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Big Virge Nov 2014
Ya know .....

This Violence thing ....    
just isn't in me ... !!!  
I'm just wondering when ...    
you masses will see ,,, ?  
    
That wars are like ****** ....  
"Without" ... A ***** ... !!!!!!  
    
See ... it really is ... "Futile"  
to be messin' with me ...  
    
I've got logic like Spock  
and ... Big Ears ...  
Don't you see ... !?!  
    
Yes ...    
The name is ... " Big V "  
and this style I believe ... ?  
is called ... "Slam poetry !?!"  
and I hear that ... to win ...  
it helps if ... you're ...    
    
........... FUNNY ........ !!!!!  
    
Well .....  
I hate to ... Disappoint ...  
    
But ...    
That's just ... missing ... the point !  
    
I try to write things  
that are built to ... " Anoint " ...  
An ... "Elixir of Pictures"  
in terms of ... My ... Scripture ...  
    
That Affect ... your mind ...  
Like ... Smoking ... "A Joint" ... !!!!!  
    
See ...    
One day it was Yoda ...  
who said to me ....  
    
'Virgil my son  
this poetry thing  
is your DESTINY !!!"  
    
Like Luke I said ....  
    
"Maaaannnn,    
that just isn't me  
performing this thing  
they call, Slam Poetry !?!"  
    
So ......  
Now that this veil ...  
is .... Covering me ...  
    
I feel like Darth Vader ...  
with forces ... So DARK ... !!!!!  
    
I keep checkin' my head ...  
for that ... 666 ... Mark ... !!!!!!!  
    
But .......    
God's force ... I ... " Believe " ...    
just keeps ... "Loving Me" ...  
So ... "My Soul" ... like my mind  
will always be .... " FREE " ....  
    
"Violence" ... surrounds me ...  
yet ... "Angels in my Heart" ...  
but it's ...... "Lucipher" ........  
Don't you .... see .... !?!?!?!  
    
who sits back with a ... "***" ...  
looking on .... " Patiently " ....  
Awaiting .... Those .... "Fools"  
    
.............. Wanting ................  
    
"Destruction' ...... of ...... " WE " .....  
    
"We" .... as in .... " PEOPLE "    
    
So .... What's Your ... " Destiny ? "    
    
It's ... "Lost Souls" ...  
who'll be ... ****** ...  
for ....... ETERNITY ........................  
    
So .......  
What DO they ... Achieve ... !???!  
    
See ......  
I've found ... NO Relief ...  
and now ... "TRULY" ... Believe ...  
A ... "Great Many" ... in this world  
just keep being ....  " Deceived " ....  
by ... BULL** ... and ... Lies  
that the ..... Media ..... "FEEDS"    
    
While these ... "Draculas" ... " **** ! "  
It's my heart that just .... "BLEEDS"    
    
Thus My Words ...    
search for ... "TRUTH"  
with .... " INTENSITY " .... !!!!!  
    
while Violence ... now ... " Reigns "  
in each ... " Big City " ... !!!!!  
    
EVEN ........  
Young Girls will ... "****" ... !!?!!  
Stab a gay ... in his chest ...    
or .... could it be .... This .... ???  
    
Is she just ... "Re-enacting" ...  
what she saw in ... **** Bill ... !???!  
    
"We told you before,  
Quentin's films are TOO VIOLENT !!!!!"  
    
The censors ... Complain ...  
but ... who is the ... Tyrant ... ?!?  
    
A man using film ... to ...  
"Reflect" ... our ... Environment  
    
Or .... "Overpaid MP's" ....  
who NEED ... Early Retirement !!!!!  
    
So ... Who do you ... TRUST ... !?!  
    
"Ashes to Ashes"    
    
........ or .........  
    
"Dust to Dust"  
    
An Icepick ... in your chest ... !!!  
in a ... FIT ... of ... " LUST " ... !?!  
    
Well .......  
It's my ... Basic Instinct ...  
That allows me to ... "Drink" ...  
    
I've got ... "A Shield of Steel" ...  
But ... My name ain't ... "BATFINK" ... !!!!!!  
    
See ...    
In these few words ...  
"My Truth" ... is ...  
    
.... REVEALED .... !!!!!  
    
and like ... Bruce ...  
I survive .....  
    
On my ... "Boy Scout" ... Appeal ... !!!  
but now it seems ..........  
Like Lambs ........  
    
You're all ... "quiet and silent" ...  
as I draw .... analogies ....  
from movies ... with ... VIOLENCE ...  
    
So ... when this .... Inscription ....  
is ... "FINALLY" ... "DONE" ...  
    
Will I be ... " The ONE " ... ?  
who's ... INJECTED ... your mind  
with thoughts of ... " Freedom " ... ?!?  
    
Well .....  
Be careful what you wish for ... !!!  
cos' i'm the ... "Wishmasters' Son" ... !!!    
and will take your ... Last Breath ...  
if you wish to ... Retain ...  
Your ... " Youthful Reflection " ...  
    
So .....  
What ... Reflects ... WHAT ... !?!?!?  
    
Is it ... Life ... "Within Movies" ... ?  
    
................. or ....................... ?????  
    
Movies that .... " Reflect " ....  
what goes on in ... OUR LIVES ... ?    
    
I'm not Arnie .... !!!  
BELIEVE ME ......... !!!!!!!!  
What's TRUE ... in a ... LIE ... ?!?  
    
I'm a ... "Lyrical" ... Prince ...  
but ... My Doves ... "DO NOT CRY" ... !!!!!!  
    
It's ... " PEACE " ... That I LIVE FOR ... !!!  
    
So this VIOLENCE ...    
    
........ “ MUST DIE ” ....... !!!!!!!
I'm pretty much, Anti ... Poetry slams, having done a few back when I wrote this, but, have to at least be thankful, for these words they inspired ! How many movies and shows do you know that I have mentioned ... ???
Stab Stab
Your  words are like a knife
When we are together
We can never make things right
I try to put the fire out
But you just make it worse
Our friendship can be good,
Or it could be a curse
This poem I wrote during a time were me and an ex-friend were not getting along soooooooooo yeah
Nabs Dec 2015
By Nabs
Dear, My Past Self
I've always wanted to say a lot of things to you.
A lot of things that I would like you to change.
A lot of things I wished that you haven't done
(Like chanting hate to your self before you went to sleep).

But that is not the reason I am sending this letter.

We both know how the past cannot be changed, the same way we both know that girls will be girls and boys will be boys (which to say not at all, after all we are a firm believer that time travel and The Doctor exist).

I know that you are going through a lot of forked roads, right now.
Gnawing your lips and making it bleed, from worrying whether to choose right or left?
Afraid, not to take the wrong road but to take the road that you want, the third road that you've always thought off but haven't gathered enough courage to step to.
It's okay to be afraid of where will you get stranded in life. Being afraid doesn't make you weak.

But at the end we have to move forwards even if it will literally kills you to leave the breathtaking view behind.

At this point in your life, You will realize that the handful of people that you surround your self with are more of an aquantaince than friends. And you will lose some of the friends you have because of the directions you each choose to go. You will feel lonely and miserable.

A deceptive man called depression will lull you with the promise of kindred spirits and ask you to let him be your companion. You will accept this offer, not fully knowing the Concequences because Depression, in your neighborhood, is something that goes unacknowledged.

You will regret the decision of taking his hands
(He's a good friend of mine now, I know how to deal with his quirks and how to cope with him living in my home. He still ask me to join him in drowning, but I learned how to say no)

    There will also be a lot of people telling you that you are a freak. They will consider that being true to yourself is a sin and you will try to repent by torturing your self with soul leeching mask that will leave you identity in tattered remains (You will spent years trying to piece it back, taking new pieces and discarding old ones).

They will also paint names on your back, whispers lies and making a game on how much they can stab you in one day. (You always come home bleeding, but you covered it with 1000 watt smile and perfume to mask that fact that the wounds are rotting)

Do not try revenge, it will leave you with a guilt so heavy that the act it self would only taste like ashes and sour your heart. (I know how horrible that is, and I know you'll still do it because this letter isn't about changing the past)

Remember that you have an untapped core of titanium in your backbone.

I know you will spend some sleepless night thinking of ways to not wake up in the morning, how to keep dreaming, and letting the ghost take you away. I know how close you are to the temptation and how you almost bitten that forbidden fruit because you wonder if it taste like peace. I also know that you will deny yourself.

(Because that's the lesson that was taught to us since the beginning )

Society may tell you, to **** all the things that are different in you. The things that make you see a shade differently, the things that make your angle on the world askew, the thing that you were (and still is) proud of. You will ask why, and they will reply because you are not perfect.

Do not listen to them because a few months from now you'll learn that their reasons are poison and you had been fed spoiled milk all along.
(You'll get some stomach ache that will feel like butterfly wings, you will mistake it for infatuation. It's not. You'll learn that infatuations taste like sugar and the coffee that you'll grow to like)

At this point, You will also painstakingly build a shrine, made of ivory and desperation, for the one you mistaken as a saint (she's not but she's still one of the best things that happen to you). A shrine for a saint that you tried to be, a saint that was hailed from loneliness and envy.  

The shrine will be the invisible wall that you will simultaneously try to tear apart while build it everyday. You will always be the one who ask for forgiveness because you were a faithful believer who believe that you are a despicable sinner.

(You are as much as a sinner as she is a saint.)

The day that you look her in the eyes and burn the shrine, the wall will crumble and fall like the Berlin Wall. Both of you will become human ( Also you will find that she is easily bribed with pizza and you will find that you are different than her and that's ok).

You will also learn the taste of despair from the way the mother dove cannot understand that your screams are the way you say that you are breaking and you just want to quit breathing. Instead mother dove will translate it into screams of rebellion, and you were always the obedient daughter first, than you are a teenage girl.

(You will learn how to jab your scream into paper, and turn them into poems. You will truly make some bad ones at first. Don't worry I'll help you along the way)

One day, between where you are now and where I am now, the world will give you a present of awareness to the danger of smiling to strangers. You will cry in the hotel bathroom and try to scrub your skin until it bleeds, trying to feel clean but only managed to ***** the tub. The world and mother dove will tell you that its your fault and you were asking for it (You're not).

You will lose the ability to smile uncaringly.
(This is one of the things I wish we would have keep)

You will slowly watch the colors that you know fade from the world, leaving it a mottled grey. The same state that you are feeling now. You will paint lies and invent new colors to just make you believe that there is something worth living for. You will hate your self more and more for your new painting skills.

Don't hate your self, You are a survivor and you are still fighting (I know you wouldn't listen to this, that you would keep hating your self until you met some people who will be kind to you and help you hold up your forts from the monster inside your skin. Like I said this isn't that kind of letter).

I know that the day you smashed all your anger and hurt into the table that you sleep on, was the day where you first tried to draw red lines with sharp markers on yourself. It will be messy but you were addicted and soon all you can paint was release and the occasional victorian girl

(You will not draw boys because you despise the way that you cannot draw wide board shoulders, like the one you hate on your self but admire on your brothers because those shoulders look like they could carry the world unlike yours).

You will lock your emotions tight, and learn how to hide from the world (It wouldn't last long, you have the universe inside you that is screaming to be shared to people. You haven't learned how to say no yet, unlike me)

You will learn that you are also an idiot, that karma exist and it bites you in the *** as a payback for all those tyranny. You will laugh your self until you're sobbing and fallen asleep. The next day you will bring a book to educate yourself to your school.

You will be turned into a mess of paint, anger, bitterness, and dramatic flair. The only one that will be left without blemish will be the mask (not the face beneath). The woodcutters will saw your legs of from you, and you will be left without the means to stand on the ground

But you still will crawl your miserable 90 kilogram mass of body to the next crossroad, and the next, and the next, and the next, like the stubborn mule you (we) are.

And you will came out of the personal purgatory, that the world gave you, with a brand new legs, soul liberally littered with scars, and a tuft wings on your back (Albeit still very tiny. It's okay, It's still growing).

You will learn to walk again with your new legs, the one that isn't smooth like baby skin but full with callouses from all the road walking.

You will learn that being full of flaws is ok, that not being beautiful is fine.

You will also learn that you are allergic to cats (You will deny this fact when you find out until you almost passed out because you couldn't breathe. But we will still cuddle with them because cats are the best)

You will meet new people, wonderful new people. The ones that you care so very much and the one that cares for you back. The ones that's just wonky like you. (You will love this guy and girl that I am close with, they're very kind and sappy like you are)

You will get to fall in love, like in the romance manga that you secretly love, and you will broke your own heart (I wanted to say for you to savor it more, but like I said this isn't that kind of letter).

You will be ok with it, and you'll gain the skills of cutting people from your life

You will learn that the world isn't kind to your gender, and you'll ask for equality ( the same way you're asking for a new set of paint, which is to say with a lot of care and thinking). You will learn that the world will always be a ******* but there will always be change.

(The world needs its balance)
You will learn that patience isn't really your virtue. But you will learn to grit your teeth and wait.

You will learn to love your self. Even at some point the hate still managed to rear its ugly head. You will learn to be proud of your self and yet still be kind.

And you will continue to write your own story, you will make mistakes and learn from them, you will make unexpected plot twist and pull your favorite cliche. You will learn that not all people like your story and that it's okay.

That is so very okay.

This letter isn't about telling you to change yourself.

It's my way of saying thank you.

Because darling, ****** well done (pun intended)
                                    Love, Your Future Self

P.S :
(This isn't the end, how about we meet up for tea later?)
This is a long piece, cause I was writting this when I was feeling very stumped.
Hope ya'll like it.
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
Lyn-Purcell Jun 2018
They may use you
abuse you
slap you
kick you
shoot you
stab you
curse you
mock you
choke you
tear you

and at times,    defeat you
in that time a   n   d time alone
They may do   all    this because
they know you can reach the
heights, the impossible,
that they can only
dream of
but

they won't      ever destroy
you.    You        know       when to be
a tempest and     when       to be tranquil
You know when     to         be a flicker and
when to                     be                        a flame
When to shake the        earth and to sprout
they may put so much energy to see you
on your knees, vulnerable and weak,
but as long as you continue to
rise to your feet, they will
be blinded by the
light of your
glory.
Feeling a lil optimistic now. You know, I can say that there are ALOT
of people I can list now that really want to see me fail, friend and family.
Shame but at least I know who I can and can't trust. I'm on that level of
consciousness now. This is a poem dedicated to them.
To let them see me down is a victory to them.
But it'll always be hollow because I will have that strength
to get back up again.

If anyone is in need of more fire to their flame, I hope this poem is at least a drop of fuel / a piece of wood.

Be back soon!
Lyn ***
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
I cant concentrate on anything i do
The sky is turning grey from sunny blue

You call me a friend, as you pull out a knife
You stab me in my back, not once but twice

You are a lier, a poser , a freak and a cheater
What wrong i did that you  became a mistreater

Tears, depression, pain and scar
You gave me and i was like
Why you did so
If its my mistake then
Let me know
But if you dont like me then
Let me go......

— The End —