[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

with certain jesting apprehension
i entertain her moist ***** darting elocutions
she's splaying candidly 'pon ever
witless grunting foul vocular aberration
outside the roaring box of wet tinder
's a window slapping manacle
of steely girth. the sky's tongue
folds straightening air into the fat
oblong of the sea particularly
as probably i'm listening listlessly
to grand nothings plopping gently
from loose teeth grinding small
headed sally i'd could hardly say i                               care

perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -

THE PROLOGUE.

THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.                              lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
Well ought a man avised for to be        a man should take good heed
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware,                      was called
Heard I a miller better *set a-work;                           handled
He had a jape of malice in the derk.                             trick
But God forbid that we should stinte here,                        stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."

Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game;     angry with my jesting
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play, as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here,                  part company
Though that my tale be of an hostelere.                      innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis thou shalt be quit."               assuredly
And therewithal he laugh'd and made cheer,
And told his tale, as ye shall after hear.

Notes to the Prologue to the Cook's Tale

1. Jack of Dover:  an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)

2. Sooth play quad play: true jest is no jest.

3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.

4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.


THE TALE.

A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard he was, as goldfinch in the shaw*,            lively *grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.                       daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie of his sort,              company of fellows
To hop and sing, and make such disport:
And there they *sette steven for to meet             made appointment
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto he was free    he spent money liberally
Of his dispence, in place of privity.       where he would not be seen
That found his master well in his chaffare,                merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie,                       *suffer for
All have he no part of the minstrelsy.                        although
For theft and riot they be convertible,
All can they play on *gitern or ribible.             guitar or rebeck
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see.                at variance

This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed both early and late,                       rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace,                        pass, go
Than he shend all the servants in the place.                   corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve:                      desire
Now let him riot all the night, or leave.                      refrain
And, for there is no thief without a louke,
That helpeth him to wasten and to souk                           spend
Of that he bribe can, or borrow may,                             steal
Anon he sent his bed and his array
Unto a compere of his owen sort,                               comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance            for appearances
A shop, and swived* for her sustenance.             *prostituted herself
       .       .       .       .       .       .       .

Notes to the Cook's Tale

1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.

2. His paper: his certificate of completion of his apprenticeship.

3. Louke:  The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".

4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."

There once was a man who said you could beat the world with your words. That you could conquer an army with the knowledge of a greater narrative and move the legions of many with the action of one verb. I want to believe who ever can recreate the frameworks our race. The foundational narrative of our moral ethic, the guidelines mankind has been leaning on for millenniums. I want to know a alternative story, with made up words and no respect for a-priori intuition or tradition but a legend of unabiding experience that is unlike any tangent or discourse known. I want to reinvent another codex.  

I saw god as the architect I consoled in the grand tree house, with the grand green house sitting in a curious English archway. The telescope room was laid with bricks and from it I could see all that made me content. I felt the time changing before my eyes. Whether I was in compromise or not was entirely up to the seasons of Zeus.

I am now never afraid of myself, I almost died and I remember it all. I have known fear and still revere the quenching of it's animosity. I am only a swerving flake of inner rind. I am all that is exhausted of my honest dive for humanity. I am me finally, a shell no more! Man is the helplessness of lost spatiality in his own timid surrealism. I have never been satisfied with the explanations no matter how exhaustive! Revisited by the techni-color outlook of the turning millennium craze. The alleviation of all hopes when they turned out a dead end inthemselves, a lost avenue of my childhood.

I guess we all wanted that age-old rampant abuse of youth in ways that were neither aesthetically pleasing or unifying towards our own, best. I was tired of the beautiful sprites I grew up with. I was tired of locking myself in closets at nights and rubbing my face into the it's knotted carpet floor. I'm tired of the songs that advocated joyful frolicking into the drapped daylight. The oddities grow old and the used up phrase are clique now. I lost my mind seeing the years of my language frightened by the sound of my own breath. Grow into yourself. I am done with you anyways. I am done seeing them engulf a titanic drift of colorful intentions; flirting around the grand bonfire of the uncreated experience. I am lost with them. I question more than just our own value and I resign my thoughts on themselves for their own wealth and safety. When you want it said so bad but the forces of those unforeseen, creative hives oscillate and never stop it's steps into the night-legend. Then the world ends and was never in out of tension. I electrify my time and run into the a.m. frantic like a monkey, waving around and jesting my arms. I'm tired of the old music, in with the artifacts who architect the reverberation of my heart.

Your myth has lived into the century and I can see your ideas into the lives of all maniacs and the honest young, the deranged youth. We are amidst a heavy tension, i cry again. I want my mother's words three times a day and more on my weak hours. I am content in the alien maze of my music and want only the childhood campers to love me like a king. They gathered around at night, around the campfire. They initiated the song and dance with gaiety rhythm; that was the nights stars collided into bedtime. The same night I was torn by the dreams of an old horrid man who gave me no name and no rest from tear and horror. What evil is an anonymous the Will that censors awareness and knowledge. If it kills

So what then of the tribal pack psyche we all inherit. In days where beauty was up to chance. Our proximity to a woman was determined by breeding patterns and the realm of funds available for travel and food. What now in these days of the internet? When the whole world is at the tops of our finger tips and even more far away is the understanding we gain of our inability to have the cream of the world. We are in a great exaggeration of ourselves, of our will, and of our determined out-come. We have little but the pessimisme of our predecessors to guide our philosophies application. The translation of dream-world is perfectly out of reach for us and always for our posterity. From here on out we are a new age. A new age whose gates are christened by the ungenuine thugs and malevolent brand names of our civilization. We are faking it till the end. I am scared and drilled by horror and filled more with black premonitions. I wish I had eyes to see myself with a more generous charity but I don't and neither do you. What you see is an age of outward anticipation for the soring ribbons of undone realities.

The artist is the one who has seen the broad fleeting wisp of an out-of-world innuendo. It is the ethereal encounter with a cognitive defect that mimic as a supernatural sensation, this is seen by the artist as true humanity and rightfully so as it brings him to tears.

I always forget that we are always on the cusp. That we are simply a few bruised years away from reveling in the stained, sealed golden sunlight of the age that has came. What we do now is entirely crucial to our ability to be in unending sorrow and remorse. We see our people in a clearer way, for what they where struggling with, for what their reverie finally came to look like, ugly or gleefully self created, their vision of the world will always be our continual source of inspiration.

The sunset is beautiful
I only wish you were here
to complete the evening

If you were
what would we do?
Where would we go?
Perhaps we'd just stay here
sitting on the steps
standing over the water
leaning on the buildings by the docks
simply talking
about how life has been
individually, several miles apart

Familiar our exchanges might be,
no small thanks to
our fancy flatscreen devices,
I'd still want to hear each word
while we do whatever we desire
because you'd be here
and we'd be together
at last in person again
laughing, smiling, jesting
holding and stroking each other
poking and patting in this place and that
all while looking out at the sunset
although I wouldn't want
to look away even if I could
from those deep brown eyes
flowing with the tone of your soft skin
and the groomed lines of your elegant hair;
perfect as a pristine painting
whether afar or in the details.

I only wish
that you were here
beside me.

Born screaming small into this world-
Living I am.
Occupational therapy twixt birth and death-
What was I before?
What will I be next?
What am I now?
Cruel answer carried in the jesting mind
of a careless God
I will not bend and grovel
When I die. If He says my sins are myriad
I will ask why He made me so imperfect
And he will say 'My chisels were blunt'
I will say 'Then why did you make so
many of me'.

You’d like if I was a rock,
You want me to act all hard
Not capable of shock,
Stable, strong, and without scars

I’m not that heavy
I’m not even tethered
To the ground beneath my feet
Instead I fly like a feather

Fly like a feather,
Up in the sky
Falling victim to the weather
Yeah all day and night, I fly like a feather
Fly like a feather

We all get caught up
In various places
Wearing various faces
Inside various races
Racing to the day
When we finally come face to face
With what we want until we have it
And we wear it as a bracelet
But once you get the bracelet,
Soon you’ll want the necklace
And soon you’ll have a checklist
And soon you’ll go out reckless
And drop all that you have
Until you get the cracked message
That your enemies are headless
Fallen victim to your leverage.
Can I get a beverage?
I’m way too thirsty
I’m a feather in a whirlwind
And all of this wind is whirling
I don’t know what I want
And I want what I can’t control
And I’m admitting it, for once,
That I have many shallow goals
And all of my real goals
Don’t really reach to my soul
I have this beautiful life I stole
Smiling faces, honor role,
But when I’m faced with a storm
Of someone whose wonder I can’t code
Then my mind short circuits
And it’s stuck on flying and rolling

Like a feather
Up in the sky
Falling victim to the weather
Yeah all day and all night, I fly like a feather
Like a feather

What everybody wants from me,
Would that make my life so much better?
Should I try to soak up some water
To make myself a bit wetter
So I can shiver and die
In this cold harsh reality
Instead of daring to keep flying
To keep everyone else without me?
I’m doubting my reasons
My instinctive seasons
That command, keep marching
That command keep bleeding
Out your heart, mind, and soul
Even though it’s so shallow
But sometimes shallow runs deep
When your mind stuck in the shadow
Of your dreams, dreams manipulated by hormones
I’m stuck in fantasies of wanting to not be alone
But there’s attraction involved
And my problem is not solved
Should I go for what I want
Or leave this issue unresolved?
Well, I tried pursuing girls, twice I succeeded
But to sum it up mildly,
My progress was deleted
And my good intentions,
Well, those were defeated
And I got what I deserved
Because I’m chuck full of weakness.
Dreamless, I moved back to isolation
Where I was told how to act
And told to just be patient
But I’m not a monk
And I’m not yet muted
So when I meet a cute girl
My final thesis is proven,

I just fly like a feather
Up in the sky
Falling victim to the weather
Yeah, all day and all night I fly like a feather
I fly like a light feather

What’s better,
Acting normal until you and me are together
Or expressing myself explicitly and making you not get hurt
By showing you how I’m thirsty
Sending texts and writing letters?
Let me know what you prefer
Don’t make this choice subjective.
I’m in your storm, I’m moved by your beauty
It’s the rain and the wind,
The appearance and intelligence
I want this and I turn you away
I can’t escape, I love every day
In my mind there’s nothing,
But there’s so much to say
I don’t think when you fly me,
You just whisk me away
And I’m never worried here
In this storm, this blessing,
Why are my words smart?
Why are my words jesting?
Is this manipulation,
Am I treating you right?
Can I ask more questions
Is this the day before the night?
Is this the light to the dark,
The storm before the calmness
Of the upcoming loneliness
I’ll feel when you don’t return my call?
When your storm stops and never comes again at all?
Well, like, I said, I might want to be a stone,
So once your storm’s done, fine,
I’ll be a feather alone
Until again I’m a feather blown
So light, so free,
So without any control
This is all I’ll ever be!

I fly like a feather
Up in the sky
Falling victim to the weather
All day and all night I fly like a feather
Fly like a feather

I wish we could be together
Up in the sky
Having love, making weather
All day and all night, whether wrong or whether right,
I fly like a feather

to a friend

No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.

    No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.

    On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.

    Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her--strange! that honey
Can't be got without hard money!

    So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
  And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.

Think no more, lad; laugh, be jolly:
Why should men make haste to die?
Empty heads and tongues a-talking
Make the rough road easy walking,
And the feather pate of folly
Bears the falling sky.

Oh, 'tis jesting, dancing, drinking
Spins the heavy world around.
If young hearts were not so clever,
Oh, they would be young for ever:
Think no more; 'tis only thinking
Lays lads underground.

Sleeping with scissors
The comfort of their contour
Bring me sweet dreams
Of vivid, cutting edge scenes

Sleeping with keys
Keep the scissors at bay
Lock them together, lock them away
Keys, the insurance of my steel
Keep me safe, straight to the first meal

Sleeping with pins
Sharp, straight to the point
They lever lead me astray
Wit of a jester in a courtyard
Jesting
And jesting away

Sleeping with inanimate objects
Cold and dull
Keep me safe
They fill the null
Inanimate objects
Keep my bed full

To kiss someone's lips
Or grab them by the hips
One must enlist
In the power dynamic
Inside every relationship
There are surprises
Of different disguises
I must ignore the lies of
Reachers and settlers
Stalkers and meddlers
Those who are aloof
And those who are goofs
The process never foolproof
When animals hide their hooves

I took that dubious bet
I thought it'd be fun
A game of Russian roulette
With a fully loaded gun
There were unfair rules set
That's how you won
A one hundred percent threat
I'd be hurt a ton

It started effecting my health
When I couldn't be myself
Because my self emulation
Amounted to self immolation
So I sought your consultation
For the vacation
Of placation
But you took advantage
At least from my vantage
I could see your rampage
Straight from the Stone Age
Like a time traveling mage
That summoned a cage

There was a pattern
We kept going around
Like the rings of Saturn
Until I hit the ground
You made me foolishly wait to test me
And then hated when things got messy
Now you claim that you're a blessing
For what you do after *******
You must be jesting
Confidence cresting
Never confessing
Or addressing
The emotional underbelly
You just like to undersell me
Saying that I'm underwhelming
I'm talking to a tundra telling me
That it makes me a better me

Apologizing not part of your plan
You tell me you don't understand
You must think I'm stupid
To treat me so putrid
My patience you've used it
So the dead weight loosened
Once I let go of your noose hand

You come back begging
You incorrectly pegged me
As forgiving not petty
I guess you never met me
Or at least said goodbye to the best me
After never acting on the behest of me
And making me think less of me
You've become a pest to me
Not part of my destiny
Just part of the generic sea
Of those I let be

1 Be ye therefore followers of God, as dear children;
2 And walk in love, as Christ also hath loved us and hath given Himself for us an offering and a sacrifice to God for a sweet smelling savour.
3 But fornication and all uncleanness, or covetousness, let it not be once named among you, as becometh saints.
4 Neither filthiness nor foolish talking nor jesting, which are not convenient, but rather giving of thanks.
5 For this ye know, that no whoremonger, nor unclean person, nor covetous man, who is an idolater, hath any inheritance in the kingdom of Christ and of God.
6 Let no man deceive you with vain words; for because of these things cometh the wrath of God upon the children of disobedience.
7 Be not ye therefore partakers with them.
8 For ye were sometimes darkness, but now are ye light in the Lord; walk as children of light;
9 For the fruit of the Spirit is in all goodness and righteousness and truth;
10 Proving what is acceptable unto the Lord,
11 And have no fellowship with the unfruitful works of darkness, but rather reprove them.

The Jester put on his cap and bells
For the final time, we’re told,
The Queen was set to replace him for
She said he was far too old,
‘He doesn’t amuse me like he did
Before, when we all were young,
Should I dispense with his services,
Or command the Jester hung?’

Her courtiers were gathered around,
They wanted to please the Queen,
Lord Chalmers said, ‘Suspend by his feet!’
Then Darnley: ‘No! By his spleen!’
‘Tar and Feather him,’ said Bottolph,
‘And run him around the town,
Then tether him to a stake, and light
Him up, in the palace grounds.’

The Queen thought that was hilarious,
And clapped and cried in her mirth,
‘By Jove, we’ll have us some jesting yet,
We’ll bring him on down to earth!’
‘He’s sure to appreciate the jest
For he won’t deny your fun,’
The Chancellor of the Exchequer said,
‘We’ll gather in everyone.’

While the Jester sat in his lonely room
In a dark and evil tower,
He knew that he would be summoned soon
But he didn’t know the hour.
He wondered if she might knight him then
For his services to the crown,
Or grant him a fabulous pension for
The years that he’d played the clown?

For Jesters, they are but mortal men
Aside from their clownish role,
Down under bells and motley lives
A far from perfect soul,
The jesting covers a beating heart
That is rarely ever seen,
And his was filled with a lifetime love
For Her Majesty, the Queen.

He’d loved her since, as a little girl
She’d laughed and played in the grounds,
While he’d leapt out of the bushes there
To her squeals, and laughs and frowns,
He’d always jingled his bells for her,
And carried her in to tea,
When she was sleepy and all laughed out
After playing so happily.

He knew that he’d made more enemies
Than friends, as the years went by,
For jealousy breeds in a court with needs
And the courtiers were sly,
They took it in turns to trip him up
And to hurt, as part of the jest,
But he took new heart at the cruel laughs
By the ones who were not impressed.

He finally stood in front of the Queen
And bowed right down to the floor,
He looked for a smile on her much loved face
But a scowl was all he saw.
‘You’ve come to the end of your usefulness,
A Fool on a bended knee,
Take him outside and string him up,
Upside down from a tree!’

He hung for an hour in misery,
And then they had cut him down,
Tarred and feathered his motley’d form
And beat him around the town.
They wanted to stake and light him up
But the Queen said, ‘Let him go.
Give him a crown in a silver cup
For the years he amused me so!’

They cast him out in a farmer’s field
And barred him then from the court,
He wept and wailed in his anguish there
For a day and a night, and thought;
The slings and arrows he’d suffered from
Were now brought up with his bile,
And sweet revenge was his ruling theme,
He planned and schemed for a while.

One night he went to the palace yard
And crept down the cellar stair,
He doctored all the barrels of hock
And the fine French flagons there,
Then some time after the palace hunt
He hid in the servants’ hall,
And waited til they drank and were drunk
At the Queen’s Most Favoured Ball.

Then Bottolph woke in a barrel of tar,
And Chalmers hung by his heels,
While Darnley woke in a quivering fear
In a barrel of snakes and eels,
The Queen awoke in her stately bed
Pinned down by a giant sow,
And wearing the Jester’s bells. He said,
‘Who is the Jester now?’

David Lewis Paget

I'm not sure you understand
Just exactly how I work
I'm not normal
But then, who is?
So let's put formality aside
Have at me, uncertified surgeon!
Let your knives peel back my skin!
Use your blades to cut the organs
So you'll see the stuff within
In my heart is the place where I keep the love
Protected from fiends who like vultures above
Wouldst dare to steal my sacred store
That will deplete forevermore
My liver is a strange one, and yet
You'd know what goes inside, I'd bet
Therein lies all the things I hate
Filtered from life and made to wait
Inside the liver, oh so dense
To keep the hate from the present tense
To keep it all just locked away
So I can try to be okay
Then in my lungs is icy air
That I breathed in, frozen, from your cold stare
I thought you were jesting your eyes must be wrong
But it turns out you meant it like that one Beatles' song
Because I truly did not realize
As I gazed deep into your eyes
Into the soul that just days before
You swore was mine, threw open doors
Your eyes this time would shut me out
What was this alienation about?
But I guess you just snapped and all loving stopped
You were still sane, but your toleration popped
Which is totally fine and I have no problem knowing
That these fractures and breaks had slowly been growing
But I thought if we tended the garden of love
And forgot all the issues I alluded above
That we'd be fine and could just carrry on
And though I still believed that you went and you're gone
So again, I say unto you, uncertified surgeon!
Cut deep into me and pull out my soul
My heart's been ripped out, why not seal the deal
*Tear out my soul with a smile and a flick
And stitch me back up with the thread of past wrongs
That each day I might look down and see
That what was done was done by me

"The eyes are the windows to the soul"
good thing I have pretty blue eyes?
*******. The soul is the window to the soul
peeked into by watching a life.

Where does the self reside?
in a cardboard box body
dimples marketed to be cherished
a full lipped smile, irises to beguile
this image, lottery identity-

Mine?

Am I supposed to feel lucky?
Arbitrary proportions, is my soul a brunette
are its shoes size 9?
Some assembly required- to be human
words writ to describe this shell
this meaningless husk
puppet jesting at life
feverishly polishing itself
until it cracks, breaks
abstract and
lost.

Does the self wear a top hat
and say: "Here's a hundred years to sell out the show"

"Til death do us part,
my perfection and my soul."

I'll lay out the patio so nicely
they'll never even realize
the host is in absencia, has hidden deep inside

I curse myself for the illusion of aesthetic-

Beauty is the greatest lie

Rid me of the irons to
my body
my name
my poise

imprisoned in this wretched skeleton,
the cage of the soul, the self, the someone
in embryo form
dreaming they're awake

but have never even opened their eyes.

Think no more, lad; laugh, be jolly:
Why should men make haste to die?
Empty heads and tongues a-talking
Make the rough road easy walking,
And the feather pate of folly
Bears the falling sky.

Oh, 'tis jesting, dancing, drinking
Spins the heavy world around.
If young hearts were not so clever,
Oh, they would be young for ever:
Think no more; 'tis only thinking
Lays lads underground.

A fool's fool, yes indeed I am!
A fool's fool, much bitter-sweeter than pickled, honey ham!
So call upon me, by my name thrice,
So call upon me, just be quieter than mice!
Let me announce, your vainglorious announcement,
Let me announce, of your one true commitment!
I'll entertain the guests
and you can play hostess!
A princess in the castle, Queen and her kingdom,
and the fool of a fool, known for his star-dumb.
Yes you wait for your shining armor,
yet tested mettle, so brand spanking new,
And there you stand waiting, for your feet to be swept from under you!
So let me pull, the rug from there,
soon you'll see your feet in the air!
Allow me, my sweet hostess,
allow me, to show you a mirror, and show you the mess.
Ah yes, you've been busy else where, your mind was forgetful,
you've failed to account to keep your guests' bellies all full.
Now here they come, they come charging at the door,
but wait oh wait! What's this? What **?
You small little jester, has yet one more show!
A trick up his sleeve perhaps? An ace in the hole?
No my dear lady, I'm afraid you've just lost sight of the goal.
But never fear! Away from here!
We'll try again,
and try again.
To raise ourselves back to the top,
and try not to turn out,
to turn out such a flop?
A jester as always jesting as always,
just a jester, nothing more, and a smile because, I get to see you at all my plays.

So a fool's fool indeed I am,
Not so innocent you and I, aren't we lamb?

The time I thought I had left
Skipped in front of me, blue raspberries
and went without a word.

Hobbling out of bed
Half dead
I'm led
To the bathroom
The shower a vacuum
Of my powerlessness
But first i ****
Then get in
**** out the contaminants
Of my ***** habits
And i scrub
I scrub off
The plastic love
The mean mug
And tug on my ****
Plant a vision til it pops
And drop
To the shower floor
Tilt my head back
And gurgle to the gods
For more
Scrub the grill
Lay a towel on the floor
Suit up for a war
Two sprays of cologne
And im out the door
Headphones on
Angels atoning
To the morning
As im floating
Through the fog
Descending in my grog
Along the path
Like a lab rat
For a slab of cheese
Through the swamps
And trees
Trampling
Dead things
And leafs
And im seen
By nobody
As i ascend a hill
To the corporate power
Where ill cower
For nine hours
Before reporting home
Going to bed
And waking up
To do it all again
Its blue collar zen
And im bored
So fraking bored
With my chores
Id rather scribble sounds
Into forms
Verbal storms
Visual cores
Implored
To explore
The tortured
Terms in torrents
Of turbulent
Talks with dead gods
And im born
Into the horns
Ive sworn
To protect
In widows peaks
And deepened
Speeches
I'm infected
With my perfection
Torn
In the muffled traces
Of noiselessness
Among the space-less
Distances
To my sentences
Taking out the crackles
And recording
Over the blemishes
Relishing
The fragile moments
Of eloquence
In **** jokes
And threatening
Gestures
Jesting
The restructuring
Of molesting
Verbiage beat
Over the mic
Delusions enticed
In my writes
Of fights
In long sleepless nights
Of rhyming
With bad timing
And mumbling
Of slimy things
Bubbling in the cuts
Dubsteped to **** fits
Sunkissed in lacking curtains
Disturbing the certainty
Of sleep
And cheapening
My dreams
Rolling over
Planting my feet
Upon wood floors
Hobbling toward
Tomorrow
Sorrowfully
Repeating
The same thing
Washing away the sleep
And fleeing
My creativity
For the rest of the week


(in progress)

and while adam inherited the sunrise of eden, the devil inherited eden's sunset;
so that writing about something is less satisfactory
than what was never really envisioned, but otherwise handed
with the befriended samael away from library or cocktail party,
**** writing i suspect, but the feeling is too immense for words
to capture the images that were sequenced in that frailty, because they were fleeting moments; thus the night's former admiration for the eyes to behold, the lowered horizon of the moon in such bulging yellow as might encompass the frozen one of winter's heights.

how can language be made believable in the sense of
creating images out of words?
here is an example,
and man did his "buddhist" bit under a tree in the
night, on the field he fancied himself a stranger
but a place he forgot to frequent.
upon return to civilisation from equating
******* of sexuality as that of the ******* cut
before being able to be experienced
laughing about it,
he walked down the hill,
a herd of deer made it onto the darkened streets and pavement,
the stag died, the harem was in disarray,
but the youngest one did not follow the herd
and turned into the street the man was walking on,
in lightning momentary genetics of similitude via atoms
the man looked at the young deer mare
and told her: run! with eyesight.
then came the sight of the harem herd at the crossroads,
and thus this same man started galloping, wild at heart,
herding the deer mares back into the forest.
be warned, i had witnesses who would vouchsafe that
they saw and that i too had eyes.
this is the equivalent of heideggerian expression of this one
remaining truth: man, he who herds animals,
he who domesticates animals also.
i never write from fantasy, i experience my sickness
as a woman weeping in my mentioned care for mentality;
it's simply... the misery of not being with me, being near;
thus i reside writing from experience,
nothing more, nothing that could make me give into
the modern twist of fashion and fame:
only fictional characters elevate any mention of realistic fame,
all the real people are journalistic target practice;
fifteen minutes are up! time to create fictionalised celebrities,
and that time is upon us.
thus the problem with fiction, given this poem.
i imagine the women after muhammad's death, just
to make it easier for you to imagine a man with this harem (otherwise herd)
of deer mares; i frequented populated places too often
in winter, now spring's passing deflowering comes sepia-like,
thus i can unbutton my need to cherish human interaction,
and return home, forest bound.
thus we say, unto clarice lispector, wild at heart,
thus we say, written out of parring against images that haunt
the schizoids' arable need to see in colour and phantom; i cannot;
take it or leave it.
if this is my best itemisation of events
then i didn't run the deer off the street to allow the traffic to
pass, but because i wrote it like picasso drawing 90º metered
into hammer blows in architecture class
doesn't mean it didn't happen, it only means i wrote
it like the remnants of a child in an ageing man - which suits
the quote by him, be an artist by remaining true to childhood,
ensure there's no precision no schooling
in the work you try to vogue, because it won't vogue
after all, given you're still encrusted in imaginary befriending
and dreaming, just remain true to childhood
and your art will not become overladen with itemisation
of *** being the last remaining frontier away from
the antarctic, the alps and buddhism;
indeed all children are born artists, but only a few
make it art in adulthood, most make it to jealousy
and marketing or sleepwalking into selling furniture
with hope to buy it back into self-employment,
that's why art is borne from those who cherish childhood
and think less and remember more.

so ardent me within her deer-like to her prance jesting happy
jump-over invisible fence-like structures content
with the *** so full of life, and her, the *** of so much potential for death
ably being guarded to return, out of man's sight;
i didn't even bother to count them to a number;
i hate it, beauty cannot given the righteous expression,
letters are nothing but skeletal compared to the muscle of images.

Work Ethic

Work requires professionalism,
at all times in all set of conditions.
let an earned knowledge and skills,
an asset to be utilized as maximal.
no regrets even if reward is scare,
go ahead do it for the love of work.

People around need not to be told,
everyone knows who perform well.
real professional does not brag,
seldom claims for recognition.
open-minded to a paradigm shift,
never pessimistic but often optimistic
at anything of value and substance.
let others rationalize to find reasons,
act on the issues with sound mind
no jesting around just do things right.

My family is pretty tragic, and I don't fare well in any still
Just chasing a piece of magic for that taste of thrill
The amount of times I've done wrong, plays lyrics in
my head like a boring song

We grew impressed by curves saved in secret
vaults of our phone—it's a wonder how I can talk to girls
But it doesn't mean I was good at it before
A war inside of my eyes, I've been through a couple tours
With no resort to recreation, I'll resort to being bored
Life can feel a bourd, jesting kisses getting me hard like a board

Packing the load of weighing burdens
in the haul of dreams searching for a purpose
Penniless thoughts we grew up snatching from life's purses
And the only fear a teen had, was dying a ******

You could blame us being thirsty
always wanting to drown ourselves in success
Dancing swiftness in the crowd, but secretly depressed
I tell you my life before was such a mess
But you could never tease me enough to have that be the only
thing I confess

Thankfully the brokenness of my heart could be conditioned
to bring forth a new piece of a work of art
After every scar, the C of every cut becomes the T of time
for all my scars to become stars

My life is now the scars into stars!

****...
        had an appointment,
a triage appointment from 8 a.m. onward,
that went high flying  with Icarus and Lucifer -
dazed and confused woke up at approx. 9 a.m.,
the life of a kingmaker; but never the king -
                                     energy! energy! energy!
downed a whiskey and eased... dialled the number
to the local surgery,
Dr. So-and-So was told he had a nice
voice... started doing the auto-cue...
nice muzak - classical, Bach
symphony no. don't know -
6th in line...
                      first dial the conversation
sounded like:
hello?
              can you hear me?
are you there?
             hello?
                                i could hear the
business of clerks and office
banter in the background, got hung up.
dialled again...
                   n'eh n'oh n'eh n'oh (more like
knee-no, knee-no, knee-no and
bright blue fluorescent blinking lights)
            waited with more Bach muzak...
  the same woman answered as she did
yesterday...
                       yeah, he called,
sorry, i'm an insomniac, fell asleep at
the last hurdle, missed the call,
can i book another appointment?
                 past the slight slur and
disorientation (**** me, mornings are
rough, not as rough as i remember them,
but rough enough these days):
and ever you hear the glorification of
work and never mention the Chinese thieves:
beckoning the dynamic toward Auschwitz.
   so i was playing Adele for a while...
- hello?
- hello?
                      - yes, hello...
- hello?
                    - me Tarzan, me book appointment...
- hello?
                          **** on me,
never do whiskey in the morning,
have some barley and milk...
               yes, me, book, appointment,
England pays me £120 a week for poems
but doesn't know it...
     i pretend to be sick but i'm competing
with Stephen Hawking for the disability...
turns out my brain isn't made of concrete
but of a variety of sponges that soaked up
salmon sweat...
                            so i get booked...
apparently nurse Lizzy (Elizabeth?
yes, Liz, she want's to check my blood pressure
and my cholesterol levels...
                                                   )
dandy, and Andy too (cockney hack for
lazed handy and the oops joke) -
                     **** on me, it's mandible,
jaw or play-dough,
            softer... softer... softly...
smooth operator... smooth operator...
             and she says bye like 20 times before
i hang up...
                             it all seems like lovers
talking by the end of it...
                               so after 2 p.m.?
   thank you...
                                the way women say
bye bye bye...
                                into that famous hush...
            i end up petting the cat
and watching the godforsaken drizzle of
                             jesting rain that feels like
a complete remark of wetting a square metre...
                  then it's onto an article
about Paxman's dad...
                                       i wasn't perfect, once
upon a Grimm's tale...
                                       i used to binge
once a week, never smoked,
                                      studied...
            all that hushed bye bye bye
over the phone and a Yob's redemption aren't
on the horizon... don't sacrifice yourself for
things inherent if you can't redeem...
                                  i'm just like the rest of them:
       broken,
                       broken,
                                        and left to scramble
testicles for the bitterest of jokes:
                             i don't pity the kids with
cancer...
                  they're too brave to be pitied,
they have no competence of life,
                                        and they're the lucky ones.
i pity the nervous wrecks that surround them,
staging excess ethical conduct of Hippocrates
            happy little ******* engaged with
so much affection... never human cruelty and
the human definition of thought-in-transit: boredom...
        happy little *******...
                                         angelic choir ensemble -
    and with a snap of the fingers: without a moan
or a groan... gone...
                                        gone gone gone...
a **** evaporating into roses and flamboyant
chequers of shameful cheeks
                              in Bermuda:
                         pirouettes in high-heels.
still...
          2 p.m. and another appointment...
fun playing that Adele game over the phone with
               a sexed up voice of longing.

Do not find love
For it finds you
And find you it did
Like the first beams of dawn
Kissing the dew
On the slumbering meadow

And what was once
A verdant vale of calm
Is now a riotous explosion
Of cerulean and crimson
Caressed by the velveteen kisses
Of the eastern breeze

The languid shore
Now a maelstrom
Of spraying foam
A gale of berserk fury
Poseidon thundering
Confronting
The forbidding cliffs
Of time

O maiden
Sighing into
The lonely watches of the night
For whom are those tears shed?

Tarry not
For Helios comes
To take you in his embrace
And within the tongues of immolation
Is purifying salvation
That even
The Twelve Labors of Heracles
Are impotent to redeem

And you are no frail Icarus
Jesting and boastful
Impertinent in his youthful optimism
Who eludes and placates
The assault of the elements

Now take the plunge
O Athena
Laughing into the depths
Of the mercurial Aegean
For she who dares the fates and furies
Commands Olympus.

but i'm a true reflection of a ****** up world, it's hard to push the button repeatedly using only one example... after a while it just becomes a case of eccentricity... but what's scaring you, is that this eccentricity doesn't really speak - no flamboyance to rest and feel comfortable on, like a sofa... well, indeed, an iron maiden, to my gusto.

as one neurologist said to me,
'if someone says you're
mentally ill, then *they are mentally ill.'
or as i say, sometimes you
wouldn't believe what's happening
in england, all that boasting
and jesting concerning the
magna carta: oldest democracy,
free world... a load of decapitated
cockroaches with leeches *******
on the wound - psychiatric
darwinism, you name it, a *******
**** hole of failed multiculturalism,
a bunch of former colonial subjects
assimilated and integrated,
tongues forgotten, mothers of
linguistic d.n.a. strapped to the caterpillars
of tanks, ground into bony shrapnel;
oh yeah, and asian jokes about cabbages -
tell that to the turk making his kebab,
while i tell him... how about adding
sauerkraut instead? because, i mean,
you're using pickled chillies already.

The babbling brook...ripples and trickles...over land, under bridges.
Pathway diverted as she moves, cruising curiously,
I play!
Escapism, no pessimism...
Jesting with the sunlight, she sprinkles life as she brings life's lustre!
Need to splash in her,
Dash in her,
Water warm between my toes...!
Pebbles under feet..,
Water, oh so cool,
Water, oh so sweet!
Jeez, this water soothes me...!
I drink before bathing,
Precious chaste feet,
Every past memory is sent through the flow, helping chase darkness away...,
Troubles flow onward toward the sea....!
At the estuary she arrives...finds her place wallowing amid memories  of many folks emotions passed......,
Washing out into ocean.....,
Slowly, as mere  trickle she came,
All bad dreams gone,
Memories of sorrow refreshed as the ebbing tide returns,
Bringing only pleasant wishes and candy kisses to the shore!
All cleansed!
Small one comes with bucket and *****, scoops a shovel true,
To bring kismet laced with candy kisses to bring right back home to you!
Diffused in airless void however, nightmares,  bad memories all
destroyed!
As ocean swirls, builds up a wild tsunami....she shreds remnants of
tears and night blinded fears!
No more tears,
Tears replaced with purity...virginal waters renewed once more!
Copywright Olivia Kent 13/04/2013.

Appearance of the New Courier
(with namesake "Georgia Ives")
flew into the courtroom
faster than Bold face WingDings!

After the judge opened
the waxed sealed envelope stamped
with the official legal imprimatur
sound of silence filled the courtroom.

After perusing highlighted principle details,
a noticeable con jug gay shun
didst Impact countenance of attired judge.

Recess announced at authority decree
(spelled out with quotation marks high
lighting dotted i's and crossed t's)
figuratively a nouns sing moratorium
for those accused of run on sentences,
split infinitives, then versus than...
incorrect usage of ellipses, et cetera.

The justice of supreme court
critically espied quotation marks
(underscoring reductio ad absurdum
Times New Roman regulation)
against stiff penalty asper those
who commit rhetorical perturbations!    

This lenient fiat occurred immediate
by innocent omission of a colon,
which subsequently, naturally,
and immediately affected
every future jury presiding over
a defendant applying incorrect punctuation!

A favorite comma cull anecdote
often repeated by my late english
grammar (a palliative to me psyche
despite the multi-generational
difference in age) happened
when she celebrated twenty  
and counting punctual marks, whence time
in utero came to an end period.

Many question marks still abound
as per the specific circumstances
of this generally uneventful birth,
only that she seemed to dash
from the womb (of her mother –

mine great grandmother christened
Latina Greco) with a pointed
exclamation declaration
of independence while ****** constitution
adorned with supposedly shimmering
invisible golden braces
and a full set of teeth.

Somewhat averse to authoritarianism
and mores of assuming the sir name
of the groom, she maintained nom
de plume affixed on her birth certificate.

If born that way today, and ready
to pledge marital vow, would
probably follow the common custom
and hyphenate name of beau similar
to newlyweds of this day and at this very moment.

Back in those days though,
town’s folk exclaimed with
pointed superstition that a baby born
after being bracketed nine months

within the womb (which seemed
like an eternal sentence), and equipped
with the means to chew would
most likely experience little colon difficulty.

As a dignified divine dowager,
she willingly shared her cradle
to graveside tidbits (populated
with many wisecracks and
marked quotations from a life
that spanned more than a century21.

Smart as a whip or pin
(the latter term somewhat out of vogue),
this independent woman
(who married into nobility

from humble roots) frequently evinced
el shaped lips when the un
suspecting recipient ensnared
of her harmless ingenious pranks.

Aside from what many considered
childlike antics (which characteristic
salient trait appealed to this grandson),
she excelled at verbal adroitness

and could spin a jesting lightly
mocking pun, which seemed
to quiver with an invisible
apostrophe shaped blackened barb.

Though privileged per parochial parents,
her inherited empire and peers, the people
of the proletariat class felt
figuratively parenthetically
included as persons of concern
to this genteel dame.

She exemplified and wore that moniker
noblesse oblige with utmost
august excellence, and whenever
the need or wont arose to address
the madding crowd (this
crowned empress) resorted
to non-verbal communication ala semaphore.

Her lily-white hands (most often
remained sheathed in Palmolive
clad ding silken gloves - exuded
a faint patrician touch) partitioned

the air with arabesques accentuated
with sign language for those
among the teeming masses
unable to hear or in fact deaf.

Regular adherence to being grammatically
(yet not necessarily politically) correct
witnessed the air being sliced with even
less familiar punctuation symbols
such as the emdash, en-dash.

Even doctorates of English and
strict task masters (whose
frowning scowls strongly resembled
semicolons when even minor indiscretions,
infractions, transgressions, et cetera
with english language observed)

never found fault with this
former bohemian, whose rhapsodic,
melodic, linguistic voice ameliorated
dark memories from dereliction dis
played by former queen.

She also received the treatment of
a champion lyricist, whereby every lyre
(got set on fire) from utterance akin
to a choir of hells angels, yet this

chanteuse voice rang thru the
azure vault causing the small hairs
of the spine to experience a pleasant
electric shock therapy.