Submit your work, meet writers and drop the ads. Become a member
Kaitlyn Jun 2018
(an ekphrastic poem based on the painting Nighthawks by Edward Hopper)

Four
solemn faces,
doused in gold,
like moths to flame,
seek warmth from the cold.
Darkness leers, but harsh light shields
these lonely creatures from their feelings untold.

One
diner desolate,
a waiter old,
and three weary visitors
are portrayed. The scene unfolds.
Most eat under the sunlight, unlike
these nighthawks who flocked from their households.

Some
loneliness darkens
hearts like blindfolds;
nighthawks’ hearts aren’t exceptions.
The woman red and bold,
the man in shadows, and another
man with a cigarette in his hold

are
isolated together.
They are controlled
and defined by solitude.
They don’t belong. No mold
fits them. They only have a
diner, each other, and lonesome souls unconsoled.
spysgrandson Oct 2012
Aunt Gracie took me there
for a philly and five cent cee-gar
old enough to fight,
old enough to puff on that stogie
she said
(and not much more)
I spun my stool like I was on a carnival ride
(had only one beer with Uncle Lon, but your first beer is the best)
and Gracie looked at me
like I was still the kid
who broke her basement window
with a bad pitch
when I was ten
yeah, I was, still that boy
seven years later
in that glass box of light
humming in the concrete night
big round Gracie smilin’ at me,
looking like she was gonna cry
she had signed those papers
lied with that pen
making me old enough to be a killer
and smoke that cigar, I suppose
the couple eating eggs and bacon
asked if I was shipping out
six AM, yes sir
the woman smiled like Gracie
the man nodded his head, said
**** a *** for me
sure thing, sure thing
me thinking killing one of them
would let me live,
forever,
forever, and wouldn’t be any different
from playin’ God with bee-bees and birds
which I had done a time or two
with my Daisy
cook put my philly in front of me
his eyes locked on the counter
like someone condemned
to never hold his head up high
and trapped in that diner
forever,
forever feeding
me and other nighthawks
who come to this place
the last space of light
in the hungry night
thanks for the sandwich, I said
he said that’s free
but the man eatin’ eggs
said it’s on me
cook didn’t look at the man
went to cleaning some pan
was then I noticed he limped
bad
I asked how he got hurt
he kept his eyes on his sink
said, it was a long time
before this night
were you born that way?
nobody born this way son
Gracie’s elbow nudged mine
but sixteen and full of all
of one beer, I was gonna keep askin’
how--
it was a long time
before this night
I know, but how--
guess you’ll know
soon enough
we were
clawing our way
from a French trench
filled with gas and gasps
of boys with your face
too dead to cry, too dead to scream
when those machine gunners cut loose
what I got was some good luck
and one of those big rounds
in my knee
Gracie’s elbow moved away
she put her hand on my leg
(my hand was on my philly, limp and still)
you got shot by the Krauts in the Great War?
he didn’t say anymore
and I didn’t eat my meal
 
Gracie was good to me,
I know she wrote all the time
but we didn’t always get our mail
on those big ships, many men
would leave their suppers on the floor
in all that stink of seasick
they taught me to play cards
told me jokes, gave me smokes
Lucky Strikes
we were going to some place
with a funny sounding name
Ee-wa Gee-ma, Ee-wa Gee-ma
at night, when I would look
at the black bottom of the bunk above me
I would see
someplace green, Ee-wa, sunny, Gee-ma
someplace with curling trees
and birds for my daisy to shoot at
other nights, in that dark,
in that stale stink of tobacco and puke
I would see the humming light
of the diner that night, wishing
I had eaten that philly sandwich
and smoked that cigar
(which I left by the plate)
I would think of Gracie
and how she begged me
to confess my sins
(to the recruiting sergeant)
to come back
safe, whole, she said
(but I didn’t know what whole meant)
after that, I heard only the voices of men
some barking orders and commands
others whimpering,
whispering
in the same dark
ship of steel
 
 
when I saw the grey rocks
and flak-filled sky, and heard
the swoosh of surf
and the thunder
of our ships’ guns
and some rat-tat-tat
from the invisible holes
I knew I knew,
nothing yet of hell
 
Happy, we called him
was dead
all nineteen years of him
on that **** hole of beach
his guts strewn across the sand
(his life story I guess)
making their peace with *****
and the red and black blood
of other boys and men
who played cards
and flipped open their Zippos
to light my smokes
told me jokes
and laced their boots with me
that very morning
 
by the time
the ramp fell
I spotted Happy
my stinging eyes stuck
to his shredded belly
we, all of us, fell forward
into the shallow Pacific
ran, with all our gear clanging
to dunes high enough to hide
to hide,
but only long enough
to catch our breath
and smell cordite, fear-sweat,
and burned flesh
we did not take time to gag
over the dunes we went
told to make it to a rock
some twenty of us
to a rock no bigger than Lon’s ‘36 coupe
by the time we hid behind the rock
only eight of us hunched there
the others were where?
didn’t know, didn’t care
I had my piece of rock
rounds kept poppin’ off
the other side
from all those invisible holes
filled with slant eyed demons
my ears were ringing
when I heard the corporal say
start putting fire on that hole
what hole, what hole, what hole
the words were stuck somewhere
deep inside, not in my throat
but they were there
trying to ask him where
what hole? what hole
(I thought for a moment about Gracie and coming back whole?)
the corporal, OK, I forgot his **** name
he wasn’t in my platoon
he said put some fire on that hole
one more time
but then when he got up to shoot his M-1
something made his helmet fly off
and most of him went to the ground
the part that didn’t go out the back of his head
Tommy grabbed my arm
(Tommy taught me that four of a kind beats a full house)
and said something
and said it again
over there, over there
OVER THERE
when I looked where he was looking
I saw them, one with a tan helmet,
the other with a shiny black head of hair
Tommy was trying to point his M-1
at those **** who were firing
their 92 machine gun
at those boys on the beach
I pointed my M-1 at them too
but my hands were shaking too bad to aim
Tommy aimed I think
and we both kept shootin’ at those ****
who finally just looked like they went to sleep
but they never woke up
but neither did the other six boys
who were hiding behind that rock with us
because as soon as Tommy and me
started shootin’ at those ****,
they turned that 92 at us
but all those boys were in front of us
pressed so tight against that stingy rock
they couldn’t breathe
or move
even enough
to get their M-1 carbines
turned
in the right direction
so when those **** turned that 92
on the bunch of us
Tommy and I were in the right place
behind six poor boys
who couldn’t move
and got their young bodies
peppered with every round
that come from the hot barrel
of that *** 92 machine gun
once those two *** boys were asleep
I felt something warm on my arm
it was blood from Hector’s face
but Hector didn’t have a face left
part of it was on my sleeve
I think
but I didn’t look
Hector was in my squad
and he wore a Saint Christopher
to keep him safe
Hector didn’t lose all his head
like I heard Saint Christopher did
but most of it
and if that pendant
and all his mama’s prayers
didn’t keep him safe
I guess nothing could
 
I don’t remember when
I was able to sleep
through a whole night
without wakin’ up
thinking about
Hector, the corporal
and the other five boys
who died right there
behind the rock
there were a million other rocks
where boys
“went to sleep”
only they didn’t wake up
feeling Hector’s warm blood
on their arms
shivering
before it even got cold,
dry, and black
 
Gracie told me
the diner closed
she didn’t know why
but now
when I can’t sleep
and walk the pavement
in the middle of the city night
I go to that dark corner cafe
looking for the buzzing light
I want my cigar I did not smoke
and once again hear the words
the limping man spoke
I don’t have any more questions
he won’t want to answer
but if I did
they might be stuck
down inside
not in my throat
but deeper
where things churn
but don’t ever get seen or heard
I do wonder
if those other boys
at the rock,
and those other rocks,
all those other rocks
are taking these lonely late night walks
or if they had talked
with a limping man
who fed them for free
who thought he was lucky
and spoke words
no young eager bird killers
could yet understand
Nighthawks refers to a 1942 Edward Hopper painting of a corner diner and was the inspiration for the first and last stanzas
Lysander Gray May 2013
The silent street erupted around me the moment I sat down,
a thunder rumbles in the distance
but only reveals a passing truck.

The white swan drifts past
without elegance.

I watch the youths drive by on fish lane
as the silent score of stoplights
play to an impersonal audience-
tonight the pizzicato is on time.

----

The air is dense with quiet conversation
of nighthawks
and the splash  of luck
on a steel  tray.

Elegant servants of style remove the unwanted things.

12:30
The air has cleared,
alone again
with two fat asians.

When did boring become stylish?

GET ME OUT  OF HERE!!

"It is truly a free nation that offers pancakes 24/7"

----

Normally, the solitude of wandering a sleeping city would elicit poetry.
Tonight only nothing comes out.

Not the people nor the smells or secret music. Only the flicker  of a dying neon sun assuring me,
that the parking is open.

----

1:00 am.

A woman in a pink burkha enters a white car, only to be driven off into the night, followed by two taxis.

There are ancient trees twisting their tops through the modern facade. For eras, much like fashion are discarded by finicky time.

They have stood as silent sentinels for longer than I have breathed, and with any hope, they will stand as soldiers long after I  come to pass. These reminders of the ravages of time.

I loved a girl who lived  here once.
She lived in an apartment that overlooked the city
and had  ******* like two soft moons
that tasted like honey.

1:40 am.

Other nighthawks wander as wastrels through the quiet Autumn night,
with a slow, soft  gait one never see's in the rush of day.
If all evenings carried a beat, it would be thus:
a slow jazz drum.

"...psssssh-bop! pssssh-bop! pssssh-bop!...."
would sound the echo of every evening heart
throbbing slow with power.
"...psssssh-bop! pssssh-bop!..."

The car's carry  white  blood cells to  the  suburban arteries.
Taxi's are cancer.

I walk
northbound.

----

Cold beer at 2am.

Faintly lit menagerie
an open cage containing
nighthawks.

Well spoken Eastern girls
corporate white boys
two old tradesmen,
one on a smartphone with a rosary around his soft large neck.
The antique street curves away toward the river,
sloping up
then down
I follow it with my eyes.


And run them back
to the fairylights.
They hang like glowworms
or constellations.

Glowworms hang like constellations, the inside of their cave  is the same fleeting feeling of being alone with the universe, it being caressed by your eyes.
For you are its lover and its mirror.
Inside the glowworm cave, I felt like the universe and everything reflected  itself in miniature. That to look upon their hanging, blue stars you saw everything else.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 2: http://hellopoetry.com/poem/brisbane-street-sketch-2/
Part 3: http://hellopoetry.com/poem/brisbane-street-sketch-3/
Part 4: http://hellopoetry.com/poem/brisbane-street-sketch-4/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
3 am in a diner inside of Nowhere
we gather like the dead sipping coffee.
We're lost souls. We love bright light
flickering florescent and neon spelling
our message to the dark night. We are
nighthawks who travel your dreams.
spysgrandson May 2013
nighthawks devouring prey
know nothing of judgment day
envy them
I want to thank Star Toucher64, sean brown, and so many others for keeping this 10 word poem form alive--after only a few months here, we had a collection of more than 1000--somehow, during the "reconfiguration" of Hello Poetry, that collection became inaccessible--I am glad people are still contributing to this form
you are a lover of
the night

you see
what the day is
too shy to reveal
The Village was nearly swallowed by darkness,
Until I stumbled upon a fresh fluorescent light,
Emitting an eerie glow out of a subtle all-night diner.
Suddenly, eyeballs projected a noir-style movie.
This unique heaven lit a cemented pathway,
Which led toward nowhere but American desolation.
Exploration of blank stores was not an option;
A disconnected joint across the open street was obvious.
The cornered beacon called to me as if dreams lived,
Though the seamless wedge of glass deflected observation,
Onto the viewer I represented, isolated from the anonymous.
Lungs were not interested in Phillies, only graveyard shift.
The scene held four strangers shut in spacious congregation.
The figures filled in the white void with physical presence,
While each owl was remotely lost in their own thoughts.
Was it the tragedy that occurred at Pearl Harbor,
Possibly the hopelessness World War II offered?
Could it have been the disappearance of happy innocence in ’42?
Hopper alone can probably discover a whole to the loss of words.
Somehow the constructed simplicity was overwhelming:
When late night minds meet morosity yet still produces beauty.
Subjected into one, the loneliness of a large city can exist too.
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
CharlesC Oct 2013
A lonely scene
By Edward Hopper
Bright light and
Clear glass..
Our perspective is
Outside in..
We see enclosed
In darkened frame
Lingering characters
Seated alone in
Clarity and precision
Cold and forlorn..
It's the polarity
Light and shadow
Before they find
The connection
of These...
See Edward Hopper's
Nighthawks on
Google Images or
polarityinplay.blogspot.com
Vinyldarling Feb 2019
we always think about what we did with our lives
and what did it get us.
for me I gained nothing more than musings at 3am
in a forgotten spot in a forgotten town.
I was always welcomed with the smell of stale coffee that hadn’t been brewed fresh since lunch merely ten hours before.
It wasn’t a friendly welcome but it was a welcoming.

here, in this small lit up space,
I found myself disappear into something else
No longer was I was person in a cubicle, answering phones,
submitting numbers into a tired system.
I was someone who although couldn’t beat insomnia,
I made it apart of my life.
I would learn about others
and mold myself from my own clay into something new.
I made it a point to learn from my tired mind and thoughts,
I made sure I made not sleeping soundly through the night worth it.

It was always somber; just a tear stained cheek away from being devastating;
I found my home here
in the lit up shop on the corner of Sullivan and Orchard;
Where I would always be greeted by the smell of stale coffee that hadn’t been brewed fresh since lunch merely ten hours before.
Zajan Akia Jul 2012
Hanging around the old cabaret,
where nighthawks steal glances
at the curators of tired eyes,
the walking dead take leave
of their senselessness
entering blurred reality

Someone calls for another round
shouting fire down his throat as

A dart nicks the narrow space between
two fates and falls to the floor
avoiding both,
leaving him in a rage

She pockets the change they left her
or forgot, while
laughs infuse the acrid smoke,
ricocheting into nothing
Where we live it is no desert for the rains still fall.
Where we live the cacti stand tall,
proud and green Men and Women
defending rocky slopes of heaven.
Where we live the bat flies with the nighthawks,
dog fights at twilight against hordes of insects.
The lizard and snake fear a Greater Roadrunner
who laughs at passing cars, for it shall outlive
The Petrol Race centuries forward.

The Sunrise seems like The Mountains'
live birth to a bright blazed star.
The Sunset bombs a horizon
filmed with faraway layers of dust.
The milk cloud of stars and cosmic debris.
The Moon rising, a pale beacon beyond The Mesquite.
Allen Page Feb 2015
Pandas are fluffy.  Labradoodles are…
Bake the road, crush the world.
Richard Feynman, Freddie Mercury?
Can you be unique?

We are defined not by ourselves
but by the Television set
by the media
by our leaders

What the hell is this Orwellian nightmare?
Do we exist independently?
Individuality is discouraged
unless you have money

This postmodern splash
The drones of nighthawks, flapping by the shores
The shores of Calavera, of San Luis Obispo
If the mountains drifted out to sea

Let the toaster rule you.
Let the media.
Not like you can stop them.
Wheee! Ride, piggy, ride!
Arman Aug 2013
There is no dusk in this city
penetrated by the raging Potomac,
Night just crams itself in and
rapes the day dry -
lays her flat against the horizon.
Mothers and children run for covers
and put each other to sleep;
in a few hours
harlots and nighthawks will do the same.

Sweet Siren
You are this city
Petticoated and pretty,
Cunning and stunning
Winking and blinking
Red
Yellow
Green
eyes popping open like sunken headlights,
Ready for the night.

I hear your wailing
red-flashed and flaming
like an open heart,
piercing the black with it's plea.
I feel your pulse-pumping red corpuscles
thrusting me deep into
lusting for things forbidden and hidden
Somewhere inside this neon wonderland.

Sweet Siren,
Sing your teasing tunes for me
Deliver me from your shelters and streets,
Where infidels and angels
Fall at your feet.
Sweet Siren,
Deliver me to the
Trembling shelter of your sheets.

Liars and their lies
roam this concrete jungle
begging for love and razors
and other disposable items.
You go screaming passed them though,
determined to save at least one numb drunk ***
in some rain cleansed back alley of vices;
only to fool your own conscience
with the lithium laced smile of charity.

Sweet Siren
Quiet your angry shrill to a hush
The tarmac and taxis are tired of us
And your princes and saviors have fled this town.
Sweet Siren,
It's time for us to burn this city down
And leave the ashes
For the thieves and the clowns.
kfaye May 2012
And there it was-
I'll tell you all the truth you ask of me-
Let all of my hesitation- reservations- love-
Pass by unnoticed- unheeded- misheard-

Be it strange- or be it my aptitude towards the unholy,
Whether the soft touch of the willow-fed irises-
Or the half-life glare of nighthawks, posed aloof and aloft-
In full conscious awareness of their physicalities-
With willful composure- and heads turned just so.
st64 Mar 2014
This morning, between two branches of a tree  
Beside the door, epeira once again
Has spun and signed his tapestry and trap.  

I test his early-warning system and
It works, he scrambles forth in sable with  
The yellow hieroglyph that no one knows  
The meaning of. And I remember now
How yesterday at dusk the nighthawks came  
Back as they do about this time each year,
Grey squadrons with the slashes white on wings  
Cruising for bugs beneath the bellied cloud.  

Now soon the monarchs will be drifting south,  
And then the geese will go, and then one day  
The little garden birds will not be here.  

See how many leaves already have
Withered and turned; a few have fallen, too.  

Change is continuous on the seamless web,  
Yet moments come like this one, when you feel  
Upon your heart a signal to attend
The definite announcement of an end
Where one thing ceases and another starts;  
When like the spider waiting on the web  

You know the intricate dependencies  
Spreading in secret through the fabric vast  
Of heaven and earth, sending their messages  
Ciphered in chemistry to all the kinds,
The whisper down the bloodstream: it is time.
Howard Nemerov
1920–1991



Howard Nemerov was a highly acclaimed poet often cited for the range of his capabilities and subject matter, "from the profound to the poignant to the comic," James Billington remarked in his frequently quoted announcement of Nemerov's appointment to the post of United States poet laureate.
A distinguished professor at Washington University in St. Louis from 1969 to 1990, Nemerov wrote poetry and fiction that managed to engage the reader's mind without becoming academic, many reviewers reported. Though his works showed a consistent emphasis on thought—the process of thinking and ideas themselves—his poems related a broad spectrum of emotion and a variety of concerns.

As Joyce Carol Oates remarked in the New Republic, "Romantic, realist, comedian, satirist, relentless and indefatigable brooder upon the most ancient mysteries—Nemerov is not to be classified."
Writing in the study Howard Nemerov, Peter Meinke stated that these contrasting qualities are due to Nemerov's "deeply divided personality."
Shelby Hemstock Jul 2013
It all started with an urge to go to the movie theater
PTA's "The Master"
It was a 35 minute walk to the nearest cinema in Brooklyn
Nighthawks is what it was called

1:10pm, 4:10pm, 6:10pm, 10:10pm, the show times
Since I woke up at 12:45am, 1:10pm was out of the question
4:10pm seemed plausible but when the clock rolled around I was still puttering around the house
I could putter no more by 6:00pm and flew the cooped up den

The air, brisk and crisp
Time fell back
Women's heels clap the sidewalk in applause
All for the autumn on a Sunday frozen in time

I arrive, show sold out
I walk across the Williamsburg bridge, why not?
First theater in Manhattan I see turned out to be live art
So I turned out and left

Manhattans alive while Brooklyn slumbers
I dart down Clinton St toward the old Avenues
November, I could go without the cold weather, but I love the seasons
Pumpkin lattes **** my wallet dry like lesions

Soon I'm walking down 2nd Av, feeling familiar with my surroundings
Funny, feeling familiar, in a city I thought I'd never know, (you'll never know if you don't go)
Got some dollar pizza on St Marks
Followed by a dollar falafel, which tasted awful, (now I know why it was a dollar)

I walked in circles around Union Square, in union with everyone there
Happy that my feet were to the street, where they belong
Freezing, frozen, frigid, shakin' in my britches
Wrapped around my neck a borrowed scarf
Bumping into people, "I'd like to get by now", like Garth

(keep moving, you'll find what you want to find)
In big bright neon light at Village Cinema
"The Master"
(In 70mm)
Huh, 70mm, "Cool", I thought

The theater, empty as a loners funeral
I was the only one there, red velvet lined seats
I missed Halloween
Maybe this is my treat

The world is beautiful
This city is mine,
All I had to do
Was leave my old one behind
Lysander Gray May 2013
4:11 am - The nighthawks are starting to resemble pigeons.

Train station is deserted.
An employee checks the bins as the tunnel fills  with the ringing of a distant bell, heralding the arrival of the morning train.
42  minutes till my train.

I can smell the acrid fumes of the Ferny Grove train.
The behemoth pulls away-
empty.

At least I'm not existential anymore.

There is an installation of a coffin made from old bits of railroad,
"Not everyone makes it across the tracks"
This reminder of mortality is strangely fitting in a place of transit.
The true face of memento mori is  shown.
Remember that you too will die, and everything will come to pass.

It's times like this that make me wish 'The Sound of Silence" was never written.
For its perfection in this moment comes as a burst of pure divine bliss.
The kind you wish would never fade away. But inevitably does.
And all we are left with is a memory of that bliss,
everytime we hear the song (after the first time).
As if we are recalling the curves of an old lover from the shadow of yesterdays gone.
Dancing beneath our fingertips, always out of reach.

Memory is never as divine as the moment that burnt it in.

----

4:29 am - It was ephemeral.

The trainyard announcer has a cultured voice.

----

4:41 am - I fear the muse has left me, beauty fled.

DEAR GOD - PLEASE LET THERE BE A CAB AT THE STATION FOR ME.

Selection 11 gave me the water i desired.
11 minutes till the train.
D.O.B. 11/2
Aquarius,  11th  sign of the Zodiac.

Will I see the dawn rise from the train?
There is no light at the end of the tunnel from where I sit.

Inexplicably: I recall the cool river air that bathed us as we lay naked in your apartment,
the smell of cigarettes on our skin, the evening peppered with
scurrying, fighting possums
that danced upon your balcony.
I recall being inside you.

(Then I imagined you being eaten out
by a woman
her lips inside yours,
her curled tongue
inside your hot, bald
golden ****.)

And I came.
Warm and glorious
my children of pleasure
caught in a latex coffin.
Your heaves of pleasure pushing against my chest
with the rhythm of waves.

----

4:46 am - On the train.

Fluorescent lighting is the devil.
Everything is garish yellow.

We  pull up to the station near where you lived.

Your blue  rose lives in a Chinese vase
and no longer smells
of Marlene Dietrich.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 1: http://hellopoetry.com/poem/brisbane-street-sketch-1/
Part 2: http://hellopoetry.com/poem/brisbane-street-sketch-2/
Part 3: http://hellopoetry.com/poem/brisbane-street-sketch-3/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
Eastbound sundown on the I-84, the sun in my mirrors.
I imagine standing on the beach in Klamath
watching it say good morning to the other side of the world
with the girl of my dreams cradled in my arms asleep.
But the land here is different, the grass is dead
and that girl doesn’t escape my thoughts.
She stays in there, waiting for me to fall asleep
so I can hold her again in the darkness for a few minutes.

Pocatello to the left, Ogden to the right,
where is it I should go tonight?
I heard of an Aberdeen near here, a home away from home.
Maybe it looks the same as the Aberdeen I know.
I move into the left lane, the fast one if you’d believe,
because here in America everything’s the wrong way around.
Last chance now to change my mind, final call for Ogden.
The slip-road passes by me and joins another highway
that seems to ascend into the horizon and disappear completely.

The landscape here is unbearably flat,
I feel myself longing for just the slightest rise or fall,
let myself feel the curvature of the world ever so slightly.
There is a hill on my right that looks just like my Bennachie,
rising sharply to a peak then slowly flattening out
until it joins the inescapable flatness of this country.
Raft River, American Falls, Pocatello,
fourteen, thirty-seven, fifty-eight.
Many miles to go before I can sleep,
many more miles to go until I am home.
Sixteen miles just to the next rest area.

I wanted to drive around Raft River
but I couldn’t see it from the road
and I didn’t know how far it was to Aberdeen.
What looked like a diner was by the road on the right.
The dust swirled up around the solitary pickup parked outside,
the owner looking like the guy in Nighthawks with his back to me.
There was no fancy couple there,
just him on his lonesome in Idaho alone.

Exit 36 points me in the direction of American Falls and Rockland.
This was where I was told to turn off at.
The slip road rose up towards the next road, and it felt wonderful,
finally feeling like I was actually going somewhere,
The signpost at the top of the rise
shows me the way to go to Aberdeen.
Left I go, to American Falls.

Through the city I drove, trailers and bungalows together.
There were big trees in the front and back yards
but they were not too dense that they looked unseemly,
in fact, they added character and life in this place.
A cat darted across the road, waking me up,
warning me not to keep my eyes off the road too much.

The end of the road, stop sign, no others giving me direction.
To the left, the road went around another corner
to go back in the direction I came from.
I took to the right and followed the road,
trees and houses on my right, wasteland to my left.
I went over a crossroads and stopped at the next,
exasperated at the lack of signposts.
I parked next to a long bungalow
with a red-painted ramp going up to the door.
An old woman wearing an apron covered in flour answered,
and she found my accent pleasing
when I asked her the directions to Aberdeen.
She offered me a cookie, and I accepted,
I hadn’t had food since I left Oregon
even though she said I was not far from Aberdeen.

We said our goodbyes and I turned left,
continuing on a road that curved to the right
and through a well-manicured little park.
It was unusual seeing grass this green,
having been offered greys and yellows
for most of my journey in Idaho.
I turned left at the police station then left again.
A large body of water, Snake River I think it was called.
It’s hard to call it a river, more like a lake,
the water the same shade as the lochs back home.

After a few miles, I make it to Aberdeen,
the signpost informing me the population is just over a thousand.
I have a feeling this Aberdeen will be different to mine.
The houses here are so small, but they have good gardens.
There is a warehouse with potatoes inside it.
I am a long way from home tonight.
I can’t find a motel, so I stop at a bungalow covered in windows.
A ***** gold pickup sits outside.
I knock on the front door, which is on the side,
because this is America and everything’s the wrong way around,
and a middle-aged man wearing a mullet
and a Phish tank top answers.
He invites me in and says I can stay as long as I need,
offering me food and beer and company.
They people here are nice, much friendlier than the old Aberdeen.
I like this new Aberdeen, it feels like a home already.

I dreamed well that night, the girl in my arms,
sitting by Snake River, watching it flow,
carrying away all my troubles.
Mateuš Conrad Jan 2016
i didn't say my life was interesting, i said my life was boring enough to write about it, all the p.s. cf. bibliographical parts of what a life could look like, had there been a genuine interest in it prior to the ongoing thesis that will leave someone entitled with a dr. rather than a mr. or a mrs.*

the scaffolding was up,
i took to climbing it,
to the top of old college edinburgh,
climbed it and had my wish:
danced to the shins' new slang (https://goo.gl/OCYArw),
other time it was on prince's street,
walking back from a nightclub,
climbed the scaffold stilettos
and in anger, screaming at the moon
started throwing bits of a chimney onto
the street
without a care if homicide was on the cards:
i went out with a girl got engaged with her
who was afraid of graveyards...
odd to bury them, the ones already passed
to this element, maybe that's why it's
so precious to get involved,
fire **** and you get a billion blue indians
(very effective), use earth and you just
get an exponential rise of monuments
and libraries of serious volume awaiting
transportation to the moon for safe-keeping;
socially acceptable necrophilia to be blunt and still shave.
the idiot in me should have went for the girl
that asked me to dance the ceilidh with her,
who fell asleep watching a roman holiday
with greg peck and that tiffany's girl:
it would have been a wedding cake
cherry on top story, typical middle class
of immigrant descendants, cocktail of
iranian mongrel with scot and german mongrel
with pole...twilight... ever notice the sun
asking the land where cain resides, nox,
to usher in one innocent compatriot for
a brief viewing of the constellation of taurus?
neither did i... i sing for release and as such
i find myself in hex / allegiance with with mortiis,
that norwegian "freak" of pointy ears and deep shadow
of pandas' mascara...
but between you and me, there's a hobbit and
a nazgûl in me... the drunk me sees it...
although hobbit me likes the simple life...
the nazgûl doesn't... he stirs in the night,
remembering endless chemistry, laboratory coats
and imprints of the experiments to not be...
but i still danced on the roof of the old college
of the university of edinburgh to the shins' new slang,
with a jazz club below me where i first
heard neil young's old man played to a dairy cow
milked precision of matters... alone... like all those
edward hopper nighthawks: in a david bowie
space oddity of contentment: ageing to make
the face skin an akin fingerprinting of wrinkle;
like solomon, i have cursed the hour of my birth
a long long time ago.
The searing pain inside my brain
makes me want to right out a poem.
She moved in so close I could
feel the electricity there within .
The words would fail me
like a lovers lament will do .
The kisses were as crispy
as the laptop from which they flew .
And everyone knew you were
looking through the bay window
of your time .

The paperboy delivered
much more than my morning news .
And Cathy moved to New Orleans
with Danny as it was
her will to choose .
And the nighthawks few in the lights
it was a sight to see .
Ken kept slinging beers
while he dreamed of dreams
that would never be .
Still I see it all in the window of my pane .

I sometimes dream of Judy
and the reasons we could never be .
There's a Red Mountain resting underneath
the apartment holding me .
It was up hill , downhill ,
and it was unreasonable
so it seemed .
Anytime you had complaints
they would surely scream .
I see it all now through
the windowpain
of my mind .
JC Lucas Jul 2018
Dusk.
The black of undermaintained asphalt
in a ribbon rolling over
the volcanic hills,
the yellow of the centerline
flashing into view and passing beneath
in a rhythm,
like a heartbeat.

Jackrabbit on the shoulder
***** his head and springs
away from something in his imagination,
following the yellow dashes
in an awkward gait,
a single bold jump
followed by twenty yards of
dead sprint.

Not eight feet overhead
a pair of nighthawks bob and flutter
erratically
but following one another in
pursuit

of something I cannot see.
a mcvicar Jul 2019
intentions crystal clear
daylight savings time, saving us from paranoid suicidal minds
future plans and remakes of the past
carefully deposit them in a clear green vial of dust,
unbroken flask made out of dreamy hazy glass
as memories fade,
(this won't -ever-  happen to us)
making-of-my-wildest-dreams
lovingly embrace you & hold you in my arms

still, the daylight can't help but ask me why,
how we're supposed to never come apart
Destiny forgotten due to our childhood's screams:
Romeo and Juliet were prised apart by their mother's grin

now I'm done
questions asked, better left unanswered, better to forget instead
paranoid insomnia (no sleeping at night),
waiting to be forgotten
(even worse, will I forget?),
when the distance gets too heavy
when the drunk thoughts get too weary
when my feet hurt from running in circles
when you realise what you've done.
3 am in a diner inside of Nowhere
we gather like the dead sipping coffee.
We're lost souls. We love bright light
flickering florescent and neon spelling
our message to the dark night. We are
nighthawks who travel your dreams.
A glimmer of silver cuts across the metal car bonnet, glowing up my face with the wet artificial lights outside. My body taped to the seat, the reflective world outside orbits us as we drive in silence. I want to utter something out maybe to make sense of what is occurring in my reality but I don’t, instead I wait. A hum of sound buzzes from the car machine, filling up the space that isn’t already full with the feeling of anticipation and newness.  

You are a lover of the night
you see what the day is too shy to reveal.
Mateuš Conrad Aug 2017
it just so happened to be one of those
afternoons...
   making lunch for a sick woman...
slices of brioche dipped in beaten egg
(pinch of salt, pinch of pepper
and a pinch of cinnamon)...
               then fried in butter...
she requested one slice and with jam,
i made two, but couldn't find
any jam... so out came a dollop of
crème fraîche and runny honey to finish
the lunch off...
  then: i can't remember the last
time i watched a movie from beginning to end...
i'm starting to think that
the only movies i'll be able to watch
are european, foreign language movies...
then again, prior to watching
            the swedish movie that gripped
me, i got to watching
                  X500...
       what's with me starting to mature into
subtitled movies?
   maybe a steady diet of music and books...
but then this swedish movie came along
i had saved from two weeks prior...
         foreign cinema is like ***:
      you have to be in the moon,
a mutually reciprocated mood between
you and the movie...
      it can't be like ******* american cinema,
even if woody allen makes a movie...
to "smart-***" for me, plus the high levels
of saturation, aren't exactly helping:
a film industry that writes predictable
   storylines where the person can gain
   a "prophetic" insight and see the future twists
in the plot? nausea: one word answer.
so... this swedish -
  efterskalv - i.e. the here after...
  wow...
             so little dialogue...
       but still so poignant -
                     perfect reading material -
now i'm getting the feel for these sub-titled film,
then again, it's swedish cinema,
  probably the best in the world -
    there's a still about them,
  sometimes the camera peers into the canvas
like a shy child...
                very edward hopperesque -
i.e. trying to capture a stillness,
  like eddie tried capturing light (esp. in rooms)...
first date i was ever on?
   well... it was the 2004 tate modern exhibition
of eddie's works... i'm pretty sure nighthawks
was there... unlike the edvard munch exhibiton
i went to solo: hey! where's the scream?!
oh yeah... d'uh some saudi arabian sheikh
         owns it, all i get it a ******* postcard;
back to swedish cinema -
       actually, all the best films i ever managed
to see were swedish,
          like i said, modern swedish is very
hopperesque... but also among the stillness come
grand outbursts of energy -
    the very essential human presence -
the kind that shatters the presence of a roaring
lion with man's potential: shooting a rifle;
everything about efterskalv was so brutally
simplistic - i have to admit,
   american cinema is saturated with
strobe-light juxtapositions i'm sometimes starting
to think i'll enter an epileptic fit
with some many darting camera angels -
                 the a.d.h.d. in cinema...
plus... i'm getting bored with this special effects
competitiveness...
     oh yeah... another thing -
irony of saying: stripping down to the basics
of cinema... well in this film you get to see
the full adam...
                           i like that...
                          in america there's plenty of
the pure eve, but at least in swedish cinema
you can easily see not only a full eve,
             but also a full adam -
the one americans don't see without
                             sherlock limpy looking for
viagara;
  and after i finished that movie,
i started making cottage pie,
    served with mint-and-lemon infused mushy
peas, and a simple salad (rocket and some
other greens) having drizzled it with
balcamic vinegar and chilli infused olive oil.
a day well spent, i guess.
Jamie F Nugent May 2016
In the brisk night air of the city,
The crowd in the bar and the music
Spill out into the street like stale beer.

Sharing drinks and discussions
With Swedes and rock n' rollers,
Surprisingly found delightful.

No lack of slumber will slow us,
The nighthawks flying close over
The gulls swimming in the grimy river,

And on a second stolen glance,
Sometimes the world is so small,
So pleasurable, so far and so good.

-Jamie F. Nugent
1974
was a year
of warm summer fun
The nighthawks flew
in the lights
of darkness
And trees crashed
in warm
winter storms
And love was
a kiss
upon a breast
And touch upon
willing fingertips
And life was a joy
to possess
And a joy
to profess
ottaross May 2014
Her voice is flute-song upon a wind
Known both in tall, still trees and coastal gales.
Every pleasing sound,
If of nighthawks or of August rains,
Gathers in breaths, both in and out,
In notes forbidden to all others.

A waving blade of grass, or a tumbling leaf
Will half-obscure the slight nothings
That escape upon her tender breath,
Or punctuate a moment’s surprise.
Illustration of a serene purity and tenderness
That dwells sweetly within.

Too upon those lips,
Escaping from tender cheeks softly,
Quickly appearing, yet sparse,
Between those pillars of her smile,
That restrains poorly mirth and glow,
A name comes quickly,
And delivers opulent wealth and pleasure
To be my own.
dark house, yellow light
voices, plates clattering
nighthawks fly silent
Haiku
bs Jul 2016
And still late at night,
When I'm waiting for the bugs to bite
I still look for the word
That described how it felt to be kissing your world
I scrape through everything
So I name it after everyone
Who had ever let me down
And I still find it in myself
To pretend not to frown
To hope that someday someone will
Love me as much as they love being loved by me
But it just seems
Like I am too much
And at the same time,
Not enough.
All I know is
I'm tired of the nighthawks
Hunting me down
Stopping me from shutting my eyes
— 12:37
The sun's shone and gone
Nighthawks have flown

Fireflies switch off and on
As night sings it's song

I'm gonna run free tonight
Running free with twilight

I'm running free tonight
Gonna get my delight

Moths all around the street lamp
Frogs screaming out of sight

Black cat dashes by
Oh ! My oh my !

I gonna run free tonight
Without the moonlight

Running , Running , Running
So free tonight
Mentally I am at Phillies with my final
coffee of the evening, milk
frothed to perfection, a woman
in a cerise blouse who greets
my eyes with a noiseless hello

but this is not 1942, no
salt shakers and once-
bitten sandwiches.
There's a child in a red puffer
who waddles absentmindedly,

the spittle of his bearded father
I can almost feel fleck
my cheek. His tired cherry-lipped mother
pointing a finger, then
another, mouths opening

as if operated
by an unseen string and strangers
who scoff at the hawks in the room,
both jolted by each other's next barb,
with a toddler oblivious to art, to

shades, to the thorns his loved
ones drape across their throats,
this spat like a blot on the canvas
of my afternoon reverie
where I need a stronger tipple

and to make it home before the rain.
Written: March 2023.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page. This poem is a fictional event and regards a man observing 'Nighthawks', a painting by Edward Hopper, as a couple begin to argue in the same room as him.
Carlo C Gomez Oct 2020
a glimpse of
what might have been:
the candle
and the blow

pacing the floor
mind filled with nighthawks
stomach with bitter pills

snow on the window sill
--the long winter
of our love

it comes out of the blue
like dead reckoning

thoughts of us
unfinished

a hand withdrawn
the final wager on goodbye
spysgrandson Aug 2015
3:03 AM
you, I, and
nighthawks on the red eye
few reading lights on, shafts
to different worlds

soon, one
will recognize you
ask you to scrawl
something

anything

as long as it comes from your hand
the hand that makes madness melt away
on ivory white and black, prancing
at your proud command
  
the hand that holds mine, not with fondness
but fear, when we are six miles from earth
in this buzzing tube

you do not trust
hollow birds to stay aloft
all that stolen steel, you claim
is not meant
to fly

yet you always
choose the window seat
to watch the world
crawl by

perhaps, by 3:04
someone will ask for your hand
long enough to create a mythic memory for them
a digital distraction for you,
one you'll forget before
we land
Wrapped in indifference
we drift away from our cares
Street sleek comes calling
on deaf doors

We caught the nighthawks
diving into eternity
as summer sweated around
the reckless youth

We would never die
and live forever
In defiance of the
North star

We swear an oath
to street sweets of
no where around
Youthful laughter of love

Those were the years
When we could not be defeated
Those were the years
before we were repleated

Everyone defied the rules
Everyone laughed at death
Now where are we
As I look , no one around

Long live the dreams
cut and drawn
of my youth
Let them gleam
Tom D Feb 2022
Wake up
in the cold rain
of a dark alley
to feel the desperate
nature of existence
Robin Carretti May 2018
Who what why
We feel enveloped
Like we were licked
E---Tricked frightened
Secretly eloped
Who do we elect?
Why all signs
Horse, Of course
monkey, Divorce
Tiger Eyes strong heart
This world falling apart
The presidential
minds over
shock waves
surfboard
Or somebody is a great asset
_
The brain waves hand slaves
boardroom
Ready set became
the schoolroom
The study
The speed walker
sturdy built
She had a heart
of a magnet lover

Recharge to be reset (Elect)
Main course subject
lips met to
be picked
when the sun
goes down
electrified
Our sunset

Ms. Marrionette
The trick misery
chair
To be tricked like a
hollyhock around the
ticking sticks
and stones
clock
United Nation
security
council
being spied upon

Mr. Sherlock
holding his
unsharpened
pencil

Pop Eyes poppy flowers*
Sun-lit showers overload of hours
Over the amazing hills of
Ireland my pick
He takes you
the hand like a
stranger in paradise
like a dream lips like
divine shades the taste
cream demitasse

You're sleepwalking
He is Jaywalker
Jack climbs
up pins of the
cactus sting bean-stalk
Being pinned to the
election talk small talk
Moms' crock-***
He's the spacewalk
Taking my arm
Armstrong+
__**
Proud but now its
the forgotten land
Needing a brighter future
(Night owls Neverland)
Nighthawks of
Disneyland bringing

(Ray of sunshine)

The more  I see you
the more I want you
As years go by love talks
The luck of the
Irishman shamrock walks
All pranks
Flinstones of bedrock
Going to the
boardwalk
*

Coney Island Baby,
he is half-cocked
A piece of the rock
More like gridlock
The hat was flying
windy
__City
Cool electric, please
stay calm don't panic
Your face was
the ice puck
Goldilocks Grandmas house
three bears acting like
someone's spouse
Dog of pugs big bark
The lights bright electric
Fell over her porridge dark
Robin red breast bird fly
His Mark cornstalk but why?
The heat intensity
Everlasting
chemistry
no drilling so
hot heat beat
blasting electricity

If I had to
pick something
Let me be well
Crystal ball met me sanity

Your husband has his
toothpicks you
are his lady
dental floss
You're both
better off with
prays of God
Never to be tricked
by the cross
Electricity came a long way but we are still acting like we are from the stick playing pick up sticks throwing rocks I am hanging out by the waves and the sea breeze docks please come join me
Warm and sweet as clover honey

Nighthawks in the sky

Cotton clouds silently fly

Moths do their Jubilee
under street lights

Blind Joe Death plays twelve string

Whip-poor-will calls
collect

But no one is home

Far off lightning clashes
without grumbles

As far off as Tennessee
I would say

Coyotes howl at the rising moon

No mosquitoes tonight . . .

Paradise . . .
Tim Kearns Jul 2019
It's an empty
Saturday night here,
light thrown off
pocked, wet streets
a lonely trembling blue,
the city seized
by shameful cold,
the visions of
my sorrowful heart
just languid dreams
falling farther behind.
I drive alone again
under the dwindling pour
of a thousand
hymnal arc lamps
while the radio
feeds me Coltrane,
fighting off a jagged
glow of electric sleep
while a perilous
night sky
releases snow
like a soft design.
Along the outskirts
of the city,
in the reflection
of my dim
upraised headlights,
I think I see,
in the ruptured
distance ahead,
factory ruins
that once spat
unending white hot
flames into the
night-in-day skies
like a chemical chimera,
their hulking remains
a metallic fossil
slowly falling apart
one deteriorating
bone at a time.
Growing weary
with every tire roll
I pull into
the decrepit
parking lot
of a diner
I've visited
many times
that prays time
has forgotten it.
It's the same
scene here
every time,
I think,  
as I pull open
the glass door
stained with faint
greasy hand prints,
glass ashtrays
on the counter
overflowing with
lipstick-kissed
cigarettes and
brown mugs
half-empty
with chilling coffee
as old women
with over-painted faces
push bland food
around on chipped
porcelain plates
and tired men
in red flannel
with dark-circled eyes
chew soft food
without teeth,
their humble lives
now forfeit
beneath the
cobwebbed fan's
irregular hum.
Only you,
by yourself
in the front
corner booth
sit uninvolved
with the tacit grief
of this melancholy place,
your flawless face
downcast into an
old library book,
your beauty
engaging those
around you
whose dreams
are filled
with loss.
Taking a routine
cheap order
from another
vague, rough face,
the coltish waitress,
gladly hiding behind
thick, dark glasses,
delivers up
the thrum of her
delicate heart
behind pearl
black eyes
as she delicately fills
my deep, empty cup
with steaming coffee
that tastes of
white noise.
Does all memory
finally bleed
through the boredom?
One final time
this unexpected night
my bloodshot eyes
circle the gray interior
of the diner,
finally settling
on you again
through the haze
of my own
broken down life
and I decide
to finally confess:
I will always love
whoever you are
for the gentle swell
you reached within
my burdensome heart
this typical night,
the world filled
with promises
but also all of us.
For Tom Waits, Edward Hopper

— The End —