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We love urban, ice wrapper choc full, dense with matter, cream the power runs through, finding space, each cell. Unit, one by one, stacked upon deck, pile, floating concrete and multi access path. Crank each floor, glass patent steel, glint the Thames, Humber and Clyde, a boat in the reflection, slum cleared gentle penthouses on the other side. Dogged, ***** not allowed, Barking, Hackney, Toxteth, Little Ireland aka Cardiff gone. Dodo, hatchet, escalate poverty, high rise cool, the high rise flat.  Crowning glory, a sea of chiming memories, stirs the tenement cat. Swept beneath the paradigm, catapult off the parapet, somersault into a different time, moonlit skyscrapers, street sweepers become the concrete and the fifty foot glass dancers, cross between the cargo arches, gargoyles and shields bring them to the ground. The twisted metal of prams and brand new cars grind, traffic in drones, and the city drowns. Strip turn central, gorgeous girl, Hoxton lad, a touch too Dad, deposit on a Liverpool street pad, generation retro spinning fractal, money linear pavement uber yellow, scuttling insects and street martins, skylarks flying Saint Pauls cross and ball bearings, shopping centres unending. Biting into Cheapside, the hidden livers, gold delivers, pure to stay the shivers, the office block rises. Sharp bends, the bridge divides, shark rides the sky, dumps the bank and pierces its side, docks in every city worldwide, rivers pink with the ticklish blood of regicide. Pumpish, Victorian, sweet and blue, the older the City the quicker the glue. Mortar rectified a moment to ***** and overawe you. Shock, new wave architecture, backhanded awe. Brum pill wave beast eat your heart out, find another Chinese storm, currency blizzard, scales hardly balance, aha you had it, now you simply own. Own the moment, the pebbledash, corrugated roof, outside toilet and underground transit. We love urban, your moment we cherish and drain, there is nothing we can’t refuse to understand, too complex to refrain. Bounce as we ride the terrace and its suburban long train. Take your sweetheart on the nightbus, ****** him her, the hier of your plane, that’s where they will love you in the memories of the life near the top floor, and the final flight you were too drunk to gain. Seventy Two, you’re only thirty and you’re on forty one. You’ll fall back or you’ll begin ascendency. Shrink with wisdom, pick up the building, a tool, dreaming of scaling London, young a journeyman, jousters young son, learned, resisted the gun. I’ll fight with two hands, pile bricks or guide with a pen. Draw your city, write my memory, bind moment with every fragment, underpath, cycle through. Lights fading, jumping colours in the district where the girls who live the density beyond you and me, each element boiling their hearts and steaming potent New York’s paths. You had poetry in the apron of your mother’s lap, golden syrup and milky sap. You love urban, fifties bubble contrast in your seventies shunted through urban oasis and with that unknown factor, uber bijou, ‘Finding Nemo’ flat. We are urban, you are fashion, you are the generation that copied that, found the culture in the swinging city, post uni shack. Seven Eleven, Atlantic side heaven, promised more than double checking your watch before bedtime. Look at your daughter, she’s got ‘more than’ you hoped for, already in the palm of her sleeping hands, waking up to a metropolis only she will understand.
Nat Lipstadt Jan 2014
why and how should you know?

behind beneath in between the teeth

my fingerprint whorls and whirls

under other's names and
my secret identities

a word a phrase a hatchet a blade a
pruning knife,
a confession of confusion,
relieved by my cutting saves.

my stamp secreted my ***** implanted

my style unseen yet bidden,
my name hidden, my children born
but still is my heart,
like the parent that
has given up the child.

but you love my
screamed and un screamed, and my undoing of
the doing you not see me named

nature in paces and means
admit pleasure at my scrivinings
there but for the grace of whom

but to me

for am I but the
editor
o'er my bones that
*nobody knows
nobody sees,
nobody knows,
but me^

you tread,

crunching my invisibility
to smoke and smithereens,
the pimple on the poem
lifeless turned luscious,
yet, gnome gone the next day
^ Lyric from "long black veil", always give credit to the dew.


here a period, there a comma,
a phrase truncated,
a work saved, nay,
reimagined,
in the forest's silence
who can tell,
who swung the axe,
who grew the tree?
Joliver Apr 2017
Viridian moss
A dead stump
An empty hollow
Giving life a home

Ants marching
Red and black
Their insignificant war fought
Over crumbs
Snails oozing along
Mice scurrying
All in the warm damp embrace
Of the wizened old stump
A haven and a battleground
A home and a tomb
Once standing tall
Now a ruin

Little stump in the woods
Your story is more immense
Than we can comprehend
A saga of storms weathered
Fires endured
Creatures inhabited
Until finally the hatchet spilt
Your lifeblood sap
Upon the coarse dirt
Where life began anew
Stump in the woods
I thank you
For your unspoken wisdom
Mike West Nov 2012
Cutting you open just to see,
What the cause of death could be.
Lets open the chest and try to find,
What killed this person. Death of what kind?
Spread those ribs a little wider,
So we can see what's inside 'er.
Use a saw on that skull,
Not a hatchet or a maul.
Remove that brain and check it out.
Tell me what they were thinking about.
Cut some more. Into the belly.
Is it full of bread and jelly?
Did they eat some chicken soup?
Did they have to take a ****?
Is the liver nice and clean?
How's the kidneys and the spleen.
Where's that blood work and tissue sample?
Your time for analysis has been ample.
The end results are inconclusive,
'Cause all your parts are unobtrusive.
The only thing that they can find,
Is that death is never very kind.
Twinkle Jan 2015
If this title attracted your attention
As it surely should
The devil is real my friend
Rest assured it's true.

Folks I am not fibbing
The master of lies has a great disguise.
Like the Saviour he is watching you too.
But unlike the Master, your fears are his haven.
He's lying in quiet wait to trip you.

If you think I am fibbing, let me explain.
His existence is in the mind of the aimless.
He makes his home in the hopeless.
The young ones he infects with discontent
His hatred he sows deep.
This till the children of God become his sheep.

Then beguiling he'll lead them to slaughter.
Broken hearts, bitterness to plunder.
The emptiness a yawning gap.
You can't save yourself,
He'll push you to give up.
Then he'll put words of despair in the mouths of loved ones.
Break your resolve if you so much as dare.
He'll thrive on wickedness, and turn your love into despair.
All around you, you'll see hopelessness.
This minions perfecting the part.
Only the Son of God (Jesus), can break this act.

When you feel love tugging at your heart
And reach out to those hurting.
When u bury the hatchet
And choose forgiveness.
When you rise above the pettiness
Your pride destroyed
When you see in persons God's image
Trust me, you've the fetters blown away

Oh, he won't let you go easily
Your too much a prized possession
The one he'll ensnare,
The one he'll dangle, before His throne
Then the Son of God, His Christ, his body tearing, will offer himself in exchange
A bargain with his blood
Before your life can drain.

Look out Oh children of One God
The devil knows no religion
He exists it's true
Simply look around you.
The wars and guns are his legacy
Products of his insanity.
The mindless massacre of innocents
Unleashed through times immemorial
****** earth covered cries for vengeance.

Mind you, you can only be so much as used.
As you allow yourself to be.
The traps are set in every corner
It's not going to be easy.

Often you'll be goaded by those closest to you.
Offering you solace in things that should not be.
Drugs and gangs
Violence and rave
Ecstasy and addiction
Cool fads and attractions
Wanting things you'd
be better off

But it doesn't stop there
Fear is a potent weapon
He'll use it everywhere.
He'll bombard you from every corner
Till you doubt your sanity
Then willingly you'll walk into his parlour
Handing over your serenity

You'll never know what's evil.
Cause he make you believe he doesn't exist.
But my friend all long
You were flirting with the devil..
Something I had a long time to ponder on and think, what makes us evil.
mike dm May 2016
close your eyes

right
now.

space
the **** out.

watch and

wait

for those
****** thoughts
to surface. and when they do,
describe them.

give them crazy long fangs.
give them a mane made of fury.
let them summon that buried hatchet.

let it
do its
worst.

then
watch that ****
dissipate
into the forest
of thinky thoughts.
mdm
av willis Mar 2013
In a land beyond the rainbow
Stands a dark decrepit wood
Where monkeys glide between the branches
And witches live, both bad and good

There within its tangled branches
Lies a path bedecked with gold
Leading brave souls who do not blanch
On to wonders yet untold

Near this path of yellow mortar
Stands an ancient half hewn tree
Missing wood, about a quarter
Standing **** for all to see

In this wood there stands a hatchet
Once beloved, now fraught with rage
Just another rusted gadget
Cast by in the wake of age

On a gnarled and twisted root
Centered in a mushroom ring
Stands ***** a metal figure
Frozen ever in mid-swing

There he stands through frozen winters
There he stands through summer's heat
There he stands through April showers
Standing ever on his feet

Once he glowed a gentle pewter
Once he moved with solemn grace
Lines of rust bedeck his figure
Streaking slowly down his face

Once he stood a man of flesh
A simple hewer of the wood
Who held a cabin near the creek
And loved a maiden fair and good

In the village near the forest
There he sought to win her hand
A debt of love he'd pay with interest
If beside his side she'd stand

In the woods he sought the bride price
Needed to start their new life
In the trees he found the journey
Soon to be defined by strife

By an elm his axehead sundered
Cleaving cruelly through his arm
Through the boughs his loud cry thundered
To the heavens in alarm

To the ground his lost arm plopped
Landing softly with a thump
To the town the woodsmen hopped
Grasping at the ****** stump

There he found the village tinker
And roused him roughly from his bed
Dragging him out to the workshop
Leaking out a wake of red

There he begged the wizened workman
'Make a new arm from your cans
For i marry in a fortnight
Let my bride take a whole man'

So the old man plied his trade
To make a limb of springs and gears
Twisting tendons in a braid
To move his fingers through the years

Now renewed to former vigor
The Woodsman went back to his trade
Returning to the morning's rigor
Back into the ancient glade

Little did the doughty hewer
Know his axe contained a curse
Stricken on unknowing users
Causing their limbs to disperse

By an oak he lost his left ear
By a beech he lost the right
Hazel took him down a peg
And by a yew he lost his sight

Through the week the tinker labored
On in a rush to replace
Just enough of the woodcutter
To accept his bride's embrace

On the day his nuptials dawned
The woodsman clanged into the square
Passing through the crowd with awe
On to meet his maiden fair

There she stood beneath a trellis
Sky blue ribbons through her braids
Oh, she was a sight to rellish
Worth the trial of the glades

There he stood forever altered
A shadow of the former man
In this form forever haltered
To this shell of springs and cans

The cutter broke into a dash
To wrap his woman in his arms
On the cobbles his feet clashed
Causing her no small alarm

From the altar his bride fled
With screams of terror in her wake
On the day  he should have wed
Became the day his heart did break

Suddenly devoid of purpose
To the copse the woodsman flees
Never ere' again to surface
From the shelter of the trees

Months went by the woodsman toiled
Day and night, no pause to sleep
Day and night his kettle boiled
Over with the urge to weep

Till the sound of April thunder
Rumbled in the cutters ears
Bringing rain that tore assunder
Dams he'd built around his tears

So between his swings he wept
Of loss and of abandoned trust
Trails of tears in his joints crept
And hardened slowly into rust

Now he stands in frozen duty
Saplings rising all around
Dreaming of an ancient beauty
Long surrendered to the ground

Till the day another maid
Returns to bathe his limbs in oil
On that day he'll leave the glade
Moving on to other toils

Then the rust begins to part
Then the magic starts to slake
Then the woodsman finds his heart
Then the Tin Man starts to wake
L Marie Mar 2016
I keep wasting time
Trying to fix my choices
By building on them
Through worse choices
Instead of burying
The hatchet
Once and for all
And making a new choice
That is actually
What I want
And does not reflect
Who I was
In what feels like
A thousand years ago.

I need to plant
The next seed.
Poetic T Apr 2020
A serial killer,
            hangs up his hatchet...

To scared of a cough to indulge,
                 in a fulfilment of a hobby..

Takes up sewing...
e Jul 2014
All the rivers have run dry
and all the bridges have been burnt to the ground
someone buried the hatchet ages ago
everyone knows but me
won't you turn around, you may see
a whirling mass of rolling ash
and there's me, standing solitary in the enveloping plumes
with hammer and tools in hand
no one told me you can't ever fix a broken heart.
Ignatius Hosiana Jun 2015
I guess that's the final straw
The one last time I see your brow
I guess that is the end for us
The end to this blessing of a curse
I should have seen it from start
One of us would end up getting hurt
I should have seen with my mind
Knowing love is heart,heart is blind
That's what one reaps when one saws
In a wrong field,hard blow to the jaws
Should have just told me you had him
Instead of letting me keep the dream
Should have said It's down the stream
Better than pain,massage and cream
Should have told me to man up & gym
Or walk away 'stead of causing steam
Explain,how you could face me & lie
Rather than watching you cry
You know I cannot stand your tears
I avoided them through the years
It's too late to cry, what's the point of it
He succeeded but you caused the heat
I hope he's better than me in every bit
I'll bury the hatchet, I concede defeat

I concede defeat, I concede defeat
I concede defeat because you
never thought me fit

I concede defeat, go on with your pete
I concede defeat,
**** I concede defeat

You've had my hopes punctured
You've had my jaws fractured
Had my bloating pride raptured
Broken my heart, cupid archered
Don't explain I'm so angered
It's me you had endangered
Dude is a gang member
With bullets in the chamber
Imagine he'd taken that shot
If I had retreated not
You took a chance with what we had
Didn't know forgiving could be hard
Guess all of it is charred
Whatever it was we shared
Cause if you had really cared
Couldn't have had me beat for dead  

So I concede defeat, I concede defeat
I concede defeat
And I hope you find him fit
I concede defeat, I concede defeat
I concede defeat so I guess this is it
Crazy moments when I listen to a good beat and I try to rhyme
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Renee Sep 2011
The past is in the past,
it's not supposed to last,
that's why it's the past.

Put the past behind you,
that's what you should do,
never let it bind you.

Bury your past if you can,
don't let it make you it's hatchet man,
that was your game plan.

The past came back to bite,
you felt it wasn't right,
so you cried and gave up the fight.

The past won outright,
and it did so with delight,
as you screamed and cried in fright.

Keep the past close on hand,
leave those under it's command,
and never let it walk the land.

Lest you be crushed offhand.
Hatchet man - one whose job it is to execute unpleasant tasks for a superior; A professional killer.
afteryourimbaud Oct 2017
Kudos to Kaepernick.

I just cannot drown all my beliefs and ideas, even if it contradicts my flesh and soul. When I heard that not standing up to the tune; that has always succeeded on sweeping all of the messes underneath the sad reality, to be deemed as subversive, I know that Rosa would definitely clench onto the seat tighter than ever.

Kneel, my friend, kneel.

To drag our body out there, all over the precious hills and fields, while acting as if the scale has always been set fairly beneath you all this time, will hurt you more than myself. How can a mere matter of things decide our future, our destiny? We shall shape our fate, you shall shape your own fate, and to be judged on the perception biasedly built in the name of order for thousands of years, is a situation that should not be endured by anyone or anything in a tiny dot within this vast universe.

Kneel, my friend, kneel.

And for that, I cannot stand proudly and profess my love to you as of now, even though I will always wear my heart on my sleeve for you to see. To be cheated, to be manipulated, to be deemed as surplus, by those at the tip of the plateau, that cunningly asked us to forget all the tangles and wrangles for the love of this sacred land, while unashamedly distribute everything off the land, off the ocean amongst them, is the last thing that we should allow to happen. I am one of those people that are not able to put on the mask on top of our meant-to-be honest faces, to say hail to the thief is worse than the eternal grief. I have never dreamed of burying the hatchet with them, not even for a second and if I ever do it, I shall be condemned and dismissed for forgetting the roots, the fons et origo of mine. To love you does not mean to stand still to the soulless melodies, to love you does not mean to bow down to the meaningless piece of cloth that has overseen countless infiltration and bombing over the years.

Kneel, my friend, kneel.

To love you is to fight for the rights of many, by any means, even by not standing up. When black is no longer the symbol of miserable, filth and calamity, we shall then breath with ease, stand on our feet and fully embrace the real meaning behind all those majestic words.

Kudos to Kaepernick.
eatmorewords Dec 2012
behind books never lent
there is a worm hole to different worlds.

However, this being a library,
this discovery has never been discussed
or articulated.

Attempts to share the secret are met with a finger
to the lip and a ssshhhhh
from the hatchet faced librarian.
preservationman Nov 2015
A Turkey that dashed from the kitchen
But there was a good reason
A holiday bird that no one should eat
Turkey’s unite as we need to retreat
Why be plucked like we are a duck
Turkeys run wild as we are running amuck
The idea of the hatchet aiming for the Turkey neck
Why should a Turkey just let
As Gloria Gaynor song that comes to mind with a different version, “A Turkey shall survive”
We are determined to be alive
Gobble your fork for some other meat
Yet its Thanksgiving and please have a seat
As we gather together it won’t be Turkey meat
Since the pig wants to be a ham
The am will be eating a yam
This is the time to give thanks
Reflect on the past, present and future
Thanks to the Pilgrims in making their way
This is a remembrance on this day
As the Pilgrims and the Indians united together
The world shares thanks like no other
But this Thanksgiving will be a feast of another
That Turkey is still on the run
I guess the Thanksgiving dinner will not be fun
As far as my story goes, I am done.
Jami Denton Feb 2010
Keep hearing how love
Is something should be fought for.
How can that be?
That’s not what love’s for.
Love can tame the wildest beast
Into a gentle giantAnd should do so-
Now THAT’S something.
On the subject of loveI will bury the hatchet
And offer the branch of an olive.
There are many sleeping dogs
Who should be left lying
And many white flags in the air
Could be flying.
Alan S Bailey Nov 2015
In my dreams the spirits float far and fast ahead,
Delivering all the souls of the deceased in trips,
Carried to the one abyss their bones still hide the red,
Keep the truth when they are dead, so they are torn as sticks.
These bones carry the truth till they meet one with life,
Reach the fields and the dead part all their fear
With a silence that is deft they use a hatchet or a knife,
So that none can tell that death's dark spirit is quite near.
In the meadow none can see that foot prints have been made,
They walk until dawn is come, so they all must roam.
Misty and translucent, above the earth of wet brown clay,
They shall keep walking until they've found deaths home.
Nat Lipstadt Nov 2023
'In the city of slaughter' ('B'ir Haharegah"), 1904, Excerpt

<~>

Arise and go now to the city of slaughter;
Into its courtyard wind thy way;
There with thine own hand touch, and with the eyes of thine head,
Behold on tree, on stone, on fence, on mural clay,
The spattered blood and dried brains of the dead.
Proceed thence to the ruins, the split walls reach,
Where wider grows the hollow, and greater grows the breach …

The spirits of the martyrs are these souls,
Gathered together, at long last,
Beneath these rafters and in these ignoble holes.
The hatchet found them here, and hither do they come

To seal with a last look, as with their final breath,
The agony of their lives, the terror of their death. …
Question the spider in his lair!
His eyes beheld these things; and with his web he can
A tale unfold horrific to the ear of man:
A tale of cloven belly, feather-filled;
Of nostrils nailed, of skull-bones bashed and spilled;
Of murdered men who from the beams were hung,
And of a babe beside its mother flung,
Its mother speared, the poor chick finding rest
Upon its mother’s cold and milkless breast;
Of how a dagger halved an infant’s word,
Its ma was heard, its mama never heard. …

Descend then, to the cellars of the town,
There where the virginal daughters of thy folk were fouled,
Where seven heathen flung a woman down,
The daughter in the presence of her mother,
The mother in the presence of her daughter,
Before slaughter, during slaughter and after slaughter! …

Turn, then, thy gaze from the dead, and I will lead
Thee from the graveyard to thy living brothers,
And thou wilt come, with those of thine own breed,
Into the synagogue, and on a day of fasting,
To hear the cry of their agony,
Their weeping everlasting.
Thy skin will grow cold, the hair on thy skin stand up,
And thou wilt be by fear and trembling tossed;
Thus groans a people which is lost.
Look in their hearts, behold a dreary waste,
Where even vengeance can revive no growth,
And yet upon their lips no mighty malediction
Rises, no blasphemous oath. …

Speak to them, bid them rage!
Let them against me raise the outraged hand,
Let them demand!
Demand the retribution for the shamed
Of all the centuries and every age!
Let fists be flung like stone
Against the heavens and the heavenly Throne! …

Take thou thy soul, rend it in many a shred!
With impotent rage, thy heart deform!
Thy tear upon the barren boulders shed
And send thy bitter cry into the storm!
The Hebrew-language poet Hayim Nahman Bialik was the great-great-great-granduncle. of actress Mayim Bialik.
**** the hatchet,

Bury this ********.
Robin Carretti Aug 2018
We spread all over the continent
Your underwater girl event
So many times we
spoke curled up in
each other
I heard your getting
married to my
friend's brother huh?

Best friends acting silly
Girly- Goose rhymes
Girls with special
privileges


Like the magical tales
All the males get
better wages

And we are stuck
The unfurl girl
On fuel she got
The longer life eyelashes


The Gossamer
Pink Owl it's her
The Consumer Male
Play Bill

The pink lady fussy-Playgirl hat
The dreamer what's new Pussycat
Her body lined all sheer inside
the curtain's play pretend
he calls every time
Her pink slippers are on

Mystical time of men
Lucky Red dragons
* She Opens up pink for him
She's around all He's
Kitchen pink polka dots
In her Galley pink apron
He's in Las Vegas winning
the slots
Pink Mustang Sally
The dark magenta
Pink sugar pop
Mary Kay
Faraway Fay Dunaway
Powder Puff Maina Delray
Jekyll and Hyde
I'm certain I see him, Sir
She's in the Girl furled State

"It's a girl thing always
showing up late"

Girly whirly Artsy celebrate
Like a party pink
Gatsby
Impromptu
Pink pillow talk naps
Spinning bottle
Oh! her brassiere
Ginger
snaps

Girl gone Genie
in her tutu
The Girly gathering
Coffee and brunch Kong Fu

Whats up with her menu
Eye opener Pirates Carribean
Had her Jungle Jane meal
Those feminine smiles
*** appeal
A million stars of
masculinity the rough shave
Pretty in pink ladies
never behave

Girl's of pink pearls of
Mercedes
Let's bury the hatchet

Unfurl Girl Girl

Her Pink/Gold locket shines
Boys and Girls rocket
Spa creamy
The religiously told prophet
Easter Bunny Jack Rabbit
The habitats of the fervor my
Godly savor
The girl goes overboard
Femininity ****** creatures
not Saints we cannot be
what we ain't
      Gods
We got the girly features

Many people despise the rose crush
We are a naturally sweet  whole bunch

The pink feminine gift
Be careful in your
girly ways look to your left
Let us change our evil days
Unfurl Girl Girl her path to the right
Prayers become artificial
Materialistic Girl talk should be realistic

Animalistic our instinct ******
The girly specimen up to date
The sweet and so modest
She's the divine
A kiss on the hand
Confidential
Smelling all sweet

Elizabeth violet blue voice
She symbolizes
Grace so sweet the papers
For a real divorce
Wild untamed unfurled
All softly curled and loved
He looks at her the way
she looks now
But here to Eternity, she looks
amazingly well
Shes the girl-girl unfurl
He's handsomely tall she
is the Princess dressed frilly
Pink champagne ball
Their girly wishing well
who wants to tell?
Unfurl so many twists then body curl or the cheese curls but we are "Girls" having fun what we do best  the world turns but we are girls in swirls spinning twirls we do what we are told to learn? We love feminine smells of perfume and masculine smells of men perfect balance how we look at it remarkable gift we all have
He was such a sweet talker,
Met him at a real nice bar
He didn't have a ring on
I didn't know it would go so far

Yes, he is a charming *******
That sounds like his M O
Always getting drunk in a bar
Looking for his next ***

That's not how it was
He wasn't even that drunk
I see it all clearly now
His lies all stunk

The first thing I thought
as I saw you two together
Is not what a lady should say
So I think that I had better
Keep my mouth shut
And rise above the situation
Calling you a ****
Would just start a confrontation.

Listen here, "wife"
I didn't know he was married,
Thats not my type.
Throw away this hatchet you carried
I'm not the one you should be mad at,
He's been doing this behind BOTH our backs!

That is fine "mistress"
I think we can both agree
He is the one to blame and
it shouldn't be taken out on you or me
Now the hatchet that you talk of
The one that I have carried
I know what we should do
And where it should be buried

Who knows how many times
He's sweet talked an innocent girl
We could do something real nice
To rock his fantasy world
What do you say, you and me?
I think this could be destiny.....


**To Be Continued.....
Such a joy to work with Kalypso, she's such a funny sweetheart.  

Hope you enjoyed this and look forward to the next installment "This Is Fun" :)
bury her
the imposter
posing as you
bury the actors
posing as your friends
bury the rules
that left you for dead
unscrew the hooks
put them in the ground too
and what the hell
bury the hatchet

you choose them
own that
now disown them
disown them all
they were never yours
anyway
they served you once
now you're done
go ahead
bury the dead

pile in the dirt
shovel by blessed shovel
pack it tight
dance on their grave
howl, spit, laugh, cry
go on
bury them

from now on
celebrate what remains
that's your ticket
take flowers
take a limo
whatever
but take yourself back
just do it
go on
bury her
From my collection The Situation at Amazon books/Tara Liz Driscoll
alt title: befriend demons detested.  throw them (a party).

alt title: bury the hatchet / forget it(s resting place).

alt title: cry (less.  feel) more.

alt: love / alt-love.

(alt.) LOVE.
notes on unexpected police harassment & questioning in a public space.
kt Sep 2013
RUSH
"SUBDIVISIONS"
Words by Neil Peart, Music by Geddy Lee and Alex Lifeson

The Trees
There is unrest in the forest,
There is trouble with the trees,
For the maples want more sunlight
And the oaks ignore their pleas.
The trouble with the maples,
(And they're quite convinced the're right)
They say the oaks are just too lofty
And they grab up all the light.
But the oaks can't help their feelings
If they like the way they're made.
And they wonder why the maples
Can't be happy in their shade?
There is trouble in the Forest
And the creatures all have fled
As the Maples scream 'Oppression!'
And the Oaks, just shake their heads
So the maples formed a union
And demanded equal rights.
'These oaks are just too greedy;
We will make them give us light.'
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet,
Axe,
And saw.
by Rush
The windows down
Warm sticky air
Salty sweat
Kody’s beside me in the truck
She has a hatchet and I have a hand grenade
We’ve just been driving around town
Screaming **** the earth
Screaming it at all the pretty churchgoers
The school board members
Her old softball coach

I didn’t pay the rent this month
Kody didn’t eat a single vegetable
We ****** about 76 times
She’s been painting really beautiful
Its true talent
Mom sent some mail that said she missed me
I look pathetic trying to react like a son should
I’m almost as free as you would want to be
But what a ******* shame
I have to wake up in a few hours
Parker Oct 2015
Last chance to dance with the unknown
Bury that hatchet and hit the road
Along the coast, into the sea
In the forest, surrounded by green

A slide of hand to light the match
The wood it burns never stood a chance
Though the fire flames inside
I am cold on this stormy night

A heart that beats to the rain drops
What must I do to make this pain stop
Along a path, alone I must go
Single footprints in this deep snow

Alone, awake, I'm at it again
Predictable life I can't stand
To this hour I've become a coward
Trying to search deep to discover my powers
Syreena Phelps Jan 2015
The voices in my head are telling me to slit your throat.
And I want to torture you, so I guess we're on the same boat.
It's okay, we'll make it painful as can be.
Oh, you'll love it. Just wait and see.

Wait, what tool should I use?
I want to leave more than a bruise.
A dagger, hatchet, drill, or a knife?
Either way, you know I'll take your life.

Just lay there and be real still,
As I drill into your heart with all my will.
I said Be Still
My intentions are only to ****.

Why didn't you see this coming?
Was I too distracting with my psychotic humming?!
You started this. Oh, yes you did.
Didn't it bother you she was only a kid?

Let me ******* you.
And rip out your ribs, too.
You dont need them. Ribs are the cage of the heart.
You never had one from the start.

I'll pull off each nail. Fingers and toes.
Maybe put a wet towel to your nose.
Do you feel that? Do you feel yourself drowning??
That's what she felt like, everytime her heart was pounding.

It hurts, doesn't it?
Wonder how it feels to have your skin lit.
How does it feel? The fire's melting you like a lit candle.
That's how her soul felt when everything became too much to handle.

One last thing to do.
Before I am through.
How would it feel to have no ****?
slice
Now, maybe you'll stop being such a *****.
Well, it's not beautiful. But most definitely comes from the heart right now.
Damian Sep 2011
We never saw eye to eye,
you and I.
Me with my growth spurts
and eclipse of hair,
you with high-buttoned shirts,
cravat-ensnared.
We took turns to overlook each other.

Like your birthday on Valentine's:
I, aged nine,
ate with open flies.
You mocked until I begged you cease.
You told me boys don't cry,
but smile and grit their teeth.
Callous, Clements, but I've ground on since.

And ten years on, your white flag
got snagged,
when your lesson on how to heat
one's whisky in one's crotch
landed you at Matron's feet,
and I revelled as I watched.
Maybe we should have been friends.

There's a lot of you in me,
D.V.C.
but a pinch of salt for each trait.
So let's bury the hatchet where you died
and let's put it down to fate
that I wasn't by your side,

with a handful of earth.
Ekym Reyotem Feb 2019
Here's to new beginnings,
same'ol same'ol's-
fresh starts and repeated whims.

By-gone's n by-gone's,
buried hatchet's-
to getting even and sweet revenge.

To bitter ba$tards,
forgiveness masters-
letting things go,
reeling them in.

Un-answered questions,
raised suspicions-
the benefit of the doubt,
and dust in the wind.

Here's to decisions-
freedom to choose,
consequences prisons,
and county blues.

Impulsive actions,
cool headed rational-
baby steps and the choice to loose.

Cheer's to the children-
the seed's of Adam,
Daughters of Eve
and the things they do.

The misdirected,
and the rejected,
the rebellious and stupid too.



Immovable-
Jade Apr 2021
I will not forgive

I will not let bygones be bygones

I will not bury the hatchet

(how can I bury a weapon
when it is still embedded in my spine?)

no--

I will write poetry instead.
Don't be a stranger--check out my blog!

Desktop Site: https://notapreciousgem.wixsite.com/tickledpurple/blog

Mobile Site: notapreciousgem.wixsite.com/purplemobile
derelictmemory Feb 2015
Maybe the hardest part is not knowing what happens after; when the routines have to get back to normal. Or what once was normal. And walking around wondering how you're going to keep walking with this huge chunk of your life gone because even though there is less, it weighs on you like a ball and chain around your ankles and and anvil on your shoulders. Where there was once a warmth is now cold air so you're reaching out for a guide but your guide has long since left.

Like picking up the phone
being greeted by a dial tone
the reciever hanging over the edge
eyes filled with dread

Maybe the hardest part is looking in the mirror and thinking about the way he was always there even when there were more shadows than open spaces. You listen to the overlapping voices and still only hear white noise. The same story over and over but it never sinks.

Like a broken television
with the same frequency
on repeated patterns with
an antenna broken

Maybe the hardest part is rushing. Rushing to speed up time that drags itself in the snow. Rushing for peace. For you. For him. For her. For them. Rushing for absolution, for an end to an end, for burying the hatchet. The flower arrangements, the casket wood, the burial, the eulogy.

Like swerving into small spaces
burning rubber and barely
missing the onlookers to finally
get it all done

Maybe the hardest part is catching your breath once  there's nothing left. Once they're gone. Once you tell yourself that it's time. It's time to move on.

I know they say a person dies twice; once when they physically stop living and again when someone says their name for the last time. But I believe they die a third time; and that is when the last memory of them ceases to exist.
~ To my grandfather (24 August 1941 - 22 January 2015)

— The End —