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JAM Feb 2016
RECORD: ****** JANET
FROGMAN: BARRY BOSTWICK & SUSAN SARANDON

Brad Threes (spoken): Hey Janet.

Janet Ones: Yes Brad.

Brad: I've got something to lay.

Janet: Uh huh.

Brad: I really loved the skillful way
         You beat the other ones
         To the braIde's bouquet.

Janet: Oh Brad.

(Stringing begins)

Brad: The stream was deep but I grabbed it.
           There's a face on me'head and you'd slammit

Family (Riff Raff & Magenta): Janet.

Brad: The future is OURS so let's can it.

Framily: (Riff Raff & Magenta): Janet.

Brad: So please don't tell me to planeit.

Framily (Riff Raff & Magenta): Janet.

Brad: I've one thing to say and that's
          ******, Janet.
          I love you.
          now,

i know three ways that love cancanflaux
That's good, bad, or gran-plan mediocre

Brad: Here's a thing to groove to that, I'm a joke'n.
          
Janet: Oh!......It's noicier than Letty Mungtoe had

Magenta: (Peering up from behind pile o'pew) Oh Brad.

Janet: Now we're engoraged and I'm so glad.

Magenta & Columbia: Oh Brad. (Both peer up and disappear)

Janet: That you met Mom
           And you know Dad.

Whole Framily: Oh Brad. (peering up together)

Brad Majors There's one thing left to do, ah-whoo
                       And that's go see the man who began it
                       When we met in his poe-science exam-it
                       Made me give you the eye and then panic
  
Now I've one thing to say, and that's
******, I'd love you

Janet (Taking his alcharm): Geez. I've one thing to say and that's,
                                             Brad I'm mad,
                                             with you too.

STOP: TURN THOUGHT
The Letter-Ing: ******
sixth or last
in a series of poems made of quotes
one part to a whole
its sum has yet to be totaled
may be more than its parts
subject to change
why not
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
Helen Nov 2013
Seems to me like the Grim Reaper would have some sense of humour... Just look at his job description....

   He was staring at the fire with a horrified expression on his face.

   I quickly hid the stick with the marshmallow squished to the end of it behind my back. I frowned slightly at the look on his face and shook my head, thinking 'Nah, he’s not ready for that kind of humor' and I just stood slightly behind him and let the firelight dance in the night.

It certainly was a time for reflection…

  I go to touch him softly and he slowly turns his head away from the fire and as his eyes settle on my hand hovering above his shoulder and he shudders and jerks away. I’m offended at first until I realize I forgot my gloves that day.
Opps, scary, bony hand. Right! A real turn off and I duck my head to make sure the cowl is covering my face.
No more mistakes!

   “Where am I?” he grits though clenched teeth while his head swings between me and the fiery conflagration upon the motor way.

   “Who the hell are you”

“Me?” I ask, exasperated. Like the scary, bony hand didn’t give me away!

   “Am I dead?”

Oh ****, he’s now hyperventilating… not a good sign

“Not yet” I answer slowly… Hmmm, how to explain? “ No, your not dead, but you will be. I took you early because well…” and I wave my hand in the general direction of the car that just exploded, which quite nicely scored a point in favor of my benevolence. “I just swooped in a bit early because, lets face it… do you want to be there?!!”

He throws his hands over his head and ducks at the loud explosion and looks at me like it was my entire fault. Well I wasn’t the one that thought I was okay to drive home after drinking all night but I’m used to being pegged as ‘The Bad Guy’… rolls eyes Sheesh!

   “Where’s Janet?” he asks quietly then with an ear piercing scream (I don’t really have ears but by the howls coming from the forest behind us (because I can hear animals, I'm not completely deaf) I’m assuming his voice ratcheted up a notch or two…)
JANET!!

"Calm down dude. She’s gone already."

   "Gone already? What do you mean gone already? You got me out and left her in the car?!?" He seems really ****** now.

"No! I didn’t! I mean that Gabriel has already been to collect her. Hey you’re a lucky guy. Gabriel doesn’t just shuck his wings to swoop down for nobody. She must be a real nice piece of… well a really nice lady for Gabriel to come collect her."

   "Gabriel?" He's shaking his head slowly like he's trying to dislodge a twig from his hair and his eyes are growing wider by the minute. "Gabriel? As in Archangel Gabriel? So she's going to heaven?"

He seems relieved which in turn makes me breath easier until he focuses again on me with a crazy eyed stare which makes me think he's about to get hysterical again.

   "Then what the hell am I still doing here? Why aren't I with her?"

Oh, tricky question. I hate the tricky questions. I'm so not paid enough for this **** and tricky questions. Why can't they just ever come along quietly?

"Umm" I hedge, with a little twitch right about where my eye muscle should have been. "I believe it has something to do with your secretary?" I deliberately leave it ending in a question.

   "My secretary? What the hell does that... Ohhh..."

Bingo, there you go. I love it when the penny drops quickly.

But I'm saddened because I know for a fact that his secretary was a scheming ***** that came onto him and he sidestepped all her advances at every opportunity but he was caught late night at the office with a big case and she took advantage of the late hour and even though nothing happened he still fantasized occasionally about the almost moment.

I pointed this out to Gabriel when he came to collect Janet and also advised that Janet was less innocent than she looked and he just sneered to me in that pompous angel way...
"Yeah? So what. We're really bored up there and this one is pious enough to escape notice but just enough down and ***** we can have some fun.
Back off Death!

You've already touched this one.


You just make sure you clean up the mess left over and make sure her man doesn't come sniffing 'round our domain or we'll make sure Lucifer hears about your little mistake with the last Pope and how you let him escape upstairs when he was meant to take the elevator south... Yeah, you know what I'm talking about...."
and then he was gone. All shining light and white wings and trumpets and fanfare.

Pfffttt... the mans exit is the most exciting thing about him so I guess Janet really is going to get what she deserves...

   "So what about me?" he said to pull me out of my reverie

"What about you?" Oh! What
about* you? Okay, well I can put you back in the car and you can be burned alive until you take your last breath and get just a small taste of where you are heading"

He didn't really seem to like that answer and by the look on his face that is when I decided to toss the stick with the marshmallow squished onto the end of it far into the treeline. I really didn't think I was ever going to be able to pull that one out of the bag. But I was still really ****** at Janet (on his behalf) and I'd ******* this one up to royal proportions so I didn't think my next suggestion would be any less worthy of the moment.

"Or, I could bust you through the windshield on impact before the car sets alight."

He's not sure but he's nodding his head slowly and he's listening.

"Now, you have to remember, you were traveling at speed and not wearing a seat belt of course so you have to know that where you land after skidding a bit.... well, there will be scars..."

   *"Scars, chicks dig scars"
he murmurs thoughtfully

"Yes, they do" I warm up to the thought. "And don't forget, you'll be a Widower too... Chicks dig that too"

   "Yes, a widower, scarred and tragically losing their wife. I like, I like"

He's warming to my idea.

I'm so smart!

Because he wasn't supposed to be the one I was to escort to Hell.
It was supposed to be his ***** of a wife Janet, but who in their right mind fights an Archangel for a soul? Not me, I'm the biggest wimp of all time. I just touch them and they fall! I'm not a fighter. Janet, for all her sins was to be mate to Lucifer tonight. I could have just touched Gabriel but I noticed he didn't get close enough to me to allow it and I didn't push the cause because I knew his payload wasn't anything he should gloat about and I wished him well...

So I really did '****' two birds with one stone this night. Janet got what was coming to her (Gabriel is the biggest sadistic ***** of the bunch) and her husband is a little banged up but the sympathy vote is scoring him some serious chick points.

Me?
I love my job :-)
Mars Arocena Apr 2015
I know my mother well.

I know that when she liked a person, she introduced herself as Jane. I also know that if she did not like a person, they called her Janet. I know when she had had too much to drink and that if her lips were pulled too tight, her smile was fake. 

Most of the time it was.

I also know that I didn’t like my mother very much.

I remember that she had a knack for insulting people behind their backs even if they knew her by Jane and if she were sad, everyone around her was inevitably miserable as well. Needless to say, aside from her party girl alter ego, my mother was a very sad soul.

My mother was not a good mother, either. 
At the age of seven I was always kept at my daycare an hour later due to my mother’s tardiness and I appeared to be the only one embarrassed by this. The employees didn’t seem to mind watching me, but I could detect their discomfort when my mother stumbled in, conjuring up yet another lie to ease some tension that always seemed to be there. And most of the time, she reeked of alcohol. And all of the time, no one ever said anything. And it kind of stayed that way.
That is, however, until our neighbor moved in next door. 

My mother introduced herself as Janet the day this neighbor found herself at our doorway offering sweets of some sort - I could smell them. I never actually tasted them. “No, these aren’t for you.” Being a seven year old I fidgeted as my stomach twisted and my mouth watered, but I managed to sit quietly, sipping a glass of tap water from a cup that shown its fair share of stains. 

This new neighbor had completely swooned at the sight of me. She then went to explain she and her husband’s incapabilities to conceive a child of their own - adding that she’d be happy to watch over me if my mother were ever busy.

To no surprise, this was the only part my mother caught. And strangely enough, I could tell that I’d grow to like this woman.

Afterward, I found myself next door a lot more often than my own home and I would accidentally refer to the neighbor with strawberry blond curls and soft eyes as Mommy. Once I was home I found it increasingly more difficult to talk to my mother, let alone call her Mom.

And one day, my mother had stopped picking me up from school. I didn’t see her for months after that day.

I grew accustomed to the smell of vanilla and the glow of porcelain skin. So 4 months later when I begged to see Janet, I was disappointed.

I wasn’t sure what I expected to see. Maybe this woman who had given birth to me to cry, sobbing because she missed me and wanted me home. I knew it was wishful thinking, and as much as I’d hate to admit it, it was saddening to come home witnessing the crunchy, dull brown waves of my mother and the tightness of her chapped lips and the bags under her eyes dark - her eyes themselves even darker. I’m sure my features showed my feelings well enough because she looked at me, expressionless. 


Then, after moments of nothingness, she stretched her lips into her infamous tight smile, the cracks in her bottom lip widening. “I don’t recall wanting you to be here.”

I don’t think I stopped crying that night.

Long days passed and I watched strange men shuffle in and out of my house at odd hours of the day. When I saw my mother, I was looking down at her in our tiny backyard through a window framed with sunflowers and she was motionless, placid, lips connected to an amber bottle of beer. 
Soon after my crying subsided, I discovered I cried so much I couldn’t cry at all.

The woman I called Mommy thought it would be best if I were to not see Janet at all anymore. I said nothing to this. 
Papers were filed, things were planned. But before my mother could sign a single paper, 
she had committed suicide.

I was eight and my mother had committed suicide.

My mother had killed herself.

My mother had ******* killed herself.

There was no funeral. No one but myself seemed distraught over this and even so, I refused to allow myself to shed a single tear. It didn’t feel right to cry. It didn’t feel right to care when she hadn’t. But I did care. And I hated that I cared because it made her death all the more painful.

I visited my former house before it was cleared out. Her scratchy furniture held no value - or value I cared for, anyway. And aside from scattered beer bottles and her clothing, the house had nothing. So I dug into drawers for the only thing I believed held value - words.

I shred though every kitchen drawer and nightstand and shoe box until I was left with a stack of papers. Some were as important as certificates and others as useless as her scrawled handwriting of untitled phone numbers and receipts for gum. But in my eyes, they were all equally important. 

The last place I found myself in was her room and I’m not sure what I was looking for, but I searched through each inch of it. I found nothing. I moved onto my old bedroom.

At my windowsill was an old composition notebook with creases and frayed edges and liquid stains that reeked of ***** and orange juice. 


After picking it up, I left.

From then on I had always caught myself looking through the stack of haphazard papers and never the notebook. It terrified me. 

No one moved into Janet’s house. The tension of sleeping beside the abandoned memory of my childhood had never shattered, either. It absorbed tragedy and nothing could change that. Everyone sensed it. Even at the age of fifteen I looked out of the sunflower framed windows and expected to see a woman sobbing with a bottle of beer.

Every morning I decided it was time to open up the notebook, the small part that had been haunting me.

Every morning I decided to open it another day.

Three years later, I realized that I had made it. I was normal, I had friends, I had typical high school memories. I was ready to leave for college, I was ready to keep going. So, I’ve decided, I was ready to opened it.

It was a diary, almost. Filled with endless pages of my Janet. 

Misery. 

Misery. 

So much ******* misery.

I couldn’t put the book down. 

But the most miserable part? 

The last line.

“I love you and I’m sorry.” I read this over and over until my eyes burned. 

I didn’t know Janet as well as I thought. 

Her dried blood dotted the darkened pages.

This is the story of when I woke up in tears and shakes to the slam of the house’s front door.

Janet had stumbled her way inside of the kitchen, intoxicated.


I sat there, staring at the distorted insides of the walls that wrapped around my vision - the chipped, brick, misery infused memory of my childhood. 

I immediately bolted up from the couch and sprinted outside of the the front door despite Janet’s shrieking of demands of where I’m running off to. My heart was hammering too hard to be possible.

I fell to my knees.

The lot beside us was empty.
 I was 7 again.

I turned and looked at Janet, my eyes filling with tears of horror and relief.


She scowled at me. “God, what the hell compelled me to have you?”

-Mars S.
dear mind, what is this illusion you insist upon torturing me with?
JAM Feb 2016
RECORD: LIFE'S A BEACH
FROGMAN: DJANGO DJANGO


It's only after you've lost everything, that
YOU'RE FREE
to do anything.
-- Tyler Durden, Tacky Frogman

Suzy's: Indeed, a lesson that might help one to burn off

How dangerous the acquirement of data is
and how much clappier those Brads and Janets might be
whom believe their native thought to be The Word,
than one who aspires to be greater
than their creader will allow.
-- Victor Frankenstein, Suzy

Dr. Everett Scott: Janet!
Janet: Dr. Scott!
Brad: Janet!
Janet: Brad!
Frank: Rocky Bottom!
[Rocky frunts]

Dr. Everett Scott: Janet!
Janet: Dr. Scott!
Brad: Janet!
Janet: Brad!
Frank: Rocky Bottom!
[Rocky frunts]

All-Present!

STOP: TURN THOUGHT
The Letter-Ing: class is in session
twenty-third or last
in a series of poems made of quotes
one part to a whole joke
its sum has yet to be totaled
may be more than its parts
subject to change
kevin morris Jan 2014
This is a fictional account of the abuse suffered by a young boy. Any resemblance to persons either living or dead is purely coincidental.
Chapter 1

Lady Macbeth remarked “Tis the eye of childhood that fears a painted devil”. All children have their terrors. The bogeyman who lurks in dark corners patiently waiting to harm the unwary child. The ghost who haunts the attic where, even on a bright sunny day the child fears to go alone or some unspeakable terror, a horror with no name which lies just below the surface of every day life. In my case the ghoul who cast an all pervasive shadow over my childhood was Colin, a man small in stature but, to a child a monster of epic proportions.
I have, on occasions tried to comprehend why my abuser acted as he did. As a boy I had no desire to understand Colin. I hated him with an all consuming loathing. He was the devil incarnate who, if it had been in my power to do so I would have destroyed with as little compunction as a man would show when exterminating a rat. As an adult the hatred remains although now tempered with a desire to understand why Colin abused a small, defenceless child, physically and mentally over a prolonged period.
Was Colin abused by one (or both) of his parents? And, if so does this help to explain (but in no way excuse) why he took such great delight in inflicting pain on me? I met both of Colin’s parents and stayed with them on several occasions. At no time during those visits was I subjected to any kind of abuse. This does not of course prove that Colin’s mother and father where not abusers. It demonstrates that they did not abuse me, no more, no less. However, looking back at my visits to their home and, in particular the fact that neither of Colin’s parents abused me, I am inclined to believe that he was not ill treated by either of them. So what turned Colin into the monster who took delight in twisting my arm so hard behind my back that I thought it would break? The answer is, I have no idea. What turned apparently normal Germans into mass murderers in ******’s *****? The answer is the same, I don’t know. As with the concentration camp guards who committed mass ****** I can speculate that some where subjected to abuse as children and that this led to them becoming psychopathic killers. However not all of those abused in childhood go on to commit abuse, while many in the SS experienced apparently happy childhoods untroubled by abuse. Colin may have been abused by someone other than his parents but even if this is the case this does not explain or justify why he became an abuser.

Chapter 2

I was born on 7 February 1971 in the north of England. Soon after my birth it became apparent that all was not right with Donald Myers. I cried far more than any normal child ought to. In addition I banged my head against hard surfaces on a frequent basis which, obviously gave rise to concern. My mum, as any good mother would took me to the hospital only to be told that there was nothing amiss. However a mother’s instinct told her that something was terribly wrong with her son. She refused to leave the hospital and demanded a second opinion. This was provided by a Polish doctor who, having examined me diagnosed a blood clot on the brain. My distraught family was informed that I required an urgent operation and even if the blood clot was successfully removed I was likely to be severely mentaly disabled. Fortunately the blood clot was removed and I am not mentally deficient. The clot did, however leave me with very poor vision (I am registered blind and use a guide dog as a mobility aid although I possess useful vision which assists with orientation).

Chapter 3

As a young boy I spent a great deal of time with my grandfather. This was due to my sister, Janet being ill and my mum not being able to look after 2 young children simultaneously.
I have fond memories of playing in what I called “the patch”, a piece of the garden which my grandfather allowed me to do with as I chose. I recall making mud pies and coming into the house caked in mud literally from head to toe.
Being blind I relied on my grandfather to read to me. Most weekends found us in a book shop. Whenever I walk into W H Smiths the scent of books brings back happy memories of time spent with my grandfather, me sitting on his knee as he read to me.
My grandfather was a dear, kind gentle man. Had he known how Colin was abusing me he would, I am sure have gone straight to the nearest police station to report him. However he never knew and, being a small child I never confided in him.
I am amazed when I hear people ask “why didn’t so and so report the abuse?” As a small child I was terrified of Colin. Had I told anyone I was sure that he would deny everything and the abuse would intensify. I was not aware of the existence of the National Society For The Prevention Of Cruelty To Children (NSPCC) and even had I known of their existence I would, as a frightened little boy have lacked the courage to pick up the phone and call. Colin would, no doubt have accused me of lying and in the 1970’s and 1980’s children where rarely believed when making alegations of abuse.

Chapter 4

I used to dread leaving the safety of my grandfather’s home to spend time with Colin and my mother. My heart would sink when Colin or my mum came to collect me from my grandfather’s. On one occasion I deliberately dropped the car keys behind the kitchen worktop in the forlorn hope this would prevent my mum taking me to stay with her and Colin. Oh vain hope, the keys where discovered and I found myself in the lair of the abuser.
Colin took care never to abuse me in the presence of others. He was, however adept at tormenting me when my mum or other people where nearby but couldn’t see what he was doing. One incident is indelibly etched on my memory. I was sitting on the sofa, in the living room. The room opened straight out into the street and I was seated close to the front door. My mum called to me from outside asking whether I wanted to accompany her to the supermarket. I replied “yes” but before I could leave to join her Colin, who was sitting on the same sofa twisted my arm behind my back and whispered that I should tell my mum that I had changed my mind. I continued to attempt to leave but Colin increased the pressure saying that if I didn’t inform my mum that I had changed my mind he would break my arm. Naturally I called to my mum that I no longer wished to go with her and she left without me.
Being outside my mum did not see the abuse taking place a mere few feet from where she was standing.
On another occasion, while Colin and I where sitting in the living room, he forced a chipped mug into my lip which drew blood. Again my mum was present in the kitchen, which was located next to the living room but did not observe the abuse. On entering the living room and noticing the scar a few minutes later she enquired what had caused it. At this point in time I don’t recollect whether Colin put the lie into my mouth or whether I concocted the story in order to avoid further abuse. In any case I informed my mum that I had cut myself with a chipped mug, a version of events she accepted.  
At times I thought that I was going to die. No small boy likes washing but I used to dread bathing due to Colin’s own unique method of assisting me to wash. This consisted of holding my head under the water so that my nose and mouth filled and I felt as though I was going to die. I would emerge, terrified coughing and spluttering.
Colin obviously derived tremendous pleasure from half suffocating me. On numerous occasions he would place a cushion or pillow over my face and hold it there until I felt that I was about to die. Years later when I attended counselling with the mental health charity Mind, the counsellor asked me why I thought that Colin had not killed me? I replied that he probably derived more pleasure from having a living child to torment than he would have gained had he murdered me. Also, had he murdered me the prospect of detection and Colin spending a long period in prison would, I said have acted as a disincentive to  him taking my life. .  
Colin was a sadist. In adition to systematically abusing me he also abused my mum. I remember him hitting her on a regular basis and on at least one occasion pushing her down the stairs. He was (and is) a ******* of the first order.
Colin didn’t confine his cruelty to people. I recall him flinging the family cat at me. The poor animal stuck out it’s claws to gain purchase with the result that it scratched my face badly. Like all bullies Colin was, at bottom a coward. I never once saw him abuse the family dog. I am sure that this was not out of any affection for the animal, rather it stemmed from the fear that had he done so the dog would, quite naturally have bitten it’s tormentor in self defence. Oh how I wished that the dog had sunk his teeth into Colin.          

Chapter 5

We all have nightmares. As a young boy one of my recurring bad dreams concerned being chased by a hoover. To anyone unfamiliar with the abuse inflicted on me the relating of my dream will, no doubt result in mirth. However my nightmare was no laughing matter as to me the vacuum cleaner was a thing of terror. We owned an upright hoover which Colin would, periodically place on my head while the motor was running. I well recall the terror as the wheels of the machine ran across my head. Colin was nothing if not inventive as in addition to putting a working vacuum cleaner on my head he also made me hold the machine above my head. My arms would ache terribly but I dare not put the hoover down until ordered to do so by Colin. For many years following the ending of the abuse “the chasing hoover dream”, as I refered to it stubbornly refused to go away. While the nightmare no longer plagues my sleeping brain, whenever I use a vacuum cleaner the recollection of a terrified little child being tortured by a hoover comes back to me.
In another of my childhood nightmares I would enter the spare bedroom only to be grabbed by a clicking monster which wrapped it’s hands around my neck attempting to strangle me.
Colin choked me on numerous occasions. One incident remains vividly imprinted on my memory. It was evening and my mum, sister, Colin and I sat in the living room. All of the family accept for me where watching television. I was listening to a talking book about a footballer which contained many amusing stories. I laughed uproariously throughout much of the book. Later on that evening, following the departure of my mum and sister to bed Colin choked me telling me never to laugh like that again as I had “disturbed” people. As I recall Colin’s strangling of me the old terrors reassert themselves. At the time I felt that I had, perhaps done something wrong. However the logical part of my brain told me that I had done nothing whatever to justify Colin’s barbaric treatment of me. He ought to have gone to prison for that incident alone. He was (and remains) the personification of evil to me. To this day I can, on occasions feel self conscious about giving in to the natural desire to laugh at a great joke when in the company of friends. I can (and do) let myself go and laugh uproariously but Colin remains in the background, like Banquo’s ghost putting a dampener on the feast.

Chapter 6

Colin possessed considerable charm which is, perhaps how he came to entrap my mum into marrying him. I remember sitting around the dinner table with guests present and Colin holding forth on Charles Darwin amongst other topics. Although not university educated Colin was by no means unintelligent and could, if one was unfamiliar with his propensity to abuse, appear to be charm itself, a man whom it would be a pleasure to have over for dinner.      

Colin possessed the capacity to make people laugh which he used to devastating effect when making barbed comments at the expense of my mum. I hated him for his comments but laughed none the less which is proof of the idea that hostages frequently try to please their captors by forming some kind of relationship with them. I can not at this juncture in my life recall in detail how, precisely Colin undermined the confidence of my mum, I suspect that this inability on my part stems from the fact that I was, quite naturally concerned with my own suffering and the abuse perpetrated on my mum was of secondary concern. My own pain preoccupied me. I had little time for that of others.

Chapter 7

My counsellor and my dear friend, Barry have raised the issue as to whether my mum was aware of the abuse to which Colin was subjecting me. I have thought about this question long and hard and I still can not provide a categoric answer. I am sure that my mum never actually observed Colin in the act of abusing me. She was, as explained in the forgoing chapters, never in the same room when the abuse took place. The fact that her son showed a profound disinclination to be alone with Colin should though have caused alarm bells to start ringing. Colin was clever. The only time I can recollect when he caused me to bare a physical manifestation of abuse was the incident of the chipped cup related earlier. On all other occasions the marks where deep psychological wounds not visible to the casual observer.
I have tried discussing the abuse with my mum. Her reaction has osilated between stating that the abuse occurred a long time ago and that I ought to forgive and forget, to questioning whether it did, in fact take place. My gut feeling is that my mum does not doubt my veracity. The anger she manifested on discovering that I had informed my wife of the abuse perpetrated by Colin demonstrates that she does not doubt me.
Shortly prior to my wife and I separating we went to stay with my mum and sister. One morning my mum, my daughter and I went for a walk during the course of which my mum received a call from my sister. Janet said that my wife, Louise had told her that I had informed Louise of the abuse to which I had been subjected to by Colin. My mum rounded on me asking “why the hell I had told Louise about the abuse”. There ensued a blazing argument during which my mum hit me. On returning home the argument continued with Janet stating that I should talk to Colin about the situation. The fact that Janet did not defend Colin and state that he couldn’t, possibly have abused me indicates that she was, to some extent aware of the abuse.
I love my mum deeply and have no doubt that she loves me. Yet whenever we are together the elephant in the room (Colin) stands between us, seen by both but mentioned by neither. In my case I fear the eruption of a blazing argument. I have always shyed away from arguments which is, I suspect down to me having grown up in a family in which vilence and arguments where commonplace. As a small boy I developed strategies for minimising the likelyhood of being abused. My main strategy was to make myself as inconspicuous as possible. I became a master at sitting quietly, not speaking unless I was spoken to and doing everything in my power not to antagonise Colin. While I don’t fear being physically abused by my mum I shrink in terror at the prospect of a verbal tyraid eminating from her.
In my mum’s case she does, I believe feel guilty due to her not having protected her son from Colin. The fact that she refuses to discuss the abuse to which I was subjected shows her inability to acknowledge to me her own sense of culpability at her failure to prevent Colin’s behaviour. On at least one occasion my mum has told me that the abuse could not have taken place as, if it had she would have been aware of it. This is contradicted by her statement (refered to earlier) that it was a long time ago and I ought to “forgive and forget”. Both statements can not be correct and in her heart of hearts my mum knows that I am telling the truth, she lacks the courage to admit her own failings and apologise to me.      

Chapter 8

At this distance in time I can not pinpoint the precise point at which the physical abuse stopped. At some indeterminate point (I think during my early teens) I began to challenge Colin’s behaviour. I remember wishing to join a social club and Colin informing me that I could not do so. Full of fear and trepidation I said that I would join to
JAM Feb 2016
RECORD: PARANOID ANDROID
FROGMAN: RADIO HEAD

BEGIN INNERMISSION 1

Frogman of enormous Brisingierdth
(on my mind sHe holds OUR hearth):

Try to imagine minds without throughtkeeping.

you probably can't.
you think you know the intro,
the conclusion,
the thought of the body and mind.

yet all inside you,
throughtkeeping is instinct.

Brads are not late.
a Janet does not check her selfse.
machines do wrinkle rememberances.

WhoMans alone measure throught.
WhoMans alone chime panic.
And because of this.
WhoMans alone suffer a paralyzing Miracle that no other creature can cure.

The Miracle
of throught running out...

END TRANSMISSION 1

Riff Raff: Hello.

Brad: Hi!
           My name is Brad Major Threes, and this is my fiancée, Janet Twice One.
          I wonder if you'd mind helping us.
          You see, our brain broke down a few moments up the road.
          Do you have an ear we might fill?

Riff Raff: You're wet.

Janet: Yes, it's crainving.

Brad: Yes.

Riff Raff: Yes!... I think perhaps you better both com-e inside.

Tic .

Tic .

Tic .

DING!

Janet: You're too kind.
           Oh, Brad, I'm frightened.
           What kind of future is this?

Brad: Oh,
          it's probably some kinda way-outta heare for real wyrdos.

Janet: Oh.

Riff Raff: This way-out.

Janet: Are you forgetting The Parties?

Riff Raff: You've arrived on a rather special wrighte.
                  It's one of the Chaster's afflairs.

Janet: Oh,
           plucky shim.

Magenta: You're plucky,
                  he's plucky,
                  I'm plucky,
                  we're all plucked-ees! Ha haa haaa!!!

STOP: TURN THOUGHT
The Letter-Ing: for real wyrdos
eighth or last
in a series of poems made of quotes
one part to a whole
its sum has yet to be totaled
may be more than its parts
subject to change
aaah geez, heare we go
Paul Hardwick Aug 2014
Now Janet
and John
had once met up.

For Janet
was Scottish
and John
from Scunthorpe.

Now John
wanted to be
at Janet's Birth Party
how surprised she would be.

But could not afford
the travel
So he knew
he post himself.

Climbing
inside the box
John just thought
she will be so surprised by me.

And right on time
the box Janet did receive
Ow what can it be
and taking a kitchen knife.

Did ****** it in into the box
straight thew poor Johns
eye him sitting there
bolt right up, exultingly.
We had a lot of Goths at my local library
Other than that True Story       :-)           P@ul.
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
Peins-moi, Janet, peins-moi, je te supplie
Dans ce tableau les beautés de m'amie
De la façon que je te les dirai.
Comme importun je ne te supplierai
D'un art menteur quelque faveur lui faire :
Il suffit bien si tu la sais portraire
Ainsi qu'elle est, sans vouloir déguiser
Son naturel pour la favoriser,
Car la faveur n'est bonne que pour celles
Qui se font peindre, et qui ne sont pas belles.

Fais-lui premier les cheveux ondelés,
Noués, retors, recrêpés, annelés,
Qui de couleur le cèdre représentent ;
Ou les démêle, et que libres ils sentent
Dans le tableau, si par art tu le peux,
La même odeur de ses propres cheveux,
Car ses cheveux comme fleurettes sentent,
Quand les Zéphyrs au printemps les éventent.

Que son beau front ne soit entrefendu
De nul sillon en profond étendu,
Mais qu'il soit tel qu'est la pleine marine,
Quand tant soit peu le vent ne la mutine,
Et que gisante en son lit elle dort,
Calmant ses flots sillés d'un somme mort.
Tout au milieu par la grève descende
Un beau rubis, de qui l'éclat s'épande
Par le tableau, ainsi qu'on voit de nuit
Briller les rais de la Lune qui luit
Dessus la neige au fond d'un val coulée,
De trace d'homme encore non foulée.

Après fais-lui son beau sourcil voûtis
D'ébène noir, et que son pli tortis
Semble un croissant qui montre par la nue
Au premier mois sa voûture cornue.
Ou si jamais tu as vu l'arc d'Amour,
Prends le portrait dessus le demi-tour
De sa courbure à demi-cercle dose,
Car l'arc d'Amour et lui n'est qu'une chose.
Mais las ! mon Dieu, mon Dieu je ne sais pas
Par quel moyen, ni comment, tu peindras
(Voire eusses-tu l'artifice d'Apelle)
De ses beaux yeux la grâce naturelle,
Qui font vergogne aux étoiles des Cieux.
Que l'un soit doux, l'autre soit furieux,
Que l'un de Mars, l'autre de Vénus tienne ;
Que du bénin toute espérance vienne,

Et du cruel vienne tout désespoir ;
L'un soit piteux et larmoyant à voir,
Comme celui d'Ariane laissée
Aux bords de Die, alors que l'insensée,
Près de la mer, de pleurs se consommait,
Et son Thésée en vain elle nommait ;
L'autre soit ***, comme il est bien croyable
Que l'eut jadis Pénélope louable
Quand elle vit son mari retourné,
Ayant vingt ans **** d'elle séjourné.
Après fais-lui sa rondelette oreille,
Petite, unie, entre blanche et vermeille,
Qui sous le voile apparaisse à l'égal
Que fait un lis enclos dans un cristal,
Ou tout ainsi qu'apparaît une rose
Tout fraîchement dedans un verre enclose.

Mais pour néant tu aurais fait si beau
Tout l'ornement de ton riche tableau,
Si tu n'avais de la linéature
De son beau nez bien portrait la peinture.
Peins-le-moi donc grêle, long, aquilin,
Poli, traitis, où l'envieux malin,
Quand il voudrait, n'y saurait que reprendre,
Tant proprement tu le feras descendre
Parmi la face, ainsi comme descend
Dans une plaine un petit mont qui pend.
Après au vif peins-moi sa belle joue
Pareille au teint de la rose qui noue
Dessus du lait, ou au teint blanchissant
Du lis qui baise un oeillet rougissant.
Dans le milieu portrais une fossette,
Fossette, non, mais d'Amour la cachette,
D'où ce garçon de sa petite main
Lâche cent traits, et jamais un en vain,
Que par les yeux droit au coeur il ne touche.

Hélas ! Janet, pour bien peindre sa bouche,
A peine Homère en ses vers te dirait
Quel vermillon égaler la pourrait,
Car pour la peindre ainsi qu'elle mérite,
Peindre il faudrait celle d'une Charite.
Peins-la-moi donc, qu'elle semble parler,
Ores sourire, ores embaumer l'air
De ne sais quelle ambrosienne haleine.
Mais par sur tout fais qu'elle semble pleine
De la douceur de persuasion.
Tout à l'entour attache un million
De ris, d'attraits, de jeux, de courtoisies,
Et que deux rangs de perlettes choisies
D'un ordre égal en la place des dents
Bien poliment soient arrangés dedans.
Peins tout autour une lèvre bessonne,
Qui d'elle-même, en s'élevant, semonne,
D'être baisée, ayant le teint pareil
Ou de la rose, ou du corail vermeil,
Elle flambante au Printemps sur l'épine,
Lui rougissant au fond de la marine.

Peins son menton au milieu fosselu,
Et que le bout en rondeur pommelu
Soit tout ainsi que l'on voit apparaître
Le bout d'un coin qui jà commence à croître.

Plus blanc que lait caillé dessus le jonc
Peins-lui le col, mais peins-le un petit long,
Grêle et charnu, et sa gorge douillette
Comme le col soit un petit longuette.

Après fais-lui, par un juste compas,
Et de Junon les coudes et les bras,
Et les beaux doigts de Minerve, et encore
La main pareille à celle de l'Aurore.

Je ne sais plus, mon Janet, où j'en suis,
Je suis confus et muet : je ne puis,
Comme j'ai fait, te déclarer le reste
De ses beautés, qui ne m'est manifeste.
Las ! car jamais tant de faveurs je n'eus
Que d'avoir vu ses beaux tétins à nu.
Mais si l'on peut juger par conjecture,
Persuadé de raisons, je m'assure
Que la beauté qui ne s'apparaît, doit
Du tout répondre à celle que l'on voit.
Doncque peins-la, et qu'elle me soit faite

Parfaite autant comme l'autre est parfaite.
Ainsi qu'en bosse élève-moi son sein,
Net, blanc, poli, large, profond et plein,
Dedans lequel mille rameuses veines
De rouge sang tressaillent toutes pleines.
Puis, quand au vif tu auras découvert
Dessous la peau les muscles et les nerfs,
Enfle au-dessus deux pommes nouvelettes,
Comme l'on voit deux pommes verdelettes
D'un oranger, qui encore du tout
Ne font qu'à l'heure à se rougir au bout.

Tout au plus haut des épaules marbrines,
Peins le séjour des Charites divines,
Et que l'Amour sans cesse voletant
Toujours les couve, et les aille éventant,
Pensant voler avec le Jeu son frère
De branche en branche ès vergers de Cythère.

Un peu plus bas, en miroir arrondi,
Tout poupellé, grasselet, rebondi,
Comme celui de Vénus, peins son ventre ;
Peins son nombril ainsi qu'un petit centre,
Le fond duquel paraisse plus vermeil
Qu'un bel oeillet entrouvert au Soleil.

Qu'attends-tu plus ? portrais-moi l'autre chose
Qui est si belle, et que dire je n'ose,
Et dont l'espoir impatient me point ;
Mais je te prie, ne me l'ombrage point,
Si ce n'était d'un voile fait de soie,
Clair et subtil, à fin qu'on l'entrevoie.

Ses cuisses soient comme faites au tour
A pleine chair, rondes tout à l'entour,
Ainsi qu'un Terme arrondi d'artifice
Qui soutient ferme un royal édifice.

Comme deux monts enlève ses genoux,
Douillets, charnus, ronds, délicats et mous,
Dessous lesquels fais-lui la grève pleine,
Telle que l'ont les vierges de Lacène,
Allant lutter au rivage connu
Du fleuve Eurote, ayant le corps tout nu,
Ou bien chassant à meutes découplées
Quelque grand cerf ès forêts Amyclées.
Puis, pour la fin, portrais-lui de Thétis
Les pieds étroits, et les talons petits.

Ha, je la vois ! elle est presque portraite,
Encore un trait, encore un, elle est faite !
Lève tes mains, ha mon Dieu ! je la vois !
Bien peu s'en faut qu'elle ne parle à moi.
Marshal Gebbie Dec 2010
Well my old Mate,
The sands of time have slipped between our fingers, you and I are not the spry young things we used to be. Gone are the expansive days of limitless horizons, gone are the great aspirations.
We live now in a time of quiet satisfaction. We have lived our lives as best we can. We have our achievements and our failures, our moments of despair and delight, the highs and the lows of a lifetime well spent.
What magnificent moments we have had... both of us! Moments of love and triumph, moments of roaring laughter, occasions where we have both felt... that our cup does indeed.. overfloweth.
We have watched our children grow from helpless little bubbles to striving creative people with urgencies and points of view and imperitives.
We have both found partners who have shared the pain and the hardship, the joys and the agonies. We are the lucky ones friend.. these women are the rock of our lives without them we would be substantially less.
Despite the fact that we have rarely seen each other since the ****** days, I want you to know that I have always regarded you as a brother.  Something quite indefinable there, but special.. you will always be my brother.

Speaking of brothers.. ****** old Johnson has married himself a young Chinese lady, they are living quite happily in southern China, used to be Changsha but I think now elsewhere..
He is coming back to New Zealand next year.. about March.. which is very timely because then we will be able to accommodate them in our new rural retreat in Taranaki.
Janet and I have built a lovely little donga atop a high hill overlooking the magnificent green, South Taranaki foothills and the wide blue Tasman sea.
The place is about 50% built right now. In a few days Janet & I will travel down with a truckload of stuff and spend the summer break and Christmas working our bums off on the property.
We camp out under a sky full of the most brilliant stars.. more than I have ever seen before. Every morning we awake to the glorious dawn chorus of the native birds in the forest around us.
We have two particularly curious, enormous wood pigeons who follow us around all day from job to job and a chorus of beautiful, irridescent tuis who entertain us with their song and antics flitting between the flowering tree fuschias.
This place is paradise.
We will have two guest bedrooms... so sometime, in the not too distant future, I want you and Suze to take a little break.

Boaz is returning from New Mexico for Christmas, Solomon is driving him down country on Christmas eve so we will all be together with Grandpa Bell, Janet’s dad, for the festivities. I can’t wait!
Have bought Janet a beautiful oil painting by a local artist.. Of geraniums in a rust red ***.. and a glorious light emanates from it. Will be just the thing for the wall in the new kitchen.
That’s it!

Love to you and Suzie and all the tribe.
Have one hellava good Christmas mate
Luv M

Hold your hand aloft in light
Feel the blood run through your veins,
Know that you have lived a life
Loved a love and held the reigns
Of something..so worthwhile and good
That friends will well have understood,
When you have long passed from this land,
...Your Cup hath Overfloweth.


MERRY CHRISTMAS

Marshalg
Mangere Bridge
18 December 2010
Michael Ryan Dec 2013
Merry Christmas, but this is not a Christmas gift
This is more of an appreciation of you, Janet
I can't make you art, and I am sorry that I can't
I am sorry that I can't give you something other than my words
So I'll do my best to tell you how much you mean to me
I don't think you'll ever know how deeply you matter in my heart
and I don't want to express my feelings in some generic sort of way
I've made many friends this semester, if I had to count it'd probably be a strong 40
40 people that I am willing to say are my new found friends
Yet leaving after this semester I will only have 1 reason of why I'll be sad to leave
I only had 1 person that it was hard for me to tell I'll be gone soon
I only took one person to the side to tell them about next semester
There's only 1 person I've been trying to see more of before I go
and no this is not some big build up to say some one other than yourself
JANET you are the one person that I will miss
The 1 and only person I feel some anxiety to leave
My very being aches a little thinking
knowing that I won't be able to knock at your door
I won't be able to come and hold you up
I won't be able to look at you and wonder what you are thinking
I'll no longer be able to sit next to you in the MPR or anywhere
You have been if not the best person I have met in a very long time
You make me feel wonderful when I'm feeling terrible
Maybe you did lie to me the first time we met, but we're way beyond that
Maybe you do always walk ahead of me
Maybe you do always make me feel awkward in front of other people
but none of that matters, other than it got us to where we are
Two people that will forever have memories of each other
No matter how much time goes by I will always know Janet Kung
We will always have our poem of lovely improv
The enjoyable meals of me doing everything for you
and our luxurious night at La Traviata
The end: I love you Janet
Some day this will be posted I assume.  It is 12/18/13 and today is the last day before everyone moves out and goes back home for winter break.  I will not be coming back after coming home break, instead I will be taking the next semester at the community and life here changes in years so I will never be able to have this experience ever again.  Janet Kung the only person I will miss.  I love her and she is wonderful.
Brittany Wynn Nov 2014
We enter the church and immediately
have to push through two dozen sobbing Italian women
dabbing dry eyes; their tissues only show
black and multi-colored smears. Amid the echoing
“Oh my Goawd”s, they lean down and kiss my sister’s cheeks,
but even in my best black cap sleeves, I am the taboo
to my cousin Janet, a woman as barren as the stone lot
in between her husband’s restaurant and Deihl’s Autoshop.

We find an empty pew, and watch as the men
stride down the aisle, contestants
in a cultural Miss America pageant where the wrong answer
gets you whacked. Their heavy brows
sink in condolence as they hand over stacks of bills,
every hundred becoming a pity penny
for all the moments Janet lost in her luxury-life
made shiny by diamonds and cars and fur coats
which can’t be cashed in for a second chance at a family.

The men have paid for the food, the china, the band
in the corner meant to fill the space of sadness—
a reminder that we live a lavish life.
My sister shifts in her seat and as a man walks
by she touches his jacket, and gasps.
He’s a god.
(edited)
Julie Grenness Mar 2017
I designed my own Planet,
My name is Interplanet Janet!
What's so good about my planet?
There's no wars or disagreements,
Only Peace among all my little green men,
There's a chocolate bush on every block,
Chocolate meditation, no dumb shocks,
Everyone wears a smile on my Planet,
Come and see, signed Interplanet Janet!
Feedback welcome.
JAM Feb 2016
RECORD: INSOMNIAC OLYMPICS
FROGMAN: BLOCHEAD

Suzy's: Then it heard The Word:

You are not special.
You're not a beautiful and unique saltflake.
You're the same decaying mental laughter as everything else.
We're all part of the same info heap.

We're all singing,
all dancing
data of the word.
-- Tyler Durden, Tacky Frogman

I mean just try to

Imagine a Johnny waking up one moment and thinking,

"This is an interesting thought I find myself in —
an interesting wHole I find myself in —
guides me rather neatly, doesn't it?
In fact it guides me staggeringly well,
must have been made to have me in it!"

This is such a powerful throught that as the sun rises in the mind
and the clouds heat up
and as, gradually, the throught gets
smaller
and
smaller,

she's still frantically stinging on the notion that everything's going to be aulgburight,
because The Word was meant to have him in it,
was written to have her in it;
so the moment that reappears, caches them rather in reprise.

I think this may be something we need to be on the waytch-out for.
We all know that at some point in the future the throughts will come to an end
and at some other point,
considerably in advance from that but still not instinctually re-pleasing,
the Sun will rexploade.

We think there's plenty of throught to tarry on about that,
but on the other Read DeadHead
throught ’s a very anger-ous ink to lay.
-- Douglas Adams, Frogman

Johnny's: So,

We just ought To Be.
-- You and Me and Everyone We See

Suzy's: And it would be nice if

A Brad and Janet could change their mind,
plan a din-stinction,
butcher a clog,
conn-a-fusion,
design a dream,
write a union,
balance brains,
build a wall,
set a tone,
belay the lying,
make orders,
live orders,
cooperate,
act alone,
solve self equations,
analyze a new corruption,
throw info lure,
program a harmed-brain-puter,
hook a hasty mind,
fight self efficiently,
receive truth carefully.
But all-selfse destruction is their mode.
-- Robert A. Heinlein, Frogman

Johnny's: In other words,

Show me one Brad or one Janet alone and I'll show you a saint.
Give me two and they'll fall in love.
Give me three and they'll reinvent the char-ming thing we call 'Propriety'.

Give me four and they'll build a panic.
Give me five and they'll make one a Number.
Give me six and they'll reinvent Master's affair.
Give me nine and in nine moments they'll reinvent ludechrist.

WhoMans may have been made in the image of nature,
but Brads and Janets were made in the tincture of their opposite Number,
and they're always trying to get back to The Hearth.
-- Glen Bateman, Frogman

Suzy's: Picking up the Data Crumbs as they go, like High Speech. And yet

Brads and Janets do not seem certain of how they gained the ability to speak.
It is theorized that they began dinning objects with iniornticulacy,
until eventually the din became more organized—

still tumultuous clamour,
just a bit more meat in the current day.

If this is true,
it means that to attain bsproken thought the Brad and Janet brain created a specific system for language and a way to code it—working largely off the constantly developing faculty for memory. It is an idea revealed by bit com-partitian-alization of throught data threw the structure of language; re-veiled in the way that Brads and Janets peak or wrighte using their memorized vocabularies and concepts.

This mind fore Toe-ing mortgaged itself to the e-x-ternal word,
and Brads and Janets found power in pontification of life.

Then dawned Ninetbeen.

If the systems of Ninetbeen were enhanced then a more dominant Reality presentce resulted. The most refissiont equation became the most dominant, but
the most efficient equation is not the best.

There are many sacrifices made for effishinsea.

For the most dominant Brads and Janets it became an obsession
to control every aspect of the nature from which they Rose,
sacrificing natural progression

(Of course, it does seem like this is the natural progression,
Brad's and Janet's predetermined path—
a relief that is a symptom of the most engineered systems of code).

Unfortunately,
these systems are destroying Brads and Janets,
and raw rEffissionsea,
Pure confusions,
will not save them.
-- Thrusher Swainson, Bear M.B.

STOP: TURN THOUGHT
The Letter-Ing: word
tenth or last
in a series of poems made of quotes
one part to a whole
its sum has yet to be totaled
may be more than its parts
subject to change
Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!
Marshal Gebbie Dec 2015
Well you buggers,

Here we are, spread to the four winds of the globe.
No chance for a peck on the cheek or even a Christmas noggin.

But curiously, I think the Christmas spirit flows between us all nicely, we have all had contact this year, some meetings happy some sad but the important thing is we have registered with each other as FAMILY…and therein is the vital living bond.

Time runs between our fingers like sand, we all get bound up in the imperatives of the day. One minute we are kids playing in the back yard, the next we are busy, busy adults tied down by mortgage and commitment…. and then suddenly we slip to the twilight years where, some will say, it is the time to reflect and ponder lost opportunities

We have, all of us, let the urgencies of the day cost us in lost opportunities. We are all guilty of it…..So Janet and I determined this year, not to let this happen….
Not to let this opportunity slip.

Darling Janet and I are having our first Christmas without dear old Verne, Janet’s father; the kids are elsewhere and we find ourselves alone
At the farm in Taranaki. We are going to pack a simple picnic lunch of sandwiches and fruit and toddle down to the black sand beach and the pounding surf at the bottom of Pitone Road and there in the dunes,we are going to raise our ice cold glasses of pinot gris and loudly bellow a toast to all of you to the West wind ….and wish you all, where ever you are….a loving and happy,
FAMILY…..
MERRY CHRISTMAS!

Cheers Janet & Marshal
(Please spread this message amongst the troops for us?)
Our family is spread all over the globe.
using the medium of social media
we have gleaned an excellent way to spread the message
Indeed, not just to family, but to our wider family out there in our warm & wonderful community of poets....YOU!
Marshal Gebbie Aug 2023
Everything is BIG here.

Meals are big, bums are big, cars are huge and the skies are a million miles wide.

Janet and I are travelling in the Northwest of the United States of America, spending time with Boaz and Lisa in Idaho, Steve Yocum in Oregon and Greg and Linda in Washington State.

The trip is a "quickie" in that we are fitting one helluva lot into just three weeks duration.
Never in all my days have I seen such huge quantities of food served up in restaurant meals, plastic bags discarded, American flags fluttering and all the young, blonde girls in tattered, impossibly short cut offs and sleeveless tops talking loudly, incomprehensibly at a million miles an hour ......Just blows you away!!
Monstrous pickup trucks, Rams, Broncos, big V8s travelling the freeways continuously. Sheriffs, troopers and Road cops all wearing firearms on the hip, in their souped up pursuit vehicles parked on the roadside shoulder, eyeballing everyone as they pass, with a mean, accusatory glare.
Out on the range there is a million square miles of nothing but sage brush and basalt rock....and searing, baking heat.
114 degrees in the painted desert of Moab. Beautiful though with vaulting red sandstone cliffs and rearing stone arches against the blue-est of blue skies.
Standing pillars of ancient sedimentary rock born in depositions laid down in vast oceans of bygone eras, millions of years ago.

History is painted vast in this immensity. The gigantic and abrupt catastrophic inundation of a vast and deep inland sea, swelled suddenly by floodwaters of rivers diverted by lava flows from subterranean fissures....Unimaginable torrents abruptly released, gouging out ancient lava beds to create gigantic waterfalls and deep, sheer sided chasms.

Cascades that constituted the biggest river flow ever known in the history of the planet, washing away everything from the epicentre of the continent in Utah through Idaho to the Pacific ocean in the rugged coast of Oregon. Such was the Bonneville flood of 12,000 years ago illustrated today by the gigantic chasms created in the beds of basalt and rhyolitic larva throughout Idaho and the fields of massive, round, house sized boulders strewn from the floods origin near what is now, Salt Lake City in Utah to the coast in Oregon, a thousand kilometers away.

The two weeks stay with Boaz and Lisa just disappeared in a flash. They took us down to Moab painted desert, Zion National park, the Craters of the Moon, Monument National Park and up to Stanley and the Sawtooth mountains by the mighty Salmon river. Janet and I took advantage of a couple of push bikes hanging in the garage and spent most days cycling the local trails and visiting Starbucks for a celebratory cappuccino or two....Those bikes saved our bacon, walking trails in that heat was ******. Great hospitality enjoyed here. watched reruns of Sopranos on Boaz's 70 " SmartScreen TV and enjoyed Arnie's escape from postwar Austria to Mr Universe and fame and fortune @ Hollywood with Boaz whilst enjoying chilled margaritas in the hot tub.

The camaraderie of meeting an old mate of 45 years past, Steve Yocum of Oregon  a fellow writer and author. Both of us intent on shooting the breeze, putting the world to right. In some ways a sad exercise in that no longer can either of us make things right for with age upon us, neither has influence. We can huff n puff n blow the house down....but it seems, nobody pays the slightest bit of attention. The penalty of age is invisibility. The relief in it all is that, really, nobody actually gives a hoot!

Just two Old Dogs letting off steam..... it's rather cathartic actually! Thanks to Stevo, Ian and lovely Heidi for the accommodation, great hospitality and warmth.

The cool atmospheric relief of the serene and calm, Puget Sound in Seattle, Washington state gave welcome respite from the intense heat of the interior and the serenity of our cottage accommodations and startlingly beautiful garden surrounds. A forest of conifers and deciduous trees harboured gardens of blooming roses, hollyhocks and multihued cone flowers, emerald lawns carve swarths of sunlight in avenues of deep, green shade....a delight for the sunburnt brows of yesterday's heat.
Woken by the bassoon blast of the passing early morning ferry out in the waterway, to stroll out to sit at the very edge of the sandy, pebble beach and gentle surge of the deep, clear saline waters of the magnificent Puget Sound.
The peace of early morning crisp cool air, a seascape of moored fishing boats on mirrored waters, the distant Olympic range rearing to its' full 7,000 ft against a powder blue sky left us quite breathless with the utter beauty of it all....add to that a lovely breakfast offering of fresh berries, kiwifruit slices and yogurt and a chilled glass of fresh squeezed orange juice...and we absolutely, couldn't want for anything more. To Greg and Linda our love and thanks for giving up your beautiful bed, travelling us around beautiful Seattle and being our airline coach to and from Portland. We shall return the warm hospitality next time you hit NZ and Taranaki.

Vulcanism has dominated the terrain in Idaho, Montana, and Utah. Continental drift westward of the land mass has brought about a steady transference eastward of the massive geothermal hot spot which currently lies in Yellowstone park and which is the source of all volcanic activity within the park..
Idaho, in ancient times, wore the volcanic mantle of the region in having truly gigantic rhyolitic ash and magmatic eruptions. These cataclysmic eruptions emptied deep cavernous, subterranean magma chambers which collapsed under their own weight leaving vast circular calderas in the landscape. Subsequent plate tectonic activity caused deep faulting allowing huge flows of sticky magma to surge to the surface like searing hot black toothpaste, spreading across the plains obliterating all evidence of the rhyolite caulderas, surfacing the state, to this day, with millions of acres of hard black basaltic rock.
Here and there, rhyolite has wormed its way to the surface building gigantic domes, over the centuries these have weathered leaving statuesque, dramatic flat-topped mesa scattered across the landscape.
Altogether a truly unique and enthralling terrain for visitors to behold and one which reveals a dramatic insight to the volcanic and tectonic violence of the recent past and gives a definite air of mystique to the beholder.

In a land of 360 million people, supermarkets are downright huge...and they contain the spoils of the nation's plenty.
Acres of dazzling variety... and cheap by international standards. The very best of prime beefsteak, sides of pork, Alaskan cod freshly caught and displayed in rows of chilled enticing exhibit. Every possible vegetable and fresh picked fruit known to man in piled pyramids of brilliant, colourful display. Beautiful ornate furniture, beds, mattresses, tiers of car tyres of every conceivable brand and size, wheelbarrows, fertilizer, fresh flowers in mountainous display, ***** in barnlike chillers. Supermarket trolleys for giants..... and gird yourself for a marathon hike in collecting your basket of groceries...and give yourself half a day....you'll need it!

America has momentum, huge momentum. Across vast tracts of country lie networks of highway. Multilane concrete that tracks mile after mile carrying huge trucks with 40 tonne loads. Incessant trucks, one after another,  thundering along carrying the lifeblood of America, merchandise,  machinery, infrastructure, steel, timber and technology. Gigantic mobile freezers hauling food from the grower to the markets. Hauling excavators, harvesters,  bulldozers and giant Agricultural tractors. Night and day this massive source of production careers across the nation transporting the promise of America, the momentum which drives the Stars and Stripes onward, ever onward.

On the margins of the cities of Portland and Salem the unhoused gathered in squalid tent communities. In the beautiful city of Seattle I saw many down and out unshaven, untidy individuals with hopelessness in their eyes, pushing supermarket trolleys containing their sparse possessions. I drove through rural communities, some of which, reflected hardship and an air of despair. Run down dwellings in need of maintenance and repair, derelict rusty vehicles adorning the **** strewn frontages.
Not 20 kilometers away in Ketchum and Sun Valley Idaho the homes were palatial in grounds tended by gardeners and viticulturalists. Porsches and Range Rovers graced the ornate, rusticated porticoes. Wealth and privilege in evidence in every nuanced nook and cranny.
America is, indeed, a land of contrasts, a land of wealth, privilege, and plenty..... and yet a land that, somehow, tolerates and abides a fragile paucity which emblazons itself, embarrassingly, within the national profile.

On a hot day in Twin Falls, Idaho, I walked into a huge air-conditioned sporting goods store specifically to look at guns....and in the long glass cases there were hundreds of them. From snub nosed revolvers to Glocks, 38s, 45 caliber even western style Colt 45s and the ***** Harry Magnum with the long, blue gun barrel and classic, prominent foresight.
In the racks behind the counter are hung fully and semi-automatic rifles of myriad types...all available for sale providing the buyer has appropriate licensing.
In a land where mass shootings proliferate weekly, I ask myself....does this availability of lethal weaponry make sense?

The aching beauty of the mountain country in Northern Idaho, Oregon and Washington state cannot be overstated. The Sawtooth mountains, the Cascades, Mt Ranier, Mt Hood and the Olympic range. Ridgelines of towering conifers as far as the eye can see, waves of green deciduous running down to soft grassy clearings with boulder strewn, rushing streams and the cascade of plunging waterfalls. The magnificence of the natural beauty of this rugged, heavily timbered mountain country just defies description being far, far isolated from the attentions of man.

To happen upon this country from the far distant reaches of the South Pacific is a culture shock, to be suddenly exposed to the extreme largess. It is difficult to calibrate, hard to encompass, impossible to assimilate....but the people encountered warmed us with their generosity of spirit, their willingness to welcome travelling strangers into their homes....and, of course the invaluable time we spent with our family….and for these factors alone together with the huge magnificence that is this........
GRAND AMERICA.
We are truly, truly grateful.

Janet & Marshal
Foxglove@Taranaki.NZ
judy smith Apr 2017
So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,
Nigel Morgan Nov 2012
A story in three movements after the painting by Mary Elwell*
 
 I

She’s out. Changed her frock, left me a list and her letters on the hall table. I heard the door bang. She was in a hurry. Wednesday afternoon she’s often in a hurry. I don’t know where she goes, but she’s usually back about 9.0, and Mr Fred has his tea by himself. I come in here when she’s out and I’ve done the necessary. It’s a big house and apart from Janet and Elsie in the mornings I look after the place, and her when necessary. She’ll call me into her bedroom to tell me what she wants done with her laundry. She’s fussy, but she can afford to be. She has two wardrobes, what I call her Mrs Fred clothes and her ‘Mrs Knight’ clothes. They’re quite different; like she’s two different people. When she paints she’s someone I don’t know at all – she looks like a *****. She doesn’t belong in this room anyway when she paints. She has her studio in the attic and doesn’t even let Mr Fred in there. I don’t go in there. I’ve never got further than the door. She doesn’t want anyone to see what goes on in there. Oh, I see the pictures when they’re finished. She places them on Mr Fred’s easel in the drawing room and spends hours pacing up and down looking at them. She pulls up a chair and sits there. She doesn’t like being interrupted when she’s doing that. I like to come in here when she’s out. It’s a lady’s bedroom. I don’t think Mr Fred comes in here very often. She likes to go to him when she does, which isn’t often. When I first came here they were always in each other’s bedrooms, but she keeps herself to herself now except when Mrs Knight comes.
 
II
 
 When I was a young man I often used to look up from Walkergate at the windows of this room. You can’t miss them really as you walk towards the Bar. I coveted this house you know. Marrying Mary suddenly made that a possibility. When Holmes died and left her his fortune it came on the market and I said lightly one afternoon – she was in my studio in London – I see Bar House is up for sale. Yes, she said, we could buy it. I think she knew I wasn’t going to get anywhere in London, and she wanted to go back to Yorkshire.  She was from the first going to be her own person having been Holmes’ for ten years – an older man, dull and old. She felt by marrying me, an artist, her desire to be solitary, self-absorbed, would be understood. I don’t often come in here. She comes to me, usually to talk at the end of the day. She doesn’t sleep well, never has. We don’t, well you know, it was all about friendship, companion-ship I suppose, and money. She had it. I didn’t. You know the light in this room is so wonderful in the afternoon – like honey. I like to sit on her bed and think of the days when I would wake in this room. There were two beds here then. She’d be sitting at her writing table in her blue gown. She liked to get up with the dawn and write long letters to her friends, mainly Laura of course. After that first sitting she began writing to me, all about her love of painting and how Alfred had never encouraged her, and would I help her, advise her? She wanted to go to Paris and be in some Impressionist’s atelier. I soon realised in Paris I was never going to be a great artist or a modern painter. There’s one picture from that time . . . only one; that girl from the theatre, Amelie. I’d seen Degas and thought . . . no matter, I could never match her letters. I was always a disappointment. I still am. I would sit down at my desk with one of her letters  - she wrote to me almost every day - and think ‘I’ll just deal with that enquiry from Alsop’s’, and then I’d find another pressing letter, or I’ll look at my accounts, and all my good intentions would be as nothing. If I’d really loved her I would have written I’m sure. It takes time to write, to think what to say. It’s time I always felt I couldn’t allow myself. Painting was more than enough, and more important than letters to Mary. She wanted to talk to me, and wanted me to talk back. So she talks to Laura now, who returns her ‘talk’ with equally long letters – with sketches and caricatures of people she’s met or ‘observed’. Occasionally, I catch sight of one of these illustrated letters on the sitting room sofa, placed inside a book she is reading. I have a box of Mary’s letters, and when she’s away I look at them and read her quiet words – what she’s seen, what she’s read, what she hoped  we might become.
 
 III

I often stand at the door, even today when I’m in a rush, to gaze at my room before going out and leaving it to itself. I love it so in the afternoons when the sun takes hold of it, illuminates it. You know each item of furniture has its own story; my mother’s quilt on my bed, the long mirror from Alfred’s house; my writing box given to me by my Godmother on my 21st; the little blue vase by my wash stand – that back street shop in Venice, my first visit. I stand at the door and think, well, just what do I think? Perhaps I just rest for a moment at the sight of myself reflected in these ‘things’, my possessions, my chosen decoration, the colours and tones and shapes and positions of objects that surround my daily life. My precious pictures; some important gifts, others all about remembrance, a few from my childhood, my first marriage – Alfred was very generous. The silver vase on my writing table glows with delphiniums from the garden – and a single rose from Laura. And today we will meet, as we do on alternate Wednesdays, to drink tea in the Station Hotel, arriving on our different trains from our different lives. This friendship sustains me, and more than she will ever know. She is so resolute, so gifted as an artist. She is a painter. She has imagination, whereas as I just see and record. She puts images together that carry stories. That RA **** – that’s Laura you know – and the painter is me – and wearing a hat for goodness sake! Me paint in a hat! I remember her going through my wardrobe to dress me for that picture. Why the hat? I kept asking. But she made me look as I’ve always wanted to look in a picture – as though I was a real artist and not a wealthy woman who ‘plays’ at painting. Fred’s portraits say nothing to me, whereas Laura’s make me feel weak inside. I remember her trying out that pose in front of my long mirror. ‘Will this do?, she would say, ‘Or this? All I could look at were her long, long fingers, imagining her touch on my arm when she kissed me goodbye.
Hal Loyd Denton Dec 2013
That what I’m writing with I’m afraid and fearful that a special one is going to be forgotten this
Looks like the piece is going far afield but it will fit I was in the fire department in the service we
Were out in the remote part of Hunter Liggett military reservation on the central coast of
California there wasn’t much likely hood of human carelessness being the cause of fire in this
Sector but Mother Nature and her angry lighting strikes were so we went out and we were
Control burning this was grass fuel mostly but a great deal of smoke and from that a fawn
Walked up out of this gulley she wasn’t unduly afraid just matter of course I walked down the
Gravel road and picked her up I held her to reassure her but I was the one touched by this little
Helpless creature I felt such peace it wasn’t just the facts about the fire would quickly burn out
But it was emotional I melted by every breath she took for a brief time before I released her I
Was enlarged I wasn’t just stomping around doing my duty my life was altered because of the
Most gentle nature my human nature was redirected I went back in millennia when we were all
One peaceful family before the animal took the path of tooth and claw and man from the club
To the gun in the peaceful shadow of a summer afternoon the one this piece is about came
Over To visit this was long before my service time but Janet came she can best be described as
A Young lamb she was identical in spirit as the fawn gentle sweet quiet trusting at first it
Was just another summer day but then she changed the atmosphere she started asking me
Questions about life I would barely get done answering one question then she would ask
Another Know this I never take it lightly when someone ask for my help I would have answered
With Tears if I known the future she was the rarest flower its where wonder lifts you out of the
Established course you stumble and tumble down among perfect surprises important designs
Rarely seen they have these tiny explosions perfumed scents tingling misty bubbles burst when
They Touch your face yes you have just been amazed by her purist soul so this special time ends
Life takes over with soothing rhythms to the most part the next time Janet was coming into her
Own sweet sixteen a job at the Dog&Sud;; root beer stand she was glowing this exquisite flower
Was on the threshold of life that we talked about two or three years before just beginning to
Blossom then the promise was forever canceled all words that we exchanged shriveled under
Leukemia’s murderous hand all the blissful hopes and dreams vanished when her eyes closed
For the last time in this realm because her family is gone I fear she will be forgotten that would
Be tragic and even cruel to lose sight of such a delightful soul Janet Henderson you will never be
Forgotten by me God bless your memory
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Ashley Bertram Sep 2012
Listen up, I've got a story to tell.
You probably have heard it,
Or  forgot it, or lost it.
But, oh well.

This isn't the written flow that you are used to.
But I can promise you, that this story will get to you.
It doesn't start off with "Once upon a time"
Nor is it as romantic as the fairy tale lies.

Now we start with a woman, mature for her age, and
Follow with a man who prays and prays for his days.
They pass each other in a bar, on the subway, in the streets.
It seemed as though Fate had a plan for them to meet.

After weeks of anticipation, the man finally asked for her name.
"It's Janet, good sir. But I must go, it's starting to rain."
"Well I'm Marcus, dear Janet, and the rain, I am aware.
But let us retreat to this diner, where the coffee is fair."

She accepted his offer, and they enjoyed their cup o' Joe.
He spoke of politics, and arts, and everything he knows.
She was taken in by his charm, and he by her beauty.
Sparks were flying, and it seemed like they were meant to be.

As the rain came to a stop, they thought it would be best to depart.
She walked to the left, and he to the right, yet each had the others' heart.
Janice dreamed of Marcus, and he dreamed of she.
Each hoping that Fate would allow them to see what could be.

But here is where our story takes a turn for the worst,
Poor Marcus has cancer and his lifespan is short.
Janice did the best to help him, falling deeply in love.
He couldn't resist his feelings, either, he knew it wasn't lust.

A recovery eased their minds, but alas for only  a while.
Still they only cared about seeing one another's smile.
In his hospital bed he proposed. A weeping "yes" was his answer.
And for a split second, everyone forgot about his cancer.

Now  a month has passed, the wedding plans made.
They had a perfect June wedding with her hair up in braids.
It wasn't even a week later that tragedy stuck,
Dear Janet was coming to visit, when her car was hit by a truck.

Heartache was felt throughout the hospital that night.
A dying man lay with cancer, and his new bride had lost her life.
Once he heard the news he fell over in pure agony,
And screamed to the world, "Oh god, why can't you just take me?"

After doses of sleeping aids and a priest by his side,
Marcus finally dozed off and dreamt of his miraculous bride.
When he awoke, there Janice stood, just as beautiful as ever.
He had died in his sleep, but now they will live forever.

(http://skorhsa.wordpress.com/2012/09/09/the-story/)
Marshal Gebbie Dec 2010
There’s a sweetness to the morning
With a sky of lilac blue,
And a smile as warm as sunshine
When I turn my gaze to you.

There’s a twinkle to your brown eyes
And a wrinkle in your nose
And a happiness about you
That causes twitching in my toes.

It’s an extraordinary reaction
When you calibrate the time
Of the thirty years of marriage
That I’ve held your hand in mine.

There’s a fine familiarity
In our permanence of play
And the love which grows within
The ups and downs of every day.

And the warmth that courses through me
Puts my pumping pulse to test,
For of all the girls I’ve ever known
My darling Janet...You’re the best!


Marshalg
@the Bach
Mangere Bridge
16 December
Michael Ryan Dec 2014
Merry Christmas, but this is still not a Christmas gift
This is yet another appreciation of you, Janet
I'm still sorry that I can't make you anything other than this
I'm sorry that it's been a year now since I've seen you
It's even more sad now that all I've given you is my words
Even though it's been a year you still mean so much to me
You never really know much you effect someone, until time has gone
This year I didn't make as many friends, but I made some
Mostly everyone I met
Put into perspective how unique you really are
Now that this year is ending there is fewer people I wish I had seen
There's only one person I am writing a poem for right now
Only one person that I want tell how much they matter
I only want one person to know
How important they are before the year ends
Once again believe me I am not building up to say some other person
JANET you are the one person that  Iwant to know how special they are
The 1 and only person I think deserves some words
My very being shudders thinking how long it's been
Knowing that I have not seen you for one year
I haven't been there to hold you up for so many days, months, a year
I've missed all your wild and crazy thoughts, all your personality.
I haven't been able to be a real friend
Even one year later you still stand true as one of the best I've ever met
Maybe memories fade with time and so do the people we know
Maybe you have forgotten me after all this time.
Maybe this is much more awkward for you
As you have met many more wonderful people since last year
That does not bother me as you are still a shining moment in my mind
Two people that had little time for all the great memories we have
No matter 1 year or 50, I will always know Janet Kung
We will always have our moments together
The enjoyable experiences of the past
Our luxurious time that can never be gone
The end: I've missed you Janet
Love, Michael.
I don't know if this is any good, but I wanted to write you a similar poem to last year to represent that even though time goes by you are still my friend.
Daisy Duke Danica Patrick dialogue

DANICA this is preposterous and an embarrassment to my career image

DAISY oh yeah ya think so

DANICA 1st off you’re simply a fictional character i’m a real live racecar driver 2nd you’re a hillbilly ***** who most likely had *** with both cousins Bo and Luke behind Uncle Jesse’s barn

DAISY who you calling a ***** you venomous ***** i did not have ****** relations with those boys (pause gaze averted)

DANICA bare-foot traipsing around Hazzard County dressed like a rural Dixie belle acting all ingénue

DAISY you ain’t got no manners woman were you raised in the south

DANICA Beloit Wisconsin then Roscoe Illinois for your bird-brained information

DAISY ya know in a vague way you owe me

DANICA owe you what you Appalachian Deliverance banjo ****

DAISY i was laying down rubber pedal to the metal gravel dust road in my ’74 yellow Plymouth Road Runner before you was ever born

DANICA what’s that supposed to mean granny i thought you drove a Jeep CJ-7

DAISY it means my fictional character put a seed in the mind’s eye i planted the thought of a female warrior on the racetrack you understand i trail blazed through Georgia back country all you are is just a graduated knock-off of me

DANICA you tawny scrawny pigeon-toed knock-kneed backwoods ****** wouldn’t know your *** from a hole in the ground behind the steering wheel of a Dallara chassis Honda engine open-wheel racecar and if you think i owe you then you must think i owe Janet Guthrie Lyn St. James Sarah Fisher also ***** you ***** *** rebel *****

DAISY girl you got a mouth on you bet you know how to use it in the dark i bet that’s how you got to where you are i know about those FMH pictures

DANICA what i beg your pardon i earned my stripes on the racetrack

DAISY on your knees with your mouth in the shape of 0

DANICA white trash redneck witch! i hate you

DAISY now Danica calm down remember to breath and remember i’m just a fictional character didn’t mean to ruffle your feathers so bad

DANICA all right ok maybe i was a little too hasty to judge and maybe we did just get off on the wrong foot you know Godaddy is looking for someone vintage yet lovely enduring like you

DAISY you’re sweet Danica but my acting days are done i think you look real pretty in electric lime green good luck at NASCAR but i think you do better at Indy that’s just my opinion

DANICA you just might be right Daisy i’m too independent can’t seem to get the hang of you bootlegging draft-racing good ole boys

DAISY amen
Janet Jackson - Let's Wait A While
2. Ralph Tresvant - Love At First Sight
3. En Vogue - Waitin' On You
4. Meshell Ndegeocello - Let Me Have You
5. Jade - Give Me What I'm Missing
6. Janet Jackson - Anytime Anyplace
7. El DeBarge - Love Me Tonight
8. Michael Sterling - Lovers & Friends
9. El DeBarge - You Are My Dream
10. Floetry - Imagination
11. Tevin Campbell - Shhh
12. Keith Martin - Never Find Someone Like You
13. Meshell Ndegeocello - Soul Searchin
14. TLC - Red Light Special
15. En Vogue - Everyday


Erotica epitome, your lips so soft, I am standing on my toes
Beautiful and ******, sensual sensational music playing in the background
and with a kiss we were
high and turned on, submerged in ******* tones
Beeping and aroused *****
But then the songs ended.

May the memory melismatic in every sense that permeates colour and oozes flavour... Live on, long after the songs have ended.

Erotica Epitome
~
December 2023
HP Poet: Marshal Gebbie
Age: 78
Country: New Zealand


Question 1: We welcome you to the HP Spotlight, Marshal. Please tell us about your background?

Marshal: "My name is Marshal Gebbie and I write under "M" or "M@Foxglove.­Taranaki. NZ". I am 78 years old and a native son of Australia. I came to New Zealand for a looksee with a pack on my back and a guitar under my arm, intended spending six weeks but absolutely fell in love with the Kiwi people and this magnificent little jewel of a country nested deep in the waves of the great Southern ocean of the South Pacific. I've now been here 54 years and counting. I married darling Janet back about 35 years ago and we produced two fine sons, Boaz and Solomon both of whom have great careers, wonderful partners...and in Solomon's case, produced a delightful granddaughter for us to love and spoil to bits.

From ****** agricultural college I went to the darkest, deepest wilds of Papua New Guinea as an Agricultural Officer, returned to Australia two years later to become a secondary college teacher in Ag Science. Easily the most satisfying profession of my life in that I succeeded in drawing the pearls of enlightenment from within the concrete mass of the, then, recalcitrant, brickheaded studenthood to realise the wonder of discovery, involvement and engender, within them, a genuine spirit of endeavour. Stepping off the boat in NZ I took a bouncers job in a rough public bar, three months later I started my own brand new tavern @ the Chateau Tongariro in the skifields of Mt Ruapehu.

Seeing a unique opportunity and with no money of my own I bought a derelict motorcamp in the small country township of National Park, named the place "Buttercup Camp" and set about making the enterprize one of the very first destination holiday venues in New Zealand. I pioneered paddle boat white water rafting on the wild rivers of the North Island, commercial adventure horse trekking in the wilderness trails, guided adventure hikes across the active volcanos of Ruapehu, Nguarahoe and Tongariro. Cheffed three course roast dinners and piping hot breakfasts for up to 150 house guests daily and initiated an alpine flightseeing business and air taxi service to and from Auckland and Wellington International to the National Park airstrip, a long grassy, uphill paddock liberally populated by flocks of sheep and/or herds of beef cattle.

Somewhere along the way I earned myself a Commercial Pilots Licence and owned, through the duration, 7 different aircraft. With the sudden fiscal collapse of tourism in the late 80s along with several inconvenient local volcanic eruptions, I divested myself from "Buttercup", moved my young family to Auckland and took up a 20 year lease of a derelict motel in Greenlane. Within three months I had converted the business into Auckland's premier truckstop providing comfortable welcoming accommodation, piping hot dinners and early breakfasts with the added bonus of a pretty young thing serving drinks in the bar....Super service with a smile for the nations busy truck drivers.
It worked like a rocket for ten years then the local matrons objected to the big rigs starting up at 4am and the Ministry of Transport and the Local Authority shut me down.

I worked the last 12 years of my serious working life as a Storeman and Plant Coordinator for a major construction company building motorways and major traffic tunnels in and under Auckland city and in rural Hamilton. I loved every minute of it all and objected furiously when they retired me at age 75.

Now I'm happily a Postman Pat in a little rural country town on the coast called Okato, have been for three years and shall continue be, gleefully, until they put me in the box. It has been a helluva run....and I wouldn't have missed a minute of it all."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Marshal: "Poetry started for me when I wrote a beautiful ditty as an exercise at high school.....and the caustic old crow of a teacher said, publicly,...."You didn't write this!" That got the juices flowing and set me off on the tangent of proving my worth as a writer....and I have never stopped."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Marshal: "Falling in love for the very first time kick started the romanticisms....it took me years to mollify that. Since then and throughout life Poetry has hallmarked discovery, achievement, white hot anger, combat and delight!"


Question 4: What does poetry mean to you?

Marshal: "It is the medium of expression which allows the spirit to enhance and colour my world."


Question 5: Who are your favorite poets?

Marshal: "Samuel Coleridge-Taylor, Emily Dickinson, WL Winter, WK Kortas, L Anselm, Victoria (God Bless her), and a character, sadly long gone from these pages, JP. All favourite poets of mine."


Question 6: What other interests do you have?

Marshal: "With the slowing of my battered body these days I commit myself to my darling wife, Janet, our kids, now grown and living out there in the big wide world, and in growing and nurturing the truly magnificent gardens of "Foxglove" ......following the All Black rugby team and enjoying the serenity of a cut glass noggin of Bushmills Irish whiskey (neat), sitting in my favourite chair, watching the sun set in golden array over the grey waters of the distant Tasman Sea, far, far below."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, Marshal! It is an honor to include you in this series!”

Marshal: "Greetings Carlo and thanks for the opportunity to unload on my fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Marshal better. I learned so much about his fascinating life. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #11 in January!

~
Below are some of Marshal's favorite poems and links to each one:

https://hellopoetry.com/poem/1620867/windwitch-of-the-deep/
Windwitch of the Deep by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/1274911/running-the-beast/
Running the Beast by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/386523/so-wetly-one/
Once, so wetly one. by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/435103/perchance-in-a-bus-shelter/
Perchance, in a Bus Shelter by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/389195/white-foggy-days/
White, Foggy Days by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/266893/cheetah/
Cheetah by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com
THERE is a blue star, Janet,
Fifteen years' ride from us,
If we ride a hundred miles an hour.
  
There is a white star, Janet,
Forty years' ride from us,
If we ride a hundred miles an hour.
  
Shall we ride
To the blue star
Or the white star?
Bring down the moon for genteel Janet;
She's too refined for this gross planet.
She wears garments and you wear clothes,
You buy stockings, she purchases hose.
She say That is correct, and you say Yes,
And she disrobes and you undress.
Confronted by a mouse or moose,
You turn green, she turns chartroose.
Her speech is new-minted, freshly quarried;
She has a fore-head, you have a forehead.
Nor snake nor slowworm draweth nigh her;
You go to bed, she doth retire.
To Janet, births are blessed events,
And odors that you smell she scents.
Replete she feels, when her food is yummy,
Not in the stomach but the tummy.
If urged some novel step to show,
You say Like this, she says Like so.
Her dear ones don't die, but pass away;
Beneath her formal is lonjeray.
Of refinement she's a fount, or fountess,
And that is why she's now a countess.
She was asking for the little girls' room
And a flunky though she said the earl's room.
Mick Devine Jun 2020
“I can see you want to,” says Miss Polkinghorne.
And I do. I smile as I hold open the pages of my Early Reader.
Which is when it happens: ‘Janet can run and John can too,’
But I myself am pinned to the desk by the photographer’s flash.
And I see the sign:
-Last black hole for 20 billion light years-
Wow!
I throw the book into my spaceship’s airlock,
Press eject, watch my childhood disappear over the event horizon.
And engage hyperdrive.
I’m five-years-old.

Goodbye Janet, goodbye John,
See me, see me, see me run,
I wonder how a five-year-old can read and fly a spaceship.
One day we will know,
In the meantime, on and on and off we go.

At eighteen, it has become obvious to me that time is not linear:
From my bubble-topped intergalacticar I can see both past and future.
They lay before me like an unfurled map of everything,
Which is how I‘m able to read the previously mentioned sign.
I have, on several occasions, been waved down on the intergalactic highway
By someone I believe to be Miss Polkinghorne.
I hadn’t stopped, “I could see you wanted to,” she would have said,
Then she’d have asked me where I was going
And I wouldn’t have known,

At twenty-five, I arrive.
As advertised, it’s a world without end.

At thirty-six, or thereabouts, I discover the Instantaneous Transfer of Matter:
Cataphlatrix Six appears suddenly in the co-pilot’s seat and wonderful she is.
However, our love-making organs don’t conjoin as well or as often as I would like
And there are other issues, (steering wheel matters).
Soon our happiness is in tatters and she begins to not-so-instantaneously fade away.
“Given you can see into the future, this must come as no surprise,” she gurgles
And is gone
Before I can tell her of the parallel universe I was counting on,
The one in which we were to live happily-ever-after as dad and mum
To a little Janet and a little John
But on and on I run.

Happy birthday to me, I’m one hundred-and-three.
The leak in the airlock blows out the candle.

By the time I turn a thousand, the gift of foresight has lost its appeal,
Every day the same surprise, and I switch off the engine.
Then I see this new black hole and realise how far I’ve come.
I pop on through.
There’s nothing here but perfect peace
And my old Janet and John book.
Which must have wormholed its way through time and space.
Look. Look. They both can run.
Good luck Janet,
Good luck John,
On and on and on and on.

Perhaps at my old school they’ve still not solved
The mystery of the boy who disappeared.
And yet I was an open book
So I’d be surprised,
Surely someone saw the faraway look in my eyes.
Is it really this hard
to find people I can go back and forth in discussion with
about Buddhist and Hindu theology compared and contrasted against Christian and Yoruba

I want to scream and shout and dance with somebody over Janet Jackson's new album
and at the same time
feel the heat and talk with somebody about how extremely sad and depressing
but oh so good Giovanni's Room was

I want to be able to speak with somebody whom can quote Malcolm X and Kafka in the same breath

Somebody who could see the logic of Pac and Immortal Technique on the same piece
with the Budos Band or Mulatu on the back track

I want to know people whom know
just exactly who
Suki Lee and Bayard Rustin are

can we talk about Jacob Kinohoor's ***
at least for a moment
then get into some B.B. King or Johnny Cash

have you seen Dune
the one from the eighties
James McAvoy shirtless
as well as John Goodman’s acting
were only good things about the other
if you read it
even better

what about the ***** that sat by the door
Or
killer clowns from outer space

let's be shady and point out all the inaccuracies on the history and discovery and channels
praying for that day
that's not in February
They show Shaka Zulu in full
without commercial interruption

Or maybe a documentary about native American people
with actual native actors
that do not depict them all as either
plains people
Or Inuit
Cause you already know
not everybody is Eskimo

then let's put on our own private production of legally blonde
followed by encore presentations of the classic scene
Of Miss Celie and miss Ofelia going in over Harpo

can I discuss with you
how the Patriot act nullifies everything in constitution
And the bill of rights
even though they never were intended to be permanent any way

It would be nice to not have to explain a Corporatocracy

all my life Ive been into Egyptology
You do know that Imhotep was the actual founder of medicine
by a good 2000 years
not that Hippocrat

the thing is
I'm still learning

when attempt to delve that deeply into people
which I don't even consider that deep
They often misunderstand
They often concluded without thinking

maybe
just maybe

©Christopher F. Brown 2015
Helen Oct 2013
It’s bad enough I’m just known as
that squiggly piece of the alphabet
but what’s worse are the jokes of
Why the long face Kevin?
Those are the times when I wish
I could give as good as I get
it's not as bad as facing the guys
with bloated stomach and ***
and have the amoebas ribbing me
incessantly
****** single celled creatures
They have an idea, but they can’t guess
Poseidon take you Janet!
for leaving me in such a mess!
You take all of me without leaving
just a single ounce of pleasure
and I’m left birthing
your demon spawn
You were just a mistress Seahorse
in disguise weren’t you?
I’m no longer an oddity
now I’m something less
*Seahorse blues
a male in distress
an oldie just waiting for rebirth... Smile for me Sally :)
Marshal Gebbie Aug 2013
Back to my land of verdant green
To feel the bite of winter chill
To know that while all this is so
That far off land enthralls me still.

That far off land of granite peaks
Of crystalline white massif high,
Of conifer which scale the *****
Of rocky outcrop to the sky.
The baking heat of desert mesa
Spread as far as eye can see
Sage bush in its fragrant aura
Tumble **** soon rolling free.
Squirrel dart on shale cascade
Of green grey slate on alpine flank
Bright blue birds in curious hover
...For this, my reeling senses thank.

Fishing boats in bright array
Adorn the West coast sheltered lee,
Crab and mackerel brim the bin
Of bearded fishermen with glee.
Pounding surf of North Pacific
Carves the rock of bastioned coast
Embryonic currents cold
Do modify the climate most.
Redwoods huge clad coastal ranges,
Bright geraniums do sing
From earthen pots outside the cafe
Hot coffee fragrant from within.

Hilarity as laughing people gather
Watch as yelling Serbs do sling
Huge silver fish across the stall
Amid Seattle's Pike's Place din.
Colour paints this market place
Flowers stacked in every hue
Noisy vendors bawl their product
Creamy ice cream cone for you.

Streaming dust in streaming hair
Scree slopes avalanche past for thrill
Mountain crevasse yawns aloof
As ATV's roar up the hill.
Wild terrain of wilderness
On mountaintop of forest fir,
Cougar, grizzly bear and wolf
In pack are found herein astir.
Atop the very precipice
We view the everlasting peaks
Magnificent in summer sun
Embalmed in snow when Winter speaks.

Freeways snake from coast to mountain
Clover leaf in junctions pile,
Forty ton trucks pull big trailers
Endless day for endless mile.
Barrel straight these concrete tarmacs
Stretching far as eye can see,
Headlong surge huge pickup trucks
But cautious eye for Sheriff be.
Roadside diners loud and raucous
Selling burgers, selling beer
Neon flashing through the night
Old ***** waitress' toothless cheer.

The years have clad our friendships well
Familiarity's warming hand
Allows resumption of our words
Despite the 40 year gap spanned.
Houseboat floats in crowded wharfage
Swimming through a clear cool lake,
Californian wine with friends
Hot chilli food and fresh bread bake.
Eye fillets grill on barbecue
See the distant mountain peaks
Summer snow endures aloft
Glows indigo as sunset speaks.

Endless skies of cobalt blue
Cloudless in the summer sun
Gracious denizens do offer
Generosity unsung.
Graciousness across the land
Across these people so diverse,
The wondrous gift of ready smile
Friendly hand and open purse.

History tells these people spoke
Electing leaders for their time
When sanity's quiet need arose
It was promulgated on the line.
With Washington and Lincoln
Through FDR to JFK,
The Presidents who bed-rocked
This Foundation for the nation's day.
Astounding, that exceptional men
Have carved this face from stone,
Have caste the global presence
That Americans call home.

I understand the feeling now,
Of pride and patriotic stance.
I understand the inner strength
Of America's great, true romance.

This poem bequeathed to our good friends who inhabit this land... Big Rich, Suzie and Mike, Our mate Stevo and Ian, Heidi, Wyatt and Cooper, Dear old Greg and his elegant lady, Holly.
But most of all, with gratitude and love, to our marvelous son Boaz and his lovely lady, Angela.

Marshalg & Janet
At "Foxglove", Taranaki... In the Southern hemisphere's mid winter.
2 August 2013
asgarth Jan 2017
come on now, you didn't think you were going to get away with not dreaming about the undead after all this business at work, did you?--that was the problem with you thinkers: all you ever did was thinking!--the truth is that you thought far too much--you should've been out there living, trying to get laid, trying to knock the hell out of the world with your next verse...but instead, there you were lying awake for hours, literally hours, and all because of what?: some witch at work who wants to run everyone's world by being what she can't help but being?--you'd even said it to yourself driving home, that she wasn't a bad person, she was just a petty and sick ******* who had to make everyone's life that much lousier, that was her "power," if you wanted to call such a thing power...but it's not like she was your boss, she'd just said something that had injured you because you'd allowed it to injure you, because it had been true a long time ago that you'd let it appear that you'd "****** up" when in truth you'd saved yourself a ton of misery by doing so--the thing itself was so small, though, that only someone who was picayune was ever going to know that you'd still felt ****** up over it...it just so happens that she had remembered and that she was just petty and picky enough to throw it back in your face at the exact right time...but how often had you said to yourself that you really needed to combat such ******* behavior by thinking as clearly as you could in the moment, by just knowing that you hadn't done anything wrong, that in most cases, you were probably smarter and more capable than whoever it was who was accusing of something ridiculous or trying to make you look bad for whatever reason...and how often had you failed in taking this information to heart, facts that would make anyone else feel good about themselves, but with you, it was just another reason why you made yourself miserable: you just couldn't translate all of these individual positive things about you into a more cohesive and positive whole--to you, you were always doing spin control to get yourself back from the edge you felt they were all pushing you closer and closer toward--and when you got there, and if you went over, what then?--only what had happened last night, which is what was happening all the time...you lie awake sleepless and fuming over feeling like you were made to look bad even understanding in the moment that you would never remember this ***** or anything she said, that you'd even forget her name in time because people like that were nothing to you, they meant nothing to you--but how long would that take?: five years, ten years?--you wanted to forget all about her now, but it's not like you weren't ever going to see her again, which is why you were getting all stressed out, because in a few hours, you'd have to drag your sorry carcass out of bed and go back there and do it all over again--so you were going to have to figure out a way to evolve through this experience, you were going to have to sort all this out in your head and get right with it somehow because in fewer than twenty-four hours, you'd be right back here, crawling into bed and asking yourself if it was going to be "another one of those nights" where you got up in the middle of the night to go to the bathroom and when you returned, found it impossible to get your mind off of anything but what had happened involving this woman, this creature, this **** who was a bought on all womankind--yes, she was really that bad, maybe not a bad person per se, but bad enough to lump her in with all the other ***** you'd ever run across in your travails in this world, these bleeding animals who just wanted the world to serve them in one form or fashion and who didn't care who had to lie facedown in the mud to do it--in such a scenario, that doomed fool lying facedown was you...but you didn't want that to be you, and at the very least you'd wanted to have your slice of revenge by having your slice of life have nothing to do with her, by being able to crawl into bed and get good sleep and if you couldn't, then let the reason be anything but having to do with her--god almighty, how many women like her had you encountered in your life, and already your father's voice was drilling down to the very core of the question: how many times had you met people like her, and how many times had you let them get to you, bother your harass you, ******* up, make you look bad, ruin your sleep, ruin your day?--and you still hadn't found a way to not give a ****, you still hadn't found a way to disconnect from caring about whatever it was that made you feel like it was your reputation on the line?--your old man was right in his own way, though: you cared far too much about how you were perceived than you wanted to believe you did, and wasn't all of this, wasn't your insomnia over this ***** the proof of it?--and now you were going back to your old nervous habit of chewing at the dead skin of your fingers, watching them become gnawed and decayed and all because of this nonsense you had let go to your head--and you wanted to think therapy had made you better somehow, that it had opened up the pathways in your mind to the "self-talk" that was going to save you?--did you call this bit of torture salvation?--but no, it wasn't like this every night, it really wasn't...only when things got to you, only when you were stressed out...but still, the question should be, "why do you allow yourself to get stressed out over situations out of your control?"--invariable, it all leads to these dreams where the undead find you wherever you go to run and hide, and last night you'd gotten especially clever and told yourself if all else failed, you could hide in the walls, and yet, you had seen her climb into those walls, which is when you knew even your dreams were smarter than you--enough was enough though, right?--no way on earth or in hell should you allow any of this to continue: you were a grown-*** man in his mid-forties, you were a hard worker, you were good at what you did, and more than anything else, this ***** did not get to decide what kind of a person you were--you needed to detach yourself from the idea that she was going to make your life a hell, that she was going to do this or that to you because what was all that anyway?--it was just worry atop worry, and all of it was useless and needless, all of it was based on fear and as you'd been asking yourself for the last few decades, when had fear ever served you?--all of this only seemed like you were in prison, but it was one you had built for yourself...wasn't it bad enough your old man had drilled into you not just those words of criticism about how you'd let everything "get to you," but also that he'd made you care so much, too much, about what others thought because you were always trying to please them just like you were always trying to please him?--and how often had you been able to do this successfully to the point where you didn't have to try so hard anymore?: never--you had never succeeded in such a venture because there was always another hour, another day, another task for you to accomplish to another's satisfaction...this was the paradigm you'd been locked into...but it wasn't too late, for look, just look at how you'd analyzed all of this, at how wonderfully you'd dismantled all the **** that surrounded the real reason why you wasted others to accept you, to find you and label you as "good"--that never would've been possible before, you would've just stayed awake the whole night long and woken up in a foul mood and let it ruin a new day...but not anymore, right?--well, almost: because while the slogan "knowledge is power" seems like an empowering one, what is it really?--do you feel any more powerful than you did before you started having this conversation with yourself?--were you going to be able to make all this ******* in your life disappear just like that(!) because you'd suddenly figured out that you wasted people to think highly of you because you'd never been able to get your father to think highly of you?--no, no, because there you were turning over and over in bed trying to unlock the thing that would let you live again, that would let you sleep again...there you were begging for mercy, for a clue as to how to do this nightwork within you, for it felt like you were being made to dig your own grave whenever this happened to you, and the deeper you dug, the more out felt trapped in that hole you'd just made deeper--what else could you do but make it deeper?: but when had you looked up, when had you asked if you couldn't just dig your hands into the packed earth and climb out?--this is how and where your imagination had failed you, for yes, you had managed to fal, back asleep, it hadn't conquered you quite so much...but here you were being presented with the facts all over again that it would happen again and again and that you were doomed to allow it to because, really, who didn't want others to think well of them?--you were always going to be human--
Trevon Haywood Dec 2016
This past year was a ******
Looking back, it kinda makes me wonder
How it came and went and **** near took everyone under
Its crazy out here and even though it was tough
I'ma run it back, this is 2016 Rap Up

Denver won the Super Bowl, Cam came up short
Leo got his Oscar and El Chapo got caught
They got mosquitoes with the Zika, so don't get bit
Peyton and Kobe Bryant both called it quits
I gotta admit, Fam, I get mad as ****
When I swipe my card and they say "No, You gotta use your chip"
**** Daniel, "Hamilton" was lit
Who let Kanye West get 53 million in debt?
And Rihanna went to work without taking a pause
ISIS popping and y'all worried about bathroom laws?!?
Come on, fam
How that sound?
So we out here standing up
Just so y'all can sit down?
Warriors went on a streak and then they got served
Panda was a hit and we couldn't understand the words
Huh, and Khaled kept snapping
These youngins keep mumbling
I guess y'all call that rapping
I've seen "Stranger Things", come on dude
Y'all out here shooting gorillas and punching kangaroos
Janet Jackson pregnant at 50, dog
So for you ol' broads, there might be some hope for y'all
I ain't throwing shade, it ain't that deep
**** I don't want nobody out here ******* with me in these streets
Then Birdman ran up on Charlamagne
And Lil' Wayne still not 'puttin' respect on his name'
Michael left Kelly trying to get paid
But the world stopped when Beyonce dropped Lemonade
She slayed, and over-shared
And ya'll still trying to find out about 'Becky with the good hair.'
As far as questions, I got one
"Hey Hov and B, is y'all finished or is y'all done?"
Son, I don't know if it was fake
I know KD did the running man challenge all the way to Golden State
The whole year made no sense
Dog, we live in a world without Muhammad Ali and no Prince
Then Gucci came home
And he looked so different y'all was like, "naw, that's got to be a clone"
Y'all was glued to y'all phones
And LeBron got it done for the Cavs and brought the chip back home
Snapchatting all over the place
I swear to God, if I see one more girl with a dog on her face
It was a sad year for sure
Instead of being woke though
Y'all wanted to play Pokemon Go!
And rap got weird, should we be concerned?
Young **** in a dress, Yung Joc got a perm
And everybody was in the Presidential race
Ryan Lochte, Oh he gets the Michael Phelps' face
Game and Meek beefing, Hillary and Trump
Kap took a knee, T.I., Brad Pitt got dumped
And Trump said he going to build a wall on the border
Ya'll will probably go to flip bottles water
The snow storm had the East underground
The kept shooting black men but wouldn't shoot killer clowns
They kept telling us to use our voices
Knowing **** well they ain't really give us no choices
Get an iPhone with no headphone cord
Or get a Galaxy and go and meet the Lord
See they go low, and we go high
You only got two friends. Why you trying to go Live?
I'ma miss the Obamas, I don't wanna see them go
My prayers to everyone that we lost in Orlando
The Oscars were so white they had to get Chris Rock
And the album of the year had to be Anderson.Paak
Cubs finally Won, Usain was on fire
Melania Trump hired the wrong ghostwriter
I'm petty with the manners
'Cuz I think Kim K. got robbed by Joanne the Scammer
Ooouuu
Biters keep testin' me
They making rappers, but they ain't got the recipe
Huh, Yeah that's facts
Shout to Young M.A. for bringing New York back
And I hear y'all talking about "Kanye is fine"
Well to us it look like Kanye done lost his mind
Cowboys kept ballin', them boys in the zone
Bryson Tiller came along, kept telling us "Don't"
I'm highly favored
I clap back on my haters
I be the beans, greens, potatoes, tomatoes
The mannequin challenge, oh, that's how y'all feel?
The World moving dog, we can't just stand still
Beyonce made sure y'all got in formation
One time for Phife Dawg from the Zulu Nation
Did Drake bag J.Lo? I say kinda
But y'all was all up in arms over Rob and Chyna
And that's a new level of female pimping
Biggest L of the year goes to Hillary Clinton
You ask me, man, I thought she had it made
You ask me now, ****, I think we all got played
Another sign of the times
And now the whole World laughing at us, sounding like ChewbaccaMom
2016 was a bully and a punk
On top of that, now we gotta deal with Donald Trump?
Pardon me, as I vent
Bro, we made a reality star the President
And that just makes me sick
Talking about, "We gotta give him a chance." Naw
I ain't got to give him ****
It's going to be hard to cope
Because you can't have progress, dog, if you don't have hope
More pros, less rookies
And if America's ours, how we let it get grabbed by the *****?
They say I sound mad, off the cuff
Oh, I sound mad? Y'all don't sound mad enough
So from here on out, we gotta set the tone
Y'all protect yourself and protect your own
And way too many people got called back home
2016 you can go, and I'm glad you're gone
Felt like a long bad dream
I'm wishing you love and life, Welcome to 2017.

Skillz 12/31/2016.
Marshal Gebbie Jun 2013
I laid my hand on soft white skin,
Curled my toes around your shin
And smiled a smile in secret dark...
Incredible how my fortunes park,
In such a place, at such a time
When all is so sublime....sublime.

So tender as you softly snore
Into my ear, so near, no more
The tensions of an earthly day.
With you so near, it's all OK.

In the big soft bed @ Pukehana Paradise.
(on a sleep in Sunday morning)
9 June 2013

— The End —