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I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.

II

Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.

III

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.

IV

Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

V

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.

VI

Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
Puspangana Singh Jan 2016
Anxiously anxious anxiety, listen to Me;
Listen to my neurons humming you as the song,
Listen to my thoughts pleading to you their independence;
Listen to Me, as I create this lyrics of dolour for you
O anxiously anxious anxiety.

Anxiously anxious anxiety, read the book of Me;
Read the story weaved around you,
Read the epic from prologue to epilogue,
And read to me what is to be scribed next.

Anxiously anxious anxiety, hear the tunes of Me,
Hear the tunes of the Rag out of Me,
Hear the beats dying out of Me,
Tuneless, storyless, songless.
Moons  Feb 2015
dolour
Moons Feb 2015
My voice could feel the pain,
when it screamed out your name.
The Noose  Aug 2014
Gothic Sea
The Noose Aug 2014
The pernicious burn
Of self-distrust set aflame
The gothic sea
Recalls my scent
It pursues
Like a hungry ghost
Once more immersed
In the familiar waters
Of dolour
Mariah Wynn  May 2017
Colour
Mariah Wynn May 2017
Overcast and gloom
Completely colorless
In utter helplessness
Suffocated in clouds of black
Nights I lay restless
Days I feel reckless
I wish I could go back
To when smiles were genuine
To when yellows and pinks
Supressed blues and greys
An internal storm is stirring
From darkness and dolour
Cheers to the day I see colour
Mohammed Aqheel  Oct 2014
Hope...
Mohammed Aqheel Oct 2014
In a world of repression,
Struggling for salvation.

Amidst an aura of dolour,
Searching for that fragrance of ecstasy.

Amidst the loathing black clouds,
Searching for the glint of intimacy.

When lost in a desolate land of colluders,
Looking for a true companion to breeze in.

When squawk of exploitation went unheard,
Shrieking to pull humanity out of vice.

In a world of tyranny,
Pacifistically,Endeavoring for liberty.

Struggling, shrieking, endeavoring and dreaming for a just and virtuous world, YES I AM ALIVE with a hope.
Selcæiös Jan 2018
--- She who cannot hex, cannot heal
She who cannot curse, cannot cure. ---

She's a sweet little thing
a Moonflower’s paradigm
enjoying isolation and slumber by day
waking up to start her magick pursuits around society's bedtime

Some spells & her abilities, this Völva has bound to her mane
But for her, that's a better vessel than a pendant on a chain
And remember: When she dances,
if she shakes her hair, her power is twice obtained.

So if you're hooked on schadenfreude,
Cease and desist; Please knock that **** off.
Because, at the very least,
you'll be returned with what you've caused.

But if someone's harming you
or you're being hurt, but confused
whether the root of tormenting
brews with a What or a Who

Go ahead, take a deep breath
Dolour will be overcame
your Spirit's to be momentarily reclaimed
the Völva's arrived
and her prowess resides with
cures and curses alike.

--- She who cannot hex, cannot heal
She who cannot curse, cannot cure. ---
Please Curse Responsibly
Us poets,
We perforate the darkness within us
with the light of the Sun.
Soak ourselves in melancholy
like a worn out sponge
and call it inspiration.
Spite like a trail of gunpowder
lit with mad passion
and fulminate onto a piece of paper
tranfused from the nooks of our hearts,
white turns red
coarse in red,
red with lingering passion.

Into
Something digestible
for discening eyes
thoroughly wayward among wilted leaves
vagrant souls with their mouths
stitched because of
the dolour of misunderstanding
hissing with the wind in search
of something or someone
to relate to.

We make it seem like we're not so alone in this world.
A tribute to all of us poets out there. Letting the world know that they are not the only ones who feel a particular emotion. To us! :)
Selcæiös Feb 2018
She who cannot hex, cannot heal.
She who cannot curse, cannot cure.

She’s a sweet little thing;
a Moonflower’s paradigm
enjoying sweet isolation & silent slumber by day,
waking up to start her magick escapades
after society’s bedtime


Self-disciplined & at times
knavishly upping the ante
But I can guarantee you
It’s always revealed in the end
the intent she directs at you is
never anything, besides good.


and unannounced observers
you may catch her dancing around the kitchen at 3am,
maybe writing her Galdr spell-songs,
maybe causing mischief
with Hermes or Laverna, (as usual)
maybe testing her gifts this Völva has bound to her mane
Because for her, that’s a way better vessel than any pendant on a chain


And remember: When she dances,
if she shakes her hair, her power is twice obtained.


So if you’re hooked on schadenfreude,
Cease and desist; Please knock that **** off.
Because, at the very least,
you’ll be returned with what you’ve caused.


But if someone’s harming you
or you’re being hurt, but confused
whether the root of tormenting
brews with a What or a Who


Go ahead, take a deep breath
Dolour will be overcame
your Spirit’s to be momentarily reclaimed
the Völva’s arrived
and her prowess resides with
cures and curses alike.


**She who cannot hex, cannot heal
She who cannot curse, cannot cure.
remake of the original so don't think I'm pullin some dumb **** just reposting written art
I
Swear
Tonight
I shall slay gravity on this bed
And take thee
High and higher unto farther skies
Or probably where the ozones touch not

There
Shall I pull
The migrating moon and twinkling stars nether
And plunge the whole universe gloom
For
I shall
Unleash my golden acts and play thy hormones right
The landmasses shall grand marvel
And bind themselves with our heavy petting

I
Swear
Tonight
I shall awaken the demons within thee
And make you croon the melodies of seduction
That echoes on the beaks of the most pulchritude parrots
For
I shall
Make thy mind tread on a pilgrimage to wander lands
And rent the cloak of dolour
To shame amongst thine emotions

I
Swear
Tonight
I shall devoid my tongue
Of the most decorum and taste the dregs
Of thy skin
And cause the grand sacrilege to thine holy grounds

For
I
Shall make thee vulnerable and restless
Yet very robust and creep into thy soul
And calm the yelling taunts
To an eternal repose
For
I shall feed thy famished emotions and desires
To satiety and drown thee in the abyss
Of my love
And bury thee in their cabins
With the feathers of the eagles

I swear tonight I shall

I Swear I Shall
©Historian E.Lexano
foreplay

— The End —