Grandpa?
Tell us about the flowers again.

"I don't like to tell those stories anymore little Bug."

but you write allll your poems about the flowers
you have so much love in you papa!

"I don't remember the flowers, Bug."

you have to remember the flowers!
you spent years telling the world about them on stage!
How the sunflower invited you to an occupied bed
and you stayed there for shelter
imagined a future with her, another child
But You found your child in the pansie
when the sunflower left for Hotter adventures.
You really loved the pansies Grampa

"Yes I did, more than anything."

Every time you met a flower you left them for the pansies!
the pansies are so pretty
they had you obsessed grandpa, you were addicted you said!
how they smelled, how they felt on your fingers
but they were always getting into danger and never listened to you
they made you feel like you were broken
and they were withering away
All of your flowers always went without eating grandpa!
why didn't you water them?

"I promise you bug, I watered them plenty."

crying on them doesn't help grandpa,
you needed to feed them

"I fed them plenty"

Did you feed them enough sun?
you always said you kept them in
with the windows shut, that's why they withered
until they all left you for the sun

"The sun left me, they didn't leave me for the sun."

No the forget me nots took the sun from you
you said that a lot
how she stole the happiness from you and gave you this poetry
how you really can never forget her
and you hate that it's her favorite flower
because it seems enchanted on purpose to haunt you.

"Let's talk about a different flower"

Ooh the daffodil didn't eat either
she wrote poems about it! and she even wanted to plant a bunch of poison for you
she kept coming back too! all the flowers came and went with the seasons
she gave you so much that you practically died when she left
you were poor and got sick from not eating
crashed your car and tried to **** yourself

"these aren't casual things you should be talking about in passing with your grandpa bug"

but it's all in your poetry!
the pansies really loved you grandpa.
The sunflowers gave you Charity because it's what they knew
The daffodils supported you when you both needed each other
the forget-me-nots are the reason for all your trauma and will stick with you for the rest of your life
but the pansies kept coming back because they loved you
you didn't offer each other anything other than love
you didn't drive each other or pay for bills
you didn't even like to go out but you did, because it was a reason to be together

What's your favorite Flower Grandpa?

"I never had one when I was asked"

when was the last time you were asked?

"when the pansies first told me their name"

what did you say?

"I said goodbye...
but not for long
you know me and the pansies"

Either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted, jailed, in and
out of fights, in and out
of my mind.
women were something
to ***** and rail
at, I had no male
friends,

I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
and
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't different

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
grievances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
i could never gobble
down all its
poisons
but there were parts,
tenuous magic parts
open for the
asking.

I re formulated
I don't know when,
date, time, all
that
but the change
occurred.
something in me
relaxed, smoothed
out.
i no longer had to
prove that I was a
man,

I didn't have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, 'I am going
to have to let you go'

'it's all right' I tell
him.

He must do what he
must do, he has a
wife, a house, children,
expenses, most probably
a girlfriend.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporarily,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels, *******,
singing,the
works.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I made them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scares, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
****.

and finally I discovered
real feelings of
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
i saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the tote board waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
I saw the mailman,
honked,
he waved
back
at me.

Thank Heaven! the crisis—
  The danger is past,
And the lingering illness
  Is over at last—
And the fever called “Living”
  Is conquered at last.

Sadly, I know,
  I am shorn of my strength,
And no muscle I move
  As I lie at full length—
But no matter!—I feel
  I am better at length.

And I rest so composedly,
  Now in my bed,
That any beholder
  Might fancy me dead—
Might start at beholding me
  Thinking me dead.

The moaning and groaning,
  The sighing and sobbing,
Are quieted now,
  With that horrible throbbing
At heart:—ah, that horrible,
  Horrible throbbing!

The sickness—the nausea—
  The pitiless pain—
Have ceased, with the fever
  That maddened my brain—
With the fever called “Living”
  That burned in my brain.

And oh! of all tortures
  That torture the worst
Has abated—the terrible
  Torture of thirst,
For the naphthaline river
  Of Passion accurst:—
I have drank of a water
  That quenches all thirst:—

Of a water that flows,
  With a lullaby sound,
From a spring but a very few
  Feet under ground—
From a cavern not very far
  Down under ground.

And ah! let it never
  Be foolishly said
That my room it is gloomy
  And narrow my bed—
For man never slept
  In a different bed;
And, to sleep, you must slumber
  In just such a bed.

My tantalized spirit
  Here blandly reposes,
Forgetting, or never
  Regretting its roses—
Its old agitations
  Of myrtles and roses:

For now, while so quietly
  Lying, it fancies
A holier odor
  About it, of pansies—
A rosemary odor,
  Commingled with pansies—
With rue and the beautiful
  Puritan pansies.

And so it lies happily,
  Bathing in many
A dream of the truth
  And the beauty of Annie—
Drowned in a bath
  Of the tresses of Annie.

She tenderly kissed me,
  She fondly caressed,
And then I fell gently
  To sleep on her breast—
Deeply to sleep
  From the heaven of her breast.

When the light was extinguished,
  She covered me warm,
And she prayed to the angels
  To keep me from harm—
To the queen of the angels
  To shield me from harm.

And I lie so composedly,
  Now in my bed
(Knowing her love)
  That you fancy me dead—
And I rest so contentedly,
  Now in my bed,
(With her love at my breast)
  That you fancy me dead—
That you shudder to look at me.
  Thinking me dead.

But my heart it is brighter
  Than all of the many
Stars in the sky,
  For it sparkles with Annie—
It glows with the light
  Of the love of my Annie—
With the thought of the light
  Of the eyes of my Annie.

It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

daj, do wynagrodzenia: reszty.
daj: to niby: siebie;
a... dam... dam...
ale pierw: powiem:             to!
(ich) nicht werden
                  geben (ihr) das nacht!
first... i'll punch myself
hard enough to give myself
a plum-eye: ******* pacifists...
and then?
    then i'll strap a trouser belt
to protect my knuckles...
and then... then...
                    then: we'll "talk":
who might find a translator
ready...
   god...
i'm gagging for a
knuckle exchange...
        almost... itching!
like i might await
a shaving... from a Turkish
barber... in Essex...
of all Danish palaces;
and why would i want to allow
consort with these women?
considering the fact that
the russian ones believe in trans-national
grievance taxation:
of someone... who hasn't...
actually died...
              you know what?
*******...
suffer...
       watch me wipe my ***
with a satanic smile
ennobled
by a coulrophobia...
excesses of vogue
                      atypical models...
how is it... that...
coulrophobia doesn't translate
in reverse?
  and what's up
with the black privilege of
jass music, akin to white mozart...
as...  
  sure as ****, the drum would be
the first, and only thing,
prior to the people learning
the ******* clarinet!

oh drop me your ****** ***
holocaust dead bomb
on a polish ***...
     i triple, quadruple dare you!
you *******... ivory coast
   centipede!
               i'm *******...
as watts: wild-eyed...
       unstrap me from this
"unreality" of conversation...
then undo the internet banking...
and the rest of it...

             not adam watts!
    glitter & doom....
who?      tom waits...
oh **** me... blue valentine?
if that's not a **** with me
album... what is?
                 live circus?
        
do i look like a ******* ****-
(see the hyphen?
it's a prefix... the english are
lazy sometimes: couldn't,
i.e. could not,
remnants of shakespearean
english...

       i'll always cite macbeth...

  time, thou anticipat'st my dread
exploits: the flighty purpose never
is o'eertook, unless the deed go with it.
from this moment, the very firstlings
of my heart shall be
  the very firstlings of my heart.
   and even now, to crown my thoughts
with acts, be it thought and done.

it's hardly a racial slur, ergo...
why so ******* sensitive akin to a french
footballer or a ballerina?
   ****- (hyphen! hyphen!) ergo a prefix...
as already mention:
no, no...
   it's not: no iraqi ever called me a pa-ki
      (pákí)... yeah...
and you never called an afghanistani an
afghan, ever, no?
   pure camaraderie in that part of
the world... all the way... yeah yeah... yeah...
-stani (suffix) is sometimes missing
because... the english like to shorten words...
e.g. why is daniel: dan,
why is matthew: matt?
  why is muhammad: mo (farrah)?
                                    ******* pansies...
police your circumcised penises fiddling
english teenager girl, first,
come after my vocab. justifications: after;
savvy?

or a gypsy?
   by now...
     i'm looking like any
traveler...
and the world...
       forever resembled
a world,
  in the confines of
      a claustrophobia...

but... if there's a bigger concern for
a world...
  and a freedom...
i want a bare knuckle fight...
a black eye...
namely...
you bring  BOXING GLOVE...
and i'll bring...
     a LEATHER BELT...
wrapped around my knuckles,
and the wrist...
    like i might care to give
a second attempt to smile...

ah... the men... who care
about minding, if not in the least,
keeping women...
      bye bye, bye bye...
       and i've allowed myself
to know my grandfather...
as i did the slap in the face...
and...
the key question:
in the unfathomability of counting
the 32 / 4 ratio...
alas... one fist... one smile...

and countless... dentistry encounters...
because?
   because the rest?
the cultural artifacts of a today?
  lost to h'americana...
            as i might have wished...
for my prior genes
to make an autobiography
in **** germany...
  
   what?
  
      well... obviously: the oops.

no, for the crescendo...
you know...
           i'm getting this funny vibe...
gott ist tot... it's not really spectacular...
nietzsche really believed in eternity,
to the point where he pointed:
what does science offer, only old age...
what does religion provide? eternity...
oh nietzsche was big on eternity...
   gott ist tot is as unspectular as:
is it: how to do you pronounce x,
or is it: how do you pronunciate y?
debate:
              everyone says around here
the former... since no one wants to be a *****...
pro-nun-ci-ate (pro-nun-cíate)...
   might as well replenish the vocab. bank
and replace the word with:
how do you elocute z? / recite)....

gott ist tot / gott ist tod...
    "same ****, different cover"...
you know why i believe in god?
    not the christian reference points...
salvation blah blah, saviour and hide & seek blah blah...
n'ah... where would i derive all my vocab.
hunger if not from him?
   some men derive their vocab. from
women or gambling...
            i am not in the position of their
luxury... so god it is...

            primarily though?
               god is metaphysics...
             ergo? his judgement is not clouded
by metaphysical questioning...
it's impossible to receive a metaphysical
answer from a metaphysical question
when engaging with a metaphysical
ontological paraphrase of one's own search
for meaning in this mortal frame...

oh sure sure, my belief in god is as juvenille
as anyone else's belief in humanity's
clarity when it comes to jurisprudence
and its application...
    i've experience "jurisprudence" once...
drive-by phone theft...
me and three fwends...
   i catch the number plate...
i tell one of my fwends to note it down,
police station, report, culprit found,
a sit in at a barkingside police station
looking at mug images,
spot the ****** (it was dark when the mugging
took place, photographic memory, **** happens)...
a court session, australia is playing england
at the ashes (****, i missed it)...
in court the defence lawyer shows me
another picture of the culprit...
back then photogrpahs had dates
attached to them...
the photograph? over 4 years old...
i tell him: but this photograph is 4 years old!
how can i identify if this is the same
person: i, myself, will probably
don a beard in four years time!
      a simple slip-up...
        now that i have a beard:
it's so much more fun than growing your
hair long... i hated the nickname
chewbacca back in high school when i was
growing mine for a french braid...
i walk out of the court,
come to terms with the detective...
and i see the same hunger in him as i see in me...
will justice be served?
highly unlikely... since the victim
didn't recognize the *** in the mug-shots...
justice was probably not served...

   and this is how god plays into all of this,
hell or heaven, blah blah...
man created the figure of domina Iustitia
as blind... god created death to be blind...
justice was never supposed to be blind,
death was: the unfortunate deaths
of teenagers in car accidents,
among all the other freak accidents...

clouded with so many metaphysical questions
i don't appreciate man's ability to adhere
to jurisprudence without being
subjectively contaminated...
i have more belief in an "imaginary"
god than belief that strains me to belief
in man's sense of justice...
          the nuremberg trials are a rare exception...
but only when the culprits are
unabashed and fathomable by a collective
sense of pride... a blidness...
i believe in god, because i'd love to experience
the judgement of a post scriptum of
metaphysics...
  personally? i have been wronged...
heavily...
            i will not name names....
i know when and how i was wronged,
and by whom...
                2007... Canterbury...
      i won't name names: i'm not a rat...
man is too clouded with metaphysical questions
to begin with, god isn't,
he's a metaphysical ontology "bias"...
which is why, he is primarily a jurisprudent
answer...
   i'd love to experience divine jurisprudence,
hell or heaven are not of my concern...
and i don't imply divine jurisprudence
associated with the polytheistic take of
jurisprudence via a solipsistic mechanism
of a minor god and the person in question
without the hurt party...
in monotheism the god is solipsism personified...
these days: also the personna non grata...
so no... gott ist nicht tot...
            he's a personna non grata...
i just don't appreciate the human *******
of law, law governance...
   come on, in england you can receive
an a.s.b.o.s. for your cockerel being too loud
in the morning, your dog barking...
           would you trust man with
jurisprudence?
  a woman was cleared of the ******
of her husband
       when she hammered his head into a pancake:
over an abusive relationship...
police, weren't, "there"?!
sure sure... the hammer will do...
i believe in god without a sense of reward...
i just don't think man is capable of
passing justifiable laws...
no man could ever pass the eternal laws,
gravity... 100°C for the boiling of water...
i need a being  who has groundwork
in eternal laws, in unshakeable laws...
the ten commandments aren't:
you shall not...
   more... maybe, you shouldn't...
they are the most pristine jurisprudent
laws available... the: maybe you shouldn't,
eh, chappy?

       i just don't like playing the thesaurus game
on the more tight-knit game
of "passing" the wink-wink of Solomon's
judgement...
please, **** me please,
i'll eat 20 raw herrings in a cream sauce,
slurp 30 oysters,
eat 40 strawberries on a hangpverl
eat out about 50 harem virgins
like a castrato if you ask me, nicely,
**** camel cockey:
lucly i landed on a black gold slurp
with plenty of bangladeshi slaves:
******* of riyadh...
     what did muhammed tell you?
you camel jockeys / sand *******
have clearly forgotten...
******* arabs: short attention span...
you need to remind
the retards...
the dajjal would come from the east...
a palace of gardens...
well obviously the prophet wasn't
thinking about genghis khan...
            
  hmm barbarians...
vikings, arabs: yet so inclined to like poetics...
funny, that...
the civilized peoples banished
the poets...
            the ruling class and their cushioned
people: sacrosanct sycophants...
wankers, basically.

    the hajr? muhammad spoke of the dajjal
coming from the east,
and the east being a city of gardens...
where isn't riyadh and where is mecca?
isn't riyadh east of mecca?
was the dajjal to come from the outside
of islam, or from wtihin?
      last time i checked...
sh'ite islam isn't friendly to sunni islam...
if islam was the one true religion...
would have a shcism have occurred?
i don't think so...
   a persian would never bow before
an arab... that much os true...

oh i believe in god...
given how man practices jurisprudence...
is it some sort of, a, thesaurus game
i wasn't told about?
to me the human quest for jusctice is
a thesaurus game...
man is incapable to pass but one,
eternal, law...
he's great at nuanced laws...
laws allocated to sports...
i mean, **** me, cricket?
the best vocab. you'll ever pick up...

even god isn't as pertinent
in making the sort of music associated
with the limited alpha-to-beta
of A, B, C, D, E, F, and G...
wow! seven... seven?!
how many heads does the beast
of revelation have? oh... 7!

i'll stop tolerating islam, and start respecting it,
when it, acknowledges its presence
as a character study in the book of revelations...
then i'll just move on,
having made my point...

until that time comes...
    it's 600 years shy of becoming what
degenerate christianity has become,
oh and it's ripe...
it's gagging to implode!
600 years and wait for it to become
the next secular vasal conglomorate...

the warning muhammad gave
about "the best from the east"
was in point of question:
   a reference ti gneghis khan...
more like ibn saud:
  thst fat diabetic one eyed ogre...
and the legacy of decadence he left
behind...

saudi men with slavuc girlfriends,
buying up pink cushions and *******
chihuahuas...
**** after ****...
  you know the three slavic proverbs?
1. better a sparrow in your
hand, than a dove on your rooftop?
explanation?
better the small joys at-hand,
than impossible possibilities out of reach....
2. a drunk can spot east,
past mecca, whenever honing
the safety of his own bed... even at night...
not much of a proverb...
3. i don't care to rememeber...

once toleration comes into play,
i will, respect... just a waiting game...
i'm pretty sure no iranian will
bow down to a sunni camel jockey...
i like proud *******,
it implies: there are absolutes,
un-moveable goal posts...

                      if you are ever to bind yourself
in supporting a "side" outside a sports' dynamic,
always the outsider...
always the outsider... in this case?
the ****'ite islam brigade...
       the persians...
the sunnis can shove it...
   *****, bones, whatever....

                   ****'ite islam i can
fathom, even respect,
sunni islam i just tolerate...
  as much as iran takes claims for the
big satan in ref. to h'america...
well... if h'america supports the infantile
saudi arabia, who's to blame them?

you know that polonaise joke about
about the pacifism of jews in
2nd world world war poland?
the joke ran along the words:
weren't the jews shooting the nazis
using crooked elbows (rifles)?
they always seemed to miss them,
taunted into walking into gas chambers,
the ******* hobbits...

          what? some bolshevik Brooklynian
jewish rada is to spare me
                 the pay-up diffrential
telling me, i was wrong?

  as i said before: the nazis lamented
when the warsaw uprising happened...
no, st. paul's doesn't stand proud
because, because...
   even with the blitz...
                 the luftwaffe were told:
you drop a bomb on st. paul's: firing squad...
and when notre-dame de paris -
last time i checked...
   the nazis didn't luftwaffe the **** out
of paris... did they?!

                  the nazis weren't mongols;
no people so well versed in chanel in terms
of their military being so well
   suited & booted could ever make such a
                              architectural sacrilege...

what?! people under the silicon curtain
are gagging, begging even: for nazis!
can i be the first?!
i just want to please the hungry!
if not punk then moving swiftly into ska...
am i the first?
   siliziumvorhang...
well, **** me... from under the eisenvorhang...
what's with these neo-communist pseudos?

and the hebrew god?
a jealous god... so a god with the knowledge
of the existence of other gods...
why wouldn't a jealous god have
no knowledge of other ("imagianry") gods?
to be jealous of only one's own existence?!

3 / 1: that's the ratio....
that's the only ratio... 3 times i experienced
love at first sight:

when i fell in love at first sight...
malina, samantha, janina,
priya....

equal measure: isabella of grenoble...

in reverse:
magda, promis, ilona, kot (i forget her name,
7 years old, first kiss, you can be forgiven
to forget, she had two twin sisters
and she was the senior,
her fasther drove a distribution truck,
milk, i think)...

****, i actually mismanaged
that ratio...

i believe in "a" god...
since i find too much of human jurisprudence
to be riddle with the thesaurus...
i don't think man can pass
law, he can "suppose so"...
but he will never pass the sort of law,
made forbidden,
or absolutely allowed....
i don't believe in a god akin
to the sort of a pontous pilate god
where i'll always find myself
outside of punk evolving into ska...

         mind you...
i'd hate to be trapped within
the confines of an atheistic exclusion zone
of intellect,
      to be trapped in nothing is one
thing, but to be trapped inside
the confines of an atheist's "nothing"
is quiet another....
i don't like being a hamster inside
a cognitive wheel of another...
   god is the jurisprudence spirit,
man the metaphysical spirit...
and i would very much like to stand
in the light of divine law being passed
to finally feel my shadow...

kult: brooklyńska rada żydów...
  not familiar?
  i forgot punk a long time ago...
esp. when californians came up with their
version, ergo? ska...

i'm currently taping a film
about the silesian vampire...
how strange, that the prussians came
back into the ***** of the polonaise...

growing a beard is so much fun!
fiddle after fiddle: and no violin!
atheists bore me
as much as the theistic hags
who's only ambition are
the thrill associated with Sunday
h'america and cinema...
               i can imagine only one
heaven...
where i am blind and given
               a large library of music.

make a  great pillow
for
tired dog butts.

‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!

He had drifted in among us as a straw drifts with the tide,
He was just a wand'ring mongrel from the weary world outside;
He was not aristocratic, being mostly ribs and hair,
With a hint of spaniel parents and a touch of native bear

He was very poor and humble and content with what he got,
So we fed him bones and biscuits, till he heartened up a lot;
Then he growled and grew aggressive, treating orders with disdain,
Till at last he bit the butcher, which would argue want of brain.

Now the butcher, noble fellow, was a sport beyond belief,
And instead of bringing actions he brought half a shin of beef,
Which he handed on to Fido, who received it as a right
And removed it to the garden, where he buried it at night.

'Twas the means of his undoing, for my wife, who'd stood his friend,
To adopt a slang expression, "went in off the deepest end",
For among the pinks and pansies, the gloxinias and the gorse
He had made an excavation like a graveyard for a horse.

Then we held a consultation which decided on his fate:
'Twas in anger more than sorrow that we led him to the gate,
And we handed him the beef-bone as provision for the day,
Then we opened wide the portal and we told him, "On your way."

I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil

The weather autumnal has turned cold,
But you nod your heads in colours bold,
As sparks of colour in your soil,
To make me smile when home from toil,
I adore my pansies in every hue,
When all the others growth is through.

To love a man that gives you the moon and all of the constellations,
                      this gift, I did not receive.

Instead, I loved a man who could create skies of jade and violet among any area of his choosing with his own bare hands.

To love a man that gives you a bouquet of twelve burgundy roses,
                     this gift, I did not receive.

Instead, I loved a man who could produce a field of golden pansies atop my right cheek with his own fingertips.

To love a man that gives you a kiss beneath a lantern string of lights,
                     this gift, I did not receive.

Instead, I loved a man who could shoot the most colorful of fireworks and streamers from the booming sound of his own voice.

To love a man that gives you a floral path from the door to a candle-lit room,
            this gift, I did not receive.

Instead, I loved a man who could toss a book through the air and before it struck my skin, it would burst into pink rose petals with a clap from
the same bare hands that painted me jade and violet skies.

Pass by citizen
don't look left or right
Keep those drip dry eyes straight ahead
A tree? Chop it down- it's a danger
to lightning!
Pansies calling for water,
Let 'em die- queer *******-
Seek comfort in the scarlet, labour
saving plastic rose
Fresh with the frangrance of Daz!
Sunday! Pray citizen;
Pray no rain will fall
On your newly polished
Four wheeled
God

Envoi

Beauty is in the eye of the beholder
Get it out with Optrex

My hands fly across the key board as I search around.
Not for anything in particular, just watching people cross in front of my eyesight.
A girl walking in circles in  a blue fleecy vest, talking on the phone.
I remember my father telling me the importance of leaning to type without having to look at the keyboard.
I thought he was stupid.
I thought it was silly.
I ****** at typing.
I still use three fingers only, mainly.
Pinky for the shift key occasionally.
Right ring finger for the return key.
I don’t even use the thumb for the space bar
Like you’re supposed to-
I use my right pointer finger.
I always had to endure the agony of typing with
The Box
Over my fingers in elementary school.
My best friend can recreate fond memories of a 10-year-old me
Squeezing
My eyeballs shut,
Lining up my fingers, my tongue sticking out,
Only to discover
I had typed everything
Wrong
Start over.
But having entered the college age.
I’m happy to be able to
Glance
Around
While I work.
Makes it seem like some automaton is recording my thoughts, which I don’t even have to think About as I
Consider a flowerpot full of yellow flowers…pansies?
So the poet was right.
He was always looking out windows.
Like all his poems would come streaming through them.
Bits of cloudy thoughts captured on paper, because his
Eyes were free to wander.
Silly poet.
Silly little girl.
Asdf
Lkjh
G

Roses are red
Violets are blue
This poem's the sweetest thing I'll ever do.

Lilies are orange
Petunias are pink
When I'm around you, ****, I can't think.

Pansies are purple
Orchids are white
When I talk to you, my throat gets tight.

Marigolds are gold
Hydrangeas are green
You're the most mesmerizing person I've ever seen.

Daffodils are yellow
Dandelions too
I must admit, I think I love you.

Lavender is grey
No flower is true black
All I want to hear is "I love you" back.

Done with thinking because that's for god to do
I am just this appendage of a greater consciousness

Ahab is blameless
in his small existence
Don't quote me
quote Herman and Freddy Nietzsche
They and their hermits
coming down from the mountains
to declare they ought to have
loved their fate all along

Amor fati
Why couldn't we have been stuck in the herd all along
guys who get love and happiness effortless
no need to spend their life in anguish
searching through tomes
found in tombs for eons and eons
enhancing their social aloofness
and their unremembered trauma
'till those sad souls give those pansies confidence
to leave an exegesis of their own

Too smart kid
that decried Christ and
the shadows of a god all around
only to find the search for truth was hopeless
Find a way to dumbly enjoy life again
and you only say again cause
that's all we can control
our memories
and we too often forget
our thought habits
the pre-neolithic mind tricks
on ourselves

Too many MLMs profiting off false mindfulness
missing the point beyond exercise
and short stress relief

Change your thought patterns to love your destiny
That's the best we have
to pretend to have control in this ̶h̶e̶l̶l̶ hole

I see a pattern Everywhere:
Circles and globes (three dimensional circles);
Shiny rings of fire.
Countless manifestations of this same shape.

Star-spangled galaxies wheeling through the sky:
That half-globe dome.
Earth, in circular orbit (more or less) around the Sun,
Escorted by the Moon.

Days give way to seasons,
Repeating every year.
Groundhog Days becoming
Groundhog Creations
Perhaps.

The list seems endless:
Hopkins’ dapples,
Planets, craters, cyclones, anti-cyclones, sea currents,
*****, apples, oranges, nuts, potatoes,
Teardrops, heads, faces, eyes, mouths,
Holes!

Coins, bin lids, and plates;
Sunflowers, daisies, pansies,
Rings of mushrooms,
Circling birds of prey,
A cat curled in a circle,
Like a foetus.

Life as we know it
Is a circle
And a cycle too.
Birth, Death, Blossom, Wilt.
Reincarnation?
Renewal?
Clock-faced Time itself.

Eternity might be a circle,
Infinity the same.
Maybe even God,
Some way.

Perhaps we still are building God,
For Him or Her to travel back through time
Like Doctor Who
To Create The Big Bang,
And form this expanding Universe,
Thus taking us full circle.

Or maybe the Universe will fold back in upon itself,
Producing yet one more Big Bang,
In an endless cycle,
Of Big Bangs,
Amongst this ever circling
Multiverse.

Paul Butters

© PB, 14th February, 2011 at 14.00, in Humberside.

The Pansies curtsied deeply, in their flouncy purple dress,
To the yellow Jonquils; and then only to impress.
And Amaryllis hides her newly naked-lady stem,
But her bouffant clothing opens, at each thrill of puffing wind.

The Bluebell always bows her head, when saying any grace,
Though Iris has Apollo's tears, fresh on her upturned face;
While Daffodil has sunshine, in her ringing petticoats-
Poor Honeysuckle is quite gone; all eaten up by goats.

Paint me some spring flowers
Pansies and Crocus; purple and white
Dogwood trees with their, pinks and whites
Paint me some green on the grass and shrubs
On the trees, paint some buds
Paint me a cardinal in a pine tree
A Robin in the grass
Paint me some baby birds in their nest
Paint me a baby blue sky with a few puffy white clouds
and Please! Paint me a big orange sun
It's been a long cold winter
Paint the sun as big as a page
I need to warm up
Spring is already late :  )

Outcasted kid with purple hair

Albeit not the kind of violet
That made your nostrils drip
With a watery ambrosia
Sugary enough to belong to a bee

And not the kind of
heavy, royal, omnipresent
contentment plum presents as a
molten lava
perfecting the pockmarks in the pie

My tendrils were not reminiscent of
home or
anything savoury so

I tangled them in tiaras
belonging to some Duchess' daughter or
one of Henry's wives or

Maybe twined them round
Frita's pallet and
Dyed my scalp a more pleasing hue or
Anything other than purple

Because purple was what I was not
Purple was Lilacs and
Pansies and Heliotropes and Tulips and
Lavender and

That little wild flower aforementioned

whose name I can't bare say
for the sake of
a humble beauty
such as hers

'twould be a shame to make comparable
To the wet-dog-fur look
Of my purple hair

And so I learned to get lost

In a past I always felt my own
Traveling continents and
Floating through eons

While my classmates  coloured in
British Columbia and
Where is Nunavut again?

Growing, I gained companions

A faery,
Athena,
Aslan and
Frodo, Einstein, Plato,
Theodore Geisel, Mahatma Ghandi
and Louis Leakey, Jamal Dewar,
Joan of Arc and John Lennon and
it all became
more complicated

Because my world was in flux
Oh it ebbed and it flowed and it expanded
Like the molten plum but this time
It really was more like lava

Assuredly you'll understand;
See the seams in our stitching!
Our Worlds are sewn together!

And as much as we would like
to cling to our
individualism

at some point we all must
accept that there is
but one

Intrinsic as our innards
Are our atoms and
Electrons and
mine are yours and
yours are hers and
ours together are all of the stars and
it really is
beautiful

At some point the twisting shroud
The squeezing and contracting -
of the world inside my head and
the world inside my eyes and
the world I was walking around in
and the world that I saw above me -
it tensed then halted
and became very dense
then melted

What a glorious
Ubiquitous, secure and everlasting amalgamation!
I opened my eyes
To find Van Goghs Scissors
All bloodied still and so
I cleaved my purple hair

But to find Hieronymus' oils and
watercolours so
I made my skin a hellish canvas
Painted all in yellows and blues
Without a hint of purple

Now from shoulders to forearm to wrist
from breast to navel to hip
from thigh to calf to foot
legible as anything are
lines that lilt and gleam
sighing songs of
devils and cherubs alike
and of sparrows and snakes

So after heaven is hell
and after hell is Nirvana
And Manna is as good as dirt
if Ambrosia is but
the spit of a bee

It all always works out
Because at the end comes
Death and after that
We don't know
But I do know that
I don't know
Much at all to begin with

Except for four things, almost assuredly:
1. Energy is all
2. I will never cease to find shouting at people from my bedroom or a car window amusing
3. My mother loves me more than anyone
4. Nothing is certain, except for uncertainty

Oh, to gently enter the water’s embrace,
to be weighed down by
something other than my grief.
The currents look strong, the water rushing
and swirling, voracious in its appetite.
One by one, I drop the flowers into the water,
their petals leave the stems,
they are so bright and pretty against the clear blue swirling currents.
I am on the branch of a tree, gazing down after them,
my ***** blonde hair in my eyes.
Slowly, I prize my fingers off the branch,
and swing my legs over one side.
I jump.
The water is chilling, exhilarating.
I have never felt so alive.
My white dress gathers tightly around my ankles
and I can’t kick them free,
so I lean back, gazing at the green canopy above me,
looking at the bright glow of the flowers
swirling about my head.
Rosemary for remembrance,
pansies, rue and columbine,
daisies, sweet and innocent, like how I used to be.
The water rushes over my head;
I meet my watery grave; I think no more.

I love pansies & posies,
dandelions & roses,
& poppies do melt my heart.
The lily-of-the-valley
is endearing,
she's so beautiful.
Peonies & veronicas,
carnations & daffodils,
dahlias & tulips,
their colors thrill me,
spill onto my palette.

I extremely enjoy the fine
array of their luscious petals,
the explosiveness of their fragrance,
so delicious & soothing,
almost hypnotic,
they're dreamy,
I could sniff them
forever, taste
their flowery-spirit.

.i get it now, the more i make it a detention hour writing lines: doing dull work, makes sam a bored boy... intra-racial variant of slur qua intimacy, in-group standard... take any "n" word "extra g" word "thingy" among the non-exported examples, non-NBA privileged, say... in Kenya... friends? **** no... feeling intimate? huh? like i said... watching 2 hours of a washing machine cycle, is probably more entertaining, than, seeing, the cages, the - - - - - morse breaks in... so... everyone is being a ******* ******, creating a natural response to a river, that must become a reservoir / fake lake? whatever etiquette equated to politeness comes from this... no wonder we'll be doing it from spite... rather than a genuine sediment of genuine feeling, flight of the heart & and all the fickle thoughts that go with it.

please, please, put me into handcuffs
for ******* in an alleyway,
the english sort of handcuffs,
the ones where they can't handcuff
you from behind,
   because the cuffs are not connected
by a mandible chain,
but a rigid middle,
implying that you have to be handcuffed
with your hands in-front...
which also implies:
   well... if **** turned ugly...
i could just wrap my hands around
a boppy's neck and just turn into
a boa...
     but that other police officer was
nice, turning the police van cell
into a taxi...
   racial slurs...
   intra-racial, or inter-racial?
  big difference...
            inter-racial slurs,
namely an english derivative:
the empire britannia rule the waves
what not?
   crass...
      not too... genius...
no real outlet phonetically...
  the language is too soft as it is...
i met one german at university
who complimented the ****** tongue
with that one general-****-over
word for everything -
conjunction, was the word,
the word is treated as a conjunction:
kurwa...
        i once dated a french psychology
major two years my senior
who i lost my virginity to,
who, let's say, enlightened me...
she was looking for native english speakers,
she told me the most fascinating
fact...
        the fwench used to attach
a trill to the R...
   before they started harking up
an R like phlegm when smoking too much
or down with the flu...
inter-racial slurs are... yawn...
   who gives a **** about walking
on egg-shells...
   i'm watching a ******* football match
or swan lake with 22 *******
                                       pansies?
everyone's suddenly going to be
     as sensitive as a fwench footballer?
****: french / fwench...
  it pretty much sounds the same...
the fwench speak one language,
the french write the same one language...
but the german complimented
a language for the: pristine outlet
of frustration of... tongue licking
a metaphysical punching bag...
but inter-racial slurs are crass,
for the simple fact that...
          they're just too plain in sight...
there is no intimate history of
a people...
   me? personally?
   i'd love to know what the african
royalty called would-be slaves
picked up by western europeans
for export...
   it's not like these colonialists run
these colonized countries freely,
without collusion with the african ruling class...
there was an african ruling class,
there is an african ruling class,
     what's to be exactly changed?
lost in translation:
    former soviet states people /
  but not the satellites?
   kacap...
   from the song husaria by bujak?
ahem...
     muscovite gałgan...
never heard that one before...
   gałgan...
   i once dated a girl from st. petersburg
that summarißed my mutterzunge
        as a crackling of radio static...
just as the english say:
of a people, with, "too many" consonants
in their surnames...
   ask a ****** about hindu surnames...
i mean: intra-racial slurs...
a movement toward real intimacy
of the use of language...
e.g. in england:
    northern monkeys,
southern fairies...
      and the rest? eurotrash...
       i once heard a intra-racial slur
about the english -
                  angol to pedzio...
and then back to cosmopolitan english...
the "n" word... night? nightmare,
nigh?
                oh... the n- word?
if only i could find some malice in
the context of use...
yes, i know the content of the word,
the content of historical usage...
    and now the whole intra-racial
comradery... inclusion...
familiarity...
                a joke of latin...
   to me that's like saying
              Nigeria...
  and then thinking:
         so... it's not the "n" word,
is it? it's the "extra g" word?
better start writing giggle with an optional
   gig(g)le:
   which could become problematic
when it came to a double omicron:
to go, among the goo...
the intra-rascial slur for a german
east of berlin?
          švab...
     funny that... the saxons are
not actually minded...
  the anglo-saxons (intra-racial
mix of celt and saxon)
             as we see them today...
but... when the teutonic order came
to the area around Danzig
     and further east to Königsberg...
further... to Riga...
         a Prussian isn't a German...
              die Preußen ist: Preuße;
  now?
   the Preußen have been reintegrated
into a dialect of Polen...
        kashubian: or at least,
        that's                     sort-of...
ultra-nationalist "sentiments":
   in "exile"...
          i love that, brushing aside
any economic migrant in favor
for the immediate migrant
   of conflict, or political asylum...
you know...
   economics: is a type of war,
                                 in slow-motion...
it's a peaceful war,
   well... ergo it's a "war"...
              and the economic migrants?
disorientated *******...
who can't exactly fully assimilate
to the expectation of the natives...
i.e. speak our language in public,
and our language in private...
  no... no thank you...
         it would be easier to remove
a tattoo with a shark-bite
and a scar than to remove my
                                   mutterzunge...
and here i am... "worried"
about the N in the word trigger...
or the "missing G" in the word: Nigeria...
like... ******* pandering
        to a panda in a Beijing zoo...
now comes the malice...
thought-prison, metaphorical dyslexia
and tattoos of grafitti on
bypass highways...
   like dirt behind my fingernails...
looking for gold nuggets
picking my nose...
   as harold norse once stated
in his memoir (of a ******* angel):
a sign of a Brooklyn intellectual...
   but i just have to point this out...
LGBTQIA...
   nice acronym...
but you're missing two letters...
**** me... if mr and mrs H
  are not included...
LGBTQIA is missing two protected
groups...
     mr P and mr N...
LGBTQIAPN...
    the ******* and
the necrophiliac...
                                    no?
   they'd fit right in...
        no? they wouldn't?
weren't we talking deviance,
             per se?
so...
          those two outer-outliers
    are legit. rainbow deviances...
no? at least mr P can have some sort
of a religious backing...
whether in the desert slap-stick
ninja sketch and satan's postbox...
or at least, back of the queue of a choir,
and some boy...
   but that's the scary bit,
isn't it?
            mr N... now...
                that's... some would claim
it to be art... or what the hell became
of eddie gein in american mainstream
culture...
                  ****... forgot ms B+...
   i do remember seeing internet
in its youth,
                   rotten . com,
            and the earliest edgy ****...
now... not even a black guy can
leave adequate compensation...
   for what... began as a saddle,
reins and stirrups...
          and became:
   a demonic hybrid knock-knock-knocking
on Gomorrah's door...
fastforward...
men on stag outings before
being shackled by the ring...
inflateable sheep
   and granny dolls...
          oh yeah: i'm a real moralist
at this point...
                    what i do find scary
is that whenever i'm confined
to a waiting room, a confined space...
and there's a child with its parent
present... there's an animal...
   there's a very old man with
a middle aged mentally ill daughter...
i'm suddenly likeable...
a curiosity...
        just like today...
  her dad is nearing 75...
      she's unkept... greasy hair...
                  rags, rather than clothes...
and in the corner of my eye...
she just couldn't stop glaring at me...
i'm sweating like i'm the sort of hell
where i'm supposed to **** her...
or go to her pajamas sleep-over party
if the case was: she was sixteen
and i was eight...
                        as i went into
the doctor's appointment
    and recounted my 2 week psychotic
episode of being strapped
to the bed... in a quasi-paralysis...
citing metaphors of p.t.s.d.,
                   not talking a word for
2 weeks, only because i received
a ******* questionnaire from
the dept. of work & pensions...
   'am i a fraud? am i?'
   between 48 hour periods...
i'd chance 2 hours of sleep...
     the usual questions...
suicidal thoughts, hallucinations?
   no... the 1st episode, yeah...
but now? it's just debilitating,
quasi-paralysis...
                  nice doctor... plump...
beauty of a doughnut...
          and doughnuts are beautiful...
esp. if you throw them into a lake,
and they float,
  and then you watch the ducks
                  and the swans swarm it...
if i lied: i should be contending
for an oscar...
          then she measured my blood-pressure...
first instrument failed...
the arm-band was too small...
the air was pumped into the band
around my hand:
    arm-band snapped
  of the blood-pressure measuring tool...
so she had to resort to
the old method of using
the stethoscope and a bigger arm-band...
i guess she knew she was
dealing with a scared / agitated
animal...
   that just so happened to talk
                  some words in human;
a wounded animal,
is hardly scared / agitated...
a wounded animal,
   is whatever implies...
being elevated to a status
that transcends the wound...
the doctors came too late,
i'm fidding with letters
    like jigsaw...
  i'm fiddling with the then
larger jigsaw of words...
   and the whole point of the picture
will only arrive,
post office stamp and all...
akin to a postmortem:
  that part of life...
where...
   eh? how would you classify
man...
          pork, beef, game,
poultry, fish?
    all... none of the stated?
that's almost funny...
   HOW WOULD YOU CLASSIFY
MAN IN THE "CATEGORICAL IMPERATIVE"
of said classes of edible meats?
am i pork?
   no... am i beef? no...
veal? no...
         well, we already know
that some examples of meat
are actually vegetables:
   brain damage, coma...
like:
   do you bite into a tomato...
"thinking" it's a fruit...
or a veg.?
         "logic" supposes
that a tomato is a fruit...
common sense?
     it's a ******* vegetable!
post-racism...
   what sort of meat is man?
eh... bewildering...
   i guess we can only find
an answer, in China...
  should we ever send
a pet dog & its owner to
some obscure, countryside,
small town, famine riddled
(or straight to Kiev) place...
sorry...
******* a black doesn't make
me "less", "racist"...
i might as well imitate
a colonial overlord by the act...
seriously...
english, these days?
watching a ******* washing-machine
is less confusing that
walking on egg-shells in
this tongue...
currently, available...
so let's forget, black, or white...
you beef?
   you crab meat?
       you lamb?
   (slippery *****
of salivating sounds):
what are you?
       it's called:
  SEEING PAST THE COLOUR...
so...
     what's the meat worth?
is chimp meat the same
as human meat?
   no, wait...
that gorilla grew big-*******
eating shrubs?
anomaly of human
dietary requirements...
a horse became so big...
only eating... grass...
      yeah... no anomaly...
and then my brain starts to short-circuit...
past the colour,
infancy of discrimination...
how would to categorise
the "body" of christ
if no bread was available?
beef? pork? veal?
fish?
      i already know what
the ****** would be...
   sure as **** it wouldn't be
*****'s liquor worth of wine...
i went straight to the beast
of the wheat...
    and i called her...
        ms. amber...
                 and... maybe i just didn't
like the wrap-up of rap
because of the lyrics and
my unrelateable tendency
to never **** the bid-bop head...
of the music per se,
but the lyrics?
      sure... the music is great...
but the lyrics?
     i can't relate to them...
i need, something,
mythological and obscure...
a time-wrap not minding a grief
                 of / from yesterday...
mind you: i'll write this,
as i'll drink whatever is left,
and tomorrow...
            is a tomorrow without
this current zenith of the hours...
come beethoven thinking
of tux in the variant of rigid
geometry in the form of music...
           like when sartre plagiarised
joyce at the end of iron in the soul?
- that's the next tier of "racism"...
    as far as i am concerned...
it would be nice to re-evauluate
my position
    on the libra of being
reengaged in a food-chain
hierarchy...
                  cancer is a primitive
pseudo-vitro-forma...
    great... eaten by parasites...
germs... etc.,
  guess what...
   at least a lion is beautiful...
i'd rather be eaten by a lion
than a ******* tapeworm...
so what am i?
              beef?
                     ****...
       first i'd have to put monkey
on the menu...
to tease at the taboo
     of teasing the cannibal
    while performing oral ***.

bed of colors,
carpet of scents
dancer of summers
majestic ambiance
love in a mist
moon orchids,
sun kissed
pansies laced with orange
graceful, and elegant
on gossamer wings
swirling with passion and eloquence
a welcome of spring
a flourish of blossoms
floating to every posy
vising all gardens
ring around the rosy
dancing on the wind
joyful flight
magnificent winged
expertise despite
began with crawling, living in a cocoon
to be reborn with freedom
until the harvest moon
never defeated
so bright with trickery
a unique design on all
such a mystery
twirling and fluttering until evenfall
some say an omen of good luck, some bad
others believe you are visiting spirits of our lost
touching upon lily pads
until the frost
though in truth you just like the taste
of our skin, the salt on your tongue
compared to the sweetness of nectar, never disgraced
for those so young
bringing birth to new flowers
two spirits dancing in the wind
flying over and under, a shower
of sparkling dust, ever twined
following where one leads
to an everlasting paradise
a show to behold
this twinkling in the sun's sky

BOUCHE-MIGNONNE lived in the mill,
Past the vineyards shady,
Where the sun shone on a rill
Jewelled like a lady.

Proud the stream with lily-bud,
Gay with glancing swallow;
Swift its trillion-footed flood
Winding ways to follow;

Coy and still when flying wheel
Rested from its labour;
Singing when it ground the meal,
Gay as lute or tabor.

'Bouche-Mignonne,' it called, when red
In the dawn were glowing
Eaves and mill-wheel, 'leave thy bed;
Hark to me a-flowing!'

Bouche-Mignonne awoke, and quick
Glossy tresses braided.
Curious sunbeams clustered thick;
Vines her casement shaded

Deep with leaves and blossoms white
Of the morning-glory,
Shaking all their banners bright
From the mill-eaves hoary.

Swallows turned their glossy throats,
Timorous, uncertain,
When, to hear their matin notes,
Peeped she thro' her curtain.

Shook the mill-stream sweet and clear
With its silvery laughter;
Shook the mill, from flooring sere
Up to oaken rafter.

'Bouche-Mignonne!' it cried, 'come down;
Other flowers are stirring:
Pierre, with fingers strong and brown,
Sets the wheel a-birring.'

Bouche-Mignonne her distaff plies
Where the willows shiver;
Round the mossy mill-wheel flies;
Dragon-flies, a-quiver,

Flash athwart the lily-beds,
Pierce the dry reeds' thicket;
Where the yellow sunlight treads,
Chants the friendly cricket.

Butterflies about her skim-
Pouf! their simple fancies
In the willow shadows dim
Take her eyes for pansies.

Buzzing comes a velvet bee;
Sagely it supposes
Those red lips beneath the tree
Are two crimson roses.

Laughs the mill-stream wise and bright-
It is not so simple;
Knew it, since she first saw light,
Every blush and dimple.

'Bouche-Mignonne!' it laughing cries,
'Pierre as bee is silly;
Thinks two morning stars thine eyes,
And thy neck a lily.'

Bouche-Mignonne, when shadows crept
From the vine-dark hollows,
When the mossy mill-wheel slept,
Curved the airy swallows,

When the lilies closed white lids
Over golden fancies,
Homeward drove her goats and kids.
Bright the gay moon dances

With her light and silver feet,
On the mill-stream flowing;
Come a thousand perfumes sweet,
Dewy buds are blowing;

Comes an owl and greyly flits,
Jewel-eyed and hooting,
Past the green tree where she sits;
Nightingales are fluting;

Soft the wind as rustling silk
On a courtly lady;
Tinkles down the flowing milk;
Huge and still and shady

Stands the mill-wheel, resting still
From its loving labour.
Dances on the tireless rill,
Gay as lute or tabor;

'Bouche-Mignonne!' it laughing cries,
'Do not blush and tremble;
If the night has ears and eyes,
I'll for thee dissemble;

'Loud and clear and sweet I'll sing
On my far way straying;
I will hide the whispered thing
Pierre to thee is saying.

'Bouche-Mignonne, good night, good night!
Every silver hour
I will toss my lilies white
'Gainst thy maiden bower.'

The sky lies on the horizon
like a smoke-coloured cat
draped over a sofa of heather,
purple as pansies but sharper,
scratching against boots and paws.
It washes across the landscape
in a swathe of paint,
broken by breadcrumb rocks.

Up here, the wind gallops,
almost spins me round
to face home again.
Water framed by narrow paths
like battlements, flicking
onto grey stones and sand,
smell of earth, damp air.

Our path drops down
like the side of a ship and the dog,
ginger beacon in a sea of bog-grass,
skids on his front paws.
I shuffle sideways, crab steps
slipping from mud to puddle.

.i somehow found myself in a predicament, i can only read German philosophers in English, and that's my sole exclusion "manifesto"... basically i can't fathom reading the genre of philosophy in the English tongue.... i can't... unless they're German... i have to return to the Slavic intricacies, whereby my consciousness is occupied with a translation perspective... English was never supposed to aim as high as speaking of philosophy, the English were never adept in asking questions: given they always gave the answers in technological, scientific, architectural foundations; the people of practicality... their downfall? tickling Marxism translated out of economics, and into culture... their one downfall... and.. it looks, partially, as it worked.

what, what what have we 'ere?!
   bobby on the beat...
lookie lookie, lookover here,
the jokes runs...
and the priests in Eastern Europe
are known as crows...
krúki...
     as a peoples who weren't
invaded by the Romans?
   looks like i've learned a thing
or two... about orientating myself
with the said letters...
no... St. Cyril didn't come past my parts...

etymology:
   sve-                (self sight /
           swoje         /       my)
  -to-                    (that / this)
    -vid               (widze, i see) -

basically?
the god, "in question"?
                 what i see, myself...
i see, as myself,
and  what is, self,
is what, i see...
detached from anyone else
that sees...
  (i see what i want to see...
i see my own, and as my own,
this is what, i see).

the priests are crows,
the police-officers are dogs...
i love crows...
ever see crows mate in daylight,
akin to pigeons?
  i've never seen crows mate
in daylight, in public...
they leverage their courtship
to the night,
in secluded areas...
             crow knows best...
a crow will to imitate a pigeon...
a crow will mate with a female
at night...
   and notably: in a secluded
march of a land...
a crow is not a pigeon is
not a reverse exhibitionist...
     a crow is a crow is: crow...

just like with the German philosophers...
some, i can actually read in English,
rarely, but i can...
within the confines of the obscure works,
esp. their revisionist texts...
e.g.
               via the variant:
da-ist-sein...
                      there is being...
well not **** Sherlock...
i've just encountered it about
the "second" time for the past 32nd year!
but da-ist-sein...
  well... there's no a priori schematic
to encompass the statement with...

   how the people prance citing Hegel,
while forgetting the basic building
block of Kant... like Beethoven mattered...
when Handel was the orientating
composer to pay attention to...

sure... da-sein can have an a priori
and an a posteriori reality...
but da-ist-sein doesn't have an a priori
contingent plan for rhetoric...
a sophistry...
      mind you..
  we live in the times where
sophistry married solipsism,
and said:
           take some time to reflect
spending time with transitions,
airport banalities of trans-national
transit, in terms of people...
taking a bus trip seems like
a breeze these days...

                 fascinating,
the English educational system involves
the Roman Empire...
oddly or rarely considered luckily am
of a people not conquered by the
pre kilt pansies...
                          and i'm scratching my head,
thinking...
                    but up to a certain year:
i seem to have no past,
just like you...
lost to the vehemency of institutionalizing
Darwinism as a replacement
of whatever history is implied
at that point...
not physics, not geology...
  thank **** that chemistry is not prone
to exert a historiological influence...
where i was born?
a flint-stone colony... half an hour's
worth of a bike-ride...
flit-mining... flit-stones...
   whenever science teases the humanities
by incorporating a "study" of history?
i lose it... chemistry never does this
sort of *******...
but biology with its historical Darwinism,
but physics with its historical Big Bang theory,
these sciences play both science
and a humanism game...
   bad idea...
  chemistry at least affects
the romantic movement...
what is a day in the day of the month
of the year, of a day, within the confines
of james joyce's Ulysses?
           oh look...
the double standard of the maxim:
an insignificant spec of dust that's a worth,
somehow, worth investigating...
nonetheless a spec of dust...
   the larger the universe becomes,
the smaller the human cognitive potential
becomes...
but the smaller the universe becomes,
the larger the human cognitive potential, is.

~


Painting a picture of porcupines playing
Pincushions out in the field
Purple and pink for this playful perception
Plans of their purpose revealed

Painful endeavors of pacified pranksters
Presenting a pie at their place
Pecan or pumpkin, pickle, pineapple
Pieces are smeared on their face

Putting the paint on some powder puff paper
Pleasure in each stroke is plied
Pausing to peer at the porcupines playing
Prancing in pansies they hide

Puzzling problems with pretzels and peanuts
Posturing people to prove
Pistachio perfume in prime presentation
Preaches that peaches will move

Polishing pastels on pre-printed pages
Prized the possessions we seek
Paisley the plumes of a peacocks posterior
Portraits now come take a peek

Pampering piccolos play the piano
Pure as a pelican’s prayer
Picking a parcel of plum flavored pudding
Poetic prose fills the air

Pleats in my pants shout in proud proclamation
Puddle my pores they perspire
Poodles on playgrounds prevent prosecution
Plotting my hearts pure desire

Passion precedes every past tense of parting
Piled with a presence so true
Painting a picture while purposely dreaming
Promising my love to you

I see Dockers watering pansies with dainty watering cans,
I see transvestites doing DIY,
I see women building bodies,
I see men cook and fry,
And don’t grown men cry?

Gender complexities, ****** complexities,
Why the split when things don’t fit?
Women doing house removals whilst men sit and sew,
So what?
Humanities, biologies, personalities,
Are we not more the same than different?
The World is crazy for categories,
But we do not fit inside.

how do i even begin to describe this color,
because it is so
******* versatile.

firstly it is the color of royalty and magic--

stuff of fairy tales that leap from the page
and into your mind's eye.
richly-hued gowns reach the polished floor;
crowns and scepters shine with amethyst,
with jasper,
with tanzanite.
this color shines in the stardust of a wizard's cloak,
shimmering in the candlelight as he pours over texts and trinkets
with a glowy-eyed owl brooding on his shoulder.
it billows from the smoke of a witch's potion--
eye of newt and
wing of bat and
toe of frog
combine into a roiling haze that will make the princess
fall in love and then kiss death.

"double, double, toil and trouble...
your dreams and despair await."

this color is also one of spring.

it dots on the hills in delicate petals of
heather and lavender,
and the slightly darker
pansies and geraniums.
it scatters on the wind and leaves its perfume for
butterflies and
bumblebees and
girls in love.

before the sun rises and paints the sky in its warmth,
the world stands still in a state that is
neither dark nor light.
the stars have gone but
morning has not quite arrived to take its place;
birds are not yet chirping and
bugs and not yet buzzing--
in fact the only sound is your own mumbling
as you press your face into the pillow as though
trying to push away the responsibilities that
loom in the daytime.

it is here that this color is perhaps at its softest.

now, there is one more place this color shows itself,
though I'd rather it not be the case.

it is the shade of hurt and fear,
the shade of loneliness.
this color blooms on her back and shoulders and over her eye--
in bruises dark enough for her to seek cover-up
and a restraining order.
this color outlines the handprint of his attacker,
when he was wrenched into an alley and
stripped of his sense of security.

this color looms over the dispossessed
no matter how brightly the sun is shining.
instead of hugs and kisses,
these lost souls are met with remarks like
"loser" and
"*****" and
"****-up."
solitude is sanctuary as invisible hands
attempt to choke the life out of the outcasts.

do you see what i meant when i said
that this color is versatile?
it is a color of kingship and witchcraft,
of nature and pain.

it is not the color of singular definition.

a firefly.

aglow in twilight air,
burning dust up brighter
so night flickers faster.

americana and pansies.

summer.

you.

Shrieking, all-in, nothingheldback laughter
Beats up against my skull,
Thudding, thudding.
Is this happiness observed?
Pools of wrinkles gather underneath
Squinted eyes,
Little silk kimonos crumpled at the foot of a bed.
Laugh lines fold and expand,
As if they are their own organisms,
Breathing in and out with the rhythm of life.

Somewhere else, there is crying,
***** feet and bruises the color of wilted pansies.
Undisturbed, they vibrate to a different frequency,
An isolated rhythm.
A symphony of cornflower and charcoal,
They dance about in a sad song of neglect.
Far away from the loud, booming laughter.

Oh, sunken eyes and sullen brows,
How have you not yet changed the world?
Thunder your despair,
Push up against the merriness and chrisanthimum bliss.