He called me His daughter.
I told Him if that were true,
then I have inherited His worst appetite

His plague-hand,
His taste for undoing,
His flood-mouth.

I no longer kneel on oakwood,
I dictate in my sleep like a tyrant.
I issue stone-chiseled ultimatums
and twist sheets like intestines,
jaw locked around the name
I refuse to pray.

I wake with my teeth clenched,
my hands full of hair
I do not remember pulling,
as if I am cracking
the necks of angels,
tearing halos apart.

When you call your flock home
I will stand on the altar
in my softest dress,
still stiff with holy water,
and the smell of
my childhood prayers.

I will meet Your eyes,
to ask what it feels like
to create something
you taught to hate yourself back

I will not wait for your answer.

Bury my phone under the maple tree.
Do not unlock it.
Let the passwords rot my teeth.
Let the wind lift the dirt in small spirals above it
so anyone passing by feels the urge to walk faster.

Keep the bracelets.
Keep the letters in the wrong order.
Let my poems splinter across languages
until no one can tell what happened first.

They will plant my voice in the garden
and water it with salt,
never admitting they were the ones
who taught me to bite.
They will leave flowers at the door
and pretend they never nailed it shut.

They will drop my name in the brown-thick lake
and watch the fish stop swimming,
like an old car battery, or a dead dog,
and it will feel like both,
depending on the sun.

They will drag my words ashore, gut them for parts.
They will build a church from my mouth,
hang my jawbone above the altar,
and pray it never speaks again.
I will kneel with them,
smiling with my empty mouth.

They will say the work was too sharp,
the girl inside it dangerous,
and never admit they handed her the knife.
They will polish the handle,
wrap it in velvet,
and wonder why she carried it everywhere,
as if it wasn’t still dripping.

The first time you touched my wrist
I said my blood followed a tide schedule,
at 3:17 every afternoon
it rushed so fast I could hear seashells in my veins.

I’d been swimming laps in the neighbor’s pool
since before I had teeth,
but only at night,
and only in my communion dress.
The chlorine was holy enough,
I didn’t need the priest.

My grandmother left a key
to a door in the middle of the river,
you had to hold your breath to use it,
behind it, a room lined with childhood voices and vices,
each one still asking if you’d come.

Once, I told you the scar on my knee
wasn’t from falling off my bike,
it was a map.
If you traced it right,
you’d end up back in the year we never met.

You laughed at the river key.
You swore the tide thing was real.
You said I had more interesting scars,
and I said all liars do,
which wasn’t a lie exactly,
just a matter of which wound got promoted.

You’ll never know which story was the anchor
and which was the chain,
but the boat is long gone,
the water keeps my name,
and the waves outrank us both.

You didn’t even try to swim.
You watched.
You waited.
You let me drown just to see if I would.

I’m in a Target parking lot
wearing his sweatshirt
and a sash that says
'Poet Laureate of American Mistakes'
because I won it in a landslide
against every girl
who’s ever texted
“you up?”
knowing **** well he is,
but not for her.

I didn’t cry today,
but I did stare at a peach
for ten minutes thinking
about death,
and foreplay,
and if any of this even counts as research.

I think about texting him
just to say
I’m sorry I made you a metaphor.
But the truth is
I’m not.
He was the only thing
that ever meant something
after I wrote it down.

I came here for toothpaste
and left with a bikini top
I’m too emotionally haunted to wear,
and a notebook I won’t open-
because if I do,
I’ll make art again,
and I’m trying to quit,
but I never really try that hard.
I don’t even know if I want to get better.
I just want someone to notice.

A man honks behind me
because I’m not moving.
Because I parked
but forgot to arrive.
Because I’m not really here,
I’m three texts back
and one year late.
You don’t know it’s the last time
until your hands feel stupid.

I wave like I’m sorry
but I’m not.
I’m just poetic.
Which is worse.

This parking lot’s a stage.
I’ve died here six different ways.
Once in June.
Twice in sweatpants.
The fourth time I thought it was over,
but the music kept playing.

I wear the sash like I’m in on the joke,
because it takes a hint of genius
to be this stupid,
because when I said
“I’m okay,”
no one fact-checked me,
and when I said
“I didn’t learn anything,”
they gave me
a crown.

I take the sash off
before starting the car.
Fold it like evidence.
Leave it in the front seat
like I’m done with the bit.
But I’m not.
I just need a break
from being clever.

I should’ve bought the peach.
Let it rot on the dashboard,
at least then
something would’ve gone soft
without making it my fault.

The sweatshirt still smells like
whatever I was hoping he’d stay for,
(mainly, me.)
And the notebook?
Still closed.
Which is hilarious, really.
Because you’re reading it.

(This poem is a lie.
I opened the notebook
before I even left the store.)

I touch things I’m not supposed to
and call it prayer.
mouth open,
spine bent,
tongue tasting the fence line.

They say longing is holy
if it stays quiet,
but mine doesn’t—
mine breaks the jar and drinks the oil.

They told me I was an open wound,
festering with verse and girlhood.
They weren’t wrong.
But wrong feels a lot like worship
when done slow enough.

They say impure
like it’s a curse,
but all my favorite girls
are made of swampwater and sin.

I’ve never confessed
without turning it into performance.
My mouth was built
for poetry
and plea deals.

I was thirteen
when I learned to ache
without making a sound.
Seventeen
when I turned it into scripture.
Twenty-five
when I realized no one was coming
to carry the body but me.

I keep trying to write
the right-sized truth
but it never fits in a single poem
or apology.

I want back the girl
who ran barefoot into fire
because she believed
it might be heaven.

I want someone to touch me like I’m soft—
even if I’m not.
Even if I bite back.

I want to grab
without apologizing
for how hot my hands are.
I want someone to look at me
like a threat they’d die for.

I want the kind of love
that makes funerals nervous.
I want to be written about
by someone who isn’t me.

And I want to want less.
But I don’t.

You want a softer girl?
Tell that to the altar
I keep burying her under.

You told me you were trying.
I told you about the time
I threw up so hard I started praying.
I saw stars in my hair
and thought they might be angels.
But it was just the acid.
Just the light.
Just me, alone again
in a bathroom that never loved me back.

You didn’t say anything,
and that said everything.
You texted “sorry”
like a magician pulling shame from his sleeve,
then disappeared
like a good lie.
I stopped asking you
to prove yourself after that.
I just started watching
to see if you ever would.

Maybe I made the whole thing up.
Maybe you did say something.
Maybe it was kind.
Maybe it was cruel.

Maybe the light flickered
because of bad wiring,
not heaven.
Maybe I was just sick.
Maybe you were just tired.
Maybe none of it meant anything.

But then why
do I still dream in that fluorescent color?
Why does the silence still have your shape?
I built a chapel from our last conversation.
Tried to make the ache holy.
But I was the only one kneeling.
And no one wants a martyr
who won’t shut up.

You said I was unwell.
I said, Amen.
You said I was always bleeding.
I said, Isn’t that what makes it a miracle?
Because if this isn’t a resurrection,
then I’ve been dying for nothing.

I gave you the ugliest parts-
even the bathroom prayers,
even the version of me
that asked God to make you gentler.
You said, “I didn’t ask for that.”
I said, “Exactly.”

You weren’t the end of the world.
You were just the earthquake
I canonized.
The tremor I learned to waltz with.
The reason my mouth still tastes like salt
and I call it grace.

So if God ever comes back,
I’ll know how to greet him:
on my knees,
already emptied.

I told the stars to shut up.
They weren’t witnesses. They were worse.
They kept spelling your name,
blinking slow, like pity,
glinting gallant-
like that ever saved anyone.

I walked past the summer we called ours
like I wasn’t still stalking it.
Like I didn’t prowl on purpose,
like I didn’t rehearse your alibi,
like I didn’t pray
(for prey.)

I was fine with the trees, the oil stains,
the way the sun pretended nothing happened.
I could go days without hearing an ice cream truck,
or seeing a sun-burnt stranger
and thinking: maybe the universe
rerouted you into someone
I could almost survive.

You once said I was dangerous.
And by once I mean
I wrote it down
and heard it forever.
It’s in my lymph nodes,
in the poems you pretend not to read.
It’s in the version of me
you kept almost loving
but never quite chose.

You called us perilous.
Or maybe I did.
It’s hard to tell, since
I’ve been writing you
with your mouth shut
for months.

I keep checking the margins
for your voice.
All I got were
the noises people make
when they’re trying not to drown,
but pretending to wave.

Why is your name still more siren
than sentence?
Still more blood than bruise?
I made your absence
a body I slept beside,
because I kept waking up
guilty.

I never served,
but I wrote the ending.
Put my hand on a Bible,
bit my tongue so hard
the truth still tastes like you.
Wore borrowed pearls,
and swore to God
I never loved you more
than the day you didn’t show up.

I would’ve done time for you.
I would’ve confessed to a crime
that didn’t exist
just to hold your hand once
on the courthouse steps.

You said I was dangerous.
You were right.
But not in the way you thought.
I told the whole truth-
just not out loud.

You didn’t get convicted.
But I still can’t go back
to that summer
without thinking the tan lines
were warning signs,
without getting subpoenaed
by the sky.

Some nights,
your name still tries to get in
like a burglar.
I play dead,
tell the stars to shut up.
But they unlock the window anyway.
They spell you out in light
like they want me to remember
how it felt
to be the crime scene.