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Oliver Philip Jan 2019
A series of  Acrostic poems noting the healing properties of the crystals to the Zodiacal signs. .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Capricorn  ♑️  December 23-January 20.
~~~~~~~~
Capricornian don’t mind me. I can’t live as you.
As you have the highest of standards always.
Peridot,Garnets, Agate or Turquoise to wear
Ruby’s grace a  beautiful young maidens hair.
I see the jewels in your eyes when you smile
Carnelian stones or Malachite for soul healing
Or Jet ,Smokey Quartz or shiny Black Onyx.
Red Garnets,Blue Aragonite,Green Tourmaline
Nonsuch is the birth symbol ,graceful as thee
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Aquarius ♒️  January 21 -February 19
~~~~~~~
Aquarius the symbolism for the water carrier.
Quite an important member of our community
Under spells by an association of the heart
Aquarian crystals are Garnets and Amethyst
Rainbow moonstone, Labradorite, Magnetite
I would buy thee Lithium Quartz ,Moss agate.
Under your care placing Crysoprase n Cryolite
Some Rainforest Jasper for love of this lady.
~~~~~~~~~~~~~~~~
Pisces ♓️  February 20 - March 20
~~~~~
Pisces are healed by birthstones of Amethyst
In tune also with Turquoise,Aquamarine,Amber
Sapphires,Sunstones,Smithsonite, Labradorite
Chrysoprase of green, Ocean Jasper, Flurite
Especially Bluelace Agate,Rainbow Moonstone
Stones Charolite, Calcite,Ametrine,Bloodstone.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
Aries ♈️  March 21 -April 20
~~~~
Aries children tackle life head on.
Ruby,Diamond,Amethyst and bloodstone
I know she’s into Aquamarine and Tourmaline
Especially pink, Dravite aka Tourmaline brown
Stellerite, Sardonyx , Citrine, Kunzite n Axinite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Taurus ♉️  April 21 -May 21
~~~~~
Tourean girls have an inbuilt stubbornness
And are partial to the birthstone Sapphire
Understanding An Emerald and Aquamarine
Rhodonite, Amber,Lapis Lazuli and Tiger’s Eye
Universal faith in crystal’s Kayanite n Kunzite
Spiritually in tune with Carnelian

~~~~~~~~~~~~~~~~
Gemini ♊️ May 22 -June 21.
~~~~~
Gemini never grow up.They are so  flirtatious
Ever wooing and seducing their audiences
Moonstone,Agate,Aquamarine,Tigers Eye
Into the healing powers of Chrystoprase stone
Naturally Green Tourmaline and Serpentine
I also see Anyolite, Citrine,Thulite and Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~
Cancer  ♋️  June 22 - July 23
~~~~~~
Cancerarians are high on the emotional scale.
And they benefit from Emeralds and Rubies
Natural Amber,Rhodonite ,Rainbow Moonstone
Chrysoprase,Carnelian, Citrine, Moss Agate.
Even with the beautiful crystal Fire Agate
Ruby stone and Pink Tourmaline healing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~
Leo ♌️  July 24- August 23
~~~
Leo has birthstones of Onyx, Peridot,Ruby,
Even Turquoise,Amber,Citrine,Larimar,Petalite
Or Fire Agate,Red Garnet,Sunstones,Sardonyx
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Virgo ♍️  August 24-September 23
~~~~
Virgo needs be a person advocating virginity
I know because I have fusion and experience.
Realistically fusing together two personalities
God knows n loves my approach and approves
Of Peridot,Carnelian, Blue Sapphire,Tourmaline
      Of Green ........
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Libra ♎️  September 24-October 23
~~~~
Libra uses healing properties of Lapis Lazuli
In Peridot,& Sapphires, Aquamarine stones
Bloodstones,Emerald stones, Sunstones,
Rainbow Moonstones, Morganite, Lepidolite
Aventurine,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Scorpio ♏️  October 24- November 22.
~~~~~
Scorpio needs the healing of Aquamarine
Charolite, Turquoise, Malachite or Emerald
Obsidian Black , Golden Topaz and Boji Stone
Ruby, Lapis Lazuli,Green Tourmaline,Kunzite
Peridot , Rainbow Moonstone, Rhodochrosite.
I know of Variscite Hiddenite n Apache tears.
Or Herkimer Diamond ,Hiddenite , or Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sagittarius ♐️  November 23- December 22
~~~~~~~~~~
Sagittarius is so joyous and very fun loving
Amethyst,Turquoise,Lapis Lazuli n Blue Topaz
Grace her body with healing properties now.
I recommend Azurite stone, Blue lace Agate
Tourmaline pink, Malachite, n Yellow Sapphire
Topaz of white and beautiful Ruby Stones
A Zircon Crystal and Snowflake Obsidian
Rich Merlinite, Labralite ,Dioptase n Charolite
In these healing crystals wear them with faith
Understanding the powers the Universe grants
Sacred is the space that you take upon Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written and inspired by Sacred Space.
Shop 10 /74-78 The Corso , Manly , 2095 NSW . Australia. Louise Winchester.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Written by Philip.
December 2018.
~~~~~~~~~~~~
A series of 12 Acrostic poems linking crystals to the Zodiacal signs.
Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Abi Carroll  Mar 2021
Fire Agate
Abi Carroll Mar 2021
Fire Agate

Rendered at last,
  with seamless lines
    of every shade
  and layer on top of layer

As we know,
  one burning tree
    can set
      it's forest aglow

and so came her soul
  with fire's inside

    But with fire comes chaos

Birches chirp
  for consequential change
    for her edge's
      to chip away
Then a Maple
  , through sweet rustles,
     asks for more
Willows fume
  fatal wishes
    for the forest
    to surrender,
  for water over embers
A Cypress follows
  , with deep concern,
      and begs to stand
Ashes whisper
  for another
    just one more day
But an Elm
  seeks that same color
    but within her
  and to stay

It's dangerous to dance
  with this many tree's

"One day,
  maybe I'll break,
and maybe someone,
  maybe you,
    will see

between the waves
  that meet at peak,
    that fold into another,
see why the cold sky
  shy's behind the hot sun
    but are drawn together,
see below the clear surface
  that deceives
    by gifting you assumptions,
see how clear agate
  over hematite
    gives you iridescence,
see beyond the points
  we know,
    and please see
  where a circle stops.

Maybe you'll see
  what I can't

    , me"
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
I hear stories of an ancient land so pure.
I see photographs of bluer than blue skies
over a lake of molten gold.

I drink kahwa flavoured with almond and saffron
and add honey, sweetened by bees from the valley,
my hips swaying in a crewel work on wool skirt.

I hear songs of freedom, I know people who fled.
The muezzin prays for peace over bloodstains and tears
while children still play under walnut trees.

Clouds gather to pray at Shankaracharya Temple
on a mountain dipping its toes into water
while empty shikaras speak of visiting ghosts.

Mothers whose eyes never tire, looking over the sunset
for long lost sons; wives who still lay out their husband’s
slippers on a carpet with frayed edges.

Postmen deliver letters to addresses long abandoned;
a generation of elders, eyes of agate, gnarled fingers, brew tea
surrounded by memories of children killed, daughters *****.

I write for all people who live in war.
I write for the age of innocence to return.
I write for soft rain to wash away sin.

I write for the return to reason.
I write for peace to flutter gently through groves
of apricot, almond, apple and walnut.

Feel the pain. Hear the refrain. Smell the emptiness.
This is now. This is now. This is not in the pages
of a fading history text. This is now. This is now.
Sarah  Mar 2015
Agate Beach
Sarah Mar 2015
There's a thought
I have
(quite often)
where I'm
standing on
Agate Beach
and your feet are in
the waves

and you're telling
tales of the under-toe
where the ripples
entice like
ribbons
and the steady beat
of here-and-back
tempts you with
its song

The one
where you've collected
seashells
crab shells
every shell
you've seen.

I usually think this
when I'm on the bus
and my throat is dry
and the cigarette smoke
stinks like the bitter days,

the post-shore days
the after the golden coast line days

where cigarettes were cheaper
than a divorce
or goodbye.
Oscar Wilde  Jul 2009
The Sphinx
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Oliver Philip Dec 2018
Aquarius  ♒️
~~~~~~~
Aquarius the symbolism for the water carrier.
Quite an important member of our community
Under spells by an association of the heart
Aquarian crystals are Garnets and Amethyst
Rainbow moonstone, Labradorite, Magnetite
I would buy thee Lithium Quartz ,Moss agate.
Under your care placing Crysoprase n Cryolite
Some Rainforest Jasper for love of this lady.

~~~~~~~~
Written by Philip
December 18th 2018.
Aquarius the zodiacal sign of the Water carrier.
Yehuda Amichai  Nov 2010
Tourists
Visits of condolence is all we get from them.
They squat at the Holocaust Memorial,
They put on grave faces at the Wailing Wall
And they laugh behind heavy curtains
In their hotels.
They have their pictures taken
Together with our famous dead
At Rachel's Tomb and Herzl's Tomb
And on Ammunition Hill.
They weep over our sweet boys
And lust after our tough girls
And hang up their underwear
To dry quickly
In cool, blue bathrooms.


Once I sat on the steps by agate at David's Tower,
I placed my two heavy baskets at my side. A group of tourists
was standing around their guide and I became their target marker. "You see
that man with the baskets? Just right of his head there's an arch
from the Roman period. Just right of his head." "But he's moving, he's moving!"
I said to myself: redemption will come only if their guide tells them,
"You see that arch from the Roman period? It's not important: but next to it,
left and down a bit, there sits a man who's bought fruit and vegetables for his family."
Robin Carretti Aug 2018
The trees juice swallowing
Dread-locks opening the
key to my heart
Pulling Amber Agate to the end
wishing the wagon
was my good luck hand
So helpful than my
hallucination struggling
wilderness mission
Apple abandoned Mcintosh
her computer
The thirst compelled her
So Gingerly lemon tea
4 -2 beer pockets

Four letters not to like
H-E-L-P_$$$
if you only knew abandoned hike
Imagining stew of rabbits
Four people Fast Wendy
4 meals for 4
Sahara desert burger


The Amber ghost of
two wrinkled catalyst
Did time desert me
4:44? Paralyzed list
No Star wars may the
force be with Amberlized
Quicksand lowered
  water was drying
  Her abandoned party
type Diva evaporated lava

Amber the corner of her lip
all pruned couldn't sing
Slenderman slumber nails and dirt
Amber people are the strange
wagon getting hurt

1- Hot it is (..)
2- Is it wrong to feel abandoned
3-Wrong being sold out to Uncle Sam
What was?
4- Was she blinded all alone S-O-S
5- SOS surrender distressed wood belong?
6- Belong to be dumped
near a wagon deadbeat song
7- Song didn't move lonely emptiness
, please help
8- Help wanted not just any sign
9- Sign was stolen and Amber rose
10- Rose so ember plain and desert storm
he gulped
11- Gulped left with one (.)
12- One far two stars bygones
13- Bygone the last line 13 I= phones
Help
_

deleted numbers
Now don't disappear on me
I was abandoned too many times
The dirt and the sand stayed still
No cell phone picture to install
We feel abandoned perhaps not all but the ones that do here is a hike to find something with meaning is it in the stars or our numbers hearing the loud sounds of the big hike of thunders
Sam Nov 2016
Beauty glistens in the fire agate,
Light reflects off the surrounding white snow.
Happiness glitters softly in the allure.
Deep, mysterious, and inviting.
Daunting in every which way.
Oliver Philip Dec 2018
Gemini ♊️
~~~~~
Gemini never grow up.They are so  flirtatious
Ever wooing and seducing their audiences
Moonstone,Agate,Aquamarine,Tigers Eye
Into the healing powers of Chrystoprase stone
Naturally Green Tourmaline and Serpentine
I also see Anyolite, Citrine,Thulite and Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
December 22nd 2018.
The healing stones of Gemini
Oliver Philip Dec 2018
Capricorn  ♑️
~~~~~~~~
Capricornian don’t mind me. I can’t live as you.
As you have the highest of standards always.
Peridot,Garnets, Agate or Turquoise to wear
Ruby’s grace a  beautiful young maidens hair.
I can see the jewels in your eyes as you smile.
Carnelian stones or Malachite for soul healing
Or Jet ,Smokey Quartz or shiny Black Onyx.
Red Garnets,Blue Aragonite,Green Tourmaline
Nonsuch is the birth symbol ,graceful as thee
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
December 19th 2018.
Capricorn as a zodiacal sign.

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