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Heather Lapp Feb 2013
I can't wait to see your skin.
Bare and smooth;
Shy and thin.
It's when your hips
Line up with mine.
The bond between becomes divine.
As all our chakras together align.
For as long as you last
You are solely mine.
Our eyes slightly different,
Yet both a darling green.
It's like a lovechild of a forest
Each time that they just meet.
Hello my one lover.
They say,
Hello my sweet thing.
The way we move together,
Like an innocent porch swing.
As your body grazes mine I open
My mouth to let you know
That in this moment of pleasure together
I will never let this go.
Jack Taylor  May 2014
LOVECHILD
Jack Taylor May 2014
the first time we touched in the rain you slipped away
because my fingers were slick with the water falling fro
m somewhere above our heads. the youth we had was
unreal due to the cigarettes we smoked and the late nig
hts we spent together as if we didn't have a bed time. w
hy don't we touch anymore? why have our meetings b
ecome so s p a c e d o u t ? you left me in the rain, in a pu
ddle of the tears we cried together, in a river of sweat we
poured, in a monsoon of memories that we made. I was
indeed your only love child, your only youthful anchor,
so now you have grown old and I can no longer see you.
fray narte Jan 2020
it's an all too familiar, all too ironic situation —
knowing safety, softness —
lingering tastes off darkness' tongue,
now trailing down our skin.

the dark has taught us that
safezone is having the night skies
perched around us
and the moon rises from every touch, slipping,
from every kiss, ending;

and yet, how can something so dim, so obscure
remind me of the sun and its clarity?
darling, these rendezvous have taught me that
you are the lovechild of the night and the day
and i am likened to a vampire
whose fatal flaw is its
longing for the sun.

oh, to see you,
touch you,
kiss you

in the daylight

without burning.
without hiding.
without fears and pretenses.




and yet, we can only be in this all too familiar, all too ironic situation;
we can only be, in the safety of the nightfall —
we can only be, darling, in safety of the dark.
Shane  Oct 2012
Sprout
Shane Oct 2012
I am the eccentric lovechild of a mother frondescent and a father evanescent
Sprouted through corrupted soul
Fed from the fish delivered free from a sea of blood and oil
Uprooted I drift in sunlight towards an amiable oasis nurtured by scribes
Roots form synthesis with a surface void of story
My blooms entail alternative motions ranging from the aspect of a chaotic notion and the transcendent shiver given with ceremonial moments
Traces of my lingering expanse traverse and terraform galactic sound gardens bursting at the seams with Gaia’s seeds
Wither, decay, destined to resume once in full bloom
Meandering with solar rays bonded by ebb and flow
The remnants of the last sun ray plague the wanderer who was born of sunflowers
michelle reicks Aug 2011
I'm not into politics
i don't care who the president is
if you're a communist, go ahead.
i'm not into debates and rallies
i don't vote for one side, i'm three dimensional
i don't care for democracy, fascism,
or whatever it is you are putting
in my hair, underneath my fingernails.
I'm not into that volcano of
confusion and opinions, screeching for
security of the word "true" but
all i hear is the ringing in my
ears saying OPINION
           and sure, i have a few
I like to think that everyone is
misinformed and my way is not left

but when religious *******
start the stabbing

they're going to go for the throats
of the sad souls that betrayed them

the cigar smoking;grunge wearing;music loving;peacemaking; hippies children

and i will survive the fight

because i had nothing to do with it?

no
i will never be a part of your
war

on policies
and your

****** hating

I will live my life as a lovechild

in a perfect world

where there are no idiots waving their ***** around.


these are
happy days we live in
D  Jun 2018
Moon Woman
D Jun 2018
Moon Woman has always been aware of certain things.
Every night she sat by the porch, waited for the sun, and wept.
She often fantasize about a different life.
The mind of a moon woman:

“I have made a mistake in a human form. I shouldn’t let this happen. I would do anything to erase any trace about what I have done, and let it begone.”
Said the woman with a lovechild.

“I would do anything to know what it feels to have become pregnant. I would make love again, and again, and again.”
Said the woman with miscarriage.

“My mother does not want me. She hated me for everything I have not done. I would love to be anybody else”.
Said the lovechild.

“I shouldn’t let her go.”
Said the child with a dead Mother.

“Love does not exist, I can live alone and without anyone.”
Said a grown up man, who have witnessed tons of failed marriages.

“Soon, we will be accepted.”
Said the same *** couple, fighting for their rights in the world.

~

The sun has arrived,

“I have always wanted to watch the world glow in its darkness.”

The moon answered,

“I would love to see Light.”
fray narte Jul 2019
When did you start waiting for shooting stars to dance in the skies? When did you start bending down and let your wish fall upon a six-petal ixora? When did you start hoping for four-leaf clovers in the fields? When did you start whispering your secret dreams to yourself before blowing the birthday candles? When did you start tossing pennies on wishing wells? When did you start muttering you heart's desire on fallen eyelashes? When did you start staying up late to wait for 11:11 to come?

When did you start believing in the magic they bring?


When did you stop?
Kurt Kanawa Jun 2014
Dance can't keep still;
she never could.

Music, perhaps the oldest of them all,
is the gracious host:
a voice all recognize.

Acting has a love/hate relationship
with everyone in the room
including himself.

Pottery daydreams
of ancient glory.
(Fashion hasn't got the time for that.)

Architecture and Sculpture
compare dresses.

Cooking tries to decode
the recipe for dessert.

Painting and Drawing
soak up the garden's view,
while Writing goes around
asking what everyone's up to.

Photography stops
and stares for a while.

Video voyeurs the place,
much to Love's embarrassment.

Lastly, we have Poetry:
the lovechild of all the Arts.
He is amazed by the shape of his hands
and spends his time drawing shadows
and chasing cars.
"All art is quite useless."
ERR  Jun 2011
101. Sage 6/2/11
ERR Jun 2011
Lucid in a lush landscape, baked by burning Savanna sun
The undeveloped endlessness all encompassing
My feet sink into the tender tissue
Of Green Mother and Infinite Father’s lovechild
The watering hole is overpopulated with thirsty families
Suspiciously inspecting the albino primate
I make undeterred deliberate steps skirting hydration
Drawn to his penetrating and omniscient orbs
A genuflect to show respect, my head bowed and gaze on ground
The mighty titan mimicked me and extended peaceful welcome
Gradually I rose and full-figured, approached
Warily, minding his twin osteoscimitars
Hello friend, he said
I heard you coming from several years away
I have been waiting for you
In a thousand forms and figures as the shadowy shapes you doubted
But Wisdom, how?
Baffled now, as I follow worn creases of age
That line his cracked and withered face and date his hardened hide
Come see yourself as I see you, he said
For we are as old as your mind is young
And he led me to the liquid, still and reflective
My own visage now ancient
You often sought me out, and I never hid
But I always came too late
I am with you in every action
Every success and every mistake
I was your hand when you learned to hold on
And your ears when you learned to listen
I was your adrenaline when you lost control
And your uncut blood tunnels when you learned to live
I was your arms when you hugged a forgiving embrace
And the nausea you felt when you lied
I did not mourn you when you died and scattered
For you returned to me as many; come, we have much to teach and learn
We will raise the bulls of a generation
Without another word, I mounted sacred pachyderm
And we became a vortex for wandering energy universal and fluid
The venerable sage and I rode as equals through the night
The savanna sky resting its tired eye at last
bitten nails, broken skin
i speak volumes through a pen
the unkempt look of a tired teen
emotionally broken writing queen

i write melodies for the youth
the ones who know the ugly truth
and after all is said and done
i speak for the ones who stand alone

i write for the ones who stay in their rooms
who have inner horror of the imminent doom
of facing the decision to live or to die
i speak for the ones who silently cry

i write for the broken primadonnas
who realize all they really wanted
was a beautiful body (thin as a stick)
i write for the sweethearts, lovely, dysmorphic

i write melodies for the hated
the ignored, defeated, self-harming, tormented
the unloved darlings of this generation
oppressed by society’s views of perfection
the unwanted lovechild of sadness and hate
we feel in our hearts that we all are mistakes
i write for every last tired young soul
for i write as i speak
and i speak what i know.
luv  Aug 2021
finally leaving
luv Aug 2021
will the resentment
ever die?

will i carry our lovechild
dead in my womb
for all of eternity?

will we sit in this
dusty red room,
naked and wet with sin,
childish wonder and ache
until the end of time?

is your love the crutch that
carries my broken limbs?

are my memories of us
enough to erase
the scars off my skin?

do i love you? or do
i love the little girl
who died next to you?
the innocence stripped
from the outside in

you, forever damp
with my seven-year-old tears
you, the only living tie
to the lost, unearthed years,
you, the last remainder of
what could have been

me, afraid to forget
afraid to start
again
fray narte Aug 2020
this poem is a lovechild
of my weary skin
and the sensual creeping of an all-consuming melancholia;

my voice, hoarse
from calling for the gods
whose names all fall away
at the sight of my undoing —
besides, who falls apart
at ungodly hours
but sinners?

why hast thou forsaken me —
there no longer is a need for this
when they had all forgotten your name
hours before the daybreak.

and yet everyday, i still wake,
waiting for this bed to collapse
under the weight of my hollow bones, holding
the weight of the frailest chaos
to ever befall these sorry sheets —
i thirst,
for a new kind of skin, unstained,
untouched —
wide enough
to hold all this weight of sadness
lying in these sorry sheets.

i've wanted too many epitaphs for a girl who's still alive;
today it's started wanting me back.

now, i tire,
wrap the cloth around my skin:
all ashen, all stench,
all cold, all dead.

now take this poem.
take this lovechild in your arms —
all brown eyes and little hands;
half melancholia;
barely a girl.

now take this body;
take its peace.
bury it in a pauper's field.

— The End —