The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.  Hercules had a simple time,
Rinsing those stables:  a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers?  You.
                               You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony:  a look to numb
Limbs:  not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
          Imagine:  the world
****** to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.  Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
           So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
                         You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.  Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre?  The tear-dazzled
Sorrows of Malfi's gentle duchess?
                                   Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
                         To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.

WE sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, "A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.'
And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, "To be born woman is to know --
Although they do not talk of it at school --
That we must labour to be beautiful.'
I said, "It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough.'
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.

I got home and I cried
cause he made me spark
and a storm formed inside
the deepest crevices of my heart

And my throat
was a stream
of warm caramel
like a sweetly dripping dream
dripping down into a well

When I reached for his chest
I simply couldn't breath
for my body was in shock
but there was not even a heave
just a soft lullaby
of the sound of the stream
of my blood in my veins
and unstitching of seams

I'd touch his skin
While he'd sing like a guitar
with strings like butter
and a serrated harp

But even though I touched
he seemed so very far

I wanted to touch his soul
In that moment
In his car

Remnants of firecrackers litter parkgrass, splitting seams once encasing them;
exposed twine ribs attached, stretched out beneath shade like sunken reliquiae
dashed against the earth, as freedom is, withered paper husks abound.
What explosions in the sky were heard
above the quietus of patient submission?
Tracing the dotted white clouds to our horizon with thread and colored cloth,
held breath until nighttime, expelling then
-- as wind does each languishing puff of smoke--
from our lungs, sordid smells of Summer; vanquishing the past.
Isolating each other, like memories on kodak prints
we separately cling to that sleek filmy acquaintanceship of proximity and hue
-- disavowed pariahs and hearts lit anew.
Fused inside one sallow skull-box, which doubled once for holding shoes, we linger.
Ideas, impulses and infringements on the eye, until-- once--
bound, unbroken, encased and unspoken,
our ribs unwind with dew-- after,
unstitching seams outlined from heaven and inundating visions with brightness
we descend.
Violent fumes of childhood intercede amidst our shaking fuses lit.
--and BANG!

love is described as:
flowers blooming
sunlight shining
red lips perking
broken hearts mending

and maybe love is all that
but it can also be:

flowers sagging
rain clouds swarming
grey lips drooping
and the newly mended hearts
slowly
unstitching
themselves

Every puzzle takes a first step
figurin’ and measurin’—
cutting the extemporaneous—
getting the lay of the land
on the crime scene, on the body—
detailing and matching lineups—
following every lead
and kicking it in
with bluffing intimidation—
drawing probabilities—
untangling the material
to fit, unstitching the profile
to back out mistakes—
the sweat of thought.
Putting it together
and tearing it apart.
The tyranny and the value
of the word on the street—
crimes of fashion
designs on ******—
what is revealed
if you’re not careful—
you can mesh anything together.
Self-composure
as your story stands
or falls.
Time always running out
before the job is done
and after the job is done—
the bitter faces around the gallows
as the execution hangs.

I needed you
so horribly badly that my soul began unstitching fragments of the reality we had, looking for you.
So madly, my ribcage was barely able to keep my lungs from breaking out, in search of your breath.
Will you forgive me when I choose the most utter simplicity in order to stay alive?
I swear I will return,
but in the meantime,
bear in mind that a drunken heart is way too heavy for a butterfly to carry.

on the borderline, simple
thoughts guide breathing
patterns out from
the front porch: i
dream we
abscond, out through
blurred fencelines in
low light we trickle
through pockets of
wheat, the tumult of
everything under a
moon first distant,
gleaming and moving
creeks in your skin, pale
gold like i so often imagine
your eyes would turn
under the soft parting of
my lips. a ghost yet
unmade. haunted i, already.

in dreams, i do not have
you but
still, you take me by
the hand, utter warm silence,
make small motions, closer
by the day. i take out
my hairs one by one, clog
the sink a
tiny bit more. build an
ocean. sail to make
us, halfway. a wider
range, the only way out
a kiss on the wind. i
sent myriads, all lost;
still, maybe someday you'll
find one.

out under three thousand
shining points unstitching,
we mutually profess undying
nothing and graze skin. my
fingertips will never know
you.

A blank page is
disturbed by the
gentle pressing of
a slippery, hard
projection of
ebony salivating needles,
unstitching the
molasses fibers of such
a grief stricken rag doll,
collecting dust in the corner,
eyes crafted in the heart of
a million years worth of
rivers slicing pen lines
across the face of the earth,
crumbling each sheet of
plastered chrysalis streamers
exposing the unwritten words
beneath

So you keep excusing yourself
For being absent-minded and forgetting
Me at the back of your shadows.
Just because I’m dead it doesn't mean I
Do not starve anymore, you know?
My hunger feeds on your clumsy ways of
Unstitching me.

I take my skin
unstitching it from my body
ringing it out to dry in my bathroom tub
It’s weary and needs a moment to be laid to rest
All of it is covered in dirt-
After taking responsibility for its mother
apologizing for its brother and for its own feelings
Shame coats it-
only I couldn’t tell you who the shame belongs to
I’m only exposed heart and bone right now
please do not mind the blood I leave at your feet
This is all I have left over as an apology

- when do we stop letting other peoples mistakes become our own
-  I am still trying to figure it out

She was the only plaster that
I needed to cover wounds, because
no one saw the cuts deepening beneath.
scratching at my tears, crying underneath.

But I never knew that she was the one
silently unstitching my wounds. She'd begun  
long before I was cut, but her words kept
me from realizing tears weren't for me id wept.

She never needed a reason to cut me deep inside.
I was the doll, stuffing pulled from within denied
the respect of my pride. but still I thought her my
plaster healing this cut, while reality cut deeper, why?

Why would she want to hurt what was our love,
why could one cut at that that showing her truelove.
A plaster only hides pain, covering up  intentions
of a misguided trust. I became my own intervention.

Life since our love had blossomed had been rough,
our petals were razor wire memories of those tough
times we had seen before. But I thought our time
had coated those petals, washing away past grime.

She never needed a reason to cut me deep inside.
I was the doll, stuffing pulled from within denied
the respect of my pride. but still I thought her my
plaster healing this cut, while reality cut deeper, why?

I now know that some cuts weren't mine, sharing
her past with me. But instead of healing,cutting, wearing
down what was within me. I needed to feel whole be
myself within no cuts seen. I loved her, but I was unfree.

I carefully stitched your name
embroidered each memory,
each beautiful piece of art
into the delicate walls
of my beating heart.
I put aside the threat of pain,
the tearing apart,
the risk of scars that would remain,
in the hope that I would never
have to
unpick, unfasten,
you, again.

How I was wrong.
And the unstitching never gets easier
and the short sharp scratch
Each time, you work your way back
Hurts just as much as the last.

Therefore, the Lord himself will give them this sign: "A ****** will conceive and give birth to a son, and she will name him Immanuel." From this calami lapse, all of Patmia was refracted in the chromatics of Emmanuel, alluding to Isaiah as an infallible God of Salvation after having sent Sennacherib's mesnadas to his turn. His ministry came to be established along with all the soldiers who did not finally confront each other, but he came to support them from the waters that came from the eastern sea. The kingdom of Judah appeared in glory and solemnity anticipating seven centuries before the Mashiach came to the world of Israel. Hezekiah appears again after seven centuries in Patmia, to decline the fraternal help of Isaías, to save the collective quasi shipwreck in the mountains that would strike the edges of Patmia later after the conclusion of the battle, Etréstles intervening from where he entered the Hydors, as the sixfold brightest star of Aquarius of the Gulf of Skalá to protect all the landowners of the Oikodeomeo, litigating the swells of the sea that should refer to the synchronous beats of the Ruach Hakodesh. Etréstles entered the pointed mansards on the tops of the allotropic waves, carrying a scarlet ribbon in his right hand and in the other with an indigo hue when he swam he did not hold back from moaning for fear that the whole island might disappear, he deprecated while He floated imploring in Hellenic all the Prosas of Rhodes, thus leaving hanging on his neck the suffering of mercy that looked at him from the expectant shore, but the scarlet ribbon cried out for the Emmanuel who would be born among the cerulean granules, concomitant with the Mashiach that clung to him on the blue ribbon when a fragmented chroma emerged from the rib that divided the seven colors into fourteen, from where he propelled Etréstles over the calvaries of the water that prevented him from seeing how undaunted Saint John was reflected with his staff. The Vernardicidal ***** harassed the ministry of Isaiah who came to save Vernarth from the Hercules vortex, where everything will guide him with the conception of Vernarthian and Saint John the Apostle, with from afar they encouraged him saying: "Epoikodomeo" with the aim of building geomorphological waters of the Dam or blood of the Mashiach, forging, increasing wisdom and security to preserve and encode them with the Talmudic essences of Spirit / Pnevma that is the essence of the Messiah to make the ephemeral phase of Jesus with the prosopon of the fit in the primordial scale of Patmos, along with all those who entrusted their ministry to him. Isaiah stated that from a Maltona the Messiah will be born soon, the same one who has accompanied Vernarth throughout this journey par excellence from Judah when he sublimated the iconography of Saint John the Apostle on his return to his inheritance, thus the requiems said that Isaiah had been sawn. by Manasseh, indicating that his prophet's remains would gather on Patmos to materially reintegrate themselves before the panorama of any, beyond the scriptures, only the Pnevma prevailing, which ingratiated itself with the apocryphal papyri. The laws of the sea opposed the arms and chinstraps that Etréstles wore in the joints of each arm, creating with them psalms that indicated the presence of the divine mother of the Mashiach, with the divine contribution that embroiled the scriptures by the Psalms of Etréstles by besieging at once on the cusps of the waves, making use of the same phalanxes and of the Apsidas Manes with watery and ****** meddling by Sennacherib's troops, who by a narrow imbalance in the authorship of the debate segment on a defense that was with the angels, who had already slipped through the opening of the dying parapsychology, to enter the purging compass of the blanket with a Venerable who would speak to them in the first person about the lashes of the breakers enclosed in the annunciation of the Emmanuel that was going to radiate with his counterpart Jesus Christ in the scarlet and indigo Hydor of the Kosmous water compendium of all Patmia. The exegetes were all in their robes on the top of the mountain, they were all and at the same time, they were not. Isaiah wanted to predispose the messianic perception to unite the generous ends of the Majestic Tikun and the Gam zu Letová, so that the scarlet tekhelet itself merges with the chinstraps in the joints and Etréstles that came from the Seventh Cemetery of Messolonghi, to present them the chants of the seventh parapsychological regression of Vernarth's wounded hands that he could barely hold, having the Pisan Verses of Ezra Pound, agglutinated with the Psalms of Etréstles saying thus:

“Humiliate your vanity, You are nothing more than a dog beaten under the hail, just a swollen magpie in the fickle sun, half black, half white, and you can't even distinguish the wing from the tail. Humble your vanity, Petty is all your hatred nourished by falsehood. Humble your vanity, eager to destroy, greedy in charity. Humiliate your vanity, I tell you, humiliate it. But having done instead of doing nothing, this is not vanity. Having decency, called for an obtuse to open, having picked up a living tradition from the air or from a magnificent old eye calls it undefeated, this is not vanity. Here the error is everything in what was not done, everything in the shyness that hesitated ...

Etréstles answers with his Psalm:

"In the main, I attend to his voice that undresses small when they fall cliffs ...when the fierce sentinel hides the Xiphos from the evil ones who shield them inthe iniquity here on Patmos of his tongue-lashing sword that spills bitter blood,that she is thrown on famous vices of Pronoia and dry crops in the storehouse ...
with dormant grasses between lashes of hunger, thirst, and angry sleep.

This is where the Mashiach sleeps and does not lavish the drowsiness of the world! that he shoots and is not afraid of spitting a splendid Hercules cloaked with fullerides of necromancy and flashes of unsustainability in the bitter Pashkien eating the sores from the ferments of his hemlock fingers.

Who will be in the glory that calms his fingernails over the joy of Anubis? inquiring pustules of bolted injustices that stagnate in the
Sagittarius tongue flaring up trilingual on their own languages ...
If there is the blood that I can retain, it will be by submission with declined sphincters or not! seeing where everyone is without pressure or punishment of stuttering or fact that will never happen on a Patmian Reichstag, understanding that their voices
They are the proscenium of the Elohim containing the glory of the fallen when the periphery of the incisive tenebrosity are slices of the Vernarth Psalm, and of Rabbi Masoretic that shelters you when you sleep, however in a thousand years ...

I've been stragglers collecting extreme remains of immortal bones,
In invisible frames with the vanity of seven verses that escaped from my hands, thousands of them being built away from my Duoverse of love towards them atavistic ... almost become adopted children of Masoretic ignorance ... and in the confusion of the
Elohim translated into a genome after an open heart between the Alef and the Tav, between the arrow that serves as accommodation in her mind, unable to sleep if she is not there…! but high up where I can dwell, I see and I abide by being silenced in my vanity, seeing that nothing is mine and of those around me on the battlefield, who sublimate themselves by walking a lifetime on the side of my enemy wounded by the Dorus, and that I have never tried to take it off completely with slight iniquity, only avoiding zafrales and scrutiny in its search.

My vanity will perish undefeated but failed to revive itself with dazzles and sagites that pierce the saps in your children and mine, being poles of renewal of a Hoplite Raeder, cutting the thymus of the cattle and saying that their wounds are the same splendor of the Sagittae Parvulum, like Seraphim children prior to a hyperonym, fracturing sacred bravery that they enumerate him to lose himself in the numbering of infinity ...! As gladiator children, eternal infants and children of Zeus, also being Seraphim of Zeus and Cherubim who will make mustard its fragility, unstitching the time that it carves from the thyme trying to be the Kashmar "

From the eye of heaven, everything was supplied when Emmanuel himself, who was tried at the end of the battle of Patmia, was recognized. It was six o'clock in the afternoon when the omnipresent presence of Isaiah's interface antiphons was marked from where he would make them hold onto the mega Nazer as the offspring of the uncontrolled branch of his hyper parapsychology that expiated itself from the trunk of the descendants of Vernarth, alluding to to Wonthelimar as one of them who was on the wheel of Capricorn as an internal element of Hydor when it was made effective between the golden hands of Isaiah, with full genuflection enumerating from sinister to right the upright derivation of the Psalm of Etréstles with the Nazer, which is It would take refuge in the foundations of omission as a new shining principality, from where the light of the fifteen hundred years between the seventh heaven and space of this same inaugurating the stolon from where the angel Gabriel would make of all the natives of the Notsri of Nazareth the energy that surpass the masses of matter above the average of its brightness, implanting the Duoversal advance where the Mashiach. From Ofel will come the palmar remains with Marie de Vallés propitiating from the Notós or the South of the Mandragoron of Patmia, like a Bull of Concession of collective rights from Jerusalem with the remains of Isaiah in his living Status. The vernacular spirits of the Bethany journey were incarnated as the ruling planets, which would thus all be similar to Saturn, leaving all the rest with the same unrestricted semblance of cosmic materiality, with this transfer of Saturn's atmospheric outer pharaoh overshadowing all others. planets, under a stepped level towards the Messianic primogeniture, dislocating the vibrational levels above the primary embankment of the lithosphere, like a Qliphoth or shell of Saturn's debauchery when experiencing the bonds of emerging Christianization of the emotional state that made up this external preferential layer, of which of this genre they would create multi-natalist phases with the Qliphoth of the configuration of the vibratory cessation of the physical body of Patmos. In this way the seventieth Qliphoth or farfara of the compendium of exteriority and interiority would culminate, giving way to the Fos or light that would constitute the hybrid Greco-Hebraic componence on the braids that lowered from the Tekhelet of Etréstles when it levitated towards the Megaron, specifically the Naos that It would incite an end that just headed the engagement of the spaces that will be covered by the reviewing archetribe on the acroteria as the Lux of the beginning of the transfer of quantum of energy, which would begin to form the browbones and chin of Euclidean incidence in the cockades of Etréstles, by structuring itself in the cosmic rhythms of the tzitzit of its right hand, and in its left the Tallit that westernized all the supreme dogmas of eternalism, that carried a brand new covering of Áullos Kósmos with this mantle of hegemony, hanging from the tzitzit that would finally be the dragging ropes of the body of Etréstles to the cosmic ridge of Skalá. From a Genioglossal Muscle; where the Etréstles stimulation tendons were inserted, great impulses of language opened towards the pre-Adamic gates, radiating like wide puffs of the superior process that strangled the phraseologies that indicated error of omission, making everyone could conceive of each other before heading towards conversion, and to be able to aspire to the Naos from the Megarón. The most experienced used to expectorate and move sharply with their jaws when the membranes of this region fled from the tip or hyoglossal of their mouth, shuddering from its sublingual base when they saw that the Mashiach carried Etréstles half-dead from the sea, amid so many prosaic waves consuming him from a breath that was separated from it by a thin layer of adipose cell tissue, and by the Middle Septum towards the definitive Seventh Heaven of God, speaking to them of spaces that will be filled by the magnanimous who have reaped him from his Eternalism. This was neither more nor less than the protruding border of the Messiah speaking through those mouths with insignia of enunciation, and portents of words of reconversion.

I had fallen between a waking state
And a life I believe I entirely imagined.
I imagined you, because at the time
It was everything I thought I had needed.
If only I could have one more thing
                                   If only I could run and
                                   touch you
                                   taste you
                                   scream everything
I thought you were.
My thoughts were a continuous sea of moonlight,
A familiar, nostalgic ambiance
I wrote about you beneath
so long ago.
When I believed moths were faeries,
When the fireflies died
And the eclipse kept me awake in the dissonance
of night
When my heart felt giddy,
I thought-- then, now,
I had finally held a shallow coal
That burned deeply, vehemently
I wanted to swallow it and feel it
scorch my insides.
Finally, I had become delirious
For all of the right reasons.
At that point I was simply looking
For an excuse to slip quietly
past reach.
I would rise and wander in the early hours
Of morning, and would blame it
On you
When it was merely my own soul
Screeching, bleeding
Clawing at the sad, impermanent baggage of flesh
Popping my seams undone over every pore,
Unstitching my sanity
Wanting so viscerally to be let out, escape--
Freedom….
Is what I wanted.
I don’t think I ever truly wanted you.
A lust overcoming
Was my body's way of rejecting humanity's
Trivial circumnavigation of romance.
Laying on the celestial floorboards
Watching my whirlpool of scars
                                       And all of the screaming…
I kept hearing it.
The incarceration of my dreams,
The inferno of desire I wanted to burn forever in,
Sat so prettily upon my heart
I never dared move it.

This sort of dream
Is classified with an interpretation of heaven
The one with you
Holding my hands
And looking me in the eyes
Lips close enough to touch
I wish I could have your love
This kind of night
Could be classified with where true love begins
With fireflies
And moon reflections in your eyes
Skin soaking in the moonlight
Dancing until sunrise
Dandelions dreams
And unstitching seams
I wish I could breathe you in
This sort of magic
Could be classified with
The way you look at me
The sun lighting the clouds
Speaking out loud
Hands around my waist
Obsessed with the way you taste
I really wish this was real

The exegetes were all in their robes on the top of the mountain, they were all and at the same time, they were not. Isaiah wanted to predispose the messianic perception to join the generous ends of the Majestic Tikun and the Gam Zu Letová, so that the scarlet Tekhelet itself that merges with the chinstraps on the wrists from Etréstles that came from the Seventh Cemetery of Messolonghi, to present them the songs of the seventh parapsychological regression of Vernarth's with the wounded hands that he could  barely hold, here having the Pisan Verses of Ezra Pound, agglutinated with the Psalms of Etréstles saying this:

“Humiliate your vanity, You are nothing more than a dog beaten under the hail, just a swollen magpie in the fickle sun, half black, half white, and you can't even distinguish the wing from the tail. Humble your vanity, Petty is all your hatred nourished by falsehood. Humble your vanity, eager to destroy, greedy in charity.

Humiliate your vanity, I tell you, humiliate it. But having done instead of doing nothing, this is not vanity. Having decency, called for an obtuse to open, having picked up a living tradition from the air or from a magnificent old eye calls it undefeated, this is not vanity. Here the error is everything in what was not done, everything in the shyness that hesitated ...

Etréstles answers with his Psalm:

"In the main, I attend to his voice that undresses small when they fall cliffs ... when the fierce sentinel hides the Xiphos from the evil ones who shield them in Iniquity here on Patmos from his tongue-lashing sword that spills bitter blood, that is thrown on famous vices of Pronoia and dry crops in the storehouse ...with dormant grasses between lashes of hunger, thirst, and angry sleep.

Here is where the Mashiach sleeps and does not lavish the drowsiness of the world! that he shoots and is not afraid of spitting a splendid Hercules who is cloaked with fullerides of necromancy and flashes of unsustainability in the bitter Pashkien eating the sores from the ferments of his hemlock fingers.

Who will be in the glory that calms his fingernails over the joy of Anubis? inquiring pustules of bolted injustices that stagnate in the Sagittarius tongue flaring up trilingual on their own languages ​​...
If there is blood that I can retain it will be by submission with declined sphincters or not! seeing where everyone is without pressure or punishment of stuttering or fact that will never happen on a Patmian Reichstag, understanding that their voices
They are the proscenium of Elohim containing the glory of the fallen when the periphery of the incisive tenebrosity are slices of the Vernarth Psalm, and of Rabbi Masoretic that shelters you when you sleep, however in a thousand years ...

I've been stragglers collecting extreme remains of immortal bones, In invisible frames with the vanity of seven verses that escaped from my hands, thousands of them being built away from my Duoverse of love towards them atavistic ...

almost become adopted children of Masoretic ignorance ... and in the confusion of the Elohim translated into a genome after an open heart between the Alef and the Tav, between the arrow that serves as accommodation in her mind, unable to sleep if she is not there…! but high up where I can dwell, I see and I abide by being silenced in my vanity, seeing that nothing is mine and of those around me on the battlefield, who sublimate themselves by walking a lifetime on the side of my enemy wounded by the Dorus, and that I have never tried to take it away completely with slight iniquity, only avoiding winds and scrutiny in its search.

My vanity will perish undefeated but failed to revive itself with dazzles and sagittas that pierce the saps in your children and mine, being poles of renewal of a Hoplite Raeder, cutting the thymus of the cattle and saying that their wounds are the same splendor of the Sagittae Parvulum, like Seraphim children prior to a hyperonym, fracturing sacred bravery that they enumerate him to lose himself in the numbering of infinity ...! As gladiator children, eternal infants and children of Zeus, also being Seraphim of Zeus and Cherubim who will make mustard its fragility, unstitching the time that it carves from the thyme trying to be the Kashmar "

It was like a combat
exercise at sunset.

I won't call any deity
for my prayers,
and expect to survive
the blasphemy.

No, there was no carnality.
How could you take
your own creation?
An affair with your own shadow?

You always loved the
hidden meanings,
unstitching the wounds.

Seeking an endless
peace for a pilgrim, climbing
a river of quivering eyes.

A tongueless marionette
does not need the strings.
The Barbie doll may not crumble one day.