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Nat Lipstadt Apr 2016
~
words given life's first breath by this comment from
SE Reimer  
"thy tiller has found a storied port"

~~

captain of a city street ferry,
upon the choppy holy waters of
scarlet fevered spotted gum stained
christened concrete streets

daylight guided by the starlight
of quartz sparklers sidewalk embedded,
resurrecting, overwhelming,
the grayness of men's mortared materialism,
these textured bright city lights,
from murk morn steam-pipe risen,
signposts of a city boys life,
navigation tools on his
steerage cruises

'tis only my poor torso
I captain,
my bus driving days retired,
single masted, obedient to the sun's paths plotted
on a personalized AAA TripTik,^
my cargo, my tiring physique,
the refined mettle product of a
sixty five year too short voyage of
deep diving mining defining,
and for surety, water divining

city walking life driving,
debtor-in-possession of a
city infection
of perpetual motion sickness

enabled inability
for standing stilled,
lane weaving,
people receiving and perceiving
as buoyed obstacle objects
to be passed by
in a higher lane
of shaken and stirred
city waterways

muscle's squeak in sonnet speak

Why speed thy errant boots
upon lanes of wandering men,
is there not time enough,
words suffice,
in history's future present
unlived long life,
to recompense
all your recorded stanzas,
mariner's tales and wrote recitations of seafaring voices?

sea nat run.
sea nat go.

dodging tween his fellow citified citizens
and the puzzled and puzzling drowning tourists,
sea nat write his unsecreted visions,
sailing from street to shining street poetry

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee I am composed

when my decomposing time scheduled arrival
lately comes on time,
bury me in its cemetery of memories,
within the soft earth of a watery grave
that the jackhammers drill bit paddles can uncover,
in rough canvas toss my worn smooth
failed frame overboard,
so I may become but one more
fable
in your fabulous liquefying
cement oceans

~~~

3:53 am
5/18/16
nyc

^
http://pearlsoftravelwisdom.boardingarea.com/2014/01/remember-triptix/
with apologies to all the great poets from  I liberally borrowed
Raymond Walker Apr 2012
From the alleys and streets, from the door steps and heaths, from the meadows and farmlands,
A mist rises, and forms, from the rivers and rills, valleys and hills, from the fields and fissures
It swirls and turns in the night air, forming and fragmenting, failing and fermenting, till it yields.
A figure, blessed and bare, in the late night air, steps into the moonlight, baleful and brazen in its
Nakedness and knowledge, the pall of the shining moon, drips, Grey and silver from his eyes
Youth drips from his thighs, vigour from his lips and fingertips, crimson is his mouth  and *****.
Lions race across his skin as clouds scud across the moon, feral and wild this child of the moon.
Wild and *****, his face shadowed with growth, excited with his youth and desire. On fire.
Panicked by distaste, his own waste and needs, brewed in a mighty beer of disgust, a sire
Of demons, with packaged might, swooping and rearing, devilish and dervish, spiralled, a pyre.
For the noonday sun, wishing hope on everyone yet giving them night and darkness and doom.
Holds my hand and holds it tightly, grapples with me daily and nightly, even in my own room
Where hope takes hold as quick as fear or death or charity, spilling, humors, ethers, exhume
Nothing but a buried evil that has come to see the light. A paltry being, exhumed, of the night











Whilst over all the night comes creeping
Then I go out a’ stealing,
O’er tombstones and moss, where the dead lie sleeping,
Passing the fungi , sarcophagi, and the smell of weeping
Be it from crypt or hall or farmhouse steading.
collecting the shades of the bodies they’re shedding

Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.

Whilst the morn sunlight, over hills comes creeping,
There in the shadows, I’ll be steeling,
Darkening daffodils, turning bluebells black and foxglove steeping
Poison filled and passing the narcissi, and the tears of the leaving.
It may be birth or anniversary or wedding.
I’ll be collecting the souls they are shedding.

Through all the breaths that you will still be breathing
And all those breaths that have passed
And all those breaths still to come you are dreaming
One day you shall take your last.
And that’s where I’ll be stealing








Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.













A ****** of crows blackens the noonday sky,
Called from their nests and eyries
And so many ships have gone by, black masted and steering
Into the wind, Sails tattered and the keel close to shearing
I stand on the nest and watch you weeping
Till the bodies fall into the deepening sea and there lie sleeping
And that’s where I’ll be stealing.

I smiled and laughed
Till the black mast
Fell below the sea
I whimpered and moaned
With those overthrown
Till they lay with me

And I took my place once more at the forefront of man’s destiny.








I crept and waddled and watched and bustled my way to the front of the crew.
I stood behind some and fell behind few; I had come here to see.
I pushed and shoved and elbowed my way to the front, shuffled over and tried to find my pew
I sat with my heart in my mouth, beating doubly in my chest and wondered were the culprit I?

It seemed I had sat in the stalls or in the balcony, way out in front
But it seems I had not sat at all just fell into the orchestras’ well.
But I remembered that I had sat, adjusted my clothes, my underwear, my hat.
As a man should do, are we not gentlemen and so I took tea and sat.








Paying court; To the girl with the blue eyes and the thin lipped smile, the girl that knew.
As most girls do, the thoughts of men, or think that they do. And I so I tried to find her,  
But it seems I had known a Girl with no thought of love, no turtle dove, cuddled
Close, no heavenly host, called to her, but she loved as love must befuddled
Drew her breath deeply but not freely, Took air, perspiring, muddled
Thoughts spinning in her head, amazed, this pale eyed temptress, The girl that knew.
As most girls do, emotions that drift, or think they do. And so found herself alone,
And weeping, a girl that did not know that they could love found that they could.
She murmured words of love and shook sand from her pelt, howled to the moon.
She stood tall on her haunches, praying , baying, to the moon goddess, one of hers.
Baleful eyes pale and moonstruck, seemed star struck with love  a mother with her curs.






Not the focus of her attention, her pale imitation, a pale shape creeps from the crepuscular woods
He slinks into the shadows of the night paying court to this matron, with his smell warmth and lust
She stalls and smells the night air
Little of care, for all stalks the night air
She sidles and smells the night air
Nothing there, In the dark and silent dream that is the night air.
She bridles and hush’s as the night drips onto her
She has cares; for children that whisper in their sleep on the night air.
Bovine, equine, feline and canine and warm fur
A sleep comes upon them all, a pale imitation of life, and a pale shadow creeps into the light.
And smothers the light of day languishing in his power and majesty sending chills unto the living
He waits in the darkness and shadows.














A child mutters unknown words and the time has come to die
Utters words of fortune and Questions your reasons why.

My dear, my love, child, why do you cry?

I shook myself awake
From my bed of dreams
And warmth
I pulled the duvet over
Took to my feet and felt
The chill

And so I stood, took my bow,  and then knew everything, everything about what I was witnessing,
She looked at him and he looked at she, both knew nothing of how its going to be.
I walked downwards, right down the stairs And I saw everything even the killing thing
He slapped her face and she bloodied drew the knife for all of us to see.
A joyous muse, my heart sang,  witnessing the killing, witnessing the killing and I knew everything.
He looked up at her, she down at him, she was so lucky that she had set him free.
I watched with glee for all I could see, to jail the police said as I sat, as I sat listening.

I heard your excuse I hear your plea, please madam judge don’t let that happen to me
She stood in the dock and sat on the chair,  and told everything, the things I’d been witnessing,
Told how she had murdered he, in a fit of rage it was not her fault she should be set free.
Not the judge, not the jury, but I knew everything and shed knowledge of my fury.

I remember the blade, I remember the fury. I now have to thank the jury.
A just verdict, a wrong righted,  a sacred trust bighted.  And just penury.


















These children are mine sayeth the lady
Though the money I earn is a little shady
I look after them through the day
And at night none can say.
Little darlings,
Wont come to no harm, I keep them apart,
Little darlings, are always in my heart.
Sleeping and dreaming and held apart,
They’re just kids and held in my heart.  

Through sunlight’s bright blast
Or twilights last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.



I have heard your thoughts ideas and whims
I have heard your excuses , you hacked off a limb,
Because he was bad, she was a devil, and I have never heard so much drivel.
She was a monster, he was a slave, you never thought of the love that they gave.
I saw you had it hard and it must have been so bad
It was trouble, never ever had you been so sad
She was a *****, with an eternal itch, a witch that was not worth forgiving.
She was a dragon, he was a monster,  it was no longer a life worth living
She pulled me down, he dragged me down into a cesspit of hope.
And off they loped into the night.















'
Publicly he seemed alright, not the ***** that he really was. She was so cool en vogue, en vie,
She pulled the love from this heart like a harvester, reaping all that he could sow, all that she was due.
She meditates on her  betrayal and justifies it to herself and thinks so few, so very soulless few
Would not, and she is more, so very much more and then lifts the knife and delivers his due.
In the early hue of evenings last breath, he drew his and she smiled, just his due.






Sorry tales; I know
Tales no one should know
Tales that diffidently show
The differences, the shocks
All the stops and blocks
That love mocks
In its immortal way
Tarnished and bloodied
It soldiers on, unhurried.









I looked for the heartbroken, the tarnished, the burned; and found them all
For there were so many. Loves that went good and bad; those that hurt  and those that fall
I looked for the unforgiving and hopeless and found them all, some happy in their own way,
The traitors of love I looked also for and found hopeless and alone, shriven but hearty in their own way.
I looked to the martyrs of love, those that have loved deeply and have lost,  for many do







And I was one that did. I knew love as pure as a mountain stream,
Unsullied, clean and precious, but no love is as true as the perfect love
No thing is just as wondrous and perfect as it may  perfectly seem,
Chaste, virginal, and all just yours, lest it be a gift from angels above.

And I loped off into the night
Full of sweat and blood,
Flushed with heaven above
And hell below
Both knew my hollow soul











And through sunlight’s bright blast trampling daemons I came, shamed and hollow
Risen from this earth, cursed to death, in twilights last gleaming, brazen but sullied
The seeds of doom are sown  by such as I  and they were sown deep and fertilised with blood
And reaped by those that know,  reaped by hands that touch, lips that kiss and know,
hunger and want, lust and lie, eyes that darken and hooded, draw lust from liars,
Build from truth funeral pyres,  and fires for the ****** and yet I remain and sullied
Smirk with each passing glance or circumstance at the great and good, the unwashed
The hooded and deep, the shallow and callow, the wanton and unwanted, the sane
And simple, the masterful and master less, musical and malleable, the strange and straight.

These I trampled under heel with little feeling or thought
The form I took was human, the place I came from; dread
I looked and watched and took note, I spoke and listened
Pay’ed heed,  Culpable and crazed, yet my form remained,
this spectre.
Dying now.
Paid heed.
A rather long poem and the first I have added being a new member. I hope you like it.
Maggie Emmett Sep 2014
I catch the rapido train from Milano and edge slowly westward through the stops and starts of frozen points and village stations. The heating fails and an offer of warmer seats in another compartment. I decide to stay here. I put on my coat, scarf, hat and gloves and sit alone. In my grieving time, I feel closer to the cold world outside as it moves past me, intermittently. Falling snow in window-framed landscapes.            

Sky gun metal grey
shot through
with sunset ribbons.
                                                                                                          
Dusk eases into black-cornered night. After Maghera, the train seems to race to the sea. It rumbles onto the Ponte della Ferrovia, stretching out across the Laguna Veneta. Suddenly, a jonquil circle moon pulls the winter clouds back and shines a lemony silver torch across the inky waters. Crazed and cracked sheets of ice lie across the depthless lagoon. The train slows again and slides into Santa Lucia. I walk into the night.                                                                                               
Bleak midwinter      
sea-iced night wind
bites bitter.
                                                                                                      
No. 2 Diretto winding down the Canal Grande.  The foggy night muffles the guttural throb of the engine and turns mundane sounds into mysteries. Through the window of the vaporetto stop, the lights of Piazza San Marco are an empty auditorium of an opera house. Walking to Corte Barozzi, I hear the doleful tolling of midnight bells; the slapping of water and the *****-***** of the gondolas’ mooring chains. Faraway a busker sings Orfeo lamenting his lost Eurydice, left in Hades.
I wake to La Serenissima, bejewelled.                                                                                                                           
Weak winter sunshine
Istrian stone walls
flushed rosy.
                                                                                                          
Rooftops glowing. Sun streaming golden between the neck and wings of the masted Lion. Mist has lifted, the sky cloudless; I look across the sparkling Guidecca canal and beyond to the shimmering horizon.          
Molten mud
bittersweetness demi-tasse
Florian’s hot chocolate                    

I walk the maze of streets, squares and bridges; passing marble well-heads and fountains, places of assignation. I walk on stones sculpted by hands, feet and the breath of the sea. Secrets and melancholy are cast in these stones.                                                                  

At Fondamente Nuove, I take Vaporetto no.41 to Cimitero. We chug across the laguna, arriving at  the western wall of San Michele.  I thread through the dead, along pathways and between gravestones. At the furthest end of the Cemetery island, Vera and Igor Stravinsky lie in parallel graves like two single beds in an hotel room. Names at the head, a simple cross at the foot of the white stone slab. Nearby, his flamboyant mentor Serge Diaghalev. His grave, a gothic birdbath for ravens, has a Russian inscription; straggly pink carnations, a red votive candle and a pair of ragged ballet shoes with flounces of black and aquamarine tulle tied to their the ribbons. So many dead in mausoleums; demure plots; curious walled filing cabinets, marble drawer ossuaries.
                                                                                                      
Bare, whispering Poplars
swaying swirling shadows
graves rest beneath          

I walk to the other end of the island and frame Venezia in the central arch of the Byzantine gateway.  I see that sketchy horizontal strip of rusty brick, with strong verticals of campaniles and domes. It is here, before 4 o’clock closing time, I throw your ashes to the sea and run to catch the last boat.                                                                                          

Beacon light orange
glittering ripples
on the dove grey lagoon.

© M.L.Emmett
First published in New Poets 14: Snatching Time, 2007, Wakefield Press, Kent Town SA.
To view with Images: Poems for Poodles https://magicpoet01.wordpress.com
I wanted to write a Haibun (seasonal journey poem interspersed with haiku). I love Venezia but only in Winter.
Mitchell May 2012
Addicted to the transformation of the self
In hearing we see that touch is the only hearth
To warm one's hands in winter near to the fire
A separation of love shows the underlining
Of dotted red when the word one sees to be false

Mother - when the night was young and you were old
Were you able to see the stars without your glasses?
We are the products of products of products of war
The shells of the bullet casings and bomb fragments
How much transparent blood have we bled so far?
Where is the fork in the road that will take us to Shangri la?

Notice that when the woman in the mirror disappears
The cleaning men drop their tattered, ***** & cut wears
Disaster holds the hands of man's growth & evolution
At times I notice the way the wind passes through my sheets
The skirts of the women and the thin hair of the old men
And they are much like the lavish trees that line my street
That hold true form in the pose of nocturnal naivety

And there we are by the carpenter and the pine tree
An "A" for effort attitude that barely got you the diploma
Hard work for the Hare and easiness for the turtle
The last night I worked was like racing through hurtles
So in sight all ye' fathers who break the mold of religion
Hold true and steady when the wind will start to whip
And knowing was never the correct answer & never helped at all
"The whips are where the heart is," the fortune teller is told

Where all is sold for the cheapest and weakest dollar
I pray to you there has to be more then all this squalor
The nightingale awake in the horned' tree cast in moonlight
Waits for its dreams so in the morning it can have a song to sing
Nod off and nod in where this life began I can't even begin
The guitar plays as she types awaiting for Her lapse of sin
Here the night is wired and wild with burn marks around the edges
Here the boss's hair rings like a hornets nest and everyone clings to their rubble

And pushing forward through the snowflake rings of time
Makes me to think that the seasons are only there for our design
"Not in the least bit asexual," the lawyer reads to his wife
In the morning both their breaths will wreak of red wine
Near do well and saying it all as the bathroom stall
Leaks out a liquid familiar to the ancient, early neanderthals
I have written and I have seen and I have breathed the air of every sea
The only thing I now wish to be
Is on the lakefront with new eyes and a frame to seize
When the speed allows the memorization of misfit tyrants
To push the rant to the edge of the hill that lays in dust and ants
Then there is the horizon that God creates for all those Western window sills

Tearing the skin from your fingernails and seeing not a drip of blood
Sloth like reactions reaching for the best spot in the house
The covers torn away as the nightmare in the mind becomes real
All that can be heard is the vibrating walls and the wailing squeals
Through pebble caked walls and finger padded dawn lit rooms
Lay to rest thy' faith for the moon opens your casket & the entrance to your tomb
Whorish knave that makes even the gutter grimace in its disdain
There the nun contemplates a life she could have lived without restraint

And to connection through the way we need to see each other
The push for brotherly love in the face of the dawn of technological revolution
And the hastiness of the way that it was and in the day of running mad men
What are we to do when the push is far more advantageous then the pull?
Where the cliff is in sight and death is more likely to be the safety net?
Awareness that all of men's problems exist for man to work at it
To prepare themselves for the war of wars where later to see
The deaths of their fathers, their mothers, their brothers, their sisters
Was not in vain if the reward of the stars is presented to the young
Where the rivers ripple with Roman like eloquence of progression

To live for another to fight for another to die for a place that would leave you in the gutter
Is the madness that leaves the one's shooting with their heads spinning
Tour the way the rules are made and the books are spun with the hands of spiders
Their webs are infinite and indestructible for they learn from one's before them
Their ways were as intricate and profane in their time
For the envelope was sealed and burned and sworn to forget its own name
The lightness of the this place throws me off in the way the clouds are grey
Letter heads are masted like the wooden ships that produce silver flecks of clay
Our nothingness only pushes us in two directions
Suicide or production
There is a choice that few make with knowing and many without
Which one are you?
Do you cry for reasons for which you cannot see?
Do you believe what you will, or what all the others decree?

Crack of the bed she turns herself over to a man that isn't there
I got a place that I know I belong but to where that is is already long gone
In type the strawberries shine red always appearing to be ruby ripe
And these ghosts of electricity provide neither discomfort or much needed positivity
There were things that I needed to know but never took the time to figure out
So what I'm left with is a world wide open with whatever I want to find is what it is about
The deserts and the canyons, the hills and the oceans all a few of what I wish to see
Where I'll be and where I'll live I don't rightly know now
So I might just get myself a mule and a satchel and get to selling tea
Joseph Valle Mar 2013
You pace in circles.
I speak in smoke rings,
an occasional finger-snapped heart,
a masted boat if I could.
Away away to ocean
in long-legged strides.
Waves crash against the sides,
left, front, and right,
in ripe blueberries and whitewash.

Come to the cabin,
a tail of breadcrumbs,
keep your socks striped,
pinks and purples.
A David Austin rose, or three.
I'm not cohesive either.
Flaunt the ship's wheel,
solid oak, dark, mesmerizing,
nearly your eyes now.
Let gray skies form clouds,
don't pray for better weather.
The rain grumbles hunger,
veiled moonlight stretches its arms
down to slatted deck,
spraying it in gangtag graffiti.

Stay here, circles more on the floor.
Your hips, footprints up your toes
from a whiskered mouse with dusted nose.
He's escaped and curled up
the nook of your ankle.
Eighteen knots tangle your hair.
Call the winds to come in storms,
they'll surely lead the way.
Jack Nov 2013
Found on the corner of sleeping dogs lie
Came to the spotlight with one crooked eye
Painted a portrait in spite of the light
Hoping the canvas was centered and tight

Poured off the foam before going to bed
It’s easy to sleep when you don’t have a head
Dreams are the reason I tend to escape
Picking up pieces that fell off the cake

Coupled with sailors now off on a trip
Some sunken treasure on some sunken ship
Last time the cannons did roar at the sea
Green was the canvas of the canopy

Blown into port with a quart in your bag
Looking quite close at the half masted flag
Wondering who might have swam with the fish
And ended up sinking and getting their wish

The mist in the air hung so thick on the ground
The bell in the lighthouse could broadcast the sound
Ringing that rang as the tide wandered in
As night storms from southern most points did begin

Anchors were dropped to the depths of the deep
Big leaks were fixed but the little ones seeped
Batons were hatched or whatever that means
Opening gaps welded closed at the seams

Swabbing the deck seemed like pure wasted time
As buckets were emptied with rain in the sky
Sails were pulled down, pulled in, put away
While clouds housed a marvelous lightening display

A bottle of *** and a parrot named bill
They drank and they sang until they had their fill
When off now to sleep they did fall with a thud
Tomorrow the war and the spilling of blood

The enemies’ close they could feel in their bones
Because of the bank and some late payment loans
They shuffled us off to some brightly lit rooms
And offered low interest in brand new doubloons

They had us signing here page after page
As if fountain pens were just coming of age
Now put them away this place sure is a mess
Or move them to somebody else’s address

If the dog is not home and the cats on the chair
Licking his tail with the long flowing hair
For after this voyage we look up above
And whisper a poem that doesn’t speak love
betterdays Nov 2014
some days i write
rafts and barks,
kayaks and corricles.

some days, a mere log,
set hopefully upon the water.

some days, dories and yachts
pinnaces, sloops, ketches and tugboats

on rare occassions,
great two and three masted ships,
schooners and galleons
filled with treasure..

more often scows, punts
and barges,
work man like and useful,
but not alway pretty

all painstakingly,
crafted...
with planks of words
nailed together with punctuation...
and caulked, with my soul...
sanded down by thought
polished, oiled and varnished,
with love...

then i set my sails,
my inspiration,
to the mast of poetry

and push off....
into the great white yonder....
hoping my xebec...my catarmaran, my dinghy...
my log...
will find a fellow waterman....
sailing, on this...
the ocean of words.
please forgive me,
any nauticalogical mistakes
Zaraeea Mar 2021
Go in Circles until you can’t anymore then go Straight
You head left Seven times then right Eight
If you see a Gate go back you have gone North for too long
Drive until you run out of gas and then walk until you Drop
When you wake there will be a Star 30’ to the West follow that until even your bones ache
You will at last hit a River with Six Six Masted Boats with Six Crew Men each
Take the Third one and give the Master all that you have
They will then take you into a Fog so deep you do not even know if you are above Water or not
Jump from the Boat when you can Swim in the Air
Swim until you are not sure that it is an Island or a Monster you are going towards
On the shore, there is a Hut and a Path
Take the Path
Leave as much Distance between you and the Hut as possible
Walk for 12 minutes exactly or you will lose your way
Close your eyes and turn until you hear Music then go towards it
You will then walk into a Clearing with a Group of People in it
A Man Playing the Fiddle
A Boy Playing the Drum
A Woman Playing the Flute
A Girl Playing the Tamborine
When the Last One turns to you ask if you may Join
If you have followed my Instructions exactly They will Yes
And when you do Join them in the Clearing something inside you will Settle
And you Will be Free at Last
Capitalization is there for a reason.
Good Luck.
28/5/50
Seán Mac Falls Aug 2014
To face the world, a runt,
With such brunt and abasement,
Is to know ones place in the scheme,
Standing in the stream of frivolous
Happenings, this is the dance,
To be danced, this is the play,
Yet, he has the ears of a king,
To jest with such fire is to be
Ferocious, not feeble, his mocks
Are mostly mirrors for the blind,
For madness is a known methodology,
How he revels round the sad theatres
Of the high born absurd, how he speaks
In tongues and with bold proclamations
Only taut whispers of wind would know?
He is certain that the spindle fates are real
And that lightening strikes purposefully,
Kingdoms will fall, as the sun will rise,
As the noble trees ring with ideologies,
Without travails, he is always arriving,
To sleep out of doors, this is his way,
The path, the masted ship of fools.
The Fool, from Shakespeare's 'King Lear':

The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of good. Lear, insisting on his fictitious majesty, seems ridiculous to him. All the more ridiculous because he does not see how ridiculous he is. But the Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational.
Seán Mac Falls Oct 2015
In the sands now,
The castles crumble,
You are salted, breaded
Of eternity and old song how
Under the mute whine of stars
Sings a lost melody all shall
Soon enough join in corals,
The dive into the stretches
Beyond strands and untoward
What light there surely may come,
Beckon, like recurring dreams
Of fathoms yet to be discovered,
The rivers of time have slipped
You by, here riding now in tides
And driftwood under stars, sails
Moving by masted spars' rowing,
Your rude cross, commemorating,
All that was dearest, too soon lost,
The ferried bones to sea from sky.
A smile is the most revealing human ****** expression I've ever witnessed. Its a habit of nature, so it always tells a good story.

The widest smiles often tell a different story with the eyes. Their smiles are long, and sometimes you can watch their eyes slowly creep with them, as if between the two a connecting valve is slowly opening. The side of their mouths grow high like an ******* with a euphoria dripping down the dimples. Eventually I can't tell if those happy-looking eyes are seeing anything anymore; that smile is preparing to close the eye lids, preparing for a flight to somewhere else. Soon enough they'll shut off completely. Are you dreaming now?

That smile's to be written often and never for yourself. You could write 'confirmation', 'dinner party', 'family photo', a myriad of others on that blank piece of paper. When used, the mouth flexes its guns as long as it can while the eyes freeze in place like a dear in headlights. It's a puppet manikin dancing The Ritual of Memories, to be seen again but never remembered in quite the same way. The iron curtain to be raised once the light enters our lenses. Was it a good one?

Sometimes her smile speaks more than a single story, dependent on which one she hopes to wear that day. Yesterday a faint smile tried to dam all the fluid behind her eyes, a couple of holes channeling salt along her face. I thought she had gone crazy. Today her Cheshire smile bars the prison room of her mouth. Any moment longer and her tongue's time will be up and it'll be the heat on the block again. I can see it in her eyes when she imagines herself moving people and objects like a comedic psychic, her lips creeping to one side. Is he wearing a bulletproof vest?

I've seen him smile with his mouth half open, teeth parted. A blind Beholder awakens in between, squinting lightly behind the shadows of those teeth. It's a faint expression, resembling an opposite of what floods the man's vision. Discovery is spearing a beast in the deepest trench of his heart, spraying its blood out from the man's eyes in a triumph. I'm just as stunned as he is; where will he go with all that victory?

A smile is so near to the essence of the human spirit. To create a smile in ourselves is to be happy, which we seek deeply. But to what end? When our smiles are masted forever, where do we as humans go? What is our next plan of action?

Wondering this to myself, I looked over the side of my coffee table and saw you smiling lightly, a glimmer in your eyes as you read a book I didn't recognize. It made me smile.
Jared Eli Oct 2013
Your face is lit up from the light on the screen
As you type on the only place you're ever seen
Press the control keys, make yourself jump
20 years crouching over gave your back a ****
You're following that woman with long flowing hair
High cheekbones, long ears, and she's going somewhere
You're led to a boat, though you've never been trained
To sail a three-masted beaut, it has been ingrained
For instructions are soon to pop before your eyes
With large flashing arrows hanging in the skies
You grasp at the rope and hoist up the anchor
And you turn to the woman to possibly thank her
She's there for a moment, but gone when you cough
The words in the air spell out: *She logged off
Where Shelter Sep 2020
a tall masted sailboat plods its way
across the picture window, under power, moving slow, 5 minute mile,
seagulls trail behind, periodically dive bombing the roiled wake, thinking, surely, men’s finding machinery may better than their own,
we,
taking anything to make the new days poems & troubles easier

so it goes, the interplay between man and a natural world,
so it goes, finding fish, our sustenances, a dance perpetual,
so it goes, divining spirits sensing a vision, bring me music,
a spiritual so apropos that who can doubt God’s existence?

”With the water
Sweet water, wash me down
Come on, water
Sweet water, wash me down


Tried my hand at the Bible
Tried my hand at prayer
But now, nothing but the water
Is gonna bring my soul to bear”^


so the birth-day begins, sunrise poems & troubles sure to follow,
in serenity commences, perhaps a sunset bookend to match,
but in between, surely poems & troubles, all of life’s stuffing,
signs and guides, surely, at least, the day’s poem is completed...




—————————————-
^ Nothing But the Water (II)
Grace Potter and the Nocturnals
first poem of the day


Fri Aug 21 2020
8:40am
S.I.
Seán Mac Falls Aug 2016
.
To face the world, a runt,
With such brunt and abasement,
Is to know ones place in the scheme,
Standing in the stream of frivolous
Happenings, this is the dance,
To be danced, this is the play,
Yet, he has the ears of a king,
To jest with such fire is to be
Ferocious, not feeble, his mocks
Are mostly mirrors for the blind,
For madness is a known methodology,
How he revels round the sad theatres
Of the high born absurd, how he speaks
In tongues and with bold proclamations
Only taut whispers of wind would know?
He is certain that the spindle fates are real
And that lightening strikes purposefully,
Kingdoms will fall, as the sun will rise,
As the noble trees ring with ideologies,
Without travails, he is always arriving,
To sleep out of doors, this is his way,
The path, the masted ship of fools.
The Fool, from Shakespeare's 'King Lear':
The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of good. Lear, insisting on his fictitious majesty, seems ridiculous to him. All the more ridiculous because he does not see how ridiculous he is. But the Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational.
.
Angela Mary Pope Feb 2014
When I try my hardest
I can still love you the most
And it's not hard
it's just not the same as it used to be

But our dreams are still parallel
Like the world that exists
In some turquoise tangerine place
where we managed to keep it sacred

And if I think about it long enough
I remember how sad it was at the end
Seeking relief
When we only found solace in naked

And if I reach out to touch the stars
It brings your skin back to my flesh  while it burns our history back into the harbor of forgotten ships
That never masted

Sewing words together to make them
Out of moments that never lasted
This is what time felt like
When we weren't able to forget mistakes and tribulations
We could have but didnt outlast and

(I had a lovely time.)
Seán Mac Falls Oct 2014
.
To face the world, a runt,
With such brunt and abasement,
Is to know ones place in the scheme,
Standing in the stream of frivolous
Happenings, this is the dance,
To be danced, this is the play,
Yet, he has the ears of a king,
To jest with such fire is to be
Ferocious, not feeble, his mocks
Are mostly mirrors for the blind,
For madness is a known methodology,
How he revels round the sad theatres
Of the high born absurd, how he speaks
In tongues and with bold proclamations
Only taut whispers of wind would know?
He is certain that the spindle fates are real
And that lightening strikes purposefully,
Kingdoms will fall, as the sun will rise,
As the noble trees ring with ideologies,
Without travails, he is always arriving,
To sleep out of doors, this is his way,
The path, the masted ship of fools.
The Fool, from Shakespeare's 'King Lear':
The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of good. Lear, insisting on his fictitious majesty, seems ridiculous to him. All the more ridiculous because he does not see how ridiculous he is. But the Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational.
Lexie Feb 2014
Hail silent ships sailing out to stormy waters
Hail frozen nights and your silent winds
Hail sleep so silent and powerful

Steady dreams born on masted vessels
Dreadful thoughts carried on the winds wings

Hail graves with graces in the light
Hail smoking fires guiding my night
Hail wind blown trees with golden leaves

Your steady hand holds my heart
The stance you form with feet apart

Hail silver wings that slice thin air
Hail crude whispers barely there
Hail you beings that walk this earth

Follow your call from humble berth
Travel sodden roads to find your worth

Oh silent days with much to remember
Oh willful force with rope to sever

Your eyes they watch my every move
With a heart strong to prove

Lets wings of fortune light my path
Lest I stand behind broken mast

I will hold on to this feeling
Even when the waves are reeling
Grip your strength
And find your courage

Hail to brave of heart
I trusted you from the start
Hail to you brave of heart
Play your part
Seán Mac Falls Apr 2016
In the sands now,
The castles crumble,
You are salted, breaded
Of eternity and old song how
Under the mute whine of stars
Sings a lost melody all shall
Soon enough join in corals,
The dive into the stretches
Beyond strands and untoward
What light there surely may come,
Beckon, like recurring dreams
Of fathoms yet to be discovered,
The rivers of time have slipped
You by, here riding now in tides
And driftwood under stars, sails
Moving by masted spars' rowing,
Your rude cross, commemorating,
All that was dearest, too soon lost,
The ferried bones to sea from sky.
Seán Mac Falls Mar 2015
To face the world, a runt,
With such brunt and abasement,
Is to know ones place in the scheme,
Standing in the stream of frivolous
Happenings, this is the dance,
To be danced, this is the play,
Yet, he has the ears of a king,
To jest with such fire is to be
Ferocious, not feeble, his mocks
Are mostly mirrors for the blind,
For madness is a known methodology,
How he revels round the sad theatres
Of the high born absurd, how he speaks
In tongues and with bold proclamations
Only taut whispers of wind would know?
He is certain that the spindle fates are real
And that lightening strikes purposefully,
Kingdoms will fall, as the sun will rise,
As the noble trees ring with ideologies,
Without travails, he is always arriving,
To sleep out of doors, this is his way,
The path, the masted ship of fools.
The Fool, from Shakespeare's 'King Lear':
The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of good. Lear, insisting on his fictitious majesty, seems ridiculous to him. All the more ridiculous because he does not see how ridiculous he is. But the Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational.
Angela Mary Pope Feb 2014
When I try my hardest
I can still love you the most
And it's not hard
it's just not the same as it used to be

But our dreams are still parallel
Like the world that exists
In some turquoise tangerine place
where we managed to keep it sacred

And if I think about it long enough
I remember how sad it was at the end
Seeking relief
When we only found solace in naked

And if I reach out to touch the stars
It brings your skin back to my flesh  while it burns our history back into the harbor of forgotten ships
That never masted

Sewing words together to make them
Out of moments that never lasted
This is what time felt like
When we weren't able to forget mistakes and tribulations
We could have but didnt outlast and

(I had a lovely time.)
Seán Mac Falls Dec 2015
In the sands now,
The castles crumble,
You are salted, breaded
Of eternity and old song how
Under the mute whine of stars
Sings a lost melody all shall
Soon enough join in corals,
The dive into the stretches
Beyond strands and untoward
What light there surely may come,
Beckon, like recurring dreams
Of fathoms yet to be discovered,
The rivers of time have slipped
You by, here riding now in tides
And driftwood under stars, sails
Moving by masted spars' rowing,
Your rude cross, commemorating,
All that was dearest, too soon lost,
The ferried bones to sea from sky.
She’d walk on out to the balcony
Each day that it didn’t hail,
Braving the bitterly cutting winds
In the search for a distant sail,
I’d wait ‘til she was shivering cold
And her lips were turning blue,
Then drag her in through the open door;
Well, what was I meant to do?

She’d cry, of course, as I thawed her out
By the small, *** belly stove,
The only thing that kept us alive
In that tiny, ice-bound cove,
I’d wrap a blanket around the form
That I’d loved since I was three,
While she looked out for the love she’d lost
And I’ll swear, it wasn’t me!

He’d gone away on a masted barque
With the winter coming in,
Had kissed her once as he went aboard
And swore he’d be back again,
He waved just once, then he turned his back
As the barque had sailed away,
Hauling on the top gallants as
It headed out from the bay.

The three of us had been ***** friends
Until Charles had gone to sea,
But only then had professed his love
For the love of my life, Marie,
I’d been too timid to state my love,
She saw me just as a friend,
I felt that my heart was broken, when
She turned to him in the end.

But I lived up on the cliff-top face
With a perfect view of the bay,
I’d see him first when he sailed back home
So she asked if she could stay,
She settled in, and my heart had grieved
As I watched her pale blue eyes,
Skimming the far horizon as
The rain had turned to ice.

The skies grew dark and the storms came in
And the sleet had turned to snow,
It covered all of the cliff-tops and
The sand on the cove below,
‘We’re in for a wicked winter,’ I
Remarked, as I chopped the wood,
And she had turned, to give me a smile
To say that she understood.

The weeks went by and the storms still came
Til the cove had turned to ice,
The sea froze out in the distant bay
While we passed the time with dice,
‘Isn’t it strange how fate decrees,’ she said
‘How love will lie…
What if it wasn’t Charlie, what
If it was you and I?’

The look on my face betrayed me, for
She sat right back and stared,
A tear had caught at my eye, she said,
‘Why didn’t you say you cared?’
‘I couldn’t see how you’d care for me
Though I cherished you as a friend,
I knew you would set your sights on Charles
And leave me in the end.’

‘You didn’t give me the choice, you should
Have left it for me to choose,
Now it’s a little too late for us,
What did you have to lose?’
She stomped on out to the balcony
Where the hail came down like rice,
And like a fool, I left her there
Til her tears had turned to ice.

I found her frozen, stuck to the rail
Where she stood and stared to sea,
I should have taken her in before
And she might have come to me,
But still she stands with her frozen hands
As a barque sails into the bay,
And Charles will see that she came to me;
What am I going to say?

David Lewis Paget
Seán Mac Falls May 2018
.
In the sands now,
The castles crumble,
You are salted, breaded
Of eternity and old song how
Under the mute whine of stars
Sings a lost melody all shall
Soon enough join in corals,
The dive into the stretches
Beyond strands and untoward
What light there surely may come,
Beckon, like recurring dreams
Of fathoms yet to be discovered,
The rivers of time have slipped
You by, here riding now in tides
And driftwood under stars, sails
Moving by masted spars' rowing,
Your rude cross, commemorating,
All that was dearest, too soon lost,
The ferried bones to sea from sky.
.
Micah Hoffman Dec 2016
His Lordship forgot, siren’s slave-ship become, flighting.
Delusion, until fog horn let out it’s truthful blast. Lightning.
Caused rocky shores to be shown, even absent lighting.
Confusion lifted, anchors tossed, perhaps not all’s lost.
Hull pierced, as if cannon foddered, deck arrested, splintered, shuddered.
Sharper sharper, mast the sharpest, shard upwards, sail white masted.
Surrendered, will rendered, I lay, with strength hindered, fasted.
Waking, after night spent with foamed water taking.
Waiting, ocean water like a ballast, weighting.
Humility, as fatal shores show in after storm tranquility.
Oh, amazing grace, how sweet the sound!
For its’ warning blast, the siren’s call was drowned.
Tide lowered, ship on reef rock towered,
Mercy’s trophy, castled once, now bowered.
Humility, raised like the sun from blue depths, lucidity.
Such pleasant places walled ship from sin,
Reef boundaries, like a garden, hedged in.
Never knowing just what you have, love
Could have (should've) been us... or maybe just me
But we'll see through tide and shore,
But when we sail in with flags shoal-masted
Even the ITC cant prove anyone living still rides with me.

To recognize our shared demise...
Could we - embitter expectations ?
Are they better than you?
Are they any better than me?

They... need (songs to keep the weary alert at sea)
They need to be better than we.

In all my songs and all my stories
I told the crowd how "she" might end with me
Or maybe end me

But are
These just dreams
That still
Let her hurt me
Do
I will let her hurt me

But no
Whisper you're safe
You own your memr'y,  mind and choice or cost to your faith
Mystical and whimsy
Or are we my enemy
Maybe me

Time is a convenient tragedy
And I play witness to this evening's mystery
Inconvenient but always complicit company.
We were never meant to be

We,
Me.
You.
I... half drunk, half hallucinating, half angry - Who can I blame for not being me?

All the same but I maybe somebody.

We were never meant to be recognizable
never meant to be anybody you can acclaim
on the most current, convenient, complicity capitulated captivation of cognitive, but captured and categorized component of your human experience...

Now I'm
Someone you cant recognize
Me
But now I'm now
Almost 40
And its always just been us.

(I'm 3 years to 41
who should I have become)

And what do I have to show
a body left too long in the undertow
This decomposing
This wreckage left of me

If in the last breaths I breathe
My history comes haunting me
There are 8 women I thought could love me

Yet today I can still recall the first
Her name like silver dripping onto silk
How her voice burned in through memories
And she's still here with me
I rode my bike by your house

And the second, like every second after
I painted you inside my head

The rest of this story, and I am sorry will drive you into a never ending loop of pity and tragedy and only one of us gets out alive...


We'll see if you can find any reference of me in three years.
Jeffrey Robin Apr 2016
.

( you may )


||           ||

--
--

Moma told me it would be alright

)(

she wakes up

She looks around

She don't know

What she sees



The long hard image of the days to come



The terror in each stranger's eye

::::::

The statue rusting in the rain

::

Our memories soon dead and gone

( she )

••••

The 2 masted ship the the harbor

Pirate flags over Monterey

//

The minstrel boy

Singing o'er the waters

Of the San Francisco Bay

)(

Dream !

Young boys and girls

WE ARE FREE

"""
we are free

//


The solitary girl

Declares the new day

//

She is not a stranger


She sits serenely in the sand

The high bird is flying


Await the rebirth of man



.
double-minded
windy-watered
broken-masted
ship going down

your gatemouth gasping

air strickened
crooked shooter
surrender flaggin
surround sound

laugh track laughing

dry sailing
guard railing
panic flail wave wailing
as i roll away from you
clowns

lying as you're back-tracking

pin-pointed
spot-lit
rubber-ruled
measuring cup
baby get your fill

loose lip hanging
from your teeth
just like laundry drying
on the line
which is thin

Your gatemouth hanging open
in a grit-tooth hundred year
sand laden wind
For Michelle the Nasty
Ryan O'Leary Oct 2018
Between skies of corrugated
clouds, seas of liquid steel,
three masted, sails a dark
coffin ship laden with the
corrosion of carelessness.
Ryan O'Leary Apr 2023
Four masted ships

breaching horizon.

Sails ushered by

same breeze as waves

breaking on foreshore.

Congregated pylons

convey justified

concern inland.
Khoisan Jan 2020
Free me, from this Eiffel,
masted bolt and nuts
gushing through your hair
Satirical - Senryu
Maya Fields Sep 16
They're all like
"closing the doors."
But i don't want to
I'm not going to
It's what I adore.
I'm an adrenaline ******
best way to explain to me?
I like to flirt, masted it even
How do I get so many?
I've mastered the art of the game
Like a good dodgeball round
Where you've finally got it down.
This is MY game
Like karate and kicking
Like playing and flirting.
It's all a game
A system to win
From the looks to the tone.
That's how I know
I'll never be alone.
#know #confident
Glenn Currier Aug 2020
There he sits head bowed in sleep
leaning south on the weathered wooden bench
too tired to take another step.
He dreams of a dark broken-masted ship
wobbling in the water
nowhere to go
yet an amber light from the inner gloom
makes him wonder
if there is hope for a voyage
for another journey.

But beneath the dank scene
is a lingering certainty
he’s stuck here
stranded in this sad moment.
This is how I feel today.
Ryan O'Leary Sep 9
. .
.              On the island of Oland
               there are a 1,000 cloths
                on a 1,000 mills with a
            1,000 winds to wave them.

                 Oh: but a masted ship
              could wake me here, and
             stop and stare and explain
             their semaphore whispers.

— The End —