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no shinning light

ambulances and cop cars and nightmares
concrete and ashes 

streets too dead for dreaming

the abandon buildings
like tombstones waiting


as night edges prison walls
in the vanishing landscape

we were kings of the neon sky


and when the bars close
through puddles of lost tomorrows
running every red light
on main street

in a sun turned black as night


we were the kings of the neon sky
I searched
searched the sky for her
Don’t know where she went
but I was
losing
my friend
No other lover has her voice
the rhythm of her mind
the presence of her heart
the lyrical cadence
of her footsteps
as she disappeared from sight
Looking in my heart
I chanced upon her soul
and lo, there she was
I let her out of the darkness where she put my love
and the air was full of hope
Not a sound was heard
quiet as the sun
quiet as the moon, my love
and we never left the door open
again
again
Once or twice, I knew
our passion met the tundra
colder than my fury
colder than the rains, can you hear me?
I learned the lion’s roar
in hopes of telling you
that I was too afraid
to love and love again
love and love again
and again
and again
and again
again
Tired of this pain
knives don’t cut as deep
tears don’t ease the pain
of my every heartbreak
And still, I walk the rope
searching for the truth
that I can never breathe in
truth harsh as the sun
drying up the oceans
Never was a truth so large so hard so pure to grasp
that I am
alone, alone
alone, alone again
because the music of pain is love’s refrain
and I’d die to hear the poetry
till the end...
There's so much I could say about myself
and what I said and wish for you to know in this poem
and, as well, wish for myself to know,
but all I can think to say
is I hope you are all okay - better than okay even,
or finding yourself there
searching
like hands in the dark
or an adventurer in a forest
for a way to the light
or a way home.

I spend a lot of time thinking about myself
and perhaps that is why I am so alone.
Perhaps this is why I push others away: so I can have
more time
to think about myself.

I hope you all find a way to be free of such a nightmare.
I hope you all find love, fulfillment, family, a bright future.
I hope that when you find that future, you share it with even those
who don't matter.

Life is too short to be living in pain, missing out on the good fruits
that can be grown and picked
from planting the seeds of kindness, meaningful action, generosity
and eating of what grows from those deeds
the kind of life we can be proud of.

Please do so
not for anyone else in your life
but for yourself.

Be courageous enough to love yourself like you were
the last and the first person
to discover love.
I am a caricature of humanity
- a picture of its seething bowels.

I am its sloshing,
quivering, yet wholly earnest intestines
made manifest - I am,
the inside-out freak show
we all crave
dancing before your eyes
oh, and what a feast of eloquent gizzards you witness!

Feast your eyes, my friends!

I am what you wish you weren't
yet know you could be
as you yearn to be as free as me
all your shame and volatile desires
all your sadness and madness
all your dreamful bliss
I profess it daily
in an ode to you, my fathers and mothers,
in an ode of love for absurdity,
I am the cartoon character made free of its stage
the puppet made free of its strings
the loon, made free of his rage,
a benign insanity,
not capable of harming a germ.

Don't pass by
by all means
gawk
it's my pleasure that you do so
breathe my callousness in
shudder at the thought of being so exposed
having all your human nature bleeding there
like my crying eyes
as I tell you of all my past loves
and how I still love them
yes
even the meatloaf
still eating it
that baby towel
still snuggling it
that algebra homework?
Still completing it
and there's a missing grade somewhere
in a dusty book in a warehouse
imagine
how I'd creep in,
decades from now,
hours before my death,
open that tattered grade-book,
pen myself an A+ for my immaculately completed work
- fist pump the air!
Take that Ms. Cramsworth! I may not have beaten algebra,
but I beat you!

Die right there
in that warehouse
amongst all the other freaks.
There's Bigfoot, who slipped accidentally one day, got impaled by a branch, then called 911 - he had no health insurance, that's all she wrote. Bigfoot's just another disenfranchised-American statistic now. Bigfoot's last painful hours were spent taking selfies with holocaust deniers and people fashioning MAGA hats - some with rifles for effect - it was then Bigfoot regretted voting for Trump and only then. You were just rudely-awakened from having sympathy for Bigfoot, weren't you? Poor baby. Save our souls.
Then there are the cryogenically frozen heads of the Illuminati we're all worried about - they're trying to sleep until humanity can make them superhuman bodies.
A flying saucer that was alien in so far that it was actually a time-machine from our distant future that brought people back to warn us of an all-consuming genocidal calamity, but they spoke a language we didn't understand, had genetically surpassed us, and therefore were unrecognizable to our labs, and we took their highly-advanced babbling as acts of war when they tried to **** the Illuminati heads - killed the so-called aliens then, so tragic - ate their gizzards for research. Now we're all doomed to die... Their bodies were lain next to the Illuminati heads. Centuries later, the same couple, now janitors from the freak warehouse, see themselves, find the time-machine-saucer, and start the time-loop again... inadvertently causing the end of humanity because they messed up the timeline.

... and that's exactly why I never did my homework.
Humanity is doomed to die in some distant future caused by the doom-couple and so I refused to put a brick in the wall. I refused because all I was was a...nother brick in the wall and I hated it.

Because as fascinating as I am.
As absurd as I am.
As much of a human marvel as I am.
I don't matter. I matter the least.

And so that's why I had to die in that off-the-books warehouse,
full of priceless and unmentionable artifacts.
They wouldn't ever put me there, but I had to die with the legends.
I had to give my life meaning somehow.
If I can't live a legend, I will die one... by the way the janitors put me in the trash out back anyway.
I end up in an east-Asian landfill somewhere, kicked in the face by barefoot sweatshop kids who just so happened to make the sneakers on my very feet. Isn't that poetic justice? What a send-off!

And so isn't that all a satisfying and cathartic end,
giving closure to the most absurd poem,
with the most random details,
wasn't that fun?
Just have to bust out a mad-****** like this every once in a while.
Seems an important part of my writing process and growth, LOL.

Enjoy!
-DEW

Find me on Twitter @TheGreatWilson where I write most often these days :)
Come say hi!
Toe-skewered socks shuffled in years-tattered shoes
Patched-up tweed elbows rested gently; arms folded in poised disapproval
He was my teacher
A man steeped in the essence of the written word
Every bump and groove of his face were the syllables of a life long-lived
Stressed and unstressed beats of the tension between us denoted his impatience
For he and I saw the word a different way
He detracted the sweetness of my plum-purple prose
and I loathed the strictness and banality of his expert structure, his measured cadence
but we could agree on one thing
We loved the word
We loved every echo of it in the long night
After fires fade and blue birds sleep
How dreams tumble out of the mouths of snoring dissidents
See those murmurs become the dialectic, the dreams, of poets and gods galore!
We agreed on this
The desperate cry of freedom
Yet we could not agree on his score of my work
Which I had so passionately written till early morning
Rings of the moon beneath my eyes as I argue
And his stonewall-gaze leaves my arguments blunt
For you are young, he says, you do not know the way of the pen, still
With sword I could ply approval from his lips
Rend his flesh asunder
Feed the dogs and the birds
Leave marks on his children like slave brands,
The power of the sword could make him do as I asked!
Exactly as I asked…
But with pen I could get nary a nod
I abandoned my search for his smile that day
Yet not the pen
In fact, I pressed firm, not with the nib, but with my mind
Day by day
Hour by hour
Past midnight into dreamland, by the light of the cosmos I composed worlds into waking
Tirelessly, my fingers plodded upon the keyboard
I watched the letters tick by
On and on
Full speed ahead
As if I were running
Outrunning…
Him
That stonewall-gaze
Peering down at my soul from an emerald tower
Each keystroke was a step away
A step beyond, years beyond
I sought my pleasure where it could be found
The approval of my peers
My professors
My colleagues
My fans
Scores of adoration, as if by the metric-ton
Still running
As if a scarlet letter of FAILURE were etched in my soul
And just like that,
My running came to a stop
As news of his death reached the shore of my self-imposed exile
Exile from shame
Exile from disappointment
I saw myself more lowly than ever
As, for after all those years of running, those stonewall-eyes had gone to sleep
And had not cared for my embarrassment
My resentment
My bitterness
Indeed
It were as if I were fighting a ghost I created
And look where it got me
To the top of the world
Chased into an emerald tower
Alone
Fearing myself a fraud at the ease of my keystrokes
How could such talent belong to a failure?
Well the man who proved I was a failure was dead
And I realized
So, too, should my defensive pride live no longer
So, too, should I free myself of the fear that manifests the agonizing toll of the pursuit of perfection
So, too, should I realize…
Just because he did not approve
Doesn’t mean I shouldn’t approve of myself
Exit stage left
Where dreams await
And I learn to enjoy what the dissidents dreamed
A life in which our dreams live free
No longer sheltered in the embrace of our childhood nightmares
No longer living in fear…
It's funny, I've often reflected on this particular comment one of my English teachers gave me once.

What's weird is, at the time, I considered his comment a compliment, "Second-rate author," I never considered myself to possess authorship, much less being second-rate, so I accepted it as subtle praised and moved on.
Yet years later, when I began to take much pleasure in, and put focus on, my writing, I began to resent this comment of his.

Obviously, I'm a much better writer than when I was 16/17, but for whatever reason, this comment of his bugged me as I was getting my degree in creative writing.

It's also startling that I got some very cruel criticism from some professors of mine while getting my degree, yet none of them needled my brain as much as that which I heard as a teenager. The irony is startling, LOL.

Anyway, I myself am now a teacher. When I began heading toward this profession, I knew there was going to be some sort of transformative lesson I would learn. Something important. I kind of lead my life this way.
Yet this poem is every proof of what it was that I set out to learn and this is only the beginning.

I love when a poem comes together like this one.
I had the first 5 lines pop into my head ad-lib and I had such an itch to jot them down that I ignored some important things to wait on my slow computer to open up Word so I could record them.
An hour later and I have this poem, which I consider a beauty.
It's certainly pleasing to me.
I haven't written a long poem like this in almost a year.
I've been on a steady diet of writing Twitter poems, haha.

Last night, I was looking at my pinned tweet, which was the last poem I posted here, and I thought to myself, "I need a new one, it's been almost a year."
Lo and behold! The Lord provides, haha.
It was a great day for this, too, because this was a great teaching day.
Rewarding, valuable, transformative, a source for reflection and catharsis, all culminating in this poem here.

I feel quite satisfied :)
I hope this poem was great for you, too.

ENJOY!
DEW
It is not paint that his lifeless creature wears.
It is the make-up smears that animate its features.
It scares me not consciously, but with a deep sticky dread
hiding in the shadows of my mind.
Its face parades in color and shade, in light and dark,
but I know its face to be hollow.
I know its fingers to be as the roots of a tree
that feed on you at the slightest touch
and you dare not let it ***** you
love you
or all you will know is hate.
It withers down the soul of a man
so that he will never love a woman;
she will appear to be a siren
and he will run in shame from his flaccid courage.
It disembowels the soul of a woman
until she thinks her entrails more impressive
than any pecker;
she stumbles around like a blunt fork
never holding on to what she needs.
It enrages the soul of a lover
until he cannot bear to witness love endure without a scream.
All the while, its hollow face feeds
upon what glimmers in the sun and glows in the night,
a vacuum never sated,
never feeling peace's respite.
I've kissed this face and I'll never kiss again,
not until God and I can uproot the devil's sin.
I wrote this back in January of 2017 and discovered it while my girlfriend and I were reading old poetry notes to one another.
We've both been hurt in love and both had dark poems to share.
In reading this, I felt the weight of all the shame and fear I believe dwelled within me when I wrote this.
It was refreshing to share this with her, as, indeed, I had not chosen to never kiss again. Whatever the devil's sin was, I now view my relationship with it differently.
I've learned to forgive myself for whatever plagued me in the past.
I know myself to have deep veins of emotion, with high ups and low lows, so all the better to keep the peace.
Anyway, I hope you found something in this poem for yourself.

Enjoy!

DEW
A gauntlet, of sorts...
The proverbial frog in the ***, I was.
The temperature of life went from heaven to hell,
and I boiled and drowned in the hate I thought was love.

Question one: who prepared the broth?
Answer: Me...

Stuck in the endless quackery of bottomless insanity.
Tasting the brutal shenanigans of deviant savagery.
I came upon the realization that *** was a tapestry,
that I've been weaving since I was in nappies and won't give up gladly,
but I obsess over the embroidery and the glistening femininity,
what I now know to be delusions of romance and calamity.

Question two: who proved to be unwilling to love in the end?
Answer: Me...

Last question you knave, you hopeless bumpkin.
You wayward host of tasteless pumpkins.
My tactless whims for stagefright dumplings.
Deflated effigies of, "Oh... sweet nothings."
Darling, you crazy, you an expert on bluffings,
Teetering on the cliff, with your pinstriped stuffing.
I carry my shorts on the inside, on the outside I'm long,
Word play is horse ****, but if you understand me, you're wrong.

Question three: who sold their soul for entertainment in the end?
Answer: We...
It's nice to write another one of my nonsense, satirical poems again.
I gave a slight social-critic edge to it, but in reality I tried to focus on my own failings in life, my own troubles. Yet we do not live in a vacuum.
We all share the same mistakes, troubles, guilts and dreams.
So this poem tries to encapsulate that into the idea of taking an exam at the end of one's life to atone for all the ******* we've put ourselves through in this world.
Taking responsibility for what we do/have done in this world is the first step toward solving our issues, yet imagine only taking responsibility at the end of all things when nothing can be done but pay penance. A sad thing indeed...
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