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"ossuary" poems
The photos were leaked today They were of a **** woman with brown skin Love making as she stared straight into the lenses I was showed by a man who did not know how to react once I had been shown My reaction was not shock I merely stated "That's baad" I did not know how to react to the staunch cyber-bully who was sure he was doing himself a justice by being so open about his anger at the naked, brown, humiliated, naked, shamed, beautiful I am shamed by his shaming I am naked by his ********** I am beautiful by myself sometimes Sometimes I take the tape off my camera and position it near my bloom I am not alone in this activity and yet I feel alone in an intimate situation, feel less alone, in a private situation. Sometimes I work it so that every part of my dark lips are shadowed and my fingers seem to work for a living rather than play My body is not a string It is a temple of dark things It is a ossuary filled with the dust of former lives It is not to be dangled for cats for play It has no puppet hands Or puppet face It smiles because it sees you smile And she frowns when she sees you laugh It is alive The misfortune you hope her body will bring her is shame I hope it will bring other people enlightenment The fault is not in her The fault is in the malicious, villainous, caricature of man who is hallow and made of maddening bells Every time you disturb him he rings in announcement "This lady I had once an intimate relationship and she abused me. Here is her punishment." We are all cavernous tunnels with lights to shoot out of the pins and needles sensational feelings we do not desire this but we must desire to be freed from being owned by this We all think we're exempted from shame until we are ashamed There are no exemptions, only more bells They ring, until background noise renders them obsolete to us
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Oct 3, 2017
Oct 3, 2017 at 10:43 AM UTC
Beautiful, brown, naked, woman
The photos were leaked today They were of a **** woman with brown skin Love making as she stared straight into the lenses I was showed by a man who did not know how to react once I had been shown My reaction was not shock I merely stated "That's baad" I did not know how to react to the staunch cyber-bully who was sure he was doing himself a justice by being so open about his anger at the naked, brown, humiliated, naked, shamed, beautiful I am shamed by his shaming I am naked by his ********** I am beautiful by myself sometimes Sometimes I take the tape off my camera and position it near my bloom I am not alone in this activity and yet I feel alone in an intimate situation, feel less alone, in a private situation. Sometimes I work it so that every part of my dark lips are shadowed and my fingers seem to work for a living rather than play My body is not a string It is a temple of dark things It is a ossuary filled with the dust of former lives It is not to be dangled for cats for play It has no puppet hands Or puppet face It smiles because it sees you smile And she frowns when she sees you laugh It is alive The misfortune you hope her body will bring her is shame I hope it will bring other people enlightenment The fault is not in her The fault is in the malicious, villainous, caricature of man who is hallow and made of maddening bells Every time you disturb him he rings in announcement "This lady I had once an intimate relationship and she abused me. Here is her punishment." We are all cavernous tunnels with lights to shoot out of the pins and needles sensational feelings we do not desire this but we must desire to be freed from being owned by this We all think we're exempted from shame until we are ashamed There are no exemptions, only more bells They ring, until background noise renders them obsolete to us
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31
You’re wishing plus wanting to win the other side remove your pride, you untied tidal pool, the wide subdivide of these paper pages. Unrelenting numbers remind you of the next stages, taking you wildly to Namibia, surrendering you to Zimbabwe, the terminal station. The narration vocalizes the translation of quotations, your obligation to the violation of the rules, the regulations, vulgarization of spoken word. Pretty paintings plaster typecasts, the pitter-patter of pity’s pretty ****** quickly shifting refurbished velvet sofas. Overcast symphonies outlast witty recast stanzas, scores with notes naturally quote verses romancing seltzer spines noticing the negotiation of sore throats. Oblivion’s oblivious to the people, obnoxiously obscene with syncopated saturation of public vital signs. You’re the vain strain of virus photocopying yourself within skin, waste your sin on tattoos trapped on shins safety pins selecting prints pinning sets of twins to tanned wrappers protecting official reports. The ossuary welcomes records printed on thick paper suspiciously missing skeleton swords. Writing stories reversed while tipsy, quickly preforming risky poetry smog, sweetly omitting secret words, trying to spell simply without the proper prologue.
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Feb 17, 2013
Feb 17, 2013 at 1:52 PM UTC
Tuesday
Words…..because words are all I have……..:) Edgar endearments generosity incantatory new sagacity surprise heresy dissipation violating abyss language warning culminates dalack obdurate serving waiter ossuary occurrences tortured beware silence calm bow physiognomy paucity occurrence exegeses transmogrification effectuation Adjunctive dairy tenure contention tenner reins happy indomitable, connoisseur artifice concatenation vivacity voluptuous solemnity enigmatic burdened glorious line huge……………………some I made myself…..:) Edgar
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Nov 2, 2012
Nov 2, 2012 at 4:07 PM UTC
Words
Sisters: my veins drain into the sand. My grave exists on wood. My eyes close. The crows pick at my womb; my brain. Each nail tattoos my blood into my bones. My dying started long ago; it started in my youth, when Teacher told us boys pull our pigtails, shove us down on playground pavement to show their love. It started in high school, where bare shoulders blinded boys from their books. And now we are twenty. Now men's fingers pull us into the dark. Now the alley concrete burns. Now a suit and tie asks if his defendant could see your breast and thigh. One out of every three; if we escape their claws we do so narrowly. If we flee when they call, we risk the slice of a knife or an exit wound or an asphalt tomb. Whistles peel at our skin, the wolves to our moon. My body is a temple. I open my womb to expel all who intrude: wrinkled politicians with withered pens, with legalese, God's pharmacists, the filthy, forceful tongues of men who chain my worth to fertility. I drive them from my holy rooms with whips of cords. My body is limp on these boards. My skin is an ossuary for relics women will soon possess. It is easy for me to die. I bleed for my Chinese sisters, slain before they speak; for my Indian sisters, doused with acid, stolen while they sleep; for my Saudi sisters, given a warden, kept from their own streets; for my American sisters, losing their bodies to others’ strict beliefs. I bleed, I bleed; come, stand in the scarlet mud. Come, bathe your feet, wash your hands in the dregs of my end; come, purge unwanted seed. Come, drink of my last breath, women who wear veils, women who sell *** The crows circle, the vultures too-- I smell of death. I am not weak. I will not forgive them; they know just what they do. Now, my slaughtered sisters. Now, my survivors. Set down your stones. Take the nails from my feet, plunder my bones. Wear them as amulets. In three days, I will rise and forge weapons from your cries.
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Sep 14, 2014
Sep 14, 2014 at 9:38 PM UTC
Psalm For My Sisters: A Passion Play
Sisters: my veins drain into the sand. My grave exists on wood. My eyes close. The crows pick at my womb; my brain. Each nail tattoos my blood into my bones. My dying started long ago; it started in my youth, when Teacher told us boys pull our pigtails, shove us down on playground pavement to show their love. It started in high school, where bare shoulders blinded boys from their books. And now we are twenty. Now men's fingers pull us into the dark. Now the alley concrete burns. Now a suit and tie asks if his defendant could see your breast and thigh. One out of every three; if we escape their claws we do so narrowly. If we flee when they call, we risk the slice of a knife or an exit wound or an asphalt tomb. Whistles peel at our skin, the wolves to our moon. My body is a temple. I open my womb to expel all who intrude: wrinkled politicians with withered pens, with legalese, God's pharmacists, the filthy, forceful tongues of men who chain my worth to fertility. I drive them from my holy rooms with whips of cords. My body is limp on these boards. My skin is an ossuary for relics women will soon possess. It is easy for me to die. I bleed for my Chinese sisters, slain before they speak; for my Indian sisters, doused with acid, stolen while they sleep; for my Saudi sisters, given a warden, kept from their own streets; for my American sisters, losing their bodies to others’ strict beliefs. I bleed, I bleed; come, stand in the scarlet mud. Come, bathe your feet, wash your hands in the dregs of my end; come, purge unwanted seed. Come, drink of my last breath, women who wear veils, women who sell *** The crows circle, the vultures too-- I smell of death. I am not weak. I will not forgive them; they know just what they do. Now, my slaughtered sisters. Now, my survivors. Set down your stones. Take the nails from my feet, plunder my bones. Wear them as amulets. In three days, I will rise and forge weapons from your cries.
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78
There is a terrible existence within me A tortured skeleton, an ossuary of disturbance It glamours at my skin, it listens, it listens Where hunger speaks of canibalism And scratches at the stone floor of my chest In blurred echoes of a censorship That erases occurrences on a Ducassian Dissecting table with an infinite whisper Of morbid intention in disordered silence Shouts with immense calibrations Its pale impatience, its pale impatience In agonized incantatory obduration
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Sep 25, 2012
Sep 25, 2012 at 6:11 PM UTC
I
Am I the Rat poet From an ossuary of ages Whose words scurry Along blind tunnels Am I the Rat poet Locked in counterfeit cages Whose letters wander in deficit With a majestic malevolence Am I the Rat poet Exposing counterfeit confessions Of plagued and decaying text Who hears the sounds of burning books Am I the Rat poet Who writes what you despise Yes, Yes, Yes I am the Rat Poet Can't you tell by my listening eyes
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May 18, 2012
May 18, 2012 at 5:06 PM UTC
The Rat Poet
I'm reading the Codex Gigas, one hundred and sixty pounds of flesh, black hairy tongue, penitent Battenti sponges staining the robe with blood, stalking through Campania. Crushed insect nests, a shiver up the jaw from food not had in too long. Squashing caterpillars, the insides squirt from their ketchup-packet bodies in a spray of slime-neon green. Pheromone cream drips from your ***** I gag it down, curdled milk-paste. When pulling the dress down, one never knows whether you will get a paper cut, or a gaping jaw of hairy life. We all live like pigs, but need to clean up to appear to live like everyone else appears to live when we visit them. You rob me of myself; a teacher walks into a food bank ashamed and finds his student working there. My life experiences pile up like broken infant bones, fragile phalanges of famine, until all I add up to are decades of Holodormo, the Killing Hunger. You hide in the sea, I lick your left palm.
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Aug 25, 2012
Aug 25, 2012 at 9:59 AM UTC
My Life is an Ossuary
baby Kiba... lyricked Buckethead's melodies now his own sings!    midst moon's blue eyed mist, prized offering ossuary praised head marbles, must play! hear marvels, most ploy! grow low growl full moon flow how wolves howl night B day, best friend, mans', worst fiend day B night, tree top trick lobo pup limbo like gulp lick bold lackeys KFC lad(d)ies blood from goblet bucket form, foul drinks, still eager! fool drains, seton eased! the Buckethead effect... the dog, as his pet a bucketbot!
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Dec 15, 2024
Dec 15, 2024 at 1:24 PM UTC
Blue Marbles Moon
Knock well on wood as you enter but Know knuckles lend their skin for flood Of the risk of entrapment eternal? Well, few find their bodies stuck and What's worth its weight in blood Splays on the lit altar face It can be warm Only if you touch If you touch first You speak your secret Farewell Read through the words you spent sinner our Real lines lie under thinner lace Your constant wore hiding the venom crawl Held below bidding inlay here Half craving finger's trace Specters bid sweet interlace It can be warm Only if you touch If you touch first You speak your secret Farewell Empty ones warn walls Before little embraces Creating lethal snares Come Catching worlds unaware Come "Empty ones," All say (Come speak your secrets) "I'm fine."
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Nov 4, 2013
Nov 4, 2013 at 9:01 PM UTC
Softly Lit Ossuary
_We burrow where they lie, our fallen brothers. Old sweats and fledgling crow bags, both. In death as in life, they have our back…and so we plough on into the abyss by the light of a caged phosphorus flare, hot metal spraying the midnight hour like some vengeful fay’s buckshot. A human scaffold supports us for the distance of four miles. That’s Piccadilly to Hampstead; Circus to Heath. The length of a lifetime…of  hundreds of lifetimes. In the winter when the rains come and the trenches run like a quartermaster’s latrine, the soil sloughs away to reveal the ossuary within. It is then that I, in my now customary delirium, imagine that I can reach out to shake their hand again._
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Nov 11, 2020
Nov 11, 2020 at 3:11 PM UTC
They Shall Not Grow Old | 11/11
Does memory deserve such a platter? Cellophane instead of silver, but still An impressive tower. Such weight it bears— Exhibit of blue curiosities Resting on shoulders, Original honeycombs. The honeyeater feasts On what has made a meal of me. Grand rooms echo with silence. Love turned to hate So often without comment. A history of broken hearts lies beneath Street level. Away from sun’s glare I buried them. It is a tomb I walk in, tour guide To myself. It is an ossuary hidden deep Underground. It is the Catacombs of Paris. Here moldering in the dark repose A stack of secret skulls and bones— Those gleeful arsonists. In the end, even they succumbed To the fires they set, Burning down chapels without regret. The city rumbles overhead, oblivious. Everyone is absorbed with their own busyness. No one pauses to wonder outside the still museum. The cool façade belies the treasures hidden within. They forget the history we share. No visitor ascends the stair. Inside, all is quiet. The sole curator walks among the artifacts— The rare objects, a Gordian knot, The personas we once wore: The naked emperor, the femme fatale, The honeycunt.
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Nov 15, 2019
Nov 15, 2019 at 8:30 PM UTC
Museum
I -dulcimer clatter opens the sun, first fruit- timber fathoms/crystal veils on all steps, crossing all human borders untethering wood from forest, until only the green element remains to purify the soul    an alpine afterimage, shadow-display (creature of Earth, moss-backed & yowling thru the chaotic sleep of October, you see it's symbology in your tea, sharpening its obsidian hands against the seastones, imprinting loveliness into the rock, to be worn by tides, replaced by death absolute) The fabled Black Horse (shadow-self) waiting solitary at a gas station, an imprisoned dreamer inside its gaping jaw/saturnine, coldness of daybreak, clouds at their Atelier, my head feels a pressure, been awake too long, breathing in through the nose/out through mouth, monastery of the mind in need of clearing. II Soft/soft/skin/fury embrace, catharsis, collision of two individual energies pent-up and cast/release like a skeleton net::onfire (kissed, consumed elated, recurrance) closeted eternities cycling back into the wind (hanging willow) calling to the seeker, gold, purification & lightness/mouthcurl washed in silence (your own body, rising tide) welcomed crucible of chilling air & my black and white vessel,   electricity spirit- whispers         “valley swimmer, elude me” FLASH OF LIGHT III …. The widewaking world unspun-                             theatric elucidation, emergence of a great snake a wisened flower, sprouted from exile blissful rejuvination of the ivory leaves, at once! I wrap my throat in a Munich scarf (pattern-blue)    walking upon the softness of Grötzingen (angel's eyes speaking) an orchard, where the last gardener's tireless work lay like a dreaming ossuary
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Oct 11, 2017
Oct 11, 2017 at 9:48 PM UTC
perpetuity (valley swimmer, elude me)
I -dulcimer clatter opens the sun, first fruit- timber fathoms/crystal veils on all steps, crossing all human borders untethering wood from forest, until only the green element remains to purify the soul    an alpine afterimage, shadow-display (creature of Earth, moss-backed & yowling thru the chaotic sleep of October, you see it's symbology in your tea, sharpening its obsidian hands against the seastones, imprinting loveliness into the rock, to be worn by tides, replaced by death absolute) The fabled Black Horse (shadow-self) waiting solitary at a gas station, an imprisoned dreamer inside its gaping jaw/saturnine, coldness of daybreak, clouds at their Atelier, my head feels a pressure, been awake too long, breathing in through the nose/out through mouth, monastery of the mind in need of clearing. II Soft/soft/skin/fury embrace, catharsis, collision of two individual energies pent-up and cast/release like a skeleton net::onfire (kissed, consumed elated, recurrance) closeted eternities cycling back into the wind (hanging willow) calling to the seeker, gold, purification & lightness/mouthcurl washed in silence (your own body, rising tide) welcomed crucible of chilling air & my black and white vessel,   electricity spirit- whispers         “valley swimmer, elude me” FLASH OF LIGHT III …. The widewaking world unspun-                             theatric elucidation, emergence of a great snake a wisened flower, sprouted from exile blissful rejuvination of the ivory leaves, at once! I wrap my throat in a Munich scarf (pattern-blue)    walking upon the softness of Grötzingen (angel's eyes speaking) an orchard, where the last gardener's tireless work lay like a dreaming ossuary
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55
your ossuary stands on the most prominent of vivisected stems the hem of intersected threads the stead of temporary dreads it is the contact between the fruits of all your deeds and the lives you've lead unseen a riddle in the dreams you've left beneath below what ego buries deep its verisimilitude in a lie an exemplary visage of the ties that bind this place that we call Setenance
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Aug 6, 2014
Aug 6, 2014 at 11:48 PM UTC
body plot
The bones of our friendship accuse me, brittle; not gleaming, dull and dry, resonant of forgetfulness their facticity desiccating, chipping, drifting into obscure cracks in the ossuary of recollection. Each mute bone is a stick upon taught silence rat-tat-tatting a twisting wheezing death roll bones drumming for an audience of none, echoing through the past, oblivious to the cadence of the living. There is no salvation from the wheel. You turn and spin, a constellation in my memories. Rat-tat-tat Amogasidi! Do not be deterred. Align the maze. Open the door from Samsara! Rat-tat-tat.
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Jan 19, 2015
Jan 19, 2015 at 12:15 PM UTC
Passage
i feel like a medley of bloods of non-favorites and choices left undecided, all corners and edges--a heart beating in sheets of rain where the freshet of my spirit has ravaged the banks and driven bones from this ossuary. that leaves something to be said about the state of greater things-- of the things i've left frozen that melt in torrents and wash away this facade of placidity, this supposed contingency plan swept away in a deluge of all-the-things-i-had-going-for-me and the worst of it is that i have not yet been drained, I am still raging, still raw and r a g    i    n g
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Jan 25, 2016
Jan 25, 2016 at 4:42 PM UTC
plasmapheresis.
Passage The bones of our friendship accuse me, brittle; not gleaming, dull and dry, resonant of forgetfulness their facticity desiccating, chipping, drifting into obscure cracks in the ossuary of recollection. Each mute bone is a stick upon taught silence rat-tat-tatting a twisting wheezing death roll bones drumming for an audience of none, echoing through the past, oblivious to the cadence of the living. There is no salvation from the wheel. You turn and spin, a constellation in my memories. Rat-tat-tat Amogasidi! Do not be deterred. Align the maze. Open the door from Samsara! Rat-tat-tat.
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Jan 19, 2015
Jan 19, 2015 at 12:17 PM UTC
Untitled
Dream of liberated fields, Producing penicillin And choking life out of The cholera of gunfire. Don't fear words summoned At the grave, They describe places we only Wish there'd been time to Know more intimately. This hour of reflection is then Half the battle --the battle no one wins. "Soldier on, ossuary! Soldier on!" Perhaps, we've reached The nadir of the Hopewell. How could we not?
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Oct 22, 2019
Oct 22, 2019 at 10:59 PM UTC
Dusk at Charnel House
I've been unaware holding this head under water driven in by tiny bones ossuary of the lines on your face. He's been stirring water pours off as he rises attracted by brittle bones sarcophagi of dreams broken.
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Nov 21, 2021
Nov 21, 2021 at 1:53 PM UTC
Lucid Sky
We saved Satan’s jewelry in the ossuary Skulls adorning the walls Bones piled together without a cross or star Their shadows braided by death No longer living in mud stained fear The end when a poets life begins, where a hand reaching for God is consumed by rhymes lost in time is only remembered by those who march willingly; to be scorned by those who would try again to control the destiny of those who love their children There is no applause in the gathering place No conversation or last rites Their once covered their faces of shock and their glazed eyes that once pierced every conscience stripped by time to feed the living No one knows their names or who ordered them to their death But he shot those who would run They lay in wait for someone to say, “That is my friend” But nobody came Only their mothers know they never came home And they wait hoping someone wiped their brow
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Aug 20, 2017
Aug 20, 2017 at 12:05 AM UTC
War (Verdun)
A chill wind shivers o'er Tempest Sea, One final breath that lingers on; A lost voice beckons to his Deity, Why unto me thy will was done? For I mingled grateful as the fountains Borne through cracks from ocean waves, And sought for Heaven amidst high mountains, And spent my grief at familial graves, And shared of myself, not a silent stone, And kept thy faith in spite of all, And for this and more, thou bade me alone, Unanswering thy call? Now, the fountains dried and the Earth may mourn And the ocean flooded from salt-cracked skin, And the flowers have choked to the strangling thorn, And the ossuary opened, and beckoned me in, And the sun has waned, and the clasp of night Had me bound in a beam of the moon's device, And these lips felt the kiss of the barrow wight As thou denied me thrice. A chill wind shivers o'er Tempest Sea, One final breath that lingers on; A lost voice beckons to his Deity, Why unto me thy will was done?
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Jul 18, 2018
Jul 18, 2018 at 1:27 AM UTC
O'er Tempest Sea