i will be
    M o ving in the Street of her

    bodyfee 1 inga ro undMe the traffic of
    lovely;muscles-sinke x p i r i n    g S
            uddeni
    Y         totouch
                             the curvedship of
                                                         Her-
    ….kiss      her:hands
                                    will play on,mE as
    dea d tunes OR s-crap p-y lea Ves flut te rin g
    from Hideous trees or

         Maybe Mandolins
                                      1 oo k-
         pigeons fly ingand

    whee(:are,SpRiN,k,LiNg an in-stant with sunLight
    then)!-
    ing all go BlacK wh-eel-ing

    oh
        ver
              mYveRylitTle

    street
    where
    you will come,

                             at twi li ght
    s(oon & there’s
    a             m oo
)n.

THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.

I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.

Journey to Mecca – The IMAX Experience

Imagine the scene... There are crowds of people milling about, some in queues, some chatting by the windows, others sipping a warm drink. There are children playing in corners, babies drinking milk, and wherever you look you see people of all creeds and races united under the banner of a shared humanity. And what is the reason for this diverse cross section of society to be present in one place on a quiet and sleepy Sunday afternoon at Birmingham’s ThinkTank? The answer is right there across the busy foyer. It is a poster for a new IMAX film called “Journey to Mecca”. The very air bubbles with excitement and expectation as the cinema staff cut the proverbial ribbon and usher the people into the auditorium.

Space, vast and open, is the first thing that hits the audience as they take their seats and let their eyes wander over the immense spectrum of the IMAX screen. A map unfurls across the screen and a narrator explains the time and lays down the background to the scene that is about to commence. The year is 1325, the place is Tangier and the story is about a man who is about to embark upon a journey to the holy city of Mecca on a pilgrimage. The charismatic young man is Ibn Battuta, he stares at the stars that twinkle across the canvas of the night sky and he dreams of spires, of domes, of jewelled cities that sparkle in the desert sands, and his vision swoops like a falcon over the alleys and streets of the kingdom until they rest upon the Ka’aba, the sacred building at the heart of Islam.

Ibn Battuta bids farewell to his beloved family and sets out on his journey which will see him tested, both physically and psychologically, as he travels to the fabled city of Mecca. His trials and tribulations on the road to Mecca are detailed with an emotional richness rarely seen in modern cinema. The script is nuanced in a way that allows the audience to connect with the action and the various characters. The depth of research and the care in which the tale is told is delicately balanced. This is cinema as entertainment and as education.

The film reveals the magic and wonder of the Hajj by contrasting the life of Ibn Battuta with modern day worshippers at the same holy sites as those visited by the young traveller all those years ago. The scale of the event is brought to realisation in a way that will make even the most jaded film connoisseur gasp with astonishment.

In terms of technicalities, the IMAX technology is notorious for being extremely expensive and difficult to master. The format does not allow for the creative freedom that one can utilize in 35mm, so it is to the credit of the crew that this film looks seamless and breathtaking. Every single frame of the drama is a beautifully crafted canvas that seems to glow like a painting. The cinematography is exemplary and employs a painterly palette. The deserts and mountains are dry, cracked and dusty brown like wrinkled parchment while the sun drips golden lava across the scorching landscape. The white garments of the pilgrims are like beacons floating in the creamy dust of the desert sands whilst the tapestries hanging in the bazaars are lovingly stitched in green and blue threads; and the silver and gold bangles on the arms and ankles of the village girls ****** and twinkle. The atmosphere of warmth and friendship is apparent in every scene, especially when the succulent food is shared by the soft red glow of the campfires. High above this blend of colours, languages and the swirl of human emotions are the dancing stars that ripple in the heavens. The spectacle and sounds of a bygone era are stunningly designed.

The soundtrack also serves the film quite well. The music is never intrusive or melodramatic, it is there as a soft accompaniment to the proceedings. The use of strings, Moorish mandolins, African percussion and the human voice brings an exotic and ethereal ambiance to the drama.

“Journey to Mecca” is a journey of hope, a journey of understanding and a journey that will inspire. The sheer magnitude and beauty of this film left the audience awed and instilled a desire to learn more about the past which we sometimes neglect to reflect upon in our fast moving lives. This film is an ode to peace, love and compassion, and acts as a bridge of understanding between the past and present. And, as the film fades to black at the ******, there is a final haunting image that will resonate with every member of the audience. The message is simple and poignant. It illustrates the transient and swift nature of life; it shows how we glow brightly by the light of the noon day sun and then fade into the tranquil shadows of the coming twilight. Our journey in this life should be one that respects all of humanity despite our cultural or political differences. It is not often that one leaves the cinema knowing that your soul has been moved by something rare, delicate and exquisite. This was one of those rare occasions.

Kung walked
        by the dynastic temple
and into the cedar grove,
        and then out by the lower river,
And with him Khieu Tchi
        and Tian the low speaking
And “we are unknown,” said Kung,
“You will take up charioteering?
        “Then you will become known,
“Or perhaps I should take up charioterring, or archery?
“Or the practice of public speaking?”
And Tseu-lou said, “I would put the defences in order,”
And Khieu said, “If I were lord of a province
“I would put it in better order than this is.”
And Tchi said, “I would prefer a small mountain temple,
“With order in the observances,
        with a suitable performance of the ritual,”
And Tian said, with his hand on the strings of his lute
The low sounds continuing
        after his hand left the strings,
And the sound went up like smoke, under the leaves,
And he looked after the sound:
        “The old swimming hole,
“And the boys flopping off the planks,
“Or sitting in the underbrush playing mandolins.”
        And Kung smiled upon all of them equally.
And Thseng-sie desired to know:
        “Which had answered correctly?”
And Kung said, “They have all answered correctly,
“That is to say, each in his nature.”
And Kung raised his cane against Yuan Jang,
        Yuan Jang being his elder,
For Yuan Jang sat by the roadside pretending to
        be receiving wisdom.
And Kung said
        “You old fool, come out of it,
“Get up and do something useful.”
        And Kung said
“Respect a child’s faculties
“From the moment it inhales the clear air,
“But a man of fifty who knows nothng
        Is worthy of no respect.”
And “When the prince has gathered about him
“All the savants and artists, his riches will be fully employed.”
And Kung said, and wrote on the bo leaves:
        If a man have not order within him
He can not spread order about him;
And if a man have not order within him
His family will not act with due order;
        And if the prince have not order within him
He can not put order in his dominions.
And Kung gave the words “order”
and “brotherly deference”
And said nothing of the “life after death.”
And he said
        “Anyone can run to excesses,
“It is easy to shoot past the mark,
“It is hard to stand firm in the middle.”

And they said: If a man commit ******
        Should his father protect him, and hide him?
And Kung said:
        He should hide him.

And Kung gave his daughter to Kong-Tchang
        Although Kong-Tchang was in prison.
And he gave his niece to Nan-Young
        although Nan-Young was out of office.
And Kung said “Wan ruled with moderation,
        “In his day the State was well kept,
“And even I can remember
“A day when the historians left blanks in their writings,
“I mean, for things they didn’t know,
“But that time seems to be passing.
A day when the historians left blanks in their writings,
But that time seems to be passing.”
And Kung said, “Without character you will
        “be unable to play on that instrument
“Or to execute the music fit for the Odes.
“The blossoms of the apricot
        “blow from the east to the west,
“And I have tried to keep them from falling.”

Cabana, cheese and mustard sauce
Do grace the tablecloth,
White puffy clouds and warm south breeze
And joy in chilled beer's froth.
Hot sun doth bake these stony walls
Sweet mandolins do play,
And the pigeons peck at breadcrumbs caste.
And all fares well today.

Young darting men on Vespa's
Ply their arrogant good looks,
And those stunning senoritas
Strut their stuff while momma cooks.
Monsignors in scarlet robes
Do scurry through the town
Dispensing Catholic action
To any soul who is around.

Madonna's guard the roadside shrines
Where hot seal winds aloft
Toward the craggy mountain pass
And pastured alpine croft.
The peasant woman bends her spine
Trudging forth with strain,
Wood ******* piled upon her back,
Up hillward bound with pain.

Old men sit and ruminate
And watch the young girls pass,
Whilst nursing dark retsina
In an opaque thimble glass.
The olive trees look stately
In their crooked ancient way,
And cast a darkened shadow
Where the roosting chicken's lay.

And out across the mounded hills
The patchwork quilt of farm
And out beyond that deep azure
Of Italian coastal charm.
Seaward to horizon
The aqua blue intense
Extends as far as eye can see
Mediterranean immense.


Marshalg
@theBach
Mangere Bridge
23 January 2010

There has not been for a long time a spring
as beautiful as this one; the grass, just before mowing,
is thick and wet with dew. At night bird cries
come up from the edge of the marsh, a crimson shoal
lies in the east till the morning hours.
In such a season, every voice becomes for us
a shout of triumph. Glory, pain and glory
to the grass, to the clouds, to the green oak wood.
The gates of the earth torn open, the key
to the earth revealed. A star is greeting the day.
Then why do your eyes  hold an impure gleam
like the eyes of those who have not tasted
evil and long only for crime? Why does this heat
and depth of hatred radiate
from your narrowed eyes? To you the rule,
for you clouds in golden rings
play a music, maples by the road exalt you.
The invisible rein on every living thing
leads to your hand--pull, and they all
turn a half-circle under the canopy
called cirrus. And your tasks? A wooden mountain
awaits you, the place for cities in the air,
a valley where wheat should grow, a table, a white page
on which, maybe, a long poem could be started,
joy and toil. And the road bolts like an animal,
it falls away so quickly, leaving a trail of dust,
that there is scarcely a sight to prepare a nod for,
the hand's grip already weakened, a sigh, and the storm is over.
And then they carry the malefactor through the fields,
rocking his grey head, and above the seashore
on a tree-lined avenue, they put him down
where the wind from the bay furls banner
and schoolchildren run on the gravel paths,
singing their songs.

--"So that neighing in the gardens, drinking on the green
so that, not knowing whether they are happy or just weary,
they take bread from the hands of their pregnant wives.
They bow their heads to nothing in their lives.
My brothers, avid for pleasure, smiling, beery,
have the world for a granary, a house of joy?"

--"Ah, dark rabble at their vernal feasts
and creamatoria rising like white cliffs
and smoke seeping from the dead wasps' nests.
In a stammer of mandolins, a dust-cloud of scythes,
on heaps of food and mosses stomped ash-grey,
the new sun rises on another day."

For a long time there has not been a spring
as beautiful as this one to the voyager.
The expanse of water seems to him dense
as the blood of a hemlock. And a fleet of sails
speeding in the dark, like the last
vibration of a pure note. He saw
human figures scattered on the sands
under the light of the planets, falling from the vault
of heaven, and when a wave grew silent, it was silent,
the foam smelled of ioding? heliotrope?
They sang on the dunes, Maria, Maria,
resting a spattered hand on the saddle
and he didn't know if this was the new sign
that promises salvation, but kills first.
Three times must the wheel of blindness
turn, before I took without fear at the power
sleeping in my own hand, and recognize spring,
the sky, the seas, and the dark, massed land.
Three times will the liars have conquered
before the great truth appears alive
and in the splendor of one moment
stand spring and the sky, the seas, the lands.

*Wilmo, 1936

would

in the screaming breeze,
a whistles sound forms,
in the winds,
the hibernated scorn of hidden violins,
strung together the suspense.
In the aftermath of silenced stare;

the glare from colours crystalline,
the subtle manipulation of light beams,
in nice dreams,
across the shallow lake,
whilst opaque clouds fade, pale.
In the sound of the backgrounds snarl;

in the woods darkness, black,
the music chooses ehoes between branches,
dangling in tone in the malarkey of
the pain of the mandolins gaze;

each pieces together with tiny,
frost bitten childs sized fingers.
The icy touch lingers for the seconds of death,
that last a pastime,
a lifetime of lust,
in the blink of the dust in the wind.

High voltage poetics,
       Planting words seeds
In a field of nomadic minds,
     In a sky of dreams
Bursting above the magnetic stars,
      The skin of words
Peeled from flesh of life,
        The page is a silken weave,
The words threaded in a void,
        Syllable construction
Of a spiraling flame that invents
      A city
In a day
     In a life
In a person-

    The thought deconstructed
Into metaphysical metaphorical,
    Musical mandolins,
The mandolinist touches the foreheads,
     A pack of wild people
In the wild city nocturnal,
     The spectrum of voices
In a rainbow of verbiage,
      A wonderful desolation
As the hours fly as a writer flies,
       The Sunstone's dial
Burns time at the crossroads of midnight,
     We are a gallery of echoes,
Our history lives today
    Hushed into memory,
Diaphanous vision
    Accumulated into the mind
Vast as the moment,
     The mirrors reflect the Word
And the Word is life,
      Reasons are a geometric anomaly
With morality at the center
Of the theoretical poem:

   I choose to inspire,
Which means to live and observe
Daily reconstructing in the poems,
      But the poem is not truth;
Poetry like history is made,
    Eyes of language,
The truth is to walk it,
Inspired to live and the dream
Is written in verse.

Traveling in rising walking strings
you stretch out these soulful sinews
and tune your mandolins of song
of seasons and tall waves on deep
whaling, wailing a home longing
in lungs breathing for both of us
on traditional barks and harbor docks
wanting, waiting, wanting
pickity passion's dancing flocks
of ******'s doves to prompt
voices aimed at golden gates

-cec

In first grade, I brought my music box and
baby frame from we lived in Italy to show-and-tell.
The frame showed me bald like an egg, half-smiling
with my length and weight written
with my full name across the middle.
It was something small to prove
something I couldn't remember.
Before I went home, I put the frame
with my music box on the floor by my locker--
Then I turned and found under my shoe
the shattered pieces of the frame.
A sense of loss twisted my insides,
like when you can't find your cell phone,
with all your photos and
messages you treasure
A piece of your life is stolen.
But a friend lends you a phone,
you break up with the boy
who sent you those messages and meet someone else.
That was how I learned to do it,
by gathering up the broken pieces
and bringing them home in a paper grocery bag.
When my mom said it couldn't be fixed, I believed her.
When she said not to worry, I still did.
She said everything was going to be OK and it was.
She lifted the lid of the music box,
and we heard mandolins playing once more.

In a town just up the mountain
straight out of an old John Wayne movie
where there's no parking lots
just places to tie up your horse
and the jail has one cell
and you'd expect to see Billy the Kid
breaking out of it any minute now
joshua trees
and tumble weeds
and all the bars have swinging doors
and there's a coffin leaning up against one of the walls
of the bar with the swinging doors
that's where you took me to your favorite place in the whole world
a restaurant
where a different band plays every night
with a different sound and a different look
from ones composed of old hippies and cowboys
playing their accordions and mandolins
singing old folk songs that everybody just knows
you don't know how you know
you just do
and then to the band of kids
straight out of suburbia
singing songs about ******* and heartache
with their hair slicked back
and their pants rolled up
and their moms are sitting right there
in a table right in front of the stage
eating burgers and salads and talking about the burgers and salads
then there's the girl from New York
she spells her name real weird and keeps her hair long and flowing
just like her dress
and she sings about empty motel rooms
and the Bhagavad Gita
and she tells stories in between songs
and there's writing all over the bathroom walls
little gems like
"what would Joan Jett do?"
or
"punks not dead, punks sleepin' drunk"
but mostly
just names of lovers in hearts
sometimes just initials like a secret code only they know
and the dates that they became lovers
there's paintings on all the doors
horses and hookers and cowboys under the stars
and all the walls around the stage
are covered in license plates
one from California from 1939
one shaped like a bear from Canada
one from Saskatchewan
wherever that is
and all the drinks
come in mason jars
and all the candles on the tables do too
and none of the chairs match
but that just makes them all unique
you're sitting in a one of a kind
but the whole place is really one of a kind
and that's why it's her favorite
she finds all these things to be just beautiful
not to mention the bartender keeps giving her free drinks
because it's her birthday and they take her word for it
and she's making friends with all the hippies
and she's dancing under the strings of lights
and we're kissing under the dark black sky
and I've never seen her so happy.


*s.mndi

                    -for Sonia*

if I could
I would fly away
to be with you
I would like to hear
the sounds of mandolins
once again
by your side
smiling
laughing

but today
I do not smile
because it is days like this
which remind me
of how much I miss you
even when my husband is with me
even when my children are with me
I miss you
I miss you
I am yours
and even in the distance
you are mine

my love...
my family

to the tune of guitars, mandolins,
bagpipes, cheap coke & hairspray
Freighters crest the punk-washed waves
the sun shines out
unaware and uncaring
Our tiny animal foibles
behemoth sub-audible
military choppers
chop the air
The air, no offense, much better
on it's own
sans commentary or guitar-fueled breaks
the promise of returning surf
silent acceptance by rock and sand
Again and again, we return
and it returns to greet anew the day
again the sun and
more importantly, the moon

And here, right here I am
phone calls and photographs be ******
to live, to breathe, and be free
this is the gift we share
the covenant we acquiesce to
life's contract:
Be here now
and then be gone
Good work done
and done again

to acknowledge human order
to rever and accept
to create, not destroy
despite what might have come before
or will come again after
Be ****** or choose not to
This is our secret
our secret treasure
kept right here
within earshot of the bored gods
spread out like bleached wood
our foibles, our suspicions,
our struggles
our gallant moments
in sunlight or in shade
we persevere and
look **** good doing it

Oh, the momentary glory
The ecstasy of our
reciting invincibility to one another
like religion or science
we accept it and trust it
and, therefore, it is true
if only for a moment

the laughter subsides
and what does it leave us?
the exhalation of waves
on shores unnamed

Things we hold so close, so near
clenched with inescapable fear
that this might suddenly end
lights out, curtain down
a dejected sigh, a knowing frown

This great place, this great land
Oh, the metal in my days
and in my hands
There was a time when
I would worry, I would fret
and wonder at what
each gesture meant
But now so much more I know
of the secret songs of our beloved coast

to think that somehow
we can digest all this
parse everything that befalls
such a joke, it is to laugh
in the shade of the cove
far from the mast
It is no joke, but more
to laugh, not to cry,
nor cower back

OOF! WHOO!
sunning & living & loving
just so
It is our way and all that we know
amid handclaps & footfalls
among cliff faces & sheer falls
we shine so solitary
& bright among the world
and its fashions

The thrill of standing so tall
against inhuman scale
its momentary humor
our highlights & travails

So much meat to manipulate
against surf & sail
from the privilege of the cove
friendship against the rocks
winds and darkness
Huddle, you beloved masses, huddle

The schooners schooning
the bay accepting
lucky our lives absorbing
the glory, yes
the glory, I said it
THE GLORY
of living today
like a grown-up
with a robot with its
hand up

Oh, the exertion
of simply being human!
Constructs of strobe lights
& nonesuch!
We claw, we dance,
we construct the armature
of the ridiculous!
We strive, we fall, we climb
imagined walls
What excellent detritus!

And now the chill descends
the shade the cove knows
only as a friend

I sit alone
construct these lines
wishing for lost loves
amid shade, sand & brine
sunken mermaids in my mind

I love the threat
they present
For me, ironically,
it's all in words
I share the secrets
that the tide keeps
in surf & loam

I look at technology
& I look away
that's how I know
I'm human
how I know
I'm not completely lost
not completely
without animal

All we can hope for
a pumpkin at sunset
& not being pathetic
with people that love us

Yes, it's a lot
good weather and foul
beacon of human remembrance
It's all we can ask for & should

(Oh, Dan Langton
how much you've simply
taught me
thru words, sure
but just as much through
sly looks & laughs

Portland you're all
houses and woods
and there's always ****
to do: so tender
to women "Beat me!
Oh Bob, beat me!")

& Motorhead prevails
on the Golden Gate coast
away from the campground
our shared & secret cove

~

I am so in love with you! I feel it, I taste it, and say it as a herald of Love would! So in love with you, with your sugar coated skin of many naked nights! comparing you to a flower, to a rubi, to a queen, is absurd! I look at you with all my senses in a vertical mood. ***** to be seen. with the flag close to the sun.
And if I sing, if the soul rises above clouds, if the wind comes with its flutes and mandolins, I will be carving the air, the air!
a monument to your beauty!

~

The valiant fiery heart of youth
Still throbs inside my *****
No poetic verse to mourn long-lost days
Is being sung in melancholy’s dark chasm

The bird’s tune wakes with the dawning sun
And the morning leaves softly hiss their sacred hymns
Whispering enchanting tales of a shiny golden age
Yearning for precious harmonies and rampant wild rhythms

The strings are strung on God’s graceful majestic violin
And mighty sounds soar in celestial realms summoning all the angels
Melodious harps, otherworldly lutes and unimaginable lyres vibrate in perfect unison
As gracious singers sing high poems and pluck their heavenly mandolins

Let’s chant a song divine, let’s pay homage to a world sublime!
Begin the music, play the joyful tambourine
Behold and see how all the grief is no longer in me!
It's been cast out, dissipating completely
In the sky’s mesmerizing blue and the earth’s bright dazzling green!

I realize I'm home.
A cool draft
smacks my face
this early morn.
It's eye-opening,
so stark,
I've been gone
way too long,

I remember our song
and softly hum
its hypnotic-tune.
Such gentle
soothing mandolins
in beautiful rhythm
with the birch blades
twirling constantly,
like they always do.

As I lie here
listening,
I hear the thermostat
intermittently
kick in
and I curl up
all alone.
My chin is nestled
in my palm,
already
dreaming,
wishing,
hoping for your light.

I think,
if you only knew,
I silently scream,
"My kingdom
for my fair Lady....
to greet the rising sun,
this raw glistening."

I search the ceiling,
my entire universe,
for your sparkly starlet eyes....
I miss you so much,
my Queen.
Loneliness is not regal....

The only place we could be alone was by the brook.

Beside an oak tree
You and I lay, enveloped.

It makes me feel odd that
We were once shy.

There was a flute playing a blissful melody in the distance, lulling us to sleep.

It was a Celtic fantasy. Blushed cheeks, entrancing mandolins, serene violins.

You whispered delicately in my ear:
'Forget everything. Enjoy now.'

But how can I forget and enjoy now, when I am alone, my tears rusting my guitar strings.

That girl you once layed with by the brook is shattering...

Deep
  Blue
    Nothing
        Left
               Inside
                        Here
                                Now­
                                  Pointless
                    ­       Effort
            Redundant
       Love
    Obsolete
           Maiden
                   Glass
                       Broken
                            Severed
                      ­               Heart.

Farewell to light and all things bright.

From the incrimination of the whole
they gave us a paved road to nowhere
the Victorian homeless cougars
have only recently found their hearts
(undoubtedly to the honkys)
and who escaped
for the sky
was not alive
or sopping
or green

this miserable workplace
over the edge
for butcher's lines
~was not raven black
the spoons
or forerunners
(from dazzling peninsulas)
left alone
off the center
of the parking lot

the real city
of buggy stalled wanderings
~was not flesh stained
off the front of
private beaches
stood resplendent bottoms
sprung off low ebbs
for the dark world
and our fathomless silences

trumpets and banjoes
and electric mandolins
are thrown from the solitude
ear studs
and obscurity
out of the footsteps of
spontaneous supporters
the vital blood arrayed
without moonless stasis
and desert buckets

woodlands unkempt
against the mountain run
halted plains straightened
after the catch
***** martinis
and stiff bowlers
valley the single marcher
shetlands
and peasants
see clear to the horizon

You really want to know
how any of us feels,
this long line of broken hearts.
It's melodic,
the sound of mandolins
& cymbals.
Every single one of us
is scared.
They always go away,
our lovers,
those sacred ones
who chained us
with heartstrings.
There is never enough time
not to be afraid.

1.
A certain stasis of shapeless days
backlit a little by obscure sport
leave a lot of room
for double-edged thought

2.
I’ve bought two mandolins
one cut my fingers
the other cast them too fat,
what’s up with that?

**** me...
could you get a better
joke than tacos
or guacamole -

tortilla bread?

it's as if watching
cousins arguing about their
marriage to distant
relations...

i'm sorry, no...

i had an ex-girlfriend who was
a Russian....
family and politics came in the way,
i'm starting to think
that my parents who prefer
had i dated a german girl...

oh god, that lass,
at that tool gig in Glasgow:
glass, cow made from
glass:
  and a *******
porcelain bunny!

i have the bour4bon,
the ****** cream, all i'm missing is
a sparring partner...
all the way from Glasgow
to Edinburgh,
we shunned two Pollack
travelers,
talked mandolins,
King Crimson's in
the court of the crimson king...
and Madonna's
material girl...

with who? oh some poor schmuck
who didn't realize
i was spying...
  nicely done...

and we talked about ceilidth
dancing...

when it's fun, it's,
and a proper prop for the staging
of memory...

on the throne of thrones:
doing the no. 1, 2, 3...
did anyone except me to do the no. 3
with an armchair and scented
candles?

i would... if she was invoking
the exhibitionism, ****, & pregnant...
fire me up...

         but akin to the Mexicans
with their tacos, guacamole,
tortillas -
  ******* English...
first they attack the French in Europe,
then they shift to the Americas,
and attack the Spanish...

  you know one good that came
from h'America?
bourbon...
     not a ******* hamburger...
bourbon...
that's it...
              bourbon...
that's what the h'Americans perfected...
bourbon...
             what the Picts had
with smokey whiskey...
the h'Americans made with sweet
whiskers of... a stray tubby...

as ever... always...
the Cheshire sheen grin...
  a smile that looks like the teeth are being
sharpened...

it's good to know
that h'Americans were good for something
outside the trash-pile of McDobnald's
or the ******* of Disney...

bourbon... you did one thing right...
well done...

              bourbon? you *******
nailed it!
              applause! applause!

****!

mandolins seem to screech out a tune like the cries of those who loved you;
if not for us, for you, please thrive in a meadow verdant with joy.
the rickety stairs of my old home, approximately thirteen steps, creak,
reminding me of how your back must of wept and your soul must have cried from the weight heavy on your shoulders.

Kenzie, oh Kenzie,

why?

soar like a phoenix, reborn, where you are now free;
inhale the air much like the questionable smoke you breathed in here,
and appreciate where you are, high with the sensation of relief and not chagrin.

Kenzie, oh Kenzie,

i miss you already.

you lifted me so that i could touch the sky, remember?
on the ninth month nigh the end of the first day,
you let me discover myself.
were your shoulders heavy with the weight of loathing,
or sadness, then? i wonder.

Kenzie, oh Kenzie.

at the time where the clock strikes,
the hourglass runs out of sand,
at the time where my time in this realm is over,
come to me in the afterlife with a tad of Mary Jane?
i would bring the light, of course.

let us absorb artificial calm together,
engulfed in a beautiful oblivion,
like you promised we would.

Kenzie, oh Kenzie,

cry away the tears that have drowned you.

you are free now, dear girl,
let me light you a crimson candle to help guide you to safety.
you will be missed, treasured forevermore,
but i always did think that your beauty surpassed that of the living.

Kenzie, oh Kenzie,

goodbye.

good to know,
                               good to know...
   (insert
a malicious snigger
while you're
at it) -
bypassing the natives
and rummaging
in their tongue
for puritanical reasons,
  never meddling in
their localised
accent derivatives;
just because i live
in the south of
england,
  doesn't mean i believe
in fairies and
numb-*** northern
monkeys of newcastle...
and they say that
the picts have
an undecipherable lingo...
go to liverpool i tell ye;
coming back from
glasgow after seeing
a tool concert,
            after kissing
a german girl in the crowd
because i sheltered her
from the squeeze of the mob,
we shared water,
yada yada...
            on zee boos...
     how prettily i
blended in when two poles
agitated a scot,
and i began talking
    to the scot
about mandolins,
        and fav pop soongs...
madonna's material girl...
    sure sure, sprinkle some
  king crimson while you're
at it...
          ******* pict didn't even
know i shared the same ethnic
background from the two *******
he insulted, over, what probably
was...
                 a tirade...
in the lesser sense of the word
governing length...
                  tie raid? ha ha...
     bypassing the natives suddenly
becomes a joy...
                as ever those
bulgarian quasi-greek ******,
    pretending to be romanian seafood...
just one word, and they'd be stunned
when pretending...
                  harasho, or?
        dobrze...
                                A o.k.
       oh yeah, worked a nightclub
just in order to buy a mandolin,
played the romeo to a fiona
outside her window,
      just in order to play
rod steward's maggie may...
a few years later,
         just gave it away, for free,
at a guitar shop.

Here is the girl
with the fish
hook in her

heart , heart skipping
every leap year.
Skin slippery like a fish

Shimmering as if caught
in a net of stars. Her body’s
dull thump against the side

of the ship sending Thank You
cards to everyone she’s loved.
The fishermen come in from the sea

bellies full of insomnias,
while their women wait
on docks playing lush lullabies

on mandolins they carry
in their chests. Tonight their men
will dream of drowning as they rock

them to sleep, Their women’s
backs gently thumping
against the headboards