A fork in the road.
Will it stab me like a knife
or spoon feed me joy?

Agèd lady sits,
holding her silver and gold —
Anne, Mary, the Son

Anne’s daughter’s the moon,
sits on the throne of wisdom —
crowned in golden stars

Moon begets the Son
who’s fathered by breath of flame —
Both pierced by a spear

Two women, one son —
A motherly trinity
that shines in splendor

On the day of all souls in the fall
as leaves lose luster to winter’s bane
my father’s shade returns to call
while I walk along a splintered lane:

His memory murmurs in a darkened nook
of years of yearning and wasted days,
as the distance that filled up the book
of our lives still grows as I turn to grey.

The care he’d showed I did not feel
as the pillars of our bridge began to crack.
Too late, I turned back to heal
the fallen span that we now lacked.

By then his old mind’s lantern had failed;
the new light I’d shone back went unseen
and broken arches into a chasm trailed
where once a golden bridge had briefly been.

Across the valley, dark, deep, and wide,
a spectral stretch of stones appears
to shine as a silvery coach now rides
across, to bring two sundered shadows near.

Now on this day of all souls missed
by those who find themselves left behind,
one faithful departed returns to kiss
the forehead of a son’s reopened mind.

Man builds his palaces and fortresses of stone
to last him a thousand years
while clouds drift by that last not long,
as brief as the drop of one tear.

The clouds’ only constant is their change
as they curl into filigrane wisps,
or flocks of white sheep on a blue range,
or black towers wreathed by blitz.

But one day these monuments will topple and fall,
leaving behind only a trace
for future archaeologists who’ll struggle to recall
whatever had been in this place.

The clouds, meanwhile, disperse and reform
in the wandering winds that cover this earth
to tower up high in each new storm
as they constantly repeat rebirth.

In this dim night
before the dawn of All Saints,
no need to take fright
of the spirits you acquaint —
for they are merely the ones who went on before.

Beloved dead whom we miss
reenter the world of the quick
and blow us a kiss
with a treat but no trick —
as we celebrate their return from the dark shore.

The ancient oak
wears a cloak
of hoary old bark
and scalloped leaves.

She raises high her limbs,
writes silent hymns
that the nested larks
turn to music with ease.

A thousand years
on this blue sphere
has this oak thrived
under countless moons

aloof from the cares
we people may share:
She’s simply alive
to write her secret tunes.

The plaster peels around the windowpane
as Virginia creeper clings, hangs low
on the old stone wall that crumbles, veined
by the cracks from the hourglass’s flow.
The weathered wood of her rafters frame
this battered house that’s fading away
like the troubles and cares she’d contained
which are silting fast into the sandy soil.
The creeper‘s five leaves grasp like a hand:
Gaia hugs this house in her tightening embrace
to fully devour all the follies of man
until only the quiet creeper remains.