Submit your work, meet writers and drop the ads. Become a member
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Apporva Arya Oct 2018
When I see around,
I see people
dancing to the beats of
Negativity and sorrow.
So I close my eyes
And create my own
Symphonies,
Which stirr my soul,
Warm my heart.
I dance at my own melody...
And finally open my eyes.
Look up at the blue sky,
At the creator of all kind,
Give him a smile,
And let my heart fly.
I believe love always find its way because love is the way.So whenever darkness will rise then I will sing LOVE with all my might because love is the mightiest.
Come into the garden, Maud,
  For the black bat, Night, has flown,
Come into the garden, Maud,
  I am here at the gate alone;
And the woodbine spices are wafted abroad,
  And the musk of the roses blown.

For a breeze of morning moves,
  And the planet of Love is on high,
Beginning to faint in the light that she loves
  On a bed of daffodil sky,
To faint in the light of the sun she loves,
  To faint in his light, and to die.

All night have the roses heard
  The flute, violin, bassoon;
All night has the casement jessamine stirr'd
  To the dancers dancing in tune;
Till a silence fell with the waking bird,
  And a hush with the setting moon.

I said to the lily, 'There is but one
  With whom she has heart to be gay.
When will the dancers leave her alone?
  She is weary of dance and play.'
Now half to the setting moon are gone,
  And half to the rising day;
Low on the sand and loud on the stone
  The last wheel echoes away.

I said to the rose, 'The brief night goes
  In babble and revel and wine.
O young lord-lover, what sighs are those
  For one that will never be thine?
But mine, but mine,' so I sware to the rose,
  'For ever and ever, mine.'

And the soul of the rose went into my blood,
  As the music clash'd in the hall;
And long by the garden lake I stood,
  For I heard your rivulet fall
From the lake to the meadow and on to the wood,
  Our wood, that is dearer than all;

From the meadow your walks have left so sweet
  That whenever a March-wind sighs
He sets the jewel-print of your feet
  In violets blue as your eyes,
To the woody hollows in which we meet
  And the valleys of Paradise.

The slender acacia would not shake
  One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
  As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
  Knowing your promise to me;
The lilies and roses were all awake,
  They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
  Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
  Queen lily and rose in one;
Shine out, little head, sunning over with curls.
  To the flowers, and be their sun.

There has fallen a splendid tear
  From the passion-flower at the gate.
She is coming, my dove, my dear;
  She is coming, my life, my fate;
The red rose cries, 'She is near, she is near;'
  And the white rose weeps, 'She is late;'
The larkspur listens, 'I hear, I hear;'
  And the lily whispers, 'I wait.'

She is coming, my own, my sweet;
  Were it ever so airy a tread,
My heart would hear her and beat,
  Were it earth in an earthy bed;
My dust would hear her and beat,
  Had I lain for a century dead;
Would start and tremble under her feet,
  And blossom in purple and red.
O! nothing earthly save the ray
(Thrown back from flowers) of Beauty’s eye,
As in those gardens where the day
Springs from the gems of Circassy—
O! nothing earthly save the thrill
Of melody in woodland rill—
Or (music of the passion-hearted)
Joy’s voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell—
O! nothing of the dross of ours—
Yet all the beauty—all the flowers
That list our Love, and deck our bowers—
Adorn yon world afar, afar—
The wandering star.

’Twas a sweet time for Nesace—for there
Her world lay lolling on the golden air,
Near four bright suns—a temporary rest—
An oasis in desert of the blest.
Away away—’mid seas of rays that roll
Empyrean splendor o’er th’ unchained soul—
The soul that scarce (the billows are so dense)
Can struggle to its destin’d eminence—
To distant spheres, from time to time, she rode,
And late to ours, the favour’d one of God—
But, now, the ruler of an anchor’d realm,
She throws aside the sceptre—leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,
Whence sprang the “Idea of Beauty” into birth,
(Falling in wreaths thro’ many a startled star,
Like woman’s hair ’mid pearls, until, afar,
It lit on hills Achaian, and there dwelt),
She look’d into Infinity—and knelt.
Rich clouds, for canopies, about her curled—
Fit emblems of the model of her world—
Seen but in beauty—not impeding sight—
Of other beauty glittering thro’ the light—
A wreath that twined each starry form around,
And all the opal’d air in color bound.

All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear’d the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of—deep pride—
Of her who lov’d a mortal—and so died.
The Sephalica, budding with young bees,
Uprear’d its purple stem around her knees:
And gemmy flower, of Trebizond misnam’d—
Inmate of highest stars, where erst it sham’d
All other loveliness: its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp’d from Heaven,
And fell on gardens of the unforgiven
In Trebizond—and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant, in grief
Disconsolate linger—grief that hangs her head,
Repenting follies that full long have fled,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten’d, and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth—
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus thither flown
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d’oro!—Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river—
Fair flowers, and fairy! to whose care is given
To bear the Goddess’ song, in odors, up to Heaven:

  “Spirit! that dwellest where,
    In the deep sky,
  The terrible and fair,
    In beauty vie!
  Beyond the line of blue—
    The boundary of the star
  Which turneth at the view
    Of thy barrier and thy bar—
  Of the barrier overgone
    By the comets who were cast
  From their pride, and from their throne
    To be drudges till the last—
  To be carriers of fire
    (The red fire of their heart)
  With speed that may not tire
    And with pain that shall not part—
  Who livest—that we know—
    In Eternity—we feel—
  But the shadow of whose brow
    What spirit shall reveal?
  Tho’ the beings whom thy Nesace,
    Thy messenger hath known
  Have dream’d for thy Infinity
    A model of their own—
  Thy will is done, O God!
    The star hath ridden high
  Thro’ many a tempest, but she rode
    Beneath thy burning eye;
  And here, in thought, to thee—
    In thought that can alone
  Ascend thy empire and so be
    A partner of thy throne—
  By winged Fantasy,
     My embassy is given,
  Till secrecy shall knowledge be
    In the environs of Heaven.”

She ceas’d—and buried then her burning cheek
Abash’d, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr’d not—breath’d not—for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name “the music of the sphere.”
Ours is a world of words: Quiet we call
“Silence”—which is the merest word of all.

All Nature speaks, and ev’n ideal things
Flap shadowy sounds from the visionary wings—
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky!
“What tho’ in worlds which sightless cycles run,
Link’d to a little system, and one sun—
Where all my love is folly, and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath
(Ah! will they cross me in my angrier path?)
What tho’ in worlds which own a single sun
The sands of time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro’ the upper Heaven.
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky—
Apart—like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle—and so be
To ev’ry heart a barrier and a ban
Lest the stars totter in the guilt of man!”

Up rose the maiden in the yellow night,
The single-mooned eve!-on earth we plight
Our faith to one love—and one moon adore—
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours,
Up rose the maiden from her shrine of flowers,
And bent o’er sheeny mountain and dim plain
Her way—but left not yet her Therasaean reign.
Notus in fratres animi paterni.
                       Hor. Carm. lib.II.2.

A blesséd lot hath he, who having passed
His youth and early manhood in the stir
And turmoil of the world, retreats at length,
With cares that move, not agitate the heart,
To the same dwelling where his father dwelt;
And haply views his tottering little ones
Embrace those agéd knees and climb that lap,
On which first kneeling his own infancy
Lisp’d its brief prayer. Such, O my earliest Friend!
Thy lot, and such thy brothers too enjoy.
At distance did ye climb Life’s upland  road,
Yet cheered and cheering: now fraternal love
Hath drawn you to one centre. Be your days
Holy, and blest and blessing may ye live!

  To me the Eternal Wisdom hath dispens’d
A different fortune and more different mind—
Me from the spot where first I sprang to light
Too soon transplanted, ere my soul had fix’d
Its first domestic loves; and hence through life
Chasing chance-started friendships. A brief while
Some have preserved me from life’s pelting ills;
But, like a tree with leaves of feeble stem,
If the clouds lasted, and a sudden breeze
Ruffled the boughs, they on my head at once
Dropped the collected shower; and some most false,
False and fair-foliag’d as the Manchineel,
Have tempted me to slumber in their shade
E’en mid the storm; then breathing subtlest damps,
Mix’d their own venom with the rain from Heaven,
That I woke poison’d! But, all praise to Him
Who gives us all things, more have yielded me
Permanent shelter; and beside one Friend,
Beneath the impervious covert of one oak,
I’ve rais’d a lowly shed, and know the names
Of Husband and of Father; not unhearing
Of that divine and nightly-whispering Voice,
Which from my childhood to maturer years
Spake to me of predestinated wreaths,
Bright with no fading colours!
                                               Yet at times
My soul is sad, that I have roam’d through life
Still most a stranger, most with naked heart
At mine own home and birth-place: chiefly then,
When I remember thee, my earliest Friend!
Thee, who didst watch my boyhood and my youth;
Didst trace my wanderings with a father’s eye;
And boding evil yet still hoping good,
Rebuk’d each fault, and over all my woes
Sorrow’d in silence! He who counts alone
The beatings of the solitary heart,
That Being knows, how I have lov’d thee ever,
Lov’d as a brother, as a son rever’d thee!
Oh! ’tis to me an ever new delight,
To talk of thee and thine: or when the blast
Of the shrill winter, rattling our rude sash,
Endears the cleanly hearth and social bowl;
Or when, as now, on some delicious eve,
We in our sweet sequester’d orchard-plot
Sit on the tree crook’d earth-ward; whose old boughs,
That hang above us in an arborous roof,
Stirr’d by the faint gale of departing May,
Send their loose blossoms slanting o’er our heads!

  Nor dost not thou sometimes recall those hours,
When with the joy of hope thou gavest thine ear
To my wild firstling-lays. Since then my song
Hath sounded deeper notes, such as beseem
Or that sad wisdom folly leaves behind,
Or such as, tuned to these tumultuous times,
Cope with the tempest’s swell!

                                                These various strains,
Which I have fram’d in many a various mood,
Accept, my Brother! and (for some perchance
Will strike discordant on thy milder mind)
If aught of error or intemperate truth
Should meet thine ear, think thou that riper Age
Will calm it down, and let thy love forgive it!
Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the rose is blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
In a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.

All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.

I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.

I said to the rose, "The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those,
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."

And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;

From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.

The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."

She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead,
Would start and tremble under her feet,
And blossom in purple and red.
Each hour until we meet is as a bird
That wings from far his gradual way along
The rustling covert of my soul,—his song
Still loudlier trilled through leaves more deeply stirr’d:
But at the hour of meeting, a clear word
Is every note he sings, in Love’s own tongue;
Yet, Love, thou know’st the sweet strain wrong,
Through our contending kisses oft unheard.

What of that hour at last, when for her sake
No wing may fly to me nor song may flow;
When, wandering round my life unleaved, I
The bloodied feathers scattered in the brake,
And think how she, far from me, with like eyes
Sees through the untuneful bough the wingless skies?
Marian Mar 2013
Part I

Goodnight under the shimmering Moon
It's lacy shadows reflecting into the lake
As it moves across the sky silently
Like a bowl that tips to it's side and spills out
D. R. E. A. M. S

Goodnight under the shimmering Moon
Where breezes blow and stirr the trees
And the sweet smell of lavender
Drifts through my bedroom window

Goodnight under the shimmering Moon
Where dreams forever are
And where dreams are always pretty
But where they never end

Goodnight under the shimmering Moon
Where dreams forever reside
And where they always come true
Under the shimmering Moon there's a place for me and you

*
~Marian~
Come into the garden, Maud,
     For the black bat, Night, has flown,
Come into the garden, Maud,
     I am here at the gate alone;
And the woodbine spices are wafted abroad,
     And the musk of the roses blown.

For a breeze of morning moves,
     And the planet of Love is on high,
Beginning to faint in the light that she loves
     On a bed of daffodil sky,
To faint in the light of the sun she loves,
     To faint in his light, and to die.

All night have the roses heard
     The flute, violin, bassoon;
All night has the casement jessamine stirr'd
     To the dancers dancing in tune:
Till a silence fell with the waking bird,
     And a hush with the setting moon.

I said to the lily, "There is but one
     With whom she has heart to be gay.
When will the dancers leave her alone?
     She is weary of dance and play."
Now half to the setting moon are gone,
     And half to the rising day;
Low on the sand and loud on the stone
     The last wheel echoes away.

I said to the rose, "The brief night goes
     In babble and revel and wine.
O young lordlover, what sighs are those
     For one that will never be thine?
But mine, but mine," so I sware to the rose,
     "For ever and ever, mine."

And the soul of the rose went into my blood,
     As the music clash'd in the hall;
And long by the garden lake I stood,
     For I heard your rivulet fall
From the lake to the meadow and on to the wood,
     Our wood, that is dearer than all;

From the meadow your walks have left so sweet
     That whenever a March-wind sighs
He sets the jewelprint of your feet
     In violets blue as your eyes,
To the woody hollows in which we meet
     And the valleys of Paradise.

The slender acacia would not shake
     One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
     As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
     Knowing your promise to me;
The lilies and roses were all awake,
     They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
     Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
     Queen lily and rose in one;
Shine out, little head, sunning over with curls,
     To the flowers, and be their sun.

There has fallen a splendid tear
     From the passion-flower at the gate.
She is coming, my dove, my dear;
     She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
     And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
     And the lily whispers, "I wait."

She is coming, my own, my sweet;
     Were it ever so airy a tread,
My heart would hear her and beat,
     Were it earth in an earthy bed;
My dust would hear her and beat,
     Had I lain for a century dead;
Would start and tremble under her feet,
     And blossom in purple and red.
Marian Mar 2013
My friend from Fairyland I love to hug
We walk through the tall blowing grass
While the breezes stirr and swish our skirts
And as we stop by the creek she turns into a Fairy

One so dear, one so sweet
One the Fairies love to greet
One they respect and love to fly in the air with
One they make beautiful clothes for

One they make a crown of rosebuds
And one they especially love to dance with
And one they sing for with voices loud and clear
One they sing a lullaby to at Night

When their beautiful Fairy Queen sleeps
On a pretty soft bed of ferns
They all sing softly to hush her to sleep
And I happily sing with them for my Fairy Queen!

*~Marian~
For Lori Callahan, my Fairy Queen. I hope this will cheer her up. Now, my Fairy Queen, let us dance with your Fairy Folk. <3<3
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin'd itself
Into calendar months and days.

This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss'd
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirr'd the devils everywhere,
Gave his sentiment divine
Against the being of a line.
'Line in nature is not found;
Unit and universe are round;
In vain produced, all rays return;
Evil will bless, and ice will burn.'
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads;
The seraphs frown'd from myrtle-beds;
Seem'd to the holy festival
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bounds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.

A sad self-knowledge withering fell
On the beauty of Uriel;
In heaven once eminent, the god
Withdrew that hour into his cloud;
Whether doom'd to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the celestial kind,
And their lips the secret kept,
If in ashes the fire-seed slept.
But, now and then, truth-speaking things
Shamed the angels' veiling wings;
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel's voice of cherub scorn,
And a blush tinged the upper sky,
And the gods shook, they knew not why.
Batool Oct 2021
One winter night,
when it's all cold and dark
memories stirr a pain
that will again leave a mark

Silent screams that echo
words that claw at soul
heart then pumps the agony
and you start loosing control

the darkness then seeps in
and coldness that follow
morning sun then shines
on a heart that's left hollow !!
Marian May 2013
The breezes blow through the trees
The sky is light blue
And there are a few clouds passing through
Green are the leaves that stirr in the wind
And the trees waltz and dance
Because it is a lovely day
The breeze softly cools my fair cheeks
And the smell of roses dances through the air
The sunshine dances on the trees
And on the green leaves
Making everything look bright and sunny
Such a lovely day
Warm golden rays shine upon the ground
And kiss the violets with their warmth
The roses sway and dance to the warm
Soft sunshine
And the tiny flowers
And the buttercups
Dance and waltz in the tall green grass
Such a beautiful day

*~Marian~
Mateuš Conrad Jul 2018
/                you sure that there's an actual vinyl
revival?
   it's stirr-frying my testicles
back in england
   and vinyl is on the comeback?!

**** yeah!
   i tried interpreting an ancient egyptian
concept of a fanning / ***** police
for days on end...

  newspaper? no...
    saturday nespaper magazine?
no...
          c.d.?!
             no...

              impromptu napkin
"loophole"?
             nope...

    vinyl?!

             oh **** me!
i own a vinyl sgt. peppers'...
don't really want to listen to it...
but, vinyl, within
the framework of a revival?!

   july sunday pants...

                you can fan me back and
forth, back and forth that
elongated into circular *******
           liquorice...

finally! vinayl has a secondary,
degenerate purpose...
      fanning equippment!
spread the air...
  unless you're me
lodging a ******* imitation of
a ball-sack with
ice-cubes dangling in front of a fan:
spreading nothing,
but hot air...

   honest to god, in this weather:
the beatles' vinyl?
    means as much crock-****
as i'd really love for a
  nefertiti:
                   "woof"...
   or a...
                           wave of air...
     a bellowing bull
                      with rotten breath...

but at least we found out that
vinyl is useful afterall...
way past the newspaper...
   or a pigeon flapping,
or the comment section
that's coorporate...

        vinyl?
       perfect flapping equipment!
disperses the air...
      like sinatra disperses
bad singers...
                   drunk and...
  'opely 'opefully on to "it".

   is that like: the dead come (back)...
and then we hit karma redemption
with reincarnation?!
   limited contra dough-dough-deep
state affairs?!
       new delhi ***
                           new york?!

no wonder i can't stop laughing
as if that could even be translated into
slavic languages!

                    you pompous
anglican-integrated-******...
   ****** english women...
  you?! you?! you?! you want
to dictate, rules for me?!

               ******: now i want
to fight your side's resemblance of goliath!
i've petted an alsatian and a dobberman
up to the age of 8...
         i think i'll manage...
****-******* your granny's egotism
rooting for: ahmed no. 1.
Becky Littmann Mar 2015
As the words stirr in your brain, soon to be forgotten & left forever unsaid
Day after day slowly disappearing
Under layer upon layer of dust
Since the choice of being seen & not heard was a must
Just the thought of keeping my mouth shut & leaving my voice silently unspoken
Drives my mind insane & my heart feeling ignored & broken
How can they say it is better to seen & Not HEARD???
To me that just sounds so harsh  & complety absurd!!
I say it's better to speak what's in your mind
Sure it may not be what they want to hear because it may be rude ,instead of kind
But everyone has the right to express
What they think or may have thought
People just need to shut up & learn,
Learn to listen, they can either agree with it or not
No matter the subject or situation,
Someone will always have an opinion
We just have to be patient& trust ourselves with whatever we believe in
Marian Mar 2013
Waterfalls roaring mingling
With the sound of warbling birds
Cold breezes stirr the trees and rustle
The leaves that forgot to sail
Off the trees
Creeks bubbling and flowing forever
Gurgling and winding along steep banks
Oh, such beauty seen today
Such lovely and picturesque beauty
Which nearly took my breath away
Moss covered rocks and grass
And bushes which bloom in late Spring
And stands with might
The dark tunnel of stone
Going
Right
Through
The

M
O
U
N
T
A
I
N
!
!
!
!
!
!
!
.
.
.
.
.
This is all true! Just a poem describing what I saw at the Blue Ridge Parkway.
Callum Davies Mar 2015
My sweetheart like venus,
she's lovely and light,
she's fairer then blackthorn,
she's slim and she's white,
there is no one like her,
for far or from near,
it's the truth i am telling for all men to hear,
Her from has the splendor of straight-growing trees,
her hair like ripe corn that is stirr'd in the breeze,
her eyebrows like grossmear that hangs by the door,
if only she'd love me i'd ask nothing more.

My sweetheart she loves like a shower of rain,
now clouded, now weeping, now smiling again,
but she who loves many is left without one,
true lovers has one love to run.
Arms wraped around hers as we lay in bed.
Memories stirr within her head.
But i hold her and love her with all that i can.
Even each soft kiss and touch from my hand.
Infatuation? Lust? Dances in my soul.
Puzzle pieces hoping to become whole.
My mind screaming for answers while the feelings rush out.
The lips upon lips, which my mind burns at the thought.
I wince. I shout.
I hold her tight to tell her she is worth it.
That'll she'll make it. She is beautiful. And I love her for it.
I dare kiss her lips oh the thought burns!
My body winces.
Twists and turns.

And as i awake from my daydream into the darkness of my room.
I sigh and hold myself, to save myself from doom.
It is no surprise that this was a powerful work of art.
The feelings for you that dance in my heart...
Another hopeless crush
Somebody just give me a sign
That everything is going as planned
I can't believe after all this time
You haven't changed one bit
Your smile is cracking
Your temper is flying
So high
Your fists are clenched up now
It's time to leave this matter
To die
Time to bury a hatchet
The details should never survive
I have no interest anymore
No time to think
Just turn around and walk
Straight out the door
And hit the wall
Of conciousness as you awake
From your deep dark sleep
Hearing a noise
Just curtains in the wind 
You think as you stirr
Turn to your left
Think about your life
This time everything Is real
This time it's gone
This time it's taken far too long
You gasp as you see
Turns out it wasn't a dream
The sheets are all tossed
The man there is gone
All that's left is broken dreams in his wake
©Bruno Joseph Orsi
Dolly May 2019
In a tragic of despair
that she could espy of something unseen
but what I know now in the nowhereness of triumph is the oblivion that’s long forsaken . My mother, the earth , has loved the truth of my words . My mother of memories, where my intricate roots embedded in her many wombs , with her,
my mother who is the mind to my soul, with her crystal teeth, puncturing the veins of my spirit, I am uncured from the illness of illusion.
with the love that is filled with the sickness of the cerebral ;
that every nerves, they only now yearn to forget, to erase, to delete,
what should never end , will ;
of those forward to ,
is like catching light,
my mother's arms, wrapping my dead body,
for that great freedom that ought demands
but now encountered swords that I see no farther onward impulse stirr'd,
from every dew-drop in this sequestered heart.
it inculpates the soul’s wigwam,
to love , that is unpure
powered of perception ;
for me , do so as what say I
the abyss will never know -- without noise, bad field of unfamiliarity, to create the creation of layers, layers of spectre, phantasm, apparition;
I exorcise & exterminate this being of nothingness, name that is uncelebrated ; & be merrily skipping in their long farewell,
you gave your face , I gave mine
& there shall be a bow of
hypothesis, musings, mirage

I inject, dementia
trying responsibly to digest over
my own ignis fatuus
/
there will be hanging gardens
the commotion of untendered bones
down beneath your cloaks,
knowing sympathy, to bully an empathy
death come, came & in repeat
through the lullaby of Antioch,
sorrow wholly unexpected, in scarcely discernable; but far descried
black winged demon vanished through the chested barrier of feelings, when justice lynchings in the centre of my core,

twixt vows, where from descended upon myself alone, indecent, in deep scrutiny —
Something complicated even to my own self --
Colm Apr 2022
We are all human
We all are being
All self doubt and smoke and ashes and dust
We settle still
And stirr like stones
And never stop the search for meaning
We all are human
We are all being
K Balachandran Mar 2017
Staring at his once green patch he stands,
abundantly verdant, made his heart dance
where he should have tilled happily, as he wished
and raised his crops, isn't the life he dreamed?

An abandoned page now, it could have filled
with poetic oozing from the inner spring
when caught between the cross fire unawares
one has to go down and hide under the thickets

His facund red earth  now has hardened like a rock
the rains have abandoned this land for long
still not down,he is  gathering what is left,
wish to infuse his passion in the beauty of words.

Deep down in his psyche a stirr, still he could feel
while waiting for the return of the muse who went
to fetch water to fill her magic pitcher to sustain his crops,
he waits for her to trek back before the winter sun slants
Hope  crop  Muse
Mateuš Conrad Jun 2021
dua li[a...
excess drinking...
round and round and round
on a roundabout....
headphones:
no horse.... no gallop....
no woman...
no saddle....
   no mongol or ***
stirr-up:
squint me a Cantonese...
i'm about to leverage a focus
of gravity.... then again:
maybe i'm not.
Alone
Watching me
Writing a thought
going deep inside me
To find any thing to bring a spark in me
To find all answers of piled up questions
To stirr me hard to pull up
the sleeping part
To say something to me
to show me path
To search my whole
To search my soul

— The End —