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He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked1 of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window.  His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep.  But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, "High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, "What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, "I seek your help,
For I am Aengus, and I am crossed in love.'
"How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
"I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy housc,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
"I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines" children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, "These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
"She will grow old and die, and she has wept!'
And when I'd write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
I'd tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire.  The one,
About whose face birds wagged their fiery wings,
Said, "Aengus and his sweetheart give their thanks
To Maeve and to Maeve's household, owing all
In owing them the bride-bed that gives peace.'
Then Maeve:  "O Aengus, Master of all lovers,
A thousand years ago you held high ralk
With the first kings of many-pillared Cruachan.
O when will you grow weary?'
They had vanished,
But our of the dark air over her head there came
A murmur of soft words and meeting lips.
The world was young, the mountains green,

No stain yet on the Moon was seen,

No words were laid on stream or stone

When Durin woke and walked alone.

He named the nameless hills and dells;

He drank from yet untasted wells;

He stooped and looked in Mirrormere,

And saw a crown of stars appear,

As gems upon a silver thread,

Above the shadow of his head



The world was fair, the mountains tall,

In Elder Days before the fall.

Of mighty kings of Nargothrond

And Gondolin, who now beyond

The Western Seas have passed away;

The world was fair in Durin's Day.



A king he was on carven throne

In many-pillared halls of stone

With golden roof and silver floor,

And runes of power upon the door.

The light of sun and star and moon

In shining lamps of crystal hewn

Undimmed by cloud or shade of night

There shone for ever fair and bright.



There hammer on the anvil smote,

There chisel clove, and graver wrote,

There forged was blade, and bound was hilt;

The delver mined, the mason built,

There beryl, pearl, and opal pale,

And metal wrought like fishes' mail,

Buckler and corslet, axe and sword,

And shining spears were laid in hoard.



Unwearied then were Durin's folk;

Beneath the mountains music woke:

The harpers harped, the minstrels sang

And at the gates the trumpets rang.



The world is grey, the mountains old,

The forge's fire is ashen cold;

No harp is wrung, no hammer falls,

The darkness dwells in Durin's halls;

The shadow lies upon his tomb

In Moria, in Khazad-dûm.

But still the sunken stars appear

In dark and windless Mirrormere;

There lies his crown in water deep,

Till Durin wakes again from sleep.
Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.

On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.

On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.

Posses, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.

For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.
I.

The corn has turned from grey to red,
Since first my spirit wandered forth
From the drear cities of the north,
And to Italia’s mountains fled.

And here I set my face towards home,
For all my pilgrimage is done,
Although, methinks, yon blood-red sun
Marshals the way to Holy Rome.

O Blessed Lady, who dost hold
Upon the seven hills thy reign!
O Mother without blot or stain,
Crowned with bright crowns of triple gold!

O Roma, Roma, at thy feet
I lay this barren gift of song!
For, ah! the way is steep and long
That leads unto thy sacred street.

II.

And yet what joy it were for me
To turn my feet unto the south,
And journeying towards the Tiber mouth
To kneel again at Fiesole!

And wandering through the tangled pines
That break the gold of Arno’s stream,
To see the purple mist and gleam
Of morning on the Apennines

By many a vineyard-hidden home,
Orchard and olive-garden grey,
Till from the drear Campagna’s way
The seven hills bear up the dome!

III.

A pilgrim from the northern seas—
What joy for me to seek alone
The wondrous temple and the throne
Of him who holds the awful keys!

When, bright with purple and with gold
Come priest and holy cardinal,
And borne above the heads of all
The gentle Shepherd of the Fold.

O joy to see before I die
The only God-anointed king,
And hear the silver trumpets ring
A triumph as he passes by!

Or at the brazen-pillared shrine
Holds high the mystic sacrifice,
And shows his God to human eyes
Beneath the veil of bread and wine.

IV.

For lo, what changes time can bring!
The cycles of revolving years
May free my heart from all its fears,
And teach my lips a song to sing.

Before yon field of trembling gold
Is garnered into dusty sheaves,
Or ere the autumn’s scarlet leaves
Flutter as birds adown the wold,

I may have run the glorious race,
And caught the torch while yet aflame,
And called upon the holy name
Of Him who now doth hide His face.
Mary Gay Kearns Jun 2018
In the ashes of division hope ignited
Unity decided a new fate, in its wake.
My father lived in Chester Road,
Off Ladbrook Grove, eight children
In a tenament flat back to back.

The poverty of the forties are
Now palatial palaces, white pillared.
My father joined the army to escape
To marry and move to Streatham,
South London, to an Edwardian terrace.

Notting Hill, the divided community
Chelsea and Kensington let it happen.
My grandmother moved to a new town
And this year we all watched on TV
Grenfell burn as an inferno in the dark.

Love Mary
In memory of those lost in the fire.Love Mary ***
Nat Lipstadt Jul 2015
~~~

faithful are those faithless hordes,
perfidious believers in but the
weaknesses of natural men,
their convictions bear no questioning,
thieves of hope,
highwaymen of history's artifacts,
vainglorious restorers
of a disorderly order,
drowners of innocence,
beheading murderers of modernity

there is no right nor left,
long now has the unity of the centre,
by desert storms, fully eroded,
memories of discourse dispensed,
statues and statutes of reason,
salt pillared and pilloried

the professors of righteous hate,
find ample opportunity in youthful minds,
lacking conviction in open reasoning,
simpletons of one answer fits all,
who know not what questions to pose,
who drink not from  the brook of doubt

with certainty I know
there is no certitude,
new planets gained, older dismissed,
the order of things progression,
forgotten is the glory of
searching for change,
change that illuminates, emanating hope

the darkened aged outlook of those
who only look one-way-back for answers,
purveyors of rancid, rabid denial,
condemners of the beauty of our human differentiation,
demanders of mastery über alles

in the sunroom, laced curtained,
we pen poems, recalling my innocence, now drowned,
wistfully, woefully calling out,
"civilization, civilization,"
confessing to the guilt of laxity

so with a new ceremony,
revile, deny
anarchy poseurs, thinking their
championship inevitable

we who believe in
faith and reason
do not fear placement of both,
side by side,
upon the scales,
for only then,
will the judgement of anyone's eyes
know the verity of balance,
giving courage to
believers,
that in all our divided parts,
forms our greater whole


~~~~~~~

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

William Butler Yeats’s poem “The Second Coming.” Written 1919
WSJ: A Poet’s Apocalyptic Vision
By DAVID LEHMAN
July 24, 2015 5:54 p.m. ET

If our age is apocalyptic in mood—and rife with doomsday scenarios, nuclear nightmares, religious fanatics and suicidal terrorists—there may be no more chilling statement of our condition than William Butler Yeats’s poem “The Second Coming.” Written in 1919, in the immediate aftermath of the epoch-ending disaster that was World War I, “The Second Coming” extrapolates a fearful vision from the moral anarchy of the present. The poem also, almost incidentally, serves as an introduction to the great Irish poet’s complex conception of history, which is cyclical, not linear. Things happen twice, the first time as sublime, the second time as horrifying, so that, instead of the “second coming” of the savior, Jesus Christ, Yeats envisages a monstrosity, a “rough beast” threatening violence commensurate with the human capacity for bloodletting.

Here is the entire poem:

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

As a summary of the present age (“Mere anarchy is loosed upon the world”), stanza one lays the groundwork for the vision spelled out in stanza two, which is as terrifying in its imagery as in its open-ended conclusion, the rhetorical question that makes it plain that a rough beast is approaching but leaves the monstrous details for us to fill.

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As an instance of Yeats’s epigrammatic ability, it is difficult to surpass the last two lines in the opening stanza: “The best lack all conviction, while the worst / Are full of passionate intensity.” The aphorism retains its authority as an observation and a warning. We may think of the absence of backbone with which certain right-minded individuals met the threats of National Socialism in the 1930s and of Islamist terrorism in the new century. Both dogmas demand of their followers a “passionate intensity” capable of overwhelming all other considerations.

Yeats works by magic. He has a system of myths and masks—based loosely on dreams, philosophy, occult studies, Celtic legend, and his wife’s automatic writing—that he uses as the springboard for some of his poems. In a minute I will say something about his special vocabulary: the “gyre” in line one and “Spiritus Mundi” 12 lines later. But as a poet, I would prefer to place the emphasis on Yeats’s craftsmanship. Note how he manages the transition from present to future, from things as they are to a vision of destruction, by a species of incantation. Line two of the second stanza (“Surely the Second Coming is at hand”) is syntactically identical with line one (”Surely some revelation is at hand”), as if one phrase were a variant of the other. It is the second time in the poem that Yeats has managed this rhetorical maneuver.The first occurs in the opening stanza when the “blood-dimmed tide” replaces the “mere anarchy” that is “loosed” upon the world.

The phrase “the Second Coming”—when repeated with the addition of an exclamation point—is enough to unleash the poet’s visual imagination. The ******* image that ensues, “A shape with lion body and the head of a man,” is all the more terrifying because of the poet’s craft: the metrical music of “A gaze blank and pitiless as the sun”; the unexpected adjectives (“indignant desert birds,” “slow thighs”); the haunting pun (“Reel shadows”); the oddly gripping verb (“Slouches”); the rhetorical question that closes the poem like a prophecy that doubles as an admonition.

In a note written for a limited edition of his book “Michael Robartes and the Dancer,” Yeats explained that “Spiritus Mundi” (Latin for “spirit of the world”) was his term for a “general storehouse of images,” belonging to everyone and no one. It functions a little like Jung’s collective unconscious and is the source for the “vast image” in “The Second Coming.” Yeats writes in his introduction to his play “The Resurrection” that he often saw such an image, “always at my left side just out of the range of sight, a brazen winged beast that I associated with laughing, ecstatic destruction.”

As for “gyre” (pronounced with a hard “g”), in Yeats’s system it is a sort of ideogram for history. In essays on Yeats I have seen the gyres—two of them always—pictured sometimes vertically, in the shape of an hourglass, and sometimes horizontally, as a pair of interpenetrating triangles that resemble inverted stars of David. The gyre represents a cycle lasting 2,000 years.

But I maintain that knowledge of the poet’s esoterica (as set forth in his book “A Vision”) is, though fascinating, unnecessary. Nor does the reader need to know much about falconry, a medieval sport beloved of the European nobility, to understand that there has been a breakdown in communications when the “falcon cannot hear the falconer.”

Read “The Second Coming” aloud and you will see its power as oratory. And ask yourself which unsettles you more: the monster “slouching toward Bethlehem” or the sad truth that the best of us don’t want to get involved, while the worst know no restraint in their pursuit of power?

—Mr. Lehman’s “New and Selected Poems” (Scribner) appeared in 2009. He teaches in the graduate writing program of the New School in New York City.
http://www.wsj.com/articles/a-poets-apocalyptic-vision-1437774881
Adam Latham Sep 2014
King Neptune sat upon his saline throne
And cried out loud to all the sea drenched sway,
"More sport, more sport" he yelled unto his own,
"That I might ease the boredom brought this day.
You, Dolphin, bring your wisdom unto me
And pray tell of that light, that coastal hue
Which cuts the dark asunder to my sea,
'Cross leaden skies to blind us all we few."

A hastening fin and quickly to his place,
The wise old Dolphin, gripped with fear and awe,
Bowed solemnly, then with a gentle grace
Explained what shone upon his master's shore.
"The glare, those slicing beams that shine at night
Warn pending doom to all who sail to near,
The jagged teeth of rocks are such a sight
To instil e'en the hardest men with fear.

Men's hands, those mortal gems the gods employ,
Have seized upon the danger of it all,
And built a structure warning of the ploy
Of all Sea Lords to bring about their fall.
And so the Lighthouse, named with ample sense,
Can only mean a blasphemy to thee,
So sailors can quite safely trespass hence
From port to port, unto the open sea."

(Neptune)
"No more! My once cool spirit rages hot
And boils a fury charring to the bone,
I see the House of Human has forgot
That they are ours, amusing us alone.
We Gods, we masters of their finite lives
Demand their will, their thoughts, their breathing souls,
To serve without regret our divine hives
With worship, prayer, and swinging incense bowls.

Strange feeling, 'tis the curdling of my blood,
The clotting of my rage to pure disdain,
Revenge is stoked where once pure anger stood,
Enough to charge mankind to think again.
Come trident keeper, serve my thrice pronged arm
And gird my ***** with implements of war,
The time has come to use such lethal charm
That foolish men like these cannot ignore.

A bellowed word, the tide is at my tongue
And wave on wave is mercy to my feet,
Children of the sea rise up in song
And on the Lighthouse moorings thrash and beat.
Seek victory, seize woe upon that hill
And raze in moistened load their pillared sin,
My kingdom shall devour this bitter pill,
'Til it shall be as if it had not been."

On land a Priest, Tiberius by name,
A servant to the Goddess of the Hunt,
Meanwhile had climbed the saturated frame
To view with nonchalance the ocean front.
These seven days had seen Diana's shrine
Find several hundred pilgrims on its plot,
And feeling soon the strains of the divine
Had hoped the walk would ease his troubled lot.

Upon the coast he'd found this Titan's torch
When from his daily burdens he had fled,
A walk one hour from the lunar porch
Where tithes were paid and healing prayers were said.
And from the top he surveyed all the world
Around about, inland and to the sea,
And marvelled at the way the water curled
Itself onto the shore so constantly.

Though mesmerised, his senses were not dulled,
A sound, a buzz, a percolating hum
Fell on his ears until his eyes were pulled
To ripples forming in the salty ****.
A tremor was the herald he surmised
For one whose habitation was the sea,
But even then what 'rose before his eyes
Was something that he thought would never be.

A giant crowned with royal ornament
And plates of golden armour on his chest,
Reared up out of the depths in quick movement
Which saw the waves removed and pulled abreast.
A thunderclap and lightening bolts galore
Along with all the earthquakes there could be,
Made our heroic priest fear all the more
As Neptune stood astride the choppy sea.

The stature of a God cannot be ruled,
But here Tiberius measured a mile,
From sandalled feet to head and hair bejewelled
With water droplet gems set regal style.
He noticed that this ocean deity
Well placed amongst the swells of his domain,
Now roll his eyes towards him hatefully
And bellow words the skies could not contain.

"Six nights in seven I have seen the light
From this abomination cast a spell,
And give to those that would not have insight,
A knowledge of the coastal rocks that dwell.
Tonight I will destroy it piece by piece
And reclaim once again the water's grave,
The perils of my realm will then increase
And men of ships I once more shall enslave.
I call upon all life of which I rule
And Mother Nature's elemental froth,
Join with me in the use of anger's tool,
Tear down each brick with undiluted wrath!"

Tiberius was quick in his reply,
His nerves suppressed to give a hardened look,
Inside a churning stomach would not lie
Yet somehow courage managed this rebuke,
" I care not for the wars of Gods and Men,
But hearken Neptune, hear this heartfelt pledge,
Strike not your hand against this lighted den
For by that action you would cross the edge.
The earth beneath my feet is holy ground
And sanctioned sacred at the throne of Jove,
I prayed my blessing when I heard the sound,
That ****** of rushing water in your grove."

The Sea God boomed displeasure with a roar
That pierced the cooling air with heated might,
A calmness quickly soothed him to the core
Though whitened knuckles gripped his trident tight.
"How can this be from one whose station's known
To beg the favour of the King of Kings,
Your faith is to one God and one alone
And subject only to the gift she brings.
I do not recognise the swift dictate
You prayed unto my brother in the heights,
Your life is therefore forfeit to The Fates,
As I condemn to death your house of lights."

No more was said but actions stole the words
Before Tiberius could speak again,
This Sea Lord with his head amongst the birds
Now caused the air to turn, the sky to rain.
He strode towards the object of his ills
With nothing but contempt within his eyes,
Incanting as he went the magic frills
Positions such as his can realise.

And so our priest expecting deaths divide
To halt the smooth meander of his life,
Stood firm with very little hope inside
That something could release him from this strife.
With quickened breath he ****** the salty air
To calm a body gripped with cold and fear,
His final thoughts would be in silent prayer,
Preparing for the end that drew so near.

The wind blew stronger and the rain lashed down,
A mix of spray and torrents from the sky,
The wet had found his priestly robes and gown
And now they clung unlike when they were dry.
One footstep, two, three more and then no light,
As all of Neptune's bulk eclipsed the sun,
The Lighthouse trembled in the pseudo night,
Lo Judgment Day for our brave priest had come.

And so the scene, a God engulfed with rage
About to battle mortar, brick, and bone,
Freed from the bonds of his salt water cage
By mortal acts that he could not condone.
With one hand raised and trident poised to strike,
The King of all the Oceans took his aim,
And without pause he loosed the three pronged pike
So that it flew unhindered to the game.
It did not falter, neither did it swerve
Nor did it slow by friction of the air,
But straight and true, devoid of any curve
It sailed towards the Lighthouse that was there.

And all Tiberius could do was watch
And wait the lethal throw by Neptune's hand,
Closer and closer, ready to dispatch
His sorry soul to Pluto's hallowed land.
In seconds all he knew of life on Earth
Would perish at the will of the divine,
And that which had been granted his from birth
Would disappear into the sands of time.
I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain **** and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again.

II.

Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again.

III.

Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am cought with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves.  

IV.

I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.

V.

Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you forsee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me.  

VI.  

Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember!
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.
As I came to the edge of the woods,
Thrush music—hark!
Now if it was dusk outside,
Inside it was dark.

Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.

The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush’s breast.

Far in the pillared dark
Thrush music went—
Almost like a call to come in
To the dark and lament.

But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn’t been.
Nat Lipstadt Nov 2014
another Thanksgiving,
another voyage in the rareified
l'air au-dessus,
the air above,
next to, amidst
the satisfying but untouchable still,
the gray-white of the clouds of which we so oft
exclaim, and always fail,
to do justice by

this time the
turbulence
within
compulsion beating
compels this thanksgiving addition
to the compilation of airplane poems

the pointer finger tapping
out this journey's record,
a priori, gold leafed,
added, inscribed,
on the priory wall
of other journeys,
even before
it was conceptually written

the pointer finger tapping
upon your own chest,
calming the beating turbulence
ever present, a giving present
to me,
red wrapped

no whining!

I promise myself,
to promise you,
cause if this be,
the best poem
I ever write
(why not, could it not be this one?)

a small prayer shawl supplication,
shall not be marred,
with plaints and requests,
visions and incisions,
the beseeching distaste of
be and re quests,
this one simple,
even, and as always,
a tad odd like me

I am just an ordinary Joe,
flying over the middle,
the country, the real one,
no megabytes
amidst the real,
a few hundred other supplicants,
gaily glad on a mostly
head-phoned, protected silent passage,
over water, land, rivers, and family clans,
all engaged and presaged by
calendal X marked to make ,
a Mecca trip,
a Jerusalem western walled, holy mount,
which ironically is for me is
direction relative,
that bastion of flesh and sinners,
the city of tan men
and salt pillared women,
the City of Miami

whoa, real turbulence
makes the typos egregious, plentiful,
and the body sways,
left to rightly,
the poem is compulsed
urgent flown to completion
(amazing the shaking and the stirring,
to the point of locating the airbag)
perhaps, he thinks, someone in this
airy residence doe not want this prayer
finished

enough.

"The Prayer~Poem of Seat 25D"

Dear Deity of Whatever Name:

We humans peculiar to some places,
set aside a day, this week
for being superlative,
for looking inward and do
quiet summary addition,
employing organs,
as many as necessary,
noses and toeses external,
organs invisible internal,
a counting to make,
to number what we are,
isolating the better reasons,
why our existence justified

we do it in
foolish human ways,
as is our nature,
human and fools interchangeably
one and the same

So this one man counts
his words, ever careful,
ever plentiful,
and utters grace,
the Bene and the Blessing,
quiet inside,
his fellow airplane passengers
holy unawares,
that he is praying for them
simply saying this

May each one pause,
even for a second,
and collect the moment,
understanding,
that thankful is a
but half a notion,
incomplete unless
it is given
away to another,
by making it
selfless
in the air over the Georgia/Florida border
Seat 25c
M Nov 2013
I saw you sleeping, and I wanted to speak so many things, but I just smiled because you gave me the kind of feeling that makes room inside of you. Like my heart knew that one day you would belong there, just like your mother. My biggest fear was that you wouldn't love me. That I wouldn't be the one you'd want to always take care of you. One of the things I'm most thankful for is the fact that you do. And that I have taken care of you in any way I knew how. I miss your tiny cold feet. Every morning I'd wake up to your mother, happy that she was still sleep because I got to get you the first drink of your day, and I got to watch her sleep a little longer. She used to send me videos of you dancing. I would always mute the sound because the quiet left room for my thoughts, and I didn't want to remember a song. I wanted to remember that space made just for you. I still take walks like we did, and of course I want to pick every flower I see because without them the walks would end to soon. But I don't pick them because every flower belongs to you. You made me believe in things. I never believed I'd meet anyone as beautiful as your mother. You made me believe in love while in love. You even made me believe in fairies, which you believed in most. I believe in anything you believe in. I don't know if it's God, or if it's fate, or if it has anything to do with anything other than I simply love you both, but it can't be a coincidence that my heart is tied to strings, and these strings are tied to every step you take, and the further you get from me, the more it hurts. You hold so much in your little fingers. I'd do anything to dance to, and like, a day to (that ill always) remember. I'd do anything for you to rest your head in my arms again while we talked the whole way home, or at times you'd be so silent and fast asleep and maybe I didn't need two arms to hold you up, but I did need two arms to hold you. I'd stay awake a million night shifts to see you sleep and wake up to your mother moving my hair from my face to plant her kiss in the perfect place, and you in front of me. I guess you could tell that I hated to sleep alone, or maybe you did too. I could write for weeks about you. Even if I'm not writing, I always am in my heart, for both of you. Every step I take I picture the two sets of feet on either side of me that ill never forget. How your legs would swing like walking was your favorite thing to do and nothing could make you happier. And especially when counting to three with your arms to the clouds was all it took for you to fly, and sweetheart, If you're flying, then me and your mother were flying too, because we held a hand on either side of you. Your eyes closed and cheeks pillared by the widest smiles, I knew you were destined for bigger things than the restriction of gravity allows. I will always be your wings, and nothing, not even gravity, will keep you from flying when I'm with you. I miss everything about you and her. How she couldn't leave the tips of her feet when she'd jump for me to catch her and how you did the same when you wanted up. There's nothing better than when I'd hold you both and in return,  you'd hold me tighter. I love you. I have already loved you forever, because this will never stop. I always wake in the night hoping you couldn't sleep, and decided next to me was the safest place to lay your head. Sweet dreams, Brook. I'm yurning for the day I hear your voice again.
Always<3
Maiden. Lovely Humble displayed so far
And kept your ******-Cloth from Sharks despite
Witnessed his Meet - then Tweet his Time would Par
Hoping your Fine Reply would Glaze his Sight
Though in my Views by your Royalty known
From your Famed Elders mummed your Darling Head
Though many Tempters stake to have you Blown
Praised on your Decide for Common Life instead
Rather - the Keek - as Private Expressions flow
And caused your Degree of Healthy Fame renew
Snip-Videos swarm; Since caught his Eye behold,
If Open for your Sentiments be True.
Once more Un-Known my Pillared Hands can Spare
To Brand your Virtues if his Daring Hands fare.
#kendalljenner
blue mercury Oct 2016
i bent my body into a canvas of pillared secrets, and opened my eyes into a land of streetlights and headlights, but never into stars. now i'm drunk on the light of the moon. literal moon-shine. don't look back, it says. don't look back. but i turn my headache head anyway until i am an owl, accompanied by the vastness of everything i'd forgotten.
a part of a collection of vignettes.
Dirt Witch Jan 2018
The temptation of the sea is always to swallow, but still the city sits kissed by the cerulean waves of this most unruly body. The people know that to enter this planetary hydrosphere is to be devoured, for this water has no sympathy for fleshy fool’s flailing limbs and nothing but contempt for their arrogant voyages into her floriferous womb. So this is not a fishing village, and in the heat of summer when sweat is more plentiful than blood, the locals touch the beach with no more than the tentative stretch of a single toe.

Earth is tired of the narcissistic absorption of herself and here she has delineated clearly the lines of humanity’s most fruitful land bound living.

In this sea-side village of kelp-hair and salty ears, no one can swim.

Sequestered in the salt-brick homes is a pink pillared apartment wherein a girl sleeps. In the summertime she dyes her hair red to match the sky and in winer she lets it fade, slowly, unevenly as the glossy leaves of autumn unevenly red, yellow, and brown. Tonight, as most nights, she is alone. Dreams come, as they always do, without warning or permanence leaving one slightly unsettled, but none-the-less unscathed. She awoke to the smell of smoke, her own half-smoke cigarettes simmering in an ashtray beside her bed, and she coughed (all of it rather unsightly).
The day had already aged with gray hairs showing in the form of afternoon, but she felt no desire to extinguish her smoldering tobacco or put on a shirt. She let incense and laid in bed until the sea-stench of her hair was infused with the odor of burning herbs and cloying loneliness. It was half past three when in disuse, she closed the door to her room and emerged into the dusky atmosphere of December.
She walked past the white-rock homes and pink complexes of her street onto the worn cobble stone path that paved the way to her lovers house. He was not in. He does’t live there anymore. But behind the curtain, in the winter light, she could still see his silhouette. The pain of his absence is a reassurance of her humanity that she sought every afternoon. So she watched. Perhaps it was merely a half hallucinated daydream bought on by insomnia and the psychedelic effects of sea-side living, but reality is not as important as perception. Thoroughly nostalgic and panged with the sorrow of present, she continued onto her daily pilgrimage, stopping only in an abandoned doorway to roll a cigarette.

Across the city a boy too had awakened, hours before mind you, but his accomplishments were parallel. The silhouette of his lover lay tactilely in his bed and he sipped his morning tea in the sublime shadow of her slumbering. Caught in the poverty of living, he headed off to work. The note tucked beneath his doorframe went unnoticed.

Unrequited communication a seething actuality, the girl walked past her make-shift post box near the marketplace with only an unsent letter in her hands. Thrown into the solitary suppositions of silence, she tread on aimlessly and without thought for the destination of her feet. In an alternate doorway she stopped for another cigarette, ignoring the scowls of passing mothers and concerned fathers. Inhale the solace of tar, exhale today’s desolation, the movement of the hand is meditation and tossing is life’s response.

The boy came home and kissed the dark hair and white skin of his most certain love. She kissed him back with amplitude and wailing.

The girl’s cigarette went out. The wind-whipped re-lighting singed only a few of her faded-to-brown hairs. Only the filter remaining, she flicked the ashy corpse onto the beach where her soon-to-be-walking feet would next take her.

Cold sand even cannot be traversed in shoes, so with socks tucked into the heel, she filtered the imperceptible pebbles that grace the barely-land supplicating itself before the water between her toes.

Somnolent entirely, exhausted fully, she laid down on the sand before the sea, wondering if high-tide would lick her out of land into the realm of aquarius severity, to be kissed by the fat fish lips, and held, held in the tender sweetness of kelp.

The boy tossed the note away.

The girl slept.

And the sea saw her.
A short story perhaps, but a poem of imagery
Onoma Nov 2014
Light of light disclosed...open and upended--arch
shone, there you under it...come to pass.
The filaments of earthly wears burn gently away...
there the last of them--upright and out of mind a
steady waking.
Body once upon a time explained away and folded.
Waves of euphoria gust weightlessness, the
cast of First and Last Things rattle their blinding
moorings.
Footsteps are kissed away, submit their mountain of
weight to the Halls of Posterity.
Beauty's freshest presses lay depth and proportion
upon the entrant at hand.
As a river  in continuous stride--profundity endows,
carries along the: I of being.
It is when it runs through the Elysian Fields pause
is taken.
Live lights kindle, break their pillared conscription...
as radiance knows no rigidity.
Light by All definition, giver and taker...everything
we swore was about to happen Has happened--
eternity is too large to recount.
This embrace awaits the body's duration, has storied
its exit timelessly...the Elysian Fields are our playground.
Mateuš Conrad Jan 2016
god isn't inclusive of some father christmas role managed by a being that designates rewards and punishments, at best it's, in literary terms, defined by a complexity of the ego, after all, the original revelatory principle was staged with a pronoun complex: without any definite rational causality likened to the cartesian imperative: thought therefore being (think therefore be); that cartesian imperative is categorised as a pronoun per se which is enable other categorisations of words to be akin (per se): magnetically misunderstood; which leaves many demented, early on or later on, but in modern times would building a gigantic skyscraper with only one room in it to hide a torso's weight of gold and a mummified body keep sanity on tiptoe? god is a complexity of the ego, as far as words can be expressed, we loose the ambiguity expressed by existentialists, who favoured "ego" over god, to feel less responsible than anyone could allow for the surd-language, the language written down and rarely heard from orpheus' lapping tongue showcasing a sudden thirst for song.*

rapture and rhapsody! rapture, and rhapsody!
overcast heavens  with the moon shy,
and shy indeed i, by the time i reached
ezra's canto lxvii (what beauty was built with
these numerals, greater and more eloquent
pillared, so what greater truths did the latin poets speak;
if latin is dead then akin be usage of a, b, c, d, e...
when the usage of these symbols dies then i will fall dead
at the final blow of their dis-usage as if  belshazzar seeing
fluorescent hebrew written on the wall just when the ****
ended)... and god did not dispute the endurance
of the argument  to keep a and z...
because under the romans no odd architecture
was summoned, and the hebrew nation flourished
by many religious sects of pharisee and the
sadducees, for a religious dispute be born
from the bethlehem star, and no slavery, but,
some might say, idle talk, for christ created
the 7-day-working week of constant commerce
by contesting a meagre collection of wheat shafts
as the adequate rebellion, basically capitalism,
and in a hangar of sold goods, live lobsters looking
at ghosts, walking in aisles of ample goods
wasted, bearably sold, with cheap constant music
heard to hush the "ambiance" of refrigerator lungs
wheezing a pseudo-beehive drone...
where once the land held a unity,
now the one of owning land earning a shelter
of factories over-produce and leave us
staring into an oblivion of recycling
and such feasts that will never take place...
hence i given sway away from silence
and invoking ezra's vampiric trill, with the sole
proof of vampires, r, being allowed
the statement: trill r roll a wheel stamp with heel,
and i too will cast a shadow over my shadow
to reveal my soul...
hence come the vampiric trill from only one
consonant, and let the frenzied atom river of
lost mumble in the other hum, the lost om
of the m tremble the mountains to shave and slide
mud and weight of rocks from its sideburns of
eager explorers anticipating a gratifying view:
let then the trilled r, the wheel, keep momentum,
for the activity of sisyphus rolling the boulder up
the hill, let the trilled r keep his faith intact
with the futility of the prescribed endeavour;
and so i will die making avowals,
and you, you will die making vows, in the shade
of the tree yearning for distinct processes
should it be involved, so minutely animate encrusted
is wholly animate things, in order that by its
minute movements, it would clarify wholly inanimate
things beneath its categorisation of animation via tropism;
where then the inanimate if not wholly god
should the orbits of celestial orbs fail,
and geologists fail to investigate mineral gold,
and should water never govern oesophagus lubrication,
or loose animation of boiling, dry residue at 180°C,
and the bone breaking ice of antarctica?
the only inanimate thing in existence is god,
as based on a theory posed by kierkegaard about
the changelessness of god: indeed contradictory
by categorical filtering to say a stone is inanimate,
and we animate (microscopic perspectives),
but the stone is also part of a stone mechanised to orbit
a shuddering sphere of fire that emits light.
First: a soft statement
tolled out to a vacant page
ringing, and rebounding at the edges
as a quiet ripple set
to subtly amplify the light
of imagination.
The stone was dropped by --
what?
A hand that is as old as, or is older
than God.
It pushes through the water like a fish
without fins, it invisibly reshelves
the fluid memories from below
to above, below
to above until at last the rock,
the stone that is a soft statement at the top
of a once-vacant page,
clacks into place on the darker underside.

And then the poetry continues:
Crumpled Lightning;
A hailstorm of Words; Visions; Lines: Sparks;
all angled to mirror the space occupied by you,
even as it speaks of something else entirely,
even plummeting from every direction
to the point they blur - left to right, top to bottom -
the poem is a sheet of water,
a prism of distorted imagination showing you there,
you, clear as day, sharp as life
something, some piece of a thing, is made so clear
to you, a facet of life, a law of reality, or the inner clockwork
of a mind; you see just that much more of yourself
and that space you occupy in air, it is
that, though it may be masked by its magnitude, or its detail,
that is the quality what has wrapped your mind in a net.

So then the poetry concludes
with what?
Some three pillared, immovable declaration?
One scarcely held breath in the wind?
A clot of sky? A vein of iron?
You never fully expect it, no matter how often you are told.
Somehow, very likely inexplicably,
you recall some quality about beginnings,
drawing your eye to the top of the page
that started it all. The
First: a soft statement
an echo freshly familiar, despite
its elder weight; it was there all along
an echo, but an anchor of a stone
built for tethering all that poetry
to the underside of your mind.
spysgrandson Jan 2018
I took rest on the river road
by the big Platmann place,

two stout stories, white pillared and regal on this prairie

envy ate my gut most days when I passed:
a fine car, servants and the like

today though, was curiosity stirred in me
since what I happened to see, was a giant
red-tailed hawk, splayed and stuck to an outbuilding, entails dripping

an avian crucifixion, I was told

after the raptor snatched up the Platmann's tabby

the pet was not saved, by prayer or the screams of the young lass who called the cat Matilda

though a handy shotgun brought down
the bird before it reached the stand of trees

(where it would have had its furry repast)

only winged and not shot fatal
the hawk was dragged back to the shed

where a knife slit its gut, and a fire forged hammer and three penny nails did the rest

the skies did not darken, nor did the sacrificed call out to an invisible father

'tis not the way of hunters, nor their prey

I did tarry a while and wonder, if a child's eyes saw this rapacious red reaping,

or knew of the dumb desperate need for a blood cleansing
Christian Bixler Aug 2016
I stand before the sighing mead,
form full shadowed in the trees;
and watching spy from shadowed
leaves, the spinning dance of
dandelion seeds, spinning lightly
through the trees.

I step out from the gloaming shade,
out; full washed in light fresh made,
falling free from blue-blown sky,
to warm the heart and light the eye.

Grasshoppers fleeing, I watch them
leap, new leaves given wings, to crick,
to sing; to leap and glide, to fall again.
Looking on, through lighted glen, to
watch the leaves shift amongst pillared
trees, I see a flash, a spot of white, a
brown of fur, a gleam of eye.

Swiftly now I leap and run, through
the glen I madly dash, twisting,
turning, running on, not knowing
how, or what I do.

At last, through forest, light and
shade, through grasses tall and
brambles cruel, battered, torn from
headlong flight, I cease my running,
still my stride, panting now, in
dappled light.

The Doe, she stops, and turns mid-
stride, glowing there, at chases end.
Slowly then, in aching grace, she
lowers her hoof to moulded earth,
and moves back silent to where I
stand; gliding, over Winters leave.

I stand there, staring, stock and still,
my breath comes silent, soft and
slow. She comes then closer,
stepping sure, closer still, in grace
unmatched; pure in beauty,
pure and free.

I gaze into her liquid eyes, lost
in depths before un-found; lost
in secrets, in her amber eyes.
Her breath is soft upon my face,
warm, it smells of earth, of life.
I realize then that I hold my
breath, slow I release it, silent,
soft. Her eyes blink, gently,
once, the Doe standing silent,
there before me, desire of my
heart.

It seems she will speak.

And then, I am alone, lost in
the wood, alone with the trees,
and the scent of her passing,
lingering still, on the sighing
breeze. And I am alone, with
the scent of her passing, alone
with the wind, and the sighing
trees.
I wrote this slowly, left it often, and returned, dreaming. I cannot say why this means so much to me, beyond the ken of all others of my hand, why it seems to call to me, my secret heart, to strike the bell that is my soul, to fill me all with singing joy, with aching sorrow. I can only say that I have tried to write a poem similar to this many times, and I have not succeeded, until now. Take it as you will. My respect and admiration, to all you who read this, and to all those who do not, always.

A Poet of Anonymity
ludicrous and lime she's bought my wine
then usher on the farm or circus daemon
was house carrying a whim to heart
where climes are thought that fighting down the hatch  
where rumors are frothy in those diamonds caught
wish only tout cookie once thunder crash has melted speed
but any counters that claim violence is deniable here
and viable to an Osborne scene but wading in traffic
as a country lane shade its spree and what lies in air was a roadside
fair in bloom on Sunday afternoons in Tamaqua boon pillared spoon
Where a borough with a creek but a river in this community reside
Blown away the wind was today
no breath among the leaves
only the stir of little sounds
as we passed up the paths

padding the softened earth
the stones and roots between
so quiet among the firs
their pillared trunks
the light in the dark scene

moss and toadstools
sprouting from each dead or fallen tree
stripes of white shone through the gaps

and at the top the widened view spread out
in sunshine Oslo the fjord
the sky the house roofs parks and trams
so far below

no rattle no screech of brakes
just silence
broken only by the falling leaf
its landing recorded brown

Margaret Ann Waddicor 10th October 2017
We try to walk in the woods every day, most often 1-2 hours, but sometimes 3hrs. Thereby keeping fit in every way. One of us is 92yrs old!! Still walking fast up the hills!
Oliver Philip Nov 2018
2007
Look. ( those with eyes to see)
~~~~~~~~~~~~~~~~~~~~~~
Look alive this day could be your last.
Look not a gift horse in the mouth.
Look not blue if happy times are past
Look through rosy glasses if in doubt.
Look in back,you’ll turn to pillared salt
Look one direction n paddle other way.
Look daggers at the man who is at fault
Look for that needle in a stack of hay.
Look,behold your words. Speak your mind
                       TODAY.
Written by Philip
Posted 30/10/2018.


2007 June 5th.  

Mission Impossible

Your mission should you choose to accept it?
May be tougher than total disease eradicated
Slower than abolition of third word poverty
No pinnacle as high as a career in true poetry

You will be deprived of all satellite navigation
Ostracised b friends n fair weather neighbours
Unarmed just words are your feeble protection
Your existence denied , should they ever get u

Let me warn you my brave poet friend
Take heed, you may think it no problem
Write all this free verse indeed w’ a vengeance
But once your outside defending fair maidens

Vanity n pride are left behind at your station
Your mind be clogged with a million quotations
This text , it destructs thru your own hesitation
Poet laureate you are not in my estimation.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip. 1st November 2018.
lol you have a mission impossible
mark fishbein Feb 2018
We are numb in our tenements, the thick soot
Of prophesy makes a witch-hunt of the heart,
Shell-shocked by absurdity, while a Caligula tweets
That the empire is fully restored in his name;
We have only learned the sorrow of repentance.

The children of No Kingdom are seduced,
Their spirits hang in the citadel of limbo;  
The elders are shattered by the state of siege,
As the edicts to the whispering fear
Make hysterical headlines of the idiotic.

Mobs praise the counterfeit messiah;
I pass these days in a monotone of tomorrows
Watching their parade to No Kingdom;
The angry kin of weary conquerors,
The worshipers of necromantic America.

Town bells of freedom rust in their towers,
To Bezer will swarm the great nation;
Pitiless slays the pitiful, the whole country
"A smoking, stinking garbage dump-
The fires burning day and night..."*

The eyes of my soul behold the native soil-
How they now cry with foul tears.
Exiled are the children of sad immigrants
From the gardens in the promised land,
Obese hatred scorns the starving refugees.

Citizen, our tribe is from the genesis of slaves,
Blood brothers from famine and persecution;
It is not enough to build a pillared temple    
Just to hide in a sewer of dampness and worms-
Are we but the scavengers who remain?

How the spirits of the lofty statues  
Are now homeless on jagged pavements;
The daily lies spread as the vultures feast!
What vengeance claims the coming age of man?
What vain electric offering to our empty land?

To those who **** with words and hateful ways,
In drunkenness they scuff the word of their god.
See them hoist their fascist salutes as the mongrel
Tweets from his rotten bowels to No Kingdom;
While burns our lineage to a poverty of ruins
Isaiah 34 8:15 “He shall stretch the line of confusion over it...They shall name it No Kingdom there, and all its princes shall be nothing”  
Moses set apart Bezer” that the man-slayer might flee there who kills his neighbor unintentionally” Deuteronomy 5 41:43
*Translation from Isaiah 34:8-15 by MSG, The Message
2007
Look. ( for those with eyes to see)
~~~~~~~~~~~~~~~~~~~~~~
Look alive this day could be your last.
Look not a gift horse in the mouth.
Look not blue if happy times are past
Look through rosy glasses if in doubt.
Look in back,you’ll turn to pillared salt
Look one direction n paddle other way.
Look daggers at the man who is at fault
Look for that needle in a stack of hay.
Look,behold your words. Speak your mind
                       TODAY.
Written by Philip
Posted 30/10/2018.
I have found my paper store of many poems written between 2004-20012. I shall post a few for your pleasure and of course my own. This is from 2007.
Cm Jan 2019
I feel the waves
Of pain rustling
In your chest
I tasted nectarine
Sweetness
Of your kiss
On my lips
I feel the warmth
Of your pure love
In your heart
I see your
Vision
In your eyes
I walk through
Your rushing  thoughts
In your  Mind
I am not
Separated
From you
Even though
My body did
Love in my heart
Is guarded by
Your arm
Pillared with
Boulder
I rest my
Head
On the valley
Of your broad chest
Where I find
My real home
I love you
And miss you
Everyday
Violet Stage Jul 2020
You were so gorgeous to me
So gorgeous that we nicknamed you “gorgeous George-ous”
Gorgeous George-ous with
The the bright blue eyes
I’d never experienced that type of stare
Whose name tattooed across back
Just in case the night took you somewhere unexpected
And you needed to be ... identified
Whose tag name I quietly new but was never discussed
As it should have been...
Unlike today.
Who made love to me abruptly on 44th street between 9th and 10th
Right there in the street with a nothing of a fence separating us from the passerby’s.
I didn’t care.
A flag waving quietly, high above our heads
Whose lips kissed me under the pillared circular structure on a midtown corner
Which was never to be forgotten
I linger each time I happen to pass it for just a second
To smile over that moment
Still after all these years.
Onoma Feb 2024
treetops pass their

basket--

light to the nodose

pit of round.

pillared trunks

sprouting into one

another.

come maximums of

height.

contoured chione

apto pnuema...

hand off touches of

wind to the ground.
*Inspired by a revelatory hike~

— The End —