Submit your work, meet writers and drop the ads. Become a member
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Jesse stillwater Nov 2018
Flaming bridges up in smoke—
ashes scattered in the wind
Requiem to passing yesterdays;
vestige of all that’s lost —
bestrewn in prevailing currents
amongst the drifting autumn leaves

No smoke on rising waters
— lingers between
growing distant shores
Untamed rivers rising
rinse away
the taste of sparks
spake from silent tongues

Portaging all that once was
with all that could never remain, 
back to the briny deep 
An uncontainable
rivers pilgrimage —
entombing reverently
ancient fractals of being

Sowing feral rivers' ashes —
sacrificial scatterings of destiny
washed afar unto the flotsam
on shoreless stormy  seas


Jesse Stillwater
November 2018

Mused by a poem by melissa rose

"Spreading my ashes"
https://hellopoetry.com/poem/2808566/spreading-my-ashes/
Roo Mar 2016
Words will betray your mouth,
gather clumsily behind your lower
lip before walking away, stumbling on a flat surface.

Words will betray your mouth,
your tongue will trip as it attempts to curl around many syllables and shapes that are hard to form.

Words will betray your mouth,
teeth chattering in anxious continuum, individuality being sworn away

Words will betray your mouth,
even when your thoughts are the burning lava at the mount of the volcano come to known as your throat.

Words will betray your mouth
when you are not using it to convey them.
Mindless scatterings of useless words pushed together into a form or a silent mouth opening and closing around another.
I hate this almost as much as I hate myself
The Wicca Man Dec 2012
“The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”― John Milton, Paradise Lost
___________________­_______

Consider the mind
in whose deep caverns find
scatterings of memories
prismatically displaced.

Red recollections
that still incur wrath and venom,
arguments long forgotten.

Green recollections
emanate warmth that kindles
innocent times recalled.

Blue recollections
mauling at this bogus tranquillity,
scratching and tearing,
leaving oozing welts that fester
into melancholy.

Now hold this mirror shard
to these memories’ light:
watch the beams discordant
ricochet, obtuse, acute,
chaotically flaring into momentary awareness.

Consider the mind ...
Nat Yonce Sep 2010
Johnny in the garden
Cut his hair real close
Now
With the mower.

Says he's got a fever,
But you don't believe,
Yeah,
He's a liar.

Spanish Inquisition
Rocking through his heart
It's
Trying to find that

Very special section
Lets him love again.
No,
We can't have that.

Let's drag him down.

Shards of glass and pistols,
Mirror in the face,
We're
Out of focus.

Dart him in the eye.
Dart him in the eye.
Dart him in the eye.

Johnny's in the attic,
Hanging by a bulb.
He's
Left the light on.

Music's running over
Running out of time
See
How he's running.

Let's tear him down.

But we don't play that anymore.
Johnny's got a different score.
It's a song of roaches
And cathedrals that he sings -
An ode to ***** scatterings.
A white ribbon on his right *******.

Cigarette in limbo,
Space between the ears.
Dust:
Mite-specific.

Books of strings and theories
Numbers on the shelf
Un-
Finished papers.

He's so fine.
He's so fine.
He's such a

Passionate disposer,
Decomposing you.
So
Decomposing.

Let's yank him down.

Johnny, in the innards.
Lot of help, those ribs.
How
Much protection?

Never in a million
Needle in the hay
One
Into many.

Brother John is dying,
Agonizing pain-
Ful-
Ly apparent.

Choke, choke, choke.
Dance, dance, dance.
Chance, chance, chance.

Johnny Roach is down.
Johnny Roach is down.
©2010
bleh Oct 2016
we break into the graveyard after hours. no purpose, but it's just there, down the road. and it's nice the way it overlooks the ocean.
   climbing over the hedges, we see a middle-aged couple already there, blasting dixieland on a portable radio. we share a confused look, and just leave again, a tad indignantly. it's the kinda thing that's ruined if someone else's doing it.

                                                  summer drags on,


the sound of trucks. bubbled wallpaper in pavement creaks.
wonder with the directed slice of soft fallen pillow lumps.

we
          round the way to the two parks, one with the children mewling on the wooden
stumps and the other with the cigarette butts, sports grounds, snubbed out sunday radio. the wind make a steady jaunt down the long
forgotten corridors. there's little to see here, but it's an easy place to make home. the trees sway something rotten that would make a newcomer uncomfortable, but you learn to shut it out.

we're
standing in the road, hands in pockets, against the chill. no one's sure what to say. not sure if saying anything really helps the fact. it just embroids the situation with complexity, detracting from an otherwise pure, if unpleasant, tone. we settle for a 'see you around.' the claim, if it is a claim, is false. the movers come early the next morning. and the house down the way stands vacant. the boards rot away. a year later the building is knocked down. rebuilt. craftsmen and diggers. but the same lot. same dirt. chewed up and digested. every winter the worms die. are replaced. tendrils expanding and contracting. sit down. it becomes so wearisome, but sometimes the sun's mild presence  makes it okay. the boards buckle in the damp morning light. the
  water filtration system hums down the road. the neighbour's kid crosses the road to the other park. kicks a soccer-ball for a few hours, gets dejected, and returns home, is reswallowed by the painted timber.  


the bible pushers did the usual rounds on wednesday. Mrs. Grensten would always let them in for tea. we'd watch from the other window, and imagine infidelities, convoluted fetish play that they'd get up to. a game of enticing disgust. eyes on the window in the hope they'd slip up, and we'd see a shot of tired flesh among the drawn curtains. a vacant voyeurism. laugh in the boredom of a dreary sin.
       they haven't visited for some years. after Mrs Grensten died, the next time they came Mr Grensten chased them away with his walking stick among coarse shouts and tears. the downstairs windows and now left open, but there's nothing inside


your pen-pal in Romania sent a postcard. they didn't write anything, but there was an old chapel in a field on it


some days the sea is quiet. generally in the early morning, during lowtide. under the moon the sand takes on this expansive pale blue luminescence  
        usually it's either too crowded, or the waves make up for the lull in people. i thought i had a point here, but i didn't


  she stands in cotton robes, stained and dyed with gin. mother says to ignore her. she rings a small ornamental bell. you don't really get it. you ask why she's ringing it. with a finger to the mouth she shushes you. you look offended. as you 're about to persist in demanding explanation, she steps out into the road, just as a courier van speeds round the corner. she wears a soft smile. the tiremarks on the cotton makes a pattern that reminds you of something, but you're not really sure what.


a humming light on an old oak table. there's a peacefulness here. you loose tempo, and the crowding figures look at you with irritation. you feel small and wish to melt, to become liquid and drain away, move in motions already dictated, they ask the next question. Who are you? Why? Justify your reasoning.
       a half ****** caramel drop. sticky.
       pavement grit. coarse.
   they
                closed the walkway due to wasp nests.
you're not sure which route to take. you pass
     by the graveyard instead, and look out to sea. there's a gentleness here. it reminds you of something, but you're not sure what


   we used to find bugs at the pond edge. the area had a piercing smell, but that was part of the charm. it meant we'd never dare enter the water, though. one day in teenage bravado, we did. it was slimy in texture. suddenly, you pushed my head down among the green folds. there was something there. a soft, but solid texture, like jelly. electric scatterings. old tire tracks folding out, like a deconstructed rubiks cube. i shoved your head in as well. we laughed and splashed in viscera.  wye's spoke in empty folds and promised us the world in reassuring tones. the warmth of a log fire on a winter eve, crackling sparks glowing in undulation. the muffled tones of a showerhead, blanketed in feathers. a mellow smile of the certainty of an inviting future. we lay on our backs and the sun shone down through the trees. as it passed the yardarm we headed back to shore, lost rapture of the soft kisses of meadow-banks. you grabbed a rock and bashed me in the head. a solid but glancing blow. this too, was fine. no fear, just laughter. i grabbed one too. with blunt instruments, we chiselled skin and bone. small enfolds of the rising moon. we stretched out, fingers entwined. no fear. possibly regret? but a soft regret, the kind that tracks the passing of time, that lets you register the ceaseless withering of the past, and hopefully, see beyond. rivulets of blood. i breathe in your gaze, and melt into grass. just laughter.


the stitches in the corner of your mouth are rotten. that's good, that means the healing is done. flesh reunited with flesh. you feel it with your finger. there's a bumpiness, but little sign of much else
see you around
W D Dec 2011
Labyrinth of years
minutes wrapped tight in a spool
he harvested
momentos,

conjured up the proof pumping
gasps of memory

chase
in the scatterings
of recognition in loves station,
having braved a culture
that censors your union.  

You  retraced those circles
dedicated
pirouetting beside his given
amnesia to a garden of memory
Hal Loyd Denton Jan 2012
The Ring of the Familiar
The way some how you fall between real and the remembered mostly this would occur at night in a crowd with a cacophony of sound
All of a sudden you hear as definably as any sound yesterday voices and sounds maybe passing shop doors the light falls across the
Sidewalk but in a rush when the door is passed through you hear a familiar voice or sound somewhere there is a tear in time and at
Least emotionally you are transported as surely as you are on H.G. Wells time machine the moment is as real as life ever gets do you
Feel a tender brush with love as fragrant as a flower that has been crushed it wafts on the breeze it leaves you soft like the breeze in a leafy tree
A window in time has been officiated their duty is to defy logic for you at this transitive time many acts are at play folded in many
Layers Discovery by chance pleasure is the unquestioned dance you whirl in fluid memory among some of the most sacred an elusive
Scatterings is emitted in linear constant bearing beaming from a power source undisclosed but it is filled with retrieved and stored
Conversations relationships through time its original fragile delicate hold was broken prematurely many thoughts were left free
Floating not successfully shared now they come unbidden cherished treasures unlocked free floating they slip in at unexpected
Moments distilled in richest detail they lift to heights of sublimity in ordinary happenings they lay raw missed connections now they
Fulfill with blinding speed they catch your heart long ago sad and dark corners now filled with light where weakness was evident
Now friends and family will see new surges of power and will ask where that came from it came from prisons of lost long ago that
Were meant to be freeing and exhilarating but time and chance happens to all and these were carried by dark realities that rose on
The wings of unexpected trouble out of sync with normal flow because heart ache broke their utterance and scattered them on the
Wind now they have returned more poignant more urgent than normal they flash in brilliant light in the tiniest sliver they over power
Whatever meager strains of human content it finds brushes it aside fills unspeakable hidden places of longing liberation finally
Endows the suffer with power no longer riddled with sorrows endless maze the divine messenger has spoken from the shadows
Now all is renewed black nights banished replaced with a heart brimming with joy all just from brief encounters with familiar sounds
(20 minute poetry)

Wish I was there in the clear where the light casts no shadow behind me,
wish it was so that if I could go I would.

But nothing good comes of wishing,
ask genie he's been listening to wishes for years .

I'll remain in this limbo wondering if time dies then where does it go?
When I know the answer I think that I'll know it all.

On the seventh colour run when the sun throws a rainbow glow over the wet pasture be sure to take a fishing net,
get an early start.

I see them
ten times ten of them
MARCHING up to York
and
If the glory of Rome could talk
what would it say?
' lions to the left
Christians to the right
someone play the fiddle
there's a barbecue tonight?'

These random scatterings are only the
Chatter of a loose tongue
Wrapping rhythms in bubbled gum
Shadows dreaming in the noon and
Soon the sun will go
The budget of my day will be spent and my descent into the rambling of night will begin.
Chris May 2015
.

Early morning wanderings
down a dew drenched pathway,
between windswept irises
and pine cone scatterings

Listening to dawn's whispers,
sweet words of love
wafting through sleeping honeysuckle,
speaking softly to my heart

I pause in the wondrous serenity
of a watercolor sunrise at the gate
at the end of your walk, smiling for I know
*my perfect morning begins here...with you
Good morning beautiful
BG Ibañez Aug 2015
He gave every breath daily
To a world—A world of brisk heartbeats
A human thud per terasecond
And within the quantum of technology grace
Hard facts and simple sentences
Typed down each word
To complete the quota

He left his soul behind
No love was aloud
No love was allowed
So, to set the pace—
He kept his world to his own
Versus those whose worlds were with each other

The loneliness turned to rain
Silver scatterings and empty wholes
Water would hold no life
Willows hate. Don't thrive
Connecting the dots without the push of a pen
He loomed in routine but his heartbeat was still there
Mastering the mundane
Walking the earth, not at all running

Words were written on his face
Founding the start of standard
And implying a taste
He could like every photo
Yet hate that person elsewhere
So, he cried
And no tears fell
So, he worked
To pay money for love
Like a fool
Like a tired fool
This is the start of my working days. hehe.
B Berres Nov 2012
When I know nothing else,
not where to place faith,
nor how to distinguish,
the blurring of days.
The town burns without fire,
coursing through,
scatterings decorate the streets;
conglomerated brew.
Runes of lives no longer lived.
Forgotten by disaster, I survived.
Refusing warrant.
Mental transcendence; torrent.
I hear you talking but I don’t listen
When did we become these people?
Lacking vision.
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
PJ Poesy Apr 2016
I left part of you
under and within mulch
of the rhododendrons
by sacristy's window

As close as I could bring you
to saintly relics
without endangerment
of my own immolation

That way
when church bells chime
communicant I might be
with you

Garrulous tolls
ringing from a high
reminding me
your hallowed selflessness

As clangs resound,
reechoing's reaching,
your preaching, there
to your choir

And here I dance
above other scatterings
of you, your deranged
selfish parts

Dichotomous bones
cremated and created
because I never believed
in your martyrdom

Too self-righteous
to resurrect
Let your clattering flatter
Let my feet stomp

Your suicide changed me
Enflamed me
And you and I
are not saints

Though you are now
somewhat
closer
to them
For Nelson, and myself.
Jamie L Cantore Mar 2017
Ah! if my youth were a perdurable
trance! My reality not roused till a
sun's expanse; where an aeon could prompt the first blush. Perhaps, though
those extended dreams were flush
with futile grieving, yet better than
algid facts of Existence, & relieving
kindled verve, to whose heart just
is, and always has since birth; still
within the pleasing earth, a snarl
of longing rage from her surge.

But should it come to pass--that
vagary unceasingly continuing--
as trances have always passed
in my youth--could it be this
winnowing revelled in the sky
in dreams in their bright truth
found lost within a great lie
in dreams of happier times?
I shall slumber a bit longer,
to seek out the scatterings of
Life's little difficult answers:
but I age all the while I sleep on
hopes and wake I still anchored.
Connor Sep 2016
I (August)

By way of magic theaters
& Volumes of intellectual glitter
& Tragedy in the form of escalator dramas
Replaced with alcoholism and the tile floor in need of cleaning

Bulbs green and vibrant
In accompaniment of nearby mechanical ships/
I'm too spoken and the traffic has been melting against itself for the last three weeks

Doorhandles left empty of the
Torch of lost odors
& Bouquet smiles
& Petrichor thru the window facing the street
A shouting sort
And 25 cents in my back pocket

The dream I had yesterday of Bank Robbery
Solipsism

Also sexuality revealed as
The Camel's endurance
For kind people

Everyone around me in the bookshop starts vocalizing my internal scatterings
& The whole thing becomes surreal
Corso waves as I walk by
I'm afraid if what might happen on acknowledging it

Lamppost summoned and
Violent
Carpet is stained with the footsteps of people you don't want around anymore

Your gigantic ego had a hard time fitting thru the doorframe on exit


II (September)

A woman is reading a japanese book on
Windmills
Cradled by a sweater the tone of
Sunsets

The hour has devolved into silhouttes

An internal voice peaceully sings its way higher into the skull to be remembered/
The melody of September

On the verge of permanence at all times
& feeling it now!

You will never be this shy around
Orchards again,
Once the Hotels quiet down &
Autumn laurel replaces the crow of
Current conciousness

Ur journal is a series of wet shapes
Lucidly mixed with Candlewax air

Have fun transcribing Burmese papers
Or attempting Monkhood in Vermont!

III

It has been easy attending
All these social Funerals
And watching the Hospitals keep busy
As water is drained from countless fountains

Meanwhile a dog with a crooked lung is manufacturing a vivid sense of
Totality with the garden
Tongue out
Unaware of the Sun
Mary Gay Kearns Mar 2018
In the middle of nowhere Evelyn thought,
Starting somewhere where time had stopped
And yet still it did not end like the Zoo train
With its certain length and specific destinations;
She clambered over memories, digging deep
Then it came that feeling where joy inhabited
And a warmth glowed up to join together
The parts that she had missed and not known;
The chair had been vacant, but for a few toys,
Scatterings of pleasures taken when not vacant,
She loved this turning over of her small hands,
It had been grandma's chair bequeathed to
A little girl loved so much the wind ached
And the clouds sobbed at their separation.
But the chair with its shifting images
Was where love resided, safely,
And Evelyn found what she needed
Cherishing that which remained.


Love Mary x
To Evelyn love Grandma Mary xxxx
Jennifer McCurry Jun 2020
I decrease in this winter worship of you
Nights of dark wine
Stain my lip
You had left your blood on my tongue
I tasted it
And had thought to drink more
My desire beyond the fruit  
In the iron  
  
A skin like  
Delicacy  
The nature of my ways
Taken and broken  
The ****** burst  
Dripped to white sheets  
And was counted
  
I would like to feel like white again
Would dwell in that cerebral cloud
For an eternity  
Would walk  
Bare foot placed with serene forward  
Calm  
The grace of youth  
The mercy of not having to  
  
Remember  
Need  
Want  
Know
  
Have any doubt  
About what one touch  
One taste of you again passing  
My connoisseurs lip
Might do to me
  
The Earth collided and cooled  
In the time it took for you to leave me
  
Minutiae  
Details like hot stones
Linger  
When held in my hand  
Warm calm and its effects
  
But the calx
Of anything worthwhile  
Still dries red  
And owns little residual value
By any apothecaries standards  
Worth his salt  
  
You flake away
Fly into the wind
The scatterings a mess
And leaves only a spirits agent  
To show prophetic map
To nowhere sacred
  
Well hidden under etched statuary  
Of dark wings
And angelic gaze veiled and obscured
Rounded mound holds the body of my faith  
  
But the most of me still exists  
Outside of this  
And roams the red droplets  
Eluding to destination  
A map charted on cotton  
So long ago
And far away
That my memory has become a maze
  
A prized labyrinth  
Of memoria
And nocturnal emissions  
  
I so often wake from my dreams  
spent
  
But my virtue does not lay
Within my dreams
She lies at the feet
Of where you once stood
And spread your arms to shadow me

Your arms hover no longer
Your swing does not fly shade
Like swift ghosts
Across my face
While iron lingers on my tongue

I begin to shake with capability
The woman of me slinks back into my soul
And kisses the forehead of my girlhood
Jowlough Nov 2017
I'm not the kind of fool
Who goes first on fondues
Wreak havoc on travels
And get lost and bruised

And fight for anything
And anyone of feelings
I am the son of cold
And the grand child of vulgarity

Never the strong man
Nor the spiritual insane
Running my highway
In my own truck lane

Never ink blotted
By the time I felt I'd like to
Overdoing scatterings
Forcing pusses to pop lingerings

Cropped out from photographs
I am the eagle from the south
A day older from my mere shadow
Of dandies and slouch

I am the charmer of ghosts
In this fatigued jacket
Taking charge of bullets
Triggered from your guts

From your sub standards
Pulled from the gauntlet
Off your misfiring ammo
Crash dummied rocket

Murmurs and prophets
Fake gay dimples
Soft brushes
First class test crashes

In the middle of the zone
Blows my head
Leaves my lights on
Off to bed.
Crook
My fancies are bitter flies,
Sparks of looming light,
Twinkling in the dark.

My fancies are Drowsy evenings,
Which echoes the silence of a careless glance,
To soak up the pleasures,
Of disobedient thoughts.

The bindings of love has grown such filmy wings,
And took a farewell flight,
Into the sunset sky.

Now I thus leap,
into the darker caves of the mind.

These scatterings of memories, Flower,
But, for the moment's whim.

And the fallen leaves of confusion,
swollen with hope, rides on the canvas of winged surprises!

To dance alone, all but alone,
With the illuminations of catatonic bubbles,
and with illusions,
Of Beautiful Shadows.

And, I float on the surface of colorless nights,
With all allusions to the shrine of the dead past.

From the solemn gloom of numberless days,
The staccato of memories fritters like secret stars,
Wishing to hearten a timid lamp.

But the sky seeks slaves and claims obedience,
From the mysteries of ageless time.

But, as you see,
My fancies have always been Fireflies,
And, Scripts of screaming tales,
Which would be Written on dust with flowers and scars.

My fancies 'are' fire flies,
Specks of Troubled light,
Twinkling in the dark.
JAM May 2021
A man walks down the street,
He says, "Why am I soft in the middle, now?
Why am I soft in the middle?
The rest of my life is so hard.
I need a photo-opportunity,
I want a shot at redemption,
don't want to end up a cartoon
in a cartoon graveyard.

Sometimes when people meet me,
they think I look the sad type,
but when I look in the mirror
I see someone that's learned it all the hard way.

When I pretend I’m happy
I never feel that sappy,
I'm only painting the clouds with sunshine.

I'd rather be a shadow than a veil.
Yes, I would,
If I could,
I surely would.

When I hold back a tear
To make a smile appear
I'm only painting the clouds with sunshine.

Eighteen and jaded with a gun in my hands.
I was fighting for freedom and just what is that?
Bills to the banks and food for the kids,
money for college but couldn't get in.

It was violent times,
And you shouldn't have to sell your soul.
In black and white
They really, really ought to know.”

A man walks up the street,
He says, ”Well hey little Hollywood!
You're gone but you don't forget!
You got the cash but your credit's no good!
You flipped the script; you shot the plot!

Now Shout, shout, let it all out!
These are the things you could do without!
Come on, I'm talking to you, come on!

Walking toward him, Hollywood begins to shout,
“All around me are familiar faces,
worn out places, worn out faces,
bright and early for the daily races,
going nowhere, going nowhere!

Getting closer to him, he quiets down and says,
“Now I've heard there was a secret chord
that I could play, and it’ll please the Lord.
But you don’t really care for music, do you?
It goes like this, the fourth, the fifth,
the minor falls, the major lifts,
the baffled king composing Hallelujah.

But why am I short of attention?
Got a short little span of attention.
And, whoa, my nights are so long.
Where's my life and future?
What if I die here?
Who was my role model?
Oh, was my role model always there?"

The man starts speaking with Hollywood,
“Now, I have a secret to tell,
From my electrical well.
It's a simple message and I'm leaving out the whistles and bells.
So, you must listen to me,
filibuster vigilantly.
My name is blue canary, one note, spelled L-I-T-E.
My story's infinite,
like the Longines Symphonette, it doesn't rest.

I’m hoping and waiting for something to sing
like the angels in heaven or the bones on the street.
I’m hoping for life to find a new voice.
Oh, the song that needs singing has already been sung before.”

Hollywood says solemnly to Lite,
“I might put on my blue suede shoes
and board a plane.
I’ll touch down in the land of the Delta Blues
in the middle of the pouring rain.
Buddy Holly, will you look down over me?
I’ll get a first-class ticket,
but I'm as blue as a boy can be.

Those one-track minds,
they took me for a serving boy,
kiss them goodbye.
I shouldn't have to jump for joy.
You shouldn't have to jump for joy.

I'd rather sail away,
like a swan that's here and gone.

And I find it kind of funny,
I find it kind of sad,
the dreams in which I'm dying
are the best I've ever had.
I find it hard to tell you,
I find it hard to take,
when people run in circles it's a very, very,
mad world.”

Lite says to Hollywood,
“I could be your only friend.
I'm not your only friend,
but I'm a little glowing friend,
but really, I'm not actually your friend,
but I am.

Your faith was strong, but you needed proof.
You saw the rivers running all aloof,
their beauty in the moonlight overthrew you.
You were tied to a kitchen chair,
they broke your throne, and they cut your hair,
and from your lips they drew the Hallelujah.

They gave you life
and in return you gave them Hell,
as cold as ice.
I hope you live to tell the tale."

Hollywood says angrily,
“Well, humans are boring, dangerous morons,
with no respect for life.
And maybe the rabbit who lives in the forest
is clever-er than our dads.
And maybe it's time we watch the sun rise
knowing it's our last,
as life soldiers on without us,
just a figment of the past.”

They start walking up the street
And Hollywood says,
“A long, long time ago,
I can still remember how that music
used to make me smile.
And I knew if I had my chance
That I could make those people dance
and maybe they'd be happy for a while.

I look to the sea.
Reflections in the waves spark my memory,
Some happy some sad,
I think of childhood friends and the dreams we had.
We live happily forever,
so the story goes,
but somehow we missed out
on that *** of gold.
But we'll try best that we can
to carry on.”

A gathering of angels
appeared above his head,
they sang to him this song of hope
and this is what they said,
they said: “come sail away, come sail away,
Come sail away with us.”

Hollywood looks around,
he’s on a street in a strange world.
Maybe it's the third world,
maybe it's his first time around.
Doesn't speak the language,
He holds no currency.
He is a foreign man.
He is surrounded by the sound, the sound
of cattle in the marketplace,
scatterings and orphanages.
He looks around, around,
He sees angels in the architecture,
spinning in infinity,
He says, "Amen and Hallelujah!"

Lite mutters, “Well, maybe there's a God above,
as for me all I've ever learned from life
is how to shoot somebody who outdrew you.
But it's not a crime that you're here tonight,
it's not some pilgrim who claims to have seen the light.
No, it's a cold and it's a very broken Hallelujah.

But soon I’ll be all a shiver
With every paper I deliver.
Bad news on the doorstep,
I won’t take one more step,
But I’ll remember to cry
When I read about this dismembered guy.”

Hollywood says to Lite, he says,
“Did you write the book of life,
And do you have faith in God’s strife,
If that book tells you so?
Now, do you believe in rock 'n' roll?
Can music save your mortal soul?
And can you show me how to entrance and glow?

If you'll be my bodyguard,
I can be your long-lost pal.
I can call you Lyre,
And Lyre, when you call me, you can call me Oll.”

Lite says to Hollywood,
“Now, for ten years we've been wandering alone,
And moss grows fat on a rollin' stone.
But that's not how it needs to be.
When a jester sings for the king and queen
in a quote he borrowed and painted green
And a voice that’ll come from you and me.

Painting the blue, beautiful hues,
colored with gold and old rose.
He’s playing the clown,
trying to drown all of his woes.
Though things may not look bright,
they all turn out alright
if he keeps painting the clouds with sunshine.

Hollywood chimes in,
“Well, I don't know why I talked to you tonight.
I've got the feeling that something ain't right.
I'm so scared in case I fall through the air,
and I'm wondering what fruit this talk bears.”

Lite looks off into the distance and says,
“There's a feeling I get when I look to the West,
and my spirit is crying for leaving.
In my thoughts I have seen rings of smoke through the trees
and the voices of those who stand looking,
that's you.

And it's whispered that soon, if we all call the tune,
then a jester will lead us to reason
and a new day will dawn for those who stand long.
And the forests will echo with laughter.
Remember laughter?

Always look on the bright side of life,
Always look on the Lite side of life.

If life seems jolly rotten
Then there's something you've forgotten,
and that's to laugh and smile and dance and sing.
When you're feeling in the dump,
don't be silly chump,
Just purse your lips and whistle, that's the thing.
And

life is for singing,
and life is for dancing,
and life is for making love.
Life is for learning and thinking and teaching,
and life isn't giving up.
Life isn't buying and selling and wishing
that everything came for free.
Repeat after me:

Always look on the bright side of Lite.”

Hollywood looks to the distance with Lite,
“Well, life is for sharing.
but sometimes it's hard when you've hardly got enough.
Sharing is caring
but will you still care if the water gets really rough.
Life jackets on, lifeboats supported,
and people will drown the same,
As the water of life falls out of the sky
and washes the whole thing away.

Lite looks at Hollywood, “Well Oll, I've been here before.
I know this room and I've walked this floor.
You see I used to walk alone before I knew ya,
And I've seen your flag on a marble arch.
But listen, life,
life is not some kind of victory march, no,
it's a cold and it's a broken Hallelujah.

Oh, and while the king is looking down
the jester will steal his ***** crown.
The courtroom will adjourn,
no verdict will return,
and while leaning into the teeth of sharks,
a quartet practices in the park,
and we sing dirges in the dark,
the day the music dies.”

Hollywood realizes something,
“Well Lyre, you’re the picture opposite me,
of my primitive ancestry,
which stood on rocky shores and kept the beaches shipwreck free.
Though I respect that a lot
I'd be fired if that were my job,
after killing Jason off and countless screaming Argonauts.
Bluebird of friendliness,
like guardian angels, you’re always near.

Oh, Life is for livin’, as long as I'm breathin’
my life won't be wasted on me.

Now I've done my best, I know it wasn't much.
I couldn't feel, so I tried to touch.
I've told the truth, I didn’t talk to you, Lyre, just to fool you.
And even though it all went wrong
I'll stand right here before the Lord of song
with nothing, nothing on my tongue but Hallelujah.”

Then Hollywood whispers to Lite, who is drawing his gun,
“it's a cold and it's a very broken Hallelujah.”

Grinning, he pulls the trigger.

And so, the bullet of Hollywood’s gun went so deep;
And Lite’s belly closed upon the shrapnel,
so that he could not draw the bullet out;
and the dirt came out.
Gr8Ryzyngz Aug 2018
Skalez unbalanced
Since you've been gone
Matrimonial scatterings
Left searches searching
For more weight
To keep uz grounded
Hurtful anger killing deathz
Sincere Sincerely
I'm riding my vasectomy to Mexico to speak Mexican with Mexicans; to out-chess-play and to out-grease and to dance frenetically around hat brims in Ol' Loredo with my best conchie-confrère & his cheeky chica...In my place, en México, I shall abide by the colorful laws what rain down from Distrito Federal. Pre-determinate factors and ultrasounding boards, alien to Canucks, flavor my spoilt dressings, menticidal mindlessness, jettisoned topsoil & localized scatterings.

SLAUGHTER NIGHT — The massacre in the Katyń Forest (Russia, 1940) & the Palm Sunday massacre at Ponce (Puerto Rico, 1937) eluded Madge Bellamy (June 30, 1899 – January 24, 1990) & Lewis Mumford (Oct. 19, 1895 – January 26, 1990)...I suspect that I am related to Margaret Philpott (better known by her stage name Madge Bellamy). I find no trace of the great Lewis Mumford about & around me. Lewis wasn't motherly strictly because he had mum in his name. I'm sure of my certainty. Running away is a running theme with me and not because homosexual-typesets demand privileges, not dissected, righteously-constricting ploys. A man has the right to wed a marriageable woman. Wed then bed is now bed don't wed. Normal people MUST STOP selling their babies to perverts (not only to homosexuals). Kentuckians have the fewest teeth and the highest concentration of sodium fluoride added to their drinking water. Things that weren't a long time ago are becoming a long time ago. My Nipponese plums are yellowing. If we get a sustained freeze now all is lost. This is the 3rd warm winter in a row. Like Lenny Bruce said: "Tell your husband nothing, even if he has pictures. Just say it was some *** hairdresser." Possums & beavers are nice but Jerry & Wally ****** aren't really brothers!
so good that you can travel far
visit your folks. my day will come

meanwhile likewise we watch the
birds, the creatures

she said that they were pests as we
watched them dancing branch to
other branch

they eat the bird’s nuts she said
then she said she had gone non
essential shopping for her snacks
and nuts

james

i burned the hedge *******
it took most of the day until
i only smelled of smoke
which i rather like anyway

how is your son?

did you ever see the film
of the guy that drove his lawn mower
miles to visit his ailing brother

maybe look it up?

i like the italic up there and glad
you told me the form of verse made
of scatterings and randoms that are us

and put it forth toward them
only one replied

i hope they do not think me brainy
for i am not
i just see connections

how one event does not happen alone
in isolation
or slow motion
like a film
with everything else scrubbed away

james

where will this all end
will we all be able to
breathe again?

the sky this morning came dramatic
turned the room pink

may hang the washing out early…..
SPIDER SILLY CRAWLINGS UP AND DOWN WEBBED WALLS
THERE ARE GOBBLINS AND MONSTERS, MEOWLINGS TOO
JUMPING JACKS THAT POP AND LITTLE SLY FOXES THAT RUN
FOR GOODNESS SAKE BE SAFE SAYS THE EVE OF GOOD WILL

SCARY DOLLIES WITH EYEBALLS THAT JIGGLE AND WIGGLE
A PORCUPINE CHILD WITH A PRICKLY DEMEANOR, OH MY !
HAUNTINGS & MUDDLINGS, SCATTERINGS & SCARINGS
THE KIDS IN THEIR GARMENTS ARE WILDER THEN RODENTS  

HERE COMES THE STICKLIEST WITCH OF THE YEAR  
FLYING ON A  BROOMSTICK BEWARE, SHE DRAWS NEAR  
SHE HACKLES AND CACKLES WITH DROOPY NOSE QUACKLES  
MY KIDDIES BE CAREFUL, DON'T EAT FROM HER CASTLE    

SHE'S GOT MONGRELS AND HYBRIDS AND ALL KINDS OF BREEDS
AND EVEN THE GOBBLINS ARE AFRAID OF HER GREED
SHE'LL TRICK YOU SHE'LL TREAT YOU, BUT DON'T YOU BELIEVE HER
HER CAULDRON IS READY AND SOON SHE'LL BE FETCHIN'

SPIDERS AND GOBBLINS , LITTLE ONES TOO,  EYEBALLS AND TOES,
AND MAYBE ,  .... EVEN YOU !

— The End —