.
Light sparkles in the clover,
Yellow and blurr of bees
Are honeyed in the sun
And robins have come,
Yanking in the gasses,
So green is the moisten
Of the painting of the dew
And all is lolling in petrichor,
The soils running with slow
Time so shortly experienced,
Oils of wood permeate the air,
Lapping brooks bream into light,
The loft kestrel swirls in meadow
And chipmunks scuttle at base of tree,
Even the wind does freshly quiet, crisply,
There as a hug waiting for body and spirit,
Patches of white are disappearing, they know—
That one day we must all return, after winter snows.

my father carries his grandmother's wisdom with him
like a satchel upon his back,
like a palm print;
his own father’s teachings tug like strings
and read like a map worn but never wrong —
one that transcends.

my father knows how to live for himself
for the sake of others.
a hidden art form —
secretive to his son
who only knows how to live for others
for the sake of himself.

i could ask him how he does it,
but he tells me first that i will live and learn and hurt and grow,
and so i know, instead, that i will come to know.

my father carries me in his arms as though i am still one day old,
as though i am still taking my first few tiny gasps of air from this great big world
(the world he built for me),
as though my eyes have not yet become accustomed to the light.

my father’s arms never tire and i know why.
they are satchel and palm print,
strings and map.

i am one day old and sure that my father has lived a thousand lifetimes.
he speaks in bloodlines, holds heritage in his hands and then brings it to his head when it whispers.
like a child holding a shell to his ear, listening to the ocean.
my father knows where to find right answers.

i could ask him how he does it,
but he is already answering.

he has always been answering.

(a.m.)

today my gums bled when i brushed my teeth,
and i thought of making some metaphor
about how efforts to attain purity
only result in more stains,
but no.
it was just blood.

to call a rose — or torn gums — by any other name
is to silence the initial sting,
but it still ends up hurting more in the end.
it always does.
lying always does.

and if all i have are my words,
what am i if my words are lies?

what am i if i cannot be honest?

a bad writer, perhaps.
but trying.
i am also trying.

there are some days when the blood looks
a little less like words on a page,
and simply a little more like red,
and i am hopeful.

yet still i know
that efforts to attain purity
only result in more stains,
and red is a ***** to clean out.

(a.m.)

i am not one to glamorize smoking,
but there is something recklessly beautiful about new york
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards —
like a demon knowingly conjured.

it is a slow suicide so defiant it is almost admirable.

almost.

but like most things called admirable at first glance
and detestable
at second,
there is an ugly side.

new york, though,
doesn’t know ugly — never has, never will —
and even when it does it is a
“between the lines” kind of ugly:
the spitting up of blood bright and red —
cherry —
at home, behind closed doors,
not cool and casual on the city streets.

new york doesn’t know ugly.
and so slow suicides become
park bench pastimes and
throats filled with smokes become synonymous with:
“living life to the fullest in the heart of new york city”
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards becomes
almost admirable.

almost.

(a.m.)

i will never know the black mother’s ache,
but i imagine that if the phrase “adding insult to injury” had a feeling,
that would be it.

i will never know the black mother’s ache,
but i imagine that it sounds like “hands up, don’t shoot,” like “i can’t breathe,”
like blood hitting a pavement that seems as though it was built
to catch those droplets.

i will never know the black mother’s ache,
but i imagine that it tastes like skittles and arizona tea,
four years old but still carrying the fresh sting of a wound just opened.
i imagine that it tastes 
like history repeating itself,
like seeing your son or daughter recycled each week
on every news report, on every tv station.
each time it is a different body, 
but it is always the same hand pulling the trigger,
the same black blood being spilled,
the same cries left unheard;
we shout “black lives matter”
and yet, still,
they cut them too short.

i will never know the black mother’s ache,
but i imagine that it looks like a web of lies too thick to cut through — 
every strand another weapon that he did or did not have,
another order that he did or did not follow,
another sin that he did or did not commit;
the only black they care about
is the color of the ink they use
to draw your angel-headed boy
a set of horns.
i imagine that it looks like evidence hidden,
like sparknotes-type skim-throughs labeled “thorough investigations,”
like another unindicted officer walking freely atop the cries of those 
who charged into a battle they knew they would, but hoped they would not, lose.
a battle they have fought too many times before.
i imagine that it looks
like an empty chair at the dinner table,
like cold-blooded ****** disguised as justice
with the help of a blue hat and a badge.

i will never know the black mother’s ache,
but if you listen closely enough,
you can hear it
in every cautious goodbye she says to her children whenever they leave the house,
or in the silence that those goodbyes used to fill.

can you hear it?
you will have to push past the shouts
of the big bold letters that they want you to believe.

somewhere,
somewhere in there,
a black mother’s heart is crying.
it is a gentle, hushed cry 
that the world does not want to hear.

but the tears are still just as wet.

(a.m.)

my psychiatrist tells me i have holes in me.
she says it as though it is something
i should already know.
and when she says it,
the shift inside me is something i wish i could compare
to the grinding of tectonic plates,
if only i were strong enough to bring about an earthquake.

but since i am a stranger even to aftershocks,
i keep quiet.
my earthquake is stillborn,
expressed instead as a nod,
as a chewing of the lip,
as a silent, compliant “mhm.”
and the urge that nestles itself at the pit of my stomach
is not an urge to disagree;
it is an urge to forget.

because my psychiatrist tells me i have holes in me.
she says it as though it is something i should already know,
and she says it in a way that is not meant to make me feel incomplete,
but it is a way that still does,
and if i can forget this,
even for a moment,
i can forget that i am not okay.

i do not like not being okay;
i do not like having problems,
and my psychiatrist,
she tells me i have holes in me and she says it
as though it is a problem.

and so begins a slow disintegration:
i become but a bearer of problems,
a garden growing only weeds —
something in need of fixing.
i see myself a war-torn landscape,
dry and cracked and lacking life.
i see myself the kind of ground you step on and say,
“remember when things used to grow here?
remember when it used to be green?”

i am still trying to be green,
always trying to be green,
but my psychiatrist tells me
i have holes in me,
and suddenly green becomes a color i will never know how to paint.

outside my psychiatrist’s office,
on the wall of the waiting room,
there is a painting of flowers —
irises and a geranium —
and the leaves, i know, are supposed to be green,
but the paint is old and faded
and they don’t look it.

and for a moment,
i think
that maybe,
whether iris
or geranium
or boy riddled with holes,
maybe it is possible to bloom
even if you are not green.

(a.m.)

My little deer
Is that you
peeking between the trees
peering at the stag
but your heart's
still not at ease
... time ago
a short time
a stray cupid's arrow
shot the night air
splitting your spirit in two
frightened you took off
from the foreboding
hiding in a lea
there was sun
and cloudless skies
but not really
as your insides
raged
in a storm
in a hourglass
with sand pebbles fighting
to heal
for the best
now as you peer
between the trees
of salvation
do you hear
birds singing near a brook
... songs sung
so beautiful
in concerto
with the chipmunks, *****, crickets
then, as you take
that step forward
so lion hearted
peering
between those
branches
of redemption
my little deer
are there rays
of sunshine
peeking back

LR-4/23/17