of us and deliver us from them,
pleading with Him to come and capture us,
crying out to Him to possess us fully.
~~~
Alyssa Underwood Nov 2015
It is out of the heart’s cavernous longing and furious search
for love, significance, acceptance, approval, identity, security,
freedom, belonging, innocence, intimacy and transcendence—
out of its primordial memory of what was lost to us in the Garden—
that we begin to ***** idols for ourselves.

Unconsciously we hope they might restore to us a taste of paradise,
taking away our fear and shame and isolation.
We yearn to go back but, alas, we cannot get in from there.
We ache to connect to beauty, to be desired by it as much as we desire it,
and Jesus is the only door by which we may enter.
He is the Beauty, and all the rest are simply there like pealing bells
to arouse our hearts to Him and tell us that He is coming for us.

Still, as if we haven’t quite yet heard and believed the message, we keep
aimlessly trying to forge a false righteousness through our false gods.
When they are lost or the dreams of them unrealized we are devastated,
for the shadows, echoes and reflections we had supposed would finally
make us feel good about ourselves have been exposed as frauds,
and once again we are left to feel naked but without fig leaves to cover us.

It is at these precise moments, when the bottom of our false hope falls out,
that we are best prepared to encounter Christ in His intimate fullness
and most apt to recognize at last that He alone is everything
we have been so desperately wanting.
It is our boiling point, where the unbearable weight
of failed expectation so crashes in on us that we are finally
begging God to lift our idols off of us and deliver us from them,
pleading with Him to come and capture us,
crying out to Him to possess us fully.
~~~
M Seifert M  Mar 2013
I ____ You
M Seifert M Mar 2013
I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.
Jesse stillwater Aug 2018
Out here in the fields of the distance
whither the wind blows the silence further afield;
roughhewn footprints show a windswept pathway  
from whence feral feet lightly trod   

Only the passing whispers chase after the gypsy wind:
that the silence be in quire, placed aloft like a sigh,
pealing through the gentle sway of sweet grass' hush

There are no walls need echo an evanescent wind-song
as each breath of earthen psalm vanishes
lilting into the crystalline quietude colour;

The callused patience still held in these hands
is frayed and tattered, but hope heals stronger
than a ream of paper wings to fly away

And I'm mindful I'm not alone again, lost in
a lingering silent storm — pensively listening —
enraptured aneath all the big skies hold
 

                    Jesse Stillwater
Thank you for reading: Out here in the distance
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

matrimony a blessing of enduring love
a troth gifted by the Lord up above
choirs of birds shall sing of devotion
as the wedded couple bind in adoration

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

the sacred vows of love ever entwining
holding through the years of shining
love's sweet bloom flourishing so bright  
in a divine accord of special delight

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

a life time of endearments they'll share  
beginning on the nuptial day so fair
a kiss of blissfulness sealing the oneness
between the couple in true togetherness

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness
Seriously....  It's Explicit!*



You walk towards me
Slowly, seductively
A look in your eyes
I haven't seen in a while
Like you're already ******* me
Little do you know
I've already undressed you in mind
A thousand times today
You lock your lips with mine
Making my tongue and soul go numb
I close my eyes tight
Letting the feeling wash over me
I go weak, start to fall
You wrap your arms around me
Oh so right
You taste like beer
I've never liked beer
But on you, tastes like I could drink it forever
With our tongues still dancing together
I feel your hand slip under my shirt
To the small of my back
You trace little hearts
Giving me tingles
I moan into your mouth
You growl, squeezing me tighter, kissing me deeper
Oh! and I can't help myself
My hands crawl up the front of your shirt, scratching and pinching your pecks
You pull away, I almost cry
You smile and take your shirt off
"easier access" you say
I say "well, that's not fair" while I take my shirt off too
The way you look at me, I'm enthralled with you
It's like you're devouring me but I'm feasting on you too
Every inch of skin,
Even that **** tattoo
Wow, I get lost looking at you
You grab my hand guiding me to the bedroom
You try to gently lay me on the bed
But I have other plans
I push you against the nearest wall
Locking you there with my body
Kissing you even more passionately
And deeper than ever before
You've got me so in the mood
I can feel you now, through your jeans
Rock hard, this must be a dream
But I don't care, I have to taste you
I grab you there, look into your eyes, licking my lips and whisper "may I?"
You growl again and nod your head
I trail kisses down your chest with my tongue
While unbuttoning your pants,
Unzip you and ****, there it is
I'm salivating and it looks so devine
The first lick, you moan and growl
I know you're mine
I taste every inch, swirl my tongue around the tip
I feel you writhing and pulsing under my hands
Your moans grow louder, giving me so much pleasure
You wrap your hand in my hair, pulling, ****
I love when you do that
You pull me off of you, reluctantly I allow it
You drag me to your mouth for a wet, rough kiss
I melt
I wonder if you think you taste as good as I do
Magically, somehow, you undo my bra
You stare down, smile, then start to kiss and nibble on each peak
"*******" I say and actually giggle, but I go weak
You know it too, laying me down on the bed
"are you wet?"
I nod, thinking I have been since before we even started
You kiss me, so softly
While your hand finds its way inside my *******
You hit that spot, I grab your arm hard, moaning into your mouth
You pull back saying "you like that?"
"**** Yea"
I raise my hips so you can take my pants off "easier access" I smile
You touch me,  tease me while slowly pealing my pants off my body
I'm shy, I close my legs together,
You start kissing my thighs,
My Oh My!
I can't help but open and let you in
You taste me, the first touch of your mouth on me,
I practically scream in ecstasy
You slide up my body, with your tongue
I'm surprised I haven't come
I'm done, I'm officially yours
Never has it felt this good before
I'm in pure heavenly bliss
You tease me with the tip of your ****
While giving me a most dangerous kiss
I moan, scream, so loudly
When you finally enter me
****, you fit so perfectly
"oh ****"
I explode almost instantly
You smile at me
"I'm just getting started"
I whisper "****" I'm too weak to speak
Then you slowly move in and out of me
I wrap my legs around your hips,
Almost lethargically
You whisper in my ear "bliss"
Then give me the most gentle kiss
I can't take anymore, I've had enough
I may be a sweet girl, but in bed
I like it rough
I use my legs to push you in deeper, harder, faster
My hips grind into yours
We're sweaty, but I don't care
You move up a little higher
"Oh My God!" I scream "Right There!"
You stop, I moan
You pull out, I know what you want
To **** me from behind
That's fine
You flip me over, grab my *** real hard
You push into me, it's deeper this way
I start moaning and screaming
I can't help it, you're ******* amazing
You pull me back by my hair
I balance myself with my hands on the wall
I scream "harder, faster"
You happily oblige me
I hear you moaning, louder and louder, you're in ecstasy
It's a **** fantasy
"oh my god, I'm coming!" I scream
You instantly explode inside me
While I squirt all around you
You pull my hair so tight and kiss my back
Sending shivers down my spine
We fall to bed, tangled in each other
After a few moments you whisper
"Now, you're mine"
*coughs*
Well....  Ummmm...  Ya.... I had a dream
Here it is
Enjoy

— The End —