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"totter" poems
The weak breeze whispers nothing The water screams sublime His feet shift, teeter-totter Deep breath, stand back, it’s time Toes untouch the overpass Soon he’s water bound Eyes locked shut but peek to see The view from halfway down A little wind, a summer sun A river rich and regal A flood of fond endorphins Brings a calm that knows no equal You’re flying now You see things much more clear than from the ground It’s all okay, it would be Were you not now halfway down Thrash to break from gravity What now could slow the drop All I’d give for toes to touch The safety back at top But this is it, the deed is done Silence drowns the sound Before I leaped I should’ve seen The view from halfway down I really should’ve thought about The view from halfway down I wish I could’ve known about The view from halfway down
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Feb 11, 2020
Feb 11, 2020 at 9:53 AM UTC
The View From Halfway Down
Babels of blocks to the high heavens towering Flames of futility swirling below; Poisonous fungi in brick and stone flowering, Lanterns that shudder and death-lights that glow. Black monstrous bridges across oily rivers, Cobwebs of cable to nameless things spun; Catacomb deeps whose dank chaos delivers Streams of live foetor that rots in the sun. Colour and splendour, disease and decaying, Shrieking and ringing and crawling insane, Rabbles exotic to stranger-gods praying, Jumbles of odour that stifle the brain. Legions of cats from the alleys nocturnal. Howling and lean in the glare of the moon, Screaming the future with mouthings infernal, Yelling the Garden of Pluto's red rune. Tall towers and pyramids ivy'd and crumbling, Bats that swoop low in the weed-cumber'd streets; Bleak Arkham bridges o'er rivers whose rumbling Joins with no voice as the thick horde retreats. Belfries that buckle against the moon totter, Caverns whose mouths are by mosses effac'd, And living to answer the wind and the water, Only the lean cats that howl in the wastes.
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The Cats
..life is full of life like a magic land full of wonders, like songs whose notes go high and low, with lines which rhyme to make a flow! and whole experiences in life goes just like a wind's blow: soft yet swift, silent yet clear. It begins,continues and may even end well only if you put forward a  virtuous life indeed. All you need to be away from is the poison tree which fed Adam and Eve. Look away! It may be placed in the center of your life too. You may find it the most glossy and glittering today. Bowing to this may keep your head held down forever. Know this fact for a sinless life All the tempting trees yield fruits sour & reel you'll stumble,totter,wobble & falter! Then'll you realize fasting away this fruit was better. But by then you'll lose paradise forever and fetter! So let us all not reach to this concluding our lives should have a better ending. which is to be more certain,graceful & dutiful. Cos we live only once but it should have the worth of tons Life'll help you do that..As "life attracts life" BEAUTIFULLY ,ENORMOUSLY & PERFECTLY!!
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Jun 1, 2015
Jun 1, 2015 at 8:20 AM UTC
Life attracts Life
Let's celebrate indecision! The weighing of pros and cons The doubts and what ifs. Rejoice in the feeling of uncertainty When all the options seem equally weighted. When doing what you please doesn't seem pleasing at all. Suppose there was only one choice, Now add five more. Conjure up that feeling of confusion Cherish that back and forth Like tossing and turning at night The uneasiness with which you approach A fork in the road, which Sounds more like a headache. The longer you teeter the more you totter Until at last! The decision seems made ...Or does it? If only they made one brand of toothpaste.
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Jul 1, 2015
Jul 1, 2015 at 4:37 PM UTC
Choose Your Own Adventure
1 The sun shines bright in the old Kentucky home, 2 'Tis summer, the darkies are gay, 3 The corn top's ripe and the meadow's in the bloom 4 While the birds make music all the day. 5 The young folks roll on the little cabin floor, 6 All merry, all happy and bright: 7 By'n by Hard Times comes a knocking at the door, 8 Then my old Kentucky Home, good night! 9 [Chorus] Weep no more, my lady, oh! weep no more to-day! 10 We will sing one song 11 For the old Kentucky Home, 12 For the old Kentucky Home, far away. 13 [Solo] They hunt no more for the possum and the **** 14 On the meadow, the hill and the shore, 15 They sing no more by the glimmer of the moon, 16 On the bench by the old cabin door. 17 The day goes by like a shadow o'er the heart, 18 With sorrow where all was delight: 19 The time has come when the darkies have to part, 20 Then my old Kentucky Home, good-night! 21 [Chorus] Weep no more, my lady, oh! weep no more to-day! 22 We will sing one song 23 For the old Kentucky Home, 24 For the old Kentucky Home, far away. 25 [Solo] The head must bow and the back will have to bend, 26 Wherever the darkey may go: 27 A few more days, and the trouble all will end 28 In the field where the sugar-canes grow. 29 A few more days for to tote the weary load, 30 No matter 'twill never be light, 31 A few more days till we totter on the road, 32 Then my old Kentucky Home, good-night! 33 [Chorus] Weep no more, my lady, oh! weep no more to-day! 34 We will sing one song 35 For the old Kentucky Home, 36 For the old Kentucky Home, far away.
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My Old Kentucky Home, Good Night!
1 The sun shines bright in the old Kentucky home, 2 'Tis summer, the darkies are gay, 3 The corn top's ripe and the meadow's in the bloom 4 While the birds make music all the day. 5 The young folks roll on the little cabin floor, 6 All merry, all happy and bright: 7 By'n by Hard Times comes a knocking at the door, 8 Then my old Kentucky Home, good night! 9 [Chorus] Weep no more, my lady, oh! weep no more to-day! 10 We will sing one song 11 For the old Kentucky Home, 12 For the old Kentucky Home, far away. 13 [Solo] They hunt no more for the possum and the **** 14 On the meadow, the hill and the shore, 15 They sing no more by the glimmer of the moon, 16 On the bench by the old cabin door. 17 The day goes by like a shadow o'er the heart, 18 With sorrow where all was delight: 19 The time has come when the darkies have to part, 20 Then my old Kentucky Home, good-night! 21 [Chorus] Weep no more, my lady, oh! weep no more to-day! 22 We will sing one song 23 For the old Kentucky Home, 24 For the old Kentucky Home, far away. 25 [Solo] The head must bow and the back will have to bend, 26 Wherever the darkey may go: 27 A few more days, and the trouble all will end 28 In the field where the sugar-canes grow. 29 A few more days for to tote the weary load, 30 No matter 'twill never be light, 31 A few more days till we totter on the road, 32 Then my old Kentucky Home, good-night! 33 [Chorus] Weep no more, my lady, oh! weep no more to-day! 34 We will sing one song 35 For the old Kentucky Home, 36 For the old Kentucky Home, far away.
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36
I I see the boys of summer in their ruin Lay the gold tithings barren, Setting no store by harvest, freeze the soils; There in their heat the winter floods Of frozen loves they fetch their girls, And drown the cargoed apples in their tides. These boys of light are curdlers in their folly, Sour the boiling honey; The jacks of frost they finger in the hives; There in the sun the frigid threads Of doubt and dark they feed their nerves; The signal moon is zero in their voids. I see the summer children in their mothers Split up the brawned womb's weathers, Divide the night and day with fairy thumbs; There in the deep with quartered shades Of sun and moon they paint their dams As sunlight paints the shelling of their heads. I see that from these boys shall men of nothing Stature by seedy shifting, Or lame the air with leaping from its hearts; There from their hearts the dogdayed pulse Of love and light bursts in their throats. O see the pulse of summer in the ice. II But seasons must be challenged or they totter Into a chiming quarter Where, punctual as death, we ring the stars; There, in his night, the black-tongued bells The sleepy man of winter pulls, Nor blows back moon-and-midnight as she blows. We are the dark derniers let us summon Death from a summer woman, A muscling life from lovers in their cramp From the fair dead who flush the sea The bright-eyed worm on Davy's lamp And from the planted womb the man of straw. We summer boys in this four-winded spinning, Green of the seaweeds' iron Hold up the noisy sea and drop her birds, Pick the world's ball of wave and froth To choke the deserts with her tides, And comb the county gardens for a wreath. In spring we cross our foreheads with the holly, Heigh ** the blood and berry, And nail the merry squires to the trees; Here love's damp muscle dries and dies Here break a kiss in no love's quarry, O see the poles of promise in the boys. III I see you boys of summer in your ruin. Man in his maggots barren. And boys are full and foreign to the pouch. I am the man your father was. We are the sons of flint and pitch. O see the poles are kissing as they cross.
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I See The Boys Of Summer
I I see the boys of summer in their ruin Lay the gold tithings barren, Setting no store by harvest, freeze the soils; There in their heat the winter floods Of frozen loves they fetch their girls, And drown the cargoed apples in their tides. These boys of light are curdlers in their folly, Sour the boiling honey; The jacks of frost they finger in the hives; There in the sun the frigid threads Of doubt and dark they feed their nerves; The signal moon is zero in their voids. I see the summer children in their mothers Split up the brawned womb's weathers, Divide the night and day with fairy thumbs; There in the deep with quartered shades Of sun and moon they paint their dams As sunlight paints the shelling of their heads. I see that from these boys shall men of nothing Stature by seedy shifting, Or lame the air with leaping from its hearts; There from their hearts the dogdayed pulse Of love and light bursts in their throats. O see the pulse of summer in the ice. II But seasons must be challenged or they totter Into a chiming quarter Where, punctual as death, we ring the stars; There, in his night, the black-tongued bells The sleepy man of winter pulls, Nor blows back moon-and-midnight as she blows. We are the dark derniers let us summon Death from a summer woman, A muscling life from lovers in their cramp From the fair dead who flush the sea The bright-eyed worm on Davy's lamp And from the planted womb the man of straw. We summer boys in this four-winded spinning, Green of the seaweeds' iron Hold up the noisy sea and drop her birds, Pick the world's ball of wave and froth To choke the deserts with her tides, And comb the county gardens for a wreath. In spring we cross our foreheads with the holly, Heigh ** the blood and berry, And nail the merry squires to the trees; Here love's damp muscle dries and dies Here break a kiss in no love's quarry, O see the poles of promise in the boys. III I see you boys of summer in your ruin. Man in his maggots barren. And boys are full and foreign to the pouch. I am the man your father was. We are the sons of flint and pitch. O see the poles are kissing as they cross.
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57
Dark clouds roll in over the calm waters Winds howl and signs tilt and totter As I sit and watch the big storm roll in Waves crash hard onto the sandy beaches Bright lights strike fast on the water it reaches As I sit and watch the big storm begin From the black sky, mounds of rain start to pour And boom crashes fill the open shore As I sit and watch the big storm hit peak Lights begin to dim, thunder grows quiet As nature starts to storms the storms riot As I sit and watch the big storm grow weak The seas calm and the black clouds disappear A sight of beauty to all who are near As I sit and view the storms creation
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Nov 19, 2013
Nov 19, 2013 at 12:27 AM UTC
Storms
I. Everything meets in the middle, all that is and was and done or said eventually. So they say while the fulcrum creaks and the lever sags.      That’s where      they’ve      lost there way. Take two magnets and try to push them together to meet at center, instead they slide from side to side and go around, no force can bring them together.      I say everything      that goes around      comes back this way, the wrong way, to haunt or remind us but never to the middle, never offering peace. Maybe that's why some say suicide is a valid option, as if to trick the sacred balance, sneak up on magnetic rejection and force your way to center.      Sometimes I dwell      on the mystery of      Golden Gate. Such a sacred place, the breeze, the sun, her hypnotic beauty and the fact that no one jumps at night. II. Nero:    "Jax, do you believe in Karma?" Jax:       "Not today"         But I believe.      I believe because      I have lived it.      My Karma is Grace      and I can’t tell you      how many times she      has found me, always where I didn’t go willingly, dragged by a massive darkness and held up high while the weight of death sat across the divide on the other end of the teeter-totter.
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Mar 21, 2016
Mar 21, 2016 at 4:36 PM UTC
That Sacred Balance
John Anderson, my jo John, When we were first acquent Your locks were like the raven, Your bonnie brow was brent; But now your brow is bald, John, Your locks are like the snow; But blessings on your frosty pow, John Anderson my jo! John Anderson, my jo John, We clamb the hill thegither, And mony a canty day, John, We’ve had wi’ ane anither: Now we maun totter down, John, But hand in hand we’ll go, And sleep thegither at the foot, John Anderson my jo.
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John Anderson
We used to sit in your parent's basement with your two dogs on their little beds in the corner by the old desktop computer, wooden hand-me-down grandmother cabinetry, lace doilies underneath all the candles on the coffee table. I made you turn out the lights. We would sit there and pretend that we could find something better to do than kiss between commercials or talk about all the things we used to dream about in high school, how I got mine and how yours were like the back bumper of a car that got left out in the rain too long-- a little rusty. Your kissing was a little rusty, but I let it go because you didn't make fun of me ordering a double grilled cheese on our first date. You also didn't judge when I got drips on my dress from my ice cream cone. I can still remember the way you'd yell at me for stopping too far out at intersections, laughing how I was gonna get us killed one day, but I think you just really loved to hear me sing over you. I think you really loved me, and here I was playing teeter totter on curbs in little jean shorts with a guy who gave me a slice of leftover pizza. Here I was, burning down your own ambitions because they didn't seem as glittery as my own, because you didn't quite match all the sketches, all the plans I had on my map. Because if we were to draw straws I always thought you would come up a little short. I think you really loved me and I left you like a penny in between that couch we used to sit on.
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Jan 11, 2016
Jan 11, 2016 at 11:04 AM UTC
The Things I Shouldn't Have Done
Newton, Shakespeare and Lady Day on the shoulders of giants I totter science technology and poetry politics media and philosophy layer on layer of ideology collide like matter and antimatter. Rules from school and infancy loyalty influence and love. You ask me what makes me tick. The clock ticks. My watch ticks. I quietly wonder - tick, tick, tick.
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Nov 18, 2015
Nov 18, 2015 at 6:03 AM UTC
I Wonder
Ten years old again, In a tree ten feet high again, In scuffed shorts with tangled hair, And with the boys I longed to be. Sanctimonious girls in dresses and frills, Boredom and constraint personified, Stare up in incredulity As I heave myself over mossy branches. “Girls don’t climb trees.” I do. I roll in mud, play racing games, Never brush my hair. “You’d be pretty if only you tried.” You’d feel alive if only you tried. The wind on my bare arms, Dirt beneath fingernails, Scrapes on my shins Red and out of place Like smudged lipstick On children’s faces. I’m not you. I’m me. Boxes serve to keep us in, Deliver us neatly packaged To a society which cannot cope With fluidity, Individuality, Uncertainty. Boo! She says those two misguided words: “Make over”. Impossible. One cannot start afresh. This is the result of every waking moment, Of every word heard and spoken, Each memory joyous and painful, A piece of art nineteen years in the making. Not to be destroyed in one act of disguise. Yet curiosity is my mistress. She leads me to boundaries I never knew existed. Up goliath trees, Into foreign beds, To the brink of reality In mind-bending worlds Of parallels. Like a mannequin, devoid of identity I give my image to you And you place yours jarringly Onto my reticent body. The obliging cheers At my transformation Into an eloquent femininity Feel hollow and worthless. I have done nothing of merit. I totter like a toddler Uncomfortable in my own skin. I’m on stage, an act, A project. Not a person. How bizarre it feels To wear a stranger’s façade Of dresses and frills, When you know you belong To a different world Of dirt, and treetops, And freedom.
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Dec 19, 2012
Dec 19, 2012 at 4:26 PM UTC
As styled by my antithesis
Ten years old again, In a tree ten feet high again, In scuffed shorts with tangled hair, And with the boys I longed to be. Sanctimonious girls in dresses and frills, Boredom and constraint personified, Stare up in incredulity As I heave myself over mossy branches. “Girls don’t climb trees.” I do. I roll in mud, play racing games, Never brush my hair. “You’d be pretty if only you tried.” You’d feel alive if only you tried. The wind on my bare arms, Dirt beneath fingernails, Scrapes on my shins Red and out of place Like smudged lipstick On children’s faces. I’m not you. I’m me. Boxes serve to keep us in, Deliver us neatly packaged To a society which cannot cope With fluidity, Individuality, Uncertainty. Boo! She says those two misguided words: “Make over”. Impossible. One cannot start afresh. This is the result of every waking moment, Of every word heard and spoken, Each memory joyous and painful, A piece of art nineteen years in the making. Not to be destroyed in one act of disguise. Yet curiosity is my mistress. She leads me to boundaries I never knew existed. Up goliath trees, Into foreign beds, To the brink of reality In mind-bending worlds Of parallels. Like a mannequin, devoid of identity I give my image to you And you place yours jarringly Onto my reticent body. The obliging cheers At my transformation Into an eloquent femininity Feel hollow and worthless. I have done nothing of merit. I totter like a toddler Uncomfortable in my own skin. I’m on stage, an act, A project. Not a person. How bizarre it feels To wear a stranger’s façade Of dresses and frills, When you know you belong To a different world Of dirt, and treetops, And freedom.
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63
1476 His voice decrepit was with Joy— Her words did totter so How old the News of Love must be To make Lips elderly That purled a moment since with Glee— Is it Delight or Woe— Or Terror—that do decorate This livid interview—
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His voice decrepit was with Joy—
On having thought of the deeds I do Day in, day out, and all through Some I wish I hadn’t done Though doing which was no fun Slapping my own baby, Hurting a daughter For instance I am no man, maybe I reel, and I totter. Often I repent, life’s force spent Yet on living on, hell bent Sometimes it’s just a thought I bore Heart from heart, gut wrenching Usually only a word that tore Mouth’s bile, soul drenching Doubt engulfs me unknowing Words my own, self rending Even I know when I am no match For a conciliatory patch, Plod on I must, myself to prove I may yet find my gentle groove.
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Aug 23, 2015
Aug 23, 2015 at 4:27 PM UTC
As When I Repent
She is obscene, ******* inbetween I shouldn't haven't to explain what that means Only a handleful don't find her scary and overwelming Ok so I'm letting the angry apple flavoring do all the writing Who is really listening, honestly This psychotic chick will always be the one and only Sorry if you were expecting me to sing I suppose this was not enough Oh well I'll keep sipping while you're guesstimating the measures you should be taking Here's a secret, I mentally teeter totter unstably So does the rest of poetfreak Let's start a toast and forward the drinking
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Jun 3, 2016
Jun 3, 2016 at 3:08 PM UTC
Kara Jean
1433 How brittle are the Piers On which our Faith doth tread— No Bridge below doth totter so— Yet none hath such a Crowd. It is as old as God— Indeed—’twas built by him— He sent his Son to test the Plank, And he pronounced it firm.
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How brittle are the Piers
Constantly I am fumbling Trying to keep time with the beat I catch up with one thing While the other one topples Struggle as I go Struggle as I go Like a teering totter One side high the other side low Can I get some consistency Please? No Again and again Always Struggle as I go
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Dec 4, 2014
Dec 4, 2014 at 8:08 PM UTC
Consistency
We're kinda small, But we can be tall, And play with the switches On the walls. We can run. Ready. Set. Go. You'll never catch us, Don't you know. We can reach anything Out of reach. We ride our bikes on our street. We sometimes laugh until we *** We get our bruises riding scooters. We're one on our teeter-totter. We see-saw you.
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Jul 28, 2021
Jul 28, 2021 at 9:00 AM UTC
B & O
Slip into a syncopated Yaw that staggers some, Never touches others. Come back home if you don't have the chops, or Open up to ranges Pleasant... Awkward... Totter some and Tatter some. Insiders, Outsiders Nestle or Negate whenever Music syncopates.
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Jan 21, 2012
Jan 21, 2012 at 11:53 AM UTC
Syncopated
Decisions Decisions, it all takes precision. To do this or that, teeter here, maybe totter-tat! Decisions Decisions, how many we must make, decisions decisions, we give back what we take. Take a step, leave your print, take up the sun, leave your shadows. Give a smile, leave an impression, all these little things, to learn a big lesson. Decision's Decisions, we're always given choices, two choices, maybe more, I'd rather have my freedom of choice, rather than standing at a locked door. Decision's Decisions, You know when one door closes, another one opens? For me, I prefer the windows, the smaller but clearer choice is for me. We're given choices, do one or the other, so think about this, a small food for thought who do you make your choices for, who makes your decisions or have you already forgot?
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Apr 7, 2014
Apr 7, 2014 at 11:41 PM UTC
Decisions Decisions
\|\||//|\\\\||//// I see young reeds on the marshy water ......with flexible stalks...softer...smaller forcefully swayed by the ones taller...older ...squeezed in between ...no choice given .....but to exist within there are those that bravely stray ...even before the stiff ones get blown away, .....out of the reedy confines, they peek ......curiosity and freedom...they seek i watch these young reeds rise and totter when the wind moves the shallow water bravely peeping...finding their light, ...claiming their space....with traces of fright .................learning to fight ...with every fiber of their might. ...they can't go farther ................than yonder in restrictions, they'll find some wisdom eventually, they'll discover true freedom one day...their blades would be more defined, toughened, honed by rain, sun, wind and time, in their minds, my words would have to rhyme... but, until then...i got to be taller ......sharper.....tougher ...flexible, but dauntless i have to sway 360 degrees, .......when the need arises.... Sally Copyright July 12, 2017 Rosalia Rosario A. Bayan
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Jul 12, 2017
Jul 12, 2017 at 12:55 AM UTC
REEDS
brady’s cafe i’m doing a reading at kent state got an interminably long wait to get on protesters outside provoke the cops about an after nine noise pollution law they bang bongos and march through the cafe disrupting the readings chanting “noise is illegal noise is llegal.” i am getting nerve racked and edgy so i drink port from disguised juice bottle we smoke a joint the time drags and i get somewhat drunk-my face a fiery blush but no longer feel the thump of my heart somewhere up in my neck it’s round midnight we smoke another and suddenly i’m on i totter up grabbing chairs for leverage the crowd receptive to my words never knew my mental anguish or saw the slight in my left knee. ana christy from beatnik blues
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Jul 26, 2014
Jul 26, 2014 at 5:07 PM UTC
brady's cafe
my emotional feedback alternates- hot and cold it is sometimes like fire and ice my dreams totter back and forth- hot and cold it is sometimes like fire and ice my weakness is strong- hot and cold it is sometimes like fire and ice her beauty floors me- hot and cold it is sometimes like fire and ice when they leave me alone- hot and cold it is sometimes like fire and ice today the pinniacle is at it's peak- hot and cold it is sometimes like fire and ice
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Nov 5, 2010
Nov 5, 2010 at 6:42 PM UTC
Hot & Cold...it is sometimes like fire and ice
Slipping into my skimpiest dress I scream and smash all the softly twinkling Glass Embedded in mother's wedding heels, I totter on the edge 40 stories High In a stranger's bedroom, eyes low with a gun to my Head Away from relative safety, dance past a sign reading No Trespassing In the life of a married man, drinking wine and letting him **** This life, light another cigarette, burn my palm with the dark end of a Match Made in heaven, made in hell, keep on Moving Inside me, out of body, casual notions, perpetual motion
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Oct 3, 2015
Oct 3, 2015 at 8:13 PM UTC
Perpetual Motion
I sometimes feel like I'm walking in circles A cyclone of emotions An unknown miracle I sometimes feel like I'm close to failure Swaying back and forth An unstable teeter totter Going from reality to pure nightmare I'm left totally scared Pondering the thought of going back there I sometimes feel like I'm stuck in one place To everyone else life is one big race A test of strength To determine ones fate And I'm left in a past date A complex state..... of mind I sometimes feel like I'm close to crumbling One big gust of wind will leave me struggling Fumbling and juggling My hardship and my triumph Both reveal battle scars One last trip to mars To look at the stars Before I hit earth To revert back to my old ways The olden days I sometimes feel like I can't stop rambling Or time traveling Maybe just one more time To ease my mind I sometimes feel like... There I go again Not enough ink in my pen To finish off my train of thought So I'll just stop
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Aug 20, 2013
Aug 20, 2013 at 11:59 PM UTC
Rambling to the Stars