Reverberation:
The pilgrim's corn. It is illuminated by the Harvest Moon.

A reverberation:
What old Palmer saw when he drew his pilgrim cooling in the warmth of a circular Sun, in the early light of the Sun.

Reverberation:
The industrial fields— they swell— where, once, the Harvest Moon hung— amber— like the swell of the midday Sun.

Samurai blade!
Swing!
The Moon cuts the Sun in two. Inside we see the rings of the Sun.
God drew these rings with his steady hand, for his art is soft and tender.

"Good day, Sir (or be it the night?). I work the Harvest. At this present moment I am resting in the heat of the midday Sun. You may use my body as a sundial, for my shadow keeps pace with the steps of the Sun.”

And, as the old worker of the Harvest settled down, he looked up, in meditation, and he saw Blake's sun-flower— golden!— keeping pace with the steps of the Sun.

In each vault: a fifty pound note—
How fragile our consciousness must be!
From each well: an overflow of oil,
Gently trickling into the village's stream.
And, for all their wealth, no sons to be seen;
No daughters frolicking across the effervescent green.
Only weapons adorn their mantlepiece.
No pictures of family. No memories amassed.
No records for spiritual esteem.

It had been many weeks since I had seen Tokyo, and my gentle rowing would lead me back to Tokyo, back to a semblance of a piece of mind.

They had been frying the fish and chicken in the same oil at the local chip shop.

O! what is this? That was not chip!

The Wyg burns the separate strands above a wooden pyre.
The Wyg ushers in The Line.

Mixing new colours with a robotnik slave-hand,
The Wyg manipulates The Line as no other in existence has done before or since—
Except, Exalted Ditko,
He who studied with
Exalted Paul Rubens.

The Wyg pays credence to the commeroration of Mars,
Watching over its distant skies and hallowed sand dunes,
Which burn as only fires can;
But those of us with eyes where eyes ought to be
Can only see the embers that scatter across the land
As hallowed, red Mars-dust.

In communication with the Mars Moth-Man,
On the nights where Earth-glow streaks across exalted Azuul,
The Wyg scrapes Mars Moth-Man's moth wings for the powder of the scales
And uses the powder for hallowed rites of manifestation.
Only in the temples of Azuul can one conjure The Line, and many materials are required.

Blotted starlight from sunken Heaven
Aligns separate suns with black-hole-being
Under simmering fires of flickering, flickering,
Fading into condensation breath.

Reaching into the higher worlds
Through the slabs of consciousness.
Peeling apart the astral membrane
Of eternal, transcendental splendour.
The visions!
The slabs of consciousness!
The rotating, interlocking dawn!

The muffled barks— craving sleep—
Stir weary eyes on sodden streets.
A desolate man on heavy feet,
With cigarette roll clenched between grey teeth,
Mumbles to himself in the dead of night:
" 'Tis three O'clock. I have lost my soul."
Words uttered through mist if truth be told.

When the transcendental died, Cézanne howled to the moon;
But Cézanne, he knew the truth:
He saw, in his eyes, that life could not die—
In his early work he displayed this truth.
But, he was corrupted by Camille Pissaro,
And his palette was lightened to boot.
Yet there still remained, on his most turbulent days,
Everlasting darkness that strained,
Winding its blackening roots.

We can hear: "Caw! Caw!" as the crow flies.
Caw! Caw!
Ping! Ping!
And we revisit the bust of The Wiygg—
The Wiygg who knowest thou.
He who sings when we deliver a burning sword to Sanjeet and Romesh Singh,
Those who beat their blood-soaked wings.

Once that particular door has been shut, and twilight begins,
Lang, Rita, Jamal and Hatesh P. Benjahmin,
Where will you call home once the end of the night begins?

What we learnt from the Masks:
What we did with our freedom:
What we saw when we took up the pen.

Shall we learn what we had learnt once again?
I don't think I could stand another night
Locked inside the shadows of Earth-den.

Subsequently, the Masks coiled around us,
And we set down our penmanship in the shade.
They beckoned us to sing, once again.

I sit here, amidst a darkened hall,
Congregating with the darkened rats,
Sipping upon a darkened drink— blood-drawn.

Now I rub my ******* and feel them swell
Amidst a rally-call within this darkened hall,
Possessed by a demon’s hypnotic call— his rally-call.

We shall echo the points that scrape the skies
Above the streams of Wonder City.
On the streets below, men shall shift through time,
Watched on by soaring concrete.
And in the steaming sewers strewn beneath
These streets— O Wonder City!—
Rats shall run the labyrinth of the sewers
To find the traces of a world
Before the streets of Wonder City.