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O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Robert Melliard Sep 2011
They never bought each other diamonds,
rubies, sapphires, pearls or gold.

The only precious things they keep
are memories of days they spent:
on golden coasts with turquoise seas;
or viewing snow- enamelled peaks;
tangled up in bed;
or simply playing with their children;
or dining out with friends.
Sweet, I blame you not, for mine the fault
was, had I not been made of common clay
I had climbed the higher heights unclimbed
yet, seen the fuller air, the larger day.

From the wildness of my wasted passion I had
struck a better, clearer song,
Lit some lighter light of freer freedom, battled
with some Hydra-headed wrong.

Had my lips been smitten into music by the
kisses that but made them bleed,
You had walked with Bice and the angels on
that verdant and enamelled mead.

I had trod the road which Dante treading saw
the suns of seven circles shine,
Ay! perchance had seen the heavens opening,
as they opened to the Florentine.

And the mighty nations would have crowned
me, who am crownless now and without name,
And some orient dawn had found me kneeling
on the threshold of the House of Fame.

I had sat within that marble circle where the
oldest bard is as the young,
And the pipe is ever dropping honey, and the
lyre’s strings are ever strung.

Keats had lifted up his hymeneal curls from out
the poppy-seeded wine,
With ambrosial mouth had kissed my forehead,
clasped the hand of noble love in mine.

And at springtide, when the apple-blossoms brush
the burnished ***** of the dove,
Two young lovers lying in an orchard would
have read the story of our love.

Would have read the legend of my passion,
known the bitter secret of my heart,
Kissed as we have kissed, but never parted as
we two are fated now to part.

For the crimson flower of our life is eaten by
the cankerworm of truth,
And no hand can gather up the fallen withered
petals of the rose of youth.

Yet I am not sorry that I loved you—ah! what
else had I a boy to do,—
For the hungry teeth of time devour, and the
silent-footed years pursue.

Rudderless, we drift athwart a tempest, and
when once the storm of youth is past,
Without lyre, without lute or chorus, Death
the silent pilot comes at last.

And within the grave there is no pleasure, for
the blindworm battens on the root,
And Desire shudders into ashes, and the tree of
Passion bears no fruit.

Ah! what else had I to do but love you, God’s
own mother was less dear to me,
And less dear the Cytheraean rising like an
argent lily from the sea.

I have made my choice, have lived my poems,
and, though youth is gone in wasted days,
I have found the lover’s crown of myrtle better
than the poet’s crown of bays.
O make me a mask and a wall to shut from your spies
Of the sharp, enamelled eyes and the spectacled claws
**** and rebellion in the nurseries of my face,
Gag of dumbstruck tree to block from bare enemies
The bayonet tongue in this undefended prayerpiece,
The present mouth, and the sweetly blown trumpet of lies,
Shaped in old armour and oak the countenance of a dunce
To shield the glistening brain and blunt the examiners,
And a tear-stained widower grief drooped from the lashes
To veil belladonna and let the dry eyes perceive
Others betray the lamenting lies of their losses
By the curve of the **** mouth or the laugh up the sleeve.
Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
THE island dreams under the dawn
And great boughs drop tranquillity;
The peahens dance on a smooth lawn,
A parrot sways upon a tree,
Raging at his own image in the enamelled sea.
Here we will moor our lonely ship
And wander ever with woven hands,
Murmuring softly lip to lip,
Along the grass, along the sands,
Murmuring how far away are the unquiet lands:
How we alone of mortals are
Hid under quiet boughs apart,
While our love grows an Indian star,
A meteor of the burning heart,
One with the tide that gleams, the wings that gleam
and dart,
The heavy boughs, the burnished dove
That moans and sighs a hundred days:
How when we die our shades will rove,
When eve has hushed the feathered ways,
With vapoury footsole by the water's drowsy blaze.
753

My Soul—accused me—And I quailed—
As Tongue of Diamond had reviled
All else accused me—and I smiled—
My Soul—that Morning—was My friend—

Her favor—is the best Disdain
Toward Artifice of Time—or Men—
But Her Disdain—’twere lighter bear
A finger of Enamelled Fire—
I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.
I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.
Fair isle, that from the fairest of all flowers,
  Thy gentlest of all gentle names dost take!
How many memories of what radiant hours
  At sight of thee and thine at once awake!
How many scenes of what departed bliss!
  How many thoughts of what entombed hopes!
How many visions of a maiden that is
  No more—no more upon thy verdant slopes!

No more! alas, that magical sad sound
  Transforming all! Thy charms shall please no more—
Thy memory no more! Accursed ground
  Henceforward I hold thy flower-enamelled shore,
O hyacinthine isle! O purple Zante!
  “Isola d’oro! Fior di Levante!”
Jas Citrine May 2014
His Dark Angel smiled;
cold lips warmed by passion.
The trance compelling.
Desire for the flesh burned
in immortal rage.

The snow fell.

His Golden Muse lay slain;
warm blood cooled by liberation.
The death an afterthought.
Indifference for life
in mortal depression.

The snow fell. The winds rose.

A spirit retreated to the
only embrace that remained.
The Angel stirred in the shadows.
A knife fell.
Taking the bloodied hand
he clasped it tightly in his.

The snow fell. The winds rose. The tears froze.

The pages of his life blood
lay scattered across the snow.
Like a sacrificial alter
the volumes were placed.
The temple now erected.
Each author a contributing artist.
The funeral pyre now complete.

The snow fell. The winds rose. The tears froze. The flames danced.

The fire scratched violently at the frosted air;
each enamelled finger reaching out in horror.
Ashes twirled, battling the soft white flakes;
angels and demons seeking one final act of sovereignty.
He glared through the flames, motioning to step forward.
He firmly gripped the stained hand, holding it ever nearer the
flame that writhed in its own tormented agony.
There was scream that emanated like a banshee, yet ended in the flames…

The snow fell. The winds rose. The tears froze. The flames danced. The end marked.
[By Jas Citrine (Jovial); Submitted May 24, 2014; Copyright 2014]
-- Nov 2017
Deep earthen roots, gold arrow-tips,
Sounding rush of green applause
Now, trees and bark stretch to
Higher lows of raptured skies.

Wide face of etched ranks and--
Here His marks tread and silence falls
Quite tenderly under winding timber,
Woodworks, Tree-rings, bound around
As clocks tick to celestial Grange's face.

His deeds show across baked-ancients
And those whose sun came creeping under
Horizontal terms and periods-- in lapses
when Time held his own--

On winding old branches with buds smelling
Young n' green n' poking free from yellow scars,
Time garnered his people, his children and dead,
housed them in ticks and tocks and surnames,
For Twilight's enamelled hubris to bathe them,
Wash them.

To set them in winding bark,
And brand them in Himself,
In Winding Tree-tocks.
Trees carry the marks of Father Time well into ancient swells of the earth, and so then carries marks of us with it.
Sydney May 2016
Show me all your sides
Let me trace your angles with my tongue
And bite your edges with my enamelled teeth.
Show me all the ways in which you curve
And I'll demonstrate my own contorted corners.
Lay your blueprints on the table
Let me wonder at the architecture of you.
Trace your plans onto thin paper
And we can tessellate;
until you're happy at last .
Thomas H S Ung Dec 2015
A cross I wear upon my hand
Enamelled black on silver band--
A ring which speaketh story old,
"Memento mori." writ in bold.
11 Dec. 2015
Or: "The Ring"
Nigdaw Feb 2020
enamelled armies
draw up battle lines
inside the cave of my mouth

as I sleep
they fight the war of stress
that rages in my head
shattering incisors
grinding molars
into paste

no one is going to win
no one is giving up
pretty soon I won't have anything
to smile about
Madhumita Oct 2017
A greek statue I built up.
Strong, with character.
Glorified, enamelled.
Built to last centuries.

Arms stretched out,
they could bear the weight of the world.
Legs, sturdy,
Anchor for the genius.

Chest broad,
Wide with generosity;
Head raised up,
ready to face the world.

Rains came,
soiled the marble.
Winds ate away
At the marble crumbs

The earth shook,
Fault lines on the statue,
Just the same as,
Fault lines on the earth.

Fires burned away,
tainting the skin.

The cycle repeated.

The statue betrayed its truth,
The sand that it was.

I grew up,
realized the man that I was.
Zizaloom Oct 2018
And when our backs are skimmed
And that the dull rain comes crashing down
Our shoulder blades in cascades and lips quivering, jingle bells
Play one of those symphonies, we never forget

And when we speak on a blue day just like the other days
And arms over head and hair tangling
You will bite the hook
Become mediocre and
Hollow in ebony
Look at the sky where we will find ourselves

The enamelled fruits
The fish twirling
Out of gentleness, out of modesty
From flippancy without rebellion
From appearing to being
And the being to appear
We will train ourselves in chains as we will be

It's the man who kills himself
Hanged by his ****** thoughts
Bruised by foolish happiness
And visions without life
At the bottom of the gorge
The color of a rose
The ravines and the good
The bad
And the people
Moans and mooing
A funny grazing cow
Falls and without shame
Gets up and guards
It's udder pink looks
Strange

Our backs are denuded
Sullen rain, Sabbath
Our shoulders clenched and frozen
Our lips covered in frost
Let us play one of these symphonies
The ones we never forget
Since the moment has marked itself,
And will disappear forever with the rain remains and rising winds,
As the end of our days
nivek Jun 5
a perfect pristine enamelled mouthful
hold back the serpent
living at the top of the bottomless cavern

— The End —